#digitalizing traditional sketches is so fun actually

[wandapinkay]

Pretty "LA" boy from the Steins;Gate OVA <3

[mooncakebun]

Did some traditional doodling for fun and this happened.. they’re so tiny 🥲

Edit: scanned version just for archive purposes *trying to keep this page organised*🥲🙏

[purrpuppy]

some quick messy sketches from tonight to mark the first page of my new sketchbook ^_^ (totally didn't spend almost two hours trying to get ezra miller's face right)

how do u guys take aesthetic sketchbook photos

also ignore the blank space, it was totally a stylistic choice and i totally don't have to go to sleep rn (idk what to fill it with help me)

[perseruna]

started a sketchbook that i’m actually actively drawing in for the first time in like 8 years and drawing my silly little guys is making me so happy ❤️

[keii]

I really should stop looking down on my traditional sketches because I can't emulate this kind of feeling in my digital art.

[technicolorxsn]

i dont normally post sketches but idk im in A Mood tonight so ig i will

[dispotatorulzz]

Starting off with Wally @:) !

[vetyr]

hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT

Hi! Long answer alert. Once a chatterbox, always a chatterbox.

When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.

I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.

Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.

For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.

Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.

The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!

It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.

I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).

Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)

[art]

Creator Spotlight: @mimimar

Hi! I’m Michelle (Mimimar), an illustrator born and raised in Venezuela, currently based in Italy. I enjoy making colorful illustrations that reflect the things I love: fairy tales, fantasy, tenderness and queer (especially sapphic) stories. Occasionally, I also make paper dolls, comics and animatics. I have a lot of interest in book illustration and I’m currently developing my own stories that I hope to share as an author-illustrator someday!

Check out our interview with Michelle below!

Did you originally have a background in art? If not, how did you start?

I always enjoyed drawing when I was a kid, but it only became a hobby that I did almost every day when I was around 11. At first I only used traditional mediums, but I decided to make a serious effort to learn how to draw digitally when I was 15, and once I got the hang of it I never stopped!

I didn’t go to art school so all of my learning was done through studying the tutorials and resources that other artists generously share on the internet and lots of practice / trial and error.

How do you want to evolve as a creator?

I want to do many things but what I want to do the most right now is work on books! I want to make art for other authors’ stories and also my own stories as an author-illustrator. I want to grow as a storyteller and create art and stories that will really resonate with people emotionally. I’m always striving to improve my skills as well.

I also really love dolls, so working on doll box art or as a doll designer is something I would love to do someday. I actually have been designing paper dolls on my Patreon for the past few months, it’s been a fun project that is still ongoing right now!

What is one habit you find yourself doing a lot as an artist?

Probably using a lot of purple! It’s my favorite color so I find myself using it a lot. If I can find a way to sneak a little bit of purple into an illustration or a character design then I will.

Congratulations on finishing your Ivy Comic! Did the outcome turn out like how you expected or were there some unexpected bumps along the way?

Thank you! It’s a project that I worked on very slowly in between other art because I wanted to really take my time with every spread and make each of them a fully detailed illustration. I thumbnailed the full comic before starting but I kept changing the sketch for the final spread until the very end! Overall I’m really proud of the end result. I sprinkled a lot of hidden details in every page that I hope some of the readers will notice. For example: the meanings of the flowers in each page represent what the characters are feeling in that moment, and the colors of their wardrobe become gradually lighter as the story progresses to represent their emotions, as well as the changing of seasons.

We’ve noticed that you have created some amazing cover art for TGCF. Is there another series you would like to do something similar with? 

That was another passion project that took some time to complete. Initially, I didn’t intend for them to be specifically covers, it was just a series of illustrations based on the 5 books/main arcs of TGCF. But since they were well-received and I had people telling me they wish they could use them as covers for their books, I decided to rework them into dust jackets for the english translation of TGCF!

I haven’t thought of any other specific series but I love doing cover art so maybe I’ll do something similar again in the future!

What’s your favorite part of your style? Why?

I’ve heard from other people that there’s a delicate quality to my art, this is something that I like a lot! I like pretty things, fairytales and vibrant colors. I think all of these things probably reflect in the art I make as well.

If there is one thing you want your audience to remember about your work, what would it be?

I hope that they remember how it made them feel. Feelings and colors are the two things I give priority to in my work. Most of the time I like depicting tenderness, softness and emotional intimacy. If that could reach the viewer and stay with them it would make me very happy. 

