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#deleted this addition off the original because it got way too long
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Part one
@alexanders-pokemon-adventure
The walk back to the main building was short, but they were sweating and panting from the heat and humidity by the time Ellisa swiped her lanyard to unlock the door to the staff entrance in the back. It opened into a break room, with a table, chairs, lockers, a television, and a mini fridge. They skirted around the room to avoid disturbing staff on their breaks, and found the elevator on the other side. When they reached the appropriate floor, Ellisa held the door to allow Alex to step out first before she and Lynn followed. The room was empty of other humans, but there was a steady beeping in the background accompanied by the electrical humming of several computers and machines. "Before we begin, can I see your trainer ID and Nimbus' Pokéball? It's for the records, and also for safety. Once I scan these in, it will be literally impossible for anyone to kidnap Nimbus while on the island. Part of a new security feature to protect high-risk Pokémon." She saw the unease on Alex’s face, but they handed over the requested items without resistance. "There, all set, you can have these back. I'll.... also need to draw some blood from both of you," Ellisa pressed a button on the wall and a soft bell noise rang in the air. A moment later, the elevator door opened and Beatrix the Chansey stepped out, followed closely by her adopted daughter, Aerith. "Thank you for coming dearie, would you mind setting up the machine while I take their vitals? Lynn, come take Nimbus and keep them occupied for a moment, would you my love?"
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heavenlyascent · 5 months
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Besides the mini games, there weren't really aspects of the changes in FF7 Rebirth that upset me too much. I can get over the additions of Tifa being consumed by a Weapon or the Gi being a more integral part of the story because, well, they're more additions than anything else. Unnecessary additions but additions never the less
(actually that's a lie the entire Glenn plot gets to me but only because if it turns out he's Cloud's long lost father, I will flip my absolute shit).
Then I got to Nibelheim and I honestly got so annoyed that I had to stop. That they changed it from a rebuilt town with people pretending nothing ever happened to a town that's being used as a recovery certain for degrading SOLDIERS and the mayor acknowledged that the Nibelheim Incident happened is insane? How could you take out one of the more horrific and pivotal points of the storyline for both Cloud and Tifa? Like sure yes Tifa is enraged that they rebuilt Nibelheim like it never happened but where's the gaslighting, the unsettling uncanniness of a town that is pretend it has been the same for five years, that a mass murder didn't happen?
There's a stark difference between Tifa going into her home and finding another person living in her room and saying she's always been there and her home being used a clinic. The pain and wrath of her coming home and having her trauma and pain being removed. That she's told to her face 'what happened to you, your family, your friends, that didn't happen, you're crazy' because Shrina HAD to hide what Sephiroth did--because if the world found out what he did, it meant they'd have to find out what SHRINA DID.
And Cloud? Cloud who is already mentally fragile, breaking slowly, coming back home and finding physical proof that everything didn't happen the way he remembered? Lies on top of lies that he can't untangle?
What about how Nibelheim is a central part of the main story??? Undeniable proof of Shrina's power that they can go back into a massacred village, destroy any proof that hundreds of people lived and died there, rebuild it, put actors in to those homes, and pretend like nothing ever happened? Does no one on the writing team see how taking that element out of Rebuilt Nibelhiem changes everything.
God, like the original storyline hit so hard for the player. For hours we're being told by Cloud and Tifa about the devastation of what Sephiroth and Shrina did; we see the physical and mental wounds that they carry from that night, we have a flashback we play through so we know exactly how it felt--and then we arrive at Nibehliem and it's fine. It's what one of the effective parts of the original story--a gut punch that takes the air out of everyone on the team and the audience.
AND THEY DELETED IT?
God, what does that take away from Sephiroth's storyline too?? They acknowledged SOMETHING HAPPENED in NIBELHIEM with HIM. THE WHOLE POINT IS TO HIDE EVERYTHING ABOUT SEPHIROTH AND THE JENOVA PROJECT WHY WOULD SHRINA EVER LET SOMEONE ACKNOWLEDGE WHAT HAPPENED???
The more I think about it, the more this change really pisses me off. I can't understand why they thought changing pretend Nibelhiem's story except that maybe they thought it couldn't be done with the way the upgraded technology works now? The world would have to know that something was wrong with Nibelhiem just pretended everything was okay.
Except, again, no one knew about Nibelhiem except for Tifa and Cloud. Nibelhiem is a small, remote village, no one would care if it suddenly disappeared off the map--and for the most part, we never run into anyone who actually acknowledges Nibelhiem except for Tifa and Cloud. It's, again, why returning to pretend Nibelhiem hits so hard--because it puts Tifa and Cloud's already questionable stories into jeopardy. Whose lying now about this? Tifa? Cloud? Both of them? None??? Can we even trust what we've seen in the story so far?
Or Shinra, this constantly looming shadow, so powerful it can rewrite history and memories.
The thing is they could have kept the clinic thing going if they had just kept up the plotpoint of people in the village DENYING what happened during the Nibelhiem Incident. If instead that guy had just said 'I have no idea who you are or what you mean, you never lived here Tifa' it would have worked so well.
It baffles me and kind of destroyed any generosity I had for the Remake. I overlooked a lot of things because, frankly everything so far was par for the course with Nomura. I expected going in to run into Kingdom Hearts level of absurdity, so when the Whisper plotline hit I was like ah, there it is, that's the over complication of an already complex plotline. It was fine, whatever.
But this? I even see metawise why you would remove the element? Doesn't Tifa have more of a reason to be fucking LIVID? Doesn't Cloud lose even more of grasp on reality? Doesn't Sephiroth kinda of more of a point about them being covering him up like the dirty secret he and JENOVA are--in both his birth and his death? Maybe they thought if they did so the Pretend Nibelheim story, they couldn't reasonable have Cloud explore the surrounding areas and do the stupid side quests. In which case, fucking just don't do that. Not every town had to have a goddamn a sidequest. You sacrificed one of the best parts of your story for SIDEQUESTS?!?!?!?
It's personally one of the worst aspect of the Rebirth for me. I haven't hit past it yet so I don't know if it's the worst part, but it sure as hell made me really dislike the game just for that. I can forgive a lot, I can't forgive this, and I won't.
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mental-mario · 10 months
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Remakes and RPGs
Specifically referring to a remake of this post, at the moment. I had one finished and ready to post, and my kid got on the laptop and deleted it. Such is life, right? So naturally, I flipped my chair and threw my mouse across the room. After that reasonable reaction, I took several more days to cool off.
I hope everyone had a good thanksgiving! Mine was filled with binging, so I'd call that a success. Even better, mine was just the 4.75 of us, so it was a moderately peaceful day with no major fights or explosions. Big improvement over some years past! Not gonna lie though, it does sting quite a bit on holidays like that to know I don't speak to relatives anymore (haven't for a long time) because of the abuse. Trying to focus on the positives, though...
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One such positive is having an excuse to play Super Mario RPG again! And thanks so much to those of you who contributed and donated some tips my way! Please keep them coming! Person with the largest donation from this post to the next one will win a prize!
I was completely in love with SMRPG as a kid. I personally didn't play many (or maybe any) RPGs before this one, and it looked and played unlike any Mario game before or really since! I enjoy the Paper Mario series, but I'm still disappointed that we got those games in lieu of a proper sequel to SMRPG. SMRPG was truly revolutionary.
As for the remake, my impression after my first play through has been overall positive, with a few gripes. I like the updated refinish on the game to true 3D models and more fluid, more expressive character movements. I like the updated script, but I'm not exactly sure why character names needed to be changed, even if the Japanese translation was incorrect. My biggest complaint, however, is the game is too easy, and I'm not even talking about Breezy mode. I do like the additions of triple moves and switching party members in battles, but it makes fights that were near impossible, like Jinx and Culex, into pretty easy fights. I know I could choose not to use the triple move or to switch characters, but I digress. I also like the rematch boss fights post-game for a legit challenge. Overall, I'm happy with it and would recommend it, especially if you have never played the original. Then, go find the original and see the differences in difficulty! Please subscribe for more posts to build the community. I'm lonely! Also comment your thoughts on the SMRPG remake (and original) and what was the worst accidental deletion of a project you experienced?
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mittensmorgul · 3 years
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For anyone interested in long-term residence in the supernatural fandom, please have some observations I’ve made over the decade I’ve been here. Take it or leave it as you will, but I’ve found all of this info useful over the years I’ve been here.
I wrote this yesterday, and it achieved its mission of identifying the sort of folks who would react negatively to it (i.e. a lot of block lists have been updated), so now that it’s been edited for content, it’s going under a cut (because that is how we do things on tumblr in general, unless we have a deliberate purpose for annoying readers with excessively long text posts) for the sake of people who actually do care about the fandom and its history. If that’s not you or your reason for being here, then keep on keeping on with your own thing, I guess. For those who are interested, there’s a lot of fandom resources some of us have been building for years that you might enjoy knowing about.
First off, I’ve been informed by a few friends who’ve read through this for coherency’s sake that it sort of reads like a *shakes cane from porch* fandom grandma complaint, but honestly... I earned this rocking chair and goshdangit imma rock now. So apologies for any “back in my day” vibes or faint aroma of tiger balm this post might give off. Then again, it’s loosely based on a similar post from 2012 so like... time is a flat circle anyway I guess.
1. There is no such thing as “tumblr famous,” unless you’re referring to the hilarious and delightful fic of the same name (please go read it, you will cackle). Posting Hot Takes for imaginary Clout™ on this site is kind of pointless in the long run. Sure you can post solely for the sake of stirring shit and getting notes, but the majority of the folks who do aren’t long term residents of the fandom. They’re just tourists moving through our little beach town for spring break. If you’re actually intent on moving to this corner of the fandom for an extended stay, please bother to really feel out the permanent residents and understand the culture and general mood of the neighborhood. It bears no resemblance to whatever’s going on across town where all the bars and beach parities are happening, and those loud, drunken revelers are, again, gonna disappear back to their regular lives or on to the next party eventually. That doesn’t mean the fandom is dying, it’s just evolving.
(funny how I had several comments implying that I’m just trying to keep the fandom from evolving with this post, because I sincerely do want the fandom to continue on for years to come, and that is impossible without evolution. We can evolve without self-immolating, though. mostly i included point 1 for an excuse to push ancient but hilarious fanfic on you.)
2. Once you post something here, it’s been unleashed to the fandom winds. You never know where it will end up, or who will comment on it or add to it. Remember that time Misha tweeted the link to the Epic Cockles Love Story post? No? It was wild. That was 2012. They all know we’re here, and how to find us if they want to. Please don’t take it to their doorsteps.
Obviously if someone is being a dick on your posts, please feel free to block them, but the whole entire point of this site is to engage people with your posts. Being big mad that someone reblogged your post with comments or supporting evidence, or happy headcanons or “HECK THIS IS GREAT BECAUSE (insert personal story about their experience or whatever else made them Feel Things about your post)” is frankly ridiculous. If your goal is to avoid any sort of engagement with your posts, then maybe try instagram instead. From what I understand, there is a SPN fandom presence there, and nobody can tarnish your original posts with unwanted commentary. But the ability to reblog with additional commentary is a FEATURE of tumblr that builds community through conversation. Otherwise we’re all just talking to ourselves in a vacuum, and that’s what actually kills fandoms.
(and for the folks who just want to blog how they want to blog and don’t want people to engage on their posts at all, please feel free to block anyone you want, as well... nobody wants to step on your toes, but most of us also don’t want to walk on eggshells wondering if this post is one of the “do not add comments for any reason” sorts of posts, either. This is a huge fandom and most people can’t even begin to keep track of every creator and their url du jour, and what their personal rules might be regarding interaction with their content. Including a “please don’t add comments” note at the bottom of your posts-- and not in your tags that won’t even show up on reblogs, but in the actual body of the post-- would sincerely help avoid any awkward or unwanted interactions, too. At the end of the day, you are in control of your own fandom experience and the block button exists.
For the record, I block zero fandom blogs (which is why I posted this, I wanted it to reach a wide scope... refer to the opening paragraphs as to why).
3. Since this post was partly inspired by a tag I left on that post going around about how “previous tags” mean fuckall on this site (which you can read here), just a reminder that if you like someone’s tags or feel they add value to the post, part of the Peer Review structure of tumblr encourages you to PASTE THEM INTO A REBLOG. If you do this, then at least credit the person who actually wrote the tags! Don’t just copy someone else’s tags into your tags on your reblog of the post without credit either. They were not YOUR tags. (I have had this happen to tag rambles I wrote and someone else got credited with them on a subsequent reblog and it is FRUSTRATING). Just... don’t even bother to write “previous tags” because WHAT PREVIOUS TAGS?! Nobody is gonna bother to chase back the chain of reblogs trying to find where the mystery tags came from, friendos. That way lies madness.
(for the record, since some folks seemed to focus on this point solely, writing “previous tags” on a post isn’t inherently a BAD thing, but for anyone who actually is here for more than one-off shitposting, then it’s sort of a pointless thing in the long run. This wasn’t intended to suggest people who ARE here for one-off shitposting are bad or “doing it wrong,” but for people who might actually want to preserve that hilarious joke or insightful comment. People delete posts and entire blogs all the time around here. Links break. I get that the upcoming generation just shrugs at that and moves on with their lives, but heck... you don’t have to accept that all entertainment is disposable if you don’t want to. There’s a bizarre sort of nihilism plaguing us all about the impermanence of pretty much everything that feels like something we should be fighting against rather than buying into wholesale, even in our escapist entertainment. I’m just exhausted by the complete loss of joy in community.
*shouts from the peanut gallery* IT AIN’T THAT DEEP, JUST GET SOME FRESH AIR AND LOOK AT A PUPPY OR SOMETHING
Yes... yes it isn’t really that deep, but bigger picture in the state of reality we’re all entirely disillusioned with, are we supposed to just give up on everything, including the things we cling to because they bring us a tiny spark of hope that we’re not all just trapped in this dystopian nightmare and things might actually be worth living for?
*peanut gallery clinging to burnt husks of peanuts in a barren peanut field* but this is how we have chosen to cope
Okay... you do you... I feel bad for you but if that’s the case then this post is NOT FOR YOU. AND THAT’S FINE. I honestly do not care if you don’t care! I mean, I’m sorry anyone has to live in a world that drives them to that mindset, but I understand. This post is for anyone who might look at their lives and their choices and think “no wait, I unironically enjoy this and want more from the experience of that enjoyment than I’m currently feeling.” Everyone else can continue with their lives as usual.)
4. CONTENT THEFT IS NEVER OKAY. PERIOD. Things like “credit to the artist” or tagging gifs or images you found on pinterest as “not mine” isn’t actually credit. If you can’t source an image or gif set, DO NOT POST IT! We don’t REPOST (i.e. save an image and then create a new post with it as if it was our own creation). We REBLOG (click the little square arrows and reblog from the actual creator). That goes for gif sets, fanvids, screencaps, meta, fic... everything.
(hopefully everyone here already understands this one, but I felt compelled to include some “these are stupidly obvious” reminders anyway, since this is ostensibly some sort of advice column. This is the equivalent of the warning label on your toaster reminding you not to use it in the bath. Like... duh...)
