#debut writer

[there-are-many-ways-to-smile]

[sasha-valerio]

Debut Novella - out soon!

I'm so excited to start talking about this! My debut novella is (finally!) on its way.

If you love mythology and soulmates, endless devotion and dangerous, sexy characters, then this M/M novella will be perfect for you!

Check out the link to get more information on release dates and platforms, and to find out more about these dynamic heroes!

https://sashavalerio.com/

[middleagedwomen-curves]

Must read 👏🏻👏🏻

[killemwithkillness]

08/11/2023 | Worldbuilding

I used to dread worldbuilding. It was just another thing on my plate. But going back over what I already have written and plotted is making me realize how little I know about my own book's world. Pressuring myself to finish this book fast has

Not worked at all

Been a motivation killer

Deprived me of the genuinely fascinating task of creating a rich world to surround my characters and support my themes.

Worldbuilding is a character in itself. And I am learning to love it like the others.

[butteronabun]

i just want you to take me where your heart is

a diluc ragnvindr x female reader highschool au.

overview: and who could possibly be the golden boy’s type?

wc: 2k

notes: imagine diluc with his hair down in this one. and also. diluc’s father hasn’t d-worded in this au so he’s the happy diluc we all know and love before shit hit the fan ( we still love him even after shit hit the fan tho )

Diluc Ragnvindr is prim and proper. Chivalrous and well–mannered. The star athlete of the Favonious Birds. Intelligent, a leader, and a great speaker. 

And of course, he’s every girl’s dream guy. 

“. . . And yet, he’s still single,” Kaeya remarks with a smirk, and his friends around him laugh in unison. 

Currently, he’s eating lunch with them in the campus’ outdoor park — a place of tranquility where some students prefer to hang. Instead of being involved in the hustle and bustle of what goes on in their cafeteria, be it your average food fights or impromptu musicals incited by a certain twin–braided man, said outdoor park was a better option for these lads to unwind.

“You know, I used to think that he and Jean would look good together,” a friend of Kaeya says, and they all turn to him. “She’s just like him: elegant and grades conscious. Takes part in student governments and volunteers to school events. Plus, she’s drop dead gorgeous! With her brilliant blue eyes and smooth blond hair, oh, if I was Diluc - I would not hesitate to date her!”

“Nah, I think Lumine is better,” They all glance next to their right. “She’s sporty, and she can definitely keep up with Diluc. She aces her tests without any difficulty, despite doing a part–time job every night with her brother in a nearby coffee shop, and it’s rumored that she makes the best drinks! Moreover, she’s a beauty. That’s why she keeps on receiving loads of love letters during the Windblume Festival every year, so it will not be surprising if she’ll be getting them again!”

Ah, yes. The Windblume Festival is fast approaching—now that January is about to end, in the next two weeks, Brightcrown High School’s air will surely be filled with nothing but endless romance.

Kaeya gazes up above, where a giant tree shadows their figures with its bright green leaves. The sunlight filters through the gaps and he basks into this moment of peace. He then adds playfully, “And Diluc will be busy tidying up his locker once more, because it will be filled with chocolates and letters.”

“What?! Does he even eat them? Tell him that he can donate, you know!”

Kaeya huffs, “My brother won’t even give me a piece, what makes you think he’ll hand you one?” 

He remembers the time that Diluc had been so overwhelmed by the plethora of sweets, and yet seemed so appreciative about it. Father was just proud of the older son’s popularity. Kaeya offered to help him consume them all as a joke, but Diluc shook his head vigorously, saying that he shouldn’t, and that “they all worked hard for this”, and it was right that he only eat them.

How adorable of him, really.

Plus, Diluc even read the letters one by one. No matter how cringe or sickeningly sweet they were, Diluc read them all. And Kaeya wasn’t even shocked that there was no judgment in his face. 

Diluc was just grateful for the gifts. Bashful, indeed, and sometimes he was not sure what to feel, but he was grateful.

“So, Diluc. Who will it be? Jean or Lumine?” Kaeya questions with a grin that afternoon, when the Windblume Festival is finally in full swing. 

Diluc raises his head from the paper he’s answering — it’s a survey given to him by one of the juniors for their research subject — and frowns. “What brought this on? Why am I suddenly choosing between two friends?”

“Oh come on, you weren’t even listening!” Kaeya pouts, before sitting on a nearby desk. 

After exploring the premises for some snacks and attractions, the brothers decided to stay inside an empty classroom for a while. They can hear some cheers from the outside, loud declarations of love and squeals from the majority, that surely Diluc thinks would be a delight for Kaeya, but has opted to accompany him instead.

“I was.” Diluc purses his lips, and hears laughter echoing through the halls as students run and get chased by disciplinary officers. “You and your friends were talking about the girls and I. I just don’t understand why you want me to choose. And be careful, you might fall. Don’t move so much.”

“Cooome on, Diluc,” Kaeya groans as he leans, “We’re sixteen, aren’t we? Father says we’re at that age, after all. By that, I meant, where we’re all supposed to be dating and courting?”

Diluc feels his cheeks slightly heat up from the words that escaped from Kaeya’s mouth. He returns to his duty of answering the survey. ( As if he needed to, when he was already done. ) “And I told you countless times that I’m not interested. Need I remind you that I don’t have the time for it. You know I still have to prepare for college, and that I have to keep an eye on my varsity scholarship, and—“

“Yadda, yadda, yadda——“

“Don’t yadda me, Kaeya. That’s just how it is.”

