#did not mean for it to end sad

[redhalmao]

Headcanon: Tim checks Bernard's pulse, a lot.

Bernard knows that he was not supposed to notice, but he can't help himself.

Tim checks his pulse. Like a worrying number of times.

Although the action in itself, Bernard shouldn't find it too alarming. It's Gotham for pete's sake, Bernard will proudly bark out laugh at you if you call yourself a Gotham native and NOT know how to CPR/check someone's pulse. It's just that Bernard feel like it's another small detail that cements the fact Tim is Red Robin. Tim's life was supposed to be a sunshine n' rainbows, dazzling, glamorous and fairly safe world of the rich or famous, but no one from that world should check a person's pulse with that much confidence and effectiveness. Tim checks Bernard's pulse like every fiber of his being was trained to.

Oh another thing that bothers Bernard is that Tim m typically checks Bernard's pulse when it's a quiet moment.

And those moments become the loudest that Bernard felt.

***

At the time, Bernard is too tired to move his study session back to his room. Add in the the combination of Tim's harsh lamp light glaring at him for the past 4 hours and lack of Monster drinks, his eyes deserves a much needed break. So, Bernard is just happy to accept his fate of laying down on Tim's very inviting soft couch.

Bernard soon loses himself to the fuzzy feeling of the boathouse that slightly rocks his body. His legs readjusts to the boats motion and Bernard hugs himself together to roll with the movement better. Bernard hummed at the moment he realizes that a storm must be coming and must be the one causing rocking.

Huh, Tim should really put some more rocker stoppers. Bernard curled farther into the couch at that thought.

Within a half of hour later, Bernard sleepily heard some commotion outside. Throughout the next hour, the boat slowly stopped rocking. Bernard curled towards the couch and it's pillows, silently mourning the lack of soothing rocking.

A window opens.

Rain comes in.

A couple of steps towards Bernard's self claimed study mess area.

A click of the lamp's switch being turned off.

A lot more steps.

A series of clicks and zips echos throughout the small boat.

A shower turns on.

After a good while, the shower turns off.

A wet towel has been dropped, rustle of clothing.

Steps going towards to the couch, to himself, Bernard.

Bernard is not delusional, he knew that there was a good chance that Tim would still be on that week long "business trip" a little bit longer than he did he would. That Bernard would have a lot better chance of seeing Tim in their favorite breakfast restaurant tomorrow than Tim surprising Bernard by crashing into study session in own boathouse at this afternoon.

But the buzzing feeling of Tim of brushing the back of his hair was so addictive that he couldn't help but thank his lucky stars that he was a bit impatient today.

As Tim sinks into the couch and curls into Bernard, the his brushing of Bernard's hair turns into his hand skimming to Bernard's neck.

Bernard had to stop himself to chuckling from the ticklish feeling, but he did let himself reply with a hum. Bernard reached and stuck the Tim's wandering hand on his neck and turned around.

"Hey"

"Hey, yourself."

And that's when Bernard felt it. Bernard knows that Tim's other hand was supposed to be comforting and distracting Bernard by brushing his hair, but the brush of his neck turned to a soft press. The distraction would have worked it if it weren't for the vulnerability of Tim's eyes, he would have missed it. The look in Tim's eyes, makes Bernard wrap his arms and legs around him.

"Are you okay?"

Bernard wants to laugh, of course Tim asks him as of he doesn't have the eyes of a veteran soldier that just relived through their personal hell.

"Yeah, are you okay?"

"Hmm, just stressing about the company."

Tim pulls away, as he does, his hand travels away from Bernard's neck and on to his face. He rubs little circles on Bernard's face. Tim smiles.

Bernard wants to cry.

