#deep into his music

[exhausted-think-bucket]

[o3o-lapd-o3o]

odysseus: what doesn't kill me better start running, because now i'm fucking pissed

*six hundred strike starts playing*

[daredevil-vagabond]

"You are far too nice // Mercy has a price"

[Ruthlessness; Jorge Rivera-Herrans]

Nautilus Jason.

[sage-nebula]

"Suffer No Fools" - Shiver vs. Marina Analysis

It's been a few days since "Suffer No Fools" released, but I wanted to go ahead and release my analysis of Shiver's and Marina's verse since that's the one that has caused the most discussion within the fandom. I've seen a lot of debate over Marina's section in particular, with people unsure whether she was being sincere or sarcastic, and I think the actual answer is a little more complicated than one or the other, at least with regards to the first couplet of lines both she and Shiver sing. Of course, people are free to interpret this song however they wish, but after seeing numerous interpretations I personally didn't vibe with, I just wanted to put my own out there, breaking it down line by line.

So! Here we go.

Exchange 1:

Shiver: "Your haunting voice -- there's no escape. How nice it must be for your fans." Marina: "You're far too kind! I love your vibe. I can learn so much from your style."

Analyzing from dialogue only:

Shiver is insulting Marina's voice by calling it haunting and saying there is no escape, insinuating she wishes there was one. She says how nice it must be for Marina's fans, again implying that she isn't one.

Marina says that she loves Shiver's vibe, which on the surface could be a compliment, but given the context (a music battle) it could also be a Mean Girl "ooh I love your [thing] :)" passive-aggressive drawing-attention-to-something-ugly insult. More direct though, is the "I can learn so much from your style"; you can learn what not to do from someone just as much as you can learn what to do from someone. Marina's engaging in plausible deniability here.

HOWEVER. Lyrics are NOT the only thing that need to be analyzed from this first verse, which is arguably the MOST important exchange between these two. Instead, we need to look at how these lines are delivered.

Shiver is singing in a traditional Japanese folk singing style, specifically a style based on Shima-uta, which her voice actress has a background singing in. Unfortunately, I don't know the actual term for this style of singing, only that it's not kakegoe, something Shiver also does that is different from this. Anyway, in these lines specifically Shiver is singing in her Shima-uta style, a style that she has presumably been practicing since she was a small child, a style that is probably culturally significant to the Hohojiro clan. Singing in this style is not something that just anyone can do. It's completely different from singing in a (for lack of a better word) "western" style. The way you breathe is completely different. The way you incorporate your voice into your breathing is completely different. So by singing in this style, which Shiver has been doing practically her whole life and which, presumably, only she of the four there can do, Shiver is FLEXING on Marina regardless of what lyrics she chooses to sing.

But then Marina, who grew up under the domes in Inkadia, who presumably has never heard Shima-uta before she started listening to Deep Cut and heard Shiver sing, who presumably has had absolutely no training whatsoever on this style of song . . . mimics it perfectly and flexes on Shiver right back.

Could Marina's words to Shiver be interpreted as passive-aggressive in turn? Yes. But does it matter? No, not really. Because in this first verse, Marina's ACTUAL comeback is to take the style of singing that Shiver has been perfecting her entire life and throw it right back in her face despite having never (as far as we or Shiver know) practiced it herself. Shiver was flexing by presumably doing something Marina couldn't do, only for Marina to do it flawlessly, being every bit as divine with a voice so fine as Pearl said she was previously. Marina says "I love your vibe" so she takes it. Marina says "I have so much to learn from you" but does she really, when she can already do exactly what Shiver can, and has, just now, right in front of her?

And Shiver noticed, hence:

Exchange 2:

Shiver: "You remind me of my neighbor's little daughter . . . What's that saying? 'Octo see, octo do.'" Marina: "Glad you approve -- your praise has left me moved. Thanks to your notes, I'll find my groove!"

Shiver drops the Shima-uta singing, because now there's no point. Marina can also sing in that style, so it's no longer a flex. Shiver lost ground on that one, so instead we're back to the same (again, for lack of a better word) "regular" style of singing that everyone else is using. For that reason, we can go back to analyzing purely based on the words alone.