I make a lot of art with queer (mainly sapphic) themes because they’re the kind of stories I personally like and want to see more of, so whenever people tell me that my art has helped them in their journey to discover and accept themselves, or that they see themselves and their partner in my art, it is always extremely meaningful to me. When art that I made to give myself comfort can provide comfort for others, no matter how small, it reminds me once again that despite any hardships art is genuinely worth pursuing.

Who on Tumblr inspires you and why?

So many artists! To name a few:  I love @sakizo’s amazing eye for fashion and detail,  @paneeps’ gorgeous style and striking colors,  the sweetness of @bevsi’s art,  @vickisigh’s pretty colors and concepts,  @idledee’s warm and heartfelt art,  @littlestpersimmon’s dreamy wonderful art,  and @loish has been an inspiration for as long as I can remember.

Thank you so much for stopping by and sharing, Michelle! Be sure to check out their Tumblr blog over at @mimimar.

[hirookouji]

sorry ive been just dumping art on this blog... but at least im not posting all my wips here

[bweirdart]

#mARTch 2024

text version (with more info!) under the readmore! please check it out if you're confused about anything <3

F.A.Q

do i have to draw every day? no!!!! there are skippable days built into the event, please use them whenever you need them! i really don't want anyone getting a wrist injury!

can you share my art? yep! i try to share entries to @bweirdevents daily during the event!! the tags can get busy tho so i might miss some posts OTL sorry

what are the tags? #mARTch is the main tag, but this year you might find posts in #mARTch2024 too!

wait, i'm confused about a prompt... full breakdown of all the prompts below ↓ with helpful hints if you're stuck!

_____

INTRO WEEK

this week is all about your artistic identity ... technically, you don't have to draw anything new this week if you have some art that already fits. the starter days are:

1 ⭐ self portrait who are you? it doesn't have to be you IRL .. if you feel more comfortable drawing a fursona or mascot, that's fine too! if you don't wanna draw, you can also just share old self portraits today and talk about why you drew yourself that way!

2 🤍 inspirations see how this day doesn't have a star? that means it's optional and you don't have to do it at all! but if you really wanna- tell us all about what inspires you to create art! this could be anything from the people that inspire you, the shows you like, the pins on your big messy pinterest board, or concepts that you're drawn to! you can draw something about it, talk about it, or just post your inspirations! anything is fine

3 ⭐ fav thing to draw what do you like drawing most? backgrounds? animals? one specific animal? bust of your oc facing left? cars? the same anime boy over and over and over? no judgement!! show us :)

_____

STUDY WEEK

this is the week we actually start drawing from reference! polished art is not required at all, quick sketch studies are fine! please don't burn yourself out

4 🤍 plant

5 🤍 body

6 ⭐ animal

7 🤍 object

8 🤍 food

9 🤍 face

10 ⭐ hand

these ones are pretty self explanatory! you can do them as realistic studies, or adapt them into your own art style, it's all fine! you can reference from your own photos or from resources on the web.. have fun!

_____

COLOUR WEEK

this is the week for playing with palettes and working on your colour theory skills! if you're really struggling with these ones, don't worry about drawing scenes or characters, you can just have fun splashing colours around on an abstract canvas!

11 🤍 RGB a set or primary colours typically used in digital/screen art - red, green and blue!

12 🤍 CMYK a set of primary colours typically used in traditional/print art - cyan, magenta, yellow ... and key (black!)

for both of these days ↑ you can add in black and white. and feel free to combine the two days into one, if you're struggling with a three-colour palette! use all six!

13 ⭐ WARM COLOURS the warm side of the colour wheel, reds oranges and yellows!

14 🤍 MONOCHROME monochrome doesn't mean black and white ... it means one colour! that can be any colour at all- shades of red, shades of purple, shades of green .. or yeah, grey if you really want!

15 🤍 COMPLIMENTARY complimentary colours are the ones opposite each other on the colour wheel! they're kinda married

16 🤍 YOUR FAV COLOURS pick any palette that works for you! where's your comfort zone? what looks nice to you? what colour combos do you always go back to?

17 ⭐ COOL COLOURS the cool side of the colour wheel, purples, blues and greens!

_____

CREATIVITY WEEK

this week is all about vibes! try to create something that matches the mood of the prompt .. they're vague on purpose! don't overthink it, just draw from the heart!

18 🤍 SMALL you could draw something that's really small, like an ant .. or draw on a canvas that's really small .. or use a really small brush .. get creative with it!

19 🤍 DANGER try to capture the adrenaline .. the rush .. the fear that you associate with the word danger!

20 ⭐ SOFT soft colours, soft textures, soft vibes ... whatever makes you comfy!