“You seriously aren’t interested?” Kaeya prods.

Diluc shoots him a firm stare. “Absolutely positive.”

And Kaeya sticks his tongue before hopping from the desk and making his way to the door. “Fine. But don’t think you’re off the hook just yet.” Diluc watches his retreating back. “I’ll make sure to find you a lady, and it’ll be your type, and you’ll fall in love.”

Kaeya pulls the door open. He confidently says, “It’ll be inevitable, Diluc. Inevitable!”

A small smile creeps its way to Diluc’s lips, finding this all amusing. “Then I wish you the best of luck.”

Kaeya huffs, not liking that Diluc seems so smug and unbothered by it, then leaves.

Diluc waits for a while. And waits. 

And waits, until he blinks, checks his survey, before sighing heavily. 

A brilliant shade of red coats his pale cheeks, and he buries his face in his hands.

Dating. Courting. The type of lady Diluc likes? Yeah. Diluc already has found his type. 

( Kaeya doesn’t have to know yet. He hates lying, but it’s too soon. Maybe someday. If Diluc can face his feelings first. )

So, hear, hear! He’s not missing out, in spite of what his friends say.

This person is not what everyone expects; it’s not the formal and polite Jean who can deliver a speech eloquently, nor the radiant and loyal Lumine that they want to push toward his direction.

Instead. . .it’s someone else.

And that someone else dropped a bowl of soup to Principal Varka’s white slacks. That someone else triggered the anger of a certain math teacher because she climbed the roof so carelessly during class to fly a kite. That someone else got into detention and instead of writing I’ll be good from now on one hundred times, spent the day with the others in that session to tell ghost stories.

That someone else was you, who wasn’t like Jean or Lumine. That someone else was you—the you, who was his exact opposite, and yet managed to capture his heart. 

You are one of Mond High’s known troublemakers, and apparently, he has fallen victim to your charms.

Maybe it began when you were just snickering with your buddies in the library despite the librarian‘s persistent shushing. He was solving his quadratic formula worksheets back then, and he was impressed that even if you were fooling around, you were in the library to actually learn more about the cardiovascular system, with the help of a fellow friend. 

(“I will be proud to say that the one that carries the blood away from the heart is. . . arteries!”

“You’re right!”

“Yay!!”

“Shh!”) 

Or maybe it began when you witnessed that one student who humiliated himself by accidentally slipping on the wet floor in the cafeteria, and everyone sans Diluc laughed.  Then you came to his rescue, marching in the middle with all the attention on you. 

You didn’t offer your hand. 

But you purposefully slipped instead, and even had the most embarrassing fall. The cafeteria became noisier because of you, and Diluc, baffled at first, found himself chuckling soon after.

Actually, no. 

He didn’t fall in love with you during those times. These were the times in his life that led to this one very moment—

When the Favonious Birds lost the tournament, Diluc was sulking in the playground, all by himself. He took the blame despite Kaeya and his friends denying it, but he knew better. If Diluc had just made it quickly to the ring, their team could’ve been victorious and brought the trophy home.

But alas, it was just an if. It didn’t happen.

Then, something wet drops in his hair. Then his arm. And nose. It was about to rain, and Diluc just grunted, not caring one bit. He was sure Adelinde would make a fuss about it, or his father would pester him for his carelessness, but he wasn’t in the mood to leave his spot just yet.

Let the rain wash away his sorrows.

Pitter–patter. Pitter–patter. Pitter–patter. Pitter–patter. 

“Don’t match with the gloomy weather now.”

Diluc slowly lifted his head, wondering who spoke and what covered his pathetic and hunched form that was wallowing in despair. And his eyes grew wide when he saw you, almost bending with an umbrella in hand, sheltering you and him from the incoming downpour.

You smiled down at him, “There it is. Keep your head up, King! Your crown is falling.” 

And Diluc’s heart skipped a beat the same time a thunder rumbled from the distance. “W–what. . . ?”

You continued, “I don’t know what got you all so sad, but everything will be fine soon! I’m sure of it! After all, once the rain passes, there will be a rainbow!” Then, you grabbed his cold and even bigger hand, and Diluc, at that split second, felt the static. You didn’t even react. But your hand was warm, and Diluc’s chest was, too. 

Dumbfounded, he let you guide his fingers. It only came to him long after that he was gripping a metal handle. “Have my umbrella! I hope this will make your day a little better, and if it doesn’t. . . well, at least I tried. But I have to go now!”

You quickly put the hood over your head when the rain grew stronger. Diluc, concerned over your well–being, finally regained his composure to protest. “But what about you— hey. . . !”

He watched you run and wave, bidding farewell. “You don’t have to return it to me! It’s all yours! I really have to go, so see you, maybe? Bye!”

“But. . . !”

And Diluc. . . Diluc could catch you if he wanted. He could sprint and return the umbrella to its rightful owner, but he didn’t. 

Instead, he remained in his position. 

And his heart— oh, his heart. His heart couldn’t stop pounding that day.

You are Diluc’s first love. 

That is established. 

The thing is, this is a secret. No one knows yet. Just him.

