#discussion of ideation

[raemoriendi]

okay but what does it say when the only time I identify with my agab is when she’s dead

and not even the traditional “she’s dead and I killed her” because I didn’t, I don’t resent her that way, I don’t know that she’s even totally gone

dead in the sense of when I was thirteen there was Me and then the version of me I wanted to drown in the bathtub. because I was angry, because I wanted to protect her, because I wasn’t sure if that finally meant we’d be free of what people in that fucking place wanted from me

dead in the sense of I felt out of time, out of place, like something had already happened to me and I never got off that operating table when I was twelve and they thought it was cancer

dead in that the only time I felt beautiful was when I looked like I hadn’t seen the sun in years, where my makeup looked like shock from exposure, or like there was blood across my mouth that might even have been mine

dead as in I keep writing stories about women who claw their way out of the grave and don’t quite know what they are now, if they’re even still alive, if they even want to be women anymore because they’re too tired to get the cemetery dirt out of their hair

this weird in-between where people call me ��ma’am” at work and I smile like I’m hiding fangs behind my upper lip, tight and not quite real because the masquerade is safer lately, but ugh, having to keep up the sunlight charade is a chore

dead as in “you killed her, and I am the thing that came back in her place” with everything that threatens and promises

I don’t hate her, she doesn’t haunt me, but she lingers. sometimes she possesses me and sometimes she’s separate, a second reflection in my mirror

we’re at peace, even if our house creaks and groans with phantom footsteps

[needle-noggins]

(CW for SA, suicidal ideation) Here we go. My favorite and simultaneously least favorite panel of Vash and Knives.

I've seen a few interpretations of this scene and before we dive into the one that really struck me, let's start with the more... chill one. We're finally introduced to the third gun of Trigun, Vash's angel arm. And the way we're introduced to it involves Knives forcing him to pull the trigger. Of course, since no one knows anything about Knives, the people of Noman's Land blame Vash for Fifth Moon, and Vash likewise blames himself (this is kinda a spoiler but if you've been paying attention, it's just par for the course). However, he's not the one who pulled the trigger, Knives is. It brings up an interesting moral question of blame - do we blame the gun (and Vash, who is being used/objectified as a weapon here), or the person who wanted it to happen? Guns don't kill people, genocidal twins do!

Now for the awful interpretation, the one that makes me cry and wish Vash was real so I could hug him and pay for his therapy. And really highlights how awful Knives is and how far he'd go for his brother in his own, fucked-up way. I touched on this in a previous post about Legato and the Murder Cafe, and the whole time I was thinking about Fifth Moon but didn't want to say anything for the sake of spoilers.

So. Pay attention to the way Vash and Knives are standing. Knives, when he first grabbed Vash's head, was standing in front of him. He moves behind him to better control him and yeah, he's still controlling him via hand on head, and now he's got his other hand gripping Vash's chest, where feathers/wings are manifesting. Knives is assaulting him. If you wanna get crazy with it and say that the angel arm is kinda phallic, you could say... yeah. This is rape. I heard that specific interpretation once and while I accepted it I also don't know if that would be generally accepted or if I'd be called out for it, so I'm trying to tread lightly here.

It also doesn't escape me that of course the angel arm has feminine features like the plants - the plants that, again, humans are exploiting for their ability to create. There's a lot of feminist commentary to be made here but many people have said it better than me. Specifically I'm thinking of this one post I saw about gender fuckery and Tristamp Vash. Anyway.

Also, the atomic bomb/black hole/sun/whatever that is in the middle... It's just so powerful. It's terrifying. The eldritch body horror here is a punch to the gut. What the fuck, Trigun? I thought this was a funky space western!!!

Oh, and here's more commentary on the following few panels:

Vashussy shot, Knives is still right behind him. Yeah, I wasn't kidding about how bad this pose is for them. Knives, you sick fuck.

Vash shoots himself in the leg (a key difference from '98 trigun, lol), because of course he does, but it doesn't free him from the arm.

The arm's getting darker/the light inside is getting lighter! Stampede did an awesome job with their interpretation of the angel arm and I don't think I would have understood it without that. Also, on my first read I didn't notice that Vash is literally levitating, which is cool, but also terrifying because ?? he's not in control of that either??

Finally. A super painful, minimalist, double-page spread. Nightow loves 'em. Vash thinks he's dying (maybe?) and he wishes he had never existed. It's not suicidal ideation per se, but he wishes he didn't exist at all because he's already caused enough suffering. This is a low for him, because he believes so strongly in the concept of the Blank Ticket. (Come on, soupy brain bitch boy, get it together!) He's a monster, it's just how he was born, and he's not in control. Very specifically too, he says "we", and then changes it to "I"... he doesn't blame Knives at all, and that's very him. I want to shake him! Stop playing the martyr, Vash!

[starlightshore]

Lingering Spirits - A Danny Phantom AU where Danny moves to Amity 2 years after the Portal Incident. Combo of Alicia Adoption (Farmboy AU) + Nobody Knows AU

A more serious/ Horror take on the AUs

Hoof, starting on a morbid foot. Please note that it's intentional that Sam is romanticizing death and has over-blown anti-human feelings. they're a depressed teenager! they're going through it and they're coping the only way they know how. They'll learn to grow more healthy world views and ways of dealing with their depression with time. Please don't assume I'm condoning their world-view lol.

Anyway on a lighter note, I wanted Sam and Tucker to look different than my usual AU stuff in this AU, so I hope you guys like the design change!

Updates will be infrequent as I'm pretty busy. However, I did this on a team call day so I was kind of productive in my other projects haha!

[synap]

I’ve spent the past year working on this comic on and off! It’s such a relief for it to finally be finished. It was a massive labor of love for my two favorite bugs. Here’s hoping silksong comes out before I spend another year making the sequel! (Don’t get your hopes up)

[ghost-proofbaby]

never love an anchor (e.m. x reader)

"On some level, I think I always understood that a ship could never really love an anchor."

warnings: severe hurt/brief comfort, suicidal ideations, severely depressed reader. again: detailed recount of suicidal ideations. dead dove: do not eat.

wc: 5.8k+

an: i cannot emphasize this enough - this fic deals with a severely depressed, and blatantly suicidal reader. it is extremely heavy. it is extremely triggering. it is extremely self-indulgent. the romance aspect is ambiguous and the comfort aspect at the end is brief. this is a genuine, and sincerely personal piece of writing. it is an outline of how suicidal ideations may present themselves to some people. of these 5k words, 4k is deeply littered with reader's ideations without sugar coating. please, please, please do not read this unless you're in the state of mind to read it. you've surely heard it before but i'll say it just to be sure: it is a permanent solution for temporary feelings. and, just in case no one has told you, i'm glad you're alive. if you're reading this, i'm glad that you're alive. you're enough.

if you find yourself feeling like reader, i urge that you find resources such as those linked. hotlines, therapists, friends, your doctor, your family - please. i do not wish these emotions upon anyone, and they should never be taken lightly.

that being said, here are my guts from a very vulnerable moment, spilled out across the page. please handle them with care if you choose to read.

Technically speaking, the pressure that the human body is capable of handling almost seems infinite. When introduced slowly, and time is given to adjust, there is no pinpointed amount of pressure that dooms the human body. Like a crab in slow boiling water, your body should be theoretically able to handle a steady increase, bit by bit, and never truly notice. 

So why does it currently feel like you’re dying?

The pressure was never an overnight thing. It was a conglomeration you’d gathered, piece by piece, collecting little souvenirs of all the responsibilities you can’t currently remember if you’d ever agreed to along the way. It hadn’t been sudden, it hadn’t been with lack of adjusting, it hadn’t been a pressure suddenly unloaded upon you all at once – you’d done this, brick by brick, all with your own two hands. 

Keeping up with friends, keeping up with work, keeping up with expectations. Always trying to run ahead of the curve, always trying to be better. You should be fine. You shouldn’t even notice. You shouldn’t be sobbing on your bathroom floor, clutching the edge of your porcelain tub, every single breath a labor of survival. 

