#disasters but they're trying their best

[asstariontrash]

murder... cousins...? 🔪🔪

Work's been very stressful lately and I got hooked on @jellymellydraws 's "I've Got You" fic to unwind — it's a treat. Astarion is a bard, Alfira's joined camp and nothing bad has happened (...yet...?), the ensemble cast is really well-handled, I am having a fantastic time.

Anyway it got me thinking about whether or not our Durges could be friends. I think the answer is yes. :>

[tmae3114]

Replaying Siege on Atrea atm for Reasons and it truly does make me laugh out loud how much the hero and Tomix Deserve Each Other

like, the entire

“Oh no, we’ve been spotted! Okay, try not to die, meet you at the Rose camp!”

“Meet you at the- wait WHAT DOES THAT MEAN?”

*smirks* “Don’t worry, I got this” *superspeeds ahead*

exchange is just. that is so much the Hero of Falconreach getting a taste of their own medicine. they are usually the person doing this to people and now they are getting it done to them and it’s fantastic

[concupiscentlyashen-blog]

.

[fallout-lou-begas]

YOU KNOW THEY SAY THAT ALL MEN ARE CREATED EQUAL, BUT YOU LOOK AT ME AND YOU LOOK AT THE NEW CALIFORNIA REPUBLIC, AND YOU CAN SEE THAT STATEMENT IS NOT TRUE. SEE, NORMALLY IF YOU GO ONE ON ONE WITH ANOTHER GEOPOLITICAL POWER, YOU GOT A 50/50 CHANCE OF WINNING. BUT I'M A GENETIC FREAK AND I'M NOT NORMAL! SO YOU GOT A 25%, AT BEST, AT BEAT ME. THEN YOU ADD THE LEGION TO THE MIX, YOUR CHANCES OF WINNING DRASTIC GO DOWN. SEE THE 3 WAY AT HOOVER DAM, YOU GOT A 33 1/3 CHANCE OF WINNING, BUT I, I GOT A 66 AND 2/3 CHANCE OF WINNING, BECAUSE CAESAR'S LEGION KNOW THEY CAN'T BEAT ME AND THEY'RE NOT EVEN GONNA TRY! SO GENERAL OLIVER, YOU TAKE YOUR 33 1/3 CHANCE, MINUS MY 25% CHANCE, AND YOU GOT AN 8 1/3 CHANCE OF WINNING AT HOOVER DAM. BUT THEN YOU TAKE MY 75% CHANCE OF WINNING, IF WE WAS TO GO ONE ON ONE, AND THEN ADD 66 2/3 PER CENTS, I GOT 141 2/3 CHANCE OF WINNING AT HOOVER DAM. SEE LEE, THE NUMBERS DON'T LIE, AND THEY SPELL DISASTER FOR YOU AT HOOVER DAM.

[dadvans]

my favorite line in the entire bucktommy saga is maddie's reading of "wait, it's the same tommy?" because at that point you know this girl has been THROUGH IT way too many times in a short period, like:

her soon-to-be husband comes home. he just fake called out sick from work to fly into a hurricane with his closest coworkers, her disaster-prone brother she mostly raised included, to save his boss and his wife. he tells her all about it, adrenaline still pumping the day after he comes back from the COAST OF MEXICO, and is like, no, it's fine! see, my old co-worker tommy works in air ops and I saved his life once, and we used to be super tight--[insert 10 minute off-topic backstory about how tommy used to be a jackass but now he's different here]--until he moved away, and funny enough, buck was the guy who filled in for him? anyways, tommy's the coolest, we could've died but we didn't! how was your shift at dispatch, honey

her brother she pretty much raised comes over and also brings up this tommy guy. yeah, he's so cool! do you think it would be weird if i called him up and asked for a tour of harbor? he just seemed like a neat guy, i want to be his friend, you think chim would put in a good word for me?

her brother she pretty much raised comes over AGAIN and is like, okay FUCK this tommy guy, he's so cool and knows everyone and his meat is huge!!! my best friend likes him more than me and they're doing things without me and i'm so sad about this in a really abstract way, can i please have a bagel

her soon-to-be husband comes home in the middle of this and is like, yeah he's cool and knows everyone and his meat is definitely huge. LOVE that guy!

her brother she pretty much raised shows up at her workplace and is like, remember how i was experiencing jealous thoughts and feelings because the coolest guy i've ever met with the biggest meat isn't paying attention to me and is new besties with my best friend? i may have caused bodily harm about this and yes i did involve your almost husband as a co-conspirator

approximately 2-to-3 business days pass where she experiences quiet. maybe too much quiet

her brother she pretty much raised comes over for a fourth time and is like, i lied to my best friend who i was just telling you i was angry at and s l i g h t l y injured because he kept hanging out with this other guy i was trying to hang out with and totally unrelated but i went on this date with someone and lied to my best friend about it and oh yeah it's the same guy but that is so besides the point it's not even worth mentioning

justice for maddie

[ashfae]

The thing about romance is, it makes a good story.

As soon as Neil described season 2 as "quiet, gentle, romantic" I figured we'd be in for it, because as he's the first to point out, writers are liars. And the best way to deceive is with truth.

Season 2 is romantic. The trappings of romance are everywhere. Crowley tries to set up Nina and Maggie by trapping them under an awning during a rainstorm, a classic cinematic bonding technique. Aziraphale's chosen method comes from his beloved books: the ball, the dancing, appearing as a pair in public, hands held as you twirl gracefully with your heart thrilled and racing. If they can set up a sensational kiss that will unlock the happy ever after. They've lived on earth, they've studied the tropes, they know how romance works.

The problem is a story is only a story.

Nina and Maggie had the classic romantic setup completely by accident before Aziraphale and Crowley ever began trying to interfere with them. They get locked in Nina's coffeeshop. They can't escape or communicate with anyone else, they end up talking by candlelight because there's no electricity, Nina offers wine. Maggie mentions how she'd hoped for a chance to talk to Nina, and now here they are. It's every bit as much a standard as what Aziraphale and Crowley attempt to arrange. Blanket scenarios galore exist because of that starting point. We love that story. And there's nothing wrong with that.

But it's still only a story, it's not enough. Because once that moment of connection is over, however lovely it was, all the rest of the world comes flooding back in in the form of dozens of angry text messages. Nina's messy entrapping relationship hasn't magically gone away just because she and Maggie shared a romantic encounter.

And it's so tempting think oh well, that's easy. We'll just give them more romantic encounters and eventually those will overwhelm the rest of the baggage. Must do, because it'll make them fall in love, and once they realize they're in love that trumps all other considerations, right? So it'll be fine. Love Conquers All.

Neil also mentioned Pride and Prejudice.

Darcy knows he's in love early on and makes a disasterous proposal that shows that he has no understanding of Elizabeth's perspective, possibly hasn't even thought about it. They've been meeting in forest lanes for walks, conversing, had tete-a-tetes in the sitting room, danced at a ball. And while his turn of phrase isn't as flattering as he thinks, he's still offering her everything he thinks she wants and needs: affection, security, his good name, wealth, an escape from the embarrassments of her situation, the world. How can there be anything to object to? Why would anyone ever refuse so much of value?

Elizabeth quite rightly cuts him to pieces. He lashes back with a few hard truths of his own and they separate. During that separation, he thinks and he learns. He takes to heart the criticisms she offered, re-examines his assumptions, opens his eyes. Thinks about her perspective and how sometimes the only difference between pride and arrogance is where you're standing. He does the work. When they meet again he tries to demonstrate that he's learned--not in order to court her again (yet), but because the only real apology he can offer, the only one that would have weight, is to show that he's grown, he listened to her. He changed.

Elizabeth of course has her own journey, accepting that many of her own conclusions about Darcy were erroneous because they were formed without her having the full picture to hand, and once she's done that she has to apply it to her own situation as well. She loves her family, but they do place her at a disadvantage on a number of levels, leading eventually to full-out disaster as her younger sister carelessly ruins all of their reputations. It's hard to admit, it's mortifying, but Darcy was offering her a great deal she needs. His offer did have worth for all that she dismissed it as an insult. And as she learns to value his own character more highly, and then as she sees that he did listen to her even though she insulted him so thoroughly...well, she grows too. And when they do eventually come together it's not because of courting and balls. There's a big romantic gesture in his rescue of her sister but even that isn't why they'll get their happy ever after. It was just the catalyst for the conversation. They win because they've learned how to understand each other and how to communicate for the future. How they can strengthen and support each other, how to balance their strengths and weaknesses. The films leave them at the wedding, but the book shows a bit of their marriage too, and during it they keep learning from each other. Their relationship is held up as a superior love story for good reasons.

The end of season one was romantic too. Crowley stopped time rather than face a world where Aziraphale would never speak to him again, Aziraphale walked into hell to protect Crowley, they dined at the Ritz and toasted the world. But then they stopped. Sure they spent time together, talked, enjoyed each other's company. But if they were talking about important things would Crowley still be living in his car? They had a bit of respite but all that real world baggage that exists outside of the romantic moment hasn't been faced, none of it. Four or five years sounds like a long while but for beings who are quite literally older than the earth? That's just an intermission.

Nina's relationship ends, leaving her with a tangled mess; Maggie realises the sweet dream of love she's been longing for isn't as important as the real Nina. They talk. They plan. Nina will sort through her life, get closure, figure out what went wrong with Lindsay and what she wants from a relationship, learn how to ask for respect instead of just bending under her partner's demands. Maggie will support Nina the way Nina needs, which sometimes means helping her get oat milk for the shop and sometimes means giving her processing space. They're on the same page; they're going to do the work. That's why most likely they'll succeed. To quote one of my favourite fanfics: it's not happily ever after, but it's a chance. It's all going to be okay. (The Profane Comedy by Mussimm, who absolutely nailed this theme)

The romance is nice, it's lovely. We need it to keep ourselves going. To give ourselves the dreams that help us get through the days and nights. But it's not the relationship. It's not enough on its own. The wedding can be the grandest most beautiful ceremony ever with doves flying and sweeping music and bells ringing, but that doesn't guarantee the marriage will last.

Crowley and Aziraphale have had their romantic gestures, oodles of them. One wing raised to protect the other from falling stars, another from rain. Shared ground, shared interests, hands offered in friendship and held on a bus. They've tried to get to the same page, they really have. They just aren't there yet. The biggest most important things still haven't been talked about, and season 2 showed there are even more of those big important things than we'd realised.

