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blorbocedes · 9 months ago

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BROCEDES! ROOMMATE AU + UNEXPECTED VIRGIN!

‘Take a shot if your body count is more than 5!’

Most of the crowd drinks, even those with obviously shifty eyes and guilty demeanours. Lewis drinks.

He was coursemates with Adrian the previous semester and had to hear his bitching and moaning about the bitches he gets – the lack thereof, spots him drinking too. Nico’s standing at the end of the couch, expensive loafers careful to step around the sticky spilled beer.

He nurses his red solo cup, untouched. Lewis frowns.

‘Take a shot if your body count is double digits!’

Fewer people drink this time. The crowd goes ‘ooh’ at the ones who do. Technically, Lewis’ is 7 – 8 if you count the blowjob and her getting her period at the last second, opting out. But college athletes have a reputation to maintain, so Lewis finishes off his cup.

This time, Nico is watching him. Smiles when their eyes meet and does a mock salute, lips still not grazing his drink.

What the fuck? What could it be? It bothers Lewis that Nico’s not being honest. He's seen Nico half-lidded hanging off some guy’s arm at a party or cuddled into some girl to know better. Although, since Nico has access to all the population instead of 50%, it would make sense if his count is twice as high.

A pretty girl in a low cut top and blonde highlights taps Lewis on the arm to dance with her, and all thoughts of his roommate and how many people he fucks are forgotten.

A few hours later, the party has died down. Cold pizza and the music is less in-your-face, more indie. A small group gather on the floor playing the laziest truth or dare with a half empty bottle of Bacardi. The guy beside Nico is in an obnoxious leather jacket and tight pants, and his hand rests on Nico’s thigh.

It falls on Lewis.

“So… Lew-iss,” Natalie? maybe asks, voice slurring a little. “Do you remember when you first met Nico?”

Nico raises an interested eyebrow. Of course he remembers. However, Lewis is aware they asked the question because people think him and Nico are secretly hooking up because they live together, and since Nico’s seen with everyone. His teammate Felipe and his girlfriend are within earshot.

“Nah, man. I don't remember shit like that. I remember when I like, lost my virginity.” Lewis offers as bait.

Nico frowns, it's cute on him. Brows wrinkled up.

Naomi(!) bites. “Tell us about how you lost your virginity.”

“That's two questions.” Lewis leans back, flashing his most charming gap-toothed smile. Everyone's too drunk to keep track of whose turn it is.

Nico disappears off with Mr. Skinny Jeans.

It's a little while later when Lewis has smoked a spliff to clear his head, rejecting the blonde highlights girl’s offer back to her dorms which is on the other side of campus, when Nico returns, hair mussed and shirt buttoned more than it was when he left.

“Home?” He asks. Lewis follows.

Nico’s a pretty chill roommate. He grew up with a silver spoon and an only child, so he has no concept of sharing. Instead, when he orders Thai, he makes sure to order for two so that Lewis doesn't try to eat any of his dumplings. Lewis gets to have the flat to himself a lot since Nico disappears for the night, returns at early hours of the night with glitter on his cheek or bite marks on his neck and a cheeky smile before collapsing on the couch. Lewis can't complain, it makes bringing girls over easier. And when Nico is studying, he keeps to himself. Lewis will know, because there will be an extra coffee for him. In turn, Lewis gets rids of the bugs in the flat – the first time Nico seeing a cockroach asking if they should call pest control or sue their landlord for unhygienic living conditions.

“Why didn't you drink? At the body count question?” Lewis asks, breaking the amiable silence of their walk home, and the lack of filter signalling he was drunker than he thought.

Nico hums thoughtfully. “Cause that would be a lie?”

Lewis tries to make sense of that, doing math in his head. “No…? It wasn't about the exact number, just if it's more than.”

“Yeah,” Nico smiles, unlocking the door and stepping side. “That would be a lie.”

Lewis rolls his eyes. Nico and his riddles and his games. “It would only be a lie if you're a virgin. Which you're not.” He snorts at the thought.

Nico’s eyes flash dangerously. “Yeah?” Nico turns around, effectively trapping Lewis between the door. “You think about who gets in my pants a lot, Hamilton?”

Lewis feels a flush rise in his neck. Thank god for melanin, if he were Nico he'd have two giant red spots on his cheek right now.