5. Close kin of item 4 is SOURCE YOUR SHIT. 
(for 100% disclosure purposes, I specifically discussed this one in this specific way because of an influx of anon ask messages I received in the wake of the finale. Literally the inciting incident for creating this entire post was what I can only assume was a joking ask about a comment Misha made at a con years ago. Someone actually bothered to take the time to type out those sentences to me. I have no idea what they were expecting in reply, or what could possibly motivate them to send this comment about something so entirely random from, again, several years ago. Just a joke? No idea, but whatever... it got me thinking that there might actually be people who are new to the fandom who MIGHT actually care about the fandom history, and maybe they just don’t know where to go for that info, or how to even begin searching through 16 years of history for things they might actually find enjoyment in, rather than just hauling random out of context garbage out on main and pointing and laughing about it now. People are actually allowed to care about things. It’s not cringeworthy to actually care about things, and you are not alone in actually caring, and there’s this whole big room over here full of people who are thrilled to share in that with you. This post is intended FOR THOSE PEOPLE SPECIFICALLY, so if that is not you, please just continue walking by.)
Yes, I know lots of y’all are new around here right now, but dredging up stuff from years ago that fandom has completely debunked and presenting it as TRU FAX again is just exhausting. We’re not trying to be party poopers, but seriously, we have seen it all and are mostly done with extinguishing bags of flaming dog poop on our front porches for the umpteenth year in a row. I’ve seen a lot of posts that have the same tone as “I saw Goody Proctor dancing with the devil” or “I heard kylo ren has an eight pack” and just... the information is there for anyone who cares enough to find it.
This goes double for “why is nobody talking about this thing I just discovered while watching the show for the first time?!” And, oh hon, we have talked it all into the ground over the last fifteen years. We’re happy you’re discovering it again, but I promise we talked about it plenty when the episodes originally aired. We have such a rich meta history that lots of us have worked really hard to preserve. I encourage you to seek it out, if nothing else than as historical artifacts. The way we have discussed the show has been a 16-year evolution. People have written literal doctoral dissertations on this show. Your shitposts are fun! We love reliving our own experience through fresh eyes, and seeing your wonder at experiencing it all again for the first time! But y’all didn’t invent this fandom in the last six months, either.
Meta Sources and Minerals provided by our friendly neighborhood fandom archivist, @lets-steal-an-archive
Academic books and articles about SPN 
A collection of Meta Essays going back to s1 and organized by topic (all of this has happened before, all of it will happen again)
SPN Heavy Meta Archive (s1-3)
Mel’s Dreamwidth archive of meta (s1-12)
Oranges8hands Dreamwidth archive of meta (s1-15, with many similar entries to Mel’s... though ymmv on viewpoint in a lot of these too)
Anyone remember Fandom Wank? Not the concept but the actual LJ... No? Okay have a link to SPN topics that ended up there. Through 2013. We have seen so much... including several fandom containment breaches.
for all your art sourcing needs, please see @theroadsofararchive, the repository for so much fandom art.
need to find a gif of something? canonspngifs is a vast repository of gifsets of the entire series. If the gif you want to use in your post happens to be the first gif in the gifset, in the tumblr gif finder thingy just paste the permalink to that post from canonspngifs (which is easily searchable by episode, character, location, situation, quotes, and sometimes even color and clothing items the actors are wearing... it’s really well organized, especially for tumblr >.>) and the first gif will be automatically linked with credit to the gif creator attached. It makes life easy that way. It’s also convenient when trying to remember something specific but can’t remember what episode it’s from. I’ve used the site to jog my memory before going to the superwiki armed with more specific search results to find episode quotes and references. Or sometimes I just scroll through all the nice gifs for fun, too.
Need a screencap of something and know exactly which episode it’s from? Try Home of the Nutty. You might not find the exact screencap you’re looking for, but they have a complete set of caps of every episode, and it’s an incredibly useful resource for quick reference checks and the like. Just give pages a chance to fully load before clicking on the next one. The site is easily overloaded, but it’s still free to use (and again, with credit... Pretty much every screencap on my entire blog is from HotN unless otherwise credited).
As you can see, this is a fandom built on preserving our history. You absolutely are not required to engage with any of this if that’s not of interest to you, but I can only assume that there are people who would be interested in it if only they knew it existed and how to find it. Well, now they do.
6. A few more notes on tags, and how they work on tumblr. The first 20 tags on your ORIGINAL posts are searchable sitewide, so if you want to be able to find something again, tag that thing first before going on general tag rambles. The only place tags on reblogs are searchable is on your own blog. So you don’t have to put 50 tags trying to get a post seen if it’s a reblog. You’re just spitting into the wind at that point. If you have a filing system for finding things again, then by all means add those tags (again, in the first 20, so they’re searchable), but you don’t need to tag a reblog “destiel” and “deancas” and “dean” and “cas” and “dean x cas” or whatever. Pick one for your personal blog’s filing system, that’s all you need.
(this was only added because tagging and searching on this site is so very broken... I get that a lot of folks don’t care about ever searching their own blogs again for anything, so this one only really applies if you do often find yourself trying to find old posts. If not, then it’s not really relevant.  It took me years to work out a decent tagging system, and at the beginning of my time here I never thought I’d end up camping out here for a decade and falling this deep into the fandom, and I regretted my lack of consistent tags only years later when I realized I actually wanted to be able to go back and find specific old posts again. So... for anyone who wants to err on the side of caution, working out a sensible tagging system really helps if you’re here for the long term. I personally tag content by episode, because some of my other general tags are so large as to be practically useless as a search term. But whatever system you choose to file stuff on your own blog, it really only has to make sense to you. And again, if this is pointless advice for someone who has no intention of settling here for the long term. Please feel free to ignore it. I just wish someone had explained it this way to me ten years ago and saved me the hassle of retroactively tagging something like 30k posts... especially now that using the mass tag replacer is the fastest way to get your entire blog deleted... oops? so yeah, don’t use the mass tag replacer either >.>)
7. Tags on Tumblr DO NOT WORK LIKE TAGS ON TWITTER. If you @ someone in the body of the post, it will show up in their notifications (if they’re the sort of person who even checks their notifications... not all of us do. For the record, I generally don’t...), but putting actor or ship names in the tags on a tumblr post does absolutely nothing. It’s not the same as tagging the actor’s twitter account in a tweet. Nobody’s getting notifications about you tagging a post about Jensen here as “Jensen Ackles.” There is a difference. Please learn it. (and don’t take headcanons and ESPECIALLY RPF or otherwise explicit art or fic from tumblr to twitter and tag the actors in it. That’s just... not okay.)
(I have seen the pearl clutchers getting all in a huff about the mere existence of RPF or even explicit content of fictional characters if it doesn’t meet their purity standards, but tagging those things allows people who don’t want to see it to actively avoid that content here. Nobody has a right to tell people their fictional content shouldn’t exist at all, or that creators of that fictional content somehow deserve harassment or threats for having dared to create such “immoral” content, won’t somebody PLEASE think of the children... and no... you do not do that here. Don’t be the problematic behavior you wish to ban from the world. Learn to use tags to protect yourself from, as i have attempted to emphasize here, fictional content you are personally upset by. That’s a you problem, not a problem for the creators of potentially upsetting content that they tag appropriately for.)
8. General formatting stuff: If you’re writing long text posts, visually break them up so people aren’t faced with one long wall of text. The enter key is your friend. Also, if you put long text posts under a Read More break and send people to your blog to finish reading, please ensure that your blog is actually visually accessible (tiny text, or light grey text on a dark grey background, or a visually busy background might be aesthetically pleasing to you but nobody can actually read it. Loads of folks won’t even try. Which is great if you don’t actually care whether people are able to appreciate your content or not, but something to at least consider if you *do* actively want to encourage engagement with your work. Confirm how your blog looks on both mobile and desktop and make sure it’s actually functional in both, too).
And since I mentioned that most of my experience on fandom tumblr has been in the SPN fandom, here’s a bit of a reminder for folks who are new around here. With the reminder that I have been here more than a decade and still feel like a newbie myself sometimes...
This is an OLD FANDOM. There are many, many people who have been at this longer than some of you have been alive. The average age for creators in this fandom is older than you think (I think of my friends in their 30′s as young’ins okay? okay). With that understood, you are responsible for the content you consume and are exposed to. Curate your experience. Ship and let ship. YKINMKATOK. Don’t deliberately expose yourself to content you find upsetting for whatever reason. Tags and warnings are your friends, not targets for you to attack in some sort of purity war. People will ship things you do not like (or in specific ways you do not like), will say things you do not agree with, and will find their happiness in things you abhor. That is not your concern. Find what you do like, and support and engage with it, and ignore (or block, or unfollow) the rest. Tumblr has a feature that lets you blacklist tags so the content you’re trying to avoid won’t appear on your dash.
Remember the paradox of tolerance.
It is not your job in fandom to police how other people enjoy the fandom. It’s not *my* job to police how *you* enjoy the fandom, UNLESS your enjoyment is in actively harming other real human beings in the fandom. If you don’t like their take on the character or the show or the plotlines or their ships or anything else, you don’t need to engage with their posts at all! The necessary corollary to this is that clarifying misunderstandings or correcting factual misinformation is not “policing.” 
(this is where the peanut gallery reminds me it ain’t that deep, and I plead with them to put down the social media and find just one (1) thing to actually believe in in this godforsaken life, find something other than disdain and cynicism and spite to live for. If those things motivate you to find a larger cause for yourself, then great, use them to your advantage, but use them to find something that makes you a better person or brings you a modicum of joy and connection to your fellow human beings despite living in a dystopian hellscape of a world)
I have seen a lot of posts lately that are founded on the sort of authority that comes with “I watched through tumblr for a few months and then watched the last three episodes of the series” and as such are just... missing the larger context of the entire show, and are unfounded entirely in canon. I 100% appreciate the new enthusiasm for the fandom that we’ve been living in here for years, and it’s wonderful to see new people enjoying the thing we love. Your headcanons are valid, you are valid, but recognize that your headcanons aren’t canon. All of us finale denialists have accepted this in some measure, so we feel you. We truly, truly feel you. But regarding actual canon, we have a resource for that: the Superwiki. Learn it, live it, love it, as Metatron would say.
(which you could discover he said in 10.17 Inside Man, thanks to the superwiki! accept no substitutes!)
(and again, there have been people who have been involved in fandom for years who haven’t engaged with canon in years, either! You can play in this universe however you choose, BUT FOR PEOPLE WHO ACTUALLY CARE ABOUT CANON AT ALL, WHICH I AM AGAIN POINTEDLY SAYING MIGHT NOT BE YOU, READER, AND I’M NOT SUGGESTING YOU ARE WRONG FOR NOT WANTING TO ACTUALLY ENGAGE WITH CANON, but if you DO want to engage with canon, please have some useful resources. Why do people feel personally attacked by being presented a list of helpful resources? Absolutely baffling.)
(also: words have definitions. “Canon” is a specific thing, meaning in this case “the finished media product that aired on television.” Anything beyond those limits is secondary canon (think: john’s journal, which is not canon but canon adjacent at best...), word of god (i.e stuff said by the writers and showrunners), or headcanon (which includes actor commentary-- they may have helped create the show with their acting choices and whatever, but they are not in control of the story overall). If there’s something you dislike about actual canon, you can reject it and supplement it with your own theories or preferred outcomes-- that’s basically what fanfic is-- but that doesn’t make your theories canon (much to all our dismay, that’s just not how any of this works. This is not to invalidate how anyone engages with the show or the fandom, just trying to clarify what seems to have been a source of unintentional misunderstandings. Your theories do not have to be “canon” to be legitimate interpretations.)
***I am setting this section apart, and did make a separate post of just this following information, because this is where we go from being relatively chill about different parts of fandom choosing to interact in different ways and you do you and blog however you want, to “hey can everybody please understand that the way you are interacting with this specific material might be harmful for specific legal reasons, and stating that you do not care about the consequences of your actions does actively make you the asshole here...” Okay, now that we have that understood:
The spnscripthunt collective has been steadily acquiring new scripts (which are posted in full on the superwiki for everyone to enjoy, for free). The language around how some folks are talking about these scripts is... concerning. For very real legal reasons, actually, and not because we’re feeling precious about the collection and don’t wike it when meanies use them in shitposts.
-First off, these scripts are not “leaks.” They are all verified and legally purchased (or gifted, in some cases, but still acquired entirely above board. we didn’t whack anyone over the head in a back alley for these scripts, or swipe them out of someone’s trailer on set).
(in case anyone was unaware, these scripts are the copywritten protected property of Warner Brothers. So yes, how we use them and share them with the fandom could have legal repercussions. We present them as a collected resource of fandom history which SHOULD fall under Fair Use doctrine, but this is untested legal water. Insinuating that the scripts are somehow not entirely legally obtained, or that posting them for public access involved less than 100% transparent and entirely legal transactions is incredibly concerning.
Once again for the peanut gallery, if you don’t care about any of that and are just having a good time with it, at least be mindful of the work and expense a large group of people have gone through to acquire and present the content you’re all too eager to exploit for cheap thrills. Some of us do actually care and are not exactly comfortable with the fact that others don’t seem to care about burning it all to the ground. We can’t force you to listen or behave as we’d hope you might, but at least be aware of the potential consequences of your actions. All we’re asking is for you to not be the douchebag who sets the whole neighborhood on fire with your illegal fireworks display. Is that too much to ask for? more on that in a second, first... a psa)
-If you see a script for sale and are unsure if it’s legit (or believe it might already be freely available in our collection), please feel free to ask us for advice. Our goal is to make as much of our fandom history available to the entire fandom, and we absolutely do not want anyone shelling out money for stuff you can already find for free.
(seriously, we’ve seen a bunch of resellers cropping up selling printed versions of the scripts we bought and uploaded for everyone to enjoy free of charge, or scripts that are otherwise of dubious origin. We’ve been at this for years now and know what’s actually out there. We don’t want anyone to fall for a scam if we can help it)
-Also, the usual reminder that the scripts we acquire ARE NOT NECESSARILY THE FINAL SHOOTING DRAFTS. In fact, the majority of scripts in our collection are NOT. Changes are made daily to scripts, even during filming. Comparing a Production Draft (white pages, effectively the first “final draft” of what usually becomes a series of drafts before filming wraps) to a much later revision (say... green or goldenrod revisions, several of which we DO have in our collection for comparison) and how those earlier drafts often differ wildly from the aired version versus how similar a much later green draft is to the aired version, for example, can teach you a lot about the television writing process. The link above to the superwiki scripts page has a nice little explainer about how this process works.
Differences between our posted scripts (many of which are white drafts, aka FIRST complete drafts, which will likely go through multiple rounds of revisions before filming even begins) and the aired version of the show are not all “acting choices” or a director or editor just cutting whole scenes on a whim. It’s insulting to everyone involved in production to suggest that’s the case.
(and yeah, fine... whatever, make any sort of posts you like regarding how those changes came about, but at the very least understand that it’s not actually the truth about how any of this works. Don’t care that that’s not the truth and want to make the posts anyway because shitposting is fun and that’s the extent of your sense of humor? FINE! You’re entitled to do that! But at least you DO know the truth now, and hopefully so do the people who engage with your posts. Deliberate ignorance isn’t cute, smooth lions notwithstanding)
There’s probably a whole other post to be made on fandom tagging etiquette, but again I don’t really use the tags enough to know what’s going on with that whole situation. I’ve also probably left a lot of stuff out, so please feel free to add things I’ve overlooked.