It feels like every bone in your body is splintering. It feels like the world has cracked open your ribs, one by one, just for show. You don’t feel poetic like the movies, you don’t feel like a valuable lesson learned in the books. You feel as though you’ve become nothing more than some crude display in a contemporary art gallery, and you were the one to hang yourself on the wall. 

Needles prickle across your skin with another heaving sob, as if you can feel the push pins you’ve used to spread yourself out for consumption. 

We still on for tonight? 

The text from Eddie glares at you from your phone discarded on the floor mere inches away. You’re lucky the screen hadn’t broken when you’d thrown it down on the ground on your way to the toilet, dry heaving through all your tears. 

He wasn’t a part of the issue. If anything, he was part of the solution. 

A shining clean slate, pristine whites and a scratch-free surface for you to press your cheek to when it all got a bit much. An abyss of freedom and openness for when the world was all a bit smothering. An anchor to cling to, a rope to tie around your wrists to keep from floating too far. The willow tree in a graveyard to rest your back against, the caress of a warm sun even if only momentarily as you stared out across headstones of all the pieces of you that you can never get back. Every version of you that has long since buried, a few even with newly churned dirt resting upon them. Something soft, something sacred, to rest your hands upon. 

Why does he still let you rest your bloodied and dirtied palms on his shoulders? Did he ever agree to that to begin with? 

You can’t remember. Or maybe your brain is simply refusing to recall. 

I hate to cancel, but I’m sick. I don’t think I can come out tonight :-( 

What? Is everything okay? Are you okay? Do I need to bring you anything? 

Please don’t.

The please is what gives you away. You should have forgone it, should have offered him a lighthearted response instead. 

But there is a pit in the bottom of your stomach, and seeing all the question marks across his text only made it more terminal. Only gave it more reason to swallow you whole. Only gave it more reason to grow and to tangle up and to restrict each stuttering breath of yours that you can’t seem to steady. 

Another buzz comes from your phone, but you don’t look to read it. You resort to resting your forehead against the lip of your toilet, all attempts at a deep breath futile as you finally taste the salt across your lips. 

Were you too much? Were you not enough? Was it possible to be an odd juxtaposition of both? 

A harrowing thought crosses your mind, and you know if Eddie could read minds across the intricate webbing that connects cell phones, he’d grab you by your shoulders. Maybe shake you until you see sense, or maybe cling to you until the thought has faded into nothingness. As if he could squeeze you hard enough to press together all the splinters that are left of your bones, forming a new body – a better body. One that can handle the pressure. One that isn’t imploding upon itself. A more durable mind, a more capable suit of skin to occupy. 

Does it even matter anymore? Would it even matter if I simply vanished? 

Would it be so bad to let the pit finally consume you? To just give in, to let it erase you from existence. To finally wave your white flag and let the awfulness inside of you finally win the battle, erasing you from existence and leaving behind an empty space in the world that could be filled with someone better.

Someone who could be a better friend. Someone who could be a harder worker. Someone who wasn’t choked up on their bathroom floor, beginning to contemplate if the painful gasps were even worth it. 

Were you worth it? Were you worth the air in your lungs? Or could it better serve someone who could handle all the pressure? 

And it wasn’t even that much pressure to begin with, if you pick it apart thread by thread. It was the natural weight of the human experience, and you were still crumbling. 

There was a full bottle of ibuprofen in the cabinet. There was a busy street not far from your home. There was a bathtub that could easily be filled with water – you’d never been good at holding your breath, unless someone counted the last few months, in which that seemed to be all you were good at. 

There was even a bridge, 5.27 miles away from your house exactly. You could already envision the patch of grass you could park your car at, feel the drop in temperature as you stood and overlooked the tame waves of a man-made lake.

Maybe your feet didn’t even have to leave the pavement. Maybe it would be enough to just stand in the silence and see the jump with your own two eyes. 

You felt like nothing more than a ghost of yourself, yes, but maybe. Maybe, just maybe, there would still be a broken shard within you that could stir awake at it all. Maybe if you got up off the bathroom floor and set yourself into motion, it would open its eyes just in time to scream no. 

Ghosts don’t just appear. They were a vibrant soul once – they were somebody once. 

But it’s hard to imagine that you ever were. When it gets like this, it’s hard to push through all the tumultuous thoughts and loathly emotions to remember that. A version of you vibrant, a version of you that might have been worthy, if only for a moment. 

A version of you that wasn’t insulting to compare to others. That was capable of progress, of earning your blip of existence. 

You don’t want the bottle of ibuprofen. You don’t want the busy street. You don’t want the overflowing tub. You don’t even want the calm of the bridge. You just want it to stop. 

There’s a knock on your front door that echoes through the entire apartment. You dread that you already know who it is, but you can’t get up to answer. 

You can’t move from this very spot. You’re terrified of what will happen when you do. 

Will your bones collapse into ash upon the floor? Will you make one wrong move, and in a fit of pressure, make a terribly permanent decision for what feels like a terribly permanent feeling? 

Maybe you were born with the pit in your stomach. Maybe you were born with that black hole inside of you. Cursed to always be yearning, always be a juxtaposition, always be a ghost of what could have become. 

You think you hear the click of your front door opening. You think you hear heavy footsteps across the hardwood floors. You think, you think, you think. That’s the issue. 

The tears are still coming and going in erratic tides. The salt is drying out your lips, your cheeks, the corners of your eyes. You’d thought you’d been incapable of any more emotions like this, but your tear ducts have managed to prove you wrong. 

Does it even matter anymore?

You’d left the bathroom door wide open. 

Were you worth it?

You’d been home alone – past tense.

A more durable mind, a more capable suit of skin to occupy.

A soft gasp of your name has you microscopically lifting your head from the toilet seat. You know what the scene looks like; it looks like nothing more than the excuse you’d used. You look as though you’re ill, like you’ve been spilling your guts across the bathroom floor all night. 

If you had been, would it all feel a little less heavy? 

“Hey, Eds.” 

You’re tired. You’re exhausted. Your voice is nothing more than a drag of a whisper as you look up at your anchor standing in the doorway, his face painted with concern. 

Maybe you were an anchor – maybe being an anchor wasn’t a good thing. After all, what use does an anchor have beyond weighing down the ship? 

“Jesus,” he mutters as he rushes to your side, falling to his knees carelessly as his hand flies out to brush back tendrils of your hair, “You look like shit.”

You felt like shit. 

Selfishly, you lean into his touch, desperate for comfort. Desperate for those caring palms to soothe the ache you’d carried since birth. Desperate to hear him tell you that you’re wrong – hands to promise you that you’re worthy, fingers to wrap around your bones rather than these burning ropes. You’re bloodied and raw, fully on display, and you just want to be okay. 

You don’t want the bridge. You want Eddie. You want him to magically make it okay, and that’s unfair. 

You’re not his weight to carry, not his burden to shoulder. 

After far too long of a silence, one in which he sits patiently in with you, all you can really reply is a broken, “Yeah.” 

Immediately, he knows something is wrong. Because of course he does. 

Because he’s a good friend. He’s a good person. He has the right words more often than not, and his hands were always formed to heal rather than injure. Create rather than destroy. Those warm palms are made to hold the space he’s earned in the grand scheme of the Universe, and it almost makes you nauseous as the jealousy spreads. 

He’s good. 

And you’re simply rotten.

You used to lie to yourself and say it was simply one rotted bit amongst plenty of good, but tonight, it all seemingly comes to clarity. You can’t dig out the bad, cleanse yourself of the rot, because it’s all decay. 

You don’t have to let the pit consume you – it already has. You were born with it, and it had swallowed you whole from the first cry that had ever left your lips. 

He makes himself a bit more comfortable, and you almost feel bad for reducing him to nothing more than the bathroom floor, “You wanna talk about what’s really wrong?” 

“I’m sick.” 

“This isn’t just some stomach bug.”

Your throat begins to tighten again, and suddenly, his gentle touch across the crown of your head burns. Your eyes water ferociously, and your chest caves into itself.

