the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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in honor of last season’s poem being called “”end poem”” (all quotes mandatory) this season i made one out of pieces of the actual end poem
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I hope you take this as the compliment it is intended to be, but you strike the same chord of irreverence-as-love, jokes-to-showcase-sencerity that I get from Chuck Tingle, and I adore both of you.
You have bestowed the greatest honour upon me.
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Gotham has always been weird, so when the groundskeeper at the cemetery noticed the Wayne kid’s plot was disturbed, he just chalked it up to more of the same ol’. Alright, so ‘disturbed’ may be a tad too light of a word, but what’s an empty grave in the grand scheme of Gotham? God knows in a city like this one, they could use all the burial room they could get. He figured he’d just jot it down on the website and hope nobody noticed for a while.
Too bad he didn’t account for the 13 year old boy in Bristol who periodically checks the cemetery’s website when he’s feeling particularly lonely.
Plot Removed.
Tim Drake stared at the two words under the heading for Jason Todd’s plot number. Removed? What do they mean ‘removed’? They can’t just remove a plot? That’s a person down there! That’s Robin down there! You can’t Remove Robin!
Calm down. Deep breaths. Assess the situation.
Robin has been dead for 5 months and 14 days. There is no reason for a grave to be removed that early, especially one of a member of such an affluential family. Chances are likely it’s a simple clerical issue. He can call first thing in the morning and make them aware of the mistake. He can have it all fixed in 5 hours.
Just a phone call.
In 5 hours.
…
Tim hates talking on the phone almost as much as he hates waiting.
Well it won’t be the first time he’s snuck out to head to Gotham proper at 1am. It can’t even really be considered sneaking out if there’s no one home to catch you.
Buses stop running at 2, so he layers a couple sweaters under his coat and grabs his best running sneakers so he can comfortably make the trek back.
Just a quick trip to settle his nerves. Maybe get a few shots in if he spots Batman, but really he just wants to see with his own two eyes that things are okay and Jason can rest.
It’s 1:37 by the time he gets to the headstone reading ‘Here Lies Jason Todd’ and the gaping, muddy pit in front of it.
This- This doesn’t make any sense. This is not removal. This is destruction. Desecration. Somebody did this. Somebody-
Assess the situation.
A hole in the ground, approximately 1.5 feet in diameter.
Mud and grass flung outward but with little force.
Large chunks of earth turned over and shoved away.
No signs of tool marks or clean lines of entry into the dirt.
Dragging claw marks.
Staggering, shuffled pairs of foot prints in the mud.
A trail of dirt.
Something… Something large clawed its way out of the ground here. Something large and bipedal and- and humanoid.
Tim refuses to jump to any conclusions he can see all the facts laid in front of him. He’s going to cautiously follow the trail and simply hope to any god listening that he isn’t the world’s first line of defense against the zombie apocalypse.
He’s been walking for 23 minutes and there’s good news and undecided news. Good news: he’s closing in on the target and the trail isn’t taking him out of the way so his trip home won’t be prolonged. Undecided news: The potential Zombie Robin is heading directly for Wayne Manor.
As zombie apocalypse news, this is very bad. From Tim’s collected observational evidence, his not-so-professional opinion is that Batman, faced with a horror movie level zombie of his dead son, would not respond well, and would likely not fight back.
In Batman and Robin news? Tim’s unsure. If Jason is simply back? What could that mean for them? Batman can have his Robin. He wouldn’t have to continue nearly killing others and himself every night in his grief. Jason could-
No. Stop. Do not jump to conclusions.
Hope only brings heartbreak.
What would Batman do? Get close and see if the target is a threat.
Target is male. Mid-teens. Dark hair. Pale skin. Leaning against surfaces as he walks. Appears injured and disoriented.
Minimal risk assessed. Approaching and attempting contact.
Target identity confirmed: Jason Todd.
“J-Jason?” It comes out as a croaked whisper. Jason shows no sign of acknowledgment.
Tim clears his throat, steps right in front of his path, and tries again.
“Jason. Jason, stop I want to help you.” Still nothing.
“Please, Jason. I can help, I promise I can help!”
Why isn’t this working?! Why can’t he just do something right for once?! He wants this to work, he wants to help Bruce, he wants to fix Batman, he wants to not be alone, he wants-
“Robin!”
Robin jerks to a stop.
Tim reached out his hand.