The show paints Maggie as Aziraphale's foil and Nina as Crowley's, even to the point of Nina casually calling Maggie 'angel'. But Aziraphale's baggage is Nina's. The toxic relationship has to be processed and understood and closed, and it hasn't been, despite season one. Lindsay never really liked Nina very much, for all that they tried to keep her trapped; Heaven never really liked Aziraphale very much for all that he believed in it. They both let themselves be used. But Lindsay left Nina and went to their sister's, whereas now the head of Heaven has reached out to Aziraphale and said here, we can fix this, you can fix this, don't you want to fix this? Others are already writing about that and maybe I'll add to it later, not sure. And Crowley, like Maggie, has had a sweet dream that he has to set aside. Maybe he'll be able to pick it up again eventually, maybe not. But sometimes you offer support by buying oat milk or rescuing your beloved from the legions of hell, and sometimes you do it by standing back while they sort through their shit.

Quiet, gentle, romantic. It was.

But that's only part of the story. Now they have to do the work. They thought they had, but they were wrong, because there's so much they just hadn't touched yet and tried to cover over with relief and sleight of hand and alcohol and forgiveness. The apology dance doesn't mean much without showing that you listened and learned. They've faced so much trauma already and that should have been enough, we wanted it to be enough and so did they and it's such a blow for it to turn out that there's still more to do, that the baggage hasn't just gone away and can't be hidden under blankets or soothed with cocoa. The texts are still coming in and demanding answers.

But it'll be okay. It will. It's still a chance. And one that in the long run makes them better, builds something real that lasts.

The best stories, the ones that last longest and become classics, are the ones that don't end with the kiss under the awning or the blanket scenario or the wedding. They're the ones that heal us while the characters heal themselves. It's hard to accept that there's still more to do. Harder to imagine how it can possibly work out. And yes, bloody frustrating to wait and see.

And we'll get through that interim by telling even more stories. Because the story is never just a story. It's how we get through the work, it's what we tell ourselves so we can do the damn work. Stories are what we cling to and how we remind ourselves we're human and connect. A book is a person you can carry with you. We're not alone, none of us, stories connect us because we love them and see ourselves in them, which means we see each other.

Aziraphale's back up in Heaven to deal with his unfinished baggage; Crowley left his behind long ago and it's clearly going to come back and bite him in the arse however much he tries to go his own way. And they can't help each other with that. Not yet.

But they'll get there. So will we.

[tossawary]

I've been toying with a "third transmigrator" AU for SVSSS in which the third transmigrator is a teenage girl who ends up in Luo Binghe. This teenage girl tried to read PIDW because someone else liked it, but didn't get far because she didn't like it.

Disinclined to follow the plot, the teenage girl decides to transition, because fuck it (crying breakdown), she doesn't want to be a guy. Ning Yingying is initially the only one in on it (and then some Qian Cao Peak people). This new Luo Binghe knows JUST enough about the plot of PIDW to avoid Shen Qingqiu's attention as much as possible and so swears Ning Yingying to secrecy regarding the transition. She intends to hide it until the Transmigration System lets up on the missions and restrictions a little.

Meanwhile, Shen Yuan is like, "How am I supposed to improve my relationship with the protagonist if i never see him? Did he just jump out a window to avoid me?! Also, hmph, the bullies are all calling him 'Luo-Shimei' now? Just because he's pretty??? I had better go tell them off for it!"

(Shen Qingqiu, please, your students are getting the impression that you're transphobic!!!)

If Luo Binghe's transition comes out before the Immortal Alliance Conference, Shen Yuan is going to 1) think it's his own fault somehow and 2) be more than a little weird (and a little transphobic) about it.

Shen Yuan (internally): "Oh, shit, NOT abusing the protagonist turned him into a girl??? How does that work???"

The endgame relationship here is a messy love triangle between Luo Binghe, Ning Yingying, and Ming Fan. Ming Fan is like, "What do you do when the shidi you hate falls down the stairs and nearly dies, and then apparently can't remember you used to bully him and expects you to be a good shixiong, and becomes best friends with the girl you like but also starts turning into a cute girl too??? But you can't tell Shizun any of this otherwise the girl you like will kill you???" Ning Yingying is like, "I was so caught up in the thrill of makeovers and having a new sister that I forgot to examine why, when she's approached by guys, I want to tear their throats out with my teeth. Ming-Shixiong is not good enough for A-Luo!!!" And Luo Binghe is like, "Wow, Ning Yingying is such a good friend. And so pretty. I could stare into her eyes for hours. Ming Fan is kind of a jerk sometimes, but he's cute, I guess. He needs to shape up if he wants to win Ning Yingying's heart someday! She married a guy, so she's definitely into guys."

This third transmigrator isn't paying too much attention to their own love life partially because they're too busy 1) trying to survive, 2) trying to do right by their friends, and 3) trying to figure out if Shen Qingqiu and Liu Qingge are in a "toxic yaoi relationship" and, if so, which one of them tops more frequently and where Yue Qingyuan fits into things.

If you haven't guessed yet, this third transmigrator is actually Shen Yuan's younger sister, who transmigrated at like 16 years old at the oldest. This identity reveal comes out at the Immortal Alliance Conference, seconds before disaster (the push into the Endless Abyss), and no earlier. It does not go well. The Transmigration System is mostly to blame.

Live Shang Qinghua Reaction: "Oh, fucking yikes, bro."

This Luo Binghe hands a lot of control over to Meng Mo to get out of the Endless Abyss. An inadvisable amount of control, really, even if Meng Mo is soft on the girl. Afterwards, they sort of stumble into the arms of Huan Hua Palace. Shen Yuan's sister did not read far enough to know pretty much anything about this sect, especially not that it's a terrible idea to be here while being both a Heavenly Demon and (post-transition) looking like even MORE of an identical clone of Su Xiyan.

(Tianlang-Jun and Zhuzhi-Lang ARE both going to be kind of awful and weird about it, yes, at least initially.)

Gongyi Xiao, after showing basic kindness to this poor young woman: "Hey, why are those two Qing Jing Peak disciples glaring at me like they want me dead?"

[sunderwight]

SV AU where Shen Yuan transmigrates into a dragon.

It's not so bad, at first. He's an extremely magical sort of dragon so he can easily take on a humanoid shape, and he has dominion over an entire mountain, with a magical gate that leads to his palace. Said palace has a fully stocked treasury, a library, garden, etc, with the only real downsides being that the place is kind of huge and very difficult for a neet with limited housekeeping or landscaping skills to keep up with. The original dragon had enslaved a bunch of fairy spirits to do it for him, but since Shen Yuan has moral objections to that, he'd let them all go and they'd run off before he could even think to offer to hire any of them as paid employees instead. Not that he can blame them for being in a hurry to get gone.

He does his best, and generally enjoys being a dragon lazing on his mountain, or wandering the beauty of his palace and investigating the books and scrolls kept there. He doesn't actually seem to need to eat or drink, so that's not really an issue, and nobody looks keen to bother him. But after a few months the dust starts to really pile up, and trying to figure out how to do his own laundry without modern equipment leads to several disasters, and even though he doesn't need to eat he's starting to think it would be quite nice to have a fancy sit-down dinner and enjoy it for its own sake anyway. He has an enchanted larder but his food prep skills aren't up to much.

So, Shen Yuan ventures away from his mountain. He keeps to his human disguise when he's not traveling, and at first tries to hire on some help from a nearby city. But when he explains that he lives on the mountain, he realizes the difficulty, because everyone in the area knows that only the dragon lives there. So they all think he's either a liar or a fraud, or some servant of a nefarious supernatural creature angling to trick and possibly devour them.

Shen Yuan tries approaching another town in his dragon form, to see if anyone will actually deal with him if he's being upfront and honest about the situation, but the townspeople just panic. He returns to his mountain to rethink his strategies, and in the meanwhile the alarmed locals hire a swordsman to go after him. The guy gives him a few very painful cuts before Shen Yuan mostly-accidentally sends him careening into a boulder. One broken arm later the swordsman is gently persuaded that the pay he was offered isn't worth the effort on this job, and leaves.

Discouraged, Shen Yuan decides he's gonna give this one last try. He picks the second closest city, flies up, and is like yes hello, yes I am indeed a dragon, no I'm not trying to burn down your walls, yes it would be excellent if you stopped shooting arrows at me, look they don't even get past the scales? It's kind of silly? Okay, yes, thank you very much. Good. Now, the thing is, I'm looking for some people. I want to take them back to my mountain with me, to my incredibly nice palace, and -- what was that? A princess? No no I don't want a princess, what would I even do with one? If anything I'm looking for the complete opposite of a princess!

Anyway, the locals take this to mean that the dragon is demanding a sacrifice in the form of a pretty boy of no particular pedigree, and Shen Yuan takes this to mean that he's finally made his case clear and they're going to dig up someone who is willing to overlook his being a dragon in exchange for free room and board and fair wages out of his massive treasury.

SY's a bit disheartened when the entire city could only apparently turn up one such person -- an underfed teenage boy who looks at Shen Yuan like, despite the situation, he is still expecting to be eaten at any moment. Poor thing! But at least having one servant means he can potentially get more, especially if it all goes well. The lad can tell others that working for a dragon isn't so bad! Well, provided that he doesn't give up in alarm at the state of the mountain palace.

For his part, Luo Binghe at first thinks he's definitely going to get eaten, and then that this dragon is weirdly nice about planning to eat him, and then that maybe the dragon has other (even less savory!) plans for him, until finally he sees the state of the dragon's laundry and the foot-thick layer of dust in the corners, and gets completely distracted. Mortal terror forgotten, those floors should not be that filthy, Lord Dragon respectfully that isn't how anyone should prepare rice either, but oh Binghe has never seen a kitchen so nice before in his life...!

Anyway, needless to say, it works out just fine.

[ckret2]

One of my favourite things about the book of Bill has to be how hard it has cemented that, for all the airs Bill likes to put on, he's actually awful at manipulating people. Like if you look at the just the show, on the surface his record isn't bad. 2 1/2 successful manipulations out of 3 shown on-screen is solid. ((That is until you examine it further and realize that the 2 successful ones were done to 12 year old children who 1. Weren't exactly in the best states of mind at the time due to severe sleep deprivation/a difficult emotional state and 2. he still had to trick via his power (the fake timer on the laptop/possessing blendin so Mabel didn't know it was him)) But now? Oh man! Ford wasn't just lucky, he joined a tradition dating back all the way to humanities beginnings! Bill has been trying to get people to do his bidding literally since people had gotten good enough at resource-gathering and tool-usage to be able to potentially build his portal! And he failed over and over and over again and he never learned shit! That would be bad enough but not only did he fail at manipulating several civilzations worth of people, they ALSO constantly thwarted him in ways beyond that! He got himself banished, trapped, and annoyed to hell and back and thats just the stuff he told us! Thats not even speaking of his latest and possibly greatest fumble, failing the convince us, the reader of the Book of Bill who is canonically a fan of Bill or at least Gravity Falls into striking a deal with him. In short, if I asked Bill to manipulate a child into eating ice cream with just his words I wouldn't trust him to get it done within my or the kids life time.