[otaku553]

New blorbo :)

Also a silly interaction with this piece

[ruporas]

wolfwood redraws (ID in alt text)

[aseon50]

Imo Tubbo and Fit are a very underrated dynamic (lore-wise atleast)

Every time they talked about lore stuff there was sm tension, i miss it so much. Fit wanting to help but not being able to tell the truth vs Tubbo knowing Fit is lying to him and being rightfully suspicious,, AARGH

They were so good at miscommunication… gone but not forgotten

I'm very sad they never got to make up in the end, Tubbo never knew the truth. ----- Fit: One day, you will understand everything. Tubbo: Do you mean that? Fit: Of course i do.

Fit: If he knew why I was really here, he'd fucking hate me. Everyone would.

[sideblogdotjpeg]

ive been thinking about the red string superstition recently and also sol bufo always and it makes me sick how uncannily caldwell tanner has made sol to perfectly target me personally

(+ cropped versions !)

[royalarchivist]

Fit: Where are you, Pac? I got you, I got you, I gotchu!

Pac: I'm in- I'm in- I'm in heaven, Fit! I'm in heaven...

Fit: No, you're not in heaven yet! You're not going to heaven, no no no–

Pac: I'm gonna go for... I'm going- I'm going to the light, I'm going to the light...

Fit: Stay with me, stay with me! Stay with me.

Pac: I'm going for the light– [Sighs in relief as he's revived] I'm here.

Fit: You're good, you're good.

[Full Transcript ↓ ]

—

Tina: Wow, the radius for that is huge.

Pac: [Steps on a mine and gets blown up] Whoa!

Fit: Oh, those are all mines, arent' they? Those are all mines, you bastard.

Aypierre: Let- let- let me fix this road... [He starts placing blocks]

Foolish: See? This is why mines need to be allowed, they're too fun.

Fit: [Laughs]

Pac: Yeah, actually.

Aypierre: Look, look– it's perfect, it's perfect.

Pac: [Steps on one of the blocks Aypierre placed, which was a mine, and immediately blows up]

Fit: Pac! No, Pac–! NOOO!!!

Pac: [Laughs and then shouts at Aypierre]

Aypierre: Where are you, Pac?

[Time skip]

Foolish: Did you get your stuff, Tina?

Tina: I will... I'll find a way... [She steps on a mine and blows up] AAAAAAAAA–

[Fit and Pac laugh]

Tina: PLEASE!

Fit: Those are all mines!

Tina: No, please! My stuff! I gotta go– [She gets lit on fire and screams again] PLEASE!

Pac: God damnnit!

Tina: Please, I just want my stuff back!

[They all laugh]

Fit: Jesus.

Tina: I'm gonna go get it! I'm gonna get it! Aghhhh–

Foolish: [Jumping in after Tina] Wait, there could be another landmine!

Tina: I want my things, Foolish!!!

Pac: [Jumps in too and steps on a landmmine, which immediately downs him] AAAAA!!!

Fit: Sht– Where are you, Pac? I got you, I got you, I gotchu!

Pac: [Overlapping with Fit] I'm in- I'm in- I'm in heaven, Fit! I'm in heaven...

Fit: No, you're not in heaven yet! You're not going to heaven, no no no–

Pac: I'm gonna go for... I'm going- I'm going to the light, I'm going to the light...

Fit: Stay with me, stay with me! Stay with me.

Pac: I'm going for the light– [Sighs in relief as he's revived] I'm here.

Fit: You're good, you're good.

Tina: Oh god... I'm scared, I'm scared!

Foolish: You did it!

[dykedvonte]

Curly had two days to act and Swansea had two months.

I think it’s just interesting that every defense of Swansea not immediately acting are the same ones that are argued against for Curly. “He didn’t want to alert Daisuke or makes things worse for Anya either Jimmy!” I mean people also assume that about Curly and the crew. “He has to think about his plan of action and a right moment!” Again so did Curly, power and authority aside, he still would have to think of what he had to do. “He makes sure he doesn’t have to be around Jimmy!” So did Curly and they only do this to an extent, both give Jimmy more than a few opening to keep harassing Anya.

