#david crossman

[myrcella-lannister]

VANESSA KIRBY AS JOSÉPHINE DE BEAUHARNAIS Costume designers: Janty Yates and David Crossman NAPOLEON (2023)

[costumedump]

Costume For Joaquin Phoenix As Napoleon Bonaparte

Napoleon (2023)

Designed By Janty Yates And David Crossman

Art Of Motion Picture Costume Design (2024)

ASU FIDM

[sesiondemadrugada]

Napoleon (Ridley Scott, 2023).

[fuckyeahcostumedramas]

Joaquin Phoenix as Napoleon Bonaparte in Napoleon (Film, 2023).

[perioddramasource]

VANESSA KIRBY as Empress Joséphine in Napoleon (2023) Costume designers: Janty Yates and David Crossman

[nicolethered]

I made sure to let the Costume Designers for Gladiator II (Janty Yates and David Crossman) know how good this look is!

Also they are right about his armor.

[dailyanarchistposts]

Bibliography, Acknowledgements, and About the Author

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———. What If America Were a Christian Nation Again? Nashville, TN: Thomas Nelson Publishers, 2003.

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———. I Will Bear Witness 1942–1945: A Diary of the Nazi Years. Translated by Martin Chalmers. New York: The Modern Library, 1999.

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———. Assassins: Assignment: Jerusalem, Target: Antichrist. Wheaton, IL: Tyndale House Publishers, 1999.

———. Desecration: Antichrist Takes the Throne. Wheaton, IL: Tyndale House Publishers, 2001.

———. Glorious Appearing: The End of Days. Wheaton, IL: Tyndale House Publishers, 2004.

———. The Indwelling: The Beast Takes Possession. Wheaton, IL: Tyndale House Publishers, 2000.

———. Left Behind: A Novel of the Earth’s Last Days. Wheaton, IL: Tyndale House Publishers, 1995.

———. The Mark: The Beast Rules the World. Wheaton, IL: Tyndale House Publishers, 2000.

———. Nicolae: The Rise of Antichrist. Wheaton, IL: Tyndale House Publishers, 1997.

———. Remnant: On the Brink of Armageddon. Wheaton, IL: Tyndale House Publishers, 2002.

———. Soul Harvest: The World Takes Sides. Wheaton, IL: Tyndale House Publishers, 1998.

———. Tribulation Force: The Continuing Drama of Those Left Behind. Wheaton, IL: Tyndale House Publishers, 1996.

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———. Male Fantasies, Vol. 2. Male Bodies: Psychoanalyzing the White Terror. Translated by Erica Carter and Chris Turner. Minneapolis: University of Minnesota Press, 1989.

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Acknowledgments

This book was written with the generous and unstinting support of the Nation Institute, which allowed me to work unfettered for many months on this project. I am deeply grateful for this support and encouragement, especially that of Hamilton Fish, Taya Grobow, Janine Jaquet and Jonathan Schell, as well as Peggy Suttle and Katerina vanden Heuvel at magazine. I also owe a huge debt to Princeton University, where I teach in the Program in American Studies. R. Sean Wilentz and Judith S. Ferszt, as well as C. K. “Charlie” Williams, Elaine Pagels, Sam and Liz Hynes, and many of my dedicated and brilliant students always lent encouragement and advice. I am blessed with supportive and thoughtful friends and colleagues.

Pamela Diamond, for the second time, oversaw the research and organization of a book of mine with her usual skill, patience, dedication and good humor. I cannot imagine having to go through this without her. Rebecca Beyer, a talented reporter and writer, worked extensively on the book, carrying out some interviews and attending events. She was a close and valued collaborator. Elyse Graham and Amy Paeth, two of my students at Princeton, did tremendous and important research, especially under heavy time pressure in the closing days of production. Timothy Nunan, another Princeton student, did a fine job documenting creationist attacks on Charles Darwin and evolution. I benefited greatly from his research. Lisa Winn, Lauren Brown, James Arnold, Maria Guerrero-Reyes, Linda Kane, Kate Peters, Jason Proske, Colin Maier, Moya Quinlan-Walshe and Kathryn Tippett constituted our small army of transcribers. I turned over hours of tape to them and relied on their care and dedication to produce the transcripts. I owe a tremendous debt to those few who have been among the first to investigate and explain dominionism. They include Katherine Yurica, who produces the available online; Frederick Clarkson, whose three-part series in PublicEye.org in March/June 1994 called “Christian Reconstructionism” was a groundbreaking piece of journalism and who continues to do important research into the movement; and Sarah Diamond, whose books, such as are indispensable.

