#demeter solos

[starfanatic]

“Did you know that Hades was actually not a bad guy?-“

YES I KNOW! I FUCKING KNOW! IM TOLD THIS EVERY FIVE SECONDS!!!! I DONT CARE!!!! EVERYONE KNOWS THIS!!!!!!! HE ISNT A GOOD GUY JUST BC HE DOESNT DO ANYTHING, THAT JUST MEANS HE HAS NO MYTHS!!!! CAN WE PLEASE TALK ABOUT ANOTHER GOD PLEASE?????? HES BEEN SHOVED DOWN MY THROAT EVER SINCE I GOTTEN INTO GREEK MYTHOLOGY IM FUCKING EXHAUSTED!!!! I DONT WANT TO SEE HIM ANYMORE PLEASE-

[hysterical-cats]

Hi guys I was a cat at an anime convention again

[antiloreolympus]

What is LO Cooking?!

I heard Lore Olympus was ending soon, so I caught up, and wow, it somehow got worse. The main thing I'm stuck on is Hera being the fertility goddess.

I don't know about y'all, but this is NOT the same person. But I assume this is for the reveal to be a 'surprise'.

((If you have to switch up a character's whole look and remove their only "unique" trait (mole) for a surprise, maybe don't do it.))

To continue, while this recent episode (273) depicts Zeus as awful for using Hera's powers. It also doesn't explain why Metis couldn't fight Kronos herself.

I haven't read the fast pass, but I'm going to make an educated guess that Hera is going to solo Kronos easily like Persephone did.

If this is the case, wouldn't that mean Metis was powerful enough to stop Kronos on her own, and she simply chose not to? Not only that, but she and Hera could've teamed up him if they were this powerful on their own.

It's very odd how this story wants me to believe Zeus did this only out of greed and not necessity if even Metis can't handle Kronos.

Also, Metis not only didn't take Kronos out but kept the truth from Hera? The blame is instead shifted to Zeus as if Metis didn't have the responsibility of telling her daughter.

If the story is willing to critique Demeter for lying to Persephone, why isn't Metis getting the same heat story wise?

This isn't me saying Zeus is justified using Hera's powers post-titanomachy as that is unacceptable (RIP Zeus Stans). Only in the context of defeating Kronos.

It just feels like another way for Metis to be seen as a "caring mom" as if she didn't sleep with Young Zeus, knowing two of her kids had a crush on him.

- - -

The potential reasons I have are between:

"RS didn't think this through and made Metis such a terrible mother that most of the aftermath could've been prevented if she had either fought Kronos on her own or taught Hera how to use her powers."

Or

"Hera (and Metis to an extent) wouldn't have been able to use the full extent of their abilities without a man using them as a battery first."

Both of these are terrible, and I hate it here.

[1800naveen]

One of the many reasons why I hate Feysand is because they're a Hades and Persephone retelling.

I really hate Hades and Persephone retellings, all of it is hot garbage.

Don't be disrespecting Persephone like that, Sarah J flop...

Feyre, who ruined the spring court. PERSEPHONE WHO IS THE GODDESS OF SPRING?

Hades is one of the few gods that I like when it comes to Greek mythology but he ain't no saint either. Mans kidnapped his own niece just so he could marry her. (I see where Daemon got the idea from)

Rhysand abducted Feyre from the spring court as part of their deal and later on married her as the series progressed. (Hades solos Rhysand though)

And there's Demeter. Persephone's mother who looked high and low for her daughter, who only wanted her to be back in her arms but some people wanted to villainize her for it. The mourning mother is the bad guy of the story?

But who is the Demeter in this case of Acotar? Both Tamlin and Nesta; Nesta went looking beyond the wall to find Feyre and Tamlin did everything he could to get Feyre back, even "teaming" up with Hybern.

[pinksilvace]

! PAC NYC CATS SPOILERS !

What I remember from the show, feat. some official photos

This is all going off of my note-less memories so there may be some minor inaccuracies to these recollections.

Welcoming Remarks/Overture

The crowd was welcomed by the voice of Junior LaBeija, who encouraged us to google him before shutting our phones down.

We were encouraged to make noise at any and all parts of the performance

Filming, even during bows, was strictly prohibited

This show is LOUD. I wore ear plugs the entire time, and I don't consider myself to be particularly sensitive to noise. It makes sense, considering that the audience is meant to yell and the music has to be heard over them.

The theater space itself was relatively small. All seats were good seats.

Mr. Mistoffelees (Robert "Silk" Mason) could be seen dancing through the window set pieces above the back of the stage.

Jellicle Songs for Jellicle Cats

(clip)

The cast began all around the theater, with spotlights illuminating them as they began to sing. They did not mount the stage until the "Mystical Divinity" portion of the song.

The crowd went WILD at the part that has had its choreography revealed already.

The Naming of Cats

The "Man over there" bit was done by Antwayn Hopper (Macavity). In general, he seemed to be having an absolute blast throughout the show.

During the parts where cats sharing the names in the poem were mentioned, spotlights illuminated them.

Munkustrap led this number and was the only one onstage for the duration of it.

The White Cat Solo

(clip)

Compared to how this is presented in replica productions, the dance moves were very fast.

I am uncertain as to whether this part was meant to characterize Victoria, or if it was just a great chance for BABY (Victoria) to show off her incredible dancing skills.

The Old Gumbie Cat

Jennyanydots (Xavier Reyes) began the number by pulling out a trophy, showing she'd won at balls in the past

During the day, it was implied (I think?) that Jennyanydots has lots of sex. Whether it's sex work, a sugar daddy situation, etc. was unclear. What I can say is that she did lots of bouncing - on other actors, on the edge of the stage, and on a chair.

At night, Jennyanydots is a very harried single Latina mother trying to keep her kids out of trouble.

Instead of Jenny competing in a category herself, Cassandra (Emma Sofia)(implied to be one of Jenny's children, either literally or metaphorically) competed while Jenny directed her choreography from the sidelines.

The Rum Tum Tugger

VERY laid back. This is definitely Jason Derulo's version of Tugger, but done so incredibly right. He was honestly a bit too effortless for how easily he won categories.

It's not shown in this photo, but he wore a gold and black striped fur coat throughout most of the show, sort of like Munkustrap's grey and black one (shown above, with Jenny)

There wasn't very much choreography in this number, save for a bit at the very end where he was facing off "Pretty Boy vs. Thug"

Grizabella the Glamour Cat

Grizabella ("Temptress" Chastity Moore) approached the side of the stage and killed the mood. Everyone kind of just avoided her. Munkustrap tried to talk her into going away, but she refused. He then tried to pay her actual cash to leave, but she stood her ground.

