#did everyone else move on?

[mausolealdrift]

its baffling seeing people on here being all shocked about how other ppl didnt have sex or do drugs or drink or go to parties etc etc in high schools like. sorry i was too busy getting bullied to do all of that stuff i guess. why are you surprised that there’s losers on the cringe loser website

[padfootastic]

can’t help but think of how, if we choose to go by sirius’ characterisation as a private, arrogant teen who only lets a select few into his circle, sirius’ post-azkaban life just have been such an utterly humiliating experience for him.

especially OoTP. when he has all these near strangers in his childhood house, that he hated and loved and ran away from and couldn’t ever escape. if he spent his entire pre-azkaban existence building a cold and aloof persona, not letting people know what his home life had been like, then to have all of these people get a front row seat to it because of kreacher and portrait walburga’s shenanigans must have been near unbearable. to have the entire order, including snape whom he disliked and mistrusted, hear the kinds of names he’s being called.

not only does he have to deal with the retraumatisation of his childhood, but also the fact that he’s flayed open for everyone to see. it’s not only his freedom, innocence, dignity that has been snatched from him but his privacy also. it’s such a cruel thing to experience, on top of everything else.

to have literal children, his godson who he has been kept away from all this while, whom he presumably wants to be able to look up to him, to have him see into the deepest parts of his soul. to have to be so weak in front of him. not only is he subjected to such vileness but he also cannot do anything about it.

sirius has not had a moment of peace in all the time we knew him. it is indignity upon indignity that is heaped onto him. every other character has gotten a moment of respite but him. it fully breaks my heart.

[shanastoryteller]

The boy with the demon blood is always watching him.

His gaze had been alternatingly reverent and despondent before Lucifer’s rise. After, it’s cold, appraising, and only when Dean isn’t looking. It reminds Castiel of the few times that Michael has set his eyes on him and it makes the place on the back of his back itch where his wings would be. Lucifer’s vessel should not remind him of Michael. It’s not right.

They’re sitting in a diner, a cup of coffee in front of him that he has no intention of drinking, Dean is in the bathroom, and Sam is staring at him again, lip pulled back just enough that Castiel can’t tell if it’s a grimace or a snarl. He is not well versed in humanity, but he wishes for this to stop. It’s distracting. “What is your problem?”

“You,” Sam says bluntly, which Castiel had not expected. “I don’t trust you.”

“Because your judgement in this area is without reproach,” he says, surprising himself. It’s just that Dean is predictable. Understandable. Sam is not. It’s frustrating.

That look on his face is almost a smile. “Exactly. I trusted you in the beginning. You’re an angel, a being of good, who brought my brother back to life. Why wouldn’t I?” He shakes his head, a faint look of disgust on his face that Castiel is used to seeing there.

He thought Sam’s self recrimination was wholly centered on his role in releasing Lucifer. He does not know what to do with the realization that some of it is directed towards him. “I am still all those things.”

“No,” Sam says. “You’re the good soldier who left my brother to rot. I tried to save him and couldn’t. I nearly destroyed myself doing it. You could have saved him and didn’t. You could have prevented all of this if you’d pulled him out before he broke the first seal. But you didn’t, and then you left him there for another ten years, letting Alistair sink his claws into him.” He leans forward. “My brother was only useful to you broken. I’m not going to forget that again.”

Anger rushes through him. Dean is often frustrating. Sam is infuriating. “I was following orders.”

He realizes too late that he’s only confirming Sam’s assertions. To his credit, he doesn’t appear at all satisfied with the admission. “That’s why you and Dean get along, you know. Two good little soldiers in a pod that rebelled too late and are suffering the consequences.”

Sam has not spoken of Dean like this, has not been anything but accommodating and sorrowful to his elder brother since killing Lilith. His description of their actions sounds too much like Lucifer for Castiel’s comfort. They’re nothing like him. It is Sam who is the devil’s foil. “What are you, then?”