21 🤍 MIDNIGHT darkness and secrecy .. spooky witchy vibes .. the tranquility of a forest at night .. the fun of a late-night party .. there's lots of ways you can take this!

22 🤍 POWER what does this word make you think about? superpowers? control and oppression? literal electrical power? something else?

23 🤍 CHILL chill as in calm? or chill as in cold? who knows .. it's up to YOU!

24 ⭐ LOUD try to draw something that feels LOUD! BRASH! IN YOUR FACE! how can you convey sound through art?

_____

FUN + GAMES WEEK

this week is just for enjoying yourself! take it easy and have fun! also .. another reminder! there are skippable prompts! if you're tired and struggling to get to the finish line, please don't hesitate to skip a day!!! or multiple days!! as many as you need!!!

25 🤍 TRY A NEW ART STYLE copy the art style of a show you like, ask a friend if you can try their style, draw the eyes a new way, develop a totally new style on the spot... whatever you want!

26 🤍 DRAW WITH YOUR NON-DOMINANT HAND righties, draw with your left! lefties, draw with your right! ambidextrous nation ... our time to show off!

27 ⭐ DRAW WITH YOUR EYES CLOSED don't peek! try to draw something without looking! if you really want, you can colour it with your eyes open after you draw the lines/sketch with your eyes closed... but please try not to cheat with the actual drawing part!

28 🤍 RE-DRAW SOMETHING OLD find some old artwork you like, or something you feel like you can do better on now, and give it another go!

29 🤍 RE-DRAW A MEME find a silly picture on the internet to redraw .. do you have any in-jokes with your besties?

30 🤍 DRAW A GIFT FOR A FRIEND create something for someone you love <3

31 ⭐ FREE CHOICE final day! you can draw anything you want today! show off your skills! draw something you've been meaning to draw! whatever!

_____

please refrain from reblogging this post after march ends - next year's prompts will be different, thank you! if you have any additional questions, don't hesitate to shoot me an ask!

[bowelfly]

OH BOY YOU KNOW WHAT TIME IT IS

my shitty old car is really truly dying and rent is eating up most of my paycheck so buying another vehicle is gonna kick my ass. if you wanna grab something from my print store or buy me a coffee i'd greatly appreciate it.

things are even dire enough that i got off my ass and made some crude commission info sheets:

these prices are estimates and actual amounts are gonna vary depending on the specifics of the commission. i charge more for things outside my usual subject range since they take more research and fussing to get right, while subjects that i'm always drawing for fun (bugs, teeth) are liable to cheaper.

i do all of my sketches digitally MSPaint style and all of my rendered drawings with real ink and watercolors, usually with some digital tweaking or compositing afterwards. traditional art pieces can be mailed to you for the cost of shipping and packaging.

feel free to DM me with both what you'd like drawn and in what style--digital sketch, b&w linework, b&w heavy crosshatching, monochrome inkwash, watercolors, etc, or best of all just link me to a previous drawing of mine in the style closest to what you want. i can take money through paypal or ko-fi, payable after i complete the art and before i send you the full resolution copy.

if there's a queue i'll try to give you an estimate of how long it'll take me to get to your commission. please be patient with me; i have a full time job and a bad case of ADHD. i reserve the right to refuse or rescind a commission for any reason including and especially if the client acts pushy or gives me weird vibes.

whoops sorry that was a long post. thanks for reading.

[ttshihiro]

pspspps.. totally not golden groovy woops

ANYWAYS HII!! heard u were open for requests. may i request tammy + qiu with and an artist reader :00

requests of my favorite fandoms are my catnip good gof woa who could this be‽‽ my reqs and my ask box are like always open btw >◡<

extra note/s: I refer to step 1 Qiu as he/him. Uhhh take this as platonic or romantic, I'll add an indicator for romance (𐙚) ^^

more under the cut > o

✧ At 10 years old, QIU's fascinated. How he discovers your interest and skill in arts varies but his reaction doesn't. He's impressed! Whether digital or traditional, Qiu would love to participate especially if you asked him yourself.

For this reason, he carries an extra pen and even those colored ones just in case you get bored or if you're suddenly struck by creativity when you two are playing :3

✧ The first time you show him one of your doodles you made during class, he's compelled to do the same whether or not you actually give him it. And ever since, you two've been exchanging these sketches during class. It's the cutest scene to walk into.

✧ URGH AND THE THINGS HE DOES WHEN YOU TELL HIM ABOUT ART BLOCK DEPENDING ON HOW AND WHAT YOU DRAW

You're into drawing sceneries? Trust that he starts telling you and Tamarack about more "special things" in the forest and/or the town.

