#definitely more where these came from

[mariana-oconnor]

Sometimes you'll be reading a fic set in the UK and then they talk about seeing a raccoon and you have to take a second to just blink and work out how to accept that before you keep reading.

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[triglycercule]

sleep deprived dust can't recognize what's dream and what's real when he goes in and out of consciousness so i think dust is allowed to be incredibly reckless when he's awake but thinks he's in a dream. he will kill whoever passes by him (or attempt to. for him it's an instict to shoot bones anyways.) he will drink 4 bottles of alcohol just because he thinks its just a lucid dream. have incredibly loud conversations with phantom paps because he's asleep so nobody will hear him talk. or just have loud ass breakdowns because again he thinks he's asleep!!! nobody's gonna know what he gets up to in his dreams. and until someone (probably phantom paps) tells him that he's not asleep and this is reality he won't realize until he's done something really reckless

horror is seconds away from exploding dust's skull open with his magic while dust is trying to strangle him and FINALLY phantom paps tells him he's awake and dust snaps out of it. killer is walking around the house with bones sticking out of him like pins on a sewing pattern (casually too. another day in the life for him) and he just asks dust what that was about. dust just gets off of horror and shrugs his shoulders with an idk. and then walks away. this is the 6th time its happened this month

[homespiral]

one thing i love about sz/sz is the clear distinction of themes and the way both of them view each other and just mixing it all. I can enjoy my fair share of possessive zoro when it comes to zs but it's more about thinking about how his devotion towards the rest of the crew (pre relationship) fuels his feelings towards sanji and the need to make sure he knows how important he is for him, how he would follow him anywhere sanji wants. Zoro would do anything as long as it made sanji happy imo (it can totally turn a little bit weird, we are talking about ZOSAN of all people. Zoro would definitely say some insane shit like cutting his chest open and giving sanji his own heart in case he is hungry or something like that)

And don't get me started with sanji's need to make sure zoro feels loved all the time, not just with food, but through quality time (no matter how little it is, his free time would definitely be reserved for zoro) he would think his actions are his way of saying "i understand how lonely you must have felt" after kuina and his years as a pirate hunter which later on turns into a "i want to give you a piece of what zeff and the rest of the baratie staff gave me". Sanji would be SO sweet with zoro once in a established relationship, and zoro would feel a kind of love he never knew existed, and that realization alone is enough for him to bow to never let anything bad happen to sanji, not because he thinks sanji is weak but simply because its what he deserves. Seeing sanji happy makes zoro happier

[hijinxinprogress]

Civilian Gothamites realizing they can get vengeance through Sword!Robin

Gothamites figuring out if they happen to mention a rogue treating animals poorly within hearing range of sword!Robin that rogue will be in custody with at least four fractures and a concussion and Damian being completely aware that like 63% of these people are lying but it’s the only way he can get experience with the nonlethal takedowns he’s experimenting with bc everyone keeps complaining about how he treats his opponents and allies 

Like he’s guiding a civilian to safety and they mention that “this would be the worst thing to happen to me today if riddler didn’t stab my fucking cat” and this civilian does not own a cat but they did own a car that was just paid off but riddler fucking crushed it with a stupid ass hot air balloon that’s shaped like a fucking question mark and Damian is aware of this bc he was the one that verified the insurance claim (but he’s been looking for a reason to punch Nygma in the throat since his last Arkham escape when he called Damian a moron)

And he also knows that if he plays along with it and says ‘as if I’d let that gaudy and tactless imbecile get away with committing such atrocities’ when prompted that he’ll get away with barely a slap on the wrist like he gets three half hearted but long lectures he’s not going to listen to and an online sensitivity training seminar he goads Tim into completing (Damian and Tim 100% try to trick each other into doing work they don’t want to do and full heartedly believe the other has no idea what they’re doing)

Bruce’s tendency for finding small crashouts at risk of becoming future rogues in Gotham and deciding they need love & supervision but what actually happens bc he’s so fucking awkward is they get almost the same amount of supervision just with like an hour of intense helicopter parenting a week but honestly besides that they just have more money and resources to do fuck shit

Tim 🤝🏾 Damian: using the manipulation tactics they learned from their mothers then later improved on with help from an assassin cult and bat/cape interrogation questioning techniques on the homies

[thedreadvampy]

sometimes I forget that my experience has been. um. not 'your experiences are not universal' vibes but more like 'your experiences are EXTREMELY atypical'

[krotiation]

y'all ever think about how rhys, despite being the atlas ceo, is forever marked by hyperion by his helios and elpis tattoos? cause i sure do

[silverskye13]

I had a dream last night that me and Docm77 were trapped in a warzone and he tackled me to the ground to save me from gunfire and then together we took out like ten guys.