Thanks also to @trisscar368 and @thayerkerbasy for help compiling this, too. They were kind enough to escort me through the park to feed these pigeons. Now I need to take them out for ice cream. :’D
So I guess welcome to the neighborhood. Make yourself at home, but like... try not to trash the place while you’re here. Some of us live here by choice, lol.
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Mystery Writer (Spencer Reid x Reader)
Summary: Spencer finds books at a second hand bookstore that are annotated and he falls the person writing the notes. 
AN: This was part of a fic swap on @imagining-in-the-margins​ server! This is for the marvellous @definitelynotkatesblog​ <3 I really hope you like it! I had to delete the original post because it didn't show up in the tags. This will be staying up regardless of that now.
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Masterlist
Your name: submit What is this?
“If you need anything, just let me know!”
Spencer pressed his lips together at the person behind the till before heading deeper into the rows of second-hand books. Familiar titles, old and new, printed on spines in various states of pristine/decay, they tempted him to select and bring them home with him. The clear sections between biographies and fiction guided him deeper into the forest, deeper into finding his way out. He was hoping to adopt one such book for a day off, when he could revisit it with a fresh eye. It would be like seeing an old friend again, remembering why they were friends in the first place with a hint of that initial read through from years ago, and perhaps he would learn something new in the process.
A dull ache in his chest at the sight of The Sign of Four by Arthur Conan Doyle. But he had long since recovered from that heartbreak and he would be able to read this story without feeling that again.
Still. It had been several years since he read this book.
His nervous fingers plucked it off the shelf and the pages fell open for him. A flattened gum wrapper parted the pages like the Red Sea. Spencer lifted it out tentatively. Its creases were ironed in from its role as a temporary bookmark, an impression of scribbled black ink flattened after it was made.
Spencer’s eyes scanned over the page in search of what this gum wrapper might have been guarding.
“Women are never to be entirely trusted – not the best of them.”
In the margins was scribbled:
Product of the time, but still a prick, rude smartarse role a bit dull
Spencer found himself exhaling in light laughter. That a lack of empathy was considered “dull” by this person, when it was something he dealt with in his job almost every day. The confidence in this commentary too, this brazen critique of a much beloved fictional character was left for someone else to find.
His gaze found Watson’s opinion of Holmes’ casual sexism: “atrocious sentiment”. It was circled twice in the same black biro.
Spencer dug his thumb against the text block and flicked through the book. A waft of that book smell lifted from the paper, accompanied by the bold notes of the previous owner dotted across the text until he finally landed on the reverse of the front cover. Two letters – initials - were scratched onto it.
It was with bridled exhilaration that Spencer approached the till and held up the book with a half-smile. His hands were quick to place it down on the counter so that the shop assistant could type the price into the till. His mood was apparently palpable because they seemed just as happy as Spencer to hand him back the novel in a brown paper bag – the receipt tucked inside.
 --->--->--->--->--->
 “Love is an emotional thing, and whatever emotional is opposed to what is true, cold reason, which I place above all things. I should never marry myself, lest I bias my judgement.”  
What a lonely existence and also a lie. See: entire relationship w/ Dr. Watson!
Spencer smiled at this comment. Now all the other instances of a double underlining made sense. Each one produced itself in his mind as evidence that Mr Sherlock Holmes did in fact love. Maybe not marry, but it would have been terribly unconventional for him to wed Doctor John Watson. The unknown author seemed to understand this. They never emphasised if this love was platonic or romantic. But the way in which they proved love existed within this character oft portrayed as emotionless, Spencer simply adored. They were a romantic reader, who still enjoyed reading about the cynic
He grew quite aware of his posture in that moment and he straightened his back. A few clicks of complaint emitted as he stretched, his head twisting from side to side. Screwing his eyes open and shut behind his glasses, he revisited your deduction.
On the dot of the “i” in “lie”, there was a sprinkle of graphite around the indent from where a pencil’s lead had snapped from the effort put into topping off this point. A sprinkle of graphite smudged where the pages pressed together.
Spencer moved on to where a sentence in black biro tried to blend in with the printed words. A memory appeared at the front of his mind: when Rossi was bewildered to learn Spencer and Dr. Alex Blake wrote the newspaper crossword in pen.
The pencil markings were like mini brainstorms, something to revisit and make a solid theory with the black biro. But the planning was never rubbed out.
Little quotes were circled. This mystery critic spent half the book roasting the characters and the other half leaving little exclamation marks and circles around phrases and words when they couldn’t think of something to say. Spencer found it sweet, picturing the thrilling unfolding of events for the reader to revisit.
His heart ached in bittersweet memory as he recalled the contents of Dr Alex Blake’s book The Route of Linguistics. It was necessary pain to create a profile of who this mystery critic was. Yes, he was profiling out of work hours. His evenings were now spent trying to picture the voice behind the notes. The sarcasm, the witty blows to the character’s and author’s ego. He almost wished that he couldn’t read so fast because he finished the book, even with its additional notations, all too quickly. But there was one bonus.
Spencer traced the pad of his fingertip over the exclamation marks describing Mary Morstan. What else might a detractor of the great Sherlock Holmes read?
--->--->--->--->---> 
He had returned to the bookshop in favour of adopting another. Yet he could not find one that satisfied his unknown criteria. It was not until he found himself checking the front pages of the fifth book he had selected, that he realised he was looking for a pair of initials.
Sighing, he placed My Dear Bessie, with its empty front page, back on the shelf. The chances of finding another book containing this mystery critic were so minute. He could probably calculate them if he wanted to dedicate himself to such a disheartening statistic. He’d rather not spend his lunch break doing that, as much as he loved statistics. This once, they did not assure his safety and he remained unsupported by the fact that he could not find any other Arthur Conan Doyle books.
His desperation became most apparent when he thought that perhaps fate should just decide for him. If anything, he would come away with a random book to read through in about ten minutes on a flight back home.
He peeked around the corner of the shelves. The shop assistant at the till was busy writing something down, not paying any mind to the shop’s only customer.
“A random shot had no better odds than just picking books off one by one” is what he told himself as he closed his eyes and placed his fingers on the end of the shelf, just over the first book’s spine. In an “S” pattern, his arm moved up and down, over the books and shelves and gaps between units. His feet stepped forwards into the space he knew was clear.
Spencer stopped and opened his eyes, his finger shifting just an inch out of the way of his new book’s title.
Circe. Madeline Miller.
He tapped the top and the book fell forwards, where he caught it. Its shining dust jacket was serving its purpose, a few tears along the edges from where it had protected the hardcover. He checked the front page. A map of Aiaia in orange and brown filled it to the corners. On the next page, his heart stuttered at the sight of two initials in the same handwriting and the same biro. There was also a scribble - invisible to start with then a ball of black.
The first page with the story’s text held a scribble just above its opening line:
the power of the name
“When I was born, the name for what I was did not exist.”
He could see that the first was in a blunt pencil, but the addition was a sharpened point carving into the paper. A secondary thought that was provided after completing the novel, they had added it. Spencer lifted it to his face, his eyes crossing to keep the stipple in focus. The scent of the paper and the graphite reached him easily; the note must have been made just before Circe was gifted to him. How lucky he was to find such a treasure.
The shop assistant was cutting out a new sign for “BUY ONE GET ONE HALF PRICE!”. By the time Spencer made it to them, the sign was placed upon the pile besides him. The shop assistant smoothed out a crease on the dust jacket, ineffectively but Spencer admitted the gesture. He was glad that someone who loved books as much as him got to work in a place like this.
--->--->--->--->--->
Spencer’s mind, definitely for worse, echoed the words off the tabloids around his head the split second he made eye contact with the headlines. He paced the shelves to somewhere a little quieter. When he found the chocolate aisle, he pretended to peruse. Ever half a minute or so, his gaze drifted up to the till area where the shop owner was on a phone call and clearly not paying attention to him.
It was not long before Spencer grew bored of looking at KitKats, and he pulled out One Thousand And One Nights. The book’s pages fell again to page 57. This shop’s receipt stood above them, still holding its place from the previous owner. It felt wrong to part the two.
No new people had entered this corner shop for 8 minutes. He’d even given the time at the receipt’s end a fifteen-minute margin either side. Given that this mystery critic took a break from work at the same time on the same day of the week – and that they worked during the day – he should have seen them. Maybe he had, and they were that man in the baggy hoodie who stunk of weed. Probably not. Hopefully not. Not that Spencer was judging him for his… recreational activities. He just wanted the mystery critic to be someone he could realistically spend time with.
Just then, Spencer’s phone trilled annoyingly loud. He received a glare from the shop manager and Spencer sent an awkward apologetic expression his way before answering JJ quickly.
“Spencer, we’ve got a case. We need you here ASAP.”
His response was immediate. “Ok, be there in ten.” Hanging up, Spencer dithered on the spot then grabbed a packet of Cheetos. He’d been there for nearly twenty minutes; he had to get something.
“Three dollars,” the manager said before returning to his call. But not before he rolled his eyes at Spencer. Spencer dropped the bills onto the counter and dashed out before he could be offered a receipt.
--->--->--->--->---> 
  An outlier in the usual length of case work had passed by in five long days. Spencer hardly ever regretted the time he put into this job. Every unsub caught was lives saved. But the absence of his mystery commentator had been niggling at the back of his busy mind and he was glad to finally reunite with them on this long flight back.
From his satchel, he recovered the copy of One Thousand And One Nights and began rereading the notes to ground himself in the story. His focus lingered on the page as if he were reading it at the average 250 words per minute. It allowed him to block out the humming of the engine.
Spencer did not take his eyes off the page as he pulled open his desk drawer and popped a piece of overpriced gum into his mouth. Half-hearted reminders bounced in his head, from when he tried smoking and chewing gum to ease his cravings. The fruit flavour was very clearly artificial and it faded within six minutes. Why his mystery critic would pick such a pathetic packet of gum to chew, he didn’t know. But hopefully the fact of its flavour disappearing fast would mean they get through the packet quicker and buy another soon. Even if today, and the days before, spent in that shop did not lean in favour of that hypothesis.
--->--->--->--->--->
The Five People You Meet In Heaven was in the Recently Donated pile. It was near the top, slid towards the edge of the container after being placed wonkily on a copy of some sports autobiography.
Within the pages was more than Spencer could have ever hoped for. Entire paragraphs were circled, quotes underlined. A squashed mini post-it note tabbed the page and a whole paragraph was scrawled on it, about Tala. An arrow pointing to the underside, Spencer lifted the flap and saw more to read, like an interactive pop-up book that he’d gotten Henry for his second birthday. Spencer closed his eyes quick and snapped the book shut. He wanted to save it for when he was sitting comfortably, not while he was rushing back to work in time for JJ to get to her lunch break on time.
The shop assistant had just clipped the lid back onto a green highlighter when Spencer drew up to their counter. With careful fingers, he placed the book upon it. There was a twitch of the assistant’s mouth; their eyes brightened. They looked like they wanted to say something, but something else held them back from making the first move. Spencer recognised it from his school days.
“It’s a good read.” He spoke after they had typed the price into the till.
“I know,” The assistant replied instantly, a relieved smile on their lips, “What part are you on?”
“I’ve already read it, but I wanted to revisit the passage at the diner.”
“Ahh, that’s a good bit. One of my favourites.”
Spencer’s eyebrows furrowed a fraction of an inch. His gaze dropped to the nametag on the left side of their chest. Y/N, their name’s first initial. It couldn’t be.
“What did you think about the final person, Tala?”
“Oh,” The shop assistant clutched at their heart, “I was an emotional wreck before and it hit me hard just as the rest did. So bittersweet to hear her forgiveness. It took me a few times to finish reading the end, but it was all worth it.”
He couldn’t be this lucky, to get this many books from the same person and to have them standing in front of him. Spencer didn’t believe in luck.
As he reached across for his new book, he turned over the cover, “Was this yours?”
Twisting their head around to read the publication details, the assistant – Y/N - smiled sheepishly at the initials. “Yes, and I’m glad to see it go to a new home.”
Apparently luck believed in him.
“But,” Spencer felt his brows knit automatically as he looked between the book and their previous owner, “You love it. I-I’ve seen your notes.”
A hand clapped over Y/N’s mouth, “Oh God, you must have. I mean, it wasn’t the intention initially, but I thought they might be a little entertaining for anyone who picks it up to leave them in there.”
“Oh, they were! I’d love to read more of your thoughts. Hear, hear them, if you wouldn’t mind.”
Y/N checked the door to the shop, still shut, and back to Spencer. They dropped their elbows onto the countertop with their chin in their palms. “What did you wanna know?”
From his bag, Spencer procured his – their – copy of The Sign of Four and flicked through the pages. So many places to choose, but he wanted to open with what had introduced him to Y/N’s analysis.
The pair put their heads together, leaning on the counter. Spencer could smell the chewing gum on their breath. Y/N never cut him off, and he never wanted to cut them off. There were little pauses at the end of each of their turns to speak before the other picked up where they had left off. Their voices leapt from secretive whispers to passionate orations of their favourite passages, rebounding evidence and analysis off each other like a bouncy ball. Spencer finally had a voice to put to the sarcasm, the one his mind had conjured long forgotten in the wake of Y/N’s enthusiasm.
The shop’s door swung open. Spencer leapt to attention as an older woman swept in, past the two of them towards the non-fiction section. Y/N adjusted their name tag, their back straight too. The clock behind the till announced that it was now twenty minutes after the end of Spencer’s lunch break.
Running on the rush of his hobby meeting a potential friend, Spencer asked, “Can I get your number? So we can talk more, maybe swap some more books, when you’re not working?”
His luck was still by his side as Y/N wrote out their number on his receipt, written in their infamous black biro.
--->--->--->--->---> 
  Spencer leapt over to the door of his apartment, took a deep breath, and unlocked it. Stood behind where it had been was Y/N and they too were still wearing the uniform from work. Their nametag was still on their polo shirt, the same spot that Spencer wore his FBI tag.
“Can I get you a drink?” He asked the second they made a step inside his abode.
“Tea would be great. Milk and one sugar please.”
And while he was in the kitchen, Y/N rushed over to the bookshelves, their eyes wide to take in Spencer’s collection. “Oh wow! You weren’t joking!” Their finger indicated to a hard cover copy of Mean Time by Carol Ann Duffy, “That’s one of mine. Well, yours now.”
Plucking it from the shelf, they opened it up. Spencer had written his initials beside theirs.
Spencer stuck his head out in the partition, “Ours. If we’re going to be sharing.” Y/N stood on tiptoes, teeming with delight, their hands cradling the book with all the care Spencer could hope for in a fellow reader. Joint custody of their books and their passion? What a dream.
“I just have to write a little more about the epilogue, and I’ll be with you,” Y/N took their place on his couch. A pencil began scribbling away their thoughts onto the last few pages. Their knees were their desk.
Spencer finished brewing and placed the mug in front of Y/N, who mumbled a quick thank you to him. He joined them in writing his final notes. It slowed him down a considerable amount, but he was glad to take things at a casual pace, especially considering the way that Y/N almost broke their pencil as they scrawled out their thoughts for Spencer to hear later.
“Have you thought about the next one you’d like to try?” Spencer asked tentatively. He wasn’t so sure if Y/N would want to be interrupted.
Luckily for him, Y/N paused their stream of consciousness to look back at his books, “Hmm. So much to choose from.”
Stood up, their book left in Spencer’s care. They took a deep breath, closed their eyes and used their forefinger to draw a zigzag over the spines. Spencer felt that he was almost sick with joy.