Except, Bill IS good at manipulating people. You JUST DESCRIBED several examples of him being good at manipulating people.

Identifying the most vulnerable targets, the "weakest link" most likely to cave and do what you want—like children (or elderly people with dementia, or immigrants who don't understand the language well)—is part of being good at manipulation.

Identifying and taking advantage of people in a compromised mental state when they're not thinking clearly and are more likely to do what you want is part of being good at manipulation. (He didn't try to persuade Mabel to destroy the laptop, BECAUSE HE KNEW DIPPER WAS MORE VULNERABLE. He didn't approach Dipper or Ford dressed as Blendin—BECAUSE HE KNEW MABEL WAS MORE VULNERABLE.)

Just straight up lying to people—about a situation (the timer), about a person (Blendin)—is a manipulation tactic.

Fabricating a totally artificial emergency and pressuring a target to ACT NOW to prevent disaster is a common con artist trick. (See: scammers who cold call strangers, say they're from the IRS and the stranger is behind on taxes, and demand they transfer a large amount of money from their bank RIGHT NOW or go to jail—WHICH ACTUALLY WORKS A LOT, especially because people CAN'T THINK AS CLEARLY when they're panicking.)

Disguising yourself as somebody trustworthy or somebody intimidating to trick a target into obeying you is also a common con artist trick.

Not to mention ALL the work we see into how he manipulates Ford: he makes note of Ford's social isolation and how Bill can use that to his advantage; he identifies the thing Ford wants most (respect & acknowledgment for his intellectual achievements) and weaves that into his manipulation; he uses both Ford's ego AND Ford's insecurity against him; he almost effortlessly turns Ford against the one friend who adores him, making Ford think his friend's kindest attempts to help are evidence of backstabbing; and even though ultimately it didn't work, you can't say that threatening to destroy Ford's life from inside his own body was a BAD manipulation tactic.

Plus the entire muse schtick. Fooling people into thinking you're doing something magical or supernatural is such a common manipulation tactic that there's a whole name for it: "mystical manipulation." Bill does this NON STOP with Ford, and with many of his other victims.

We see him successfully talk an entire tribe into helping him build a working redwood portal—and they only turned against him when the portal started petrifying people, unleashing monsters, and creating bottomless pits. He talked the Aztecs into sacrificing 9,000 people to build a portal that didn't even work. He talked not-Disney into making a cartoon about Bill that included UNLEASHING LIVE BEES IN THE THEATER. Who the hell would think that's a good idea!

And to top it all off, he formed multiple successful cults that were ride or die for him until the bitter end. That's like the crown jewel of being good at manipulating. Bill talked a whole town into joining his cult in under a month in spite of the fact that he kept calling them plasma bags and chugging formaldehyde. Based on the dates in the document about Silas Birchtree, people were marrying into Ciphertology at least five years after Bill's puppet disintegrated and he ditched them.

Bill was good at manipulating people!

Do you know what Bill WASN'T good at? Getting people to finish and open a portal.

Largely because portals are difficult to make, and because he can only get so far into the process before it becomes obvious that this thing will destroy the world and that's usually enough to override any other threats or promises he makes.

Yeah, he says some stupid things that should obviously give him away—like talking about setting off all the nukes. He's kinda pathetic and a bit of a dumbass sometimes. But, here's the thing about successful manipulators, con artists, and cult leaders: MOST of them are kinda pathetic dumbasses. Cult leaders are idiots. There's a cult leader who preached his followers should be on minimal vegetarian diets, had his chauffeur take him out to a big fancy steak dinner, then told his chauffeur he did that to test his faith—and the chauffeur was like well okay. Cult leaders are idiots, AND YET SUCCEED. When Bill says you can get anyone to hum along with your tune if you've got charisma? He's right—that's true in real life.

Manipulators get away with manipulation not because they tell such brilliant impeccable lies that the most clear-headed rational person in the world would believe them... but because they know to tell their lies to people who aren't clear-headed and rational, and because they know using cheap tricks and false identities and lies that the victim WANTS to be true works better than a flawless story, and because they know most people tend to give other people the benefit of the doubt that what they're saying is probably true.

So yeah, he's too cocky, he's a bit pathetic, he lost a lot, he loses at the end of the book... but that doesn't mean he's a bad manipulator. It means that being good at manipulating can only carry you so far, and Bill didn't have what it takes to carry him the rest of the way.

[astracora]

Poly!LADs headcanons - because I'm a disaster human and they live rent free in my head.

Home Edition

Also includes the main mc I write with headcanons??? Canons????

Masterlist

Zayne is very clean, he tidies up as soon as he sees mess. Can't leave it for a second. (He also simply doesn't think to say to someone 'hey can you clean up x', he'll just go 'well I'm here' and tidy.)

Xavi will tidy but he'll normally have a set time in mind to do it, aka 'I'll do this in 10 minutes' except he means it. Which sometimes means Zayne gets to it quicker.

Raffy will fully forget the concept of tidying, everything becomes like his art studio. Will sometimes do 'I'll do this in 10 minutes' doesn't mean it.

Sylus is generally very tidy, will clean as he does anything, part of his 'leave nothing out as a weakness, remove traces of yourself as you move' energy, but it does make him easy to live with in regards to cleanliness.

MC is not tidy, they're chaotic and often forget where things are. They try to help manage the mess but often simply forget in the chaos of doing something. They just need a lil nudge and they'll go into cleaning mode and fix all the mess.

They all have jobs that tend to be 'theirs' though it's fluid depending on time restraints and current projects or life situations.

Raffy/Xavi are best at doing the grocery shopping. They're least bothered by crowded or loud places, and least likely to buy every sweet in the place. Raffy does do impulse purchases, but they generally take lists.

Xavier also takes care of the plants and the garden in the house. (Everyone likes checking in on the garden though.)

Sylus/Raffy are the best at cooking. Sylus cooks primarily as long as he has the time (tries to make it as much as he can), and Raffy cooks the best fish you'll ever eat in your life.

They will sometimes also supervise Xavier's cooking but with him it's a two man job of not letting the kitchen burn down. (Sylus doesn't want to replace another kitchen.)

Zayne is king of tidying, he doesn't do it all himself, and everyone tries to make sure they pick up their weight esp when he's very busy, but the man has systems upon systems.

MC does a bit of everything, they're not as patient with cooking, but enjoy baking a lot. Primarily they help stay on top of laundry, dishes and are co-captain to Zayne's cleaning frenzies.

They all have their at least one of their own specific rooms in the house, either specialised for their work, or just a specific place for them to destress if they want alone time.

Zayne: has his office.

Raffy: has an art room, he also kept his studio for anything he's keeping secret from the others (an art project) or for bigger pieces that he needs more space than the house can provide.

Sylus: has a music room, it's decorated with records and various instruments. Of course he keeps all his bases, home is home, work is work.

Xavier: he set up a planetarium in a nap room, just incase he gets home really late and needs to sleep but is worried about disturbing someone.

MC: has a room decked out in just every single collectible they've ever hoarded ever.

Raffy technically has the most 'normal' sleep schedule, awake in the day, asleep at night, except he also doesn't sleep when he's working on a painting, so it often goes out of the window.

Zayne has a sleep schedule which is normally he's awake in the day, asleep at night, but he's also a doctor so he works whenever he needs to, and this can often mean night shifts, very long shifts with on call sleep room visits, or simply his normal nightmare-based insomnia.

Sylus is awake at night and asleep during the day mostly, has a fairly reliable schedule in terms of active time, but he's a busy man who does a lot of work travel. So might not be at home very often because of that. While he pretty much sleeps exclusively in the day, if he's around and someone really wants company, he's happy to join them in bed. He's also always willing to be out in the day if someone asks for his presence for something.

Xavier sleeps whenever he's tired, he's a working hunter which means he's awake when he's needed for a mission, and he works at night as Lumiere, so he has absolutely zero schedule. He and Sylus are normally the ones who take naps together because of this.

MC's life schedule is very reliable, they work in the day or whenever they have a mission, but primarily they sleep at night. That said they have insomnia and they also suffer from frequent nightmares due to their history, because of this, they will take naps when they can, and will often be awake until the early hours of the morning unable to sleep properly.

[undressrehearsal]

a bite of luxury

summary: you decide to look for a sugar mommy and stumble across this strange girl that seems to have more to hide

tags: sugarmommy!ellie, rich!ellie, vampire!ellie (yep, we got it all) alcohol, reader is poor lmao, reader uses she/her and is referred to as a girl once or twice, no smut in this one sorry gotta establish the world first

word count: ~8k

a/n: it's been so long since i posted a fic lol working full time and trying to finish my book is killing my schedule BUT i hope y'all like this this was my fiancee's idea and i'm running with it i got a LOT of plans for this one - plans i think y'all are gonna love

also the drawing in the cover is made by @nramv seriously go check out their work they're so talented!!

if you wanna be added to my tag list just lmk!

You hadn’t been searching for a sugar mommy. 

Truthfully, when your best friend had sent you the link, you had dismissed it immediately. She had been joking about it for months, talking about how much easier it would be if you just found a nice older woman to take care of you. You hadn’t even opened the link - you only rolled your eyes, replied with a middle finger emoji, and left it at that. 

And yet things kept piling up. The stack of bills on your kitchen counter was growing to a concerning height, a mountain of unanswered responsibilities that was getting harder to ignore. Your landlord kept calling you - you no longer answered, just watched the phone ring until it finally stopped and ignored the increasingly angrier voicemails. Your apartment was an absolute disaster; you could never be bothered to clean it, because by the time you got home from working both of your jobs, you only had enough energy to eat a bowl of leftovers and promptly pass out in bed. 

The link kept popping up in your mind, each bill in your mailbox a gentle reminder. You found yourself scrolling all the way up the text chain to find it again during sleepless nights. So many times you would only stare at it, your thumb hovering over the blue letters, before you closed the chat and threw your phone down. 

