#do I put this in the writing tag? why not. I can take it out later if I feel like it. but I like the flow.

[mischievousmoony]

Omg I love ur James fics. You think you could do one where reader finally feels comfortable getting drunk while going out with their group because she knows James is there to take care of her. Ur drunk reader x James interactions are too cute. I feel like I always have a hard time letting go cause I’m afraid I’ll need to take care of my other friends haha. Love your work!

thank u love! i have fun writing them, i just know james would be so caring! ps thank you for being patient ik this request came in a while ago

𝚊𝚗𝚘𝚝𝚑𝚎𝚛 𝚛𝚘𝚞𝚗𝚍

⟢ james potter x fem!reader ⊹ 1.0k ⟢ warnings/tags: intoxication (i think that’s it but lmk if i missed any pls)

── ⋆⋅☆⋅⋆ ──

"But what if Sirius tries to get a new tattoo again?" you ask, twisting back and forth with a steady squeak, squeak, squeak of your barstool.

James clasps his hand on your shoulder, turning you one last time to face him. "Remus is watching him."

"What if Marlene tries to go on another one of her adventures?"

Marlene has a knack for getting herself into precarious situations when she gets drunk, which she likes to call her “little adventures.” Usually, this means going home with a stranger, whether it’s for a hookup or to steal their lightbulbs because they looked at her wrong.

"Lily’s got her.”

"What if I do something stupid?" you ask, now swinging your legs. The nerves eating away at you just won’t let you sit still.

James puts his other hand on your knee, soothing you with a gentle squeeze. "I'm watching you," he says. After thinking it over for a moment, he adds, “And I don't think you'll do anything stupid. Even if you do, I'll do something more stupid so that nobody notices."

This earns him a giggle from you, and he’s happy to see you smiling. He picks up your glass, which is now covered in beads of water, plenty of time having passed for condensation to run its course. He dries what he can with a napkin because he knows you hate when the droplets land in your lap.

You once asked him why it happened, even though you knew the answer. He simply told you it was science.

“Science is stupid,” you had said, eyes fixating on several small spots of water soaking into your jeans.

Now, James wraps your glasses with napkins. He holds out your drink, a black napkin enveloped around it, as he asks, “You want to do this, right?”

You peek into the glass and watch the dwindling ice cubes swirl around in a vodka cran; a drink that James had called “beginner friendly.”

“Yeah,” you answer shyly.

James frowns. “It’s okay if you’ve changed your mind.”

You chew your bottom lip, thinking it over. A part of you wants to forget it, but another part of you knows you’d be disappointed in yourself for chickening out again.

You wrap your hand around the glass, cringing at the squish of the soggy napkin beneath your fingertips. You don’t know what’s worse: this feeling or the water dripping all over you. But James’ attempts to help make you feel warm inside, so you don’t complain.

“No, I still want to do this.”

“Then I’m here for you. Promise.” James gives your knee another squeeze.

You cast a look toward your friends. For years, you've nominated yourself as the designated driver. Or you've claimed to have early morning obligations. You've always felt better knowing someone sober was around to deliver plenty of water and carb-rich snacks to your incapacitated friends.

That was your excuse, anyway. Not that it isn't one of your concerns, but truthfully, something about drinking makes you feel uneasy. You always knew your friends were safe because you've been there, ready to hold back anyone's hair or stray them away from bad decisions. If you drank too, how could you be sure your friends would have someone to depend on? How could you be sure you would have someone to depend on?

Then, you started dating James, and you found a level of trust you never knew was possible. You know you can depend on him for anything.

When you admitted to him why you never drink when you go out, he swore up and down that he would be there for you.

Remembering his promise summons a wave of courage. You shoot James a nervous smile, and take your first sip, scrunching your nose as it burns your tongue.

"This is kind of gross."

James barks a laugh, "We can try to find something you'd like better next round. That is, if you decide to have another."

Feeling brave, you do have another. That's when you discovered something called the Cosmic Lemon Fizz; a drink that sparkles with edible glitter and manages to be blue, green, and yellow all at once. You laughed when you saw it, not knowing how in for it you were.

"Jamie!" you exclaim after taking a sip of your third Cosmic Lemon Fizz. "This tastes like happy feels!" you gasp as if the thought had just occurred to you, despite this being the fourth time you tell him.

"I bet it does!" James cheers. His eyes wrinkle in the corners as he beams at you.

"You should try one!" you declare, and immediately try to flag over the bartender.