“I don't care who you sleep with. Or don't sleep with.” Lewis tries to go for gruff, chill, but it doesn't quite land. He gets out of Nico’s cornering, going to the couch. “It's just weird you’d lie considering Jenson–”

“Oh if Jenson said it, it must be true.” Nico’s sarcasm is shrill and annoyed, betraying how drunk he is.

It does make Lewis pause. Jenson has a habit of embellishing stories of his conquests. The fated twins threesome never happened, he had separately hooked up with twins. Lewis remembers Jenson bragging in the locker room how he rocked Britney’s world and Lewis had worn his his shin guards with a little more force than necessary.

“Rock my world?” Nico rolls his eyes, leaning against the wall. “Hardly. We made out for forty minutes until he came in his pants.”

TMI because now Lewis is inundated of images of Nico, mouth swollen and bodies entangled while fully clothed.

“So you're actually a virgin? What about all those people?” Lewis is still trying to wrap his head around it. Nico is the most sexual person he knows. He eats yoghurt off the spoon distractingly, and has no shame walking around the apartment naked. Very sexual liberation chic, and Lewis had to draw up boxers boundaries.

Nico wrinkles his nose. “So you get with the easiest lay on campus and you're the only person he won't fuck. Do you want to admit something's weird and wrong with you, or do you just go about inferring you had sex? It's not like I'm going to correct them.” He must see something on Lewis’ face because he interjects, defensively offensive, “Don't ask why it's better to have a reputation. I know your tells. You drank twice.”

Lewis chooses his words carefully, gentle like he's not trying to spook a wild cat. “I'm not judging. I'm just surprised. Nobody figured it out?”

Nico softens at the tone. He sinks on the couch beside Lewis. “Honestly, you're the first person to notice.”

Lewis finds that sad. “Hey, we don't need to talk about this if it's a sensitive topic. I'm sorry I –”

“Jeez, Lewis. I don't have trauma, I'm just frigid. A pricktease. Nothing bad ever happens to a Rosberg.” Nico works on the complicated laces of his boots. He hates being pitied.

Lewis leans over. “It's really not all that cracked up to be. The first time, at least. Cause you're bad at it and you don't know how to pace yourself. Lots of people wait until they're ready. My first time, it was this girl I was seeing after GCSEs. We couldn't find a place so we got in my dad’s old Subaru. Lasted like 30 seconds. Wiped the whole place down but I was convinced he would know somehow. Come Sunday, I went and told him. He hadn’t the slightest clue. So that was an awkward drive to church.”

Nico gawks him, crumpling into himself laughing. Lewis regrets being a vulnerable and oversharer of a drunk. Nico’s gelled hair has come undone from hours of partying and falls over his eyes. Lewis is never going to open up to anyone ever again.

“On God's day, Lewis?! And you think I should save myself until marriage? Find myself a nice, righteous wife?”

“Someone you trust. Someone you're into.” The room spins a little. Nico Rosberg is a virgin.

“Someone who’d remember when we first met?” Nico challenges. "That's not very nice, is it? I can't believe you forgot--"

“You were checking out an encyclopaedia on space at the library. I wanted the Senna autobiography. We were 12.”

Nico’s eyes go wide. Lewis holds his gaze.

#I love roommate aus :3 what if the object of ur desire was 1 room away and yet the distance is greater than oceans #I hope you catch all the little references. and please!!!! if you enjoy it let me know I'll lore dump #brocedes #f1 rpf #my fics #I love friendship tinged with desire. this could've gone into sex right after virgin reveal but I wanted them to be friends talking first #roommates au

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miraculouslbcnreactions · 4 months ago

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Sorry if this seems confrontational, but for the life of me I can’t get into your “Chloe has no growth” point when the show itself retracts growth from everyone and is inconsistent with everyone. You saying “The show just lays down basic character traits in Chloe” doesn’t make sense when her basic character traits are supposed to be her being selfish and spoiled.

S2 built off of that and despite what you say, had Chloe doing things that in S1 she wouldn’t have done. She apologized multiple times to the people she wronged, she willingly put herself in harm’s way to help the people she cares about and she was openly vulnerable to Ladybug in “Malidiktaor”. Something S1 Chloe wouldn’t have done. If there’s a distinct difference between a Chloe back in S1 and a Chloe in S2, then growth HAS taken place. But it doesn’t stay because of the formula (and the writers just don’t want her to keep that growth)

So what I’m asking is…what do you mean “Chloe doesn’t have growth”?