This isn’t defense of Curly nor a damnation of Swansea. Their actions are very parallel to each others in tragic and sour ways when it comes to how they approached helping Anya. In the grand scheme of it all they both did the same thing: Nothing. No action either took stopped the inevitable outcome of her death nor Jimmy’s continued damage to themself.

The only real difference is Swansea didn’t like Jimmy which is pretty substantial, but also just as damning as Curly knowing how bad Jimmy could get to an extent. He had even less of a reason to wait, even more of a reason to act seeing as he was now worried for Anya AND Daisuke. He is not bound by the possible procedure as Captain and actively does not care about what happens next. So what does it matter if he acted in the moment? Why did he wait? I think he’s just as morally complex and grey as Curly and we hold him on a pedestal that still perpetuates things in rape culture the game critiques.

It’s not just enough to dislike and be abrasive to predators/abusers like Jimmy. It’s not enough to just put yourself between them and the other person. It’s not enough to hold tensions when you know someone is vulnerable. He and Curly do the exact same things but on different sides of the coin. I ask how is it better to not turn a blind eye but still not really do anything about what you are seeing? Not until it affects you atleast…

The game makes a big point to not put men doing the bare minimum or who wait to do more on pedestals and I’m actually surprised so many are missing that point.

[epicqtefail]

still cannot get over the fact that in game hank and connor know each other for 3 days, 3 and a half tops? like, how do you have such an effect on someone you've literally just met? they met evening of nov 5th and last chance connor is nov 9th, yet they have all those scenes that make it seem like they've been attached at the hip for the last five years, at the minimum? countless times where they have a chance to kill each other? in 3 days?? i want to leave such a bold impression on ppl i meet irl

i think about this all the time!! still recovering from the whiplash of it. And doesn't Partners through to The Bridge all happen in 24 hours??? that's bananas!

In the space of 24 hours Hank goes from "be a good little robot and get outta here before i crush you like an empty beer can", to bringing the robot to a sentimental spot possibly because he is aching to share his trauma with someone but this comfortably doesn't count because connor "isn't real" although he kind of wants him to be real, or at least show some sign that connor thinks the android and connor situation is messed up too, and so tries to force an existential crisis on him by pointing a gun at him and asking him if he's afraid to die and what he thinks will come after.

*big inhale*

AND THEN,, then after those 3 or so days, Amanda or Connor-60 or whichever cyberlife exec is pulling their strings recognise that Hank is Connor's Achille's Heel. After 3 days of bickering and throwing tantrums at each other and forcing each other to confront their respective crises and playing dress-up-lieutenant. and so they essentially use Hank as the kidnapped damsel in distress to sabotage Connor's involvement in the revolution.

OR they try to kill each other to death in the most This Is Personal fight i've ever seen.

they really did a number on each other in those few days, for better or worse. and the same thing is happening in Markus' and Kara's stories but the constant high stakes survival drama of theirs makes the bonds and conflicts seem more appropriate in terms of intensity. whereas hank and connor are kind of just hanging out for half of it.. but boy is it intense.

(agh I'm DYING to make a joke rn that pokes fun at the way they immediately stopped being Just Hank and Just Connor like 1 day in and became Hank & Connor instead... But that "joke" is also some fanart i started a while back and i still need to have that reason to finish it lol. but just know im currently the meme of that guy straining so hard the veins in his head are bulging)

[kinaesthetiqueer]

"Spread across the comforter are their film strips from the photo corner at the dance... A full size picture of the four of them signing their team letter to the camera with huge smiles on their faces."

On the Run from Tomorrow, ch. 17

Last chap's up. I am getting so horribly emotional trying to write a note here, so just...