Sillabub (Teddy Wilson Jr.) approached her curiously and backed off at a very subtle warning from Demeter (Bebe Nicole Simpson). (I have to add on that Sillabub wore an orange t-shirt, short pink overalls, and orange converse shoes with a crown of sunflowers on their head. They were easily my favorite character.)

Grizabella showed off a trophy she had won in a previous ball and implored the interim judges to let her compete. They refused.

This Grizabella was almost frighteningly determined.

Bustopher Jones

For the performance I saw, Garnet Williams filled in for Nora Schell, with Tara Lashan Clinkscales filling in for Bombalurina.

Bustopher was referred to with they/them pronouns.

A large portion of this number was spent with Bustopher walking around the theater. When they mounted the stage, they pulled open their shirt to reveal a bustier emblazoned with the English flag.

Bustopher competed and won in the "Body" category. They continued to remain present throughout the rest of the show.

Mungojerrie and Rumpleteazer

(clip)

It is specified both in the program and during the number that these two are from Victoria Grove, New Jersey

Those New Jersey accents were aggressive

"one of the goyles suddenly misses her woolworth poyles"

Honestly, I wouldn't expect anything less from them

During the Macavity scare preceding this number, Macavity dropped off some trash bags filled with clothes for Bombalurina and Demeter. Mungojerrie (Jonathan Burke) and Rumpleteazer (Dava Huesca) attempted to steal these.

During the second verse, both changed costumes behind some costume racks on either side of the stage.

They competed in the "Tag Team" category against Victoria and Tumblebrutus (Primo) and lost. They then stole the trophy, which Victoria and Tumblebrutus stole back.

Anyway I just desperately need other US productions to give them New Jersey accents

Old Deuteronomy

Munkustrap (Dudney Joseph Jr.) was the only one onstage for the first part of this

Tugger (Sydney James Harcourt) approached the side of the stage and grasped Munkustrap's arm at the "numerous progeny" line

The stage was left empty for Old Deuteronomy (André De Shields) to walk out on

Before he walked out, Sillabub threw flower petals all over it

Mr. Mistoffelees (Robert "Silk" Mason) pulled out Old Deuteronomy's chair for him

There was a VERY long pause for applause when Old Deuteronomy reached his throne at the far end of the catwalk. He turned in a very slow circle. We made eye contact.

Song of the Jellicles/The Jellicle Ball

(clip)

During the Macavity scare, Macavity strides up to Old Deuteronomy. Old Deuteronomy waves him back out of the room in a way that honestly looked like magic. (It's worth noting at this point that the Macavity in this production is a goofy role.)

Because of how the stage is set up, most parts of the dance number were done with only 2-5 actors onstage at a time. When there was a larger group, the dancing remained mostly sedentary.

No mating dance

Grizabella appeared on one of the high balconies. Sillabub waved enthusiastically at her. Everybody else just stared at her.

Many categories were competed in during this part. One of them was sort of an "anything goes" (I forget the exact name) category, in which Munkustrap came out in a golden ensemble with giant wings. Old Deuteronomy didn't like it. Munkustrap gave him sass.

Memory (part 1)

Old Deuteronomy walked out of the room along with everybody else (I THINK.) Grizabella approached the side of the stage, took off the scarf covering her hair, and draped it over one of the railings.

Grizabella caressed the stage as she sang.

Sillabub approached the other side of the stage, watched her for a bit, and departed. They returned near the end of the number with a glittery dress, which they offered to her. Grizabella ran away.

At the end of the number, Sillabub climbs onstage to grab the scarf and look out at the audience. Cut to black.

Moments of Happiness/Moonlight

This part took place entirely between Old Deuteronomy and Sillabub. Sillabub was still onstage, almost got scared away when Old Deuteronomy returned, and knelt in front of him.

As Old Deuteronomy sang about happiness through many generations, he tied the scarf around Sillabub's neck.

While all of this happened, old photos and reports about old balls were being projected on a large screen at the back of the stage. There was then a listing of old house mothers. Most of these were real. The final name listed was Grizabella's.

The rest of the cast joins in for Moonlight, stationed all around the theater. Bombalurina and Demeter were right next to me on the lower balcony. Bombalurina smiled at me.

Gus the Theater Cat

Shereen Pimentel (Jellylorum) was AMAZING.

Gus (Junior LaBeija) was only present for this number and the bows. Most of his lines were performed like spoken word poetry rather than through song.

There was no show-within-a-show piece after this number, but Gus did say the "I once played Rumpus Cat" line. At the very end was Tumblebrutus (I THINK) re-enacting a young Gus a la Grizabella in Tecklenburg 2015.

Skimbleshanks the Railway Cat

(clip)

AGGRESSIVELY a New Yorker in the same way Mungo and Rumple were from New Jersey. Queen of the subways.

Skimbleshanks' (Emma Sofia's) hair had tiger stripes!!!

Lyrics were both English and Spanish (?), especially during the "it was very pleasant" part

She lost her category against Rumpleteazer. They embraced and continued to dance together for the rest of the song.

Macavity the Mystery Cat/"The Fight"

Macavity (with a comically evil cackle and some Hanna-Barbera-style running around) dropped off some more trash bags through one of the windows in the back, which Demeter unpacked. As it turned out, those bags were filled with designer products.

"Macavity wasn't there" was a line used to refer to the fact that Macavity was supposed to be competing but didn't show up on time

Oh yeah, Demeter and Bombalurina were members of the House of Macavity

After Macavity proved to Old Deuteronomy that all of the products were genuine, they all got dressed up and competed in "Labels". The House of Macavity won.

Members of the losing team found attached tags on the products, indicating that the items were shoplifted.

As police sirens blared and blue and white lights flew around the room, Old Deuteronomy ushered Macavity to leave the venue. The police officers entered, looked around the audience, and then looked on the stage, where Old Deuteronomy stood in front of the bags of stolen goods and gave himself up as the perpetrator of the crime.

Macavity returns looking downright distraught.

Magical Mr. Mistoffelees

(clip)

It was much more believable to see everybody turning their backs on Tugger in this production than any other I've seen

Mr. Mistoffelees was referred to with he/him pronouns, so that's what I'm using here

Mr. Mistoffelees is introduced as a ballroom dancer who meets success, in part, by magic-ing his opponents into having wardrobe and performance malfunctions.

He also steals their stuff but I'm unsure whether that has to do with saving Old Deut or if it's just enriching for him

Old Deuteronomy was magicked into a box and stood very still when the curtain was pulled off. When Macavity approached, Old Deuteronomy jumpscared him.