“Robin. Robin please, I’m sorry you’re going through this, it’s really scary, I’m really scared. But I just want to help you. Help you find Batman. Help you get home.”
Jason just stares at him. Of course he does. Of course it’s not going to work. Why did he even bother hoping he could help?
Hope only brings heartbreak.
His sight blurs as his eyes fill with tears and he starts to lower his outstretched hand.
His arm is slowed as a cold hand weakly grasps his own.
“Don’t… scared… Bat… help… Dad… help.”
A relieved sob tears out from Tim’s chest and he gathers himself together. He yanks his extra sweater off and gently pulls it over Jason’s cold shoulders. Jason lets Tim drag his arm over his shoulders to try and carry some of his weight.
“Okay, Robin. Yeah. Your dad will help us.”
Batman will solve everything once Tim gets Robin home.
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It irritates me alot when people say that making medic more compassionate is ''missing the point of his character'' when he is literally shown to be in the comics.... did you miss the part where he showed concern for both sniper and miss pauling's well being in comic 5 and 6.
His actions are a combination of genuine attachment + clinical interest and these things do not cancel out one another. He is always pushing boundaries and going against the grain and i think this is what led to him losing his license in the first place. He felt stifled by the rules imposed on him.
He is shown to be extremely passionate so it makes sense that he would use his endless fascination with medicine as a way to show his affection. He loves his friends so he will find a way to make them borderline indestructible. Malpractice is his love language.
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Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will
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man, you know, nobody asked me, but I have such conflicting opinions on some of the fat falin art, where on one hand: it's always nice to see A Fat Body in fanart anywhere + it's being done in positive ways, for funsies
and on the other hand, there is something so familiar about how you are automatically The Fat One if you are a woman simply standing next to a more petite woman, bc I've had a 0% hitrate in seeing people change Marcille's body type and keep Falin's, or change both of them. it's just Falin
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Full Analysis/breakdown of the asmodous crystal exchange because the episode broke me and this is how I cope. Warning: long
So the first shot we have is Stolas sitting on his bed in apprehension, then Blitz jumps up on the balcony. Blitz starts the night off like any other, bringing out his bag of sex toys and just speaking in an unworried manner. Yet we have the sad music playing in the background that lets us know this is temporary. It’s NOT a normal night. Stolas knows this too and he’s just quietly watching.
Stolas finally speaks and he stutters at the beginning. This is really happening. He disregards all the other things Blitz brought and instead just asks for the book.
This is when Blitz first starts noticing something is up. We see a quick shot of his smile dropping. He was all worried about Stolas getting bored of him earlier and wanting the book back and now he began to actually think those fears are being proven true. Even if he doesn’t admit it, Blitz has a big fear of not being wanted and just pushed aside, like he has been for most of his life.
So when Stolas admits he needs the book back Blitz panics. His fears are true. He begins to hurriedly speak and makes excuses. This book is his livelihood and the reason for his jobs so it makes sense why he is scared of losing it. He leans in and tries to initiate sex. It works every time with Stolas so why wouldn’t it work now? Stolas begins to grow sad. He does want to have sex with Blitz. But he knows that would be unfair so he gets up.
Blitz is terrified. He desperately begs Stolas for the book. Blitz is being put in a vulnerable situation and he doesn’t like it. His whole life could be destroyed if he can’t keep his business afloat. He wouldn’t be able to support himself and couldn’t support Loona. He would “do anything” to keep it.
But then Stolas shows him the crystal. Stolas presents it to him in a happy tone. He tries to be happy and hopeful even though he is clearly still very worried. Maybe everything will be ok. Maybe Blitz will reciprocate Stolas’s feelings and everything will be great.
Blitz thinks Stolas is joking. He doesn’t understand why Stolas would do this. Now his job is safe but his relationship with Stolas is not. His deepest fears are being proven once more.
He’s not good enough.
He goes into this state of wanting to please.
When Blitz was a child, his dad clearly saw Blitz as the weakling compared with Fizz. And no matter how much Blitz tried to prove himself, it was never enough. “I can do better” is almost juvenile in its phrasing. A desperate plea and promise that might diffuse the situation. Blitz reverts back to his childlike self where he was always last choice and flung aside like he didn’t matter. Imagine how many times he said that exact sentence to his father.
