#death to tyrants

[therighthandofvengeance]

Psi Corps: Maternis; paternis

Everyone else: Sic semper tyrannis

[hey-its-sybarite]

Ah fuck

Goddamn y’all really did it

[burnitalldownism]

🥳

[nando161mando]

[goobdesk]

Daily reminder that, no, you as an individual are NOT powerless to help stop a genocide happening halfway across the globe, because you have the power to Influence your own government, and that's how Geopolitics work.

Protest in the streets, people, it came free with your humanity.

[ekcomics]

In honor of the third issue releasing tomorrow, I present to you the first half of the first issue of: NOBODY’S PRINCESS

As a young lady of noble birth, Lady Theodosia Averelle (Theo to her friends) has always known what was expected of her: behave appropriately, learn to manage a household, and marry well.

But when confronted with the reality of an arranged marriage to a prince she’d never met and a future ruling a foreign kingdom, Theo realizes one very important piece of information about herself...

She doesn’t want to be a princess.

With that in mind, Theo does what any reasonable young lady would do in her position—she fakes her own kidnapping and demands her dowry as the ransom so that she can run away and live a life of adventure. Too bad her fairy tale prince isn’t going to give up on "rescuing" her that easily. Good thing Theo makes a good outlaw.

Words: Erin Keepers Art: Catriona Laird

Published by Odyssey Comics CHECK OUT THE KICKSTARTER FOR ISSUE #3

[dalooneylass]

Eat. The. Rich.

the edit itself

this edit is getting taken down from tiktok every time someone reuploads it, its straight up censorship at this point

Im not even american but im having a great time with this

DONT LET THIS DIE

credit to miraculousgastropod for the original

[jasonsbones]

Like, not even just about current events, but I really wish people would celebrate death more. It'll happen to all of us. Let's party about it already.

[odoriferouszephyrs]

man the live nation/ticketmaster breakup can't come soon enough

[loeh]

From the moment he saw your portrait, his life began to change in ways he could hardly understand. At first, he attended the auction out of obligation. He was indifferent to the event until he saw you, captured in a frame, almost lost among the other items on display.

You didn’t stand out at first. Your beauty wasn’t the kind that demanded immediate attention. Yet, when the bidding for your portrait began, he found himself compelled to participate. Was it boredom? A reckless display of wealth? He couldn’t say, even to himself.

The moment he brought your portrait home, he placed it in his room—an odd choice, one that puzzled him. It started as a mere curiosity. What was it about you that had so many people interested? Why did you look so serene, yet so stern?

Your gown, with its deep crimson velvet, was a masterpiece of craftsmanship, clinging to your form like a whispered secret. The intricate lace on the bodice gracefully embraced your delicate shoulders, while the silk train flowed like liquid fire. It was mesmerizing, yet it was your expression that truly captivated him. It wasn’t one of joy or contentment, but of solemness—a quiet command that demanded respect and obedience.

Each night, as he looked upon the portrait, he became more obsessed, wondering who you were, what thoughts filled your mind when you posed for this image. It was as though you had reached out from the canvas, drawing him into a world where he couldn’t escape your gaze, a world where he was slowly losing himself to an obsession he couldn’t explain.

His curiosity had become an all-consuming obsession. The more he stared at your portrait, the more he needed to know about the woman who had captivated him so completely. He scoured records, questioned merchants, and chased down rumors, but for the longest time, his search led nowhere. You seemed to be a ghost, a figure lost to time.

Finally, after what felt like an endless pursuit, he encountered an elderly man who claimed to know your story. The man spoke with a somber tone, revealing that you were once the Crown Princess of a proud and flourishing kingdom. But tragedy had struck when your father’s own brother, betrayed the royal family. He committed treason, igniting a rebellion that tore the kingdom apart.

Despite being outnumbered and facing overwhelming odds, you stood as the last line of defense. You took up arms, leading the loyalists in a desperate attempt to save your home. The man recounted how you fought with unmatched bravery, refusing to yield even as the kingdom crumbled around you. But in the end, your efforts were not enough.

The last anyone saw of you was during a fierce duel with your once loyal knight and lover on the edge of a cliff. Some say you were killed in that final battle; others believe you vanished, your fate a mystery. The man who recounted this tale was none other than the head butler of your kingdom, a loyal servant who had witnessed the downfall firsthand.

