#did i create this list? yes

[sweet-child-of-night]

All time fav book/tv show/movie/song/comic?

These are my current top 4, altho these are subject to change

[the-sparkling-diamond-satine]

WIP Ask Game!

I was tagged by @vampswritings thank you!!!!

Prompt: Make a new post with the names of all the files in your WIP folder, regardless of how non-descriptive or ridiculous. Let people send you an ask with the title that most intrigues them, and then post a little snippet or tell them something about it! And then tag as many people as you have WIPs.

if you hold me without hurting me, you'll be the first who ever did

last

first

texture (chapter 2)

"Please don't hurt me."

All Grown Up

Makeup Christian

Makeup Christian (Modern AU)

t4t (Modern AU)

Lifeguard AU

Jealous!Satine

OCD Christian

thanks, I hate it

Study abroad hook-up to LDR

Firework! for maya

shower sex (laughter during sex prompt)

to cover the bruises (which ending??)

Arabia and Satine

Satine/Nini

Christian/Satine/Nini

Friends hear through hotel walls? (Arabia and Ivy)

Arabia/Ivy + Satine/Nini + La Choc x Baby Doll

Arcade trash rat

Missing Tour Hamish

Catsit Switch Up

Exes to lovers costars in a musical

Slower burn romance

gravity will hold us as we're holding on for life (and we're racing to get older)

nightmares

on a walk

safe

say please

too small to remember/too precious to forget

don't

"Come with me, to the stars!"

moments of tenderness

oral fixation

Hadestown time loop

pregnancy/kid!fic

in her sleep

non-binary Satine

Phone sex line

Coffee Shop AU

Fairy tale doesn't work

Broken mirror

Cat

Theatre AU

Elevator - piano teacher and porn star

memento mori

Lush

5 moments when it wasn't safe to be himself (and 5 when it was)

Next Time Around

trans Christian childhood

t4t

I am tagging @falsestardust @gingerpeachtea @ashleyslorens @franniebridgertons @juanabaloo @all-seeing-ifer and anyone else who wants to play!

[seaweedstarshine]

RIP Krakoa 🌹 I can’t lie I’ve been kinda behind since midway through Fall of X I’m gonna catch up before my first SDCC this summer but I hear Vulcan didn’t see much action anyway. Anyway my hand slipped and I found myself looking into the eyes of my canonically psychotic son the best Summers brother who’s never done anything wrong in his entire life, (he’s done lotsa wrong things but I love him more for it)

[musicalmoritz]

When you love a ship so much you create an alternative ship name for it that actually manages to catch on

[weaponizedducks]

lance mcclain wears jorts unironically and i believe that wholeheartedly

[smallboyonherbike]

how many decades will i do this for? who knows but i'm having fun!!

[sidesteppostinghours]

Rolling in 10 hrs late but— 27, 28 Caine, 17, 34 for Cecilia? And B for all ur Steps, if you don’t mind :)

morning! thank you for the ask :D 

27. What causes them to feel dread? 

the fun thing about caine is that hes got really good instincts. its only heightened with hark (over 30 precog im p sure?) since hark encouraged him to listen to their gut. so if somethings about to go wrong, yeah, the dread is kicking in and theyre nope-ing the fuck out of there (the only exception to this is the casino scene). but there can also be false alarms if he disassociates hard enough, which is becoming more frequent lately. their paranoia+growing insomnia just adds to all of it. basically they just feel dread half the time,,, but also a more tangible thing that causes them to feel dread would probably be ortegas mind. if theyre in the wrong headspace, ortega brings back too many bad memories for them to feel safe.

28. Would they prefer a lie over an unpleasant truth? 

hmmm,,,, im not sure! it really depends on why the other person is lying about it ig, and how severe/urgent the unpleasant truth is. by default he tends to prefer the truth, but its mostly for informations sake. for example, with argent, they Really wouldve preferred not knowing what she was capable of. now that the cats out of the bag hes even more paranoid, especially since they have no information on her to use to protect himself. meanwhile, with the autopsy pics, they appreciated chen telling them what happened because it gave them a better idea of what happened while they were gone, and in their eyes chen had no obligation to tell them (plus they got some free bonus info about the kind of contacts chen has which is really useful too). basically, if he thinks he needs it to do things better or more efficiently, hell be ticked off about somebody withholding the truth from him, and vice versca if he thinks the lie would be more beneficial to him instead. either way though, theyre good at keeping their emotions in check, so hed be fine getting the unpleasant truth either way.