It was stupid, of course. But as time went on, the idea of letting yourself get buried alive under a mountain of debt - of getting evicted from your apartment and having to crash on your friend’s couch - seemed all the more stupid. 

So, late on a Thursday night, after you had had another anxiety attack staring down at your bank account, you went back up the text chain, and you clicked the link. 

www.seeking.com

It didn't take long for the messages to start coming in. You should have been flattered, honestly - you had at least a handful of people in your messages practically begging you for the honor of paying your fucking rent - but you really just felt like you were playing a part that you hadn't even read the script for. You had curated your profile with all the things that made you appear more cultured than you actually were: going to museums and pondering over Baroque art and reading poetry over a pretentious cup of coffee. Sure, these were all things you had done - you had photo proof, after all - but somehow you didn't recognize yourself. It felt like you were looking at pictures of a stranger living a life you wanted but couldn't reach. 

Most people were fine - charming, even. You got maybe one or two that felt like they would lure you into their sex dungeon to murder you, but that was expected with any dating site. You even went on a few dates, scrounging up the nicest dress you owned and getting pampered at a five-star restaurant or going for a ride on an older woman’s personal yacht. One person even took you for a helicopter ride, which was fun but she was a little too handsy on the first date to warrant a second. 

One name kept popping up though, a name that was becoming far too familiar in your notifications. 

ellie: meet me at 8 <3 

When she first messaged you, you had thought she was like you: somebody searching for a partner to pay their bills. Her pictures didn't exactly scream sugar mommy material. Her first picture was just a normal selfie taken outside; she wore a worn out leather jacket, her short hair tangled from the wind and green eyes squinting in the sunlight. She had stupid pictures of mushrooms and candid shots of her browsing a science museum, looking far too excited in front of a t-rex skeleton. Hell, in most of her pictures she looked like she was wearing clothes she had found at a thrift store.

You had thought she was like you, until she sent you a picture inside her fucking Rolls-Royce. 

“Fuck,” you audibly cursed into the quiet of your room. You had been talking for a few days, and she had begun to do that - sending you small selfies throughout the day. In the last one, she had taken a picture in front of the mirror at the gym, flicking off the camera, her lean muscles glistening with sweat. Before that, it had been a blurry picture of her dog, Riley - a huge German Shephard - splayed on her back at a park, leaves stuck in her fur. 

So, yeah, when you found out Ellie was not only rich, but rich enough to casually have a Royce, you were more than a little surprised. 

The selfie was cute, you couldn’t deny that. Her hair was wind-swept, catching in those long ass eyelashes. Ellie’s nose was scrunched up, freckles popping against her cheeks, holding up a peace sign. 

She was fucking adorable and you already knew it. But seeing her worn out leather jacket and messy hair against black and white leather seats that looked like they, alone, cost more than your entire apartment complex combined - it was a little jarring. 

And when she asked you out on a date soon after - after finding out she wasn’t Iike you but rather searching for someone like you - how could you say no? 

Ellie offered to pick you up - like a gentleman, she had said - but frankly, you weren’t quite convinced yet that she wasn’t some blood-thirsty pervert trying to lure you into her dungeon, so you politely declined. Instead, in your nicest dress and heels you hardly wore because they pinched your toes, you called an Uber. 

You had never been to this side of town. You had plugged in the address Ellie gave you - had double and triple checked it while your awkwardly chatty Uber driver tried asking you about what you do for a living - but the streets here were so unfamiliar you may as well have been in another city. You looked at the foreign buildings rising up around you, large windows giving you a glimpse of the life inside them. People were sitting outside in the chilly air, laughing over wine and dinner. Looking at them - with perfectly sculpted hair and clothes you would have to spend several entire paychecks on - you felt like a cheap impersonator dressed up in a costume. 

The Uber pulled up in front of a hotel, and your heart stopped. Surely, this wasn’t where Ellie had sent you - leading you to some fucking hotel room when you hadn’t even met yet? 

You turned to the driver, your home address at the edge of your tongue, when the car door opened. 

You had practically been leaning against the door to peer out the window, and nearly lost your balance when it was suddenly gone without warning. You looked up, ready to yell at whatever pretentious prick in Prada was trying to fuck with you - but your voice died in your throat. 

Ellie was shorter than you thought she'd be, honestly. In all her pictures, she had this commanding energy, like she would tower over you in person. 

Which, to be fair, she was. She had her arm propped on the doorframe above your head, leaning over so she could meet your eyes. Her hair was pushed back from her face, a few stray strands falling over her forehead, and she was looking at you with an intensity that hadn't quite translated through her pictures.

Ellie smiled - that adorably crooked smile you had seen in all her selfies - and said, “Hi.” 

And the only word you were able to get your mouth to form was, “Fuck.” 

Ellie blinked at you for a moment - long enough that you could feel the flush creeping up your neck and were ready to walk home if you had to - before she finally laughed. That wasn’t like what you had expected either; she had this deep, rough laugh, almost like she was trying to hold it in. 

She looked up at you through her lashes - you tried to ignore the way your heart inexplicably skipped - and said, “I’ll take that as a compliment?” Her voice tilted up at the end like it was a question. Ellie ducked her head down further, looking past you to meet the driver’s eyes, and pulled cash from her back pocket. With her most charming smile, she handed it to the driver and said, “Thanks for getting her here safe.” 

You didn’t see how much money she gave him, but after she took your hand and guided you out of the car, you turned back just in time to see his grin before he sped off. 

“Thanks for coming out.” You looked back at Ellie and found yourself speechless once again. (You, thankfully, were able to hold in the expletive this time.) The worn out jacket that had featured in just about all of her pictures was missing, replaced instead by a pristine, white satin shirt, the top few buttons undone to expose a sliver of collarbone and a gold chain beneath. Despite the chill in the air, she had a classy black jacket hanging from her arm as though it were an accessory. Ellie smiled and looked down, licking her lips before saying, “You’re quite the sight for sore eyes.”

You tried to smile at her but found that your eyes kept flitting behind her, looking at the looming monstrosity of the hotel. It was a nice hotel - the kind that had a huge fountain right in front of it and a chandelier in the lobby that sparkled through the window - but it was a hotel nonetheless. Despite the set in your jaw, traitorous tears stung the corners of your eyes; you wanted to kick yourself for actually thinking that Ellie might be different. 

Ellie followed your gaze over her shoulder, her smile dropping, before she quickly turned back to you with panic in her eyes. She stumbled over her words as though her tongue weren’t cooperating: “Shit, I’m sorry, this looks really bad doesn't it?” She grimaced and squeezed your hand she was still holding, scratching awkwardly at the back of her head with the other. “Fuck, this isn’t the first impression I wanted. I could promise it's not what it looks like, but maybe it'd be better if I just showed you?”

You honestly did think about telling her to fuck off. She was a complete fucking stranger that you only really knew from a dating app, and she was trying to lure you into a hotel in a part of town you were unfamiliar with - really, only an idiot would follow her. 

But she was looking at you with wide green eyes, the lights around you shining back like stars. While searching for the constellations, you found yourself saying, “Okay.” You blinked, pulled from a trance, and added, “But you should know, I do have a taser in my bag.” 

That pulled a shocked laugh from Ellie’s lips. She gently tugged on your hand, pulling you towards the door, and said, “Smart girl.” 

You knew that the hotel was outside of your price range because a perfectly groomed doorman opened the door for you, waving you inside with a gloved hand. You didn’t take much time to process the interior - the chandelier was just as grand as it had seemed from outside and elaborate columns rose to the ceiling - because Elllie was pulling you towards the elevators. It was like she wanted to ignore the fact that she had brought you to a hotel at all. You couldn’t decide if that was reassuring. 

In the empty elevator, you gently drew your hand back and leaned against the wall opposite her. You tried to ignore looking at the way her pinstripe slacks hugged the curves of her thighs, the fabric straining when she propped one booted foot on the wall behind her. 

“So,” you started in a desperate attempt to fill the awkward silence, “if you’re not leading me into a seedy hotel room on the first date, then what are we doing?” 

“Okay, one,” Ellie said, chuckling, “this is anything but a seedy hotel. And two, what kind of a date would it be if I ruined the surprise?” 

“And what if I don’t like surprises?” you countered. 

Ellie grinned. “I think you’ll like this one.” 

When the elevator doors opened, Ellie held her hand out to you as though it were a question. You hesitated for only a moment before placing your hand back in hers and letting her lead you out into open air. 

You nearly choked on a gasp. 

The bar itself was beautiful - fairy lights stretched above your head, twinkling like stars and casting the rooftop in a warm glow. Wooden tables and plush couches were spread artfully around the space, far enough apart to provide the patrons scattered about with some privacy. 

The bar was beautiful - but the view was fucking breathtaking. 

The city stretched out beyond the railings, open in a way you had never seen before. The skyline rose around you, each building shining like its own little galaxy amidst a sea of stars. The city lights blocked out the actual stars - a fact that never failed to piss you off - but you could see the crescent of the moon rising over the city, casting a quiet glow like a veil. 

You looked back at Ellie, and whatever your face held made her grin. She leaned in just enough so that her murmur was for your ears only: “So, was I right?” 

You blinked, momentarily distracted by her proximity - she smelled intoxicating, spicy and warm with a hint of tobacco beneath - before you finally said, “What?” 

Ellie snorted, breaking whatever spell she had put you under. “The surprise,” she said, leaning away enough for your head to clear. “Was I right?” 

You bit the inside of your cheek, pursing your lips as though you had to think about it. You couldn’t take your eyes away from the skyline stretched before you. 

You finally said, “That depends on how good the drinks are.” 

When Ellie laughed, her eyes crinkled in the corners, her nose scrunching. It was a full, rich sound, hanging in the air above your head like helium. It made something in your chest tighten, and you wanted nothing more than to hear it again. 

She squeezed your hand, a twinkle in her eye, and said, “The old-fashioned's to die for.” 

You pursed your lips again to hide your smile.

Ellie didn’t bother checking in with the host, simply shot her a smile and a wave as you walked by - you tried to bite back a giggle when you saw the host’s face turn red, her eyes tracking Ellie as she led you to a table right along the edge of the railing. She pulled the chair out for you - “Such a gentleman,” you laughed - before taking the seat opposite you.

As she waved over a waiter, you took a moment to lean your head over the railing. It was made entirely of glass, giving you a clear view of the city below. You could hear the distant sound of traffic, cars racing below you like shiny beetles, but it was like it was coming from a different world altogether. Everything seemed impossibly, wonderfully small from up here. 