Stolas explains. Stolas actually does a good job of saying what he wants. He is clear and to the point, emphasizing asking what Blitz wants. During Stolas’s speech, Blitz glances back and forth at the crystal, trying to make sense of what’s happening and then at Stolas. Because he does want to stay. He likes Stolas. If he didn’t care, he would've taken the crystal and left, but he didn’t and chose to stay. Stolas finally just finishes his speech by confessing his feelings. He says them in a frantic way; he is putting himself out there but there is hope there too.
Blitz thinks he’s joking. Of course he would be. Why could Stolas actually seriously care for him? How could Stolas care for him? The only possible explanation has to be that Stolas is joking. So he puts on a roleplay because he thinks it’s what Stolas wants. He refuses to accept there may be something more.
Stolas takes this as a mocking rejection. His hope has been squashed. Stolas is so used to being mocked that he immediately takes Blitz’s ‘roleplay’ as Blitz making fun of him. Stolas has been mocked by the people, the other Goatia, Stella. Blitz is just another one to add to the list.
He accepts the supposed rejection and walks away. Blitz now realizes he wasn’t joking. He is legitimately surprised that Stolas would want anything true with him. Blitz has this worldview of nobody truly wanting him; finding him useful, sure, but actually wanting him…that would be impossible. Stolas’s confession is a stark blow to that worldview and it makes sense why Blitz needs time to accept this.
This is where Stolas makes his mistake, he doesn’t give Blitz time to think through this. He takes Blitz’s confusion as rejection, not stopping to consider that Blitz is just as scared as he is. His hope is now totally gone. Both Stolas and Blitz are eerily similar in their fears. They both just want to be wanted but where Stolas shrinks away in sadness, Blitz lashes out.
And that's exactly what Blitz does now. And he doesn’t stop.
He doesn’t want to deal with his own hurt feelings so he instead blames it all on Stolas, to hide the fact that he may be blaming it on himself. The thing is, most of what Blitz says is true. Stolas repetitively called him a plaything and ‘little imp’ so it makes sense why Blitz doesn’t fully believe him. Blitz has always been the inferior one in his relationships. With Fizz, With Verosika, with Stolas, with countless demons. This has caused him this inferiority complex that he can’t escape.
Blitz has tears in his eyes and he is truly breaking down. He has spent so long trying to convince himself that Stolas doesn’t care and now suddenly he does? He still hasn’t actually accepted that Stolas cares for him. He can’t accept that and that makes it all more painful. It has to be some lie or game and he is begging Stolas to stop playing. To stop complicating things because that will force Blitz to think about how he feels.
"Let's go!"
Blitz fully expects Stolas to yell back. he is so used to being in arguments where the other person will lash back as well. And Blitz almost wants this. He believes he deserves it.
But Stolas doesn't...
Instead he takes Blitz sceaming the wrong way. You see this heartbreaking scene of Stolas starting to cry. Stolas has spent his whole life being told to be quieter, be more controlled, less emotional. Him crying in front of someone, rather than alone really emphasizes the hurt he is feeling. And then there is of course the most heartbreaking line: “I didn’t realize you think so low of me”.
Everyone thinks low of Stolas. He is the “pathetic” Goatia prince who is constantly scoffed at and bullied. Blitz was his escape from all of that, but now he believes Blitz thinks the same as everyone else.
But Blitz DOESN’T think low of Stolas. He thinks low of himself.
Blitz realizes he fucked up. He went too far and hurt Stolas.
He realizes that Stolas misinterpreted what he said because Blitz was never really talking about Stolas, he was talking about his own feelings. We can see Blitz actually try to reach out to Stolas. He needs to let Stolas know that he doesn’t think that. You can hear him start to say “I’m sorry-” but as he’s saying that Stolas portals him away.
Blitz “What the fuck” perfectly encapsulates his feelings. He doesn’t understand what happened but he knows that he messed up. Blitz needs to let Stolas know that he actually cares about him and apologize for what he said and Stolas needs to understand that Blitz needs some time.
Blitz never once said that he doesn’t care, only that he doesn’t believe Stolas can.
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"Daddy! Mommy's is having Ellie!"
Everyone in the Batfam knows Jason keeps secrets.
Secrets he'd take to his grave a second time if he had to.
But to think one of those secrets would be about the fact he had a secret family.
And the only reason the Batfam found out was because apparently their secret (grand)daughter/sister-in-law Jazz/Jasmine was in labor and their (great)grandson/nephews Danny (Daniel) and Dan (Dante) called him while on a Red Hood job with the rest of the Batfam to panicky tell him their baby sister Ellie was on the way early.