17. Are they easily embarrassed?

nope! not at all. i mean, if she hyped herself up and managed to fail spectacularly, then yeah, i could see her getting majorly embarrassed. but thats p much one of the few situations i could imagine her feeling like that. ceci isnt known for shame– shes extremely blunt, to the point of being insensitive, and shes willing to do a lot for a quick kick. except,,,,,hmmmm,, argent making a comment or stealing a quick kiss when she didnt expect it and managing to fluster her,,,,,, please hold while i experience the visionsTM.

34. How hard is it for them to shake a sense of guilt? 

oof. i think prehb the guilt of what she left behind was definitely there, but it got buried under the satisfaction of being free and having fun for once. nowadays, she still lives by those principles, that no matter what happened at least shes here now, but this time around theres an added layer of her actively trying to forget. if she does something she genuinely regrets, its still getting buried, but itll just claw right back to her in inopportune moments. most of the time though, guilt is getting tossed right back out the window so it doesnt disturb her happy fun loving times. no, ortega, no, finch, she is NOT repressing, she is simply being #goofysilly and will not stand for regret ruining her vibe.

B) What inspired you to create them?

speaking for my general process with all my steps: im rather predictable when creating characters. lots of them follow the same molds, they just tackle different storylines, and the differing plots are what makes them all different characters. so when making my steps, i ended up using those same character archetypes and taking them to their logical conclusions based on what choices the game offered. it makes it easier for me to imagine how they react, and its fun to tack on a slightly different trait to the mold and see what happens. ultimately, they all fall somewhere on the extreme ends of the "good/evil" spectrum, but with an added bit of ✨spice✨ from the other end to get them going into fully fledged characters. these are my inspiration/archetype for each individual step:

Caine- being an imported character for the exile if, i already had his character in mind when making him! in exile, they were very much meant to be the stoic leader character that was just beginning to doubt what he fought for. the problem when i tried to put them in fhr was. chen. chen i love you but holy shit it was so hard to make him unique and interesting when you were literally RIGHT THERE covering all the bases they were supposed to cover. and chen has a dog which made him obviously superior. it was annoying, but my frustration with their similarities pushed me to put a lot of love into them and well. look at where my son is now lmfao.

Cyrus- @ that one person who made that post about herald subverting the cinnamon role stereotype: thank you. i owe you my and my bastard sons life. cyrus was just meant to be a step i used to explore heralds ro route, so i didnt mean to take him too seriously. because of that, and because this was directly after caine and i was getting frustrated figuring them out, i kinda just went with the flow– he was originally a character closer to the "flirty and funny but actually competent and surprisingly apathetic" type. he used to have like. 50% ruthlessness lmfaoooo. a lot of his major character beats were caused by me making mistakes and figuring things out by clicking random choices out of curiosity. after i played him once, the higher ruthlessness route i went intrigued me, and i started tweaking him further, which is how we got here.

Cecilia- i! wanted! to! have! someone! fun! i wanted to have someone fun. i just wanted to have a step who would dick around and do stupid shit because they wanted to. she was my third step, both caine and cyrus were so serious, i needed somebody to juxtapose that. she was very much the "fuck around and find out" character. i created her to explore the lupin route, which seemed appropriate for the sort of character i wanted her to be. i also wanted to romance argent. it all just sort of culminated in a whirlwind of the most out there, daring step i had. it was only later i considered adding some more serious edges to her story, she was a bit like stress relief lol.

Cynthia- i created her with ortegas ro route in mind! even though caine was technically an ortega ro step, he was secretcrush so they couldnt really do much lmfao, so i was itching to play somebody whod actually pursue her. i chose the "calm, kind, do not burn down the house please and thank you" character for her since it seemed like fun to try with ortegas more out-there energy. i also had her as an anarchist, which i thought would be interesting to see play out since she was definitely on the more heroic end of the spectrum and i wanted to see how she would tackle one of the more destructive job choices. unfortunately, the kinder characters are almost always the hardest for me to work with, so it did take cynthia a while to find her footing. now, though, i think shes come together nicely! very much a balance of the nicer character i wanted for her originally while having that small kernel of "i can fuck things up if i wanted to" that i find more fun.

questions from here!

