#despite barely knowing her

[i-miss-you-i-miss-sparkling]

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[kurthummeldeservesbetter]

I feel like something that should have been explored more in Arcane is that despite the dangers and pretty much horrific conditions, Zaun children seemingly grow up a lot more caring and have a larger understanding of family in comparison to Piltover children. And if such a reflection of the real world in a sense.

The kids of Zaun seemingly grow up with a lot more adult support. Ekko is easily welcomed under Benzo’s wings. Vander adopts 4 kids (two of which we learn he knew of before their parents death, two of which we can’t be sure of). Silco, despite all what happened, and his ulterior motives, shows no problem adopting Powder/Jinx. In the alternate universe it seems as though he’s still played a part in the kids lives. Jinx adopts Isha easily and Sevika cares for her as well. Hell, even Mr. War Crimes Against Humanity does well with little Viktor (until ya know, the animal abuse).

Hell, up until Vander dies (the first time) there seems to be a large understanding of if there’s an orphan or a kid in need of guidance, take them in! (And certainly don’t inform them of your plans to turn a giant pink salamander into drugs and be confused when a nine year old doesn’t understand). If a kid wants to be your apprentice, let them! For the most part, until things all went wrong in the end of act 1 of season 1, the worst parts of Zaun seem pretty typical for any city in poverty.

Match that with what we see with how Caitlyn and Jayce grow up. Caitlyn is given adult support, yes, and it’s clearly a good adult mentor, but it’s not entirely by her choice. It’s been chosen for her. She’s safe, but there’s a lack of freedom of choice. Meanwhile, when Jayce gets older, and that same accident in Act 1 happens, the family that supported him and his mom turns their backs. His own mom doesn’t support him either, because she’s afraid of what he’s talking about, but also because he’s damming them to being outcasts.

Conversely, Vander is more than willing to take the fall for what Claggor, Milo, Vi and Powder did. He’s willing to go to prison for a long time, in order for them to have a better future. Despite Vi’s best efforts, he’s not going to listen to her (she is just a kid) and he’s not letting his family go down and get hurt.

Meanwhile, a man who grew up in this mentality, where there’s a wide sense of family support from people who aren’t your biological family, is the one to go to Jayce, a stranger, and tells him he believes in him. It’s why it’s such a shock to Jayce; his own family and family friends denied him. They didn’t support him.

I think that’s what makes all the difference. Piltover and Zaun have wildly different understandings of family and forgiveness. For Piltover, it shuns and damns the lives of those who upset the balance. For Zaun, it provides safety and never ending understanding.

Just. I’m thinking.

[the-moogs]

marlene loves when her gay aunts babysit her 🎀

[mintaikk]

Maybe it's just my major fear of being a useless burden, but the fact that Stolas was literally so depressed and dissociating and just kinda going through the motions and was so completely out of it that he didn't react to hsving trash thrown on him and didn't even bother to try and lift himself back up when he went in the bathtub and literally has nothing left yet Blitzø still offered him a place to stay and helped him and guided him into his home and bathed him while saying that it'll be alright and lifted his head out of the water and double checked to make sure be didn't do it again and got up from the couch so Stolas could lay down and didn't ever seem annoyed by him or berate him or treat him as a liability and seemed genuinely caring and willing to help without complaint almost made me want to cry

[poorly-drawn-mdzs]

Daughter of delta Yu, show them that you're no fool!

[First] Prev <–-> Next

[bluerosefox]

Same As The Day I Lost You

I...

This came to me as I'm making dinner so I'll be quick.

What if we mix deaged Danny and twin/older sibling (either one works) Damian, AND he gets tossed to his sibling in a last minute escape.

Like what if he was fighting Vlad who was doing his whole "denounce your father and join me as my son Daniel!" Thing while in the Zone and knocks Danny into something that's floating in the Zone with the ability to deage or was hit by a new Fenton or Plasmius invention while fighting in town that accidentally deages him.