He’s never felt this towards anyone before. You are his first.

( And hopefully the last. )

You’re different from everyone else. You’re different from him. You have your own unique methods of doing things. You have your own way of paving your path. You are the artist to your own canvas; the director of your own film.

You are like the sun. You brighten everyone’s day with your presence, and you also shine, because Diluc can’t keep his eyes off of you whenever you’re in the vicinity.

He knows that this is really an unexpected outcome – him, who was definitely out of your league and vice versa, catching feelings for someone like you.

( Someone like you who is free in life, and Diluc wants to feel that, even just for a bit, with you. )

But like before, all he can do is merely daydream and wonder about the what–ifs. What will it be like to be your friend? Will he experience all the shenanigans that you ensue? Will he also fly a kite with you? Will he get into detention?

Yet this is unbecoming. Improper. Inappropriate for someone like him—for the eldest son of the Ragnvindrs and for the next heir of the winery. He can’t indulge into lighthearted affairs or mischief. He’s supposed to be responsible and disciplined. A man of propriety.

So all he can ever do is have these thoughts. Just thoughts. He has more important matters to attend to, like college applications, training, lessons in handling the in winery business. . . 

And . . . there’s no way that you’ll approach him again, right? 

Diluc knows to himself that can do it instead, you know. He can approach you if he must, but . . . he’s just so shy. 

And a lot of people are always around you. So who is he to burst your bubble, when you seem so finally content with your life?

Diluc peeks from the open windows and sees couples holding hands and sharing kisses. Briefly, he imagines what it would be like to experience romantic love during Windblume.

He feels his cheeks steam again. 

Kaeya will surely have a field day once he sees his older brother being lovesick like this.

You really are one of Mond High’s troublemakers. And it’s not only because you prank your friends or piss off the teachers, but you make it hard for him to focus. 

Just thinking of you never fails to make his heart perform somersaults.

He is Diluc Ragnvindr. Prim and proper. Chivalrous and well–mannered. The star athlete of the Favonious Birds. Intelligent, a leader, and a great speaker. 

He is not every girl’s dream guy. 

Because unfortunately, the girl he likes doesn’t even see him in a romantic light.

[rottenbrainmatter]

its his first script

[genericpuff]

All That Glitters is Not Feminism - An Analysis of LO's Brand of "Feminism" and What Remains of its Fanbase (The Twist)

Alright y'all, I've been waiting a hot minute to talk about this because I wanted to see how it fully panned out before saying anything about it. And it's not even specifically about LO, but I do think it's very adjacent to it in a way that I'm sure you'll be shocked to hear. Much of it speaks to how we prop up white writers even at the expense of POC.

This is 'the twist' attached to my first post that I made just a couple hours ago that concerns an entirely other topic but I feel ties into this subject very well.

If you haven't heard, there's this author who recently fucked around in the Del Rey publishing scene.

Her name is Cait Corrain.

In the original tweet calling this person out, names were not dropped, but it was made very clear that what Cait did was unacceptable behavior.

You can read the entire thread that started it all from Xiran here:

There's also a GREAT recap thread from one of the affected authors, Bethany Baptiste:

I want to make it clear that Cait Corrain isn't just a debut author.

Cait Corrain is - or now, was (foreshadowing is a literary device that-) - a debut author who had an agent, a publishing deal with Del Rey (an imprint of Random House which is a MAJOR publisher) and even an upcoming Illumicrate deal - meaning, her book was going to be packaged in a monthly loot crate subscription shipped directly to people's doors, quite possibly one of the best marketing deals a debut author could ever get, usually unheard of in this industry. All the pre-reviews were strong and positive.

Cait's book was literally set up for success. All she had to do was sit back, relax, and watch the fruits of her labors roll in. She had written the book. It was ready for release. The hard part was technically over.

But I guess the racism brainrot got to her because as it turns out, since April - for EIGHT MONTHS - she's been making alternate accounts on GoodReads to review bomb the indie and debut works of her friends and peers, most of whom were POC and did not have the same opportunities set up for them as she did. There are loads of receipts to back this up that you can find in those above threads ^^^

To say that this is appalling is an understatement. This was an intentional and deliberate act of racism by a white queer writer who claimed to be "jealous" - of what, I can't imagine - so much so that she deliberately sabotaged her peers, people who had supported her and her book.

And then when she got caught? She doubled down on it and claimed it was a "friend", also an alternate account she made up.

The exchange between her and this made-up person is actually the funniest shit out of this entire thing, it's so poorly written and as soon as people noticed the time stamps were out of order, that was when it truly cemented her newfound clown status.

"oooooh he's standing right behind me, isn't he?" energy right here LMAO

yes keep expositing cait, that's really selling the "this is a genuine conversation that really happened with a real person" bit 🤡

Anyways, it became abundantly clear that Cait was just going to continue to dig her heels in over something she caused.

This has been a hot topic in the UnpopularLO Discord, not just because of how crazy of a situation it is that we had to talk about it - and we have people within the community who work in the literature and media sector - but because we noticed one very telling thing in the list of series that she had review bombed in her very own personal act of wrath.

You see, Cait made one fundamental mistake that led to her undoing - she didn't just review bomb the works of her peers, she positively reviewed her own book and others.

What's her book about though?