[crossbackpoke-check]

Oh these all look so lovely. May i ask about good dog bad dream for WIP files?

of course!!! 🥰💕 i answered a little bit about it here, but this is one of the tag stories i really, REALLY want to actually become a fic so i did promise a little snippet of the 2K that is done:

Things that Dylan should do: turn off the light, shut the door, walk back inside to the rumpled sheets still warm from when he left them to grab a glass of water. Leave the creature outside to the lightning bugs and the quarter moon and the shifting shadows of the woods along the gap-toothed fenceline of his yard, and then come out in the morning to nothing more than a paw print and the clean reassurance of sunlight to tell him nobody’s there, to ignore the prickle of discomfort that shivers its way across his body as goosebumps and raised hairs when he thinks about turning his back on the memory of those red eyes.

Things that Dylan does instead: whistle.

[sochilll]

31 Days of December Art/Fic Prompt List

1. Snow

2. Christmas lights

3. Baking/Cooking

4. Cold

5. Menorah

6. Holiday movies

7. Gift

8. Family

9. Layers

10. Cold hands

11. Matching sweaters

12. Snowman

13. Gloomy

14. Wrapping presents

15. Shopping

16. Fireplace

17. Blanket

18. Hanukkah

19. Dinner

20. Games

21. Mistletoe

22. Rain/Storm

23. Flushed cheeks

24. Warm drinks

25. Christmas morning

26. Blackout

27. Travel

28. Decorate

29. Party

30. Fireworks

31. New Year’s Eve

[eudikot]

I woke up after a nap feeling a bit light headed and knew what I had to do. This concoction has been swirling around in my mind for the last few days, something so powerful it would make my illness go away. Something I denote "Leorio Juice," half blueberry half pickle juice infused with his doctor energy by drinking off his side of the shot glass. Yes. If this doesn't fix me, I don't know what will.

Bon Appétit

[everythingsbetterunderthestars]

Please please please I know we all love Friends and Chandler was our favourite character and Matthew always put a smile on our faces and that’s all amazing but can we please please please talk about this:

“I've had a lot of ups and downs in my life. I'm still working through it personally, but the best thing about me is that if an alcoholic or drug addict comes up to me and says, 'Will you help me?' I will always say, 'Yes, I know how to do that. I will do that for you, even if I can't always do it for myself! So I do that, whenever I can. In groups, or one on one.

And I created the Perry House in Malibu, a sober-living facility for men. I also wrote my play The End of Longing, which is a personal message to the world, an exaggerated form of me as a drunk. I had something important to say to people like me, and to people who love people like me.

When I die, I know people will talk about Friends, Friends, Friends. And I'm glad of that, happy l've done some solid work as an actor, as well as given people multiple chances to make fun of my struggles on the world wide web...

but when I die, as far as my so-called accomplishments go, it would be nice if Friends were listed far behind the things I did to try to help other people.

I know it won't happen, but it would be nice.”

- Matthew Langford Perry

(August 19, 1969 - October 28, 2023)

[grasshoppergeography]

Hey All,

I've been away for some time, as we've been working really hard on something quite exciting:

let me present to you the world's first ever global ocean drainage basin map that shows all permanent and temporary water flows on the planet.

This is quite big news, as far as I know this has never been done before. There are hundreds of hours of work in it (with the data + manual work as well) and it's quite a relief that they are all finished now.

But what is an ocean drainage basin map, I hear most of you asking? A couple of years ago I tried to find a map that shows which ocean does each of the world's rivers end up in. I was a bit surprised to see there is no map like that, so I just decided I'll make it myself - as usual :) Well, after realizing all the technical difficulties, I wasn't so surprised any more that it didn't exist. So yeah, it was quite a challenge but I am very happy with the result.

In addition to the global map I've created a set of 43 maps for different countries, states and continents, four versions for each: maps with white and black background, and a version for both with coloured oceans (aka polygons). Here's the global map with polygons:

I know from experience that maps can be great conversation starters, and I aim to make maps that are visually striking and can effectively deliver a message. With these ocean drainage basin maps the most important part was to make them easily understandable, so after you have seen one, the others all become effortless to interpret as well. Let me know how I did, I really appreciate any and all kinds of feedback.

Here are a few more from the set, I hope you too learn something new from them. I certainly did, and I am a geographer.

The greatest surprise with Europe is that its biggest river is all grey, as the Volga flows into the Caspian sea, therefore its basin counts as endorheic.