Shiver is calling Marina a copycat, essentially, because Marina copied her Shima-uta singing style in the previous verse (hence why Shiver had to drop it, as previously noted). Marina then gives her "glad you approve -- your praise has left me moved" . . . basically noting that by Shiver accusing her of copying, Shiver is saying that Marina -- someone who just tried the singing style off the cuff right there on the stage for the first time -- was just as good as Shiver, someone who has trained in that style her whole life. The audience saw for themselves that Marina was able to emulate the style, but Shiver saying, "you copied me!" is basically admitting that Marina was just as good as her in Shiver's own eyes, and Shiver is a pro. That's Shiver's aggravation handing Marina the win and Marina smiling wide as she accepts it.

Exchange 3:

Shiver: "Oh, look at the time. Isn't it getting late?" Marina: "Not at all! I could go on like this all night long."

This one doesn't even really need an analysis. For all that she prides herself on being "so cool even sharks call her cold-blooded," Shiver is known for being easily irritated and riled when she's losing due to her competitive nature. Marina successfully got under her skin, and this is her trying to end the battle fast because she didn't have any further comebacks. Marina, meanwhile, gives the classic "I could go on all night" because she's not riled at all, and is instead perfectly comfortable in this environment, knows what she's doing, and has had the upper hand from the start.

It goes back to another post I made about Experience vs. Inexperience. Shiver and Frye are still new idols, whereas Pearl and Marina have been at this for a long while. And while off the stage Marina is a sweet, kind, gentle person who will go out of her way to help others, and can sometimes be a little spacey or naive, she's also a 23-year-old literal genius who has been in the music industry for years now and knows full well what a rap / music battle is and knows her way around a stage. Personally, I found it to be a little infantilizing to insinuate that she "didn't realize Shiver was insulting her," when not only do I think she knew full well, but also she was the one with the upper hand not because of sick burns (that's Pearl's department), but because of sheer innate musical talent.

But those are just my thoughts! Everyone else is free to have their own.

[smoje]

Television on

[bazpango]

The outcome of the American election has me deep in regressive-nostalgia-comfortcore. I’ve had a 2005 DN Warped Tour AU in the drafts for months now, but after listening to fall out boy’s sophomore album my outline just hit 5k 🤦

[starry-bi-sky]

"Why didn't they just fish?" in Epic: The Musical

I'm more active with the Epic fandom on tiktok than I am on tumblr (in the sense that interact with it more often), but one common joke/criticism I see there is that Odysseus and his crew could've avoided Polyphemus entirely if they just fished. At first I thought it was a funny joke, but then I saw people like, actually criticizing Odysseus and his crew for it. And it slowly stopped being funny, and now I'm just sick of it.

So, why couldn't they just fish?

Right off the bat, I can think of several reasons why.

Lack of proper equipment

Quantity

Time (Preparation, Longevity of the fish, the time it takes to fish, etc)

Proper Fishing Areas

To start with: Odysseus and his crew just off the bat don't have the equipment to fish. Yes, I'm aware they have harpoons as mentioned in "Storm". I don't know why they have harpoons, but they do. Harpoons in fishing are used against large, deep sea fish. Fish you are most likely going to see in deeper parts of the water that require speciality equipment that ancient grecian soldiers straight up don't have. And if you use a harpoon against a smaller fish, you're more than likely going to mostly destroy or otherwise damage the fish and leave less meat behind to eat. You're going to break bones, and fish bones are thin, fragile, and easily choke-able on. It's a waste of time and effort.

Then, what about nets? Those also don't work, because if they have nets on their ships, then those nets are not going to be fishing nets. They're going to be nets made as tools or equipment for the ship, which means the holes in between are likely too big to catch anything. Those nets also are likely not weighted so that they can sink to the bottom and catch fish; those nets are gonna float. And, those nets probably aren't going to be big enough to catch a mass haul either, and they have six hundred men to feed.

"Why not use their ropes to make fishing nets." Well, they could! They live on an island, and six hundred men there's bound to be someone who knows how to make a fisher's net. But they need that rope. That rope serves a purpose. Rope is an essential equipment on ships, even in modern day, ships will have hundreds to thousands of pounds of rope because they need it.

All rope has its breaking point. Rope frays, it snaps, it weakens over time. They need rope for the sails, for anchoring, if that rope breaks, they need to have the tools ready to replace it, and they can't do that if that rope has been turned into a fishing net. Plus, ship rope and fishing rope are entirely different things and have different thickness and material.

"They can just undo the net" no they could not! Making a fishing net by hand takes approximately eight hours. Those knots have to be tight enough to not loosen up when something pushes against it, unknotting a fishing net would take hours to do, and to do that every time they need to fish? It's just not worth the energy and time, especially if they have a low quantity of soldiers who know (and remember!) how to make a fisher net. Plus, undoing the net would just fray the rope and make it unusable.