After the song was done, Tugger and Mistoffelees kissed. They were not, as I have seen others say, eating each other's faces; it was very chaste and tender and lasted for just a handful of seconds. The audience went wild, of course.

Memory (part 2)

Grizabella came out in the dress Sillabub had offered earlier

Maybe I was reading too much into it but it looked to me like Old Deuteronomy and Sillabub conspired together to make her reappearance happen

This song was sung in a lower key than usual to better suit Temptress' voice

She looked so uncertain the whole time

Journey to the Heaviside Layer

A big staircase hinged down to the stage, just like in replica productions

Grizabella left through a door at the top of the stairs. Through it, the sounds of New York City could be heard.

The Ad-dressing of Cats

This song makes WAY MORE SENSE in this production in OG Cats, in my opinion. There, it sometimes feels like a bit of a slog. Here, it reinforced the core message of the show about accepting people as they are. To me, the context made it much more powerful.

These last few numbers were loud even through my ear plugs and I don't know why.

The ensemble (Frank Viveros and Shelby Griswold) brought the cast flutes of champagne

Bows

Munkustrap announced each member of the cast as they did individual dances down the stage. This was one of the only songs unrelated to Cats music.

Tugger did a striptease.

After all of the actors, the conductor came out vogueing down the stage.

Afterward, the cast began singing the "practical cats, dramatical cats" portion of Jellicle Songs. I sang enthusiastically along, catching Bustopher's eye. They blew me a kiss.

Other thoughts

Electra (Kendall Grayson Stroud) EASILY had my favorite costume: a holographic top and little black skirt with a huge ruffled rainbow coat over it

Victoria's costume changes made her much less noticeable than usual, especially as she mostly served as a member of the ensemble (I don't think anything in particular about this choice; I just found it interesting)

Despite all of the changes, this very much felt like a production of cats. Even though the actors were staged to be humans, they did nothing else to emphasize it. All of the lyrics were true to replica cats productions.

Where ballroom beats were implemented, they never distracted from the songs they were placed into. They actually enhanced the songs very nicely.

Almost all of the changes made to the original story make sense in the context of this production. I.e., Alonzo's absence makes sense because his role is no longer necessitated. Same with Coricopat and Tantomile.

I am in LOVE with this Sillabub. I really cannot emphasize that enough. They had so much youthful whimsy and KILLED those high notes. They should have been frolicking but instead they were at the club smh

Understated Tugger was an interesting look, and I think it worked well, considering that this Mistoffelees was definitely the most eye-catching member of the cast.

It was actually really cool to see a production where Macavity is accepted as one of the tribe. I fully believe that Mungojerrie learned a few pointers from this one. Again, I have to emphasize that it looked like Antwayn Hopper had the time of his life in this role.

Speaking of, there may have been some Deut bros (Tugger+Munkustrap+Macavity) staging, but I don't remember clearly enough to say for sure.

Most of the transfer of the story made sense... except for the stuff surrounding Grizabella. I've seen the directors talk about ageism in the ballroom community, but with how much emphasis this production put on respect for elders via Old Deuteronomy and Gus and the lack of general contempt from the cast, I honestly don't know why she would have been outcast to begin with. I also have no idea why she ran away from Sillabub.

I kind of wish there had been more extreme makeup, but most of the cast switched between their characters and ensemble roles frequently, so it makes sense. It didn't make the show any worse.

Overall, this was an incredible production that deserves the praise it is given. Yes, I think a number of Cats fans are casting too much judgement on the creative decisions. Yes, I think too many reporters have dunked on the original Cats staging more than is warranted in order to prop this production up. Regardless of those two factors, it was clear that the cast and creative team had a real love for both Cats and ballroom, and I think they married the two concepts beautifully.

[rabnerd28]

Watching Cats (2019) DvD Commentary

Thoughts as I watch:

Tom is literally basing this entire movie on the one time he saw Cats in 1981 when he was 8 years old

He called the movie a coming of age film about Victoria meeting characters that effect her and that Tugger represents the sin of lust (yes I am laughing)

He said abandoned three times in a row to describe Grizabella

Tom made up the thing about Grizabella used to be with Macavity happened because he wanted to cut out the idea that she was a prostitute

Has Bustopher eat trash because he thought that's what cats would be more interested in

The pause in Bustopher Jones when he says to gather the cats is a meta joke about the cats actually being people

The food was CGI

"Sees the implication of his unchecked appetites" in reference to Victoria and Bustopher Jones

Hooper brought his niece and nephew to set to play on the Mungojerrie and Rumpleteazer set

He keeps insisting that there is a learning and growing arc for Victoria, but I have no idea what he's talking about

He has barely talked about the characters as actual characters and mostly just talks about how great it is to work with famous celebrity number five or how they're symbolical. I think he's making things up at this point

He added the love story because he thought Misto trying to figure out how to be a magician was a good parallel with Victoria's story of finding herself

Originally the first barge scene was longer with a lot of improv from James and Rebel as Growltiger went on

"Robbie Fairchild is brilliant" that is the only thing Tom said that makes sense

This man really said "women can be the god of cats in 2019"

Judie and Ian were the ones to decide that Gus and Old D had a thing...well at least they followed the pattern of cats actors making weird decisions for their characters

I've come to the conclusion that Tom chose his cast based on which famous actors he's always wanted to work with

Tom has no idea how to describe choreography...just like how he has no idea how to film it

Giving Victoria a solo to sing was ALW's idea

He thinks the call and response of Beautiful Ghosts and Memory is brilliant and doesn't understand how he fucked that up

They almost cut "Moments of Hapiness"

He keeps talking about how great this film is for women, but where is Demeter sir!

He didn't know that it's Jellylorum that sings Gus' song and because Ian couldn't tell what the relationship between the two was he cut out her singing it for him

He talks about the advantage of mixing the CGI with the practical clothing, and I'm like, you know what would be even better? No CGI!

I don't know who's playing Bomba, but she was the first person to be cast in Cats

He said that he thinks Macavity works better as a solo and it didn't need to be a duet...I have never felt more like murder in my whole life

Taylor Swifts dad gave him the idea for the catnip

He likes the idea of Macavity being evil yet still plays by the rules...why?

He's talking about the changes from the musical to Mr Mistoffelees, and boy is he not bringing up that Tugger is the one that sings the number

Talks about community like there was any in this movie

This man has no idea who Jemima/Sillabub is, does he?

He finally mentioned Mette Towley as Cassandra at least. Recognize that she's the best character in this film goddamit!