An endorheic basin is one which never reaches the ocean, mostly because it dries out in desert areas or ends up in lakes with no outflow. The biggest endorheic basin is the Caspian’s, but the area of the Great Basin in the US is also a good example of endorheic basins.

I love how the green of the Atlantic Ocean tangles together in the middle.

No, the dividing line is not at Cape Town, unfortunately.

I know these two colours weren’t the best choice for colourblind people and I sincerely apologize for that. I’ve been planning to make colourblind-friendly versions of my maps for ages now – still not sure when I get there, but I want you to know that it’s just moved up on my todo-list. A lot further up.

Minnesota is quite crazy with all that blue, right? Some other US states that are equally mind-blowing: North Dakota, New Mexico, Colorado, Wyoming. You can check them all out here.

Yes, most of the Peruvian waters drain into the Atlantic Ocean. Here are the maps of Peru, if you want to take a closer look.

Asia is amazingly colourful with lots of endorheic basins in the middle areas: deserts, the Himalayas and the Caspian sea are to blame. Also note how the Indonesian islands of Java and Sumatra are divided.

I mentioned earlier that I also made white versions of all maps. Here’s Australia with its vast deserts. If you're wondering about the weird lines in the middle: that’s the Simpson desert with its famous parallel sand dunes.

North America with white background and colourful oceans looks pretty neat, I think.

Finally, I made the drainage basin maps of the individual oceans: The Atlantic, the Arctic, the Indian and the Pacific. The Arctic is my favourite one.

I really hope you like my new maps, and that they will become as popular as my river basin maps. Those have already helped dozens of environmental NGOs to illustrate their important messages all around the world. It would be nice if these maps too could find their purpose.

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[insertdisc5]

📚 A List Of Useful Websites When Making An RPG 📚

My timeloop RPG In Stars and Time is done! Which means I can clear all my ISAT gamedev related bookmarks. But I figured I would show them here, in case they can be useful to someone. These range from "useful to write a story/characters/world" to "these are SUPER rpgmaker focused and will help with the terrible math that comes with making a game".

This is what I used to make my RPG game, but it could be useful for writers, game devs of all genres, DMs, artists, what have you. YIPPEE

Writing (Names)

Behind The Name - Why don't you have this bookmarked already. Search for names and their meanings from all over the world!

Medieval Names Archive - Medieval names. Useful. For ME

City and Town Name Generator - Create "fake" names for cities, generated from datasets from any country you desire! I used those for the couple city names in ISAT. I say "fake" in quotes because some of them do end up being actual city names, especially for french generated ones. Don't forget to double check you're not 1. just taking a real city name or 2. using a word that's like, Very Bad, especially if you don't know the country you're taking inspiration from! Don't want to end up with Poopaville, USA

Writing (Words)

Onym - A website full of websites that are full of words. And by that I mean dictionaries, thesauruses, translators, glossaries, ways to mix up words, and way more. HIGHLY recommend checking this website out!!!

Moby Thesaurus - My thesaurus of choice!

Rhyme Zone - Find words that rhyme with others. Perfect for poets, lyricists, punmasters.

In Different Languages - Search for a word, have it translated in MANY different languages in one page.

ASSETS

In general, I will say: just look up what you want on itch.io. There are SO MANY assets for you to buy on itch.io. You want a font? You want a background? You want a sound effect? You want a plugin? A pixel base? An attack animation? A cool UI?!?!?! JUST GO ON ITCH.IO!!!!!!

Visual Assets (General)

Creative Market - Shop for all kinds of assets, from fonts to mockups to templates to brushes to WHATEVER YOU WANT

Velvetyne - Cool and weird fonts

Chevy Ray's Pixel Fonts - They're good fonts.

Contrast Checker - Stop making your text white when your background is lime green no one can read that shit babe!!!!!!

Visual Assets (Game Focused)

Interface In Game - Screenshots of UI (User Interfaces) from SO MANY GAMES. Shows you everything and you can just look at what every single menu in a game looks like. You can also sort them by game genre! GREAT reference!

Game UI Database - Same as above!

Sound Assets

Zapsplat, Freesound - There are many sound effect websites out there but those are the ones I saved. Royalty free!

Shapeforms - Paid packs for music and sounds and stuff.