I can understand the “No arc” argument because an unfinished arc feels like there’s no arc at all (even though they are fundamentally not the same)

I wouldn't say that the show retracts growth from everyone. It's more that no one is ever supposed to grow. Every episode resets the cast. That's just how pure formula shows work and Miraculous is being sold as a pure formula show. The characters are meant to be static (one of the writers literally compared Miraculous to Dora the Explorer).

That static nature is why pure formula shows normally avoid giving their good-guy characters major flaws. It's the wrong medium for that type of thing specifically because the characters cannot change in meaningful ways throughout the show. They can learn little lessons that don't really change them and maybe have big change between seasons via a special or movie, but that's about it. Thus things like the season four conflict working so poorly. It's just a terrible choice for a formula show! The conflict is literally not allowed to develop properly because of the chosen format.

But sure, let's talk about Chloe and why I will die on the hill that she never demonstrated meaningful improvement even with the issue of the inconstant writing. In fact, seasons-one-to-three Chloe is one of the most consistent characters in the show. For this discussion to work, we need to start off by discussing character development and the two main forms it can take: character establishment and character growth.

Character Establishment

When the audience meets a character, they know nothing about said character. It's up to the writer to guide the introduction process. To choose when to reveal already existing elements of the character's personality, skills, and backstory. This is called character establishment. It is the writing telling you who the character is on a baseline level. Those reveals don't need to happen at the start of the story, though. They can be - and often are - held back for when the time is right.

When these reveals are delayed, it's important to remember that these elements were always part of the character. The reveal isn't changing who the character actually is. It's just changing how the audience views the character.

For example, we spend a good chunk of season one uncertain why Gabriel is doing what he does. Then, in Origins, we learn that it's all for Emilie. This is new information that adds depth to Gabriel's character, but it doesn't change him in any way. This is who he always was. We just know him better now and can recontextualize past events with our new understanding of his motivation.

Character Growth

Character growth is when writers take a character's personality or world view or even just their skills from point A to point B, allowing the audience to watch the character change and become a new better - or lesser - version of themself. This is usually part of a larger character arc where all the moments of growth add up, but it can take the form of small moments of growth that don't fit into a bigger picture, too. I'd probably still call that an arc, but we'll use the word "growth" a lot in this post, so let's just call it growth to be consistent.

Miraculous doesn't really have either arcs or growth because - once again - formula shows don't allow characters to meaningfully change, so I'm going to have to make up an example here. I'll use one that illustrates how character establishment and character growth can and do intertwine as that's an important thing to acknowledge to help guide this discussion.

Let's say that we have a character who lost their family at a young age. We'll call this character Mary. Mary's loss guides her character throughout the entire story, but the other characters and the audience are never told that this is what's going on. We just know that Mary acts in seemingly illogical ways at times and that she trusts no one.

Throughout the story, Mary learns to trust her costars, leading to a big, dramatic scene where she finally tells them - and the audience - about her past. This big dramatic scene is both the culmination of a character arc and a piece of baseline character establishment that allows us to understand Mary's character better no matter what part of the story we're reading.

Because these combo growth and establishment moments are so common in stories, it can feel like character growth when we learn new things about a character in a dramatic moment, but that's not always what's happening. Sometimes dramatic moments are just there to reveal what was always there by forcing a character to act differently than they usually do through the power of extenuating circumstances. These extenuating-circumstances moments are not character growth because, once the moment is over, the character resets to their normal self. The moment wasn't there to let them grow. It was there for the sake of the plot.

This is actually a really important thing that writers need to know how to do. Figuring out what circumstances will make a character say or do a thing they generally wouldn't say or do is part of how stories work. I have started stories with characters acting wildly "out of character" because I put them in the a situation where the behavior suddenly was in character!

Oh, you don't want to talk to this total stranger because you're an introvert with social anxiety who has yet to learn how to love yourself and open up to others? That's nice. Your leg is broken now and you're stuck in the middle of nowhere. What you gonna do sucker? Lie there in the dirt or talk to the nice lady who wants to help you? Your choice! (Spoiler: he talked to the nice lady. He even let her physically support him when he'd usually never let a stranger touch him!)