“An idiot,” he says. “You and Ruby are the same, manipulating us both to start this stupid apocalypse. I know you let me out of the panic room, Castiel.”

He goes very still. There are several defenses available to him, but all only confirm Sam’s assertion that he’s a good little soldier that rebelled too late, that he was as Ruby. Perhaps this is where so much of Dean’s frustrations around his brother come from. He is not right, but it is difficult to find the words to prove him wrong.

“If you were going to try and deny it, that would have been the time to do it,” he says dryly. “If you hadn’t, the apocalypse would have been averted. I can’t kill Lilith if I’m dead and even if one of you had done it, it still wouldn’t matter. Lucifer can’t puppet a corpse. Over before it begins.”

Castiel means to choose his next words carefully. Instead, he says, “You have not told Dean.”

Sam shrugs, looking at the window, his eyes tightening in pain. “He needs something – someone – to hold onto right now. It can’t be me, so it’s you. But I’m watching you, Cas. Manipulate my brother again, and I’m not going to care how useful you are in averting the apocalypse or what it’ll do to Dean to lose faith again.”

“Why can it not be you?”

He looks over at him, startled. It’s nice to be able to be the one to put him off balance for once. “What?”

“Why can Dean not hold on to you?” he repeats. Despite every attempt from heaven and hell to prevent just that, it seems to him that Dean is holding onto his brother more tightly than ever.

Sam’s expression shuts down, but not before Castiel sees the tidal wave of grief there. “You didn’t know him before hell. You don’t know what you took from him by leaving him there.”

He’s back on uncertain territory. It’s the only kind he ever seems to be in with Sam. “Is he very different?”

Dean does not appear overly different from an outside perspective. His personality and priorities seem roughly the same as they were reported to be before hell. Traumatized, perhaps, but it’s not as if Dean is any stranger to that.

Sam laughs and Castiel flinches before he can think not to. “Our father’s words haunted him, you know. That he had to either save me or kill me. In some ways, selling his soul for me was a relief. Not only was it a complete rejection of that order, but it meant that if I did have to be killed one day, he wouldn’t be the one to do it. Not that he ever would, because people have tried to manipulate him into it before. Me included. So I guess you can take some sort of pride in it, being the one who succeeded.”

Castiel regrets starting this conversation. He thinks that Dean cannot possibly still be in the bathroom and wishes he would return. “You are not dead.”

“If you’d left me in the panic room,” Sam says. “I would be.”

That is likely true.

“It was perfect,” Sam says bitterly. “Me, strung out on withdrawal, alone and isolated and hallucinating and dying. Dean with all of his worst nightmares confirmed. Except he’s faced that before and it still didn’t end with me dead. He needed a push. He needed a way to save me or kill me that wouldn’t be his fault, his hands, that he could drink and hide from. And leaving me to detox alone in that room did that, gave him an out that he told himself he could live with.” He tilts his head, mocking and sharp, and Castiel would very much like to stop seeing Michael in Sam Winchester’s face. “But you never wanted me to actually detox. Not with Lilith still alive when I’d need years of training to be strong enough to kill her without it. You didn’t want me clean. You wanted me twisted so far around that I’d be easy to control.”

Zachariah had wanted that. Castiel hadn’t known. He was just following orders.

Dean might accept that explanation. Sam never will. He believes blindly following orders to be a weakness. It’s difficult to argue against it when he’s right. If Castiel had not followed orders he did not understand, they would not be here. But following orders is all he’s ever done.

“I should have known better,” Sam says. “That’s on me. Dean played his part too, but he’s got enough to deal with right now.”

“You intend to let him continue blaming you,” Castiel says. Dean’s mistrust and anger hurts him. It’s easy to see. Here he has the information to rid himself of it, at least partly, but he’s keeping it to himself.

His mouth twitches into something that’s almost a smile. “It’s me or him. He went to hell for forty years for me. I can spare him this.”