Like the sky? There's this clearing a lot further into the forest at your backyards. Stargaze, watch the clouds and the sunset together?

✧ It's also necessary for me to mention that unlike his notes, lazily pressed against eachother and constantly on the run, anything you give him goes to a safe space probably in between a books pages, under the the matress of his bed or inside a drawer/container.

"They broke into my backyard accidentally, 'cause they were on a crazy investigation about a paper airplane. Plus, they got here a day ago and they're already looking out for me. Normally, I'm the one doing that."

"Besides, they're pretty. And they make me pretty. Look! Look how they drew me!"

✧ As for 10-year-old TAMARACK, she's curious. The things you draw, are they based on actual places? Actual people? Oh, you draw based on your imagination? Elaborate.

✧ At some point in the prologue, she says "All the forests in the world are different, and some places don't even have forests. I can show you good spots to find things since you're newer to this forest than me."

And I can't not think of her running up to you to give you all of what she gathered for you to draw like omfg

With all those leaves and tiny branches sticking out of her hair and sweater, she smiles brightly with her hands filled with her treasures. AUGH SHE MAKES ME SO SICK I LOVE HER

✧ Like Qiu, she has her own safe spot designated for only your drawings if you've given her any.

She shows off all of them. Especially if you've drawn her?? It'll be the only thing she talks about during literally any time for the rest of the month and the few months after.

"Out of all the friends I have here, you're the best one. We came to the same exact neighborhood, almost at the same time, and are he same age. You have fun outside and I do too."

"I think you're pretty. How you draw me is pretty! I've never met a kid who was just like me. That's important. That's serious."

✧ Now, 14-year-old QIU's pretty much no different. They're even more impressed when they see just how much you've improved. Nonetheless, they treasure your old drawings just as much as they do they new.

They take the liberty of providing you with both a pen and paper to draw on when you're together, in case you don't bring your sketchbook (if you own one).

On those days where you two just sit in silence in their hideout, their gaze drifts to your side quietly a few times to watch your progress. After a while, they settle with sitting right next to you and watching the stroke of your pen against the paper as the scene forms with each hatch.

✧ As a teen, they've actually been a tad bit farther off the town when they feel like taking a ride on their bike. They've seen many sights and burn the route into their brain for them to tell you about. They'd even be happy as to bring you there themselves.

✧ If you ask them to be your muse, good god you'd need to tell them what to do.

It's almost a funny sight. Qiu, the kid who knew what to do their whole life asks you, "Should I pose? Where do I look? Ah- what's my good side?"

𐙚 They can feel their breath hitch under your scrutiny. Suddenly, they're concious of every single thing about them. Where do their eyes go? Should they move their hands? Is their hair in the way?

They avert their gaze flusteredly, their head ever so slightly moving to the side when they do so.

And good god do their hands clutch the fabric of their pants when you tell them to look at you properly.

✧ Same goes for TAMARACK at 14. She's as intrugued as ever to hear about your work. She admires (you)r style from then till now and has learned to appreciate the time gone into things as simple as this, whether or not you've made it with her in mind. BUT GOD IF YOU TELL HER IT IS, it's always sitting on her desk and she thinks constantly about what you've done for her.

✧ And while she doesn't exactly bring you a pen, she's more than glad to hand you hers when you need it.

✧ Unlike before, she'd now be at your side when you two hung out at her backyard. She'd be sitting across from you, practicing the cello. The hum of her instrument accompanied by the sound of nature and the scratch of your pen against paper gives her a sense of calmness.

This may also be when she realizes she's been your muse! Her fingers trace over where your pen has been and boy appreciate isn't even enough for her to describe how she felt. It was definitely happy, but that wasn't the word either.

𐙚 Her heart pounds alarmingly as she admires your work. It's almost concerning to you that she sits silently with a blank expression as she held your sketchbook in her hands.

But that concern washes off you as soon as a warm smile curls the corners of her lips, tender adoration displayed all over her face.

[o0o0thorn0o0o]

Gosh, is this really only my second winter piece this season?? Yikes… And I claim to love this season ;~;

Ik winter’s not over yet, but it’s that time of year where I go on my (planned ^^;;;) break, this piece being my send off (…potentially… I’ll try and see if I can manage a sketch by tonight, but if not, this is it for now). I’ll still be here since it’s a month-long break focused mostly on my iPad (I mean, I can’t stay off it completely, but I’ll try to do as much as I can, eheh. This also means I might post a traditional sketch or two. Maybe, maybe not. But no digital works, that’s for sure). I’d say I’d just be more infrequent, but, like… I’ve already been rather infrequent lately, too…

Fun fact: This was actually intended to be an autumn piece, but then my art rut happened. So I decided to update it into a winter piece. Took a lot longer than I intended to, but I’m still recovering from that rut… only for me to take another break from art now 🙃 Ah, well. C’est la vie.