James smoothly takes your hand, stopping you as he says, "No can do. Made a promise to a pretty girl that I wouldn't have a drop tonight."

You whip your head around. "Who!?" you ask, eyes wide.

"Who do you think, pretty girl," he says, poking you in the side.

Giggles escape you and you swat his hand away. He doesn't go far, lifting his arm to brush some stray hairs out of your face. His hand lingers on the side of your face, soothing the pad of his thumb against your cheek.

You lean into his touch, gazing up at him with an affectionate glaze in your eyes; a look that gives him butterflies.

"Wowww," you say dreamily. "You're handsome."

James feels his heart flip in his chest. "Thank you, love," he says, a soft smile playing at his lips.

"Hey," Sirius says, appearing out of nowhere as he lazily throws an arm over your shoulders, "How's it going over here?"

While you're distracted with Sirius, James waves over the bartender and replaces your drink with water. The next time you reach for your glass, you hesitate.

"Where's my cosmo magic fizzy thingy?" you ask, an eyebrow raised as you glance at James.

"You must've finished it," he shrugs, acting clueless.

"That's like the oldest trick in the book. You replaced it with water and now you're trying to be sneaky!"

"I don't know what you're talking about," James feigns innocence.

You giggle, bringing the straw to your lips. "I knew you'd take care of me. I love you," you say, happily sipping your water.

James feels another eye-wrinkling smile break out on his face. "I love you too, pretty girl."

── ⋆⋅☆⋅⋆ ──

[bloggingboutburgers]

I think everyone will benefit from properly tagging posts. xreader fics abd ship fics ONLY include the relevent _x_ tags but none of the character's name on its own, allowing all the usual fanart, theories and such to stay on the main name tag and not be crowded out by horny fanfiction (I say this as someone who very much enjoys very horny, very smutty xreader fanfictions. I want to be able to search the fics I want directly without having to trawl through headcanon posts, fanart, unrelated ship posts, etc.).

No one really has a tailored experience on the internet (I'm glad tumblr is at least a little more user dictated than advertiser algorithm based), but I do get the frustration and discomfort that comes from the abundant hornyposting feeling inescapable.

It's tempting to take offence to persistent cries against xreader stuff. I like special POV episodes of shows for the same reason I like xreader fics. My favourite characters WERE the company I kept, my only real form of companionship (albeit simulated) for many many years. Not because I am allo, basically. I sought something to meet my social needs growing up where I was unable to find community or companionship in real life.

Unfortunately, because they are usually sexual in nature I just came to associate a need for human connection with sex (so am I allo or just conditioned to blend sexual, platonic and romantic feelings and actions together?). I was just happy to feel like I had someone to hang out with. I knew they weren't real and that I needed to find real people to connect with (not for lack of trying, kids are just cruel. Finally made friends as an adult, yay).

Didn't intend for any of that to be so sad or pathetic, but hopefully it gives context for the prevalence of xreader fics. Alongside the varied reasons people write / read them (no just blind allo horniness), especially in light of the widespread loneliness epidemic over the past decade.

It's still more than ok to not want anything to do with them either (be it due to being aroace or not - I know plenty of allos who find xreader fics cringe).

Something I need to clarify here – we get it. Well, we don't fundamentally get it, but trust me, we've been told time and time again why people would write/draw/be into xreader content (it's all part of the package of "aroaces MUST put themselves in allo people's shoes at all times"), and we know they're perfectly legitimate reasons, and we don't find it sad or pathetic, or cringe. At the very least I don't at all. That's not what it's about. It's not something as surface-level at that.

The thing is... The same kind of understanding effort is VERY rarely put forward in return for us. And the fact that we're perceived as naysayers is symptomatic of this. We're not crying against xreader content. People are free to do whatever they want. We just want it to be tagged to keep ourselves safe, and so we can appreciate some variety and find fandom content we can properly connect with with the identity we have.

The issue isn't that there is xreader content, or heck, that there's lots of it. It's that, as @kaoruko-han put it, "everyone is assumed to be into this", and that you can't express something as simple as "I'd rather read something else" without being finger-pointed as a villain.

Yeah, no one has a tailored experience online, but there's still a very clear lack of balance on what is acceptable to tailor to or not (and for us, that includes tumblr). And trying to find fan-content while being sex-repulsed? Bruh, you'd better pray on your lucky stars and be ready to trudge through an ocean of stuff that's loaded with the very thing that makes you scared, uncomfortable or downright triggers a feeling of sickness in you, because a lot of it ain't tagged. An alarming amount of people don't bother, because why would people like you exist, right? There's only ever them, and puritan bigots. It's that black and white in a lot of people's heads.