Also, fish don't swim up at the top of the ocean. They're going to be found deeper down in the cooler parts, or in the shallows and reefs by the islands. And fish startle really easily. They're going to zip away and hide at the first sign of movement or sound. When I was little and my dad would take us fishing, he would remind us to be quiet so we didn't scare the fish away.

The fish in the reef are finite too. There are also going to be different amounts of fish in each area. Even on the river, there were some parts that were teeming with fish, and then spots that were completely dead. Odysseus and his crew would have to find where these spots are, and then try, with their ill-equipped nets and harpoons, to catch those fish.

Which brings me to my next issue: quantity. One medium-sized mammal like a sheep could feed, what, at least fifteen men. Fifteen fish could feed about three. In a family of four we needed to catch at least twenty palm-sized blue-gills in order for us to all eat and not be hungry after, and that's with other food with us too.

The amount of fish that would need to get caught in order to adequately feed six hundred men enough that they have the energy to row their 50-men ships -- which are about 50 tons -- would have to be industrial amount, they'd need to be catching fish every day. There wouldn't be enough fish on a single island to feed six hundred men. They'd need to hop from island to island in order to get enough fish to feed everyone, and then they wouldn't get anywhere.

And why do that when there's twenty, perfectly good sheep, right over there? Which is another thing. They're hunting animals on an island, a finite space. Fishing in a reef or shallows, the fish has access to the massive ocean right next to it. Those fish can get spooked away at a moment's notice and poof, gone. Meanwhile, there's only so much space that a sheep on an island can go, and only so many places they can hide. If it runs, we're persistence predators! We can just follow them, and corner them. We can't follow fish into the ocean, that's when we're on the fishes terms.

Fishing also takes hours. Which yes, hunting also does too. But the payout for hunting a sheep (can feed at least fifteen men) is far greater than the payout of fishing (could feed three, maybe four). Plus again, island; there's only so far they can go, and they have bows and arrows. The time it'd take to hunt the sheep and get enough to feed everyone would be significantly less than the time it'd take to catch fish for everyone.

In two hours you could not have caught a single fish, even in modern day (and I know this from personal experience). In two hours, on an island, you could have probably already caught a deer, or a sheep.

Preparation too. Longevity. Essential nutrients that fish do not have. There are certain fish you can't eat because they're poisonous, or they lack certain nutrients, or they just don't get big enough to feed even a single man. As I mentioned before, fish have these iitty bitty bones that are thin, sharp, and easily choke-able. Descaling and deboning a fish takes time that these soldiers don't really have; they're trying to row this great big ship back home. They can't waste effort on picking apart the bones of a fish so they don't choke or otherwise hurt themselves. Mammals have a ton of meat, and big bones! No worries there about choking or deboning.

Fish spoils faster than meat does. Yes there are all these preparations for food that go against spoiling, but still, those preparations would be for meat, veggies, fruits. Fish would need to be preserved differently, and if they don't they'd need to be constantly fishing in order to make up for the loss of stock. Then they'd never get anywhere because you can't fish on the open ocean without the proper equipment, that they would not have as ancient greeks AND soldiers. Like this is a warship, not a fisher ship.

Think of it this way: you're trying to feed six hundred men, and not only that, you're trying to get enough food to keep them fed for at least the rest of the journey or long enough to find another island that has food on it.

Would you rather: risk your hand trying to fish with shoddily, ill-equipped nets or harpoons that are not made for fishing, and catch maybe twenty fish within ten hours? And maybe six are big enough to feed one or two men?

Or

See if there are any large animals on the island that you can hunt, as well as any edible fruits or plants that you can bring back with you and do this in four.

Which one are you choosing?

Overall, there are just too many negatives in fishing that makes it, as a whole, completely pointless to do. Lack of proper equipment, quantity, time, and fishing spots are all things that come into play. I can appreciate it as a funny joke, and I did at first, but when it's taken as an actual criticism is where I go "hold on, have you ever actually gone fishing before?"

[harpieisthecarpie]

Okay not to be analysis georg over Alien Stage but I adore the ROUND 7 (Till vs Luka) art that dropped recently so much. And thus I will be analysis georg

(cw: I lightly and nonexplicitly reference the abuse Till suffered under captivity, including the heavily implied sa.

This is mostly contemplating Till's psyche, how Ivan's impact on Till contrasts the aliens, and art as rebellion against dehumanization. With that comes the possible triggers of Till's story.)