You can’t make a better body or a more sound mind out of the mess you’ve become. You can’t pull gold from tarnished rubble. 

Confessing to him will only be handing over something heavy, something terrible, that he shouldn’t have to struggle with as well. But not offering him a sliver of the truth almost feels more dishonoring. 

“Do you ever feel like a waste of space?” you croak, leaning back, finally accepting that the small space of the toilet that had been cooling your face has gone warm. Another thing you’ve ruined, in hindsight, “Like, this world is filled with great people, and I just… I just, I’m taking up the space- I’m wasting the space-” 

You can’t get out the proper words. You don’t know how.

How do you say you want to cease to exist when you’re not really sure if that’s the truth? You’re miserable, and you’re selfish, and you’re not entirely sure your feet would have ever left the pavement if you had driven yourself to the bridge. You’d be too scared to do it.  

Too scared to miss the day that science announces it’s found a cure to all your rot, a miracle drug to erase the pit, a way to reverse all the damage you’ve been comprised of your whole life. 

His brows furrow and his hand stops all the calming movements, “What? Are you- are you saying you feel like a waste of space?”

It feels silly to admit it to other people. To try and describe how it all feels. Like a child trying to convince their parents the Boogeyman is real, you have to make him see that you’re right. You have evidence, you have proof, and it’s not just a feeling. 

“I don’t feel like I’m a waste of space,” you finally correct, both yourself and him, “I know I’m a waste of space.” 

“Bullshit.”

“Eddie, don’t-”

“No,” he cuts you off. And somehow, in only a way that he’s capable of, it’s not offensive, “You’re not. I’m not going to sit here and listen to my favorite person claim they’re wasting space-”

“I am!” It’s your turn in the cycle of interruption. You pull away from him entirely, chest heaving with the weight presenting itself once more, tears starting to fall all over again. You can’t even distinguish where the old tears stop and the new ones begin, “I really am. All I seem to do lately is just exist. And that’s such a- such a- that’s such a waste. I can’t read any of the things I should enjoy these days, I can’t even write. All of the words feel like they just come out wrong. I’m letting everyone down left and right, I’m never living up to whatever pedestal you’ve put me on. I don’t even know what I’m doing with my life. I don’t even know where I’ll be in a year from now – I can’t even see that far in the future.”

Heaves become sobs, and the crumbling has begun once more. A cycle of breaking, a cycle of demolition. Even leaving behind the rubble feels like a crime. A waste of space. 

“I don’t think I’m a good person,” you manage to spit out between all your visceral reactions, “Every year, I tell myself the same thing – I’ll be better, I’ll be kinder, I’ll be worth it. And every year, I fail.” 

Can he see it? All the fractures and splinters and pits and metaphors? 

Can he smell it? All the rot and the destruction and hopelessness?

Can he feel it? All the pressure? 

Through your sniffles, you press your back to the tub, knees to your chin as you wrap your arms around your legs, desperately trying to shrivel up. To take up less space. To waste less space.

“I used to think I could make up for it,” you whisper, “I could offer people things that made them forget I’m… so useless. But I don’t think I’m even capable of that anymore.”

If he’s about to respond, it’s drowned out by your cries. You press your eyes hard into your kneecaps, until you see stars, and you try to swallow down all the embarrassment. Try to stop all the hurt from spilling out, to stop all your guts from painting the bathroom walls. 

He could simply sit there, let you wallow in your misery alone. Sit and stare as the artwork finally serves its purpose to the visitors of the gallery. Maybe jot down some commentary on how with your bones all spread out like this, the point the artist was attempting to make becomes oh so clear. 

And yet, he doesn’t. 

You know it’s his arms that are wrapping around you, pulling you from the chill of the tub and into the warmth of his chest.  And you let yourself smother within the fabric of his shirt the same exact way in which you’ve convinced yourself you smother everyone around you, let yourself breathe in drugstore cologne and his last cigarette rather than think about all the thoughts that had been spiraling you into dismay over the last twenty four hours – over the last twenty four years. 

He’d probably been smoking while waiting on your call tonight. Probably riddled with anxiety, if the shake of his hands pressing into your back are anything to go off of. An anxiety and waiting game that wouldn’t have to exist if you didn’t exist.

The thought makes you cry harder. 

If a ghost dies, can it even still return back as itself? Can it still find it within itself to haunt empty hallways, and watch the ones it once loved find peace?

“You’re not useless,” it sounds as though Eddie might be crying as well, if not just a little choked up, “You’re not- I swear- You’re not useless, okay? Never have been, never will be.”

His murmured words are nice, but they fuel an unimaginable guilt. It was supposed to be a nice night. A night of movie marathons and midnight coffee, of trying to remind yourself why you still stick around. A moment of incomparable joy and sweet reprieve as your stomach ached from laughter, your cheeks swelling with an infallible grin that Eddie always seems to pull out of you.

There’s no smiling, no giggling, right now. Just his favorite band shirt from the show you two had attended a few years before, soaking with a fast-growing stain from all your tears. 

When you don’t answer him, only manage to wrap your selfish arms around his waist, he continues, “How long have you felt this way, sweetheart?”

And if you hadn’t already been shattered previously, that would have finally broken you. 

You can’t pinpoint when it started. You can’t clear the smoke of memories and find an exact moment that you can point to and say, there. That’s where the hurt starts — that’s where the rot starts. 

“I don’t know.”

In your mind, it’s a wail. Loud and ferocious, efforts of all it has taken to withstand the pressure of your undoing screamed out loud. 

But on this quiet bathroom floor, it can’t even be considered a whisper. Nothing more than the spoken words lingering from a ghost who can’t give up the haunt. An echo of a memory, an echo of the piece in you that can’t let go, not yet.

Not of existing, and not of him. Your fists hold him so firmly against you, you’re scared that you’re going to bruise him. Hurt him just from the sheer effort of trying to show that you love him. 

The only way you know how to love – a violent dog who will always bite the kindest hands. Leaving behind bloodied knuckles even if you hadn’t so much as snipped this time. 

You take a sharp breath, aware of the levity of the words you’re about to say, “I don’t want to exist anymore, but I wouldn’t even make it off the bridge if I tried.”

It’s not about the bridge anymore. In all likelihood, it wouldn’t be the bridge you turn to. There’s a grand metaphor somewhere in the admittance, but your mind is just too tired to try and paint a prettier picture of it for him. 

Because exist is just a placeholder. And there’s a bigger, scarier word that should stand in its place. 

He starts to break the hold, and you nearly sob out again just at that. Losing the warmth of his chest and arms strike pain somewhere deep within you, just north of the pit that’s devoured all that’s left of you. 

“Bridge?” Phrased as a clarifying question, but when you see his face, it’s clear he knows. There are no good words left to say about it, “Sweetheart, no.”

There are worse reactions to be had. More scenarios that end in slamming doors or deafening silent treatments. Realizations that you’re right and it’s not worth it – defense mechanisms that involve them leaving first. 

“I couldn’t do it, even if I want-” 

Even if I wanted to. The words you can’t speak, dying on your tongue. 

Do you want to? Where does the pain begin? And where could it end?

“You really don’t see it, do you?” he laughs humorlessly, his hands still gripping your biceps in a death hold, “You… you just…” 

He doesn’t know what to say, and you don’t blame him. You knew this was heavy; you knew this isn’t the type of bomb to drop on someone you love. 

But if you didn’t, where would the bomb have gone? You’re not equipped to detonate it. You’re not equipped to survive the explosion. You wouldn’t want to survive that explosion. 

“I’m sorry,” your words pour out, beginning to shake beneath his palms, “I’m sorry, I’m sorry, I’m sorry.” 

Dry, cracked lips feel as though they nearly split from the apologies. More violence, more devastation, more of what you always knew you were. You can see it in his eyes – you’re dragging him down with you, right down to the bottom of the ocean. You’re being an anchor. 

He’s all stutters and harsh breaths, panic filling the space with your own as his eyes search yours, “Don’t apologize. You don’t have to apologize. Just-”

He cuts off and is pulling you close again. Slamming your bones into his, wrapping up around you as if he might be able to keep you safe from the world. From your own mind. 