Danny, who in this was adopted, gets put back to the age of six. The same age he had been found by Jazz in a 'haunted' forest Jack and Maddie were visiting/investigating while also using that time as a family vacation. (They were shocked to see a little boy with a stab wound bleeding out and rushed him to the nearby town, almost completely forgetting about the glowing green tiny puddle they found nearby and bagged most of it as evidence when they heard Jazz's scream of terror over finding the hurt little boy)

The sudden revert into that traumatized age, along with the child response to a fight or flight scenario, and add Danny's deepest need/wish to be protected his child fogged mind wishes to go to the one person who always made him feel safe.

His twin/older brother.

Just as quick as it was with Danny being turned into a child, his ghost powers ripped open a portal and sent Danny to the person he wants to be with...

Only he didn't know that right at that moment his seventeen year old twin/older brother is currently fighting the League with his family's help (his mother was trying to convince him to return to the League and be it's heir) in Nanda Parbat (the very place Damian lost the last/only person he knew loved him without any strings attached.)

So imagine everyone's face when a portal opened up, some muttering its a new pit being formed before them or something, and crawling out of it is a very scared and confused six year old Danny.

[blueskittlesart]

pleeease give a review for infinity nikki ive been thinking about downloading it but i dont know if i have the space and if its worth it to clear some up for it !!!

as someone who spent HOURS on flash-based dollmakers as a kid, i absolutely love it. the gameplay hits somewhere between dressup game and open-world RPG, in that there's a large botw-like open map to explore, but the express purpose of exploring it is to unlock new clothes for your character. The exploration itself feels very calm and cozy most of the time, with the emphasis being on small collection tasks like fishing, bug-catching, and foraging. again, all of this is specifically to craft new outfits for nikki which you can both coordinate with no limitations to wear in the open world and use in scored styling contests with npcs, some of which reward you with game currency and some of which help you progress the story quests. the only place where i feel the gameplay truly suffers is in combat. you have one attack, and it's a ranged shooter, but there's no aim-assist whatsoever, and the mobile joystick isn't NEARLY sensitive enough to justify this. aiming in combat is one of the most difficult parts of the game, and nikki can only take 5 hits before she dies and has to respawn, making combat decently frustrating. However, there are very few places where combat is strictly necessary in-game, and both of the boss battles i've done so far had hitboxes large enough that it wasn't an issue; it's really in the open world against hordes of smaller enemies that the lack of targeting becomes really frustrating. other than that, though, the controls are fairly well-designed and intuitive, especially if you've played similar games before.

The clothes themselves are the star of the show, of course. I've yet to see a single clothing item in the game that I don't want. there's a good mix of fancy intricate outfit pieces and basics to obtain early-on, and without even touching the gacha you can coordinate some really cute outfits via in-universe boutiques and quests that reward you with clothes. Even the very obviously themed ability outfit sets that you craft early on almost always have a few pieces that are easy to mix and match with, so there's a TON of styling potential even for free players! As for the gacha, it's actually one of the more generous games i've played in terms of rewards and pity systems. My one complaint so far is that the 5-star gacha outfits especially seem to be very accessory-heavy, meaning it's possible to pull shoes, multiple necklaces, gloves, socks, and hairpieces before ever pulling the dress they're very obviously designed around. there is a pity mechanic to prevent this, but it requires you to pull a few too many times before your guarantee imo.