Castiel tries to imagine Dean’s reaction if he uncovers how close he came to Sam’s permanent death, how it was something he chose and could have prevented and did not because of actions and assurances that Castiel gave him.

Sam is an abomination. He is, also, human, and no amount of demon blood down his throat is going to change that.  

“Before hell, Dean might have forced me to detox, but not alone,” Sam says softly. “He never would have left me to die alone.”

He searches for something safe to say, something to extricate himself from this conversation. What he settles on is, “You and Dean’s relationship confuses me.”

Sam laughs again. Castiel doesn’t flinch this time. “He pushes me to leave and then blames me when I do,” he says, exhaustion leaking into his words. Sam often looks tired. Castiel has never wasted time wondering precisely why. Perhaps he should have. “It never occurs to him that if he just stopped pushing, I’d stop leaving.”

A self fulfilling prophecy. The apocalypse was supposed to be like that, except that in the end heaven and hell had needed quite a lot of work to get it started. Destiny isn’t as easy as Castiel had been told it would be. “Why are you telling me this?”

It’s that cold, assessing glance again. Comparatively, it’s almost comforting now. It’s better than the grief. It must be exhausting, mourning a man who’s right in front of him. “So you know to watch yourself, Cas. I’m looking properly now. And I see you for exactly who you are.”

It’s not an idle threat, not from Lucifer’s vessel, not from the man who killed Lilith, but there’s a shiver down his spine that’s not quite fear. He’s a low ranking angel, all things considered. Like a god on earth, but celestially insignificant. He is to take orders, to follow his father’s will and his brothers’ guidance and never stray from this well trodden path.

No one has ever seen him before.

[sysig]

Recently had a silly Handplates dream where Papyrus was trying to snoop around Gaster and Alphys’ lab, but didn’t know who Alphys was and so was trying to pass it off as his own lab lol (Patreon)

[sergeantjessi]

(Eating a fish while wearing a Bunny Suit)

+ Parkzer being very relatable:

[khevras]

Golden Wind/Vento Aureo Spoilers

Video Transcript

Bruno: I'll be forced to cut ties with you. A traitor stands alone on an island of isolation. Your failure will be yours and yours alone.

So recently I've decided I really wanted to rewatch golden wind after reading the rest of the parts, and since this time I wanted to give more focus to the animation, I decided to watch it in dub. As a result, when I got to this part in ep3, I realised the dub had elected to change what exactly Bruno had said, stating the words above instead.

This struck me as a bit of a wierd change until I then realised how much this moment foreshadows Fugos 'betrayal' at San Giorgio Maggiore; by having the only one not betraying the boss being the one who suffers what Bruno predicted.

I feel like this foreshadowing is honestly amazing, and also hits home at how Fugo feels later on in phf when thinking back to his actions as the pier. I feel like he really does think of his lack of movement as a failure towards Bucciarati, one he has to atone for and I think it's really interesting.

On top of that, I find it really fun how accurate Brunos words are to the situation as a whole, and I find it quite ironic that the one who suffers them isn't even betraying the boss like Bruno is describing, but rather Bruno himself.

Overall, I really like how this singular line foreshadows a moment episodes later, and how I can bring up how Fugo's opinions and feelings on the event are reflected in Bucciarati's words.

[windcarvedlyre]

I've been following @druidposting's DR2 playthrough on discord and we just had a really good discussion about DR's Closing Arguments. Specifically the way the murderer is depicted as grey and featureless, which until now I found a bit annoying.

In Danganronpa it's repeatedly the case that we don't have the full picture until the talking actually stops- which always goes beyond the end of the trial. We generally vote first and come to understand what the murderer's actual motive was, sometimes filling in important pieces of the timeline in the process, afterwards.