Through further questioning, he learned that after your supposed death, your uncle’s reign quickly fell into chaos. The kingdom, once thriving, could not withstand the internal strife and soon succumbed to external wars. These conflicts were so devastating that they effectively erased the kingdom from history, leaving nothing behind but forgotten ruins and faded memories.

The more he uncovered, the deeper his obsession grew. You were no longer just a figure in a painting; you were a tragic heroine. The thought that your story, your life, could be forgotten by time haunted him. He felt an inexplicable connection to you, as if understanding your past could somehow fill the emptiness he felt within himself.

In the end, his search led him to a humble barhouse where you, once a Crown Princess, were now reduced to serving as a maid. The sight of you, stripped of your former grandeur, struck him like a blow to the heart. How could someone of your noble stature have fallen so low? The injustice of it consumed him, feeding the obsession that had taken root within him.

Determined to restore you to the glory he believed you deserved, he decided to take matters into his own hands. He married you, forcibly and without your consent, convinced that he was saving you from a life of indignity. To him, this was an act of love, a twisted belief that he was doing what was best for you, even if you couldn't see it.

He impregnated you with his children, two daughters who became the center of his world. In his mind, he had found his happy ending—a life with you by his side, a family that completed the vision he had constructed in his obsessive heart. He had given you back everything you had lost, or so he thought.

But you, despite everything, continued to resist. You sought every chance to escape, your spirit undimmed even in the face of his control. You spoke of how you didn't love this life, how you longed to be free from the gilded cage he had created. To him, your words were incomprehensible. How could you not see that he had given you everything? How could you reject the life he had worked so hard to build for you?

In his eyes, your ingratitude was maddening. He had rescued you, loved you, given you the children he believed would bind you to him forever. Yet you still sought to flee, still spoke of a life you wanted to escape from. To him, it was baffling—shouldn't you be more grateful? Shouldn't you love the life he had crafted for you with such care and obsession?

But in his twisted perception of love, he could not see the prison he had built around you, nor the pain he caused in his relentless pursuit of a happiness that was his alone.

Maximillian Ashet, Dylan Sean Blathe, Anastacius de Alger Obelia, Dion Agriche, Cruel Harte, Rezef Hill, Eros Vasilios, Callisto Regulus, Ahin Grace, Theobold von Baden Mismarck, Noah Wynknight, Abel Heilon, Prince Escalus, Luciano Valeztena

[hey-its-sybarite]

Guys please last time we did this there were way more people than stab wounds. Come ready to participate. You can borrow a knife if you absolutely must but we may run out on the day. Bring a nice sharp knife so you don’t embarrass yourself and BE WILLING TO STAB CAESAR!

[swampybogg]

[pruneunfair]

Tropes in manhwa are awful yet people still defend them

I'm in a bad mood right now so what better way to release all that pent up anger by ranting on what can ruin a good story.

1: Slavery being inserted only for cheap plot and slaves being demonized as obsessive/greedy monsters for "not knowing their place"

Theres nothing wrong with wanting to insert slavery in your story AS LONG as it's not just cheap plot to make your MC look "better" by buying from a single to all of the slaves because let me tell you this: there is no such thing as a good slave owner, you cannot morally own another human being. A lot of manhwa like to have slavery be a part of their plot completely ignoring that just because the MC goes "wow this is terrible" doesn't make them a good person after they buy a slave.

Remarried empress does this with its villian Rashta by pushing the notion that she's being greedy for not wanting to stay in poverty so Navier won't suffer because apparently a slave wanting what the silver spoon mouthed nobles were born into is so terrible not to mention they justify slave owners and slavery in general as a punishment for criminals (neglecting the fact that children can be sold by their parents)

The villainess has fun again justifies a child slave being bought by the lead and he becomes an obsessive shouta love interest, fans continously justify by using the ancient lolicon excuse "he may look young but he's actually 99182823 years old!"

In divorcing my tyrant husband, Robelia buys 30 slaves and the only 2 that consistently show up have no other personality other then "we love you FL we will worship you till the end of time!"