Till's closeup is what compelled me to post at all, because it's a very deliberate choice that speaks to his emotional state going in, and contrasts him strongly against Luka

This is long btw

The closeup focuses on the lower half of Till's face. It draws attention to his mouth and headset mic by mimicking a camera's depth of field to emphasize the yawning space between them, while using the metallic mic as a lure. The lighting sharpens the mic while softening Till.

The emphasis on Till's mouth (and mic) is indicative of a stark emotional shift from Round 6, where crushing hopelessness left him passive and barely singing.

Metatextually, the story being told by completely diagetic music videos ties strongly to the contrast between the aliens who've made the voices of the enslaved humans a commodity and the humans who are only given a voice through song.

There's a reason why music has been used for both propaganda and rebellion throughout our societal conflicts. You can only scream so loud before bystanders tune you out; music compels them to listen.

And I think that dichotomy between authority and autonomy, between the artist as product and as person, within the universe of Alien Stage is going to be delved a lot deeper into with 7.

Till having a hands-free mic and green strap over his shoulder leads me to believe he's going to be playing guitar again. Which we've seen him use for acts of rebellion before.

I saw someone saying the headset was a sign of his isolation, but I see it as him reviving the angry hope he'd extinguished using Ivan's memory. From what I've seen, Till never seemed happy when he had a standing or handheld mic. He's a creative, hands-on guy whose art and rebellions come from when he is able to use those hands.

Drawing, guitar, fighting... there's a reason he was singularly stripped of autonomy in ways we haven't seen happen much elsewhere (that physicality reminds me of Hyuna, I wonder if Luka will notice that). The caging, bodily restrictions, and physical degradation and assault from the aliens singularly target his personhood.

Even in the closeup art there's that possessive ownership, that clear replacement of Person with Commodity. His tears (or sweat) have been pointed out and remarked upon by the aliens. Yet the shot leaves out his eyes, which are often tied to personhood in literature because of how humanizing they are. Dilation, movement, eyelid position, blinking. It's hard to look into a creature's eyes and not understand there's a mind behind them.

The aliens commodify the emotion through his tears but deny the humanity behind them. They dissociate music as art with an artist behind it, even while intuitively knowing how an artist's lived experiences can create compelling music. The aliens want their product, they don't care that art isn't just entertainment to consume. They don't recognize the power music can have. They don't value it enough to truly understand it.

I wonder if this could be analagous to anything in the real world. Hm. Nahhhhhh. ANYWAYS

Till is creating what the aliens want, but the closeup has the same color palette as when he and Ivan were running away during the meteor shower. That shine on the mouthpiece even looks like a falling star.

The meteor shower was a moment of tension. A held breath before a breaking point: you can escape or you can stay trapped, but whatever decision you make you can't ever take it back.

It doesn't matter whether Till believes his last decision to stay was a mistake, he was a different person when Ivan took his hand. And he was changed again when Ivan kissed him before making that stage his death bed. Their death bed, perhaps, since something in Till had to die in order to be revived.

And Till is the only one in that arena who has the memory of running with Ivan under a cascade of falling stars. He is the only one those colors mean anything to. The aliens may be commodifying his tears, but they have no grasp on the emotions behind them. There is something within Till they cannot take, breathed into him by Ivan.

Ivan may have believed his love for Till was shallow, but he gave it freely. One of the reasons I even ship them is because Till has spent all his life in captivity getting pieces of himself carved out by aliens trying to consume his soul, and while Ivan can certainly be fucked up... he has always lain his insides out on a silver platter for Till. Given even the ugly bits over, despite knowing they'd be disregarded.

Till was strangled more visibly for how his humanity spilled out, but Ivan had been slowly suffocating because he refused to let them free. He accepted the role as pet (entertainment product dress-up doll) to keep his humanity safe. He played into the aliens' desires because he refused to give them any parts of himself that mattered.

But he still wanted to be seen, still needed to be known, so he gave them to Till.

And now Till is on that stage again (that had eaten Sua and Mizi and Ivan), carrying fragments of his loved ones that they had slipped into his palms. Quiet moments of joy and despair and fear and love. Bits of themselves they never allowed the aliens to have, that made a home in Till.

And what is love, surrounded by an entire society that refuses to acknowledge your humanity, other than an act of rebellion?

Which I think will be very interesting to see juxtaposed against how Luka seems to be portrayed. With an earpiece seemingly feeding him information, in the cool tones evoking a memory of Hyuna, whose closeup doesn't even deign to glance at his face.