Other

CloudConvert - Convert files into other files. MAKE THAT .AVI A .MOV

EZGifs - Make those gifs bigger. Smaller. Optimize them. Take a video and make it a gif. The Sky Is The Limit

Marketing

Press Kitty - Did not end up needing this- this will help with creating a press kit! Useful for ANY indie dev. Yes, even if you're making a tiny game, you should have a press kit. You never know!!!

presskit() - Same as above, but a different one.

Itch.io Page Image Guide and Templates - Make your project pages on itch.io look nice.

MOOMANiBE's IGF post - If you're making indie games, you might wanna try and submit your game to the Independent Game Festival at some point. Here are some tips on how, and why you should.

Game Design (General)

An insightful thread where game developers discuss hidden mechanics designed to make games feel more interesting - Title says it all. Check those comments too.

Game Design (RPGs)

Yanfly "Let's Make a Game" Comics - INCREDIBLY useful tips on how to make RPGs, going from dungeons to towns to enemy stats!!!!

Attack Patterns - A nice post on enemy attack patterns, and what attacks you should give your enemies to make them challenging (but not TOO challenging!) A very good starting point.

How To Balance An RPG - Twitter thread on how to balance player stats VS enemy stats.

Nobody Cares About It But It’s The Only Thing That Matters: Pacing And Level Design In JRPGs - a Good Post.

Game Design (Visual Novels)

Feniks Renpy Tutorials - They're good tutorials.

I played over 100 visual novels in one month and here’s my advice to devs. - General VN advice. Also highly recommend this whole blog for help on marketing your games.

I hope that was useful! If it was. Maybe. You'd like to buy me a coffee. Or maybe you could check out my comics and games. Or just my new critically acclaimed game In Stars and Time. If you want. Ok bye

[darkspace7]

Glass Spider AU ~Part 2~

Hah you thought I was done with everything? So did I. (I didn't think this through as per usual and like most stuff in my life, it ~spiraled.~)

Want to know a bit more about Pitch and his spiderverse? [Here]

•A few bits of worldbuilding: This is Earth-751412. There was no Revolutionary War so America remained a underneath the control of the crown but after an set amount of years the nation's grip on the colony had loosened enough to allow it to develop into the steampunkesque society it is today. However, due to the recent liberation of the neighbouring Méxican Confederation from their Spanish overseers and the presence of the rather liberal French-Native Acadian Union as a neighbor there have been some rumblings (mainly among the lower class) of discontent with the current regime.

•Half of the known cursed gems were either -ahem- "liberated" from the Joseon Area during the British Empire's "Negotiations" with the Extended Far-Eastern Archipelego. The other half were on loan from the Russio-Sinese Federation, formerly being on display in the Emperor and his Royal Consort's private collection.

•There were actually originally only thirteen "official" cursed gems that are all based off this Earth's variation of the Eastern Zodiac (or rather, to be accurate: twelve of them actually represent the zodiac. Then there's the spider, the odd one out whose "webbing binds the stars together." Literally.) The Eastern Zodiac and their corresponding gem/known powersets are stated as follows:

1. "The Worldly Tortoise" - A clay-and-tortoiseshell comb that grants the wielder great powers over the earth beneath their feet. 2. "Twin-Tail's Bell" - A bronze/chrysolite encrusted bell formerly used by monks residing in a long-standing temple to ring in the new year. This cursed gem can bring luck and misfortune in equal measure. 3. "The Frog's Pot" - A small pot carved from a single piece of white jade that gives the wielder the ability to secrete a powerful toxin that induces a heavy feeling of serenity in its victims. So heavy in fact, that they would not feel anything but a pleasant breeze, even if they were, say, being boiling alive... 4. "The Steel Dragon" - An ancient dagger that transforms the weilder into a hulking figure of legend with a steel scaled hide that cannot be pierced by any mortal blade. 5. "Hungry Shark's Pearl" - A string sharktooth & pearl necklace that possesses an all around status booster but with the catch that these uppers and the amount they do so depend entirely on the type of foods that the user has previously caught and consumed themselves. 6. "Kabutomushi's Helm" - A late samurai's helmet inlaid with diamond and rainbow tourmaline along the horns. It turns the user into a spikey-horned insectoid with ridiculous strenght. 7. "Man O' War" - An electrum-crafted sea-themed medalion whose blood soaked past is better left forgotten. 8. "The Kraken" - A sliver & lapis lazuli pin that once adorned the coat of a high ranking naval officer. Gives one mastery of the high seas that they once sailed. 9."Fox's Fang" - An ovaloid carnelian charm that gives people excessive fire power. Simple as that. 10. "The Winged Ones" - A somewhat rusty carved quartz hat pin. With its rather...unusual...design, it has led to some experts wondering if the animals presented in the etchings are bats as previously thought or perhaps some now-extinct form of rodentia. 11. "Quilin's Circlet" - A fortuitous article bearing a single polished citrine at the center. It's said to allow the wearer to cure their allies of even the most mortal of wounds and all it asks for is a drop of blood in return. 12. "Tsuchinoko's Gaze" - A witch's eye crafted from the remains of a snakestone. Has the power to resurrect the dead, albeit at a heavy cost. And the results? Well, one may find that the dead be better off buried... 13. "The Glass Spider" - The last cursed gem and somewhat of an oddity among the collection. It is known to be the youngest among the cursed gem's set. A garnet and diamond brooch placed in a silver setting. Rumoured to have been cast from shadows, this gem has gained a bit of a reputation as "something that will drag you down through your deepest nightmares and into the dark." (Sure some might see a life filled with illusions and trickery as a curse but caught up against the wall with a pair of superpowered hands around your neck, fear-inducing venom does have its uses.)