“I don’t need apologies,” another squeeze of your closer to him, another attempt to pull you away from the dangers that lie within, “I don’t- I just… Can I help? How do I make it better? Just say the word. I’ll do it.” 

It’s not your job. That’s not your job. 

You don’t realize you’ve said the words out loud until he’s squeezing you so tightly that you now can’t breathe. Until all you are is him. All his old t-shirts he’s lent to you that hang in your closet, all the nights spent with tangled legs as you sit across from each other on your couch, all the phone calls in which he refused to be the first one to hang up. Cologne that is too cheap to be able to cling so ferociously as it does to all your surroundings, chain-smoked cigarettes you always chastise him for because they’re gonna kill you one day, the smoke of his latest blunt resting in an ashtray as his head finds home in your lap. 

All the inside jokes. All the hugs. All the simple texts, if for nothing more than to just check in on each other. The broken reminders of having someone out there that cares. That loves you. 

How can such rotten hands pull such love from others? How have you yet to infect him? 

“I know it’s not my job,” he finally says, and you know for a fact he’s crying along with you before the first of his tears have wet the crown of your head, “It’s never been a job. You’re not a job. Okay? Get that through your head. There’s- Fuck, there’s plenty of things I wanna drill in that pretty little head of yours right now, but I know I can’t, so just get that.”

He’s trying. A little trill of his tongue that falls a bit flat when he refers to your pretty little head, a brief squeeze of your shoulders as he tries to relax a little. He wants to make you feel better. He wants to make it better. 

But he’s still holding you like he’s terrified. You did that – you instilled that fear. 

“I’m a mess,” you whisper in bitter realization, ash on your tongue as you process what you’ve done. You’ve already apologized, but you’re seconds away from doing so again, “I’m- I’m a mess, and I’m dragging you into it, and I’m sor-”

“Stop being sorry.” Definitive words, no room for argument. The smallest of shifts as things click into place. He isn’t budging – he isn’t letting go, “Do you remember when I first met you?” 

You can’t tell if the question is meant to have a point, or if it’s meant to be a distraction. You let it grow into the latter.

“Yeah,” you breathe out against him, melting into his chest, trying to focus on his voice rather than the ones in your head, “But tell me about it anyway?” 

“Two years ago. Technically, two years and seven months,” he starts in the same voice he used to take on during Hellfire sessions, before the members had scattered from coast to coast and his D&D club only became a rarity when the stars aligned. There’s still a crack to his voice from his tears, but that doesn’t stop him, “We were in some cursed fucking diner we don’t even go to anymore, in the dead of the night, and all the servers knew your name and order,” he paints the picture with a humor that should feel out of place, but it settles some of your breathing. Omitting all the vivid details, opting for triggering the memory with words you’d just get. You can feel the stick of the plastic beneath your thighs, you can smell the grease of the kitchen. You can see the cloudy night out of the oversized windows. He’s a natural born storyteller in the most subtle of ways, always knowing his audience, “You were sitting all alone in that booth, and all of Hellfire had just left. Gareth had just told us how he was going to college in California – did you know that?” 

“I didn’t.” 

“Well, he did,” his chin presses against the top of your head, a huff of a laugh escaping him, “Dropped the bomb it was our last summer as a club probably. We were happy for him, though. Real fucking happy. Got milkshakes to celebrate and made plans to get drunk off our asses the next night to keep the party going. It was dumb, and I’m getting off track, but…” 

Baited breath, you’re waiting for him to continue. No thoughts of the bridge. No thoughts of your failures. Living in a small memory with him on the floor of your bathroom. 

“Anyways, you were sitting there all alone, with a plate of fries and ranch.” 

“Oh, God,” your nose scrunches and you try to pull away, suddenly remembering how embarrassing this memory ends for you. It suddenly didn’t seem like the best way for him to make you feel better by any means, “No, I remember how this story ends, and-”

“I’m not done,” he locks his arms around you, and you can feel the whisper of a smile as it brushes against your temple, “Obviously you know where I’m going with this, but I’m not done, sweetheart. Because all the other guys had just left, and I’m sitting there, realizing the only other customer was some random person over across the diner, scribbling away in some notebook. Thought you looked cute when you were all focused like that, y’know? But then you were so focused that it became distracted, and you spilled that ranch all over yours-” 

“Please, stop.”

You’re laughing through the words, weakly, the air of desperation in the word please being far different from earlier in the night. No bridges, no failures. 

“I was probably being a weirdo, trying to run over and help you or whatever the fuck I was trying to do. I probably made it worse, right?” 

You’re there, remembering a version of Eddie that was a stranger, taking napkins to the knees of your jeans and smearing the ranch rather than really helping you clean it up. “Yeah, just a little bit.” 

“Sorry for that, by the way,” he airily apologizes before continuing, “But I just remember thinking about how focused you were on that notebook. And how you laughed with the waiter. And how you were just… lost in your own little world. And how you were so cute. You were so nice. The type of person I wanted in my life. Took one look at you with that ranch all over your lap and thought, huh. I want to get to know that person.” 

“Nice? I was not nice, I was-” you cut off, heart all but stopping as you recognize the point of it all. It wasn’t meant to just be a distraction. He was making a point. “I was a… a mess that day.” 

“Exactly.”

He pulls away again, and this time, it’s a little easier. The world has put a pause on its ending and you can handle the weight of his arms lightening for a few seconds, just so he can get a good look at your face. 

“You were a mess the day that I met you, and I still wanted you in my life,” he says each word deliberately, not breaking eye contact. Fear has broken through to determination. “And even if you’re still a mess today, I still want you. Nothing changes. You get that?” 

No bridges.

No failures.

The weight of it all had been heavy. The type of sorrow you thought was never meant to be carried by more than your own two hands. But he had taken it in his palms, lifted it from you entirely, even if it would only be temporary. One day you’d have to endure the pain again, get to the root of the problem. Figure out if all your ailments had been something wired into you since birth, or things you’d picked up along your way. But for now, you could breathe again. You could hear the drumming of your heart in your ears, and you could hear every single one of both yours and Eddie’s breaths in the silence, and that was enough. 

“I don’t want to die,” you finally quietly admit. Saying one of the bigger, scarier words. The thing you’d been too afraid to let slip off your tongue originally. “I just- sometimes it all gets a bit loud, you know? And I know you said don’t apologize, but I am sorry that I scared you. And I’m sorry that you have to take the bad to also get that little bit of the good with me.” 

His hand leaves one of your arms for the first time since he’d first wrapped you up, and it finds its way to cradle the side of your head. Holding you as if you’re porcelain still. You know that won’t go away, not tonight. “I’d rather have your bad days than have nothing at all,” he chokes up once more, and you can see tears threatening to welt in his eyes, “You get that, too. Alright? You’re worth it. Bad, good, funny, sad – give it to me. I’m asking for it. Just don’t… don’t leave me with the nothing.”

You’re worth it. 

He’s found a worth in you attached to nothing at all. He’s sitting here with you, on the bathroom floor, and his perception of you has nothing to do with what you can only offer. 

It just has to do with you. He sees you, and he’s decided you’re worth it. Even now.

He smiles softly, as if he can see the realization dawning upon you, “You wanna get up off the floor now? We can go sit on your couch or bed or something.” 

You’re quick to shake your head. Your knees are partially digging into his thighs, your breaths are matching his. 

“Okay,” his face falls slightly, but not entirely. Not entirely, “That’s okay. Do you want me…. Do you want me to go?” 

Another shake of your head. But this time, you need to offer more than just the motion of your head, especially when you can feel tears returning as your throat tightens up, “No. No, just- Stay with me? Please?” 

Your hands reach out without you even processing it, gripping his wrists, desperate and clinging and still verging on the edge of violent. The thought of being alone is terrifying, but the thought of having to watch him walk out of this room is even more petrifying. 

He doesn’t even flinch as you sink your claws in. His smile only returns, and he shuffles to pull you both to hold your backs up against the wall across from the toilet, “Of course. I’ll stay, sweetheart. I’m not going anywhere – wouldn’t even dream of it.” 