There's a damn manhwa out there literally called the order of slave breeding and even when a story tries to do this correctly such as VADTD with Penelope being portrayed as a bad person for what she did to Eckles, fans have been so deluded by the idea that FL's buying slaves is "girlboss" that they think Eckles should be grateful to be Penelopes "pet"

2: ML's murdering innocent people after one guy hurts the FL

I already made a specific post about it before and I'll say it again: all this does is make your male lead/father figure look like a horrific monster. While you could say it's because its a medieval kingdom (objectively that is true that they would do this) manhwa and OI is the same place where despite in those times taking a mistress was considered normal they still view it as cheating and "how could you pick that slut when you have such a perfect wife!? 🤬" in most stories. So yes, modern morality is still inserted within these tropes. While I can get it's a way to show that the man in questions loves the FL so much he's willing to go to such lengths to protect her I think just mutilating the guy that actually did the sin would be enough because try imagining yourself as a faithful servant who was amazing at your job getting brutally slaughtered by the Emperor because your boss attacked his daughter or lover.

Into the light once again does this with Aishas dad murdering all the relatives and close friends of a count that tried to kill Ysis and Aisha, Aisha doesn't seem to care despite being in a situation where she was wrongfully executed in her past life.

Remarried empress does this too. After Navier is nearly killed by Krista's brother, Heinrey tortures and kills the dad and slaughters the servants of the zemensias. I can't remember if he also murdered the remaining family members but I wouldn't put it past him.

3: protagonist centered morality

Protagonist centered morality is the biggest indicator that a piece of media is dealing with a mary sue FL. Whatever the protagonist says is right is immediately morally correct. This is actually used to justify the last 2 examples with "it was for the FL!" Things like slavery, murder, workplace abuse, union busting, pedophilia, and being a POS to your loved ones are all justified if the protagonist finds a cheap way to justify it and you HAVE to agree with her because her backstory is very tragic 🥺. Protagonist centered morality also ruins the chance for good characters since the FL herself never has to grow as a person so she stays the same exact thing as she was just with more enablers and random characters will be treated as villains even if they aren't actually wrong about being suspicious of the Protagonist or calling out her behavior. It twists the narrative in such incomprehensible ways that you don't even know what your reading anymore. I can't even list all of the manhwas that do this given how many there actually are so I'll just list some that are at least self aware there Protagonist is awful/morally grey or isn't even a bad person but they still have flaws that can be pointed out

Villains are destined to die

My in laws are obsessed with me

Not sew wicked step mom

Depths of malice

The villainess turns the hourglass

Beware of the villainess.

4: villains being dumbed down to make the lead look smarter

This is unfortunately another common staple often used as a quick way to make the FL look smart and witty but is that really hard to look smarter when everyone else around you is an idiot? Not only does the FL not have to put in actual effort to best her enemies but you just start to pity the villain for basically being a punching bag. Dimwitted villains aren't always bad in fact they can be some of those most entertaining characters no matter much they lose but that only works when they are meant to be seen as a goofy character that your not supposed to take seriously. Villains that are written as extremely childish and stupid but your still supposed to treat them as serious antagonists on the other hand are just annoying since you wonder how the protagonist even got killed by them in the first life if they're so stupid.

Isabella de Mare while admitly having a good reason for being dumbed down (she's a teenager in the 2nd life so it's reasonable she wouldnt be as smart as her adult counterpart) is still a joke of a villainess who keeps flipping back and fourth from a snot nosed whiny brat to a mastermind only at convenient opportunities when the plot needs conflict.

Mielle from the villainess turns the hourglass was first portrayed as extremely conniving as she arranged for Arias downfall in the shadows but in the second life she fails at every scheme she has even though she has Emma and Isis to help her out.

Ragibach is a literal demon possessing the body of another woman with the goal of setting demons loose on the word to start another human vs demon war and she succeeded in that the first time, the devastation was all there so clearly she has to be a formidable antagonist right? Well no, she's another case of being dumbed down further and further so Keira can succeed and while they do understand some plot holes such as Ludwig not trusting her as much in the second life it doesn't change the drastic character change from evil genius to bumbling idiot.

In short: dumbing down your villains so your lead can look smarter is essentially going to give the equivalent of a hydrogen bomb vs a coughing baby.