You looked up at the sound of your name to find a groomed waiter wearing a fucking waistcoat standing before you. Ellie was looking at you with laughter in her eyes, her lips twitching. 

“Shit, sorry,” you said, immediately flinching at your own curse. You suddenly couldn’t remember the proper etiquette in a fancy bar, feeling out of place and underdressed even in your nicest outfit. You looked between Ellie and the waiter, wracking your brain for any kind of drink that wasn’t a trashy cocktail you’d find at a dive bar. 

Seeing you floundering, Ellie gave you a reassuring smile and said, “Do you like wine?” 

Relief washed over you as you nodded. Turning back to the waiter, Ellie ordered something that you couldn’t even hope to pronounce, charm lifting the corner of her mouth. She spoke to the waiter with the steady ease of familiarity, laughing at some inside joke; you briefly wondered just how often Ellie came to this bar. Surely, a nice place like this - at the very precipice of the world, looking down at the stars - wouldn’t be a regular stop on anyone’s schedule, but Ellie and the staff spoke like old friends. 

When the waiter left, tussling Ellie’s hair playfully, she turned back to you and the awkwardness of a first date finally set in. Sure, you had been texting Ellie every day for a week now, but you still hardly knew the girl. You knew she liked mushrooms and hiking. You knew that most of her clothes were from the thrift store even though she could afford any designer brand she wanted. You knew her favorite video game was Dishonored. But nothing you knew was enough for a relationship. 

But you weren't exactly looking for love, were you? 

After a moment of silence, Ellie cleared her throat, looking out over the city. “It's nice out here.” 

You snorted before you could stop yourself, covering your mouth; it didn't cover the laughter in your eyes. You said, “You're really talking to me about the weather?”

Ellie opened her mouth, an indignant sparkle to her eye, before shutting it again. It was like she was malfunctioning, opening and closing her mouth yet no sound came out. She furrowed her brows, looking at you as though you were something new and interesting, before finally chuckling, looking away. “Yeah, I-I guess I am.” When she looked back up at you, her eyes were surprisingly sheepish. “Not making a great first impression, am I?”

You couldn't stop the smile that crept up to your eyes. You leaned closer, propping your chin in your hand, and said, “I think you're doing okay so far.” 

Ellie laughed that wondrous laugh again, her nose scrunching up, and the cord in your shoulders loosened. 

“Okay,” she sighed, her eyes still alight with residual laughter. “Okay, damn. Tell me about yourself.” 

“Well now this just sounds like a job interview.” 

Ellie threw her hands up in mock frustration, trying to stifle her own grin. “Okay, fuck, knock me down again! You're obviously an expert, so show me how it's done.” 

She leaned back and crossed her arms, looking at you expectantly, and it was the perfect moment for your drinks to arrive. Ellie did, in fact, order an old-fashioned. The waiter set two wine glasses on the table, producing a bottle seemingly from thin air. He held it out, explaining to you in rehearsed prose the year, acidity, and complexity in words that passed straight through you. You nodded along even as you didn't process a single word he said. 

When he left, you turned back to Ellie and said, “How did you find this place?” 

Ellie took a sip of her drink. The lights of the city danced in the amber glass. “Just an old haunt of mine, I guess.” 

You took a sip of the wine, taking the distraction. It was warm on your tongue, tasting of wood and fruit and something spicy just underneath. The wine you usually drank was the stuff you could find in your nearest grocery store, often tasting concerningly like bug spray and bought with whatever tips you had managed to scrape together from work. It was usually shared with a friend on your kitchen floor, the walls and thoughts spinning over your head. 

You much preferred wine like this: The taste of warmth and fire on your tongue, the cool air brushing your shoulders at the edge of the sky, and a beautiful person sitting across from you.

When Ellie lowered her glass, you could see amber droplets of whiskey clinging to her lips before her tongue darted out to catch them. You tore your eyes away, but her smile said that she had caught you staring. A chill ran up your spine that you were sure was just from the cold. 

Seeing you shiver, Ellie wordless reached behind her where she had tossed her jacket over the back of her chair. Standing, she rounded the table only for a moment, only long enough to place the coat over your shoulders. Her hands lingered there for a second too long before she retreated, sliding back into her seat as though she had never moved. 

“So, why are you here?” she finally said. 

You pulled the jacket around your shoulders, distracted by the smell of it. The same smell that must be her perfume clung to it, spiced and warm like an open fire, but something else clung to the fabric too. It was strangely metallic, sharp and intoxicating, and you couldn’t quite put your finger on it. It was shockingly warm against your skin. 

“I’m here,” you said, raising a brow and ignoring her real question, “because you sent me this address and told me to meet you here at eight wearing my nicest dress.” 

The corner of Ellie’s lips quirked, a grin she was trying to hide. She clasped her hands, leaning across the table so you could smell the whiskey on her breath. “And you agreed to meet a stranger at a seedy hotel,” she murmured, mocking your remark from earlier. Her grin revealed itself when your cheeks flushed. “But why are you here - what are you seeking?” 

You huffed out a laugh, shaking your head. “That’s kind of a dumb question, don’t you think? It’s pretty obvious why I’m on the app.” You cocked your head, leaning across the table, feeling a strange thrill when her eyes flashed. Your heart fluttered at the proximity, and you couldn’t remember when you had become so easily starstruck. “The real question, Ellie, is why are you?“ 

Ellie’s eyes darkened, and you weren’t sure if you just imagined her eyes flicking down to your lips. She looked back up at you through her lashes, her voice rough when she said, “That’s a third date kind of question.” 

Your eyebrows shot up. “What makes you so sure you’ll get a third date?” 

Ellie tilted her head, a slow smile pulling at her lips, and said, “Call it a hunch.” 

The waiter came to check on you, appearing at your shoulder like a ghost. You hastily retreated, leaning back in your chair as though the electricity in the air had shocked you, and took a sip of wine that was more than a little overzealous. You tried to choke it down as Ellie waved the waiter away with that heartstopping crooked smile. What happened to you? Since when were you so easily charmed by freckles, green eyes, and smart-ass comments? You couldn't remember the last time you had been so infatuated during a normal date, let alone one with these kinds of strings attached. 

“So you don't want to be in an interview,” Ellie said once the waiter was out of earshot. “I guess all my typical getting to know you conversations are out of the question.” 

“I didn't say that,” you countered, your throat still burning from your accidental wine waterboarding. “But come on - what girl are you going to impress by asking her questions like ‘Tell me about yourself,’ or ‘Why are you here?’ or ‘Why are you more qualified for this position?’”

“Okay, okay, goddamn,” she said, laughing. Grabbing the wine bottle, she looked at you for permission before pouring you another glass.

You brought the glass up to your lips, taking a sip to hide your smile. The flush in your cheeks was surely from the wine and nothing else. “What about you?” 

“What about me?” 

“I hardly know you.” On one hand, that felt entirely untrue - but especially after this recent discovery, you really knew nothing about this girl. “Tell me about you.” 

Ellie laughed that same rough laugh and your heart jumped. “Oh, so you're allowed to be the interviewer.” 

You nodded, twirling the glass between your fingers and looking at her expectantly. 

After a moment, Ellie rolled her eyes and ran a hand through her hair, but you could see the humor in her eyes. She downed the last of her old-fashioned and, like a good sport, said, “What do you want to know?”

Turns out, there was a lot to know - more than a simple dating app would tell you. Ellie had an older sister, Sarah, who lived in Dallas. Her dog was named after her childhood best friend. Her jacket wasn't thrifted after all, but had been her dad's. Speaking of which, she used to go hunting with him every season (“I haven't been in years, though,” she said, her eyes distant). On the weekends, she'd go to antique stores to look for art and trinkets to fill her house - her favorite antiques were from the 17th century. She hated horror movies and was a sucker for a good romance. 

In return, you caved and answered her pressing questions. You told her about your best friend - Ellie laughed when you told her that your friend had sent you the link to the app in the first place. You told her about your favorite show that you binge-watched whenever you felt like you were spiraling. You did not tell her about your apartment that was probably the size of her closet or the fact that you'd have to watch your budget after taking the Uber tonight, not to mention the extra $30 Uber to get home later. You did tell her about your family, and a strange, unexplained sadness crept into the creases around her mouth. You did tell her about your job, but didn't mention the second one you worked to afford groceries. You told her you were hoping for a real, human connection, yet didn't mention that you couldn’t imagine finding it in a fucking sugar mommy. 

All too soon, the wine bottle was empty and your chest was comfortingly warm. The lights strung across the bar danced above your head like fuzzy stars, and Ellie's smile was the brightest amongst them. Her glass was still empty, her wine glass dry, and yet her eyes told you she was intoxicated by something far stronger. 

“Sorry,” you said, giggling despite yourself. “I didn't mean to drink it all.” 

“Don't worry about it, darling,” she said, her voice silky smooth, reminding you of melted chocolate sliding down your throat. She tilted her glass, letting the remnants of melting ice clink against the side. “I wanted to make sure I could drive home okay.” 

The waiter arrived then, pulling the bill from his pocket and handing it to Ellie. You couldn't read the number upside down, not through the haze of the wine, but the number of digits made your stomach clench. Ellie dropped a black card into the folder and handed it back to the waiter. 

“How much do you want me to Venmo you?” you asked when she turned back to you. You clenched your hands in the hem of your dress, already calculating the extra shift you'd have to pick up to afford it. 

Ellie tilted her head, her brows furrowed. “Nothing,” she said, as though it were obvious. 

“That wasn't exactly a cheap bottle, Ellie,” you laughed. “Let me give you something.” 

Ellie hummed, propping her chin in her hand and looking at you with those same intense eyes; it sent a dangerous shiver down your spine. “I like when you say my name.”

You blinked at her. “Excuse me.” 

“I want to hear it again. That's how you can repay me.”

You rolled your eyes. “Ellie, I-” 

“Okay, now we're even,” she interrupted, smiling that crooked grin that you had started to crave. The waiter returned with her card and Ellie produced cash from her pocket, handing it to the waiter directly. He thanked her profusely before making his exit, grinning. When Ellie looked at you again, you were still watching her expectantly, dumbfounded. She finally rolled her eyes. “Seriously, what kind of date would I be if I made you pay?”

“You're not making me, I'm offering.” 

“And I'm saying no.” Ellie stood, straightening her shirt; when she tugged at it, the collar fell a bit, exposing sharp collarbones beneath. 

Rounding the table, she offered a hand to you, pulling you gently to your feet. You pulled her jacket tighter around yourself, knowing you needed to give it back yet unwilling to part with it just yet. 