Apparently Munkustrap was supposed to be learning about leading this whole film...wat

Apparently he watched the 98 film several times while writing the script...and yet this movie is straight

I'm not watching the commentary for the end credits. Fuck I hate this man

[aspens-apothecary]

Mabon Celebration Ideas!

As some of you know, this Saturday is Mabon, the celebration of the Autumn Equinox. Some also refer to it as the "Pagan Thanksgiving", as you celebrate the bountiful harvest and are thankful for the earth and its many gifts.

Mabon marks the time of equilibrium, where the days and nights are of equal length. During this time, it is good to set intentions that involve decrease, such as ending unhealthy habits, self-destructive behaviors, or bad relationships.

Decorating for Autumn

This a great time to decorate for the coming autumn and spooky seasons leading up to Samhain! I like to open the windows and then cleanse my space(usually a simmer pot and smoke cleanse) and after, i actually physically clean the house.I then close the windows and stir my simmer pot, while setting new intentions for the household until the spring equinox. I then collect the things I want to decorate with(the usual fall decor; pumpkins, pine cones, leaf garlands, gourds and an autumn wreath on the door) and then decorate to my hearts content!

Release and Move Forward

Another thing I usually spend time on is meditation, centering myself, letting go of past baggage from the year and setting new personal goals and intentions until spring.

Find a nice spot outside, where you feel connected to the world around you. Take a journal with you, and meditate. Write down what you want the next few months to bring into your life. Set those intentions in any way you choose.

Have a nice Hearty Meal

Who doesn't love a good meal with great people? You can make a roast, hold a potluck Mabon dinner ect, I usually host a bonfire night and everyone brings their own dishes to feel the group. During covid, I made a pot roast for my fiance and I! You could also do a picnic!

Fall Activities

Apple Picking, Corn Mazes, going to a Pumpkin Patch, all fall activities that are fun for the whole family, as a cute date, or great solo fun!

Honor Persephone and Demeter

If you are one to honor deities/spirits during the holidays, Persephone and Demeter are two that will definitely fall into Mabon.

According to the myth, Autumn is the time where Persephone must leave her beloved mother and travel to Hades, to fulfill her role as the Queen of the Underworld. Each year she lets go of the concerns of the upper world, and willingly descends to guide the souls of the dead over the threshold of Life and Death.

Creating an altar, and leaving offerings for them in honor of their sacrifice is an amazing way to celebrate.

Other

Other things you can do include cleansing ritual baths, Divination for the new few months, hiking, offerings for the local nature spirits, make a gratitude list for the last few months and thank the earth for her gifts

Mabon Symbols:

Cornucopia (horn of plenty), pinecones, seeds

Colors: Orange, red, yellow, brown, copper, dark yellow, dark green

Foods: Corn, beans, squash, apples, pumpkins, cider, root vegetables, pomegranate, wine

Herbs: Yarrow, rosemary, sage, mugwort, rosehips,

Stones: Amber, citrine, cat’s eye, aventurine, sapphire, jasper

Flowers: Sunflowers, thistle, marigolds

Deities: Mabon, Green Man, Demeter, Persephone, Morgan, Pomona, Inanna

Animals: Owl, stag, blackbird, salmon

I hope this gives you a few ideas! Add your own ideas to this list! These are just the ways I like to celebrate!

[derangedfujoshi]

Nene' Shota OCs a Quick Intro

Well since a dear Anny asked and some people showed interest I'll present you in a rapid fire way my five shotas, hope you'll like them 👉🏻👈🏻

AmbiDex

Age: ???

Were-hare, specifically a white hare with red eyes (the picrew wouldn't let me :(

He has prosthetic legs shaped like those of a hare when standing (from mid thigh down)!

Extremely grey character, he does whatever he pleases or deems more convenient for his business

He's the top informant of the underworld!

His hideout is on the third level underground of a building he owns. First floor is the "Day Activity" of an arcade, second floor underground is a Night Club!

He has mind manipulation related powers! He can "whisper" to people and make sure they end up "Allying" or "Betraying" others (it only works for short periods of time/split second decisions, he can't fully mind control people, just make them take horrible decisions :3c)

Modern fantasy setting + Noir

Annika

Age: 10

Orphan who's been adopted by the Thieves Guild. Calls everyone there "big brother/sis" or "papa"

Is the Guild's mascot and best decoy! How he does that? Simple: he's a little master of disguise and a huge n loose slut~

He's a Top Brat and mischievous at that, a big fucking tease if you will

Would do anything for some warm and fluffy baled goods

Cunny boy~

Loves to put on frilly adorable dresses and skirts and has his big brothers and sisters comb and braid his hair

High fantasy setting + adventure

Charis

Age: 12

Pkmn Sun & Moon oc!

He's blind and lets his pokémons guide him

Fairy Trainer. He's always had an affinity with the Fairy Type pkmn for he once stumbled (quite literally) in the forest at night and was rescued by some. That day he discovered he could "see" the faint glittery glow Fairy Type pkmn have that's invisible to everyone else! It felt warm and comforting, soothing his anxiety

Not very sociable, he prefers the company of his Pokémons

People told him he couldn't travel in his conditions, some even told him there was no point since he couldn't see... That's why he set off for his solo adventuring, basking in all the different feelings that the vast world had to offer

Team: Primarina, Sylveon, Mimikyu, Carbink, Shiinotic, Ninetales Alolan

Pokémon setting + slice of life

Aster

Age: 15

Son of Demeter

He was left at Camp Half-Blood immediately after birth by Demeter herself, for she wanted this son of hers to grow as close to his divine roots as possible. Because of this he has little to no knowledge of the outside world and only learns what the kids who come in only during Summer teach him.

He's basically a human ray of sunshine, not a single trace of malice in him, only pure light. That makes him extremely likeable but also EXTREMELY naïve and super easy to tease

Loves to garden, bake and paint. In particular he loves the feeling of digging bare handed in the dirt to plant a new sprout, of pressing the dough under his palms and of painting with his fingers

His hair is actually curly but the picrew wouldn't let me :((

He's a little hermaphrodite so he has just a liiittle bit of boobies and a cunny + cocklet combo cause Demeter said so uwu

Percy Jackson setting

Baek-Hyeon

Age: 11

Introverted fucking nerd

He has a "dairy control" superpower which he believes being the result of life mocking him since he's extremely allergic to any and all dairy products. He also thinks it's a stupid ass power to have with nothing super to it, especially compared to his twin sister who got FAIRY DRAGON PHYSIOLOGY?!?! (His power is actually pretty fucking rad cause if someone ingested a dairy product like, let's say milk, he COULD control it from inside their body and choke them from the inside for example)