Y/N stilled their wandering hand and opened their eyes, already drawing out the selected novel, “This one.”
“And what have you chosen for me next time?”
Y/N handed over The Butterfly Lion from their bag, “Ok, I can’t wait any longer, what do you think?”
They sat back on the couch. Their legs now hung over the arm of the couch, elbows either side and face cupped in their palms. The book rested in their lap. Shifting so that he faced them completely, Spencer returned to the first page and his analysis began.
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lovedinapastlife · 3 years
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Rec List
Hey. It’s me. Sunlit Garden on AO3. If you would like to find a bughead fic, beta, be long-term groomed with positive feedback and helpfulness, then have your self-confidence chipped away, be isolated from other support systems, be negged, insulted, and emotionally harassed/toyed with to output to her idea of perfection -- or find someone who did this to others and will most likely weasel their way into doing it again -- I recommend none other than jandjsalmon, the gal who runs theblueandgoldoffice - a handy fic-finding website.
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I made a prior post about my personal experience but apparently not everyone knew it was her because I didn’t name her specifically. Hopefully, this is the last post I’ll ever make about her. A lot of wonderful people reached out with similar experiences or sympathy but I’ve also seen some continue to interact with her or rec her as someone to follow. Now, I’m putting it in the tags. Her name is out there. If I see her on rec lists, at least I know the info is out there that she abused me and others and whoever posted didn’t want to deal with having to deal with her bullshit of her harassing them or they think I’m a liar. I have nothing to lose in this fandom or to gain by outing her. I’m doing it because I don’t want her to be introduced to new waves of authors/readers/people will trust her without protecting themselves or doing something to protect others. Unfortunately, me and the victims I talked to did not feel comfortable sharing how much she hurt us with each other until she’d done a fair amount of damage, and we were all trying to make it work with her until we hit a breaking point.
As a reminder... this is just a potential scenario based on past experience.
If you do become mutuals, and she thinks you have an ounce of fandom fame or MIGHT post things she likes if she bugs you enough, she might make you aesthetics, reblog, comment, buddy up to your friends to get closer to you, find out and exploit your insecurities or mental illness, notably withdraw support to prove a point if you like something she doesn’t or even show love for another person who doesn’t love her, keep records of your convos, show them to other people, vague post about you (sometimes even going so far as to message you without you even asking to make sure you know ‘oh it wasn’t about you’ to rub salt in that wound), let her husband talk shit about and to you even when on good terms with her, and try to get involved in your personal life to be your (only) best friend and support system... only to tell you you are nothing without her, people rely on her for recs and she can turn the tides on fandom favorites, you should not write original works because original romance is “disgusting” YA is “immature” and no one likes your work and your mind is too fucked up to be productive without her. No one will love you or have time for you like her.
She will insist you include scenes even if you don’t want them there, then try to claim she helped write your fic in the comments of it when all she did was tell you to add something you already wrote and deleted back in, though she did comment on the doc and talk through your million ideas and pick her favorite OF YOUR OWN IDEAS and help with grammar. She will also tell you at least one of your fics is disgusting and berate you to the point of not wanting to post it, especially if it shows Betty even slightly interested in someone besides Jughead at some point in her life, claiming “that’s not her!” but OOC or Jughead with past/current partners is no problem... and she will be very apologetic to have to tell you and make you feel bad, but brag in DMs of her friends that she “made you change your mind” and “taught you how to think” if you eventually cave and adjust something. Conversations become drags where you agree with what she says just to avoid confrontations and meltdowns sometimes.
If you talk to her and try to rebuild your friendship or set boundaries, she will either lash out or apologize and be good for a few days until she can find a reason to turn on you again. When you distance yourself for protection or make new friends, she will harass you in DMs asking why you unfollowed (even if it’s a tumblr glitch) or followed so and so, why you did or didn’t like something, tell you how awful everyone except her is, and try to get you to talk shit about your own friends when you know she’s talking shit about you, too.
Oh and if you compliment her on something you’re considered good at that she’s insecure about (prompted or unprompted), be prepared to be called a fake liar and a judgmental bitch in general for having an opinion -- yes, even if it’s positive, so imagine how fun it was to disagree on something neither of us even made.
She is not a neutral party when it comes to abuse and harassments either. Despite being very anti-cheating, she stoutly defends the Sprouse brothers despite multiple women and outlets coming forward claiming they cheated on or abused their partners, claiming the sources are “crazy” or “jealous” or “unprofessional.” I have some pretty ironic in retrospect screenshots someone sent me of some of her rants but I won’t post them publicly here. What Jandy told me of her former victims was that they blocked her for no reason. She was nothing but supportive of them and they got too big for their britches and had other friends and abandoned her. I’m sure she says similar if not worse things about me for calling her out and cutting her off.
So yeah, it will be uncomfortable to unfollow, ghost, and/or block her. It might even be inconvenient because of the service she provides to this fandom. But please keep in mind that even the slight fear/dread of her shadow-banning or harassing you is a sign that she’s affected you, too.
If you really miss that one extra comment per chapter, hit me up. I’ve got a lot going on but I’ll make an exception for people who need that extra support as long as I can. For additional support, please see local and online organizations to talk to a professional or volunteer trained to help with emotional abuse, toxicity, depressive, or anxious thoughts like therealdepressionproject. Good luck and have a wonderful day.
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carlyraejcpsen · 3 years
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alright, i’ve tried to keep quiet because i truly believe in karma and wanted this rp to close through the admin’s own actions and not give them any opportunities to blame it on me instead. it also felt like beating a dead horse, because i was sure they’d close the rp after losing a huge proportion of their active members and the majority of their diversity. however, after seeing multiple people sharing their experiences today, they are still posting promo posts and starting their event. so yeah, here’s my experience with @thevillagerp​​
NOTE: i no longer have screenshots from my conversations with the admins, as i blocked them when i left the rp for the sake of my own mental health, but i did save the text in my drafts, so the messages below are copy pasted. i have not edited them in any way. They also deleted my original anonymous messages off of their blog.
TRIGGER WARNINGS: racism, very vague allusions to homophobia and transphobia
so i was a member of this roleplay for around two months. during my time there, it was startlingly obvious that white fcs were preferred and prioritised, both from the fact that they got more plots and interactions in general and from the fact that admins never promoted diversity on the main. even now, they repeatedly say they “would still love to receive some more male and non-binary apps” while ignoring that they currently have a ratio of 8 fcs of colour to 24 white fcs. their diversity rules at the time were that 1/3 of a mun’s characters had to be played by an fcoc. so people could easily just play one or two white characters.
a while ago, i sent an anonymous message to the main asking if they had considered perhaps changing this rule to be 2/3 characters instead of 1/3, since there were so few muses of colour in the roleplay (as i said before, they’ve since deleted this from their blog so i cannot provide a screenshot). they responded that they had been thinking of upping the character limit to four instead of three, with a rule that 2/4 must be played by an fcoc. i gave them the benefit of the doubt and the time to enact this change, but nothing happened.
so a few weeks later, i sent them this message on anonymous:
I was wondering if you had thought any more about the diversity rules here? I know you said before that you were considering increasing the character limit, but I noticed that hasn’t happened and I wanted to know if that was a change we’re going to see or if you would consider changing the rules in another way? I’m really disheartened by the lack of diversity in the roleplay
at the time there were 18 characters of colour out of a total of over 60. they responded (again, i’m sorry i don’t have the actual wording since they’ve deleted the messages) that they had thought about it and decided against upping the character limit, but instead would be having a weekly “poc acceptance day,” where they would only be accepting apps with fcs of colour. they also said they were doing this “now that the waitlist was mostly cleared,” which meant that the rp was mostly at capacity anyway, so they needed to look more at how to encourage their existing members to promote diversity, since there weren’t spaces open for new people to bring them in.
i responded with another anon expressing my disappointment and pointing out that they had done more to prevent having too many celebrity characters than too few muses of colour, as at the time they had a ban on celebrity muses. i wouldn’t usually suggest a ban on certain fcs, but as it was something they had done for celebrity characters, then i supposed it was a reasonable option.
they didn’t even respond to this message and instead posted on the main asking me to come off anon to discuss it. so i did, and i sent them the following dm:
i didn’t want to come off anon because i honestly feel really ostracised in this group and didn’t want to make it worse, but i don’t want to drop this issue and you aren’t comfortable addressing it publicly so here we are i guess. like i said in my previous message, i really don’t see how a “poc acceptance day” is going to make anywhere near enough of a difference. people will just wait for the opportunity to play their white characters. there are only 18 characters of colour in a roleplay with over 60 characters. that’s less than a third, which is obviously concerning. what’s even more concerning for me is that these characters are more often than not overlooked. i am often ghosted when plotting, or people don’t even reach out at all when i like plotting calls or intro posts. and then i have to watch characters like leo almost exclusively interact with white women (i’m sure that’s not the only example, but it is the first that comes to mind as he is one of the more active characters).
so this issue goes so much deeper than there just not being adequate representation in the rp. i really tried to help, i suggested making it a rule that 2/3 characters need to be poc in my original ask and you mentioned upping the character limit in response. i was worried that my concerns were being brushed aside, but i waited a while to give you the benefit of the doubt and the space to discuss the issue. so you can understand why it was really upsetting today to learn that the one thing you suggested was dropped and instead replaced with something that is barely scratching the surface of the problem. and i don’t know if it was your intention, but by saying that you were waiting for the waitlist to clear, it comes across as not wanting to receive any backlash from people who would want to join with only white characters. and even if people did want to join with faceclaims of colour, they can’t because the waitlist is cleared. like i suggested, you could change the rules so that 2 out of 3 characters must be people of colour. or, as was your proposed idea, up the character limit to four. you could also put a temporary ban on white faceclaims until the ratio evens out. as i mentioned, it’s really distressing that this was something you were willing to do for celebrity characters, but not to aid diversity.
i also just want to make it clear that these have been the only anons i’ve sent, i know you’ve been getting other ones, but those weren’t from me!!
( for context, they were receiving anons from someone else claiming that they felt left out in the rp ).
i had hoped that coming off anon would show them that this was a very real issue which was affecting their members, as well as giving them a space to discuss it privately instead of on the main. they responded with:
Hi Em, thank you for coming forward. We really, really appreciate it and we understand it’s not an easy thing to do. We also appreciate you flying the flag for diversity so strongly. We can always strive to be better, we are on the same page with you here.
Let us just explain our decision making. Firstly, just to address the waitlist, that was certainly not at all our intention when we brought it up. It was a logistical decision with 5+ applicants having already waited a week for acceptance and aware of their position on a waitlist.
When we decided against upping the character limit (and therefore the 2/4 POC character rule), we thought a POC acceptance day could be a good alternative course of action. In our eyes, this was something that would probably bring more POC characters to the group than the 2/4 rule because we knew there weren’t going to be many muns taking up an additional fourth character. This was a rule we’ve seen other groups enjoy success from so we wanted to try it out here. Plus, we think a day that explicitly highlights diversity every week would bring the message to the forefront of everyone’s minds. As we said, we’re going to monitor this over the next couple of weeks to see if it brings any improvement because we’d really like to have it as an ongoing rule.
The non-POC ban is actually a measure we’ve spoken about too and we are considering putting one in place should this fail. Thank you for raising your concerns, know that we’ve taken them very seriously and we hope that you’ll trust our judgement in trying this rule out first to see where it leads.
first of all, i don’t think i even have to mention the wording of “flying the flag for diversity.” but the real crux of the issue here is that they supposedly wanted me to come off anon to discuss the issue, but instead just explained their idea further and didn’t take anything i said on board. they didn’t even say a single word about how i told them i felt ostracised and regularly got ignored. i knew from speaking to other muns in the rp who played muses of colour (and just from looking at the dash) that they felt the same way too, but of course was only speaking from my own experience.
i thought long and hard about how to respond to this, as i was so disheartened by their unwillingness to listen to their members and the fact that they didn’t care that i felt left out. it felt like they had asked me to come off anon just so they knew who was messaging them and therefore put a target on my back, so honestly the thought of being on the dash or talking to the admins made me incredibly anxious. before i had a chance, however, they responded again with:
Hi hun, we’ve continued discussing this issue over the last couple of days and we wanted to let you know that we’ve decided to put in place a non-POC ban instead. Thank you again for holding a mirror up to the group. We do hope that this will recorrect the balance.
so i waited to see how things would play out. they posted about this new ban here and pinned the post to the top of the main:
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[ IMAGE ID: a screenshot from thevillagehq of an admin update, which reads: in the interest of keeping the village a diverse space, we are currently only accepting applications for POCs. please note that any apps or reserves submitted to us for faceclaims that are not POCs will be deleted. we will lift this rule once we see fit.
thank you for your understanding and your efforts in making this group a brighter, more inclusive and diverse place for all. /END ID ]
this rule remained in place for around two weeks, during which time they made almost no effort to promote it. the above post was pinned to the main page, but that was the only mention of the ban anywhere on their page, they didn’t update the rules page or even put a note on the application page about it. during this two week period, the admins posted 10 promo posts, none of which suggested fcs or even mentioned the ban or diversity at all. the ban was then lifted suddenly when the pinned post was removed and the admins just went back to accepting apps with white fcs. the ratio had only evened out in those two weeks (from 18 out of 65 to 24/50) because of people going inactive or leaving, and there was nothing put into place to continue to promote diversity after the lift of the ban. in the three days after the ban was lifted, the admins posted over 10 promo posts, the same amount they had posted during the entirety of the ban. it was clear that they had no intention of actually making changes in their rp and had only done so because i refused to drop the issue.
again, i thought a lot about what i wanted to message them. i knew at this point that they didn’t want to make any real changes, but i still felt like i had to make it clear to them how disappointing their actions were. once again, i was messaged before i even had a chance, this time for bubbling.
as you can see in the above correspondence, i had told the admins point blank that i felt left out and ignored in the rp because of the characters i played (aubrey plaza, mj rodriguez and keiynan lonsdale fcs. all of my characters were queer and used either she/they or they/them pronouns). as a general rule, the only people who wanted to write with me and have interesting plots with me were people who played other muses of colour. the rp had a rule that you must reply to 3+ muns on every character, which i had been doing. i had only been back from my hiatus for a few days at this point and had responded to 6 different open starters the day prior. their message to me read:
Hi hun. There’s something we wanted to address to you directly. It’s been expressed to us by multiple members during these last few weeks that they have felt excluded by your character within the group, especially when it comes to the friend bubble that has formed between Mars, Bowie, Luvena, Asher and others. 
While we encourage the development of friendships and trust that this isn’t intentional, we have a zero tolerance for bubble roleplaying at The Village. We are aware that our three mun activity rules have been met by all parties involved, however, bubbling is usually a little more nuanced than that and it seems it has unfortunately begun to create a bit of a divide within the group. 
We have already issued individual warnings to a few people within the bubble, however with multiple members still expressing their concerns to us, we decided it would be better to address the group as a whole. We hope that by pointing this out to you, you will try and branch out to your fellow members a little more from now on - and try and be a little more inclusive when it comes to everyone else in the group. 