His words shake just a little less than they had when he’d first entered the room. 

He can’t fix it all magically. That isn’t his job, isn’t his role, isn’t his choice. But he can sit here with you, on the floor of the bathroom, endlessly patient and tragically caring as he urges you to lay down. He stretches his legs out and pats his lap once before hovering his hands over your shoulder, guiding you until your temple is flush with his thigh. 

He can choose to not hesitate as his fingers immediately push through the baby hairs by your temple, a soft hum in the back of his throat that sounds exactly as you feel.

Hesitantly content. Just for now. It’s enough. 

The storm is receding. As hours pass by, and noises of uncertainty become more confident hums of a song you faintly recognize, it all settles. He stays. You stay. The storm passes for the time being, and the hole tempers itself for just the night. 

It’s enough for now. You’ll worry more tomorrow, or the day after, or the day after that. You’ll talk more about why you feel this way, and he’ll offer better solutions. The weight won’t simply be passed into his waiting hands and forgotten – one day, you’ll find a way to lighten it through dissipation rather than through catastrophe. 

One day, the seas will calm, and you’ll find yourself the ship rather than the anchor. 

And the captain can be the boy who sits on the floor with you through the sadness, content to wait out the storms with you until you find the worth he sees in you.

[reksigh]

if you could flip a switch and open your third eye

[haveafuckingfanfic]

*Wisdom Saga Spoilers*

CW for spoilers and TW for mental health, PTSD, S1 and Su1cide.

Many people have probably touched on this, but in the last minute of the song ‘Love In Paradise’ we hear about Odysseus’ time on Calypso’s island. He clearly is still clearly struggling with the death of Telemachus and the rest of his crew.

These lines stand out to me:

“‘Odyseus?’”

“‘All I hear are screams…’”

“‘Ody, get away from the ledge.’”

“‘You don’t know what I’ve gone through! You don’t know what I’ve sacrificed! Every comrade I long knew, every friend, I saw them die! All I hear are screams...’”

“‘You will be fine dear, come back inside dear. Love of my life comeback~

‘Every time I close my eyes…’

‘~to paradise. I know your life’s been hard, I’ll stay inside~’

‘All I hear are scream!’

‘~your heart.~’

‘All I hear are screams!!~’

‘I love your mind dear, all of our time here. Life would be so much worse if you had died.~’

‘~Just let me close my eyes!’

~Please stay away from harm. Stay in my open arms.’”

Jorge captured the affects of PTSD so well. As a PTSD survivor, it hit home. The depression that sets in after a traumatic event is very intense and can be overwhelming. For survivors, we enter a stage of our bodies and minds trying to make sense and process what had happened. This is shown by the lyric above where Ody says he hears the screams of his crew over and over.

Often time we don’t understand that the event we went through was even traumatic at all. In an effort, our brains replay the events as a way for us to process it and it often just ends up causing *more* pain without proper help. Without help, we can dive into depression, anxiety and suicidal ideation. This is clearly shown in Odysseus as well, since his brain isn’t processing what happened he then blames himself for the deaths of his crew and doesn’t know to how to live and cope with such a large tragedy.

This is also where the behavior of pushing others away comes in. This is a common behavior when you are depressed. It’s something that feels too large or traumatic to ‘burden’ others with. We withdraw the more our brain loops and struggles to understand.

If your brain doesn’t comprehend the trauma or make sense of it, it searches for escapes. Thus where suicidal ideation, hyper-sexuality, and self harm is introduced. It serves as a distraction, a way to cope or a way out of the pain. That’s why we find Odysseus contemplating and attempting suicide. He wants a way away from the way his mine plays and replays his trauma. He sees no other way out and is driven to the cliff. There’s a level of exhaustion that comes with constantly dealing with trauma, that exhaustion will also fuel suicidal thoughts.

And to circle back to the beginning, with PTSD survivors we experience a heightened sense of danger. Our fight or flight is on 24/7, so we will be slow to trust and quick to be on guard. Odysseus is showing these symptoms too, he does not trust Calypso and is quick to let her know that he doesn’t trust her.

So to cap this off, I feel so incredibly seen as a PTSD survivor. The things we go through when we are coping with our trauma and what comes with it are demonstrated clearly in this song. Thank you Jorge💗💗💗

[galactic-rhea]

i think i'm actually on my breaking point

[sorio99]

So, I’ve pretty much entirely stayed out of the James Somerton discourse, because frankly, I just didn’t think I had anything that valuable to say. I wasn’t a fan of Somerton’s, I never watched his videos or fell for his lies, the first time I heard of the dude was in HBomberGuy’s video, and the most impact he’s had on my life is encouraging me to watch Todd in the Shadows.

That said, I did have thoughts as things developed, about his “apologies”, about his claims of depression, and even about the “suicide note” he posted to Twitter. But, I really didn’t feel like I had anything to add to the discussion that wasn’t already being said by at least 50 other people.

But uh, I have thoughts. About the latest developments.

One of the thoughts I shelved about Somerton in the past was that I wasn’t sure if the “note” being real or fake was the worse option. I really don’t have much sympathy for James, given some of the really heinous shit he’s said in the past, but I’ve never wanted him dead. I personally wanted him punished for his actions, and then removed from public view; I didn’t think anything he’d done deserved the death penalty.

While I do still think that, him posting a fake suicide note makes me VERY skeptical.

Here’s the thing: I’ve talked before about my struggles with my mental health, with Suicidal Ideation, and just general depression. There have been many times in my life where I have wanted to kill myself, and even one occasion a decade ago where I actively tried.

I’m also not a good person.

A few years ago, I did something bad to someone I cared about. I won’t go into details, for both selfish and non-selfish reasons, but suffice to say, it’s the kind of thing where I think most people would say I deserve some kind of punishment.

And I can say, based on that point in time, based on what I was feeling then, I could very easily believe that someone like James was actually suicidal.

I knew it could still be a manipulation tactic, I knew it probably was one. I even knew that, if it was real, it was still arguably a manipulation tactic. But I genuinely thought there was a chance, even a solid chance, that Somerton had wanted to commit suicide.

That chance has gone out the fucking window.

Let me be clear, also: the fact that James was horny posting on an alternate Twitter account, and engaging with media was not what convinced me that it was all bullshit. As someone who’s used the god damned Professor Layton games as a coping mechanism during depressive episodes, I’ve seen far weirder and worse responses to being suicidal.

It was how he talked about himself, responded to his defenders and accusers. The fact that while people were genuinely panicked at the thought that he might have tried to kill himself, he was purposefully stoking the flames and trying to make himself look better.

James Somerton is a fucking bastard, and I never want to hear from him, or ANY defenses of him, ever again.

[yurious-george]

4'33'', by John Cage, is commonly remembered as 4 and a half minutes of silence. But contrary to popular belief, the song is not actually meant to be the sound of silence, but the sound of quiet. Ambient noises contribute to - and consist of - the performance. True silence does not exist. If one tilts their head right, the whole world sings. and, with that said, a playlist.

yeah, this one's a doozy. hi, cubewatermelon and co. miss me?

rhetorical question. don't answer that.

A few nitty-gritty things out of the way, first. this is specifically intended for the 2018 mod team for the sleepless domain fans discord server, primarily cubewatermelon/mary cagle. Folks who knew me are welcome to look on, but I'm not going to do much to catch people up to speed. hi, everyone! hope you're well!

I also might be a bit disjointed or biased in my recollection. For reasons that will be made clear extremely soon, I can't put my childhood on a linear timeline. I can only express myself, and hope I don't mess it up horribly this time.

Noooowww to the big stuff. re: stalking; i genuinely didn't mean to stalk anyone, and when they told me to back off, i backed off. I am not willing to discuss this further. not being able to conceptualize other people's emotions or the consequences of my actions has caused some problems for me

that's an autism thing btw. im autistic i dont think i told anyone that

And now, the special guest you've all been waiting for: a big round of applause for the elephant in the room! In accordance with the WMA Declaration of Tokyo, the deliberate overprescription of psychotropic medication is a form of pharmacological torture. Most victims of pharmacological torture and experimentation are children, because it is nigh-impossible to sue for brain damage when there is no fully-formed adult brain for comparison prior to the abuse.