It's an Ariadne x Dionysus retelling set in space.

It's literally another "modern retelling" of Greek myth.

And wouldn't you know it, guess who else created a modern retelling of Greek myth that she included in her positive review raiding while she was sabotaging the work of her actual peers?

Now, I think it goes without saying that what I'm about to say should be taken with MOUNTAINS of salt, I'm sure a lot of you are reading the headline and going, "Ugh, really? You're gonna make this about LO? Could you give it a rest already???"

I need you to understand, with the current state of Rachel's fanbase and 'modern' Greek myth literature as a whole, at this point Lore Olympus - and the works that are literally inspired by it such as A Touch of Darkness - has basically become the shopping cart litmus test of basic decency. It's like when someone says they like Harry Potter - you can't take it automatically at good faith anymore, because there isn't a whole lot separating someone who simply liked Harry Potter as a kid and still rewatches the movies from time to time from someone who fully supports the politics and agenda of J.K. Rowling. No, not everyone who still watches the movies or reads the books fondly is a TERF by default, but it's justifiably a reason for suspicion when the consequences are often too dire to risk.

There's this thing that's been happening in the LO fanbase that I frankly saw coming, but has really recently started to hit its peak. It's what I call the "Kanye Effect", where the comic has become so absurd and backwards in its misogyny and white feminism that the only people who seem to be left supporting LO are the people who are legitimate white feminists and misogynists - because all the normal level-headed people fell off the comic ages ago (or transitioned into the critical side of the community).

I mentioned it in my last post, but it bears repeating - Rachel's fanbase has literally been shipping Hera, a victim of abuse, with her abuser, Kronos. I'm really hoping a lot of them realize how fucked up that is now that Hera herself has called it what it is - abuse - within the comic, but I also can't count on the LO fanbase picking up on that or even noticing it with how quickly people swipe through it each week, it's very apparent at this point that most of LO's readers don't know how to chew their food and don't pay attention when Persephone and Hades aren't onscreen.

But I'm digressing. Or am I? We're talking about Crown of Starlight after all. The debut Dionysus x Ariadne sci-fi/fantasy romance that was quite literally advertised using Lore Olympus as its baseline-

This. This is what the ongoing cultural erasure and white feminist uwu-fication of Greek myth is doing to the literary zeitgeist surrounding Greek myth as a whole. This is why we criticize Lore Olympus and works like it that are created by disingenuous people who only seek to use the assets of Greek myth material as a way to shoot themselves up into fame and stardom. This is why we demand better standards in the literature and webcomic industry, so that people like Rachel and Cait can't use their privileges to quite literally erase the source material that they used to make themselves famous in the first place.

If anything, Cait's actions didn't just affect the people she negatively review bombed, or the people she was affiliated with, but also the people she positively reviewed. While I don't support what Rachel creates, she wasn't the only one who Cait went out of her way to review positively from her alt accounts, there were many others as evident in the Google Doc - but all this really does is tarnish the legitimacy of these books and their ratings by artificially jacking up their numbers that are advertised to others.

Making Greek myth fanfiction or fun creative retellings was never the problem, but it's now being sabotaged alongside so many other genres and mediums by toxic white individuals who can't even keep themselves from committing hate crimes, let alone create something purely for entertainment that's transparent in its illegitimacy, lest it destroy the illusion that these people are qualified to speak over those whose voices are being stifled, often by these very same people. Many of these writers get caught and are still allowed to continue what they're doing - that was certainly what we feared with Cait.

Until today.

It was revealed today that Cait's book will no longer be featured in the Illumicrate May 2024 box.

Del Rey has dropped Crown of Starlight from their publishing schedule.

Daphne Press will be hopefully following suit.

And, most telling of all, Cait's own agent has severed ties with her.

For anyone not familiar with the inner workings of the publishing industry, Cait has essentially been blacklisted. Without an agent or a publishing house, she'll have to entirely rely on her own resources through self-publishing. Unless she manages to sneak her way back in under an alias (which I wouldn't put it past her to try) she no longer has access to the mainstream publishing industry that was already guaranteed for her before she let her 'jealousy' get the better of her.

Her career was already made for her. She had a red carpet laid out for her debut. Her book was getting good pre-reviews and she had quite literally nothing keeping her from her success. The best thing she could have done was nothing. Somewhere in her head, she made up a threat that didn't exist, and sealed her fate in acting on it, a self-fulfilling prophecy.

I think in these situations such as with Cait Corrain, Rachel Smythe, and - also recently and relevant - James Somerton, we need to become increasingly aware of how white voices are still overpowering POC voices, not just in their actions, but in the opportunities they're given over others which they then use to further stifle the voices of those they feel "threatened" by or feel entitled to speak over. While neither James nor Rachel have used sock puppet accounts to "take out the competition" (at least as far as we know lmao) James did quite literally steal the words and voices of queer writers who were deserving of their time in the spotlight, and Rachel's work is being quoted as "rewriting Greek myth" as if its blatant gentrification and appropriation should be marketed as some sort of positive.

It's all too common for these deeply-rooted prejudices to rear their ugly heads and for the people who carry them to act out in this way while justifying it as "jealousy" or "a mistake". This isn't jealousy. This isn't a mistake. This isn't someone "starting drama". This is genuine, targeted hate, with the intention of snuffing out the voices of others who should be empowered, not silenced.