We take such matters very seriously as admins, and while we hope it won’t have to come to this, there will be consequential steps taken should we not see any changes in your interactions in the weeks to come.
as you can imagine, i was incredibly upset to receive this message after already telling them i didn’t get plots from many of their members and they had done nothing. even people who i had previously messaged continued to only write with the same few white characters. i don’t deny that we definitely had a friendship group between our characters, but there were multiple people in that roleplay, including the admins, who only cared about ship plots or plots with the same few muns. me and other people who received the same message had all previously told the admins that people aren’t plotting with us and gotten ignored, so receiving this message made it clear that they neither cared about us nor wanted us in their rp. and so i responded as below:
yeah i literally told you i felt left out because there are multiple people only writing with white characters and you never addressed it, so this message is honestly insulting. i have reached out to almost every new member, responded to multiple open starters and have tried to plot with as many people as possible. like i told you, i am often left on read or people don’t even message me at all. if people do message me, i am usually expected to put in all of the effort and if people aren’t interested in actually developing plots with me then i am obviously not going to force my characters on them. all of my characters are queer, non binary people of colour and the harsh truth of this roleplay is that people don’t care about them. i even wrote out a whole list of 20 detailed suggested connections in an attempt to get more plots and nothing came from that either. i’ve even gotten anonymous hate saying that offering to explain my characters’ pronouns was “patronising,” which i didn’t feel like i could approach you about because, when i told you about how i’m feeling excluded, you didn’t care.
so if i only have actual plots with the people who actually care about my characters, i make no apologies. i also don’t even have threads with half of the characters you named, asher being the only one, and have literally only just come off hiatus. so please explain how i am bubbling, because this really just feels targeted at this point.
you’ve made it endlessly clear that this rp isn’t a safe space for people who want to play diverse characters. the main was practically silent while you had a ban on white faceclaims, which you never actively promoted, and then you dropped that suddenly without putting anything else in place. you also deleted my initial anonymous messages asking about diversity as if you were trying to hide that there was ever an issue. you turned anonymous messages off, so that no one can safely criticise you. because i did that off anon and ever since it has felt like there is a massive target on my back. my characters have been “accidentally” on the activity checks multiple times despite me being on hiatus (people get a notification that they were tagged even if you remove their name from the list btw). plus when i asked for an extension on my hiatus, you said that you would allow it “just this once” which now makes me feel like i can’t come to you if i’m busy. right now, for example, i am in the middle of moving house, but i’m also stressed about trying to stay active because you have made yourselves completely unapproachable.
the ratio only evened out slightly because members left. then suddenly after the ban you’re posting multiple promo posts a day??? you couldn’t get more obvious. i came to you about diversity in good faith, hoping that it was something you were unaware of, but you have made it abundantly clear that you actively do not want to promote diversity in your roleplay, we are just here to be witnesses to your ship. there are multiple members who are actually bubbling who have been brought to your attention, but nothing has been done. leo continues to only write with the same three white and white passing characters. charlotte pretty much only appears to write with leo and post a vague “message me for plots” post that wasn’t even tagged. both of you only put effort into your ship threads with each other and the occasional text threads. even with something like group events: while i’ve been here, there’s been a pride event that neither of your characters were even in new york for (an event where i was the only one reaching out and posting multiple starters, by the way); there was no event last month, and this month all you’re talking about is this housewarming party.
i’m really disheartened that it’s come to this, but i can’t be here anymore. please post unfollows for all my characters. you’ve said multiple times that we should trust you as admins, but this message shows again that i simply can’t do that. from the disregard of trigger warnings, to the way you treated being held accountable for the lack of diversity, to how you respond to people asking for hiatuses, this isn’t a safe space. even if i stayed, the target you have placed on me is making it insufferable to just write my characters in peace.
the other muns who received the same bubbling message (copy pasted btw, we all got the same one word for word) all responded with their own concerns and criticisms in responses of a similar length to mine. none of us received a reply, our unfollows were just posted the next day without any further responses from the admins. a few of the other members who had written and plotted with us chose to leave as well, which the admins wrote off as us just dragging them with us as opposed to them being able to make their own decisions and being aware of the situation (which was incredibly obvious. no promotion of a white fc ban, suddenly being active on the main once they try to stealthily drop the ban, then the majority of their muses of colour leaving???)
i haven’t paid the rp much attention since i left, as i mentioned above i blocked the main and the majority of the members just for my own mental health. but from a quick scroll through today i can see that the only change in diversity rules is that now instead of your third character having to be a poc, it is now your second. however, you still only have to have 1 character out of 3 have a fc of colour. so very little has been done, but of course i’m not surprised in the slightist.
these admins don’t want diversity in their roleplay. if you play any character who isn’t a rich, white, cishet neurotypical, please avoid it at all costs. it’s not in any way a safe environment.
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schnozzbun-art · 2 years
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I hope this is okay to ask, but any potential drop times for the next chapter? so excited for it!
Short answer: soon-ish!(?)
Long answer: Have you ever heard about Zeno's Paradox of the Dichotomy? I learned about it in a vsauce video when I was a teenager. Basically, a runner in a solo foot race is presented with a track she must run across, except there's one rule: she must always run half the distance she has left to reach the finish line. So after she reaches half way she has to run a quarter of the way, then an eighth of the way, than a sixteenth, a thirty-second, and so on and so on and so on. And due to there being an infinite amount of subdivisions, theoretically, she never crosses the finish line.
That's a little how it's felt writing this upcoming part 😅 Just when I see the end in the horizon, I get struck by a new idea I really want to include. I've managed to come up with at least four brand new 250-1.5k word ish scenes that weren't in my last full draft of From Parts Unknown that I've included to expand on character interactions or deepen themes I want to explore (this also includes a BIG chunk of writing that was like, 500 words at least that I ended up deleting wholesale because I was extremely bored by it and realised I could just skip entirely to get to the interesting bit, but unfortunately I sank a lot of time writing it).
It's both very fun and very annoying. I'll think I'm close, then suddenly come up with an idea for a new scene that has me like OHHHH BUT THIS WILL MAKE THE THEMES RESONATE SO MUCH BETTER or THIS WILL FILL IN THIS PLOT HOLE THAT'S BEEN NAGGING ME or OH THAT WORKS SO MUCH BETTER THAN WHAT I ORIGINALLY HAD. It ended up being so much I've had to split this upcoming part in half, which will make FPU 10 parts instead of 9. All these additions has also made me jump a lot between Writing™ mode and Editing™ mode, the prior tending to take a lot longer than the latter unfortunately.
Currently I've been chipping away at this new quite ambitious scene that was originally summarised in two paragraphs, and which I always got the sense I was glossing over too much. For around a week I was very blocked on how to expand despite having researched the topic on and off for close to a year and a half. So after doing a lot of research by watching a ton of youtube videos and buying a memoir exploring that Certain Topic i've felt a lot more confident in the scene's trajectory. I'm in the second draft of that scene now, and am pretty confident that once that's done, all that's left is editing a few parts, showing it to my betas and gammas for feedback, and then I can post the thing. And again, I'm always trying to work on the fic in bits and pieces, and I also dedicate a two-hour block per week where I do my best to do focused writing dedicated to the fic (if I don't have uni work taking precedent).
Again tho, I appreciate these check ins, as its nice to know people are still curious about the fic. Know that its pretty much constantly on my mind, and I post about more granular bits of process on my Twitter. I hope you have a nice day!
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norarigby · 3 years
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フェア関西のルームメイト二名 (The Two Roommates from Fair Kansai)
Chapter 2: The Typo
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Description: In which while typing a roommate ad online, the famed Miya Atsumu, (23) MSBY Jackals Setter, makes a detrimental typo that leads to an influx of women applicants. Confused, but not completely opposed (the idiot), Miya Atsumu lands on a formidable candidate. Y/n L/n. A Biotechnology major at Kansai University, looking for a change after her last disastrous roommates and some space from a particular complication. It’s odd, but it’ll work. Maybe a little too well.
Pairings: Miya Atsumu x Reader
Warnings: None!
Word Count: ~1.4k
A/n: Cross posted from my AO3. I update there first, so if you want the chapters sooner, check it out!
To say Atsumu was overwhelmed would be an understatement. When one of the athletic directors approached him saying how his phone kept going off in the locker room, he was concerned something was seriously wrong. As a precaution, they assure him that if it was an emergency that he should feel free to take the day. But upon closer inspection, he quickly realized that wouldn’t be necessary. He scrolled through what seemed like pages of messages and missed calls about the ad. And not just any inquiries, but…
“ALL WOMEN!” Atsumu exclaimed loudly in the busy shop. A few annoyed heads turned to the source of the outburst.
Osamu rolled his eyes, “‘Tsumu, we talked about this. Having you come during busy hours is already enough of a nuisance, but could you keep it down? This is still a public place.”
“But ‘Samu! What am I going to do?” Atsumu whisper-shouted like it would help his outburst, but it still elicited a few head turns, “I already didn’t want to room with a stranger! And now all of the applicants are girls? This has to be some sort of joke.”
Osamu helped with the line and handed out a few orders to customers before focusing some energy on his dramatic brother. “Well, did you specify that you were only looking for male roommate?”
Atsumu picked at the stray rice grains on his plate as he tried to remember what he wrote. He couldn’t remember specifying anything about the roommate themselves; focusing mainly on the apartment itself. He voiced his thoughts to his brother.
“Hmm, well Atsumu can be a girl's name. Maybe that’s why?”
He tried not to be offended at his brother’s comment, mainly because he was partially right. It’s possible that they’re assuming he’s a girl. But that doesn’t make entire sense either. Is it possible his fan club found the posting? That seemed pretty possible. Atsumu knew fangirls could get crazy when they wanted to be.
Osamu finished some things behind the bar and went over to sit by Atsumu. The two contemplated his conundrum over a fresh plate of onigiri. After Osamu’s second, he spoke up, “Just for science, can I see your ad?”
Atsumu gave him an incredulous look, but pulled up the ad anyway, “I mean, sure, but I don’t think-”
At Atsumu’s sudden silence, Osamu’s curiosity was piqued, “”Tsumu? Everything okay?”
Wordlessly he handed the phone over and Osamu read through the ad. Immediately after reading, he burst into laughter.
“‘Samu! This isn’t funny!”
But Osamu was laughing so hard he couldn’t even speak. Some of his employees turned out of concern and curiosity at their boss’ sudden burst. Eventually, he calmed down enough to choke out a “you are in some trouble, ‘Tsumu”.
Roommate Wanted.
Master Bedroom available with a private bath in a 100 sq m apartment in Osaka. In-unit wash, AC, dishwasher, internet, etc. Fully furnished (besides bedroom available). Rent with utilities is 62784¥. Near public transportation. Feel free to contact with questions or offers.
06-XXXX-XXXX
Text/Call
Miya Atsumi
--
“Alright, that wraps it up for today. Finish the calculations on your own time and be sure to bring back your completed form by next class. See you Tuesday!”
The sound of chairs scraping against the floor harmonized with the zipping and unzipping of backpacks as the classroom got up to leave. Y/n pulled out her phone to finally check her messages.
From: Mom
Found a listing in Osaka that looks interesting. Good apartment with really good pricing. You should give them a call.
(link)
Y/n typed a quick thank you before clicking on the link. Her mom was right. It looked like a decent location and a not too bad price. Trying to look for any information on the roommate (roommates?), all she could see was a number and a name at the bottom of the ad. What a strange listing. It was probably the shortest listing she’d ever come across--and definitely the most to the point.
Y/n sat and stared at the listing for a little bit while weighing her options. She just got out of an interesting situation in Suita, but she was now living with her parents. Which wasn’t necessarily a bad thing, but both her and her parents weren’t exactly jumping at the idea of her moving back in, especially with her graduating college next year.
Making up her mind, she copied the number and sent a quick text to the number on the ad. A silent prayer was sent to whoever was listening. This wouldn’t fix all of her problems, but this would solve a big one and she swore she would be able to handle the rest.
--
“And you told me I was loud,” Now Atsumu was getting antsy about the amount of people staring at his hysteric brother. “”Samu, you need to calm down.”
This had been going on for at least ten minutes now. Osamu would read through the ad, get sent into a fit of laughter, finally calm down, but then would read it again and the cycle would start all over again. Not used to being the responsible twin, in addition to being extremely embarrassed by his brother’s reaction to his typo, Atsumu was at a loss for what to do. He tried sending reassuring smiles to patrons and mumbled some apologies, but that was the extent of his capabilities.
Finally, Osamu calmed down and pushed Atsumu’s phone back to him. Taking a deep breath to compose himself, Osamu tried to console his brother, “Hey, maybe this won’t be such a bad thing. Surely, there’s at least one of those girls that you could at least be civil with.”
Atsumu scrolled through his messages again, exacerbated, “Even if that’s true! There’s too many! I don’t really have the time to sit and go through all of these.”
There were at least 100 people who had responded to his ad and where the messages definitely weren’t flooding in as much as they had earlier that day, he would get a notification about once every 15-20 minutes. By the time he got through the original applicants, there would be another 100-200 to take their place. In between practice and conditioning, there was no way Atsumu was going to be able to get through these all by himself.
“Tell you what,” Osamu leaned back in the chair he was sitting in, “Since this was partially my idea, I’ll help you tonight after I close up. And if we can’t find anyone, I’ll help you write up a better listing and we can delete this one.”
Atsumu’s other issue with all of these applicants is that he really didn’t want to spend energy looking through dozens of descriptions and deciding if he would like them or not. He assumed it would be like the dating app he had for a couple weeks, but worse. Atsumu really didn’t like the idea of judging someone based on a single paragraph they wrote about themselves. He preferred a more personal approach. Like with the various spikers and teammates he’d played with over the years, he was really good at reading people in person. Within a short conversation, he could pretty accurately lay out a person’s personality (what things they might like, what might make them tick, what things they were indifferent to). Over the internet it was much more difficult.
He guessed he could always ask them to meet in person, right? That was something people did. They could meet at his brother’s restaurant so then Osamu could get a feel for the other person. Atsumu figured it would also get one glaring issue out of the way: he was a guy.
It was a fool proof plan. Osamu and him would sort through the applicants tonight and he would invite them to meet him in person. This way he can see if it’s going to work or not and if they aren’t comfortable with rooming with a guy they can just leave. Genius!
Atsumu recounted his plan to his brother and Osamu was in agreement. With that, the blonde brother left to go to afternoon conditioning, planning on returning just before close to sneak in a few more onigiri from his brother before the long haul.
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Voldy, I need advice.
So I have this online friend. We've been talking for a few months now. He's one of the best friends I have and we've kept each other company through tough times. We live in a very...traditional country, where LGBT folks are often frowned upon. Both our families are conservative; which is a problem, because we're both part of the LGBTQ community. It's a bigger problem for him, though, because he's a closeted trans and constantly experiences dysphoria.
Well, the problem is, I woke up today and saw his texts. He says he got in a fight with his mom for being masculine and has to delete most of our texts and he was apologizing and he told me he needed to block and delete my contact. I totally understand why he did it, but it hurts and I feel selfish for feeling so when he's the one facing a multitude of problems. We still have each other's Instagram, but it doesn't feel the same but it's okay. As long as he's okay, I shouldn't be whining over how we have to text each other thru Instagram.
Honestly, it's not the texting through Instagram I'm scared about, it's that I'm terrified at the possibility of losing him. We're best friends at this point (even though we haven't met each other) and the thought of him disappearing from my life is always a possibility and a terrifying one. Sorry if this is too long.
Ah, this is tricky indeed. Do not concern yourself with the length of the missive. It was needed to convey the issue.