Some notes on the cursed gems: A cursed gem wielder will usually have their apperances change somewhat to be more inline with the natures of their gems. (In Pitch's case: he was originally a brown-eyed brunet but had his hair lighten to blond and eyes deepen to a shade of red. Also there was some lenghtening of the canines and increased sensitivity to light and things like onions/garlic. Tangentally related, he now has a scar on bridge of nose from where he got punched with Glass Spider by that mook.) Gems and their wielders can either have a parasitic or a symbyotic relationship depending on the how the wielder's desires mesh with the gem's natures and their functionality. A parasitic bonding is present when there is some number of mismatch between the gem and its recipient and is readily apperant by observation of the individual's physical/mental state as there would be a signifigant "warping" of both in relation to the draw of said individuals abilities over time. While "proper" symbyotic bond allows the weilder to use their abilities to the greatest extent with minimal drawback upon their physical and mental well being. In both cases however this "bonding" process is initiated through the introduction of sanguine fluid onto the surface of the gem and then remaining in direct contact with the item itself for a set amount of time in which the gem will become fused with the form of the wielder. This fusion will remain up into the wielder's (usually premature) death. From then the wielder's soul will thusly be melded with the cursed gem and provide a sort of lifespan extention/basic regeneration-type ability based on the remainders of their former lifespans for subsequent wielder's benefit.

•Pitch's overwhelming desire to protect, coupled with the fact that the cursed gem was immediatly taken away before he had a chance to remain in extended contact with it, means that he wasn't able to properly bond with it. Something that might've inadvertantly saved his life (and his sanity) as he did not reinstate contact with the cursed gem until well after his desire for revenge had for the most part petered out and replaced itself with something more altruistic. Resulting in a sonewhat more settled and calmer gem. Not bad for an awkward 13 year old phantom thief with a fear of the undead and all things haunted. Oh, and it's hard to tell when an artefact is a cursed gem and when it's not unless you're a weilder yourself & and in the vicinity of it because they give off this particular vibe.

[kamitv]

Thinking about Sukuna who...

Hates you (affectionately).

If you expect the king of curses to ever admit his romantic and blissful emotions of love in regards to you, you'd have to (quite literally) be on the verge of death.

He says it a lot too. "I hate you," in place of saying the opposing three words. When you two first got together you found it odd but at some point, you realized that was his idiotic way of saying he loves you.

He'll always have this mean look on his face but sometimes, and only sometimes, you swear you'll find faint little hearts in his eyes when he looks at you. (Then again you might be delusional because look who the hell you're in love with anyway).

Always fucks you like he's mad at you.

Tying you up, choking you, biting you, scratching you-, oh the list goes on with the number of things this man does to you during sex.

He's so mean to you in bed, being sure to stuff you full of his cock(s) for hours on end until you're left completely ruined, and even then most times he doesn't want to stop. The only reason sex ends with him is simply because he pities your lack of stamina.

That, and it annoys him when you're so fucked-out that the sound of his name leaving your lips is barely over a whiney little whisper. Followed by that is usually the frustratingly small pushes you give him, babbling something about it being 'too much', even though your cunt is always saying quite the opposite.