All that time and effort, and for what? Racism and petty jealousy? It just goes to show, it doesn't matter how many opportunities you're given, how high up on the ladder you already are - it won't fix the deeply-rooted insecurity and racial pettiness that spurs people on to do such horrible things.

I've spent enough of my time and words today talking about Cait, and James, and Rachel. So to end this off, I want to join in with all the others who have highlighted the books that were review-bombed by Cait, and help in uplifting them so they can have successful debuts. I'll be pre-ordering a few of them, so I'll be happy to make dedicated posts for them in the future after they release. Please consider purchasing them for yourself if you want some new reading material <3

The Poisons We Drink by Bethany Baptiste:

So Let Them Burn by Kamilah Cole:

To Gaze Upon Wicked Gods by Molly X Chang:

Mistress of Lies by K.M. Enright

Voyage of the Damned by Frances White:

(I'm sure there are plenty others so if I missed any here, please let me know so I can add them here and check out their books!)

If there's any silver lining to this, I hope that it makes people aware of the media they consume and who it's being created by. I hope it makes people more willing to seek out the books that aren't getting the same opportunities as Cait Corrain and Rachel Smythe. I hope it's a wake-up call to the industry that matters like this need to be taken seriously and that POC writers are still being silenced under their own noses. And most of all, I hope it's a reminder that we shouldn't even need at this point that this behavior is not okay, no matter what level a person climbs to - that just because someone is part of one minority doesn't mean they're not capable of sabotaging another. It sucks that that has to be said, it sucks that despite these groups being so intersectional there are still people within them who submit to their deeply-rooted insecurities and find ways to feel threatened that they use to justify hateful behavior.

Having a platform is a privilege. It should never be weaponized against your own peers or those who you simply feel "threatened" by for no reason beyond your own imposter syndrome or doubts or internal struggles. Because as much as you may feel like you've earned where you are, that never gives you the right to weaponize your opportunities against others who were never given those same opportunities in the first place. "Feminism" is not using your power to crush "other women". "Progressiveness" is not exclusive to the progress that only benefits you.

I wish only the best to those who were affected by the actions of Cait Corrain. You deserve to be heard and seen and appreciated for the work you do and the abuse you've had to tolerate. I look forward to your debuts in 2024 <3

[books]

Writer Spotlight: Rose Sutherland

Rose Sutherland @rosesutherlandwrites is a Toronto-based writer who grew up a voracious reader with an overactive imagination in Nova Scotia (where she once fell off a roof trying to re-enact Anne of Green Gables!). She's been to theatre school in NYC, apprenticed at a pâtisserie in rural France, and currently moonlights as an usher and bartender—in between writing queer folktales, practicing yoga, dancing, singing, searching out amazing coffee and croissants, and making niche jokes about Victor Hugo on the internet. She's mildly obsessed with the idea of one day owning a large dog, several chickens, and maybe a goat. A Sweet Sting of Salt is her debut novel.

Keep reading for more about character arcs in A Sweet Sting of Salt, Rose's favorite fanfic tropes, and some excellent reading recs 👀

Can you tell us about A Sweet Sting of Salt and how you came to write it?

A Sweet Sting of Salt is a queer (f/f) historical reimagining of the classic folktale of the selkie wife, set in 1830’s Nova Scotia. I call it a “reimagining” because while it draws on the folktale, it’s not a retelling of that tale so much as a story playing out in relation to that mythology. I’d wanted to write something centering a love story between two women for a while, but the initial spark came from a Tumblr post! It suggested the idea of selkies testifying before the UN as victims of human trafficking, which reminded me of all the things I disliked about the original folktale and its inherent darkness that is generally glossed over, starting me down the rabbit hole toward finding my own story.

How did you approach research for A Sweet Sting of Salt, and what is a favorite historical fact you learned?

I joke that I did a lot of research by osmosis: I already had a lot of base knowledge about the location, having grown up in Nova Scotia, and then set the story in a period that I’ve been absorbing information about in a low-key way for ages—1832 is also the year of the student rebellion in Les Mis, so I’ve been gleaning tidbits about this era since I first got into the musical and book back in high school. However, I had to do more specific research into things like British divorce law, period midwifery, and animal husbandry. I also visited some small, hyper-local museums on the South Shore that gave me an invaluable glimpse into daily life. I also did some fun practical research into things like “How long does it take to walk from x to y?” and “How cold IS a plunge into this body of water in March?” (Spoiler: Very.) 

A fact that fascinated me but didn’t make it into the book was that some early European settlers in the area were granted lands by luck of the draw, pulling from a deck of playing cards: Each card was assigned to a specific 50-acre lot, and whatever you pulled, you were stuck with it.

When we meet them, Jean and Muirin are isolated for different reasons. What do you hope readers still searching for their people take away from A Sweet Sting of Salt?

That there’s always hope. It’s valuable and important to keep reaching out to the world around you, to be open, and not cut yourself off—the biggest reason for Jean’s loneliness at the beginning of this story is the way she has come to keep everyone around her at arm’s length, shutting herself away out of fear, and refusing to let anyone truly get to know her because she thinks that’s the best way to protect herself from being hurt again. Reaching out to others can take a real act of courage, especially if you’ve had bad experiences in the past, but “your people” will reach back to you.