First off, I am pleased that you have found one another and are able to commiserate on your dilemmas and offer each other your support. Friendship can be quite beneficial - even I have those I enjoy the company of, such as Nagini and Bella.
Now, for the matter at hand. I gather you are both underage, which of course complicates things, but I shall do my best.
Now - it is alright and normal to feel hurt. You have been rejected - not by your friend, but by his mother, which is, frankly, quite insulting. I can see how it would sting. Abraxas's parents did not much like me when I was a boy, as I came from questionable origins, and I held the grudge for as long as they lived. Perhaps I still hold it. You can feel this sting, and acknowledge it, but it is best you do not make it your friend's issue. He is actively dealing with his parents's...rejection as well. Rejection is a harsh word, perhaps, but...not entirely inaccurate. It is unfortunate they are going through this.
At it's surface, the question is about how to remain in contact. There are many ways to keep in contact with one another, of course. You can perhaps connect on other social media platforms so if one of you vanishes from one you can contact each other on another. You can store the telephone number of the other in writing on paper someplace safe. You can even write physical letters to one another. I would send owls to Cygnus routed through Avery when his parents banned him from receiving mail one summer he was in trouble. They were neighbors, you see.
But - something tells me this missive is not entirely about communication. Young people have many creative ways to communicate these days - you truly do not need the help of the Dark Lord for that. This is also about your concern for the safety of yourself and your friend. It is good you are functioning as a support system for one another. You would likely each feel better about one another if you knew you had additional means of support as well. Are there other friends in your life you can be out to, for example? Is there a trusted adult you can go to in each of your lives? I do not know how close you are to the age of majority, but perhaps you can make plans to attend the same university or include one another in your post high school plans?
I have faith in you, and can tell that each of you have a bright future ahead of you.
Best of Luck,
Lord Voldemort
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galacticlamps · 3 years
Text
im sorry im sorry im sorry i know it’s been well over a year but i accidentally thought about Short Trips: Deleted Scenes (again) and it’s killing me (again) so i think im just gonna go ahead and post all these stupid thoughts that have been plaguing me about it since i first heard it & maybe that’ll help clear up some space in my head for like, real life things.
Spoilers I guess? It’s like a year and a half old but also high key the most recent 2nd doctor content i believe we’ve gotten which is like, the only negative thing I can say about it
The TLDR version is this:
I literally cant believe how sweet it is? Painful, but sweet. Like. I don’t honestly know what’s more likely - did they set out to write Jamie a nice little straight love interest and just fail miserably at it by constantly likening her to the Doctor AND paralleling the Doctor’s perspective with her ex’s AND putting Jamie’s relationships with both of them in direct tension with each other while constantly letting his with the Doctor win out?
OR - did they do a very 1960s thing and say hey we’re gonna write what’s essentially a story about how much Jamie and the Doctor love each other and release it on Valentine’s Day thinly disguised as a one-off romance with a french lady?
Now, as a general rule, my attitude toward questions like that is usually “don’t know, don’t care, doesn’t matter” - and while I 100% stand by that, I also have to admit that this particular audio seems to pay enough attention to detail that I’d kind of think I was selling it short if I assumed too many of these things were just meaningless coincidences, you know?
Anyway, that’s the most coherent/overarching thought. And here’s a disorganized list of things I absolutely cannot get over about it (they don’t form any kind of argument, mind, they just all happen to live rent free in my head):
- Celine is first taken in by Jamie being an idiot (specifically him claiming not to speak French, in perfect French); likewise, her entrance in the scene where they actually kiss is marked with a little anecdote about her hat getting stuck on a doornail and her scolding it as she attempts to fix her un-tameable appearance, and the narration says Celine “would often clown for Jamie like this” - all of which, while undeniably adorable, don’t exactly strike me as entirely original traits to have been assigned to Jamie’s love-interest (but also Celine is so cool and her perspective on film/media/time is an excellent addition to the long list of dr who characters)
- When they’re in the present, describing Jamie’s relationship with Celine in 1908, they call him her “companion” and highlight his going nearly everywhere with her, which earns a laugh from the 4th doctor (and me as well, though probably for slightly different reasons - but like, is that really all it takes to have a fling with someone in 60′s era who? bc if so...)
- Celine’s ex-fiance is still in love with her and is jealously watching when she kisses Jamie ... and then the Doctor appears beside him, evidently doing the exact. same. thing. They have the following conversation:
“You know, it’s not prudent to spy on people. But then, people in pain can’t be expected to act prudently.”
“Pain, monsieur? You mistake me.”
“Ah, do I? Good, because I rather thought you’d lost something.”
“What would you know about loss monsieur?”
- I’m sorry doc but who do you think you are, saying stuff like that and smiling sadly at the floor to boot? I 100% had to pause it here the first time I listened, just to not throw my laptop across the room. 
- Then when I recovered continued, the Doctor closes the door so they can’t watch anymore and explains “Possessing things comes so terribly easily to some men that losing them can feel cruel, intolerably cruel. In my experience, only the very best of men cannot be tempted to answer that cruelty with more - I do sincerely hope that you are the best of men.” (guess who gets described as the best of men by the end of the audio?)
- Jamie and the Doctor apparently develop a habit of walking along the river in Paris in silence
- During one such walk, Jamie suggests Celine come with them since she already figured out about the Tardis - and when the Doctor’s worried by this, he says he only allowed Jamie & Celine to grow closer “because of Victoria.” Jamie takes offense at the ‘allowing it’ comment and also refuses to admit he knows what the Doctor means about Victoria, which leads the Doctor to say that he knows how fond Jamie was of her - he was too, of course, but with him, “it was different, wasn’t it?” Jamie only says maybe that’s true and maybe that’s not, but his voice catches until he changes the subject
- Jamie doesn’t see Celine for days both times that she’s recovering from the shock and depression of her work being destroyed. In contrast, when the Doctor’s not well, Jamie’s "afraid” and “guilty” and hardly seems to leave his side at all, if his being there “rushing to embrace him” the second he wakes up - after a period Jamie describes as “at least a week” - is anything to go by, anyway. so either bf writers need to learn how to write a committed straight relationship or admit that’s not what they ever intended in the first place
- Oh yeah, and the Doctor spends that week "asleep” in Jamie’s bedroom - no, there’s no explanation as to if that’s where he was when he first collapsed or if it’s where Jamie decided to take him bc why would they feel the need to explain him being there? why was it even relevant to tell us it was Jamie’s room in the first place?
- The Doctor somehow manages to control the Tardis enough to take Celine on one trip to an alien planet and then return to the correct time & place for her to use the footage she recorded there in her new film - and while the audio doesn’t do very much to explain how that was possible, it does treat this as A Pretty Big Deal, and immediately afterward the Doctor has to spend a week communing with his past self (and/or the Tardis?) debating how likely it is that the Time Lords could use this to trace him. When he decides it’s not worth the risk and they have to stop the film from ever being shown to the public, Jamie asks why he agreed to it in the first place, and all he can say is “Because, Jamie, you asked me to!” earning awkward stares from the crowd.
- Oh, but, lest we forget, that little outburst is also immediately followed by him putting his arm around Jamie’s shoulders, and, shockingly, apparently beginning to actually explain the truth about the danger from the Time Lords - until they’re interrupted, of course idk why exactly but the idea of a 60s dr wanting to come clean with a companion but not being allowed to bc the show demands the war games be something of a reveal hurts me in a very good way
- The mental image of “the Doctor and Jamie, resplendent in borrowed evening wear”
- The audio admitting that Jamie’s not very good at subterfuge, and the Doctor asking if he’s going to be alright with them having to steal the film back from Celine - and Jamie’s little “Aye, Doctor” as he feels a ‘glass arrow piercing his chest’ glad to see bf is reading all my letters about exactly how i feel any time something sad happens to james robert mccrimmon
- The Doctor’s anxious to get out of there for obvious reasons, but he hangs around bc Jamie wants to see Celine again - which doesn’t happen, because of her aforementioned shock & depression, but she does leave Jamie a note that ends “you and that Doctor of yours - look after him Jamie, he loves you dearly, as do I.” yeah, if you didn’t want people to draw a parallel there, you could’ve picked, like, any other wording in the world.
- In case you weren’t fully convinced I’ve been reading too much into this whole audio already, consider this: Celine dies in Long Island in 1968, three days before her birthday - 1968 is when this story would’ve taken place in the show’s history (between Fury & Wheel), and dying three days before/after a birthday in America seems a bit... well I had some deja vu from it, anyway
- Four of all people being the one to bring back the film - I know he does it bc Sarah Jane makes him, but personally, I often feel like despite the length of his run, 4 is the Doctor with which we might’ve gotten the fewest glimpses into his interiority, so the fact that it’s him and not one of the more overtly sentimental Doctors makes it feel like it carries even more weight somehow, to me anyway. I think I wrote a post saying roughly the same thing about 4 & Fate of Krelos/Return to Telos but maybe I only did that inside my own head lol. Still, I’m all for any opportunities for Jamie to be one of the few characters to draw some noticeable emotion out of Four, but in fairness I haven’t touched too much of his EU stuff to really be able to compare the frequency with which this happens with other past companions
- Is Four referring to Two or Jamie when he says he got the film from “an old family friend”? Two did the actual stealing, but he probably means Jamie’s involvement - either way, it’s an interesting way of describing old companions - or selves?
- When Jemima goes to call Jamie a thief, Four is “roused” to defend him: “he really was the very best of men” again, any time four freely shows he cares about someone, im over the moon about it
- Oh ha ha, there’s an audio called “Deleted Scenes” featuring the Doctor who’s most affected by junked episodes. And at the end of it, a character who’s spent her life researching and lecturing about a lost film gets to watch it be ‘rediscovered’ after it’s gone unseen for decades. I feel marginally less stupid for reading into the other details of a story like this when it ends up deciding to be to be clever & slightly meta like that
But yeah
all in all, it’s kind of amazing to me that this genuinely reads like they sat down and said okay boys it’s valentines day, let’s write an audio where jamie kisses a girl, since that hasn’t happened except as a plot device in one story in 1967 - but then when they got down to business they accidentally(?) wrote a story all about how important his bond with the Doctor is and how easily that can be compared to a legitimate love interest (even if the love interest in question is a one off character & the extent of the relationship appears to be like one kiss & then having Jamie spend most of his time around the Doctor instead)
I realize there’s something slightly illogical about writing the words “shipping aside” after a post like this but seriously - no matter how many categories you’re able to see two & jamie’s relationship fitting into, this is 40 minutes of big finish just hitting you over the head with how powerful/special/important that relationship is, and with them being two of my favorite characters, i really haven’t been able to stop thinking about it since
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alittledizzy · 4 years
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29 Things I Love About Dan
1. That he came out to his family via email. Aspirational.
2. Dude really, really loves his grandma.
3. That one time at a book signing when the bookstore overpromised tickets and there was a dad that was really upset because his daughter had been waiting in line so long and didn't get to meet them. The dad was just shouting at Dan and Phil and everyone else was trying to just quickly walk on but Dan stopped, turned around, and talked to the dad.
4. That he's the first person to defend someone he loves in any situation where he even perceives they're being shit upon, but in the same breath will make fun of them himself. He's the epitome of older brother attitude.
5. He spends a lot of money on clothes but then he wears what he buys every single day for a span of at least a year so he does at least get his money's worth.
6. That time on vyou when someone asked him what he looks for in a girl and his answer was the ring that fell off his hand last time that he really wants back.
7. His reaction to the Phil's wife story. I still laugh thinking about Sabrina and Lola. In the process of answering that he made a remark about how Phil leaves to go with his 'real' family and sometimes that just latches itself onto my brain. There was a similar comment during the blue/gold dress debate where Phil referenced Dan in with family and it's just... like, yeah, they're in love, they're in a relationship. But they're not just partners, they are full on out and out family to each other and that Dan found that at a time when he was so scared and felt so isolated with his own family is worth everything.
8. The depth of feeling in his voice during that one "Katie, Katie, Katie... Katie, Katie, Katie. No." liveshow answer. You know the one. He was having none of that and if Katie got verbally incinerated in the process of his answering, so be it.
9. When he'd be doing a liveshow and get on a tangent and end up talking about condiments or dips for like four minutes straight.
10. The way he never minded putting someone on blast that pissed him off but knew that it bothered Phil so he would consult with Phil first sometimes but then if the situation actually involved Phil being hurt in some way all bets were off he Was naming that trainer that made Phil puke he did not Care if Phil gave him an alias for the video Kai deserved what he got for pushing Phil too far.
11. That after a decade he still wants to impress Phil's family by doing things like cleaning before they come and making them all coffee.
12. And yet still made a cake to give to Phil in front of them that talked about wanting to see Phil's ass. The duality of man is real, indeed.
13. Nicer Internet. Young Minds. Make-a-Wish. Mermaids. He only just came into his own with being charity-minded in the last few years and I don't for a second doubt he does more privately than publicly and probably has some mental spirals about using his platform vs being accused of virtue signaling. But this is just one way I love watching him find his footing in the world as an adult with privilege.
14. He introduced an important word to my personal lexicon with Haru and I'd like the rest of the world to catch on because it's just a very specific action of lying while obviously lying and pretending you aren't lying and I love it.
15. When he was fifteen he was so in his emo kid feelings that he wanted black angel wings tattooed on his back.
16. That little tune he'd hum when he was trying to space out thoughts during liveshows.
17. That somehow he beat all the odds and is best friends with the first person he subscribed to (Bryony) and in a relationship with his teenage self's favorite youtuber (Phil, obviously). Teenage Dan had a really shit time of almost everything but in that one specific 'meet your idols' area he was truly blessed with all of the luck.
18. "All I can taste is cherry, all I can smell is cherry, all I can hear is cherry and all I can feel is cherry. Can't really see much though."
19. The fact that he owned up to previous bad takes and opinions and deleted old videos and tweets.
20. Litralee.
21. They originally wanted Phil to run the board at the radio show but he did such a bad job of it after the first episode that they gave it to Dan instead, and I think for someone with zero radio work experience or training Dan did an amazing job. He may spend a lot of time doubting himself but when a spotlight is on him he's clever and confident and adapts quickly.
22. The way when he says 'at all' he still sounds like his five year old self.
23.  That he tried to run the marathon last year, and didn't, and tried again this year. When you're someone that fears judgement for your failures and knows everything you do is scrutinized by a very large audience - not just fans but people waiting for you to fail so they can report on that, too - sharing in that way seems like it would be really hard. It was shit luck that he couldn't run it this year either but I have faith he's gonna cross that finish line because the man Dan Howell has turned into goes after what he wants and fuck what anyone else thinks or expects of him.
24. That one liveshow they did without pants. You know that was Dan's idea. Phil is a respectable young man who does not go live on the internet to thousands of people in just his underwear. But Dan? Dan would. Dan does. And Dan is a terrible blerson.
25. That in a video to ten million people he said with his whole chest that his relationship with Phil made him feel safe for the first time since he was a small child. And like, yeah, sure, I'm infatuated with their relationship so it made me happy on a personal level. But beyond that; putting words to things is clearly not easy for Dan. It took him decades to acknowledge he was gay to himself. It took decades plus a little to tell his family. Sometimes it doesn't matter how much people know things, giving it a label is fucking scary and I think his fear of labeling his relationship with Phil (to the public) felt like a different kind of exposure than just his sexuality and he still faced them both.