Little boy genius already at college level forced to go to regular school and be bored cause he doesn't want to leave his sister behind

Juggles homework, videogames and begrudgingly being dragged by his sister to fight crime on the side

Hates germs so much and the only chaos and colours he accepts are the ones radiating from his twin

His hero name is "Powder" (the first option was "Milky-boy" but he strongly refused) a reference to powdered milk and also because his sis' hero name is "Rainbow" and together they are 🌈✨RAINBOW POWDER✨🌈 (he would like to go on the record and say he has not agreed to this name either but oh well)

Superhero setting + comedy

Footnote: AmbiDex and Charis are for onii-san only, Annika prefers sex with men but doesn't mind being smothered by huge boobs either and Aster and Baek-Hyeon are free to use for onii-san and onee-san alike~

Welp that sums them up decently I'd say! Sadly they only live in my head cause I haven't found a way to rp with them but I'm always happy to stop and elaborate more, after all I love my OCs a lot even if I do absolutely nothing with them ;w;

[afairytalestray]

OK so on Saturday I got to go to Milan to see the Cats Il Sistina tour and HOLY GOD IT WAS AWESOME. I'm glad I studied the character designs in advance because a lot of the costumes are really different. I'm not typically a huge fan of nonreplicas but Il Sistina may well change that!

I've compiled my thoughts on the show here! Nb, I do not speak Italian so I'm not sure how close to the original lyrics the translation is 😅

There were no green goggles, but the Cats did come in through the audience. I had an aisle seat and Cassandra walked right past me! She was right there and so beautiful omg.

I've gotta get in right at the start that Simone Ragozzino is my new all-time favourite Mungojerrie. The most ever! A little guy. He got most of the acrobatics that Tumblebrutus usually does - apparently Simone used to be an acrobat/gymnast so that makes sense. He and Rumpleteazer were sufficiently chaotic but also clearly valued and beloved members of the tribe. Idk man Simone just got it. Tumble-jerrie ftw. 

The cathedral from "round the cathedral" was changed to a Colosseum reference which I loved 😍

I'm obsessed with Demeter’s makeup from this tour actually. I'm personally not the biggest fan of cryptid-style makeup and looks in Cats in general, but I feel like Deme was balancing just on the edge and it really worked and I loved it. Maybe it was Viviana Salvo's acting as well - she was fabulous at toeing that line between stunning and unnerving!

Tugger and Munkustrap were super close! Munk was less annoyed by Tugger’s antics than normal and they did this thing at one point where Tugger was holding onto Munk who leant fully backwards off the edge of the stage - it was like a trust exercise and I was a fan. Their rendition of Old Deuteronomy was lovely and their voices worked so good together! Tugger was definitely Munkustrap’s second in command of the tribe. I wish Tugger was a bit more Tugger in appearance, he seemed very yellow with not a lot of detail on his costume, but the personality was hundo p present and accounted for. He did the "bite is worse than your bark" line in Jellicle Songs and legit barked at the end.

Jennyanydots was fabulous! Instead of a big coat she literally wore a giant ball of wool, and one of the props was giant knitting needles and the start of what might have been a giant scarf - it took 6 of the Cats to carry it. It actually worked super well for Milan, which is known for fashion and fabrics - there's even a giant sewing needle sculpture outside Cadorna Station! It was probably a happy coincidence but I enjoyed it!

Victoria's role was changed quite a bit, her solo was totally different and the pas de deux was gone. There also kinda just... wasn't the big small first touch Vic and Grizabella moment, which I was sad about, but if Griz's big moment wasn't "TOUCH MEEEEEE" in the translation, I'm not so bothered by it. I wish Vic had a bit bigger of a role because I love her, but she was killing it whenever she was on stage.

We are all stan pink Jemima, she had such a lovely voice too. Her and Alonzo were playing with a tennis ball during the interval and it was adorable.

My beloved Coricopat and Tantomile were lying in the Mouth of Truth prop after Moments of Happiness; they had their usual role of translating Old Doots through Jemima so I thought their placement here was deliberate! They weren't always fully in sync which I kinda liked, it was like they were allowed to be their own characters rather than just "the twins". I definitely got the impression that Tantomile was the older sister which hella backs up my hcs about her!

Gus was absolutely WILD. He comes in after Jellylorum has done her whole first part of the song in this raggedy old tradiotional Sherlock Holmes-style beige plaid coat instead of being there but kinda out of it the whole time. At first he wasnt keen on replaying any of his roles, but then all the others were like please please please and he relented. I think they were calling him (or his role) Romero? Idk if that's an Italian reference I just don't get? They did Pekes and Pollicles (one of the above had been changed to chihuahuas!) and then the bold Rumpus/Romero appeared... in a red satin bath robe and holding a sabre??? I need to look up this reference! Dude didn't just intimidate the pollicles, he straight up cut a couple of them down with his sword! Grandpa woke up and chose violence 😂

There was no trash train in Skimbleshanks 😭😭 there were giant glowstick things that changed colours though. Skimble and Bustopher were played by the same actor which is a combo I haven't seen before. Skimble was definitely still everyone's favourite train dad, all the characters were totally hyped for his song. HE DID TAP LIKE IN 2019. It was really cool how they did it, all the music stopped and he started a call and response tap dance with some of the other characters. The background showed an animated video of going through a train tunnel, like from the perspective of a train driver! The tap was gradually speeding up and became the sound effects of a train setting off and moving through the tunnel. I'm not explaining this super well but it was SO cool.

The Macavity Fight was quite different. There wasn't him disguised as Old Deuteronomy and then unmasked. What happened was he showed up and caused some shenanigans and then disappeared. There were about 4 of him around, so it looked like he was teleporting around the stage and audience! Bombalurina and Demeter performed his song which was absolutely fantastic (seriously how do these actresses actually manage to dance like that and sing at the same time?? Goddesses), after that he showed up again and the full cast was involved in the fight. Munkustrap still got the good choreography, but the whole tribe was involved trying to protect Old Deuteronomy. Tugger was definitely a protector in this production, he was very involved. Jerrie got KO'd a good few times, and Macavity absolutely destroyed poor Jenny! It felt like all of them were trying to protect their family and I really liked that. Despite that, Macavity was still able to win and successfully kidnap Old Doots!

"Mungojerrie, RUMPLETEAZER, Griddlebone" they let my girl do crime again!