Found family elements play a strong role throughout the novel, within supernatural and mundane settings and across species. Was this something you intended from the beginning, or did this grow out of writing the relationship between Jean and Muirin?

I always intended for Jean to have a found family of this type, which is something that a lot of queer people identify with, but those bonds also got stronger and more meaningful as I wrote, especially once Jean and Muirin began growing into their own family unit—their new relationship and the real danger that comes along with it put pressures on Jean’s other relationships that I hadn’t originally considered. Disagreements with Anneke and Laurie over Jean’s choices arise from their deep concern and love for her, and her own love and care for them, reflected in her responses, is a big part of what made them feel like a real family, for me. Jean and Laurie always having each other’s backs while also being the first to call one another out on their bullshit ended up being one of my favourite dynamics in the whole book.

The selkie myth carries an inherent element of transformation. What is a character transformation you most enjoyed writing, and why?

On a character level, the change in Jean’s worldview following a conversation with her childhood sweetheart meant a lot to me—it heals an old wound for her. I love how grounded and self-assured she is afterward, in spite of the daunting task still ahead of her. But my favourite transformation to write was the antagonist’s mask-off moment, where they directly threaten Jean for the first time. It’s so sly and coded so that only she will understand the menace behind it, a real dun-duh-dunnn moment, which was a lot of fun for me—I also enjoy the foreshadowing elements in that exchange.

This is your debut novel. Did anything surprise you about getting it from manuscript to published book?

Oh my gosh, how LONG it took! After I finished the original draft and decided it was worth attempting to publish, I spent over a year revising based on my own thoughts, input from beta readers, critique partners, and my mentor, Maureen Marshall (whom I connected with through the now defunct Author Mentor Match program, and whose book, The Paris Affair—about a young gay engineer attempting to help Gustave Eiffel secure the funding to build a certain celebrated Parisian landmark— is coming out in May). After that came a full year of querying agents and getting rejected. A lot. People loved Salty but weren’t quite sure what to do with her or where the book would fit in “the market,” which was hard to deal with at the time but is hilarious in retrospect: Salty was snapped up less than a month after she finally went out on submission! But that was back in 2022, and the book is only coming out now. Publishing can be painfully slow.

You’ve written fanfic in the past—do you have a favorite fanfic trope?

I’m not sure either of these counts as a trope, but I adore a character that’s “pure of heart, dumb of ass”, and love a truly unhinged Fanon Explanation For Canon Object. As a longtime Les Mis stan, I ship Tholomyes/Getting Punched. If you know, you know.

Do you have any favorite queer retellings of folktales you can recommend?

Right here on Tumblr, I’m a huge fan of @laurasimonsdaughter, who writes delightful riffs on classic folktales, truly inventive urban fantasy spins on old lore, and her own original folktales. 

I’m currently reading Spear, an amazing queer, gender-bent, Arthurian novella by Nicola Griffiths. Anna Burke’s books Thorn and Nottingham are up next on my TBR. Lately, I’ve been reading a lot of brilliant queer historicals that aren’t retellings (I recently loved Suzette Meyr’s The Sleeping Car Porter and Heather O’Neil’s When We Lost Our Heads) and wonderful historical retellings that aren’t queer (I highly recommend Molly Greeley’s beautiful, heartbreaking Marvelous, about the real-life couple that inspired Beauty and the Beast). Queer, historical retellings aimed at adults seem to be considered quite niche, still, and can take some digging to find! So, throwing this out to Tumblr: Do you have recommendations for me?

Do you have a writing routine? Is there a place/state of being/playlist you find most conducive to your writing practice?

My routine is chaotic at best, but I find I do my best work earlier in the day, so I usually scribble in my journal while I have breakfast, and then progress to working on my current project as I drink my second cup of coffee. I’m lucky—my day job is an evening gig, which mostly allows me to write on my preferred schedule… but I’ve also been known to have a bolt of inspiration strike at 10pm and dash home to write until well past midnight on occasion. Nothing quite like the hyperfocus zone!

What’s next for you? Are you working on anything you can tell us about?

No official news yet, but I’m currently working on a story set in 18th-century provincial France based on a true unsolved mystery of the past. It has me delving into a very specific branch of French folklore, and I hope future readers will pick up on common threads with one popular fairytale in particular. I’m really excited about where this one is headed, but keeping the details close to my chest for now!

Thank you Rose for taking the time to answer our questions! If you love queer fantasy and old folktales, grab yourself a copy of A Sweet Sting of Salt, and be sure to share your queer folktale reading recs with Rose on @rosesutherlandwrites!

[enbeemagical]

lemme try this again

Hey Tumblr! I'm writing a book. It's 102k words (and counting) of pure queer fantasy and a year's worth of emotions.

It's about a queer kid finding community and support, and then stepping up to defend the people they love. And it's about falling in love and finding yourself, and it's about trust, and connection, and responsibility, and trying to do good in the world. It is also about gay.

Blurb thing:

Destiny has always been alone, self-isolating so that no one will find out about her magic, the same power that she watched a little girl dragged away for nine years ago. Then she meets Vida, a beautiful fae whose kiss sparks something inside her, and Destiny chooses to follow her.