26. He clearly has a very complicated relationship with his parents and family in general but that one story he told about being young and on holiday to Disneyland Paris and his mum is terrified of roller coasters but went on one with him like six times because she didn't want him to be alone. I'm glad through all the badness and doubt and fear he's had at how conditional his parents' love might be, that he had those good memories as well.
27. It was Dan that coined the phrase 'post-baking universe.' He's very aware of the stages of their life and his growth and he shares that self-awareness with the viewers even if he doesn't share all the depth of reasoning behind them. (He also coined the term 'phan' but in that instance I think uhh he didn't know what he was doing so.)
28. That he's learned better coping mechanisms than lashing out online. That he's got therapy now and the option for medication when he needs it. That depression doesn't go away but he knows he has options and support now.
29. He's given us almost a decade of content to watch and rewatch and enjoy and view through the different lights of his growth and our own growth, and who knows what the future will hold.
Okay, last minute addition - we'll call it one to grow on:
30. That Starcourt selfie.
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scone-lover · 3 years
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Happy Birthday to Holding Out For a Hero!!! ❤️
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art by @subparselkie
I published the first chapter of my longest and most popular fic just about a year ago! And I bet you always wanted to see some shitty outlines. Right? Just giving the people what they want. My brain is chaos and now you all have to be subject to it. Strap in, boys. 😂 Everything’s below the cut!
Read Holding Out for a Hero on AO3
This fic was born because I saw a tumblr post about a hero and villain who are roommates and I just had to Snowbazzify it. I had so many random ideas in my brain, and I’d been engaging with fan content for the CO fandom for a few months now.
So I started off by opening a blank document and writing the Prologue, featuring Shep. I had a few basic facts in mind: Shepard’s a reporter, Simon’s a hero, Baz is a villain, Mage is an evil mayor. And that’s. Literally it. I made it up as I went along. I actually still do that with fics, even though I do try to outline in more detail now—I have to write a scene or two that’s been bouncing around in my head to get a feel for the story, then I can give it a direction.
The document is 337 pages on google docs, LOL. 
Here’s the first ever set of notes I had. I wrote this on March 29, 2020, directly after typing out the Prologue! 
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Like I said, absolute chaos. The third Simon bullet point originally said something like “also I’m a superhero and only Penny knows,” then the following day I changed it to “but he’s so handsome? what do???” 
I didn’t publish the prologue until writing 5-6 additional chapters, but I think the only major change was going from Baz being “The Vampire” to just “Vampire.”
Chapter 1 was originally called “not a bloody avenger” before I decided to do the rhyming thing. I actually decided that because I wrote “counter spray and earl grey” down for chapter 2, unintentionally rhyming it, and then @ashspren-writes was like, “you should make them all rhyme”... so I did. 😂 For 25 more chapters.
I have a section labeled “quickie backgrounds” in which I finally sat down halfway through writing Chapter 2 (the blade/vamp fight) and said to myself, okay, maybe they should have backstories or something. Or like, reasons for being the hero and villain. Right, yeah, those would be good to make this into a coherent story. In the first version of that, Simon was a sports coach on the side, not a baker, and Baz was an English teacher. LOL. 
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Once I had all that, I literally just wrote for four days. There’s a weird kind of magic to your first-ever fic for a fandom. All your ideas and thoughts and wishes for these characters comes to a head as you suddenly have an outlet for the first time. It’s why I think people’s first works are often their best or most creative or most profound. The first couple chapters took some time and a couple 1am epiphanies, but once I got into a rhythm it was quick going. I wrote a lot of it in a linear manner, but after writing the first Simon/Baz scene (watching the news together in the flat), I doubled back and added Simon going to Penny’s house after meeting the Mage so that I could work her in as a character earlier.
Fast forward to April 5, I had 5-ish chapters written? I thought this fic would have like... 10 total. And be less than 20k. Haha. Ha. I asked @ashspren-writes to beta read for me - I’d been bouncing ideas off her since the beginning - and then I started brainstorming titles. 
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The list actually started with that second one. It took a whole 24 hours to decide on the final title. 😂 I thought it might be too cheesy. But hey, it worked out -- now I can’t open AO3 without the damn song getting stuck in my head. 
I worked a LOT with my friend @ashspren-writes on this fic - we were friends long before fandom, and she was the only person I knew at the time who had read CO and was involved in the fandom. I didn’t even have a tumblr at this point, I interacted mostly through Instagram and AO3!
On April 6, right before I posted, I realized that if I was going to actually put this on AO3 I should probably know where the story was going. So I made sure Chapters 1-6 were complete, then I wrote one bullet point per chapter up until 12 or so -- you can read those below.
Then I texted ashspren THIS mess:
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Some silly notes:
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Then I have a section that says “Why do they even have roommates?” because it was a few chapters in and I hadn’t justified richboy Baz and superhero Simon... living together. Cool cool cool
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I also did this cool little writing experiment I want to share. Remember that line in Fangirl that’s like—“Once Cath wrote what she thought was a swordfight, and Wren turned it into a love scene.” (Or maybe it was the other way around? LOL.) Anyway, there’s swordfights in this, AND love scenes, so I wanted to do a play on that for two alternate ways Simon might figure it out.
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I have a huge Deleted Section in which I wrote an alternate version of Simon and Baz finding out about their secret identities. I have one version where Baz figures it out first—it’s a very tropey yet angsty scene where Simon comes home totally wrecked from a fight, and Baz realizes as he’s helping with the wounds that he caused them. I actually like it a lot, but it ended up not quite fitting with the vibe of the fic (and I rather like them finding out through kissing better). :) I also had an idea where Simon figures it out because Vampire smells like cedar and bergamot, but it really just wasn’t interesting enough. 😂
Now onto... Outlines. 
I say that hesitantly because I think these are literally a disgrace to outlines everywhere. These are the baby ones I wrote on April 6 right before posting. Some are more detailed than others, clearly...
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Gotta live up to my username somehow. 
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We do love to see it. ​
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I love this next one: 😂 CHAOS, SCONEY.
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THEN, I wrote this as a very long text to ashspren, when I realized no sconey, this is not going to be under 20k words. LOL. 
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And then I did A Dumb Thing and I put it on AO3, having absolutely NO CLUE WHERE THE STORY WAS GOING. 😂 
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This is my favorite heading on the document.
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Another one of my favorite notes in there.
This next part wasn’t even divided into chapters yet, it’s just a word vomit. I’m so sorry you have to read this mess.
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Hahaha, once upon a time there was angst in this story. 😂 
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And then I realized my true calling: bakery fluff.
Then and only then, I actually decided to divide into those things called Chapters. This is the point where I made the admission to mr scone (boyfriend, not husband lol, we just call him that) that I write gay fanfiction, whoops, and can he please help me because he’s a HUGE DC comics fan and knows everything. And of course, he was super chill about it, and he did. He really did. He’s the genius behind Egghead!!! And also the entire Mage-Humdrum-Supercomputer/Politics plot. I’m serious. I did none of that.
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I can’t even say I’m trying anymore. “Flort”??? I AM LITERALLY NOT TRYING.
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Why yes sconey, so very specific. 😂 
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This is what qualifies as a “good” outline for me, that heading was just for my betas. Isn’t it fabulous to see that some of this actually made it in and I’m capable of planning in advance? 😂 
Get ready for the shock of your life, though -- I actually have a SUUUUPER detailed outline for the two finale chapters. Because, well, it’s the finale. Wrapping up loose ends does actually require planning, WHO KNEW. Also I’d been writing and posting for a couple months at this point and it had been several more weeks in quarantine so maybe I’d regained some sense of reality? It’s like two pages but still shittily written, so I’ll just share a couple tidibits.
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That bullet point is extraordinarily cracky BUT actually, Baz shooting up from the cloud like an awesome fucking hot dramatic person was one of the very first scenes I envisioned for this fic :D 
I hope you enjoyed this glimpse into my writing brain! It’s a terrifying place. I love all of you that say Holding Out For a Hero is a well-crafted masterpiece, but respectfully, no ❤️ 
(Though I swear I AM super, super happy with how it turned out - it’s still my favorite thing I’ve ever written. Read it here!!!)
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andmaybegayer · 4 years
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I bought a typewriter!
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Now you might be thinking many things about this like “Well that seems excessive” and “hey Kali aren’t you a Computers Dipshit” and the answer to both of those is yes.
There’s another two posts in me about this, one about why this typewriter in particular is such an interesting piece of cultural history, and another about how it works and why it’s Like This. This post is about neither of those interesting things and instead about me showing off the cool new thing I got and explaining why I wanted it.
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One of the old boxes of ribbon cartridges that came with this. Manufactured 1984. Graphic design truly is my passion.
Alright breakdown of what I got:
1976 IBM Selectric II Typewriter (with Courier 12-pitch typing element)
An original Vinyl cover for the machine
Three additional typing elements (in Orator, Artisan and Diplomat)
The original manual
Two large boxes of ancient ribbon cartridges.
A bag full of correction reels
A few pads of correction film
An antique toothbrush for cleaning the elements
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A box of accessories that came with the typewriter: Correction tape, typeballs, correction films, three typeballs, some fontface samples on an old envelope, and a toothbrush.
This is an old working machine, not a showpiece. In fact, it was in use right up until the day I bought it and I fully intend to keep using it for as long as I can. This thing is 44 years old, also known as twice my age, and I’ll be damned if I’m going to be the one who breaks it.
I bought it for ZAR 1200 (about USD 70) from a woman who deals in imported wines, she used it to fill in shipping forms. She has several other typewriters and has been slowly selling them off so I don’t feel bad about this. She’d had it since the 80′s. USD 70 is an absolute song for a working Selectric, they usually go for at least double that without any accessories, but no one is buying typewriters around these parts.
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The original manual, dated 1978.
I’ve wanted a typewriter for a little while now, because I wanted a writing tool that produces physical artifacts quickly and immediately. I’m very avidly aware that while I write more than I ever have (mostly Tumblr posts) these days, they’re all very ephemeral. They will not outlive Tumblr, and they certainly will not outlive me. Carbon black on paper is much more long lived, typewritten texts are still readable over a century later in many cases. MySpace accidentally deleted everything that happened on their site before 2013. You decide which one is more sensible.
In addition, this is a nice way for me to produce writing that is too personal for my usual habit of cracking open a Tumblr edit tab. A lot of posts are languishing in my drafts folder after I realised I didn’t actually want to post them online and just needed to get them out of my head. This is mostly intended to take the place of wandering in circles in my room talking to myself.
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A sample sheet with the four font faces that came with this typewriter
Now you may say that I should just type stuff on a computer, or write out notes longhand. To that I say a) printing is the worst experience one can have on a computer and b) I hate writing by hand. I could never keep diaries as a kid because it involved writing by hand and it sucked, in fact I’m almost certain that I don’t actually know how to write and that I just figure out the shapes of letters new every time I have to do it. I can type extremely naturally, almost at my speed of thought. I will only get better at this. It is also UNBELIEVABLY loud.
I’ll have to talk more about the historical and social legacy of the IBM Selectric and, to a lesser degree, that of typewriters in general in another post, as well as the utter miracle of engineering prowess that is the IBM Selectric. Let’s just say that those were also a big part of why I chose this. It’s a really important piece of history for engineers, computer nerds, typists and secretaries, the last of which is a group to which I have no real claim but I think they’re neat.
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A scan of the demo page the last owner wrote for me, showing most of the capabilities of the machine.
This thing is a battleship, it’s in basically perfect condition. The only problems are that the correction tape needs to be replaced and realigned, and the currently installed typeball is stuck on and the release lever isn’t working. These can both be solved without too much trouble, plus there’s a phone number for a repair and servicing place that the previous owner took it to stuck on the outside, so that’s good for me. Yes, there are still places that service these machines as normal business, I was very surprised.
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 little bit of my own demo text. Did you know William Gibson wrote Neuromancer, that cyberpunk hyperfuturistic work of fiction, on a typewriter? He didn’t own a computer until after it was published.
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1:1 pixel focus of the text from the above photo. It is a VERY smooth operator. You can see where I corrected an error in the word “channel”.
That’s about all I got for now, this is extremely cool. I’m really enjoying using it.
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azaffranist · 4 years
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Deleted lines of dialogue in Frozen 2
We know that F2’s plot suffered from last minute changes and even leaks that we got before the release contradict the final material, but that’s another can of worms for another post. What I wanna talk about in this post is something I happened to notice a few days ago while watching the Frozen 2 Outtakes video available with the Blu-ray version of the movie. Here’s a link to it. My apologies if there’s a post out there already talking about this, but I haven’t seen one so I thought I might as well give it a go.
Basically, the video is a recollection of funny moments that arose when the voice actors were recording their lines. But… I don’t know if this was deliberate or an oversight on Disney’s part, or if they didn’t care too much about it at the end of the day and released it anyways. The thing is, we can see the original dialogue they were supposed to record as tiny subtitles, and good god, there are tons of deleted lines, including an earlier version of Some Things Never Change, and some point to the existence of completely different scenes from the ones we got. Here’s what I mean:
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I don’t recall ever coming across deleted lines for Frozen 1 apart from the famous “That’s no blizzard, that’s my sister”, so this is pretty interesting.
But in addition to that, while digging through some old files I found recorded lines of a Frozen 2 book that came out before release (Specifically on October 4th, 2019, when the Frozen Fan Fest was being held with the first released merch). That’s a long, long time ago and I don’t remember the name of the book, sadly, but you can listen to the recording I made right here. If someone does remember the name of the book that’d be really cool. I think the original recording was provided by Snow on the Arendelle Kingdom Discord server, so credits to her.
UPDATE: The book was found along with other interesting pieces of info! It’s called Frozen 2 Read-Along Storybook and CD. Credits to @lovewillthaw-j​ and their amazing detective work! Here it is.
What’s particularly interesting about this one is that no merch released on October 4 had the ending of the movie. Every book was cut off at the moment Anna received Elsa’s message in the cave, with no mention of Show Yourself or Elsa’s death for that matter. Now, we don’t know if they were trying not to spoil the movie, or if they legitimately didn’t have a final ending at the time the books were made. Knowing how… messy Frozen 2’s development was, I think we can all sort of agree it was the latter. 
Because of this, there is some really intriguing stuff. Nods to scenes that aren’t in the final movie, shameless hints to Elsa’s permanent death, events happening in a different order… I don’t know if these lines were recorded only for the book, but I doubt they were, because many of those lines are actually in the movie or are referenced in books and some have really slight modifications like changes in tone of voice. I guess we’ll never Find The Truth™, but we can analyze these lines too because they can give us an idea of what earlier versions of the movie were like.
So let’s look at them one by one. Looooong post ahead.
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Frozen 2 Outtakes Video
“Should have left it to me. Love you too. You blew it Kristoff. Oh. I’m alone. It’s fine.” – Kristoff/Sven
This one definitely happens during Kristoff’s first proposal attempt. Before this line, Anna says, “She couldn’t act out ice?” and we can assume Kristoff absent mindedly responds with “Should have left it to me”. That makes sense, considering he delivers ice for a living and ice is his life. Then we got “Love you too”, which Kristoff says in the final movie, but then we got Sven dialogue as he tells him “You blew it, Kristoff.” “Oh, I’m alone,” is what would go before he finally says, “It’s fine.” The reason the dialogue is all mixed up is because Johnathan Groff is the one recording the lines and he does both Kristoff and Sven’s voices (well, technically, Kristoff).