Taking your arm, Ellie leaned in close enough that your breath caught in your throat and said, “I know why I found you on Seeking, okay? So, if it's alright with you, let me spoil you. Even if that just means one bottle of wine.” 

You laughed, but it sounded breathy even to your own ringing ears. “One very expensive bottle of wine.”

Ellie shrugged, a sparkle in her eye. “It's a small price to pay for your company.”

You were silent in the elevator, but you held on to her arm as though afraid to let go. You couldn't figure out why, but something in you urgently wanted nothing more than to be close to her. You couldn't remember the last time you had felt such a pull from somebody. 

Back on the street, the lights of the city seemed so much brighter than they had before. Ellie released your arm, turning to face you, and there was a strange pinch between her brows that you couldn't translate. 

“Do you want me to call you an Uber, or do you want me to take you home?” she asked, and your brain short-circuited. When you could do nothing but stammer, tripping over your own tongue, Ellie laughed. There was no mockery behind it, only quiet, bright amusement. “I meant I can drive you to your apartment so you don't have to drunkenly sit in an awkward Uber that smells sickeningly sweet and the driver tries to make mind-numbing small talk.” 

Your sigh of relief came out more like a laugh. 

Ellie tilted her head and stepped closer to you, her hand reaching out to graze your fingers, and that sigh was sucked right back into your lungs. Being so close to her made your head spin. Her breath fanned against your cheeks, smelling of warm whiskey, when she said, “Unless you want to come to my place?”

It had the uncertain tilt of a question, and Ellie wouldn't quite meet your eyes. 

“We don't have to do anything,” she continued in a rush. She scratched anxiously at the back of her head, a nervous laugh slipping between her lips. “We can just sit and talk more. Or watch a movie - my dad had this huge collection. I'm not gonna - You know, I'm not going to do anything you don't want.” She finally interrupted herself with a groan, rubbing a hand over her eyes. “Fuck, sorry, I wanted it to sound more suave than this.” 

And you would be a fucking idiot to go home with this impossible stranger. You had been taught better - never get into a stranger's car, and for the love of God, never let them take you to a second location. You could let her take you back to your apartment at least - you were admittedly incredibly tipsy and didn't particularly want to endure another ride with an annoyingly talkative Uber driver. You could go home, back to your claustrophobic, quiet apartment, and maybe - maybe - text  Ellie about setting up a second date. 

You were not stupid enough to go home with somebody on the first date. 

Except clearly you were, because you took the hand that was still grazing your fingers and looked up at Ellie - the contours of her face were shockingly etched with insecurity. And your dumb mouth said, of its own volition, “Okay.”

You had expected something flashy, like what a wealthy person would own in a movie - like a penthouse overlooking the city with too-white walls and electric guitars hanging, unused, on the walls. Maybe she had walls completely made of windows so it felt like you were on a pedestal overlooking the world. 

You hadn't expected a house that was older than your great-grandparents. 

When Ellie pulled into the driveway, you were sure she was just pulling in someplace to turn around, that she had missed her turn somewhere. But she put her stupidly-expensive car into park and killed the engine, shooting you an awkward glance. 

“Sorry,” she said, chuckling. “I know it’s not much.” 

You could only look at her incredulously, speechless, before looking back up at the house before you. You couldn’t even call it a house really - estate would be more fitting. Maybe mansion. Fuck, her house was the size of your apartment complex. It towered over you, three stories of intricate woodwork, warm brown beams wrapping around the structure like an elaborate skeleton. With beautiful eaves winding around the roof and an entire turret reaching for the moon, it looked like something that had stepped right out of some 1800s southern gothic novel. 

Ellie cleared her throat, startling you from a trance. You looked back at her and, for some reason, couldn’t stop yourself from laughing.

”Shit, sorry,” you said, covering your mouth with your hand. “I just - I’ve just never seen anything like it.” When Ellie’s eyes clouded over with uncertainty, you added softly, “It’s beautiful. Besides, Ellie,” you added, laughing again, “‘not much’ doesn’t really suit you.” 

Ellie opened and closed her mouth and yet no words came out. She was looking at you again as though you were something interesting - something new and exciting. Nobody had ever looked at you that way before, and the way your heart clenched at the sight was more than a little dangerous. 

Ellie finally smiled, huffing out a laugh - your heart was pretty satisfied with how often you were able to make her laugh - and said, “Do you still want to come inside?” 

And, surprisingly, you said, “Yeah, I do.” 

As Ellie got out, rounding the car to open your door for you, you discreetly checked that the taser was still in your bag. Sure, you had agreed to go home with a practical stranger, but you couldn't be too careful. 

The porch steps creaked as she led you to the door - double doors (of course), with stained glass and twisting vines carved into the wood. When Ellie opened them, it felt like you were transported to a different time on an entirely different world. 

The grand staircase caught your eye first - how could it not? Warm wooden steps covered in a blood red runner, a white banister winding up, those same vines that seemed to be the house’s signature carved into it. You could see a large, stained-glass window at the landing before it curved to disappear to the second floor. Moonlight splintered through the window in broken relief. 

As though in a trance, you wandered further into the house, walking to the fireplace situated right beneath the stairs. The wood stacked neatly inside was cold, untouched by a flame. There was a large mirror set atop the mantle, its gold frame a work of art alone. In the reflection, you could see the flush to your cheeks, and tried to convince yourself it was only from the cold. You still wore Ellie’s jacket, and you pulled it tight around your shoulders, as though it were a shield. 

You watched Ellie’s reflection as she walked slowly towards you, a small smile gracing her lips. She came close enough to touch - close enough that you could feel her cool breath against the back of your neck - and yet she didn’t put a hand on you. 

“There’s a lot more to see than the foyer,” she murmured, the words brushing your skin. “If you still want.” 

And you couldn’t stop your own smile as you turned back to her, your heart skipping at her proximity. “Show me.” 

She took your hand, her fingers shockingly cold, and led you into what must have been her living room - sitting room? Despite the fact that the house felt more like a museum - like you would get scolded for touching anything - the room was surprisingly cozy. A large, plush sectional was situated in front of another fireplace- this one also unblemished. Blankets and quilts were thrown over the couch and the accompanying chairs, leaving this time capsule looking strangely welcoming. 

“Okay, I have to ask,” you said, turning back to Ellie. She was watching you carefully, gauging your reaction with soft eyes, and you lost your train of thought. You opened your mouth but no sound came out; you weren’t sure if that was more or less embarrassing than the several curses you had said earlier in the night. 

Ellie hummed, raising her hand as though she wanted to touch you. She stopped only inches away from your cheek and dropped her hand, saying, “I’m an open book.” 

You had to turn away to collect your thoughts, wandering across the room if just to catch your breath. The opposite wall was lined with floor-to-ceiling bookshelves. You ran your fingers along the spines of vintage classics, an array of science books, and comics, enjoying the irony of seeing Savage Starlight in the middle of all this history. You picked up a copy to keep your hands busy. 

“How, um,” you started, stumbling over your words, “how did you end up here?” 

Ellie hummed again, and you heard her footsteps following you. “Here as in this town, this country, this world? You gotta be a little more specific.” 

You sighed, giving in and turning to look at her. She kept a careful distance, standing a few feet away from you with her hands in her pockets. “You know what I mean, smartass.”

Ellie chuckled, but her eyes had grown distant, her smile not quite reaching her eyes. She took a few more steps closer to you, looking at the comic book in your hands. On the app, she hadn’t struck you as the type to get easily bashful, and yet she had proven you wrong a few times already. 

“My family lived here,” she finally said, quiet as a secret. You watched her carefully, jumping at the opportunity to stare at her without those intense eyes looking back at you. Her brow furrowed and she pressed her lips together as though she was in pain, her green eyes shining. “It was just… passed down, I guess? It’s kind of always been here ever since I can remember. I’m not entirely sure when it became mine.” 

You tucked the comic book back into its spot between The Iliad and The Hitchhiker’s Guide to the Galaxy. You said absently, “How old is this place anyway?”

”It was built in 1816,” she said automatically, as though it were memorized. 

“It’s an awfully big house for just one person.” You looked up at her through your lashes as she stepped closer - close enough that you could smell that same metallic warmth that seemed to cling to her. 

“It is,” Ellie murmured, smiling. She reached out again, and this time she allowed herself to touch you. Her cold fingers brushed against your cheek before she gently cupped your jaw, tilting your head so you’d look at her properly. Her green eyes were downright intimidating. “But I keep good company.” 

You rolled your eyes, yet you couldn’t convince yourself to look away. “Is that what you say to all the girls?” 

Ellie hummed, bracing her other hand on the bookshelf behind your head, and murmured, “No, I don’t.” She pressed in closer, her gaze dropping to your mouth, and you felt like your heart was going to leap from your throat. Ellie huffed out a laugh as though she could hear it pounding against your chest. When her thumb brushed your bottom lip, your lips parted on instinct. She didn’t look away, transfixed on the point where her skin touched your mouth, and you almost didn’t hear her when she said, “Can I?” 

And you had never been the kind of person to kiss on the first date, but she was looking at you with eyes hooded with want, her breath fanning against your cheeks. When she licked her lips, you couldn’t stop your eyes from following the motion. Her lips glistened, parted and plump, looking so impossibly soft. Somehow, past your haze, you heard yourself say, “Yes.” 

Ellie took her time in kissing you. She pressed you back gently, your shoulders pressing into the bookshelf behind you, and touched her nose to yours. She took a deep breath, breathing you in. Her hand was soft against your cheek, tilting your jaw up, and you hardly had to move to finally kiss her. 

Ellie tasted just like she smelled - spicy and metallic, the old-fashioned still hanging on her tongue. Despite the cold of her hand on your cheek, her mouth was impossibly warm, her breath slipping between your lips; it was intoxicating in a way that the wine couldn’t compare to. Her mouth moved against yours, soft and slow as a dance. 

Your hands reached out as though of their own accord, circling her waist and gripping at the slippery silk of her shirt. She pressed in close, crowding you against the bookshelf; you could feel her chest pressing against you, her hips on yours, the line of her body against yours making your head spin. And when Ellie’s tongue pressed against your lips, a gentle request for access, you felt like you’d faint altogether. 

Her tongue slipped between your teeth and you couldn’t stop the breathy sound it pulled from your throat. You could feel that infuriating smile against your lips and suddenly wanted nothing more than to wipe it away. You balled her ridiculously expensive shirt in your hands and pulled her impossibly closer, nipping at her bottom lip, and you wanted to swallow her gasp. 