She's not expecting Vida's family to be a werewolf pack. Or that they'll be so welcoming— she was told werewolves are monsters, after all. She's definitely not expecting them to become her own family.

But when Destiny begins to change, it's the wolves who accept him for who he is. And it's the wolves who are the first to see Destiny's magic and swear to protect them, no matter what. And it's up to Destiny to decide what that looks like.

Even if it means changing the world.

(yes the pronoun shifts in the almost-last paragraph were intentional)

And now a quote:

“Don’t you ever want to do something you’re not supposed to? Love the wrong way, be the wrong person, want the wrong things?”

If this sounds like your cup of tea, rb and let me know! I'm not sure when I'll start posting it, there's still a few edits I need to get done, but encouragement will definitely make that happen sooner~

[whilereadingandwalking]

It takes real effort to keep believing in my future as a writer. Two books fully rejected by half the agents on the market, a character-driven fantasy and a friend breakup YA. I keep writing, because I can’t stop, but it does make it harder to persist in trying to finish those books. But I have to keep pushing. I know my work is good. I just have to find an agent ready to take a chance on me.

[run-little-hero]

“I’m sorry Villain. I didn’t mean it.”

“I know.”

“I love you.”

“I love you, too.”

“I love you.” Hero presses a kiss to their temple, situated on Villain’s lap. “I know this isn’t what you pictured when you stole me away. You’ve suffered because of my mistake and I hate myself for every ounce of pain I’ve caused you. I hate every moment we have to hide and I hate more that I can’t do anything about it.”

Barely a whisper. “Villain, you’ve entered my life and filled my heart so completely that I can’t imagine breathing in a world where we have no future together. I will become someone deserving of you, as you’ve become my heart, entirely.”

Hands move across Hero’s back and they both rock quietly in the chair. “You have no need for apologies, my love. I’ve never regretted our meeting, or our secret. Not for a second. You must know this is not only your burden. You are not alone.”

“I’m sorry,” Hero confesses to the crook of Villain’s neck.

“I trust you.”

“I-”

“Through everything, we are devoted to one another. And if all my hardships have amounted to this moment, I still wouldn’t deserve the love you give me.”

—

snippet #1

[no-where-new-hero]

omg I need your thoughts on the terminally o line author culture bc ngl it makes my eye TWITCH, there are authors I deliberately avoid even tho I've heard their stuff is good bc they're like that 🙈

HHHHH oh good lord, okay, from how I see it, there are two angles on this, both aggravating and sad: the official decree one and the spontaneous ecosystem one.

The officious one is that the nature of publishing nowadays demands an author have an online presence. You need Twitter/X. You need to let every potential reader know your book is coming out. You need engagement through reviews and pre-orders incentives (if you buy now you’ll get a special keychain!!) and word of mouth assurances from your peers that yes your book is as cool as you say it is. You need a newsletter with links (more buying! more voting on lists that are simply popularity contests!) and promises you’re still working on the next thing, don’t forget about me in the morass of everyone else doing the same thing. You need an Instagram and TikTok now to post pretty pictures and videos because one or two authors made it big off this kind of promotion and now everyone thinks it’s the ticket to the bestseller list (sadly, it seems to be working). You need an OnlyFans (a joke but I do recall a twt spat that was a joke/not joke about how rupi kaur will always be more beautiful than her critics and people who took issue with the conflation of beauty with talent). At the end of all this, you’re basically an influencer, a content creator creating content for the content you should be focusing on creating, the finished novel. And the novel itself seems to be disappearing behind the masks used to promote it (fanfic-style tropes, moodboards, playlists, memes) until I now no longer trust the book that I’ll pick up to have any resemblance to the enticements that brought me here. I’ve seen an author or two complain about the stress all this self-promotion generates, but it’s become such an entrenched part of the industry, I think people just accept it. And thus spend too much time online hoping that if they tweet just a little more, produce just one more reel, maybe that’ll be the difference between a sale and no sale.

The other side of this, distinct but obviously connected, is the ecosystem created by this panic of being perpetually visible coupled with the fact that so many of the new authors came of age during the rise of internet fandom culture. That opinionated community mindset that blurs the line between anonymity and friendship is the lens they bring to their own work. I mean, it makes sense I suppose—if you love yelling about characters and words, why wouldn’t you do that once you start to produce your own? This really came home to me hearing about that reviewbombgate “scandal” and how people involved were in reylo circles and that was used to provide receipts. You’re interacting with your readers and peers about your intimate work but they are also all strangers. They will not always give you the benefit of the doubt, and now—as opposed to the past when maybe the worst that could happen was a handful of bad reviews in newspapers—you will either be tagged in hate reviews, sub-tweeted, explicitly called out, demanded to atone for your sins. It’s no longer the morality of consumption but the morality of production. Of course, the easy answer is just log-off, touch some grass. But that can work only when you and everyone else are separated by anonymous accounts or when you have no platform to maintain. As an author trying to make your livelihood from this, suddenly it’s do or die. We’re in a strange moment of authorship bringing the Internet’s echo-chamber and claustrophobic into the real world (this is a lie: publishing now is no longer the real world. But it looks like it) and thus you can kind of no longer escape things.