5: feminine women being demonized as basic "other girls" sluts

Okay this one isn't nearly as terrible as the others on this list because we all love the good old "a demon makes itself look beautiful to deceive humans" kind of villain, in fact as you probably know by me by now, white lotuses are my favorite kinds of character and even in media outside of manhwa I always find myself drawn to angelic villains but it seems like this is less of that and more of "Oh those are all the other girls who just want a man to save them, look at how much better my badass rich boss babe is for working for herself while taking all of their men at the time 😎" in manhwa. As soon as a traditionally feminine girl shows up, comments are already calling her a two faced bitch and half the time protagonist is already skeptical of her. This is the opposite of what being a feminist really is, a real feminist wouldn't be putting down other women just because they dress with more pink with bows and skirts and while I do think for most manhwa this is unintentional I do wish that we could have more characters like Psyche, Helena, Athy, and Jennette that prove that being overly feminine doesn't make you a backpedal on feminism. This doesn't make the badass or sexy fl's bad either, it just means they can co-exist.

An angelic villain should be treated as evil for being a well calculated schemer, not because they have a light colored color scheme

6: toxic relationships being romanticized as good

You know for a large community that claims to be about girl code a good chunk sure likes to look the other way when it comes to toxic relationships as long as the abuser is "hot" and theres always the terrible excuse such as "he has trauma!" Or "he doesn't know how to show his love normally!" No just no we aren't doing that here. Cry or better yet beg has this problem with not only the narrative claiming that Matthias graping Layla is okay because she actually loves him and doesn't know it but a large part of the fanbase also defends it, the same goes with try begging, a manhwa written by Solche who also wrote cry or better yet beg and once again despite Leon being an abuser everyone's ready to justify his actions because he's just a soft little boy who ends up falling in love with Grace awww 😍 (what the hell?) Everyones all about not justifying abusers because they had a sad past until it's the "sexy" male leads with daddy issues.

7: maid slapping

This shit isn't asserting your dominance as a boss bitch it's just work place abuse. This trope has gotten so out of hand of being justified by narratives and readers that there is an entire webtoon called this isekai maid is forming a union that's all about criticizing twisted manhwa tropes that get brushed off with maid absuer being at the biggest one. It's funny because a lot of people complain that Isekai maid union villainizes the nobles too much but they never ask the same questions when a OI is demonizing maids as greedy and lazy in order to deserve a beating. This doesn't just stop at hands either it can escalate to threats of mutilation just to assert dominice which is absolutely sick. Most of the time these leads used to be office workers or terminally ill patients, they know how terrible it is to be treated like garbage by their superiors yet they continue to absue every maid who isn't getting on their knees for them. Most maids in real history would not mistreat a noble even if they were the most hated in the house and even if they did they'd be fired without a letter of recommendation so why can't the FL's just fire the rude maid if they care about dignity so much because I'm pretty sure getting violent with a maid isn't very dignified either.

8: disgusting age gaps

Very similar to #6 but in this case while the ML/FL isn't a cruel monster to their partner it doesn't change the fact that grooming and pedophilia is still a crime worthy of life in prison. You'd think "oh no way, this can't be justified can it?" You'd be wrong. Now I belong to house of Castillo thankfully has a larger fanbase of people who think that a relationship between a girl who got groomed by her knight is bad but in cases like into the light once again a lot of people like to say "Well Aisha is technically 28 so it's fine!" When it really isn't since Aisha is still mentally 14. Taming my ex husbands mad dog is another one that does this with Reinhardt grooming a 16 year old boy and its apparently meant to be "cute".

9: claiming a character as unattractive yet giving them a perfect body and appreance

I just think this is a major cop-out since there's time where they want to make a realistic story yet also wanting a fantasy fufilment. I don't think its a coincidence that the only woman in tears of a withered flower that yout supposed to support is a Victoria's secret model body type. Even though she's meant to be an overworked exhausted 33 year old woman being mocked for losing her beauty she sure as hell isn't drawn that way, the only other women around hae soo are all women with smaller boob's and in general more common body types that are either classed as stupid or jealous that Hae soo is so beautiful that all the attractive men want her

how about we don't pit all the women against each other for once? And let's especially not villainize other women because their jealous they could never be have large boob's and tiny arms+waist at the same time?

10: the commoner protagonist actually being a noble rich person all along

Look I know most of us had loved those "the hated child is the lost princess" GLMM but we need to drop it because it's kinda disappointing that the nobody who had to work their way to the top is actually a secret magical princess who had royal blood in them all along. While I did think the villainess turns the hourglass was a pretty decent read I was super disappointed finding out that Aria was of noble descent all along. I liked seeing a commoner protagonist for once and it really felt like it was critiquing the idea that all commoners and poor people who want nice things like the nobility are greedy animals. Something similar can also happen with certain saintess manhwas that decide to twist itself into "the villainess was the true saintess all along!" And I'm just sitting here thinking "well there goes the hope that you didn't need the super duper rare power to be a strong character"

I feel way better now after writing all this.