The story is ridiculous in a good way. It kind of reads like a 2000s-era barbie movie to me right now, in the best way possible. there's an amazingly predictable sexy villain, cute little flying creatures that follow you around, and every conflict is, of course, solved via clothes in one way or another. My absolute favorite thing about the writing, though, is how blatantly earnest it all is. at no point does the game poke fun at its own wacky concept or even attempt to make some self-aware joke about it to the player--it plays everything completely straight, and in this aspect it almost feels MORE self-aware. it knows that the kind of person who wants to play a dressup rpg is also the kind of person who does not, under any circumstances whatsoever, want to be questioned or made fun of for their love of fashion or their engagement with that game. It very much feels like the devs know that they're working with primarily girls and young women and a subject matter that those girls and young women are often looked down upon or made fun of for seriously engaging with, and so it promises to engage EXTRA-seriously to make up for that. (side note: there's one point in a story quest where, when asked to make a wish, nikki wishes that all girls never get cramps again. that was when i knew this was a game that knew its audience.) If I wanted to nitpick, i might say that every quest so far has sort of felt like an increasingly ridiculous trading sequence--you learn what you need to do very early on, but you'll always spend several hours of gameplay encountering obstacles and doing other smaller tasks to circumvent those obstacles so you can reach your original goal. this might annoy me more if the game was trying to market itself as a serious RPG, but it seems very self-aware to me, and despite how i'm describing it none of the quests ive played have actually FELT tedious. I think the fact that it's such a wild concept to begin with gives the writers a bit of leeway in how they handle the story quests, and because I as the player am aware i'm playing a dressup game I don't really expect quests to immediately get to the point and let me fight something. I will say that there are certain things that aren't super intuitive especially if you aren't a seasoned gacha rpg player, particularly the features relating to advancing your skills and the styling points of your clothing. though the game does technically explain what you need to do, it doesn't explain the RELEVANCE of the feature, just that it exists, so I had to lose multiple styling contests before I realized i could upgrade my clothing to get higher scores.

The final thing I'll talk about is performance. I'm playing the game on my iphone 13, and the performance is.... not great, i'm ngl. Off the bat, if you play the game on a mobile device, you're going to be getting a HEAVILY scaled-down version of the terrain graphics. all of those screenshots you see online of beautiful terrain full of flowers and particle effects are from ps5s or custom pcs. truthfully, the mobile app looks like a game from 2012 and it will still turn your phone into an incinerator. I've also encountered multiple graphics bugs, some during pivotal scenes, and I get consistent lags when playing for longer than a few hours, likely due to the strain on my phone's hardware. it's also an INSANE battery drain, so i only play when my phone is plugged in. All that being said, the game has been out for less than a week, so visual bugs are inevitable, and the developers have stated that mobile optimization is a priority, so hopefully we'll at the very least no longer have to overheat our devices to play it soon. Also worth noting, from what I've seen the rendering of the CLOTHING doesn't suffer AT ALL on mobile devices. presumably they sacrificed terrain rendering to allow for such beautiful texturing on the clothing itself, which, given that the clothing is the main focus of the game, I can't fault them for. Basically, if you're going to try to run an unreal engine game on your iphone, be aware that it will run like an unreal engine game on an iphone. and prepare yourself to have to let your device cool down every few hours.

tldr: i love the game so far. i'm really excited to keep playing and see where the story goes, and I think they should make more games for girls <3

[dykedvonte]

I think it’s so ironic that the Pony Express escapes a lot if not all blame in discussion. I can’t even say I am excused from it but it’s just how hard people circle back to the characters alone without considering the environment they were made to be in.

Why would they design a ship where only two of the rooms lock? Not the bathroom? Not the sleeping quarters? We assume that all the companies in the universe are this shallow and careless to their workers but we explicitly know the Pony Express in extra vile. They are fed processed slop pack they can’t even really cook and the ration of those pack is meager at best. They hired and made people with a plethora of conflicting demeanors and beliefs work together on a mission where cohesion is important if not an outright necessity and punish them for not being happy about it. There’s no social protocols, not chain of command other than Captain’s word/choice and the only way to enforce that is with a literal firearm. They don’t allow them to celebrate freely and even took away leisure activities that would make them less stir crazy. They are only allowed a few hours of sleep despite their being no other real responsibilities or work on the ship, no matter the position or its importance. With any crew, with any level of synergy, this was a powder keg waiting for a spark.