Aside from that, he fucking loves when you're scratching at his back, leaving bright red marks he finds prettier than the dark tattoos decorating the rest of his muscular body. He'll be sure to admire take a look at them the following morning. Then, whenever said scars begin to heal, he'll be sure to remind you to create new ones for him-- he loves them most when they're fresh.

Requires your full undivided attention no matter what.

The moment your name leaves his lips, Sukuna expects every ounce of your attention on him. He doesn't care what you're doing, you're required to be focused on him whenever he requests your attention.

It's almost like he doesn't even 'request' your attention, he commands it. It's in the way he looks at you; the way he'd tip his head into whatever direction you're looking into just so you can understand the seriousness behind his request-- and yes, sometimes he could be saying something pointless like, "You looked foolish running around in the garden like that earlier," To which you'd happily respond to him with both a smile and a chuckle, "You were watching me?" And then he'd feel caught and cover it up with a roll of his eyes, "I always know your whereabouts, human."

Secretly loves having your eyes on his.

Or, he think he hides his love for the eye contact pretty well...

Though, you see right through all of that rather quickly. The way he always tips your chin up so that he can get a full look at your face all the time, tells you to keep looking at him no matter the situation-- he could be balls deep inside you and watching your eyes roll to the back of your head and yet he still expects them to eventually return to him.

Even when he's not looking at you he tells you to keep your eyes on him. It frightens you sometimes when you watch him look at something else and then you try to do the same only to flinch at the sound of his rough tone hitting your ears seconds later with a swift, "Did I say you could stop looking at me?"

Hates to see you upset.

As much as the man thrives in the displeasure of others, you're probably the only living thing that genuinely irks his nerves to see upset.

Even though he finds your little pouts and huffs of frustration as cute as ever, he only finds such expressions enjoyable when he's the cause of them. And even at that point, he doesn't exactly like seeing you mad with him. Sukuna already feels as though you should hate him as is so whenever you're actually mad at him for something (most likely killing someone after you've requested him not to do so) it makes his heart twinge in unfamiliar ways.

That's typically when he'll decide it's a good time to throw you a very rare, yet much appreciated compliment. A simple, "You look pretty today," somehow always distracts you from whatever it is you're mad about. Which makes him smirk-- he finds it endearing how easy it is to please you. (Though, he only finds it so endearing because he knows only he can bring you such joy so simply).

Has a tendency to treat you more like some kinda pet instead of a partner.

He truly doesn't mean to but it happens naturally for a curse who knows little of what it means to love someone.

Stuff like, "Fetch me another water, woman." "Sit." and, "Stay here." is often slipping from his lips without second thought. And no he doesn't mean to make you feel like a pet, it's simply the way he speaks to everyone and you're no exception.

Well, you weren't an exception until you explained that you don't like it when he speaks to you like you're some kind of dog. To which he teased you, "Yet you enjoy my praises?" Naturally, you were confused so your brows twisted up and he went on to elaborate, "When I call you a, or my 'good girl', you always tell me how it arouses you." Then you're sputtering out an embarrassed little, "T-That's different and you know it!" "It is still something I would say to a dog." He deadpans, like he always does when he's speaking to you. Your eyes roll and he smirks within the split second your gaze isn't on his, "Yes, but I'm talking about the other things you say." Folding those large bulky arms of his across his chest as he stands before you, "Ah, so you mean when I command you?" Sukuna asks for clarification. "Yes," You reply simply with your eyes returning to his Again, he acts clueless, "You told me you loved dominant men." "That's not what I-," Your face is met with your palm and you let out a heavy sigh before giving up on your little explanation, "Y'know what, never mind."

He pretends to have no idea what you were trying to express in that conversation but you later notice the difference in the way he talks you.

Knows you have a not-so-secret thing for his thighs.

And how can anyone blame you? He often covers them up, of course, but when you first found out he had such slutty tattoos decorating his upper thigh, you couldn't help but he enamored by them.

Though, when Sukuna caught wind of this, he instructs you to ride those same thighs you find 'slutty' and audibly describe to him in detail what it is you like about his thighs so much. So when you're prettily sitting atop him with little to no clothes, safe for the lingerie set he had made for you, all he can do is stare at you with that cocky ass smile of his, ignoring his aching cock whilst he listens to your whiney descriptions of how attractive you find his tattoos.

Loves bickering with you.

He’ll admit this one. Sukuna can’t get enough of getting on your nerves in a teasing manner.