(Though- not to overanalysis georg- it's interesting we get a glimpse at his seemingly gloved fingers. And that their color palettes are both interrupted by a small bit of green. Till's by what I think is a guitar strap, and Luka's by the center of his earpiece- and its sound.)

[thisdorkyblogthing]

Thorki AU where Thor and Loki start a band when they're teens but it's mostly just the two of them because they're messy little fuckers who constantly butt heads and no one can stand to be around them for too long. Somehow, they're still really good and end up getting picked up by a record label and become a hit. This, of course, makes them even messier fuckers and their constant drama makes them an even bigger draw to more people. They manage to find a small team of people who are (mostly) willing to stick it out with them and make a few hit albums and get through a few tours. (They just barely manage to get through them by the skin of their teeth, but still!)

Unfortunately, their latest album hasn't done as well critically or commercially and the tension between Thor and Loki has been at an all time high, which has really made touring unbearable for everyone involved. A particularly rough performance the night before ended up with Loki and Thor getting into a(nother) nasty little ruckus that had their manager calling up the front desk of the hotel with a preemptive "I'm sorry for whatever happens to that suite, we'll pay for the damages, please don't call the cops, thank you."

They show up to the tour bus the next morning and something's... different. Sure, usually after a bad argument they're a bit quiet and sulky until one of them cracks a joke that makes the other laugh and everything's good again until the next shitfit ensues, but this time they're real quiet and avoiding looking at each other(and everyone else) and everyone's getting worried that this might be the fight that finally breaks them up.

Except actually they had an angry fuck after Loki said 'We'Re NoT EvEn ReEeEeAl BrOtHeRs!!?!' for like, the 700th time and Thor was like 'FINE!' and smashed their mouths together. Things Happened and now they're a bit shell shocked and trying to figure how to feel about it. (And trying valiantly to convince themselves It Wasn't That Good.)

(It was That Good. Oops.)

[tooquirkytolose]

Miles asks for some punk music recs and a few days later both Hobie and Gwen show up with their respective mix tapes

[shallowseeker]

The loved ones dean bonds with thru movies/music: charlie, cas, claire, jack!!!!!

[good-beans]

this is so stupid but i always have fun imagining the milgram characters watching their own/others mvs and seeing their reactions, especially for MeMe

That’s not stupid at all, thank you so much for the ask!! It’s sooo interesting to think about! I planned on just posting this drabble, but the more I thought about it, the more I started jotting down headcanons for everyone 👀 Of course there’s the initial disbelief and shock that Milgram can really do what it claims, but once they accept that, they’d have a lot of interesting reactions…

Es gets to watch the video first, then the prisoners are free to watch their own in the privacy of the courtroom/extraction room/wherever. Other prisoners can watch them only with explicit permission from the video’s singer. No one is allowed to watch Undercover except for Es. At first they spend hours looking at those final frames of themself flinching from the camera, hoping to jog any sort of memories, but eventually they give up on it. While actually watching it, they don’t mind the murder silhouettes. While sleeping, however, it has triggered more than one nightmare.

Haruka: He thinks Weakness is very pretty – he’s amazed seeing himself on the screen and hearing his voice, knowing he’s not that good of a singer. Even before his innocent verdict, it gives him a huge surge of confidence. Once he gets to know the others better, he gives them mv permissions, then stares intently at their faces to see their reactions as they watch it. AKAA scares him a bit, seeing his own intense emotions on screen, and he only gives Muu permission to see it. When he’s alone, Haruka pauses the shots of his mother, just to stare for a while.

Yuno: Laughs at the symbolism her mind used in Umbilical. She’s never shied away from sexual words/thoughts, so it's funny the video was as tame as it was. She thinks the song is fun, and isn’t afraid to show the others and sing snippets of it around the prison. Some days it’s too emotional for her to get into it, but most of the time she tries to display a confident attitude about it. After Tear Drop, she’s satisfied with her anger and more overtly sexual images. If anything, she feels too exposed by the shots of herself looking more vulnerable/sad. 

Fuuta: He experiences a solid mix of embarrassment at the gaming theme in Bring it On and feeling a surge of pride that he looks badass in the knight’s armor. He’s worried the warden won’t take him seriously with the video game obsession, but he absolutely loves the song and thinks it portrays his toughness and ideals well. He’s less thrilled with Backdraft, everything about it unsettles and embarasses him. He’s thrown by the shot of crossing out his own silhouette – he’d had self-harming thoughts, but wasn’t quite ready to confront them so blatantly yet. Like Haruka, he can be caught pausing the arcade shot just for a moment before turning the whole thing off and storming away.