But none of that matters for the killing game because characters' emotions aren't directly relevant to who was the 'blackened'- the only thing that matters to Monokuma- so it comes out afterwards and does nothing to change their execution. It doesn't matter how sympathetic they are (basically everyone) or whether other people share responsibility for the situation (eg. Hanamura, Pekoyama, Momota) or whether they intended to murder at all (Nanami). They objectively pulled the trigger and nothing else matters. Nothing about them as a person matters.

The Closing Argument mechanic might illustrate that problem- literally. They're a dramatic, conclusive summary of the entire case... constructed before the vote even happens, before we know if we're actually right, and they're missing something really important:

The actual perpetrator.

We quite literally don't even begin to see the real person behind the crime, any real exploration of their mental state, anything besides the cold, hard facts of the murder that are necessary to convict them, until the comic finishes and the protagonist makes their final accusation- replacing the grey figure with their real appearance in a shot that's often intensely emotional.

And these comics lack crucial parts of the case's timeline and sometimes important parts of the very scenes they depict that we only find out about afterwards. And those are what we know; characters may die with some pieces of the truth and prevent us from ever learning them. These aren't objective depictions of the murder, they're the protagonist's subjective attempt to connect the facts they have. A join-the-dots portrait of someone with missing dots and no colour.

Even characters' expressions may not match how they truly feel, with the grey placeholder potentially looking way more confident and sinister than they were in reality. Pasting Falter's commentary here since they put it well.

For obvious reasons this could especially be a problem for characters that die before the trial- the ones we never get a post-vote testimony from. DR1 chapter 4 really highlighted that in the way Asahina's huge misinterpretation of Oogami's feelings took up a lot of the post-trial discussion, only for Monokuma to reveal Oogami's real suicide note and recontextualise everything.

It might really be a problem for how Komaeda's depicted in DR2 chapter 5. While he isn't greyed out, we get panel after panel where he's either level-headed or maniacally evil, and even the depictions of his self-torture and death don't humanise him:

But we know that his real feelings were more complicated than that. We have his actual corpse to compare the last page to.

He died afraid.

If we approach the comic as Hinata's mental image of him instead of reality, he died without anyone truly understanding him. He was alarming, very hard to relate to, actively fought against people doing so, ensured even the killer didn't watch him die, and the survivors couldn't begin to understand his motive until a chapter later. The Closing Argument reflects that.

Early in DR1 Togami calls out the rest of his class for judging others by their own standards. However, he, too, is doing this, maybe more so than many other characters; his inability to view other people through anything but the cold, brutal logic of the killing game bites him in the ass in chapter 4. In DR2 chapter 2 voting without a good understanding of Pekoyama's motive or Kuzuryuu's involvement nearly got everyone killed. Komaeda's a walking embodiment of the problems with flattening people into caricatures and not empathising with them, suffered from people doing that back to him, and his case- the Closing Argument for which turned everyone else into grey placeholders- was impossible to solve with objective facts. It was only survivable because the survivors cooperated and one person tried to analyse things the way he would.

The games have always been a critique of the justice system and Japanese society and push us to care about others as individuals, not reduce them to- and judge their right to exist by- something they've done or their net impact on society. There are always consequences when someone neglects to do that, and the above might be yet another way the games explore that theme.

[bottombaron]

it’s a small thing, but while I was working on the Transmogrification Explained Part 2 I caught something that I thought was interesting enough to share.

At this point (see below) at the end of the finale, after the ceremony, all the housemates go into the fancy room and Nandor says something about playing Parcheesi right before he takes a brief moment to comfort Guillermo the tiniest bit.

Right afterwards however, instead of doing as he said he would and follow everyone else into the fancy room, he heads right, down the hallway, most likely going straight to his room.

All the nonchalance and dismissal and ‘hey, let's pretend everything is fine and back to normal now!’ talk is a feint. Nandor doesn’t go into the fancy room to take comfort with the group and deny that anything important happened, and since he told Guillermo to clean up Derek before sunrise (something I thought was odd at the time because why would it matter if Guillermo left it until sunrise when everyone would be asleep anyways), he knows Guillermo won’t follow him.