Here's the difference though: we, too, want people to be able to vibe to whatever fan content they want. We just wish "people" included us properly in this case. As it stands now, trying to find fan content that won't give you an uncomfortable feeling as a sex-repulsed person feels kinda like this (I'll try to illustrate that to the best of my ability as a vague comparison, please no one take that as a clear parallel, I'm literally just trying to explain how it feels in a way people who have no idea how it feels might understand): you're not into gore at all, you don't wanna look at it, but your streaming platform keeps recommending you those series that are loaded with gore. You try to filter it out, but no matter where you go, you keep being recommended those series. And no one ever gets your discomfort and you're being branded as nothing but a wet blanket for not wanting to see gore. It's kinda like that.

At this point I admire sex-repulsed or romance-repulsed people who still TRY to find anything at all in fandom spaces. I've stopped reading fanfic altogether and I've largely stopped engaging with the large majority of fandom spaces for those reasons. And that wasn't an easy choice, or one that I find fun because it feels incredibly lonely, but it's the result of years of exhaustion and strain on my mental health trying to navigate something that's so hostile to me at its core, even if it's unintentional.

So... Yeah. We know the reasons, just like the content itself, they're kinda impossible to ignore. But we are largely being ignored in this, and it's not just something at an "ick" or "picky" level ; for a sex-repulsed person, being spammed with sex entails much more than that. It's not even frustration anymore at this point, it's downright despair a lot of the time. So... Yeah, like you said, everyone would benefit from stuff being more properly tagged. For us it'd be so huge to know our safety is taken into account – that we're taken into account at all. Thing is, we're not, and we're so invisible in this and most other things that at this point, I don't have much hope. Sex-related controversies allo people can understand would sooner create a change than anything done for our sake.

[diazheartsbuckley]

🎓🎓🎓

❤️‍🔥❤️‍🔥❤️‍🔥

⛪️⛪️⛪️

Hello dear 💗

Make me write ✍🏻

NSFW under cut

🎓 🎓🎓🎓

“I could get fired if anyone found out about this” Eddie breathes out against the soft curve of Buck’s neck, slipping his hands underneath the hem of Buck’s shirt. A wave of heat connects with his fingertips, almost luring him in and at that moment, he knows that he’s lost. Lost in the feeling and taste and smell of one Evan Buckley. And he knows that he wants to stay there for as long as he possibly can.

Firm hands connect with his hips, pulling him closer and then make their way into Eddie’s hair, slightly tugging at it and Eddie hates how easily that sends all the blood rushing from his head to his already aching cock.

“Better make it worth your while then” Buck murmurs, opening his eyes to look at the man in front of him and their lips connect in a sloppy, passionate and almost dirty kiss as Buck yanks at Eddie’s shirt, sending buttons flying everywhere around them.

“Mhm… I really liked that shirt” Eddie breathes out against Buck’s lips, then glances down at his naked chest and Buck just smiles, looking immensely pleased with himself.

“Liked being the keyword here, professor. Semantics are important, you taught me that” Buck whispers before his lips graze against Eddie’s bare nipple.

❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥

“Why the hell do you never know when to shut up?” Eddie hisses through gritted teeth and Buck’s smile just grows bigger, knowing whatever Eddie is going to do to him is going to be the best thing that ever happens to him.

“Guess you haven’t given me reason to shut up yet, lieutenant” Buck tilts his head as he slowly unties his sweatpants, letting his fingertips slip beneath the waistband as he never loses eye contact with the older man.

It sends Eddie’s blood pressure rocketing to see Buck touching himself and he’s barely even doing anything - until he is. Eddie sees Buck’s hand grabbing around his own cock and he slowly begins to jerk himself off without ever breaking eye contact.

“Enough!” Eddie raises his voice but Buck doesn’t stop, it only seems to egg him on and soon he begins to moan too, panting Eddie’s name as he touches himself. It only takes Eddie four long strides before he makes it across the room, grabs Buck by the wrists and pins him up against the wall, ass pressed against his cock and he can tell that it’s giving Buck exactly what he wants.