Torture is a strong word, but I don't have another word to use. psychiatric abuse usually describes mistreatment in psychiatric wards; pharmacological abuse describes a patient who takes advantage of a prescription; medical abuse is when a doctor (usually physically) abuses their patient. Being able to understand what happened to you is a form of agency, and I don't even have the words. I identify as a torture victim; this may change.

This high dose was precedented and legal, but the vaginal stretching of intersex infants is also legal. much involuntary psychiatric & psychotropic treatment (such as restraints and solitary confinement) are legal, and child marriage is legal. abuse is not abnormal: it is profoundly normal. Because something is normal, legal, and precedented does not prevent it from being torture.

and when your mother hands you a poison apple and says "here, eat this; it will be good for you; i hope someday you'll forgive me" you have to eat it, because you are eight years old and you don't get to argue with your mother. despite all this, I don't blame my aunt for refilling the high dose. when I said the dose was hurting me, she listened. (thank you, auntie. i wouldn't have gotten out without you.)

And this brings us to you. oh, you four. (five? i forget myself!)

I'd like to establish some context. I was used to things getting taken from me. friend groups in particular: I didn't expect to keep any friends, because I constantly expected to have to pack up and move on. I moved a lot in my childhood, and in Africa, i was constantly told that at some undetermined point in the near future, i'd have to go back to the states. living with my aunt was a temporary thing, i was expected to eventually move back in with my parents at some undetermined point in the future. I relied heavily on online friends because they were people I could have anywhere, so online communities were my only lifeline - not to mention, i was basically in solitary confinement while in Kenya.

Most of all, I was terrified of my mental health/actions being exposed, examined, found lacking, and ultimately excluded. (this is why i was so afraid of psychiatric wards.) When you decided something had to be done about me - cutting me off from the server so i had to speak with you - It was either comply with your demands to communicate (which I could not, and did not understand why) or lose the community. I was so, so afraid of you i wanted to die when you all confronted me, and of course i couldn't say that, because only manipulative people would say "your attempt to solve this problem makes me want to seriously hurt myself."

But then I got called manipulative anyway <3 yay <3

Seriously: I wasn't trying to manipulate anyone, and i have no idea how you can manipulate someone without intention. (ah, that felt good to say!) Between medication spellbinding, alexithymia, and prior abuse, all my thoughts were so disordered i genuinely couldn't explain myself most of the time. Looking back, I have no childhood memory where I was fully lucid. I leaned into a manic persona because it was the only way I had any agency at all. I was something beyond both reason and self-recognition, and I willingly tried to brute-force my way through an extreme trauma response to please you. And you still hit me with my worst nightmare. that's why i was mad at you lol

I was so, so afraid, all the time, and I didn't even have the tools to understand I was afraid. How could someone as confident and impulsive as me be so fearful all the time? Was that manic persona freedom? Or was it a longer leash?

(Forgive my impulse toward rhetoric. I shouldn't ask questions you can't answer.)

I also couldn't say how badly i was hurting, because that would be venting, but you also accused me of venting when I was just talking about my day? or what was on my mind? I didn't understand that very well. autism moment, don't bother explaining it now. I also couldn't burden people with my actual mental health problems, because making strangers deal with that would be toxic! I resent you for setting up a system where it seemed safest not to speak and then punishing me for my inability to communicate. I resent every system that set me up for failure and punished me for failing, including yours.

And yet - I know that was not your intent! I can see in retrospect how hard you tried to be kind using the tools you had. The people with power over me, who genuinely did not want to do me harm and gave me multiple second chances, still upheld and facilitated the systems that tortured me; a miniature parody of the psychiatric system. (talk therapy and communication are useless if you struggle with self-awareness.) The same is true for the source: No person in my psychiatric treatment wanted me to suffer, and yet, here I am: a torture victim without a torturer. (except my parents, sort of.)

The logical conclusion, then: the system only intends to heal those who are already compliant, or prioritize compliance. The rest of us are treated to induce compliance, and if we still cannot, we are sequestered away. My medicine made me sick, and my prescribers made money off of keeping me sick - off of my torture. This is not a conspiracy: it is my lived experience.

However, even if i could communicate perfectly, we still would have had massive communication issues. Like - you know that one page where ben and steffi talk about dating, and ben says he thought steffi was gay? and steffi gets super defensive and it escalates into a screaming fight? I found that offensive, because a character getting that offput by the concept of not liking men (or a man) is kind of lesbophobic! But I understood that it would be a pain to redraw/write the page so they they fight about something else, don't fight, or some other solution, so i didn't need it to be fixed - just wanted to point out that was a reasonable interpretation, and one to be aware of in the future. but somehow my concerns got interpreted as a phrasing issue…? like, Ms. Cagle rewrote the page to say "weren't into guys" instead of "gay"..? You were very polite about it, Ms! But I found this interaction so baffling I didn't even try to correct it. that… wasn't what i said…

frankly we should bring back mildly homophobic steffi. twas narratively appropriate (<- different essay for a different time)

but yeah the whole communication operation was doomed from the start. rip!

The issue was always my inability to communicate, but my meds made it nigh-impossible to understand what I was feeling, and when I did, expressing myself could get me institutionalized. My suffering was inevitable but always, somehow, my fault. Awesome! *disintegrates into a pile of sand*

I cannot deny I was a girl like a box of matches waiting to be struck. You had no choice but to do as you did. But is it really what you ought to have done? (On this, I have no answer. I hope you have one that satisfies you.)

(that was genuine, by the by. i've spent a lot of time pondering this mess, and I still haven't found the "right" answer. I don't think there is one - though action or inaction, there is no version of this story where I don't suffer. I can only hope it was worth it. wait, hold on *adds the omelas child to my Kin List*)

Nor can I deny making my previous open letter in a small attempt to 'get back' at you - i'm not above that. lord knows i'm not innocent. but i really was trying to channel that rage into something productive. unfortunately i was doomed to fail because i didn't know what i meant. if you showed me that letter now, you'd hear a lot of "what? I don't know why I said that" "i have no idea why i would complain about something so minor" etc. You can disregard all that. This is what I was trying to say. the obsession, the trauma, the projection: all of it. So much of my obsession was talking around an issue i couldn't identify.

(meguka image) I know now

I knew I would be traumatized by this whole situation. I saw it coming and i could do nothing to stop it. But Gear was crucial to deciphering all this - in fact, suddenly thinking about her last year prompted me to really dissect my medical situation and realize i was tortured. I couldn't have done it without her. cassie & maggie, against the world.

Gear scans surprisingly well as a victim of long-term torture, actually. I don't think you meant to do that but good job!

speaking of her - i still don't think she's consistently suicidal. she's a real cockroach of a character, and I love her for it! But sometimes, i want to die and i want to live mean the same thing, because they both mean i need to get out of here. Imo, her thought processes and desires frequently contradict themselves, like mine did. and making your favs kill themselves in increasingly gruesome ways is really fun catharsis!

But please don't take this to mean I consider myself - or Gear - blameless. I love her because she's not blameless, because she's cruel for fun, because she'd rather be wicked than helpless. Like knows like. What I mean to say is, as of 2018, there is a black space between little Margret and Gear, and I saw all the signs of something very, very bad happening in that space. I know because I shared that space. what I mean to say is, teenage girls don't go out of their minds over nothing. Everything I made here is just an expression of what I heard in the narrative's silences.

and thus my biggest apprehension around revisiting the comic. knowing the author and I have such fundamentally different experiences with mental health - what if the signs of torture i picked up on weren't intended, or i completely made them up? what if, in the parts i haven't read yet, there's information that uproots my entire interpretation, or berates her for refusing mental health services that hurt me profoundly? how do you reconcile that a character so crucial to deciphering yourself may not be anything like you at all? I Don't Know. Shitpost, probably

You're welcome to share those shitposts and whatnot by the way. Creating this let me put down years of hurt, and i hope it relieves you, too. I don't need to go back on the server, or forgiveness, or anything besides understanding. consider this a peace offering. the terms are yours.