Nandor is choosing to be alone after all this. It’s a very neat little character bit that is easily overlooked within the noise of the episode. While the tone at the end of the ceremony looks like everyone is moving back to square one and blatantly ignoring the seriousness of the situation to do something as banal as a board game, the actual actions of the characters show that there really is devastation amongst them. Guillermo’s obvious, but Nandor’s is hidden with a line that distracts us from noticing that he actually retreats from everyone and hides away.

It really makes me wonder what Nandor did after everything. Used the time to get himself ready for bed so Guillermo couldn’t wouldn’t have to do it when he got back? Sulked? Had a tantrum? Went into his treasure room to read Guillermo’s thank you card again and again?

oh and another little thing: Guillermo and Nandor are the only ones who still have their robes on after the ceremony, and actually end the scene still in them. All the other characters almost immediately took them off after the lights went on.

having them the only two that still wear the robes feels so significant to me. like they’re still in this ritual between them. Or, if the bondage rope part of it comes into play, they are still tied to each other. There’s definitely something to be read here, with both Nandor keeping the rope-cape on and pretending like he was going to follow the others but going to his room instead. Whatever it is, one thing’s for certain to me: Nandor is Not Okay after the ceremony.

[coldflash-corner]

I see the "Barry is totally unaware of his interest in Snart and/or Snart's interest in him leading to Shenanigans" and I raise you "Barry is VERY aware they're both interested and thinks he's telegraphing that knowledge with the way he interacts with Snart and the rogues, but he is Not in fact communicating clearly"

[todayisafridaynight]

rate the outfit

[kinokoshoujoart]

the coolest kids in forgotten valley!!☆

(…it seems there may have been a stretch of time where rock and lumina were the only kids in forgotten valley…🥲)

poseref

[ahalliance]

however etoiles dying a second time, and tango coming up to help and talking to him like he’s never played the game before is making me laugh so bad . etoiles having like 2000 hours on UHC but playing so recklessly that people think he doesn’t know how to is so ironic . my favourite danger desensitised blorbo 💚

[heyclickadee]

Slightly unhinged Tech theories brought to you by:

1. How stupidly open Star Wars canon is.

2. An extremely stubborn form of optimism.

3. That red herrings only work if the real answer is more satisfying than the distraction, and the fact is that not only did we not get any answer AT ALL, but no one involved will actually straight up say it was a misdirect or what we were being misdirected from or even acknowledge there being any direction at all, meaning it was either the world’s most badly executed red herring, or it wasn’t a red herring at all/we just don’t have the actual answer yet.

4. The fact that Tech isn’t a real person, he’s an idea, meaning I don’t have to accept jack shit. Especially when canon has done so little to actually convince me he’s gone for good and it’s so markedly different than every other loss in the show.

[withasideofshakespeare]

Have you ever noticed that pretty much everybody in Shakespeare's histories is an awful parent? Now you can rank them according to your tastes in (bad) parenting with my tier list maker:

I probably forgot somebody (please tell me if I did) and also all of the parent-adjacent characters are included according to my personal tastes (mostly because Falstaff does a LOT of (weird) parenting and deserved a spot and then pulled a bunch of other people along with him).

Here's mine:

[unforgivingchorus]

Think it’s underrated how when five was in the apocalypse and all he had was Viktors book to cling on to remember the family. It wasn’t a happy book. In 60 years as memories faded and deteriorated, what could have became memories tinted by nostalgia into something happier was grounded by the only physical remnant of them left. A sad book that realistically talks about how broken the family was. A book where the wallflower of the family drills into the cracks of the public images.

[andaniellight]

You may be cool but you'll never be as cool let alone cooler than this Sky Kid who dove into the glaring red spotlight to distract the Krill targeting another dying Sky Kid trying so hard to get away from it while rapidly losing lights, like, ever.... I can guarantee you