Mistoffelees and Quaxo were besties, and Misto was REALLY enjoying Tugger's song I'm just saying. Delighted to announce Il Sistina Misto was a fruity little guy. He didn't get the terrible bore line, sad face, that went to Quaxo, but tbh idk how they translated that so it could be totally different! At one point Alonzo was holding him back at the start of Tugger’s song! We then saw a sponge-like Misto who picked up behaviours from the others around him, like he wasn't too sure of himself. This is actually one of my favourite Misto hcs so i was so chuffed to see it so clearly. He then helped Alonzo rein George (at least I think it was George!) in from going mental fanboy at Tugger. He was originally curious about Griz but then adjusted to hissing upon seeing the others. This fully went forward into his song. They did some big choreo changes. It was significantly less dance-heavy than traditional Misto performances and had a stronger focus on him being magic. There was a levitating box that they spent a lot of time with - Magician's Assistant Cass got in, but then she didn't disappear? She just popped back out again after the box had been rotated a few times. Some of the Kittens were waving their hands under the box to prove there was nothing holding it up and looking amazed which was adorable though. There was also a bit where Misto put some cards into a hat, the hat got passed down a line of Cats and then at the end they just sort of flew out? Like idk maybe they changed the lyrics where they're describing different magic tricks and it all makes sense! I THOUGHT THE CONJURING TURNS WERE GONE, but they were just moved to the very end of the song and cut down quite a bit.

Ok BUT LISTEN, à la 2019, the poor boy tried and failed twice to bring back Old Deuteronomy and then just sort of flopped in the corner all defeated but then BOYFRIEND TUGGER HELD HIS HANDS AND GOT RIGHT UP CLOSE AND WAS LIKE I BELIEVE IN YOU BABE and omg for real those actors knew EXACTLY what they were doing Tuggoff nation RISE. I'm always a red-sheet-turned-cape stan but I can definitely get behind the sparkly tail coat and playing card bowtie. He also had this handkerchief that he threw up in the air and it became a magic wand. I have no idea how and it was very silly so obviously I loved it. Although I wasn't massively into the choreo changes (ballet dancer Misto 5eva), Pierpaolo Scida was a magnificent Misto and I adored him - he was so cute! The little background actions and looks he did were so in character with how he interpreted Misto! Also he was beautiful you can't change my mind.

Malika was such an intense Grizabella - 10/10. She was proud but so vulnerable. She walked right past me when she first came in and lads, she did the whole show in these massive stilettos - absolute queen. At one point it literally rained on her on stage! During her first Memory, Old Deut was really watching her, and at the end of it he approached her, but she ran off when she saw him. I thought it was a super cool character moment, like she knew she wanted to be accepted, but wasn't quite ready for it. Even after the big Memory and Old Deuteronomy declared her the Jellicle Choice, Victoria approached her, but she was still too scared to let her, and it was Jemima who finally was able to reach her and bring her in. At the end she just kinda disappeared off stage - there were no flying tyres or magic stairs in the circus tent!

During the bit after the bows some of the cats were out in the audience and Tugger scared the absolute crap out of this one woman by poking his head in between her and the person sitting next to her. Iconic. Also during the latter part of the interval the audience was allowed to come up to the edge of the stage where some of the actors were goofing about in character. This mf pretended to cough up a hairball and now I have it on video. I also got some close ups of Teazer and the beautiful Bomba!

The Italian Junkyard was fabulous! It was mostly roman landmarks like Piazza Navona and Bocca della Verità, but there was also Michelangelo's David (which I'm pretty sure is in Florence) above the orchestra! There was also a giant marble foot, an Italian-style water fountain, and a broken column. My favourite prop was the bench, it's elevated at the back left of the stage and the cast were using it like a slide to enter the stage! Also it seemed to be Misto’s preferred location to lounge.

In conclusion, I will never get over this.

[real-reulbbr-band]

The Reimagining of Cats Undermines Female Characterization

My anxiety's going to eat me alive if I keep being chicken about posting this so here's my more in depth feelings regarding what I mean in this post. All opinions expressed are my own and based on what I know of pac. Anyone is free to disagree with me. and thank you to @pinkieclown and @per-the-jellicle-magician for proof reading!

I”ll keep this simple cause I don’t want to get ranty on Tumblr, but by removing and cutting so many aspects of the show out they’ve lost key characterization for the female cast and replaced them with virtually nothing.

My problem isn’t that the characters don’t resemble their stage counterparts; that was expected. The issue is that they aren’t given much of a character at all. You could switch their names, and nothing would change. This problem isn’t apparent with their male counterparts with previously established on-stage storylines. 

Male characters in the reimagining, such as Munkustrap, Rum Tum Tugger, and even Macavity, retain or gain distinctive characteristics and storylines. Munkustrap is portrayed as an MC not a leader but still very much leading the show, it’s the same general role; Rum Tum Tugger as a charming rogue though slightly more akin to his 2019 movie counterpart except he still manages to ‘save the day’ at the end, and Macavity, despite his thievery, is given a more comical persona with a deeper relation to his now fellow jellicles.

 In contrast, female characters are stripped of their individuality and reduced to plot devices or mere extensions of male characters. Victoria doesn’t experience a coming-of-age or even touch Grizabella here. (It’s old Deut pretty sure which…I have problems with) She’s simply another attendant at the ball with a solo at the start that lacks deeper meaning. She’s portrayed as a ‘drag baby,’ and as stated by her actress  this isn’t even her first ball. No pas de deux or additional solo is performed to further her importance in the narrative. This reduction strips Victoria of her journey and her role within the tribe or in this case community. 

Demeter and Bombalurina have no dark history with Macavity, which affects Demeter’s characterization more than Bomb’s. They are reduced to his drag daughters and are merely other competitors at the ball who further Macavity’s story by being the ones he steals for. This change eliminates the layers of trauma and complexity in Demeter’s character, reducing her to a plot device for Macavity’s storyline.

If the female characters aren’t given distinct roles, their characters end up heavily associated with male counterparts: Jellylorum with Gus, Jennyanydots with Munkustrap, and of course, Bombalurina and Demeter with Macavity. They don’t exist as individuals without these associations, as their typical roles are relegated to the background.

In the original stage show, despite its issues in instances, female characters like Demeter and Bombalurina exhibit significant agency and emotional depth. Demeter’s fear of Macavity and Bombalurina’s protective nature towards her and the kittens add layers to their characters. The reimagining erases this agency, reducing them to passive participants who exist only to further male characters' narratives. Namely Macavity’s here.

Now, it is important to note that a lot of characterization happens outside of the character’s main numbers. Things like who they interact with in their down time, what they do when they’re not actively participating in a song besides simply watching and waiting for the next que; that’s when the actors are given time to just be the character. The actors don’t have as many opportunities to do that here just due to the formatting of the show with the runway catwalk and walking space outside it. During which they’re mostly interacting with the audience or reacting to what’s happening on stage. They don’t have a lot of moments to just interact with each other to give the audience a better feel of who they are. 