[nellasbookplanet]

The fandom god discussion is interesting, but I feel it’s sometimes hindered by an unwillingness to separate gods from mortal society, or even a sort of over-eagerness to project our own reality onto them, which simply doesn’t work. I've seen the gods referred to as rulers or tyrants demanding worship (which I kinda understand because it’s something Ludinus says in-game, though it’s funny to see fandom corners confidently repeat the inaccurate talking points of the antagonist) but more interestingly I've also seen them referred to as a higher/the highest social class, as colonizers imposing themselves on mortals, the raven queen specifically as new money. Overall these comparisons tend to talk about the gods and their actions regarding Aeor in the past and predathos/the Vanguard in the present less as if they're about saving their own lives and more as if they want to preserve their powerful position.

The gods, by their very nature, are above mortals. They cannot be compared to any mortal ruling class because they didn’t choose or strive for that power and cannot feasibly get rid of it/step down/redistribute it (nor do they actually in any sense rule; killing the raven queen, unlike killing an actual queen, will not end the 'tyranny' of death), they simply have it by virtue of being gods. Saying that’s unfair or unequal and that the gods should be killed because of it is akin to saying it’s unfair a mountain is bigger than you and demanding it be levelled, except the gods, unlike mountains, are living, feeling beings who shouldn’t have to die because some people can’t stand the idea of not always being top dog. Thing is, the gods themselves ultimately understood this power imballance and that they can't help but hurt Exandria the way humans can't help but step on bugs, and thus removed themselves from the equation by creating the divine gate. Saying this isn’t enough and that they're clinging to power is just demanding they line themselves up to be killed.

[hey-its-sybarite]

Bravo!

[lafaiette]

Gods I feel you I'm only 10 hours in after having received the game as a gift and I REALLY try to like it but it just ... doesn't feel like Dragon Age. Characters know stuff they shouldn't know about, the game keeps talking down to me, nothing I did in the previous games mattered, the tone is completely different, the mature storytelling of the previous games seems to be missing so far & what I heard so far of how the lore and the characters from previous games have been handled is honestly the worst part and breaks my heart. idk even if i wanna finish the game at this point anymore, I'm just kinda ... sad.

I'm so sad and disappointed, too, I remember our conversations, fics, and headcanons about DA! We were so excited and happy, because Inquisition, DA2, and DAO were genuinely well-made and aimed at pleasing the fans, despite their faults.

DATV is a good action game, no doubt about that. The combat is fun, there is a lot to explore and discover, and many locations are beautiful, even though some are terrible to navigate (Dock Town's structure makes no sense). But that's it - it's a good action game with the name "Dragon Age" pasted on it. It doesn't feel like it's part of the series, it constantly treats the player like an idiot, some references to past games and characters are literally hidden in the brief descriptions of the mementos, and there is even a Glossary to make sure the new players don't get frustrated.

Everything is safe and aseptic, cleaned of every deep piece of lore that could have scared new fans into buying or continuing the game. Even the banters lack the depth of the previous games.

A good game company should lure new players in not by rejecting their past entries, but by making them look even more interesting with their sequels.

Bioware wasn't afraid of offering piece of lore after piece of lore in Inquisition - it was a game set in a precise moment, whose prologue was directly tied to the events of the previous game, and new players had to accept this if they decided to buy it and play it. If they liked that premise, all that information and those details, then they were more than welcome - they were encouraged! - to go back, try the older games, and see how it had all started. It was a game made for the fans the company had already managed to win over, not for possible fans who may or may not bring new money in.

In DATV the new players can jump right in after quickly learning who Solas is and what he's trying to do, and old fans are left with an empty shell, with minor references that are supposed to make us feel happy and accomplished peppered here and there, while all our past choices and our favorite characters are forgotten or brought back with a terrible case of amnesia. It's lazy, infuriating, and very sad, and it smells of reboot, because the new devs probably realized they couldn't keep up with the amount of lore and choices the series contain, and they needed to start anew.