I’m not saying characters that made mistakes didn’t make huge ones, but I think part of the horror is that at least for some (this is targeting Jimathan) those mistakes are partly made by a force of the hand. There’s a running theme of lack of choice and being forced into something and the very nature of how The Pony Express expected them to function plays a big part.

[bean-spring]

People complaining about Mel not liking Viktor and being "mean" to him as if this guy didn't hate her guts too and wasn't constantly rolling his eyes every time she opened her mouth.

[aroaessidhe]

2024 reads / storygraph

Asunder

slow-paced high fantasy

a woman who has a contract with an eldritch entity allowing her to see the dead & survives by taking various jobs

when a job searching for stranded smugglers in a cave goes wrong, she ends up with the soul of a dying stranger bound to her shadow

along with a scholar and her old childhood friend, they travel to his home country to find a way to unbind him and save them both

dark fantasy world with gods, demonic entities, arcane magic, and semi-sentient beasts used as transport

[sincerely-sofie]

A blast from the past.

[itspileofgoodthings]

.

[romantichopelessly]

and I’m right.

[greencloakedfae]

How do we feel about the idea that Sofia hunts Nell down so intensly could be in part due to jealousy?

Its very clear that Sofia is very obsessive about hunting down Nell to frame her for Lord Blancheford's murder. Like she doesn't really need to do all of that. She has the benefit of it being her word against theirs, and the social status to back it up, and they quite easily hold the appearance of grieving children seeking out justice for their father through hired bounty hunters and a 40 pound reward on Nell's head. And like, there is something to be said for the fear that Nell may eventually get someone of importance on her side, and as such getting rid of her permanently is in their best interest. However, I think it would add an interesting layer to the whole dynamic to explore Sofia being jealous of Nell.

Because Nell and Sofia are very clearly two characters that are supposed to be similar yet on complete opposite sides. Their connection to magic, their values of protecting their siblings, and their want to have control over their own situations are just some to name a few.

Yet, Nell is able to escape Tottenham through marrying Captain Jackson, and then continues to keep a hold on her freedom through the way she dresses and presents herself, as well as with the support of her family. She even gets offered tenancy of the Talbot. It's not without consequences obviously, we see it all throughout the show, but she still has a lot more freedom than you'd expect for a woman of that time. Sofia however is still trapped. Her whole life is dictated for her thanks to her high status, and when her father dies, she only just gets a taste of some semblance of power over her own situation through running the estate (though this would be on the down-low and probably with credit attributed to Thomas) and learning magic offered by Poynton. And even then, she's still disregarded and disrespected by the men around her.

It wouldn't surprise me if a large motivation in hunting down Nell for Sofia is the satisfaction of stripping Nell of her freedom. This woman, who is so similar to her yet just because of the family she is born into, gets to have what Sofia can't. And in a 'If I can't have it, neither can you' type of way, I think Sofia would take that and internalise it until it becomes all consuming. Probably convincing herself that once Nell has been stripped of her freedom, she will finally get her own.

[silusvesuius]

n*loth not being able to bag anyone over the (human term) age of 25-30 at most is the only logical and real conclusion to me because it can be just explained away as him wanting to prove and control everything and anyone (Cus he's a man!) but being stuck in that demographic because his unbearable and vile personality is a force that nobody can look past once they've outgrown the possible fear and idolization period of anyone but also n*loth in particular.

[crescentmp3]

kill your feelings, eleanor

[image desc: digital art of op's original character, eleanor lloyd. she has a grim look of hesitation on her face, a dagger in her hand as she holds in her hand a heart—her own heart, light growing inside it to paint it red and pink with love as the darkness in it melts off. she grips the dagger tightly, peering intently at her heart. the drawing has dramatic lighting for effect, and she seems to be in her own room. there is a barely visible corkboard at the back that has the face of the earl crossed out. // end id]