[grriib]

may i ask about your art process?

Of course!! Although I’m not the best when it comes to documenting the process of my personal work, I can try explaining it. I also included my process for my linocuts, in case anyone was wondering.

My digital illustrations usually start with mindless doodles, unless I want to draw something very specific. I don’t worry about doodles looking perfect or the anatomy being on point, I just draw whatever I want and whatever comes to my mind at that point. I feel that with such an attitude while drawing you can accidentally come up with something interesting and just have fun.

I also don’t know if it is a bad habit or not but I usually doodle on one canvas for weeks and if I turn on all of the layers, my canvases tend to look something like this

(while preparing this ask I actually found so many unfinished doodles which I now want to finish…)

For example, my latest kanaya illustration started from this doodle. I didn’t have any particular idea for it in mind and I just wanted to experiment with it. When working on it, I just decided to go for something simple, perhaps with negative space composition and a colour accent. And after deciding what I wanted to do with the doodle it’s just drawing until I like how it looks and think it’s finished.

I, unfortunately, don’t have that many process photos as I feel like my process is quite basic, similar to traditional illustration process+I like to draw on one layer or merge all layers together, but I have this picture I took for my friend while drawing. I was trying to figure out how to position the hand.

With my linocuts, the process is a bit more straightforward with not so much experimentation involved. I start with an idea in mind, for example, for my latest linocut I really wanted to do something with erisol, possibly something small in terms of size, A6 or A5, and with two colours. I then begin working on the sketch, usually I make a digital sketch but for this one I first made a traditional sketch and then refined it digitally.

I then print my digital sketch, transfer it onto the lino block, carve and print! 

Aaand that’s it. Hope you enjoyed!! As a bonus, have this yellow pikmin doodle I found in one of my canvases. I think it’s very silly.

[nei-ning]

Gonna rant a bit. I saw one set of beautiful anthro arts on another website. Sadly they were done in AI. I did left a comment, complimenting how beautiful these arts were but how sad it made me that they were AI arts.

The artist themselves was kind and polite, telling they use AI because they want to learn and be able to make game arts one day (but they too, apparently, with AI so...)

But then there was another user, AI "artist" too who replied to me that there's absolutely NO ARTIST who can draw anthros with detailed fur, goat like arm, lights, colors etc without editing or photoshopping. On the whole planet, absolutely none! This person clearly don't believe in people's skills when it comes on arts. Heck, I followed one artist on DA who drew ALL her arts traditionally and she drew, and still does, SUPER DETAILED FURRY ANTHROS! No photoshop, editing, nothing digital. Just her hands, paper and a set of color pencils.

Also, if people's art skills wouldn't had been amazing back in the days through mankind, we wouldn't have cave paintings, old amazing paintings or sculptures, ALL DONE BY HANDS IN TRADITIONAL WAY. NO AI, NO PHOTOSHOP OR EDITING.

Humans can learn amazing skills if they only want to. AI artists, maybe not all, just wants to take the easiest way / be lazy (and get lots of likes - like that other person who straight forward said it. That he uses AI to create furry arts to get hundreds of likes).

They also mocked my style / arts, saying they are not good enough to be used in AI arts - yet.

Like what the actual fuck?! I am pissed! I don't even want my arts to be used in AI arts by some lazy idiot (or at all). At least I draw EVERYTHING in my arts, from first sketch line to the last shade / light. Surely my skills are not as good as they could be. After all I'm self-taught, not gone in art school like some have. Not to mention I draw for fun, I draw to bring joy to my watchers, I draw therapy arts to myself, I like to keep my style easy and simple. My arts are a hobby, not professional thing or to fish a lot of likes. If my arts can make someone's day a bit better, then I've done my job! I never haven't taken my arts or skills too seriously, trying to improve them to the top.

Is there times when I wish I would put more effort to my arts, learn and study more, becoming better? Absolutely! But do I bother? Not really. Like I said, this is a hobby. I know I would burnout myself if I would start to force and pressure myself to do better, to learn more, to improve my skills. I mean I struggle to draw even now!

I do have some saved tutorials on Pinterest what I would like to try, yes, but still not in a way like if I would have a fire under my ass.