JNPR 💛🧡❤️💚 Forever

[fisheito]

collab #2 with @xenole i was given a chibi yakumo and i.. i...... turned it into thiS

[lady-in-the-lair]

The key to enjoying movies is to go into them with extremely low expectations

[spacetime-storytime]

they were so funny for this

[hana-bobo-finch]

Shoutout to this draft I made a couple hours ago when I suddenly had an epiphany for how I could fix a part of my story and I was so excited that the only way I could express it is to write whatever this is but I couldn’t post it because I didn’t have internet

also it got marked as mature for some reason

[volatile-shorty]

pretty bird, pretty bird, i know youre hurting but so am i

[deoidesign]

.

[lunar-years]

S1 Keeley with a boyfriend she genuinely likes and has fun with (the first one in ages) and is maybe even starting to love, even though she hadn’t ever planned on falling in love with him, and this was only supposed to be PR, right (probably), and he isn’t even the right material for a longterm thing anyway (unless he could be?) only for him to go and break their carefully woven trust and demonstrate that he really is more the arsehole everyone else keeps telling her he is, rather than the person he's been to her (the one who, sure, has an ego through the roof, but who's also funny and kind and ambitious and brave) in one fell swoop. To have to wonder if she’s been blind this whole time to who he really is, and to be made to feel like a total idiot because of how he treated her, and then to decide firmly that no, he is good and he is trying, and then to make the choice to continue to be there for him and help him when he asks...

Late S1/S2 Keeley with a different boyfriend, and this one she's certain she loves, and he could most definitely be longterm material with only a little polishing, in fact she's pretty sure this is it, and she's going to see this man through to his shine, because he's worth it. Even as he spirals in retirement and even as they hurt each other in small ways that eventually start to add up into something bigger, she keeps believing things will get better and they both will do better, because the little life they've been building is worth it. Or it has been, up until he goes and breaks up with her and doesn't even give her the courtesy of presenting something passable as a reason, even as he's turned into a stranger before he's fully out the door. And then they're barely talking and she's heartbroken and she knows she probably went wrong somewhere in there, too, but he never told her how and she's too tired to pick apart all the whys, and she's mad at him but it's difficult to even hold space for that anger because she misses him....

S3 Keeley Jones who stumbles into another new thing, and it's not going to be anything serious (unless it could be), and she's still grieving the last one (maybe the last two?) (but this will be different, really) and Rebecca's telling her she isn't certain this is a good thing (but Rebecca never liked Jamie, either, and Jamie's turned out all right, hasn't he). Her new girlfriend flying her on extravagant dates and flooding her with extravagant gifts and making Keeley feel appreciated, like all the time she's put in is finally being recognized, makes her feel worthy of love (she only wants to be loved. she wants people to stop leaving.) Even as her new girlfriend announces their relationship to the entire office (and sure, it's a little sticky, being that her girlfriend is also her boss, and it makes Keeley feel a little uncomfortable, actually, having all those eyes on her, her employees, but she pushes it aside because Jack isn't afraid to acknowledge her, to make it known that she likes her, to stick with her, and that's something). It's something until it isn't, anyway. Until she only acknowledges Keeley where she wants to, to the people she wants to. Until she leaves, too, and takes Keeley's funding with her. And then Keeley is left to feel like the clueless one again, the idiot for not spotting it coming all along.

And she's making stupid decisions again (sleeping with exes just to get the chance to feel someone), and Jamie and Roy are weirdly close now, and isn't that just flipping great. somehow she missed that, too. And she's the one who made them both better!! they never would have turned out like this if she hadn't been pushing them towards it all along, and now they're there without her, which really doesn't seem fucking fair and definitely sucks. And she's maybe still a little (a lot) in love with both of them, but then they're demanding she choose between them like quarreling stupid schoolboys, and she doesn't even want to choose and she wants both of them at the same time she wants neither of them and then there's still the sticky business of rebuilding her firm with what Jack did still sitting so raw in her chest (and it was never that serious anyway, so why does it bother her so much? why does everything bother her so much?)

(im gnawing at my enclosure)