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“Hey. What the—What is this? Hang onto me. What’s happening? Run. The mist is rising. We are being pushed by the…” – Kristoff
We can tell this happens when the Arendellian gang was crossing the mist wall for the first time. The scene was evidently going to be longer and more chaotic than what we actually got. Apparently they run and that would’ve been pretty cool.
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“The winds are restless. Like how I sometimes feel in the fall. But I’m not ready. I love these days, I’m grateful for them all.” – Elsa (Alternate Some Things Never Change)
Now this is what I call a quality deleted line. I recommend you guys watch the video to hear the little part that Idina sings to have an idea what Elsa’s part in Some Things Never Change was originally going to be like. Definitely a bit sadder than what we got. I think this line gives the idea that Elsa wasn’t feeling too comfy in Arendelle even though she enjoyed the company of her family immensely, or if we go with the idea that fall represents change, Elsa is feeling restless in the face of change. She’s not ready to ‘change’ and wants to keep enjoying her days in Arendelle. She can’t let them go. How ironic. Interpret it as you want!
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“I’d freeze this moment if I could find a way…” – Elsa (Alternate Some Things Never Change)
Same scene. Sadder atmosphere for her part of the song. It’s a shame we don’t know what goes next.
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“Water drowns with a stallion’s might.” – Elsa
Wowowowowow. Now this is interesting, because I have no idea where to place this line of dialogue meaning there might’ve been another scene foreshadowing the Nokk. In the final movie, the only moment we see the Nokk is during When I Am Older and it was very brief and played for laughs. But this line gives the idea that the existence of an angry murderous water horse was going to be mentioned earlier on. Now I have a lot of ideas as to what she might’ve referred to (maybe that’s just a comparison she made on the fly and didn’t know the water spirit was a horse? Maybe it’s like a riddle she solved to know what the water spirit was?) but to be honest I think there’s no way to know. Fun to theorize, though.
Also, total confirmation the Nokk is a male!
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“It’s magic. It’s amazing. There’s a voice. I need to follow it.” – Elsa
This line probably happened when they visited Pabbie and evacuated Arendelle. A different take on how she explained to Anna why she wanted to go on the journey. Honestly, I prefer what we actually got. She sounds quite desperate and hypnotized in this one. VOICE. I HEAR. MUST FOLLOW. I don’t know what you guys think. The actual explanation in the final movie is not great either but I prefer it.
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“Hey Elsa. It’s your mom. Remember, mothers are always right. Now, be who you are!” – Olaf (Longer Post Credits Scene)
We were robbed. This line and another one points to a longer post credits scene. I suspect they weren’t able to include it because of time constraints, because c’mon, this is hilarious. An animator on Instagram said that they were not able to model the inside of Elsa’s ice palace for the post credits scene because they ran out of time, so they used Ahtohallan pillars and changed the lighting so that it gave the ‘feel’ of the ice palace. I’m sorry I can’t provide a link right now because I don’t remember who the animator was, but if I find it again or someone else does I’ll update this.
UPDATE: The Instagram comment in particular was found! Thanks to @super-mam-te-moc​ for the screenshot. 
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Okay, kind of got derailed there. They didn’t have enough time to finish the post credits scene and that’s the only coherent answer I can find as to why this was deleted.
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“They’re all looking at us, aren’t they? Okay, got any advice? How do I free the forest?” – Elsa
Very similar to what’s in the movie but here Elsa asks Bruni if he knows how she can free the forest. The fact that Elsa asks a little cute salamander this… kind of gives the idea that Elsa was completely clueless, same as the rest of the gang, and the rest of the writers. Jkjk!
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“Emotional and slightly haunting memory of Mother? Is that you?” – Olaf (Longer Post Credits Scene)
Same as above. We were robbed. Twice.
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Unused Recorded Lines from Frozen 2 Book
“Teeth? Oh. Pillow fort! Disturbed! Aw, c’mon, you definitely look disturbed!” – Anna
Shorter or summarized charades scene. Anna never mentions a pillow fort in the final movie.
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“I know that rumble.” – Kristoff
This probably goes when Pabbie and the trolls appeared at the evacuation place. Seems like in an earlier version, there was more buildup before the appearance of the trolls. Kristoff hears the rumble of the rocks before anything else. Deleted scenes seen in trailers also point to a slightly different ‘troll appearance’ scene.
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“I won’t leave her side.” – Anna
During Pabbie’s visit. We know thanks to trailers Anna’s little talk with Pabbie changed a bit. Here Anna displays her worry for Elsa even more.
Here’s a comparison between the trailer:
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And the final movie:
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What’s particularly interesting about this is that a later point in the movie, during Kristoff’s third failed proposal, Anna suddenly remembers Elsa and runs off hurriedly saying, “I swore I wouldn’t leave her side”. Coincidence? I THINK NOT. She never explicitly says so in the final movie, but it seems like she did in an earlier version. 
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“We’ll fix it together. / Together. / Together.” – Anna, Kristoff and Olaf respectively
Probably as they were going to go on the journey, considering the lines are said chronologically? They discovered the power of teamwork. Weird Elsa doesn’t say ‘together’. Maybe they left it out because, coughcoughtheydidn’tfixanythingtogether.
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“Uhm, I sense no way in, but this is fun nonetheless.” – Olaf
Definitely during the arrival at the mist wall. Olaf doesn’t say anything as he bounces off in the final movie.
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“Hah! It let us in, but it clearly does not wanna let us out.” – Olaf
Same as above. Anna is the one who says they’re trapped in the final version.
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“Your father was… / King Agnarr of Arendelle.” – Mattias, Elsa, respectively
In the final version Mattias immediately says “Agnarr”, while here Elsa finishes his words after his pause. To be honest, it makes more sense in the final version, considering Mattias would remember Agnarr’s name without a doubt.
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“I’m fine. I just… actually, I’m starving.” – Anna
This probably goes right after the “Don’t Run Into Fire” argument. I didn’t think much of this line at first but it’s actually really interesting, because in the final movie, right after Elsa and Anna’s argument, Elsa places Iduna’s scarf on Anna’s shoulders and with this perfect timing they find out she was Northuldra, leading to the whole “Vuelie” scene. But here, there’s no comforting with scarf, and it seems like this scene leads to the one after Vuelie in the final movie, with Anna eating as she talks to Mattias, and Elsa and Honeymaren talking about the spirits.
Which means… that in an earlier version, the discovery of Iduna being Northuldra was probably going to happen later on. Pretty crazy, right?
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“If I lost her… I think I’d lose myself.” – Anna
All right. I think that this line is one of the most important ones. Thanks to books having this line in them we can pinpoint exactly when Anna utters it: expectedly, when she was talking with Mattias. The delivery of this line is also particularly heartbreaking, so I recommend you guys hear the audio file.
I don’t wanna ramble too much but there’s a lot to be said about this line. But yes, I’ll actually end up rambling. Warning.
Along with “I won’t leave her side”, it seems like earlier versions of the movie showed Anna being even more anxious and worried about Elsa’s wellbeing. As we know, Anna and Mattias were talking about ‘doing the next right thing’, and being prepared when life throws you down a new path. This is obvious foreshadowing to The Next Right Thing. But why were these two cut? Don’t they deepen Anna’s character and show just how deathly scared this whole adventure had her?
Well, here’s some speculation. These two lines are obviously foreshadowing Elsa’s death. The thing is, there exists the likelihood that at the times these lines were written and recorded, there was no such thing as Elsa’s revival. We’ve known for a long time that Elsa was going to die for real in Frozen 2, but test audiences were left traumatized and probably in need of PTSD treatment, hating it so much that the ending and everything that came with it was rewritten around June. Including, I speculate, these two lines which blatantly foreshadow Elsa’s big oof.
There’s not much foreshadowing to Elsa’s death in the final version. That’s because it was a minor thing. She died before the climax of the movie and her death scene didn’t feel final nor dramatic enough to fool the audience and make them believe she was really, really, won’t-breathe-ever-again kind of dead. Some watchers didn’t even realize she died, because the scene was not supposed to feel like her end. Not even the score, Ghosts of Arendelle Past, has a final feeling to it. It just kind of ends there in an ominous tone and they stress the fact that she sent an important ice message before freezing, giving hope of events resolving themselves.
But these two lines do foreshadow of a terrifying event. One that’s not minor nor temporary. These two lines, probably among others we’ll never find out about, and Anna’s worried sick attitude in earlier versions, give more weight to Elsa’s death, Elsa’s permanent death, and ultimately, The Next Right Thing.
Or maybe not and I’m wrong and there was no need for a 4 paragraph long overanalysis of two lines. Maybe they just deleted them just cause. Who knows the ways of writers…
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“All this time… the four spirits. Right there.” – Elsa
Maybe this goes during Honeymaren’s talk about the spirits? Right there, meaning, they were all along depicted in Iduna’s scarf and nobody in Arendelle realized? We’ll never know.
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“You mean like a voice?” – Elsa
Probably happened when Honeymaren was talking about the fifth spirit crying out the day the forest fell.
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“She made it across the sea.” – Anna
“I know why the spirits evacuated Arendelle.” – Anna
“Olaf, I know how to free the forest.” – Anna
Okay, I’m gonna talk about these three at the same time because it’s the same scene. Obviously, these lines of dialogue take place in the cave as Anna receives Elsa’s message, right before The Next Right Thing. We know that for sure because The Next Right Thing was one of the first Frozen 2 songs to be written and the writers knew that’s where they wanted the story to go. This seems like a pretty different setup, but to be honest, it feels like a placeholder. Anna doesn’t even react to the fact that there was a statue of grandpa slicing an innocent man in two right in front of her which just feels weird.
And all in all, the lines just don’t have the sadness of the final version. Anna doesn’t sound nearly as disappointed and her voice doesn’t lower that much. She sort of sounds determined in the last line! So determined to wreck her home to pieces with a gigantic flood… ahaha Anna…
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Okay, it was pretty fun to overanalyze all 23 deleted lines that I managed to find. There are even more deleted goodies out there thanks to the merch, but we’re gonna leave that for another moment.
There’s no doubt that Frozen 2′s development had plenty of problems along the way and I think it’s pretty interesting to learn what it could’ve been and could’ve had. These lines are just the tip of the iceberg and I’m more than interested to know what exactly the test audiences saw in those infamous test screenings...
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UPDATE: More deleted stuff!
@theupsidedownpyramid​ collected more deleted lines found in the trailers right here!
@yumeka36​ made a really interesting analysis of the Frozen 2 Novelization with even more deleted lines and scenes here!
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dango-daikazoku · 3 years
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I’ve seen recent posts about Chainsaw Man fans getting out of control in the Mappa stream chat and accusations thrown around saying Japanese people are hating on American and foreign fans because they were rude and spamming the chat, etc.
I don’t have a twitter but I looked there to see what the fuss was about and the results were... Not what people were claiming.
There is no wave of hate coming out against American fans, there are indeed a few complaints:
“Since those guys (Mappa) didn’t release the timetable, the foreigners that only wanted to see Chainsaw man ran wild in the chat.”
-”By the way, it seems the chat is going crazy with foreigners. But I’m looking forward to seeing what Chainsaw Man’s first [PV] looks like.” -”The chat really is crazy lol. I don’t know how to turn on the chat so I’ll watch it like that.” -”Even if I look at the chat it’s just English chats so I turned it off lol.”
“I was forced to see a lot of spoilers for Chainsaw Man when I watched the stream for Futon-chan. The netiquette is in jeopardy…”
“I don’t want to say it, but a small group of Chainsaw Man fans have really bad chat manners that it made me go  😕. […] I know not everyone’s like that but it really does leave a bad impression and stands out too much. It’s true that the more famous a work gets all kinds of attention. When the cast is on stage talking about another work but they keep saying things like “Is it time for Chainsaw Man yet?” or “They’re talking for too long,” it’s really a bit difficult to deal with.”
One tweet said: “Can’t we ban foreigners from accessing the chats because they’re being so awful?” But it only has 6 likes… I haven’t seen too much pushback in any way that warrants this idea that American fans have ‘gone too far.’
Contrarily there is a lot of love sent to the overexcited American fans:
“Mappa sure is popular among foreigners! Amazing.”
“I laughed at the foreigners saying ‘Is Chainsaw Man here yet?’ If it were Japanese people it wouldn’t come across as good but it’s amazing since it’s foreigners.”
“Chainsaw Man is really popular among foreigners!? Thanks so much!”
“I went to see the comments of the stream and the amount of foreign support for Chainsaw Man is amazing.”
“The youtube chat for Chainsaw Man’s PV was immediately overflowing with English, I’m happy that the work I like is being loved across the seas. Actually, it was an overwhelming amount of English and some Spanish, it was funny that the Japanese comments were buried so much so that I couldn’t find them.”
The twitter accounts that have been screenshotted without permission and spread overseas to American fans have expressed that they don’t want people to misunderstand and do not appreciate that their tweets have been used as fuel to add onto the fire
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Translation: I thought my tweet from earlier about the Mappa stage got an unusual amount of replies, it seems that an Alpha Twitter (influencer) screenshotted my tweet and it spread overseas. Half of the replies are from people worrying about it and half are talking shit (Rolling eyes emoji).
Furthermore, here’s a yahoo article on the Mappa stage that talks about what happened. Interestingly, there is no negativity expressed towards overseas fans. Rather, it’s framed in quite a positive light.
Translation from DeepL:
“It was during the airing of "Jujutsu Kaisen" that it was announced that MAPPA would begin production of "[Chainsaw Man]," written by Fujimoto Tatsuki. The announcement was made while overseas anime fans were still in the throes of MAPPA fever, and fans who had been eagerly awaiting teaser images, visuals, and voice actor information at the time made many comments at the distribution event, such as "Hurry up and get to work on [Chainsaw Man]!” at the distribution event, and things got a little rough. While overseas fans were telling each other to "mind their manners", when the video was finally shown, the comment section was filled with "WOOF WOOF" and dog noises. In their excitement, everyone seemed to have turned into (Makima's) dogs.
 There were many comments from overseas fans in the comments section of the videos that were released individually on YouTube, some looking back on the event and saying that it was worth the five hours of waiting, others being moved by the daily life scenes of the Hayakawa family including the main character Denji, and others expecting original episodes from the beach scene that is not in the original story and the bed scene between Aki Hayakawa and Himeno who belong to the Public Safety Department. There were also those who expected original episodes from the beach scene and the bed scene between Aki Hayakawa and Himeno, both of whom belong to the public safety department, and those who were struck by the sex appeal of Makima, Denji's boss. There were even comments such as "I can't wait to see a moving Kobeni car", which shows how much the character of Kobeni Higashiyama, a member of the Public Safety Bureau, is loved overseas as well.
 With fans from all over the world, we can look forward to more announcements about the anime's broadcast date, voice actors, and other new information.”
Japanese people really aren’t looking down on Americans as degenerates, they aren’t being “xenophobic” as some people believe, and they’re certainly not going to hate all overseas fans unconditionally over some chat spamming.
The best response to any of tweets or posts claiming these falsehoods as truth is to: 1) Ignore them. 2) Don’t add fuel to the fire. 3) Delete any additions you’ve made supporting them. 4) Remember that your fellow fans aren’t your enemies.
Though I would say that it would be good to learn about Japanese chat manners and spread the word on how to be polite on foreign streams, but this isn’t a one strike and you’re out deal. Keep on woofing, but make sure it’s the right time, place, and occasion.
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