He backs away and to his surprise, Buck stays in place but reacts to the sound of Eddie opening his belt buckle, pink lip tugged in between his teeth as he watches Eddie getting fully undressed. “Instead of mouthing off, I think we should put that mouth to good use” Eddie spins Buck around and Buck almost instinctively drops to his knees in front of him and all of the dirty fantasies that Eddie has ever had about this moment could never do the real thing justice.

⛪️⛪️⛪️⛪️

“Los Diablos Rojos? Eddie, those guys are bad news” Buck says, frowning a little. He hears how it sounds, coming from him, as if he hasn’t done regrettable things in his life and as if he hasn’t made people hurt and suffer.

But Eddie is out of that life now. At least he’s supposed to be. And Buck feels an instant wave of anger and guilt washing over him, because he has a feeling that this has something to do with him. They’re using Eddie as leverage to make him back out of a deal with another gang.

“Yeah, you don’t have to tell me that” Eddie mumbles, a bitter taste in his mouth forming in his mouth as he gets a moment to think about his past.

This is why he doesn’t let anybody in. This is why he doesn’t trust anyone. Because people get hurt. Because he gets hurt. And the last thing he wants is for Buck to get hurt.

A tag for the wifey @tizniz 💗

[justsalpals]

And in this moment I became obsessed with G13

what if I was a shitty little oily hacker guy, looking out only for myself. what if I had a small ring of like minded cyber criminals, maybe my friends, maybe willing to stab me in the back at a moments notice, maybe that's what friendship means to us. what if I worked for the feds and the criminals and above all for myself.

what if a world of explosions fell flat with static. what if chosen family spat the same predictable lines. what if I was a hacker, and the world was code. what if.

what if a little old woman fell right into my brain, sweet and useless and real. real real real.

and if I reached out -let the code of my mind fill in her blank spaces- and tasted what it meant to be real.

[mammomlette]

People don’t talk about MC needing to wear a magical ring to not accidentally yk cause NATURAL DISASTERS with their powers??? Not only accidentally but without realising???

Diavolo or smthn is asking too much of MC or being a bit too annoying and their other hand slowly drifts towards the ring and they hold onto it while maintaining dead eye contact. Like continue to piss me off hoe I’ll blink and blow a hole in your castle idk

Obv they never do it (or do they?) but the threat is there and it’s a risk dia (or whoever but I’m using dia) can’t take

[triglycercule]

if dust takes off his hood and scarf then nobody can recognize him. he has literally no permanent traits that make him recognizable (which actually kinds upsets me because,,,,, there is no physical representation of his character development from sans to dust BUT EAAHHHH whatever,,, we cope with it.) but in like a silly goofy comedic way. it's like perry the playapus ans dr doofenshirmst (incorrect spelling but only by societies standards)

dust with hood down and no scarf

killer: a sans?

he puts on the scarf

horror: a GENOCIDE sans???

the hood goes up

killer: DUST SANS AKA MURDER SANS AKA DUSTTALE SANS FROM HIT AU DUSTTALE?????

horror's skull breaks a second time on the other side from sheer shock

[mcybree]

Thoughts on 3rd life mirror birds. 3rd life big dogs. 3rd life property police. They fascinate me and I think you have thoughts on them but I might be wrong..either way

i do in fact have thoughts on them but i think if i talk about 3l!flower husbands publicly any more rn I’ll get so self conscious I’ll explode on the spot. this being said i have still yet to watch evo but its been on my list for forever bc of 3l!property police specifically… i really love martyns petty grudge against jimmy for those first two episodes he acts like he’s 12 and really pissed off on the playground. anyways i think that martyn going from being concerned for his friend to Just Fucking Lying to split up Scott and Jimmy, because he took personal offense to Jimmy being unwilling to drop everything to go live with him on the spot is the funniest thing in the world. Girl it’s not about you

[blubble-lake]

it's been over 2 weeks and this thing (unfortunately) still has a grip on me

[medicinemane]

Honestly a lot of the time, it's not even about people having to agree with me, it's about needing to know that they actually heard and listened to what I had to say even if it didn't persuade them

Just... some basic indication that there's enough respect to give a shit about what I said, and also to make sure that they disagree because they actually disagree and not cause they just didn't bother listening

It's all I really ask

[weldfists]

thinking abt sett and cannibalism as a metaphor for love

[chiistarri]

what if instead of messaging me in the middle of the night about your stupid fucking girlfriend and your stupid fucking problems with her you actually act like my fucking friend and message me like how you message everyone else in our group

[toxiccaves]

I didn't know what you meant exactly by airbrush drawings but the next time you offer to do some I'll definitely ask for one. They look sick!!

ahh tysm! I'm glad they had a good reception since theyre so fun n quick to do (provided im not doing a bg tho lol) I was thinkin of offerin it as a commission option if i open those again (since im currently jorbless.. been considerin 'em!) but i might take requests if i stream this weekend!