Despite writing nearly 10k words, I still probably missed something or was callous or whatever. Self-expression and self-understanding are… new to me. My apology may be understated, but please take it as I meant it, with utmost sincerity. My askbox is open, and I'm more than happy to discuss antipsych resources, KB, What The Hell Is Wrong With Gear, artistic choices made in this comic, etc. I'm even down to reconnect on discord! Maybe. Uh, I'm conflicted. I reserve my right to not want to talk, be slow in responding, and so on, as should you. we've no obligations and all the time in the world. Let neither of us hurt ourselves in meeting because it's the "right" thing to do. I'm not blaming anyone or trying to start drama. If it would give you the most peace of mind to completely ignore this, please do so.

or, translated: as of right now, I'm not ready for any information about KB after steffi reunites with her dad, or difficult emotional reunions. I would really like to hear from everyone, and I'd appreciate casual well-wishes. I don't want things to be the same, I want them to be peaceful. Baby steps, cassie, baby steps. (very large and fearful prey animal tries not to run into oncoming traffic)

mostly, making this was for me. Perhaps I've said too much, but after spending so long unable to express myself freely, my art was cathartic and necessary. I'm no one's martyr or innocent, I'm just a torture victim trying to make sense of it all. I want to articulate some thoughts I couldn't figure out how to say before and make some silly things that make people laugh. Most of all, I'm happy in ways I never thought I could be, and I would like to share that joy with old acquaintances and other fans of a story I adored.

What I mean to say is: The train's about to leave the station, and there's an empty seat beside me. The train will still leave whether or not you board; but I would be honored not to go it alone!

Thank you to everyone who stuck by me even after the drama. Ethel, Felipe, Chris - even though we've fallen out of contact, your kindness and patience meant more than i can say. special thank you to @stars-in-a-jam-jar, the first person i confessed everything to after the smoke cleared, and someone i consider myself close with no matter how long we fall out of contact. My close online friends, @shafpanda, @theoandmoon, @dvanaestmrva, my honorary cousin @my-name-is-jimmy, and everyone else I confided in about my torture. and, of course, my partners @transloo and @teenyjellyfishy, and my little sibling, @aroacenezhaanddainsleif, the three people I love most in the world. Thank you, all. it is an honor to love you, and be loved by you.

[iodrawsandtalks]

Criticism of Penacony and why i think HYV shouldve quit while they were ahead.

//vent towards the end, references to suicide while those references are quest spoilers Recently I've been doing world quests and grinding out the new region and been repeatedly finding myself walking straight into microagressions and slights to the point where it's been jarring enough for me to put my game down. As a black dude playing HYV games i know well enough not to act like the stupid billion dollar game company cares about appealing to minorities but its 2024 man.

First off, the obvious issue. Penacony has been repeatedly mentioned by the devs themselves to be based off of the Jazz Age from the U.S. a few decades ago.

The Jazz age was a period of time in American History between the 1920's and 1930s where the popularity of Jazz just boomed from being like an indie type of music to one of worldwide popularity. Obviously, Black people in that era are wholly responsible for Jazz itself.

So yeah, Penacony takes its origins from a key black history movement. Penacony, the region that released at the start of February. Black History Month. Star Rail is arguably one of the most popular games right now in terms of outreach because it's free, its new, and its colorful/futurisric etc.... And yet....

Just like with the rest of the HYV games that take real world inspirations, they fucked over black people and their stories.

In Honkai Impact 3rd, basically we had this one black girl who's like sandpaper brown and complains about how much her DARK SKIN ruins her look and how she bleaches her skin using various products to keep it lighter. She is ashamed of her DARK SKINNED mother who's a military woman. Her father is absent. Her mother is also a grown adult who is a B-rank soldier(main character white teenagers are S-rank for reference). Carole Peppers is her name if you want to go further down that rabbit hole.

In Genshin Impact, besides the fact that people with different skin tones are CLEARLY sectioned into certain regions(no seriously there's no real reason why i shouldnt see a black person in any of the existing regions.), and besides the unnecessary amount of whitewashing and besides the perpetuation of the idea of melanin NOT being natural, every single brown/black character in the game has awful playstyles and/or poor matching with weapons/artifacts, inaccessibilty, and they NEVER make it to the top of any meta tierlists. I'm not outright saying they're bad they're just harder and almost never get specialized weapons.

The only previously relevant example in Star Rail was Arlan, a lightning/destruction character. He chews through his own HP and unlike characters like blade/clara, does not have resistance or healing to handle that. Serval, the other lightning 4 star, out-dps's him veryyyyyyy easily. So yeah, the ashy black person character basically dies if you use him for too long and is never relevant TO ANY quests except where he needs to be the sidekick.

sometimes these games have dragons, animals that can understand and process english, or magic.... but then not black people...

Penacony has no black main characters. No black stories of relevance. Yesterday found an NPC whose name was detracted from chocolate and the player had the option to let commit suicide.

yeah ill get to that 💀. This large mass of at least 4 supernatural looking characters and yet no black person. NOT EVEN ANY OF THE CHARACTERS FROM penacony itself are black.

so yesterday I was grinding clockwork quests and had to help out some apathetic shopkeeper named Cocona. Her story was almost a bit sad but midway into going through her background i realized her name is one letter off of cocoa. now imagine being on a creative team coming up with a name for a melanated NPC and somebody decides on fucking CHOCOLATE with an extra letter. before anybody implies that one was something i shoehorned, think about how itd go if i had a bunch of POC characters and one white girl named crackerella.

Cocona and her once again sad backstory reach a hard tipping point as the player follows her to the edge of a building and can either grab her to stop her from jumping or simply let her end her life jumping off the building.

Yes we've seen how this game lets you make choices and watch the consequences of your actions, but there have been established rule-breaking predecents. Take Ruan Mei's quest where you have no choice but to eat the cake she offers you and once again lose the ability to make a choice on saying anything related to her. or any time the trailblazer gets pushed into a fight and cannot de-escalate. ....with this in mind consider why was saving the cocoa girl from killing herself NOT a forced option.

normally id be the kind of silly person looking for lore bits and stuff and making theories, (like how clockie is from the path of elation :v)but as a black dude this whole region is disgusting. THEY ARE GENTRIFIYING JAZZ AND COVERING UP ITS BLACK ORIGINS idk who said HYV cared about their audiences they fucking dont.

wouldve posted this on reddit but whoop dee do i am NOT getting doxxed today.

[marcobodtlives]

The AoT universe is like an upsettingly unimaginably easy place to die in.

And yet arguably our top 2 most willing-to-unalive-themself characters survived the ENTIRE time.

Shoutout to Reiner and Historia for surviving despite definitely not wanting to for a majority of the time. (And having a major impact on the plot for doing so).

[astromechs]

ok i said i'd expand on my tags here, so i'm going to! character meta wednesday, if you will, about cassian and his relationship with death, which informs that very last second we see of him right before he dies.

going by the oxford dictionary definition of death wish, which involves an unconscious desire for one's own death, i do believe that applies to cassian in the vast majority of his canon appearances. i wouldn't say he's actively suicidal in the rogue one novelization, but he's at least passively so on some level — with multiple instances that, as someone with a background in clinical psychology who has been trained in risk assessment, i would consider passive ideation, most notably that time on eadu when he thought about jyn coming to kill him to make him "answer for [his] crimes" and him being like "yeah, that's fine." even without the novelization, the man you see in the film, for the most part, is thoroughly broken down and beaten by the things he's done for the rebellion, for the choices that he's made, for the life that he's lived, and this isn't someone who clearly has much regard for his own life.

even the earliest parts of andor canon, even well before "kill me, or take me in," have this going on with cassian. his death is hanging over the show, and he's a proverbial ghost haunting his own narrative the whole time. yes, he survived mimban because he ran, yes, he's surviving, but that's the keyword — he's surviving. he's going through the motions of surviving. he doesn't particularly care about living that much, he's just doing it. there are choices that he makes that are reckless, that are definitely in blatant disregard of his own safety, that the events that transpire in those twelve episodes getting him to "kill me, or take me in" really isn't a surprise.

and let's be real, a man who walks up to someone who he knows has been trying to kill him and says that isn't exactly well-adjusted.

so taking all of this, that moment where cassian opens his eyes just before he dies and looks panicked hurts even more. what the visual language is saying here is that after all of this, after a whole life of this sort of outlook and behavior, cassian has realized in his last seconds that — wait, he didn't actually want to die. wait, this is terrifying. wait, he might've wanted to actually try to live for something.

but it's too late.

the death of every member of rogue one has its own individual tragedy, and that's cassian's.