As soon as that scene was over, the character reverted because it wasn't growth. He didn't become a more open person. He just did something he normally wouldn't do because the situation demanded it. It was extenuating circumstances so that the freaking plot could start.

This is what happened with Chloe in season two. Everything that people call growth is really just extenuating circumstances that reset by the end of the episode or even by the end of the scene.

Let's Talk About Chloe

Chloe does not have a character arc, aborted or otherwise. She is never taken on a journey where we watch her change. All we get is delayed character establishment via extenuating circumstances, but it's given in ways that make some people feel like she was being given an arc. Let's talk about why that is.

Season one Chloe is a one dimensional mean girl. She has almost no depth. She's just here to be petty and cause akumas. She is not a fully realized character.

Season two takes those traits and keeps them, but also gives Chloe a lot more depth to round her out and make her feel like a real character. She's just as petty and mean as she always was, but we're finally allowed to see her in some moments that make her feel like a well of potential to become something more, which the writers basically had to do if they wanted to let her be a hero. The audience needed to feel like Chloe could be good in the right situation.

The feelings evoked by her newly discovered depth are why people go "oh, she had a character arc! My feelings about her changed in a big way!" But she didn't have an arc. You just got to know her better by seeing her in moments where she was forced to be vulnerable. That's not growth. Growth is meaningful, lasting change, not situational change. Everyone changes based on the situation! It's why the "True Selves" stuff is such nonsense. It implies that there's one set way that we're supposed to act in order to be authentic and anything else is some kind of lie which just isn't how the world works.

Let's look at some examples to drive home what I mean.

Season one established that Chloe idolized Ladybug. It's why we get things like this moment from Evil Illustrator:

Ladybug: Fine! You stay! Later! Cat Noir: What do you mean later? Ladybug: I mean, you're the one who wants to protect her, so you don't need me. So, later! (swings away) Chloé:(looks over balcony) Ahhh! Ladybug! Text me! OK!

And this confession from Antibug:

Ladybug: [Chloe] pretended she was me?! How often does that happen? Armand: She idolizes you.

So Chloe adores Ladybug and wants to impress her/be her best friend. Cool. Got it. That never goes anywhere in season one because season one doesn't see Chloe and Ladybug interact much. The most we get is Ladybug saving Chloe from akumas, which doesn't allow for deep conversations. I don't think that they're ever alone in a moment where they can actually talk.

That changes in season two. In season two, they get to interact a lot and it's often in moments where there's a big threat and no one else is around, letting us see a new side to Chloe. But that's not Chloe changing. It's just the writers revealing that Chloe has more to her than the mean girl stuff because of course she does! Pure mean girls don't exist. Everyone has depth. We simply never saw that depth before because Chloe was never put in a situation where she needed to be open. We can't say that season one Chloe wouldn't confess things to Ladybug or chose to sacrifice herself to let Ladybug win because she never had the chance to do those things!

In fact, I'd go so far as to argue that season one Chloe probably would have done the same things as season two Chloe because season two Chloe doesn't really contradict season one Chloe. Antibug showed us that Chloe was pretty desperate to be loved and welcomed the way that Ladybug is loved and welcomed:

Chloé: Jagged Stone! Jagged: (thinking she's the actual Ladybug) Ladybug! What are you doing here? Chloé: Um… when I find out you were here, I knew you'd wanna see me! I had to come say hello. (Sabrina waves at Jagged)

and Chloe has always been a stubborn girl who stands up for what she wants even if what she wants is something bad. Antibug also showed us that Chloe can be genuinely nice to the people she cares about. Her and Sabrina's relationship is shown to be complex with them often having a lot of fun together.

Similarly, Origins sees Chloe showing her father genuine affection after she's saved from Stoneheart:

[Image description: Chloe and Andre hugging and looking very happy to be together]

Origins is the baseline episode that tells us who the characters are on day one, so I never once doubted that Chloe loved Andre, but Andre didn't get akumatized because of Chloe's actions in season one. He didn't even get akumatized for something that Chloe had nothing to do with! His first akumatization is in season two, so it's not shocking that we don't get a Malidiktaor type scene until Malidiktaor.

Chloe was vulnerable with her personal hero when her beloved parent was in danger, but not before? Shocking! Who would have guessed?