[catastrxblues]

good morning it is now 4 am and i have just finished watching atonement good night

[bylertruther]

thinking about how lonnie only ever cared about will when he died and that was just to profit off of his death + will giving a girl he doesn't know his toy truck just because she's crying and he thinks she needs it more even if he knows joyce can't buy him another one + one of the very first things will did upon waking up in the hospital was ask if jonathan was okay + will telling them to close the gate in season two even though he's part of the hivemind and that would've killed him, too + will breaking his own heart by confessing his feelings and giving mike the painting he's spent so long on but saying that all of it came from el thus sacrificing his own wants and self to again help others + how that same selflessness and self-sacrificing nature of his is going to undoubtedly rear its head in season five again because he's at the center of it all and it all goes back to him and vecna is a creature that feeds off of n fans the flames of pain and guilt... feelin very scared n anxious in this chili's tonight over this actually 😳

[sttoru]

⠀ 𝝑𝑒 ⠀⠀ 𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒. you show your husband some affection, thinking you two were alone - only to be interrupted by your son.

tags. dad!toji fushiguro x wife!female reader. fluff, suggestive. mentions of toji developing / having a dad bod. & reader having a mom bod. reader gets called ‘princess, mama (by gumi)’. baby gumi waking up bcs of a nightmare. excuse me - not beta read bcs i was half asleep when writing this rt_t

“tooooji,” you smile as you enter the kitchen. you’ve put megumi to bed - finally - and have the chance to spend some one-on-one time with your dear husband. both of you deserve the rest after a hard day of work.

toji has been putting the dishes back in their designated spots whilst you were away. the dark-haired man turns his head to the side once he feels a pair of arms wrap around his waist. a small grin tugs at his lips, “missed me, princess?”

you roll your eyes. even if years have passed since your marriage, toji has not stopped using that specific nickname for you. he loves calling you ‘princess’, because that’s what you’ll always be to him. in his eyes, at least.

“mhm,” you decide to indulge him. you bury your face into his broad back, feeling the muscles he’s worked so hard on obtaining. after megumi was born, toji did let himself go for a bit, but that is a good sign.

it means he’s content with his life - this peaceful life that he’s settled down for with no regrets. no more being reckless, no more battling for money; he’s now got a family to come back home to after all.

“is the little brat asleep?” toji asks while putting the last dish away. he’s visibly enjoying your warm hands that have slid under his shirt. your skin is so soft to the touch compared to his.

you chuckle and nod to his question. “gumi’s sleeping like a baby,” you rub your husband’s stomach gently, feeling the little bumps of his fading abs. you’re loving his new body - just as much as toji loves yours.

toji turns around to face you, desperately needing to return the favor. he can’t get enough of being with you. his rough hands grab your waist and bring you closer against his body, until your chests are nearly touching. he lowers his head to your neck, “that means i can show my wife how much i love her, yeah?”

you shiver at how toji’s voice turns from soft and gentle to sexual and husky. big hands find their place on your tummy, massaging the loose skin with its stretch marks. you can hear your husband’s breath hitch. “fuck,” toji swallows his spit, his fingers moving to grasp your hips.

toji loves how your hips got wider after you’ve given birth to your child. every change in your body, whether big or small, is completely welcomed by him. your body has blessed toji with a son he loves and he’ll forever be grateful for that fact. the least he can do is take his time to appreciate you.

“so beautiful,” toji sighs as he leaves soft pecks on your neck and throat. his fingers are working their way down to your thighs and ass—not leaving a single patch of skin untouched. his lips eventually find yours and you melt into his embrace.

it’s getting heated and the tension is palpable. toji’s about to lift you into his arms when you catch a glimpse of a short figure in the doorway. your eyes widen and you immediately detach your lips from your husband’s.

toji quickly catches on and sighs. he cocks his head to the left, the sight of his toddler standing at the doorway coming into view. “damn kid,” he whispers, nearly pouting because of the interruption. you playfully slap his bicep—a warning to fix his potty mouth in front of megumi.