Ellie pulled away, chuckling, but she didn’t go far. She pressed a kiss to your cheek, her lips trailing down to your jaw, and she could probably feel your pulse jump beneath her tongue. You could hear the smile in her voice when she said, “Do you do this often?” 

Her teeth grazed the sensitive spot below your ear, and it took you a few moments before you could respond. “Do what?” Despite yourself - despite the way your fingers gripped her shirt, your head swimming and an unexplainable want burning in your veins - you couldn’t help but laugh. “Go on a date with somebody I met on an app for sugar babies and go back to their ridiculously old mansion on the first date and-“ 

You cut yourself off. You weren’t sure exactly what was happening, and you were afraid that voicing it would break whatever spell you were under - whatever spell made this impossible woman’s touch feel like lightning. 

But Ellie only laughed, biting at the spot where your neck met your shoulder. “Yeah, that.” 

You shivered against her touch. “No, I’ve never really done this.” 

“Guess I’m just lucky.” 

Ellie kissed you again, only briefly, before she finally pulled away. She was grinning, her eyes sparkling with those same constellations; her face wasn’t even flushed, making you feel embarrassed about your burning cheeks. You were panting, intoxicated from the night and wine and Ellie. Her absence felt like an ache, your body craving the feeling of her lips, her teeth, her hands. You were close to tugging her back in, your hands still gripping her shirt, but she gently untangled herself from you with a laugh. 

“I want to keep going.” She paused, and then emphasized, “I really want to keep going. But you drank an entire bottle of wine, and I’d be kind of a shitty host if I didn’t offer you something to drink at least. Or are you hungry?” 

You were hungry, but it was the kind of hunger that food wouldn’t satiate. Still, you let your hands drop back to your sides, feeling your senses return to you now that they weren’t so tuned into Ellie - how she smelled, tasted, felt. When you laughed, it sounded breathy even to your own ears. “Some water would be nice.” 

“I can do that,” she said with a smile. “Stay here.” She kissed you again, lingering for a few moments longer than needed, before she turned and disappeared down the hall, leaving you alone in this ridiculously old mansion. 

With nothing else to keep yourself entertained, you did a slow lap around the room, eyeing the ironic blend of elegant antiques and silly trinkets that were so obviously Ellie. A cracked ivory trinket box sat on a shelf, intricate flowers engraved into the lid, set right next to a small figurine of an astronaut. Beautiful paintings lined the walls, signatures dating back to 1830 in elaborate script at the bottom, but there were also a few posters littered here and there - bands and video games. 

You walked over to the mantle, your fingers grazing over the marble top. The logs inside were untouched, and you briefly wondered if she’d light a fire soon to chase out the chill of autumn. A small jar filled with guitar picks sat at the corner, and you wondered if she really did have an electric guitar collection hidden around here somewhere. Your foot kicked an empty dog bowl, and yet Riley was nowhere to be found. Maybe Ellie took her to daycare when she knew she’d bring a girl home. You nearly laughed at the idea. 

Atop the mantle, hidden behind pictures of what must have been friends or family - hiking or traveling or laughing in somebody’s backyard - there was another picture frame. It must have fallen, face down so that the picture inside was covered. You reached out, careful to not disturb any of the other frames, and picked it up. You were just going to fix it, set it up next to the others, but something in the image caught your eye. You plucked it from its home, bringing it closer, holding it up to the light to get a better look. For a long time, you couldn’t figure out what you were looking at. Your heart hammered against your chest, your ears ringing, as though your body had figured it out before your brain did. 

It was an old photograph, grainy and sepia, faded and frayed around the edges with age. It was the house, looking just like it did today - the huge windows shining in the sunlight, the intricate eaves and wrap-around porch perfectly polished and new. A family stood on the lawn in front of the house, looking awkward and stiff. Back then, cameras took several minutes to actually capture a photo, so people tended to look a little awkward from trying to hold the same expression for so long. But that’s not what had caught your eye. 

It was a small family - a weary looking dad and his two daughters, looking just a few years younger than you. 

She looked a little different. Her hair was longer, falling in waves around her shoulders. She was definitely a few years younger, and she wore a sweet, full-length gown instead of a worn leather jacket. 

You checked the date in the bottom corner at least five times, but there was no mistaking it. The person in the photo was undeniably Ellie, standing in front of this house in 1816. 

tag list: @macaroni676 @ellstronaut @elliewilliamsmiller0 @elliescoolerwife @letsreadsomesins-shallwe @peejayurple @liliflowers-blog @filtered-sunlight @hobbybound

[love-byers]

we all know about the parallel of mike hugging karen when he feels like he's lost will, but i've never seen anyone talk about the other parallels in the s1 and s3 heroes scenes. there are more than you think!

will's fake body being pulled out of the quarry VS will (+ the others) pulling out of the driveway for california

a close up of mike looking at both

mike leaving the scene on his bike after 'losing' will

in one, he has no hesitation. he gets his bike and doesn't look back. not at wills fake dead body, not at el (which would be odd if he knew he was in love with her then...), not at dustin and lucas, not at anyone. he keeps moving forward.

in the other, he is full of hesitation as the other bike away, not looking back. mike stays back and takes one last look at will's house, looking nervous, before hesitantly tearing his eyes away and biking off, trailing behind dustin lucas and max.

do i really need to explain the implications of that....

mike entering the wheeler house visibly upset after losing will, and karen immediately noticing

mike seeking out a hug from karen, something he rarely does

mike hugging karen

note how both clips end with mike moving/sinking deeper into the moment. i'm not sure what the best way to describe this is, but im talking about mike shoving his face into karen's shoulder in the s1 scene and his eyes flicking down in the s3 scene. i know it seems like it doesn't matter, but it does. sprinkling things like that in as a director is purposeful! it's showing how mike is processing the events. in s1 he sinks deeper into karen's comfort, further breaking down because he thinks will is dead. in s3 he doesn't do that. he is extremely still, eyes not moving as he is in shock. then his eyes do move at the last moment, showing he is further processing whatever event has occurred, transitioning from shock to really processing whatever happened.

raw emotion vs icy shock.

and oomf @reo-bylerwagon who is a film major told me that the way the camera tilts upward in the s3 clip is used to show that a realization has occurred, or that something new is being revealed. does that not PERFECTLY line up with:

1. the way mike seems extremely shocked as though he has realized something huge

2. the fact that LITERALLY over that moment is a hopper voice over where he says "to turn back the clock, to make things go back to how they were"

and 3. the way he behaves in s4 (being weird about touching will, rink o mania, etc.)

so yeah, these are definitely parallels through and through and it's really interesting. mike has lost will in both, but in different ways. his reactions say a lot about how he's processing the events and how he views them/his relationships.

also reminder that this is not delusional in the slightest because heroes has only played twice and it's in these two sequences.

and to anyone thinking "well they're just trying to show that mike deeply cares for will, just not in a romantic way!"

......

why in the fresh FUCK would they eat up SO MUCH screen time to show that mike platonically cares about will, rather than use that time to develop his relationship with el and, i don't know, show that he loves her??? why would they feed into will's unrequited love like this??? spoiler alert: THEY AREN'T.

that would be doing WAY too much for a relationship that will end in an amicable split so one can get married and one can get over his deep seeded love for the other and navigate the (extremely homophobic) world alone.

like yall are very clearly not writers or creatives in the slightest 💀💀💀 any writer (or anyone with the faintest creative/analytical bone in their body) will immediately understand why that's fucking dumb and makes no sense. yall are just heteronormative af and instead of admitting that it's greatly affecting your perception of the characters you double and TRIPLE down until you sound like a homophobic disaster

also

season 1 - heroes plays (when mike feels like he lost will)

season 2 - heroes does not play

season 3 - heroes plays (when mike feels like he lost will)

seasons 4 - heroes does not play

season 5 - heroes will play...? perhaps the original david bowie version? and byler will finally kiss as though nothing could fall and the shame will be on the other side? and they can be heroes? just for one day?

so yeah anyways byler endgame

[gayteensupreme]

will wood song names are so funny they're always like "The Tree Test of Amsterdam: You Can Turn Maple Syrup Into Cocaine unless you ask to be or not to be a.k.a Werewolf Transgenderism in B Minor after a long rainstorm at Niagara Falls a.k.a The Frat Boy Anti-Anthem / trying to swallow an entire nuclear warhead is ultimately a fruitless endeavour [The Most Fruitful Endeavour is Danny Devito's Newest Action Blockbuster] a.k.a So What's the Deal With Airline Food - The Last Will and Old Testament of Jerry 'The God Killer' Seinfeld a.k.a The Last Rocky Road Ice Cream On Earth versus The Great Silicon Valley Disaster a.k.a Fast Times at Whatever High School You Went To a.k.a That Bush Is On Fire! (אֶהְיֶה אֲשֶׁר אֶהְיֶה) a.k.a I'm Getting Tired" and you hit play and it's one of the best songs you've ever heard in your life.

[redroomreflections]

Something With Sea Turtles

Natasha Romanoff x fem!reader

A Family Of Her Own AU

(Natasha has a secret family)

Summary: Pregnant R and Natasha loves on her.

Natasha is good at many things. Intimidating bad guys, disappearing without a trace, dismantling a firearm in seconds. Painting walls? Well, that’s a skill she’s still figuring out.

She had insisted on painting the nursery walls for the arrival of your little one in a few months. It was supposed to be a nice bonding experience. But, as with most things involving the two of you, it had quickly turned into a bit of a disaster.

"You said this would be easy," You teased from your spot on the floor, perched on a pile of cushions Natasha had painstakingly arranged for your comfort. Your hand rested on your growing belly as you watched her, amusement tugging at the corners of your mouth.

Natasha stood on a step stool, paint roller in hand, squinting at the wall. She was trying her best to create a soft, underwater gradient—blues and greens swirling together like an aquarium, the perfect theme for your baby’s nursery. But the brush strokes were uneven, and there was a smudge where she got a little overzealous with the darker blue.

"It is easy," she replied, her tone stubborn. "I’m just… experimenting with technique."

"Right," You muttered to yourself. "We could just hire someone."

"No!" She exclaimed, then, more gently: "No. I want to do this."

And, honestly, she did. The baby wasn't a shock by any means. Natasha had been dreaming about this day since the first time she fell in love with you. She had planned every detail down to the color of the paint, but when it came time to do the actual painting, she wanted nothing more than to do it herself.

"I know, but we don't even know if our baby will like water or animals..." You reached into your lap to open a bag of chips. "What if they hate all this ocean stuff?"