Me. I would have guessed. I didn't even realize that people were reading it as some sort of character growth because it clearly wasn't. Malidiktaor didn't feel like something new for Chloe's character. It just felt like the writers were leaning into things that we'd always known about Chloe and using them to better establish her character as someone who genuinely cares about select people. She just doesn't show most of the time.

The same thing goes for Chloe's sacrifice and apology in Zombizou. Chloe only sacrifices herself when there's no one left but her and Ladybug. When the choice is to let the terrorist win or take the hit and let you personal hero save the day. Brave? Sure, but also not growth. Chloe is team Ladybug for all of seasons one, two, and three! She wants Ladybug to like her! Plus even a petty brat can have moments of goodness where they pick a hero over a literal terrorist.

This honestly would have been a damming moment if Chloe didn't sacrifice herself. She functionally had no other choice here. The entire episode builds itself to the self-sacrifice moment so that Chloe is forced to make that choice even though she's been her petty bratty self throughout the whole attack. It's genuinely solid writing.

Then, in the heightened emotions directly after the Zombizou win, we get this:

Miss Bustier: But I hurt a lot of people... Chloé: No... I did... I forgot your birthday, once again. And when I saw everyone had prepared a gift for you, I totally lost it. Because I, too, would've liked to offer you something. I'm sorry, Miss Bustier. Miss Bustier: Thank you, Chloé. Those words are the best possible gift you could ever give me. (hugs Chloé) (Chloé hugs her back, forgetting herself for a moment.) Chloé: Huh?... Uh, yeah. Okay then, we're all good.

A brief moment of vulnerability that quickly ends and does not stick around because Chloe's change was situational, not true growth. The next scene of that episode starts with Chloe being her usual self:

Chloé: Me? You want me to apologize to the entire class? Ridiculous! They should be thanking me for saving everybody.

And ends with the reveal of Chloe's gift to Miss Bustier, which was given in private via a note.

Once again, nothing new for Chloe's character. She acts as she always has, being mean to everyone while having moments of vulnerability when things get tense. Remember that hug between her and her father that we talked about earlier? Same concept. She had just almost died from an akuma attack and so she needed some emotional support, leading her to act more openly loving than she usually does when he's around. Once the moment is over, she reverts to the petty mean girl default.

Giving gifts to placate people is also something that we've seen before. A pretty similar thing happens at the end of Evil Illustrator, it's just played less sympathetic towards Chloe because the writers weren't giving her depth back then:

Sabrina: Too late. Chloé and I are doing the project together. Marinette: You mean, you're doing the project? Sabrina: Well, of course! After all she's been through... Marinette: Ughhh.... Nice new beret, by the way. Sabrina: I know, right! Chloé lent it to me. She really is my BFF! Chloé! Your geography homework's ready!

For any of this to be character growth, we need to see Chloe act differently over time. For her to be put in similar situations and get different outcomes, but we don't see that in part because Chloe didn't change and in part because season one didn't do much to develop Chloe's deeper side. We rarely see her alone or in moments of extreme vulnerability, but you need those moments to show her depth. That's why Despair Bear had Chloe crying alone after Adrien threatened to end her friendship and not before. Chloe is very reluctant to openly show depth. You have to force it out of her, which perfectly fits the character we met in season one.

Even her standing up to Hawkmoth and rejecting the akuma isn't character growth in my opinion. Chloe has always stood up to authority and demanded whatever she wants. She has wanted to be Ladybug's friend and be seen as a hero since season one, so it's not shocking that her extremely strong will would allow her to defy a terrorist. If there is anyone in this show who can stand up to a terrorist on shear "no!" power alone, it's little miss I-always-get-what-I-want. I could see a variation of this happening at any point in the show, just change Chloe's reason for defying Gabriel to match the situation. Rework these lines to be about a party that she wanted to go to and I'd still totally buy it:

Chloé: No, Hawk Moth! I am a superheroine! I am Queen Bee! Ladybug will come and get me when she needs me! I WILL NEVER JOIN YOU! (throws her photo onto the ground as the akuma exits it... and pants)

Chloe acted like a hero here because she wants all the perks of being a hero and can't believe that Ladybug would actually bench her. That's impossible! Ladybug wouldn't do that!