“h-hey, gumi,” you say with an awkward giggle, walking towards the child. you fix your shirt in the meantime, straightening the material. you crouch down to megumi’s level and pat his head tenderly, “what happened? why are you out of bed?”

megumi stares up at you with teary eyes. he’s clenching onto his dog plushie, hugging the stuffed animal to his little body. you can easily guess that he’s scared—probably because of a nightmare. he’s been getting those more frequently.

though, instead of explaining himself, megumi searches for answers to something else. he points at his dad who’s leaning against the counter with his arms crossed. the toddler then looks back at you like he’s made some big discovery;

“mama papa kissing!”

you nearly choke on your spit. megumi’s a clever little boy and it shows through his advanced vocabulary. you’re surprised that he’s learnt what that meant already. you try to deny what your child said, “no, uhm, mama and papa were just hugging!”

toji snorts at your half assed excuse. he lazily walks over to you two, hands in his pockets. he bends forwards and looks megumi in the eyes with a huge smirk on his face. “yeah, we were. ‘n you totally ruined it,” he utters without any shame and menacingly sticks his tongue out at the little boy.

you hiss and lightly shove toji—he cannot take anything seriously. you’re trying your best to distract megumi’s attention from what he’s seen his parents do, to what his reason is for waking up.

“did you have a nightmare again?” you coo and pick your son up. he instantly snuggles up to you and presses his face against your chest in search of comfort. you smile and can conclude that your assumptions are right.

you pet megumi’s head whilst softly humming one of his favorite lullabies. toji watches your interaction with his son and his mood softens once more. he silently hugs you from behind—also wrapping an arm around megumi—turning it into a little family group hug.

“y’re all right, buddy,” toji mutters to megumi and the little boy sniffles in response, “mama ‘n papa ‘re right here.”

after a couple minutes, you carry megumi back to his room before putting him down in his bed. your husband stands next to you as you make sure your kid is tucked in properly.

megumi stares up at you with a sniff and you nearly melt at the adorable sight. you brush his bangs out of his eyes and kiss his forehead, wishing him a good night. the toddler nods and hugs his plushie to his chest again, still a bit shaken up from the nightmare. however, he’s doing a lot better after he got comforted by both his parents.

“sweet dreams, gumi,” you whisper and rub megumi’s cheeks with a fond smile on your lips. toji simply stares at you conversing with megumi—his face showing little to no emotion. though, from within, toji is absolutely in awe at your motherly personality. you’re the perfect mother.

megumi gets drowsy and tosses onto his side so he could be more comfortable. he struggles to open his eyes, but manages to look at toji. the little boy pouts and points another finger at his dad, this time drowsily warning him, “papa no kiss mama, ‘kay?”

that comment catches you off guard. you’re embarrassed by the fact that megumi still remembers what he’s seen in the kitchen. you try to clear your throat and explain yourself, but toji’s one step ahead of you. he silently mimics megumi’s words and rolls his eyes—

“yeah yeah, whatever. i won’t,” toji promises his son. the toddler clearly inherited your husband’s protectiveness. you chuckle at the playfulness between the two, enjoying the jokey banter the father-son duo have each time.

megumi huffs in victory and nods. he can sleep in peace now, knowing his dad won’t try anything funny with you. he closes his weary eyes and is asleep within just a few seconds.

you stretch your arms and sigh in content. you can’t help but chuckle once you notice how megumi’s fallen asleep with a tiny smile on his lips. you give the child one last forehead kiss before leaving the room in silence.

toji follows right behind you. now that his son is sound asleep, he doesn’t have to keep his promise. technically— he wasn’t planning to anyway.

“c’mere,” your husband mumbles and grabs your hand. he pulls you into a tight hug, hands instantly roaming your body which he admires so much. he plants his lips onto yours not a second later.

you smile into the kiss, finding it funny how toji couldn’t keep his (fake) promise for even one second. he would die if he actually couldn’t kiss you, and that isn’t even an exaggeration.

toji pulls back after a moment and smirks at you—those bedroom eyes of his very telling.

“so, where were we?”

[derinwrites]

The Three Commandments

The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.

Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And

The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.

1: Thou Shalt Have Something To Say

What’s your book about?

I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?

The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).

Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)

Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?

2: Thou Shalt Respect Thy Reader’s Investment

Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.

Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.

Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.

The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.

But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.

If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.

3: Thou Shalt Not Make Thy World Less Interesting

This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.

“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?

Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?

If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.

Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?

Hopefully these can help you, too.