I'm sure this says something about my psyche and that something is that if I ever met Docm77 in real life I think we would commit war crimes.

[westywallowing]

it has always baffled me that ASL isn't taught as a second language in American schooling. or as a requirement for certain jobs that work with, well, people. the HLAA says that around 48 million Americans have hearing loss!! 1 in 5 teenagers!! 1 in 3 people over the age of 60!!! it's crazy to me that sign isn't more widely taught and used considering that you probably DO or WILL know someone who has hearing loss at some point in their life

[kirjavas]

can we talk about how genius the hdm soundtrack is lorne balfe literally died for our sins

the mixture of different melodies in "to touch another" is fucking insane. there's something completely new to represent the settling of their dæmons, a slow and soft reprise of "scholastic sanctuary" which represents safety, childhood and comfort for lyra and pan, and notes from the haunting piece in the scene with the boatman, symbolising coming of age and bringing their separation full circle

the main notes of "lyra: the child of prophecy" are placed at the end of "the serpent's story" and that's on galaxy brain

every lyra and will theme is a variation of "love across worlds"

the music in the end credits of both 1.08 and 3.04 is changed to "look to the stars" as both episodes end with lyra's betrayal

"into the abyss" is a combination of mrs coulter's theme, "asriel's republic" and "goodbye explorer" as well as "crossing worlds" from the scene in which asriel and marisa first departed from each other in season one

"crossing worlds" and "goodbye explorer" are variations of the same melody. both are centered on asriel's journey and what he is fighting for. that journey starts when he creates the bridge to the stars, and ends when he falls into the abyss

"lyra: the child of prophecy", "lyra's jordan" and "separation" are all individual pieces linked together by the same 4 notes. each explore lyra's relationship with herself and the betrayal she is prophecised to make

the music used when lyra uses the alethiometer for the first time contains the melody from the title sequence

both "parting ways" begin with the same melody, but the first track continues with the main theme plus "scholastic sanctuary" to represent the beginning of a great adventure and safety, while the second uses a mournful reprise of "love across worlds" to show lyra and will's realisation that they can't stay together and that the adventure is over

"gracious wings" begins with a dangerous edge but this transforms into a piece that feels like magic and destiny as lyra instructs the ghosts to tell them stories (reflecting the whole journey through the land of the dead), and contains the theme from "lyra: the child of prophecy" literal cinema

will's theme "assuming the mantle" is brought back in the scenes with his father

"play the serpent" is used to represent mary's creativity as she discovers her purpose and it also appears when she and lyra are reunited

[hollywoodsargeant]

slip through your teeth · 5,914 words

Both hands on Logan’s body, Oscar licks a broad stripe up the center of his chest, tongue flat to his sternum. When he reaches the space between Logan’s collarbones, he stops, and in a brief moment of clear-headedness, says, “That was weird.” “It was hot,” Logan corrects. Oscar can’t look at his face. Instead, he's staring at his chest, at the rise and fall of it when he breathes. He wants to hide in the narrow space just beside his beating heart.

hello... merry christmas? i think? this is not a christmas fic at all more like some nonsense i just happened to finish Right Now. umm if anyone recalls my fic liminal space here is another exercise in nothing that involves loscar being high and freaky. again. it is legally a sequel this is a series now bc my finger slipped or something enjoy another 5k words of established oscar and logan recreationally using drugs in dorm rooms

[cold-neon-ocean]

As for why Wolf has purple eyes (in case anyone was wondering lol), his eyes actually used to be brown when he was younger, but he was experimented on and and augmented to adjust to living in space- including his eyes, so that's why they're purple bc they're cybernetics

[aquitainequeen]

At this, a black cloud of despair engulfed Achilles. With both hands he scooped up fistfuls of soot and dust and poured it on his head, and rubbed the dirt across his handsome face. Black ashes settled on his scented tunic.

"My friend Patroclus, whom I loved, is dead. I loved him more than any other comrade. I loved him like my head, my life, myself. I lost him, killed him."

Swift-footed Lord Achilles, in despair, told her, "I want to die right here and now, because I could not save my slaughtered friend. He died so very far away from home. He needed me to help and protect him. And I did not go back to my dear country, nor did I save Patroclus. I provided no light or help to him or anybody."

The Iliad, translated by Emily Wilson; Book 18: Divine Armor, lines 27-31, 99-102, 121-128

[mdemn]

yes, i love mde. yes, its my favorite of the mafia trilogy. yes, i can say with 100% conviction that objectively… tommy is not an interesting character. for him to be the protagonist, he sure does have no depth to his character written in the game

[ty-bayonet-betteridge]

3l!grian is frequently depicted as a tragic figure and sometimes i wonder if we even watched the same series