As soon as Chloe accepts that she won't be a hero again, Chloe stops acting heroic because acting heroic wasn't growth. It was her playing a part the same way she played a part in Despair Bear. She was doing what she needed to do to be Queen Bee again and not because it's the right thing to do. This would only be real growth if she rejected the akuma after accepting that she wouldn't be Queen Bee again, but that's not what happens. As soon as she accepts that she's out, she no longer has any reason to play nice. She never grew into a character who did what's right for the sake of doing the right thing. It's always been about getting what she wants or being seen how she wants to be seen. Until that changes, she hasn't changed.

So no, Chloe didn't have an aborted arc. They didn't start to redeem her and then change their minds. All they did was make Chloe one of the most complex characters in the show only to then not do anything with the character they wasted our time establishing, ignoring the complexity they gave her while also cranking her mean dial up to the point of absurdity where she's not even fun in her original role anymore.

I get why it feels like she had an aborted arc. The fact that the character establishment was delayed makes it feel like something shiny and new about Chloe. There's also the fact that the character establishment we get in season two is the kind of character establishment that you'd do if you were setting up for a redemption arc, but that doesn't change the fact that it was all establishment work. None of it was a true arc where we watched Chloe grow. We just saw her put in situations that revealed hidden depths.

Her showing depth is not her growing because when in the world does she show off this supposed growth? She only acts differently in the type of scenes that we've never seen her in before or around characters that we've never seen her truly interact with before. When she's around the established teen characters or in her usual scenes, then she acts the same way that she always has. We never see her be genuinely nice to Marinette or something like that. She's only nice to Ladybug and she's still rude to Chat Noir. That's not character growth! That's character establishment that can then be used to guide character growth!

Same thing goes for the stuff in Despair Bear. We learn that Adrien can push Chloe to be better, but he never does it again and she reverts as soon as he lets her off the hook, so it wasn't character growth! It was just Chloe establishing that she can play nice when she needs to. This means that she could grow if the story chose to take her down that path because we've established that she knows what being nice looks like. Fake it til you make it plot go, go, go! But the plot never went, went, went so meh?

Add in the fact that season one was a bit of a test season with lots of elements that got dropped and the fact that characterization in this show has always been wildly inconsistent from episode to episode and I'm really not seeing a strong argument for Chloe having an intentional arc that somehow got aborted. People just saw the potential for her to have one and argue that potential is the same as an aborted arc when it really, really isn't.

To give an analogy, Chloe's story is like walking into the kitchen and seeing grandma laying out the ingredients for her famous chocolate chip cookies. We get excited because, hey, cookies! Then we come back an hour later and there are no cookies. Nor is there some other sweet that uses the same ingredients. There's just ingredients, sitting unused in their original packaging, making us wonder what the heck grandma was up to. At the same time, she never really started making cookies. She just set out ingredients. They're still there, totally unused, waiting to be made into something, so we can't call them a failed cookie attempt. That implies a level of commitment that was never there. She didn't even say that she was making cookies! We just assumed she was because we, understandably, wanted cookies and wanted to believe that grandma had a purpose to her actions.

#ml writing critical #ml writing salt #chloe deserves better #I did initially think that they were going to redeem Chloe #But they only ever did the initial setup work #They never committed to anything #In fact I though Queen Bee's intro was the writers saying that she wouldn't be redeemed #And that the hero Chloe thing was just a fakeout to make people watch season two #Which is still what I think Queen Bee was #The writers love cheap fakeouts like ending a season on a mass reveal that then goes nowhere #Chloe's writing is par for the course and not anything especially bad compared to the rest of the show #Queen Bee was just an excuse to make you keep watching #Chloe was never getting redeemed or even properly damned #Is that deeply frustrating? Yes #But it's also the most logical read of her story with strong backing in the text itself #I'm not a fan of the conspiracy theories about the writers sabotaging her on purpose #That's just not how this goes #Sorry to disappoint but occam's razor applies to writing too #Bad writing is just infinitely more logical than a bunch of writers purposefully risking their careers to get back at online randos #Chloe stans are just not that important or influential #I can point to so many shows where people came up with insane theories to justify the bad writing and it's just...#I get the desire for complex reasons to explain why a thing you loved failed you but that's just not a logical conclusion in most situation #Nor is it all that healthy to go down those conspiracy rabbit holes. That's just going to damage your mental health #Curious to see the reaction to this one #Remember we're talking about fiction here and play nice please

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