"If our baby hates all of this ocean stuff, then we'll just paint over it," Natasha lowered her paintbrush to glance back at you. "When did you become such a pessimist?"

"It's called being realistic."

Natasha huffed and dipped the roller in the pan, then continued her work.

"You're supposed to be relaxing."

"I can't relax when I have paint splattered all over my clothes," You gestured to the splotches of green and blue across your sweatshirt. "I'll never get these stains out."

Natasha glanced over her shoulder at you and smiled softly.

"Well, if you remove your clothes, I promise I'll be gentle."

"You're a dork," You chuckled. "And I'm not stripping in front of the baby."

"The baby's not even born yet."

"Still."

"Fine, then how about I strip for you," Natasha wiggled her hips and hummed playfully. "How's that for relaxation?"

"Tempting, but maybe you should finish the wall before we do anything else," You said. You looked down at the sweater to tug it over your belly. It seemed a bit tight these days. "Do you think I'm getting too big for this?"

"Your shirt?"

"Yeah, I mean... I feel like my stomach is stretching the fabric."

"Hmmm," Natasha mused. "Well, I'd say it looks pretty good."

"Good?"

"Perfect," She smiled to herself. "Absolutely perfect."

"Oh, yeah?"

"Of course."

"You're not lying to me right?" You tilted your head.

"When have I ever lied to you, Y/n?"

"A bunch of times actually," You raised a brow. "I was your superior."

"That doesn't count. Besides, it's my job."

"Your job is to tell me the truth," You sighed. "Do my boobs look too huge?"

"What? No!" She turned on the stool, her brows furrowed in confusion.

"But I've grown a size," You frowned, running a hand over your breasts. "You should be telling me to cover up."

"Are you crazy?" She asked, her eyes wide. "Y/n, you're carrying our child; I think you're allowed to dress comfortably. Also, I'm not complaining about your breast size."

"Yeah, but—"

"Listen," She set the paint roller down and stepped off the stool, "You're beautiful. Okay? And your tits are a part of that. You know, they're like an extra gift from the universe."

"Extra gift?"

"Like I'm already grateful for our baby," She said. "But then, your boobs get bigger, and, you know, I'm a very appreciative person."

"You won't be able to touch them for a while," You reminded her.

"I'm willing to wait."

"And I'm going to have stretch marks."

"So?"

"And my stomach will look weird and puffy," You sighed. "I mean, it's not going to go away."

"I don't care," she said. "Y/n, none of that matters. You're giving us a baby."

You were about to make a joke about how much it would probably hurt to push something the size of a melon out of your vagina, but when you saw the look in her eyes, your smile faded. She was so earnest, and suddenly, you felt guilty for not appreciating everything she was saying.

"Sorry," You said.

"For what?"

"Not listening to you," You shrugged.

"Don't apologize," Natasha walked toward you, then knelt beside your spot on the pillows. "I get it. There are days when I feel like I'm losing my mind. But, no matter what, you'll always be my favorite thing to look at."

"Nat," You grinned.

"Seriously," She smiled back. "And I'm gonna tell you that every single day until the end of time."

"Well, you'll be busy painting."

"Then, I'll paint it on the wall," She winked.

"God, I love you," You murmured, leaning forward to kiss her.

"Love you too," She replied, her breath warm against your lips. "Both of you."

"Now, go back to painting before you ruin it." You gestured. "I can kind of see the vision for the whale."

"See? That's what I'm talking about. I'm making art."

"Do you mind taking a breath to come rub this on my belly?" You gestured to the container of cocoa butter next to you.

"Of course," Natasha grabbed the tube, and unscrewed the cap. Then, she squeezed a generous amount onto her palm and set the bottle aside.

"You know," She began, "what you said earlier. I hope you don't believe that about yourself. That I won't find you attractive."

"No, I don't, not really," You shrugged. "It's just hard sometimes. My brain goes all crazy and my hormones are making me all weepy. But, I have you. And, you're not going anywhere, right?"

"Of course not."

"Good," You murmured. "'Cause I don't think I'd last long without you."

"Don't say that," She said, her voice quiet.

"Sorry."

"Stop apologizing," She scolded. "You'll be fine. I'll be fine. Everything will be fine. Now, can we focus on the positive? Like, for example, the fact that you're pregnant."

"I am pregnant."

"You are." She rested her hands on your belly. She began to rub the cocoa butter in circular motions against your skin. "You look so good like this."

"Really?"

"Yeah," She smiled, looking down at her hands pressing against the curve of your abdomen. She was so gentle with the bump. "This is exactly what I always imagined."

"What did you imagine?"

"A cute wife who was carrying my child," She smirked. "I guess I've always had a fantasy about having a family of my own."

"Well, you're living the dream." You grinned at her. For a second there wasn't much talking until you felt a slight movement inside of you. "She's awake."

"Really?" Natasha looked down.

"Yeah," You said. "Can you feel her?"

"Um, well," Natasha hesitated. "I mean, not really."

"Here," You reached down and took her hand, guiding it a bit further up your belly. "There. Do you feel that?"

"I—" Natasha paused, and then, she felt it, a faint movement against her hand. "Yeah?"

"Whenever you're near she gets to moving," You point out. "I think she recognizes your voice already."

A soft, surprised laugh escaped Natasha’s lips as she watched her hand rest against your belly, her expression melting into something softer than usual. She didn't pull her hand away. Instead, she let it linger, her thumb tracing circles on your skin.

"I think she’s already got me wrapped around her finger," she murmured, her voice full of affection and wonder. "Just like her mother."

"That's how it starts."

"Oh, is that a warning?"

"Yes."

"I wouldn't have it any other way." She leaned forward to kiss your belly. Then, she rested her cheek against your skin. "I couldn't be any happier than in this moment."

"That's good," You brushed her hair from her forehead, stroking her scalp gently. "But, just so you know, when I'm back on my feet, I'm kicking your ass for making me paint a sea turtle."

"Hey," she said, her tone playful. "You're the one who agreed to help."

"I regret everything."

[domsaysstuff]

Okay so this idea has been rocking around my empty skull for some time now just we know that Eddie can be a pretty mean DM and a shithead and I've been thinking abt romances in D&D and how it would work in Hellfire

And I had this thought that Eddie would like be "no romances!!" to the Corroded Coffin group (before the kids joined) and they're like why? and Eddie just to tease them says that he doesn't want to pretend to fall for their smelly ugly faces

Which just motivates them to try and seduce like every character that Eddie introduces for a fucking month and it leads to the creation of the rule: Every romance/seduction directed roll must be rolled above 15 to succeed AND if Eddie decides that the attempt is particularly bad the roll is with disadvantage

The Corroed Coffin boys are obviously teasingly like ohhh so we get an advantage if it's good?

"Doubt that would happen boys, but sure, if you make me, Eddie fucking Munson, to blush like a fair maiden then you'll get the advantage on the roll"

They try, they really do, but all the CC boys succeed in doing is killing off all of their party in three sessions and Gareth who is a little shit is actually rolling his third character (because the consequences of a failure are fucking brutal) by the time Jeff and [unnamed freak] give up

After that they know better (except Gareth who still sometimes does that just to annoy Eddie and be a little shit) to try and then the kids join Hellfire and Eddie has even less of an desire to flirt with fucking Wheeler, Henderson and Sinclair (they're baby children!!)

But the kids are a little shits too and they see Gareth being a little shit so they copy

It ends badly for them, they gripe about Eddie being unfair because like "all three of us have girlfriends Eddie and you don't so we clearly know more about romance then you do" Dustin not only gets a flick on the head for that but his character might have ended up being put into situations™ throughout the session that are "totally unfair!"

But fair to say all of Hellfire knows the rules and all of hellfire knows that no matter how well they try and how smooth they are (they really aren't ever smooth) Eddie will not blush or even consider they attempts as "good", the best they got was "tolerable" (Lucas got it and he's still very proud of it, as he deserves okay?), Eddie is impossible to fluster and so it's just is this fun thing they sometimes do when they feel particularly like little shits

And that's it about it

Until Vecna and all the upside down shit and the surprising friendship of Eddie and Steve happens

And suddenly Steve Harrington is not only sitting but playing D&D

Everything is going actually pretty good and Dustin practically vibrates out of his chair at how proud he is of Steve for how well he is doing so far and then

And then Steve tries to flirt with a pretty bard

Dustin deflates, he is ready for the absolute disaster that is going to fall upon Steve, he makes eye contact with Lucas - both of them ready with "it was actually a pretty good line tho!" at the tip of their tongues to defend Steve's decisions, he doesn't know Eddie's special rules after all and it would be funny to see Steve fail, sure, but it's Steve's first game and the kids wanted it to be good for Steve so convincing him to play again would be easier

But now Eddie is going to absolutely rip into him and Steve will never want to play again and-

"Roll with advantage" Dustin gasps, audibly, loudly, the room is silent, except for Steve who's very unaware of the chaos he just created and just rolls the dices, his usual confidence in place

And if someone looked closely - and all of the hellfire is fucking looking - Eddie Munson has indeed a light blush on his face

[kimkhimhant]

i know i've said it before but i just. what i love so much about the all for the game series is that, as horrifically brutal as it is, it is so packed full of love. these characters love recklessly and deeply.

neil, dragging this disaster team together with desperation, and everyone rallying around him, giving him the best year of his life. they'd all kill and die for each other, but most importantly, they all live for each other. neil has spent his whole life ready to die, but because of his team, he's finally ready to live.

wymack, gruff as he is, giving a second chance at life to all the kids no one else wants. pulling them to their feet and next to them when they're not ready to stand on their own.

andrew, fiercely protecting his pack. being an unyielding and unfalteringly solid weight for them to lean against. demanding that they not give up on themselves. reminding them of who they are.

kevin, making everyone around him a little stronger. confronting his greatest fears because they all make him a little stronger in return. giving neil something to live for. giving jean a new beginning, a chance at a better life.

jean, already having given up on himself, but still trying to protect everyone else, even at the cost of his own safety. taking care of neil in the nest, sending someone to save zane even after being so awfully betrayed, looking out for cody. falling a little bit in love with everyone.

the rest of the foxes, overcoming disagreements an ocean-wide divide between them and coming out the other side loving each other so much they're willing to risk everything to stay together.

the trojans taking in jean despite everything they've heard, teaching him how to be his own person. keeping him alive. showing him all the little joys in life.

just. this is a series full of brutal, devastating torture and trauma, but it's even more full of love :')