The reduction of female characters in 'Cats: The Jellicle Ball' reflects broader patterns of misogyny in the media. Historically, female characters have often been sidelined, their stories minimized, and their roles diminished to support male-centric plots. This reimagining perpetuates this problematic trend by failing to provide female characters with the same depth and development afforded to their male counterparts.

I know what you’re going to say ‘but Grizabella’. Yea, Grizabella has fifteen minutes of stage time and she’s the character who resembles her stage counterpart the most. That’s why these issues negate her and she’s of the few I don’t have this problem with, the others being Rumpleteazer, Cassandra, and Skimbleshanks as her role has never had a deeper narrative meaning outside of reflecting the behaviors of the tribe as a whole.

In conclusion, the reimagining of 'Cats: The Jellicle Ball' is a missed opportunity to reframe and enrich the narratives of its female characters. Instead, it falls into the trap of diminishing their roles and individuality, perpetuating a longstanding issue in media representation.

[misconceivedcapricorn]

Hot take but Victoria being chosen for the protagonist of a Cats movie is not that bizzare or outlandish as people like to insist

Like, yeah, sure it'd have been cool to have Demeter or Jemima if necessary, but generally Victoria has been used historically during the show's run to represent the spirit of the show, and like she has a whole coming-of-age thing going on in the musical (which is the point of the solo + the pas de deux).

Generally, having a protagonist in the Cats musical kind of sabotages it, but I think if I did have to chose focus characters I'd go for a duel narrative of Jemima/Sillabub and Victoria because they both play a significant part in Grizabella's acceptance

[livingmydreamlife5555]

MHA Dr #3

Name: Apollo Kamiyama

Birthday: January 24th

Height: 5'7"

Appearance: Low-key just a pretty boy. Imma add some art breeder photos at the bottom for more visuals of like my facial features. I combined multiple ones into a few that I liked. But yeah, I'm really pretty and I have freckles and curly hair 😻😻 me and midoriya twinning 🫶🏾🫶🏾 scripted that I remind people of the actual God Apollo if he was a human on Earth

Backstory: This one is a very interesting backstory lol. Long story short, my parents were devoted worshippers of the Greek gods. To show their devotion, they allowed the gods to bless me, aka their first child. So I have the blessings of the gods, like Percy Jackson type blessings, as if I were their child. They named me Apollo in honor of the first god they worked with. But that's not all 😏. They wanted me to become one of the greatest heroes. I was born with no quirk, so they gave me an advanced version of my parents quirks with some blessings of course. And that's how you get the gamer system, but the version from the web novel "Solo Leveling". I was born in Nigeria, but moved to America and did school there. I moved to Japan to do highschool at UA of course 💪🏾💪🏾. Don't know if imma actually script siblings, I already have some here 😭

Quirk: My life is mostly like a RPG player. I have quests I receive from the 12 gods themselves and some others. I can do anything a RPG player can do. The gods can open gates like in the webnovel solo leveling which the Gods open the gates to help me get stronger, with mythical greek monsters too. After my first gate, which the Gods use to test me, I get the skill shadow extraction, like from solo leveling. Anytime I defeat a monster, I can resurrect them to join my army under my command. In the original they are black and blue, but I scripted them to white and gold. The gates that the gods spawn can only be seen by me, and if I want others to see them then they could. The blessings I got from the gods show up as passive skills in my system (This whole quirk makes more sense if you read up on the main character's power).

Voice claim: Probably more higher than I sound in my other realities. I scripted something around Kenma Asmodeus (obey me), and Milo thatch combined. Just soft, pretty and angelic. "I sound like a beautiful tune from the instruments that the God Apollo would perfectly play" quite literally from my script

Extra info-

here are all the blessings and what they actually do (I don't get them all at once. There are six I get first, then I get the rest later on. They can grow from there too)

Zeus ⚡- power to control all elements (I start with the 4 basics, before moving into Lightning, metal, etc.)

Hera 🦚 - blessed with a loving relationship in my family

Poseidon 🔱 - power to breath underwater and and summon water beings on command

Hades 💀 - (couldn't really decide on one from him. But just something not over the top.)

Aphrodite 🦪 - the gift of absolute beauty and power to uncover the emotions hidden deep in one's soul

Apollo ☀️ - blessed with the voice of an angel and the powers of healing. My smile is like a beacon of light and shall illuminate the darkest of nights and usher hope for anyone.

Artemis 🌙 - blessed with the instincts of the best hunter, when needed. I shall radiate with calming light, soothing the ones around me.

Athena 🫒 - blessed with the gift of knowledge and learning capabilities. I can solve any puzzles and learn anything very quickly.

Hephaestus ⚒️ - blessed with the ability to forge anything with the right materials. I know how to use any weapon.

Hestia 🔥 - blessed with the burning desire to bring justice and gifted with the eternal flame.

Hermes 🪽 - blessed with the ability to tell if a person is pure of heart and tell if they are lying. I have the movements of water and can build up to the speed of light.

Demeter 🌿 - blessed with the power to control plant life and animals. Anywhere I go, the place shall prosper

Dionysus 🍷 - blessed with the ability to create anything only when in need. I can always find food

Ares ⚔️ - blessed with the power to solve any crisis and instill chaos when needed.

i have a more androgynous beauty in this Dr. Got a lot of beauty from Aphrodite of course 🙏🏾

I can also communicate with the gods as well and they come like little inboxes in my gamer systems.

I might script that we are rich, but just depends on how I'm feeling.

I have the same skills from the other drs obviously.

Welp that's it for this reality. This is also a really good way to reconnect with myself in my other realities too. Below are the art breeder pics of me. One more to gooo

-Honey out 🍯🍯🍯

[millenari]

ik I've uploaded a clip of Barbara King's Demeter before but listen. I love her.