Will the average reader who isn’t aware of all these machinations care about reviewbombgate? Would a reader browsing at Target think about the controversies around Lightlark? Very likely not. But the impression I’m getting more and more is that the average reader isn’t the one buying all the books. Or shall we say—a bestseller’s status relies on bookstore stock. Bookstore stock is only huge when they know a book will be a good investment. They’ll only know a book is a good investment if it and its author has street cred based on booktokkers, bookstagram, bloggers and reviewers (have you noticed how many books out these last maybe 1-3 years have these kinds of accounts thanked in the acknowledgments? Yeah), and THESE are also chronically online people who will Know. And decide the cast of fate.

Honestly, @batrachised, I see why you avoid these kinds of writers, though I wonder how long it’ll be before the disease becomes epidemic.

[leechjuice]

after months of planning, drafting and executing, it's about time i let the cat out of the bag. right?

i'm self-publishing my debut novel, IN THE END, YOU KILL US BOTH, on October 19th, 2024.

IN THE END is an adult literary horror and queer coming-of-age about the first three months following a nineteen-year-old arsonist's release from an out-of-state mental health facility and the dark, spiralling path she takes after falling in with a suspected cannibal.

this book is an ode to the indigestible ways we process trauma, grief and our own desires. it is my heart project, through and through, and i can't wait to share leo & elowen with all of you.

pre-orders now available 🪳🏚️🩸🔪

[miss-may-i]

Updates!

Miss May I will not be resuming until I have the finale in my queue. That way we can go ahead and get this season wrapped up without any more delays. Hope you're excited as I am!

In the meantime, I'll be adding gameplay screenshots to my queue and uploading more parts to my University Life let's play featuring Richie. Don't get sick of me yet because I have a lot coming!

Now, last but certainly not least, I wanted to announce my book release!

Blackridge, Oregon, claimed the title of The Nameless City in an attempt to attract tourists after the tragedy that shook the close-knit coastal town. Amongst the aftermath of Columbine, a disgruntled student arrived at Seal Coast Community High School with a list of names and a gun. The shooter and nine victims died in the shooting. Months later, the last survivor would die under mysterious circumstances, giving birth to the rumors in Blackridge that there’s a curse using names to kill. Twenty years later, the Clairwaters are moving back to their hometown of Blackridge to reunite with family in the midst of a divorce. Two siblings, Fiora and Atlus, are the newest students of Seal Coast Community High School, where students shield behind aliases, rules, and traditions relentlessly, almost to the point of life or death. The siblings’ roots to the alleged haunted city are as thick as blood, and the townsfolk are curious about the infamous rumor that uncovering a true name can kill, leaving them with one question for the newcomers: what’s your name?

My debut, What's Your Name? is scheduled to release on December 6th, just in time for the holidays! Pre-orders are currently only for E-book, but paperbacks will be available upon release. If you're thinking about picking up a copy, but maybe aren't so sure, maybe just wait and see?

You can pre-order here!

[killemwithkillness]

08/04/2023 | For Myself

As I replot The Wayward Sister for what seems like the thousandth time in 8 years, I am taking the rare opportunity to truly examine each and every moving part of the story and decide what I want to do with it, instead of what I think I should do with it. Do I keep? Expand upon it? Throw it out altogether? Adjust it? It's for me to decide.

I don't think I've ever reworked it like this before. It is very freeing to not be scared of my own project, and to be putting more faith in my abilities as a writer, an artist, and a storyteller. In truth, I'm not sure where the sudden confidence has come from. Perhaps it has something to do with the fact I am now only writing it for myself, without the burden of thinking I am speaking on behalf of a "holy" (ha) God.

Before, I had my religious morals to worry about. Was I representing God correctly? Would my Christian faith shine through the story, even though it was dark? I had elements of moral good, was that enough? How dark was too dark? Would my Christian friends judge my story? Would my pastor need to draw me aside and speak to me about it once it got published? Stupid questions to someone on the outside of Christian Evangelicalism, maybe. But to me they were real concerns.

Now, it's just what I want to do. The story I want to write. The subject matter that I am comfortable with. The topics I want to cover because they align with morality defined by me. I don't mean this in a narcissistic or uncaring way; Of course I care how my work affects people, whether negatively or positively. And I still want to be extremely careful where (and how) I tread. But I truly believe that if my book (and my life, for that matter) had continued down its path, it would have harmed more people in the long run than it will now that my worldview has changed drastically.

Over the years the concept has stayed the same. It is a story of the reality of consequences, what desperate people do in desperate times, and the systems that push them to be in those positions. Now, more than ever, I see clearly what I have been trying to say this whole time. And I can say it without fear, because ultimately, it is for me. No one else.

[laylakingwrites]

Hey! I am an author who has just finished writing their first book and I want to know if it’s something people will read, so let me give you guys the low down on here!

♡ High fantasy romance!!!

♡ Follows the perspective of the morally gray male rather than the female.

♡ Gambling raccoon??? (Like come on! Hell yeah!)

♡ LGBTQ and all inclusive!!!!!!

♡ Villain gets the girl?

♡ You don’t know who’s lying until the very end!

Basic Synopsis:

Morally gray guy is tasked by a nobleman he doesn’t like to bring runaway girl back home. However, after meeting this girl he starts to realize that her father has sinister plans for her and she is not who she says she is either. Our morally gray guy also isn’t sure he can turn her in anymore.

Our working title is The Prince of Lies!