Red Hood books it away from the fam to his bike while asking to put Kori or Roy on the phone.
Oh boy.
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I'm a Kai Winn apologist but not because I think she's a good person. She's a compelling tragic character
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For my birthday... read my webcomic! It's literally free! (Unless you want books. Those are not free)
It's beautiful, it's gentle, it's funny, they're canonically t4t and gay... And it's about time traveling vampires solving supernatural mysteries!
I've spent thousands of hours writing and drawing it, and it's really good! I'm not biased!
It's on hiatus right now and coming back in 2 months, so it's the perfect time to get caught up
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small lad big city doodles
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Thank you all for an incredible 500 days of love and support. I offer you: answers to questions that no one has asked.
(As always, more can be found in the tags <3)
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[WVW Exchange Event 2023!]
"The kisses on your lash, your ears, on the nose that keeps scrunching. The kisses on your hand, on your cheeks, and the exchanging soft words waiting for the break of day."
----- ID under break -----
A total of 6 pages of comics, starting with a close up shots of vash kissing sleeping wolfwood's nose, eyes, lashes, and he furrows them a bit. an overhead shot of the two of them in a motel room, on the bed with vash leaning over wolfwood from the left, laying soft kisses on him. their legs tangled. their normal outfits are thrown haphazardly on the floor, instead donning comfortable clothes. on the outside, the very first ray of lights are yet to shine.
"what a face you're making pfft" - vash says as he grabs both of wolfwood's cheeks, squeezing them a bit. wolfwood mumbles, "There's something that keeps landing on my face, it tickles." he grabs the hand that is on his right cheek. "Well you're letting it happens anyways right?" Vash muses, bringing the hand up to kiss on its knuckles. "Good morning Wolfwood. It's almost dawn"
"… Isn't it way too soon?" - wolfwood asks, but keeps to himself the prayers he's sending to god because the the boy on top of him was such a sight to behold. Vash flops down onto him, leaving the hand hanging and lace his own hand into Wolfwood's hair, peppering kisses to the side of his face. "Yep" - he answers - "But you woke up on your own tho" - facetiously. He giggles, saying that it was a joke after a beat of silence. A sigh, "don't make me upside you first thing in the morning." Wolfwood closes his eyes, hand combing through golden strands. "Heh, how merciful~" "We have a meet up with Milly and Meryl today, remember?" Vash reminds him, which does raise some vague memory. wolfwood hums, the other hand reaching around vash's torso, hugging him. " So, the sooner we arrive, the less likely she'll chew through my head." - Vash adds. "riiiight. And you were SO urgent in waking me up." in wolfwood's hold, both of them slowly turn to the right, towards the edge of the bed.
Well, you were just soooo cute, I couldn't help it! didn't thinkk you'll actually wakE UAA-!"
the bed creaks under the sudden shift in weight as wolfwood tosses vash over and under him, arms firmly hugging him, one at his back and one at his head, hungrily dives down to kiss. "!! Wolf-! Wait-!" Vash yelps, leg instinctively curls around the other's man hip to hang on, trying his damnest to grip on his shirt as HE is now half airborne, barely has any contact with the bed on his upper body. However, wolfwood seems to have another idea as he keeps deepening the kiss, pointedly holding Vash close, hands spread guarding the back of his head as both of them are sliding off the soft fabric.
"THUD!" a resounding fall, possibly enough to wake the room downstairs, followed shortly by laboured breaths amist wet smacks of lips. Heaves and huffs of air exchanging between the two bodies when the need to breath made itself necessary. They press close, cradling each other, and are lost to their own world.
After a while they had to part. Metal arm shifts through black locks, caressing down to his nape and they hold eye contacts there, with lidded eyes, strands of saliva thins then breaks.
Wolfwood pushes up on his arms, looking smugly down at his now disheveled partner: "Now this is how it's done, Needlenoggin." he remarks. Vash tries to wrangle his thoughts back in order, but strings of Wolfwood's name and a wonderous question keeps filling his mind, of whether he should risk it all and have fun for a bit more. Regardless, snapping out of his trance, Vash sourly asks, with a wry smile and an aching head: "But did you really need to roll off the bed?"
"Wrong side, whoops" - Wolfwood anwers unseriously, laughing as he finds the situation quite amusing.
----- End of ID -----
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And some days, I just wish you wouldn't look at me at all.
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