Flicking your forehead mid conversation just to watch your brows twitch and your face twist up, cutting you off as you’re talking just to watch the way you shut yourself up or sometimes keep talking over him as if to compete with him, and disagrees with most of what you say just because.

“The sky is so beautiful today, ‘Kuna, look!” You once exclaimed as you enjoyed a rather peaceful walk with the curse, your arms wrapped snuggly around one of his. He barely spares the sky a glance before grumbling a response to you, “It looks horrid.” “Sukuna,” You huff in that scolding tone he seems to adore so much. Biting back a smirk, “Woman.” With a little groan, you give his bulky arm a nudge with your head, “Can’t you be serious just this once?” “I am being serious,” Sukuna deadpans before looking down at you and meeting your gaze— feeling proud to find your eyes are already on his. You’ve got this pout on your face now, “What’s so ‘horrid’ about the sky? Hm?” Words are flying past his lips faster than he intends to, almost like second nature as he takes in the features of the only human to have every captured his attention, “It doesn’t look like you.” “I-,” You’re smiling immediately, “What?” “Nothing.” Oh how you adore when he does that — compliment you and then get all shy about it, his eyes darting elsewhere, “Awww, Kuna-“ “I’ll kill you, brat,” Sukuna cuts you off crisply as he tugs you further along the long path you’re headed down. “You love mee,” You reply in a nagging tone, flashing the man the brightest smile you can muster. And of course, he’ll never deny that but he also refuses to say those three words to you so, instead, he’s smirking slightly before responding with an expected command of, “Silence, human.”

Will never admit to being jealous.

Despite it being so obvious— he’ll always deny it when you ask.

He walked in on Uraume showing you how to properly prepare a meal one time and decided to nudge his personal chef out of the way just to show you himself. Muttering something about it being ‘easier’ if he shows you himself.

Sukuna often threatens those who have their eyes on you for any longer than five seconds at a time, even if you’re literally talking to them. And yes, yes he’s counting every second.

Has the most degrading nicknames for you.

“Whore.”

His “cockhungry slut.”

“Needy bi-“ He got hit for trying this one out without your permission.

“Brat.”

“Stupid woman.”

“Foolish human.”

But when he does say something affectionate— it typically consists of; “angel”, “perfect”, “beautiful”, “heaven in his hands”, y’know, the usual.

Finds his emotions only ever confusing him when you're around.

His heart feels strange in his chest when you give him small touches.

He can’t stop his breath from hitching in intimate moments when you’re running your fingertips along his jawline and studying his face closely.

You kissed the tip of his nose one time and whispered something about how handsome he was and Sukuna swears he’s never felt the need to protect and savor something more in his life.

If he were ever to lose you, he’d wreak havoc on the rest of the earth until you’re miraculously reborn, of age, into this world once more. (His words, not mine)

Loves your tits more than any other part of your body.

Sukuna likes playing with them for some odd reason. Like a big baby with a sensory video, flash your tits at the man and he can’t think of anything else aside from the soft flesh he’s toying with in his palms.

And he has two pairs of hands so he makes use of them quite often. Approaching you from behind, grabbing your waist with one set of hands and your breasts with the other— he’ll grope your tits and lean down to your ear to whisper about how soft and perfect you are for him.

Dislikes when you make him speechless.

And you do it often too. Each time he sees you, he only feels his words fading over and over again.

The first time he saw you in a red and black kimono constructed specifically for your figure, he felt all thoughts and words leaving him and the only thing on his body still working properly was his cock(s).

You notice how every time you call the curse ‘handsome’ he goes quiet for a moment longer than normal. He’ll stare at you like you’d said something foreign for a few minutes before muttering something along the lines of, “Stop telling me things I’m already aware of, brat.” But, his face is shaded a different hue of red and his eyes wander elsewhere for just a second.

Has and would kill anyone for you or because of you.

This, you have to scold him about. In the beginning of your relationship with the king of curses, he would dispose of people as if their lives had no true value— all for the sake of you.

You had to beg the man for months straight to let go of that sinful habit of his and almost did. The only difference in his killings now versus then is that you don’t know about them. Or, he trues to make sure you don’t know (he’s not that good at keeping things from you).

Is happiest when you call him certain names.

“My lord” “My king” “‘Kuna” “Handsome” but he’ll never admit to his preference for these nicknames over other ones you may call him.

A/N: lmk if there are any errors — this isn’t proofread!