[hms-lurking-latinist]

also now I want a fic where unemployed-during-the-peace Hornblower does get called out after winning at cards suspiciously consistently

I don’t know what he’d do about a duel at this point. I mean he’d fight it, or at least prepare to fight it until Forester twisted the plot to let him off, but I don’t know how he’d feel. He might actually be less passively-suicidal than he was at 17, odd as that is ever to say about him; there is however a possibility that this might simply take the form “I don’t want to die in a sordid squabble over cards, I wanted to die in a glorious naval victory”

he will also be aware of the fact that if he survives he will probably still lose his tenuous income; he will feel somehow bad for being worried about this

he may find a way to convince himself he really has done something dishonorable and indefensible, especially if he asks bush to be his second (if he’s around) and then feels bad for getting bush involved

poor Maria honestly. she will have a very bad time on the margins of these events

[still-breathing-au-p3r]

Man. 

Shit.

Seeing Aragaki-san in the hospital bed, hooked up to all those machines, not moving at all, was bad enough. Now, with everything starting to come out into the open…

He hadn’t been able to hear most of Kirijo-senpai’s on-the-run rundown of the situation between Aragaki-san and Amada, but he’d caught ‘shadow’ and ‘mother’ and ‘Castor’ and he’d thought he’d gotten the gist: a shadow had killed Amada’s mother and Aragaki-san hadn’t saved her.

The truth was so, so much worse.

Poor Amada. Poor Aragaki-san.

Junpei can’t even imagine what it would be like if Hermes stopped listening to him, let alone if he’d gone and killed someone. In front of their kid! It’s no wonder Aragaki-san had left S.E.E.S. How was he supposed to trust Castor after that?

And Amada– having to see that– not knowing what was going on, not knowing what a persona or a shadow was, just knowing that some ghost on horseback burst out of a stranger’s head and– Well. Kirijo-senpai hadn’t gone into any of the details, but from the way she’d dodged going into them, it sounds like whatever Castor had done to Amada’s mother had been– had been a nightmare.

And Amada’d had no way of knowing what Aragaki-san was really like– that he was a good guy, and not someone who went around letting his brain-ghost kill people for fun or out of carelessness.

It had happened exactly two years ago yesterday, right in that same back alley. What had Amada been planning when he got Aragaki-san to meet there? What had Aragaki-san been thinking? He had to have known why Amada had picked that night and that place.

God, it’s messed up from every single angle you could look at it. Neither of them deserved any of this. It wasn’t fair for something so horrible to just happen.

Whatever Aragaki-san had given Chidori back when Medea had attacked her had apparently been something he’d been taking himself. Medicine to tranq your persona and keep it from acting out and hurting you-- or anybody else...

“We didn’t know he was taking them until he gave them to Chidori,” Kirijo-senpai continues. “And from what I understand, the side-effects…” 

That immediately makes Junpei sit up in his chair. “I’m not terribly familiar with the particulars, but I do know that–” she takes a deep breath and swallows, like she expects the next words to hurt on the way out. “The damage done to the user’s body and nervous system from long-term use is lethal.” 

“What?” That sick feeling in Junpei’s stomach is back again. “Lethal– you mean they could die from taking those things?!” 

“That’s awful…” Fuuka whispers. 

“That’s so messed up!” Yuka-tan exclaims, standing up from her seat. “So either they die from their personas or they die from the stuff that keeps their personas from killing them? Who the hell would make something like that?!” 

“Is…” The room goes quiet when Minato speaks up. He hasn’t said a word in so long that Junpei'd almost forgotten he was here. “Is that what he meant when he told me he wasn’t going to live much longer? He was– poisoning himself?”

“That is correct.” Kirijo-senpai squeezes her eyes shut and presses her lips tight together. Her hands are balled into fists on her knees. If it were anyone other than her, Junpei would have thought she looked like she was about to cry. “From what Akihiko relayed to me about certain remarks Aragaki made, it seems that he was aware of the consequences of taking the suppressants and chose to do so regardless. He either considered it a fair trade-off, or…”

Kirijo-senpai doesn’t finish that sentence, and thank god for that. Junpei doesn’t want to hear the end of that thought, and it doesn’t seem like anyone else does either. Yuka-tan sits back down in frustrated silence. 

“He told me he was getting by on meds…” Minato mumbles under his breath. The room’s so quiet that everyone still hears it just fine. Aragaki-san really lied to him like that, huh? 

“Yes, well.” Kirijo-senpai looks away. “He’s…very good at saying things people need to hear in a way that isn’t a lie, even if it isn’t quite the truth either.” 

Minato goes quiet again. Junpei had no idea he and Aragaki-san had become so close-- enough for him to talk about his condition even a little. 

“I have no records of these suppressants in my database,” Aigis says. “Is the Kirijo group aware of them?” 

“They are,” Kirijo-senpai replies. “I was told they were made in case of an emergency, and there are no records of them ever being used. My father hasn’t heard about them for years. But now that they’ve surfaced again, he’s put together an R&D team focused on finding effective treatments for the side-effects.” 

Well. At least there’s one good thing that came from Aragaki-san having those drugs. If Chidori– and Aragaki-san– have to keep taking them, then maybe they won’t die with these treatments.

Junpei looks over at Aragaki-san, still as death. The only way to tell he’s even alive is because of the steady chirping from that pulse machine, whatever it’s called.

…He looks so small under all those tubes and wires. He’s even got one of those breathing masks, so they can barely see his face. But without the hat, from what little Junpei can see, he looks way younger– almost like his actual age. It’s still hard to believe Aragaki-san’s really only a year older than him, and Minato and Fuuka and Yuka-tan.

Only one year older, but he could still die so soon. Too soon. 

The room goes silent, except for the machine beeping out a reminder every time Aragaki-san’s heart beats. All that they can do now is wait for one of the doctors to come by and fill them in on anything Kirijo-senpai didn’t know, and for Sanada-san to bring Amada home.

So that’s what they do.

[cartoonghosts]

genuinely people need to tag triggers. Love all the 'not my responsibility to tag stuff the way you want it' shit but that is for fandom and weird kinks and whatever not LITERAL PICTURES OF SELF HARM AND BLOOD EVERYWHERE like I'd be fine if it was tagged 'tw blood' (which I don't have blocked!! I'd still be triggered as fuck but hey you tried idc) but when you don't tag it at all I have to assume you are actually trying to hurt someone. Yeah I block immediately but thst doesn't change the fact that I'm triggered and the sh urges are back. This is true for text posts too, although I try to block words (I genuinely hate it so deeply when people sidestep other people's word blocks with 'sewerslide' or button mash numbers in the word like. I am going to fucking kill you. 'Oh noo it's triggering to me uwu' bitch you made me actively suicidal for the first time in months. Fucking die. Don't post that shit if using the actual words triggers you). You ABSOLUTELY ARE responsible for what you put out into the words. People saying 'oh ur not responsible for other peoples triggers and emotions' are genuinely heartless and have never felt human empathy. You ain't responsible for how I react to your content, but you NEED to try your best to give people the bare minimum of warnings when you post triggering shit. Look at ur vent post and be like 'hey I'm gonna tag this as tw vent/ tw si' and you genuinely might save someone's life. Probably not but the chance should be enough for you to care and if it isn't, block me. Don't argue, just block me now.