[gotham-native]

i don't know if y'all are sick of me post every high school production of cats i find but i found another

it starts with T.S. Eliot writing the poems and there are two kids (his god children) that can be seen throughout the show in the background and interacting with the cats, it makes it feel like this is what the kids are imaging while reading the poems the costumes are pretty good, there are a few things on some of them that look kinda weird but that's to be expected with high school productions

the set and lighting are stunning, as a set design girly i was kicking my feet while looking at it

it was a bit hard to hear them sometimes over the music but i don't thing most if any of them had mics so i can't complain much

for Growltiger they had Tugger play Growltiger and Bomba was Griddlebone

Skimbleshanks was played by a girl and other then having some problems hearing her over the music at times i think she did great

My favorite 'song parts' were Victoria's solo, grizabella the glamor cat, the jellicle ball, moments of happiness, Gus the theater cat, Macavity and Memory The girl who played Victoria is a amazing dancer

Grizabella the glamor cat was pretty i like everyone's vocals and Tugger being protective over the children and pull them away from Grizabella

The Jellicle ball was good, i can never hate a good dance number

Moments of happiness was nice, the girl who played Jemima sounds amazing and i liked having Grizabella there

Gus was sad, i always love Gus's song. i wouldn't say it's my favorite song but it always gets me, i like how Jelly was singing to the children at first and just how involved they were in this number

Macavity was AMAZING, if anything watch this for that. the girls who play Demeter and Bomba put so much into this and sound so good Memory again was sad, i love vocal and just overall performance of the girl who played Grizabella and Jemima sounded very lovely too

[white-cat-of-doom]

Performance photos captured of Cast 15 of the Oasis of the Seas during their first weeks.

Gina Gagliano as Victoria is a White Cat doing a Solo.

Noah Lindquist as Rum Tum Tugger becomes distracted.

Yardén Barr as Grizabella is still beautiful (in her mind at least).

The Tribe, especially Rachael Aust as Demeter, is excited for Old Deuteronomy.

The Jellicle Ball begins, with Gina Gagliano as Victoria, Josie Harbertson as Sillabub, and Ashlyn Fenn as Rumpleteazer out front.

Nick Woodford as Munkustrap contemplates happiness.

Sarah Moore as Jellylorum tells us about Connor Dyer as Gus.

A send off for Kane Verrall as Skimbleshanks.

Traven Harrington as Old Deuteronomy has been presented with Joey Kummert as Mistoffelees, thanks to Noah Lindquist as Rum Tum Tugger.

(Source)

April 2024.

[murdleandmarot]

Can you info dump about bluebelle, I’m very curious about her :3

SORRY THIS TOOK A HUNDRED THOUSAND YEARS I WANTED IT TO BE PERFECT

Hi hello!!!!! I will very gladly talk about Bluebelle, she’s the love of my life forever :D 💙💙💙💙💙

Important note: I’m a very um dramatic person when it comes to creating oc backstories. I am nothing if not a little bit pretentious, and giving ocs weird and angsty backstories is my passion project, and that’s part of the reason it took so long to collect my thoughts, and come up with something concrete, (or as concrete as possible)

I’ll start with facts about her that I like and then backstory regarding the fabled music box :))

-her design/colors are based off of a stuffed animal I bought in Munich :)

-the songs I most associate with her, (I have a playlist because I wanted one), are probably A Dangerous Thing/Everything Matters by AURORA, The Sugar Plum Fairy from the Nutcracker, and I came to your party dressed as a shadow. Adore those songs

-the only jellicles that she has met, (by choice), are Victoria, Misto, Plato, and Demeter. Or rather, Demeter knows of her, but Bluebelle doesn’t know Demeter

-this is mostly bc she’s pretty paranoid about meeting new people, and prefers to stick to her people. It took her a while to warm up to Plato, but eventually she got used to him

-this is also despite Vicci’s best efforts to convince Bluebelle to at the very least meet Jemima

-SPEAKING OF JEMIMA, if you haven’t heard, here’s my little jellicle magic theory: The cat’s magic relates to their eyes, just vaguely. Jemima and Misto each have white eyes, and you may have noticed, Bluebelle has those eyes as well. Because she’s. Blue. And that’s not a typical cat color, I figured I should just run with it. I see Bluebelle’s magic as a combination of Jemima and Victoria! Yes, Victoria is magic to me and that’s not just because she’s lovely and beautiful, but because of the way she uses the music in the show, and the way some productions seem to use her as a metaphor for the Jellicle moon, relating it to her dancing. This is especially true for me when I hc Vicci as deaf, because it implies some sort of magic when her solo syncs with the music. Bluebelle has the same sort of music and dance magic as Victoria, and the same sort of eerie unearthly-ness of Jemima. Basically I combined all my favorite girlies into one and made her <33

Really incoherent n convoluted story under the cut lolllll

I’ve always imagined the music box has something Bluebelle has had since she was very young, as in some of her earliest memories are of the tune it plays. Her mother probably gave it to her before both of her parents disappeared like they were in a Disney movie. The point is that it’s one of her favorite things, and she loves dancing to it. Victoria loves the song as well, and they sometimes practice using the music box, and things continue as so until Misto appears, and starts practicing with them.

Because Misto insists that no music is coming out of the music box. He can’t hear a single note.

Neither can Plato, or any of the other jellicles, when Victoria borrows it, and plays the song for everyone else in the junkyard, (Bluebelle doesn’t go with her-she’d rather not meet the others, for fear they won’t like her, or will tell Victoria to stop visiting her).

No one else can hear the music. No one except, of course, for Jemima and the psychic twins.

Bluebelle starts to ask around town, playing it for different cats, until she finds an older tom, not far, though she doesn’t know it, from the Junkyard.

He can’t hear the music box of course, but he tells her that he’s bit of a collector of magical artifacts. Perhaps he’ll have something similar in his collection.

Would she like to take a look?

Bluebelle declines. Declines at least, to visit him on this night. She hands him the music box, and instructs him to take it back to his den, and look for himself. They will meet in the same place the next day, and if he cannot find anything, then she will go and see for herself.

The next morning, they meet again. He tells her that he’s sorry, he couldn’t find anything that matched the box, and that in his haste to meet her on time, he’d left the box behind. The tomcat invites her to his den, and again, she declines, saying she will visit on a later date, that she already has plans.

Bluebelle follows him home, and hides in wait. She watches as his friends gather to scheme, and doesn’t notice the staring of a golden queen hanging off the arm of a blood orange tom.

The acquaintances leave, and the old cat retires to his den. The fire is almost out, leaving her to sneak into the other tent.

…blood seeps from every item in the cramped space, leaving it to drip from the walls and stain the ground scarlet.

He is not only a collector of magical artifacts, but a collector of queens, as well. The music box is the only thing unmarred by the red, so she steals it back.

She swears she can hear him howling the whole trip.

Bluebelle doesn’t tell Victoria what happens. She tells her to steer clear of the cat who could very be Bluebelle’s father, with a coat as vibrant as the sea, and Victoria doesn’t ask any questions.

Bluebelle doesn’t want to meet any of the other jellicles after that. She barely wants to talk to anyone ever again, with the exception of the few cats she already knows.

She and Victoria still dance to the music box though. Misto tries to follow along.