Muu: She has mixed emotions towards After Pain. She hates seeing herself look so weak and pathetic, but it gives her a lot of hope that her story will be understood. She misses her friends, and seeing them again is bittersweet. She closes her eyes at the moment of the stabbing – she’s only gotten the courage to watch it through her fingers once. She watches INMF once, then refuses to look at it again from shame/horror. Despite Haruka’s begging, she doesn’t let him watch it, either. 

Shidou: He asks Es what they saw in Throw Down. Upon finding out his family wasn’t in it, he chooses not to watch it. He believes he already knows all about his emotions and crime, so there’s no need to go through that pain again. He’s tempted to watch it when he’s confused about Es’ verdict, but still holds off. He does watch Triage when informed his family is in it. He spends hours in front of the screen by himself. Only after seeing that one does he watch Throw Down, though he’s still left confused about Es’ decisions.

Mahiru: Absolutely loves TIHTBILWY. She thinks it perfectly describes her situation, and that the song is very cute. She lets others watch it, and unlike Yuno, feels like singing it 24/7. It reminds her of her bf, and she thinks that’s very romantic. Similar to Shidou, she spends a lot of time watching I Love You just to look at her boyfriend. She shows it to everyone, just to show him off and talk about him, even if she does skip over the beginning and end each time.

Kazui: He is very similar to Shidou; he refuses to watch his videos until T2, assuming it would be too painful to watch something he already knows and wishes to avoid. Unlike Shidou, seeing Hinako is far too painful, and he regrets watching it and seeing her so happy on their wedding day. Though maybe he’s still waiting, and hasn’t seen any of the videos yet…

Amane: Magic makes her worry more than anything. She fears she’s poisoned by unnecessary vainness since so much of her video involves cute things, colors, outfits, animals, and is set up like a tv show. She’s also worried that Es and the others will really see her as a child because of how cute the whole thing is. She prevents herself from watching it too many times, but buried under all her fears, it gives her a surge of pride seeing herself so talented and pretty and the star of the show. Purge March only reaffirms her confidence in her crime – the video brings up some awful memories, but it shows her as a leader, a warrior, a hero! It brings her comfort and confidence more than anything.

Mikoto/John: The videos are distressing to both of them, and they spend all their time studying the others’ screentime. Mikoto watches in horror as John does things that line up with his spotty memories, and John panics seeing that his actions distress Mikoto more than they’ve reassured/saved him. John does end up watching his own scenes a few times – it feels incredibly good to appear in a way that Mikoto may finally notice him. He feels seen. Now, logically I think that MeMe would be the final tipping point in which Mikoto finally accepts the situation and his DID, but if I must stick to his canon denial, then I’d say he goes on a whole rant about movie magic andt the crazy things you can do with editing nowadays. He doesn’t have a good explanation on how Milgram found his home and knew so much about him, but he explains everything away as cgi or camera effects. Double manages to sway him a bit more, as he hears John speak so plainly to him. Just as the audience had some debate on who was apologizing at the end of Double, Mikoto and John wonder who is apologizing to whom. Though they both come to the conclusion it’s their own apology, they decide that if it was the others’, they’d accept it and forgive them.

Kotoko: She’s very pleased with Harrow, and is unashamed to show it to the others. Though she’d been able to watch a few of the previous prisoners’ videos, it still shakes her a bit when she realizes that Milgram really does have the tech to look deep inside her. She watches it just a few times – not obsessing over it, but not afraid either. Deep Cover, however, is a once-and-done sort of deal. She claims she’s not letting the others watch it because “they couldn’t handle such harsh but true criticisms about themselves,” but she doesn’t end up watching it anymore herself, either.

[torawro]

i like ‘em a little insane, covered in blood and severely mentally unstable <3

[nightmarearian]

Odysseus (& Anticlea) has Hermes’ laugh

[tanoraqui]

I’m here to chew on the House of Fëanor like a tiger with a pumpkin full of raw beef, not to defend any of their actions, but, man, sometimes I see Second Kinslaying discourse and I just gotta be like…

i mean they did also kill jesus try to regain the 2 Silmarils from Morgoth first. that was a pretty significant thing that happened. like i understand where you’re coming from here but they very much did try to regain the 2 Silmarils from Morgoth first.

Like what the FUCK do you think the Union of Maedhros and the goddamn Nirnaeth Arnoediad was FOR.

[edge-oftheworld]

do you ever just stop and think about how each band member is so incredibly talented in their own way and we get to watch not only that but the magic that happens when they work together?