I owe thanks for vital help and support from Bernard Rapoport and Paul Lewis, as well as Patrick Lannan, Ralph Nader, Jenny Ford, Joan Bokaer, Mariah Blake, Cristina Nehring, Ann and Walter Pincus, Lauren B. Davis, June Ballinger, Michael Goldstein, Anne Marie Macari, Robert J. Lifton, Richard Fenn, Fritz Stern, Robert O. Paxton, Charles B. Strozier, Irene Brown, Joe Sacco, Al Ross, the Reverend Mel White, the Reverend Davidson Loehr, the Reverend Ed Bacon, Bishop Krister Stendhal, the Reverend William Sloane Coffin, the Reverend Joe Hough, the Reverend Michael Granzen and the Reverend Terry Burke. The Reverend Coleman Brown, as he has done with all my books, read and critiqued each chapter. Coleman again let me rely on his profound insight and wisdom. As usual, he raised questions and offered critiques that often forced me to reconsider my position or go back to my research. Max Blumenthal, a friend and fine reporter, nursed me through much of this with sage help and advice. I would like to thank Marji Mendelsohn and Janice Weiss for guidance and research, as well as Tamar Gordon, whose advice and scholarship helped me head in the right direction. Tom Artin, as talented a jazz musician as he is a scholar and writer, went through every chapter, as did my wife, Kim Hedges, who always saves me from being too sententious and ponderous with the stroke of her red pen, her gentle smile and common sense. Barbara Moses, the gifted painter, again came to our aid with her amazing eye for detail and her iron command of grammar.

I often leaned for emotional support on my friend John “Rick” MacArthur, who keeps alive magazine, one of the great intellectual journals in America, as well as my friend the poet Gerald Stern, who appeared frequently as I was writing to drag me into the sunlight for lunch and impart needed encouragement.

My editors at Free Press, especially Dominick Anfuso and Wylie O’Sullivan, patiently edited, shaped and formed the text. I would also like to thank Michele Jacob. Lisa Bankoff of International Creative Management held my hand, for the fourth time, through this process of proposal to contract to delivery. She is a gift.

About the Author

Chris Hedges, a graduate of Harvard Divinity School, was a foreign correspondent for nearly 20 years. He was the bureau chief in the Middle East and the Balkans, and worked in other foreign posts, for The New York Times from 1990 to 2005. He worked previously for The Dallas Morning News, National Public Radio and The Christian Science Monitor in Latin America and the Middle East. He has reported from more than 50 countries. Hedges was a member of the New York Times team that won the 2002 Pulitzer Prize for Explanatory Reporting for the paper’s coverage of global terrorism, and he received the 2002 Amnesty International Global Award for Human Rights Journalism. He holds a B.A. in English Literature from Colgate University and a Master of Divinity from Harvard Divinity School. Hedges has taught at Columbia University, New York University and Princeton University, where he is currently a Visiting Lecturer in the Council of the Humanities and the Program in American Studies as well as the Anschutz Distinguished Fellow. He has written for Foreign Affairs, Granta, Harper’s, Mother Jones and The New York Review of Books. Hedges is the author of War Is a Force That Gives Us Meaning—a finalist for the National Book Critics Circle Award for Nonfiction. His other books are What Every Person Should Know About War and Losing Moses on the Freeway: The 10 Commandments in America. He lives in New Jersey.

[florasletter]

Oppenheimer leads with 13 nominations for the Academy Awards 2024

Best Picture

American Fiction Anatomy of a Fall Barbie The Holdovers Killers of the Flower Moon Maestro Oppenheimer Past Lives Poor Things The Zone of Interest

Best Actor in a Leading Role

Bradley Cooper (Maestro) Paul Giamatti (The Holdovers) Cillian Murphy (Oppenheimer) Jeffrey Wright (American Fiction)

Best Cinematography

El Conde (Edward Lachman) Killers of the Flower Moon (Rodrigo Prieto) Maestro (Matthew Libatique) Oppenheimer (Hoyte van Hoytema) Poor Things (Robbie Ryan)

Best Directing

Jonathan Glazer (The Zone of Interest) Yorgos Lanthimos (Poor Things) Christopher Nolan (Oppenheimer) Martin Scorsese (Killers of the Flower Moon) Justine Triet (Anatomy of a Fall)

Best Actor in a Supporting Role

Sterling K. Brown (American Fiction) Robert De Niro (Killers of the Flower Moon) Robert Downey Jr. (Oppenheimer) Ryan Gosling (Barbie) Mark Ruffalo (Poor Things)

Best Costume Design

Barbie (Jacqueline Durran) Killers of the Flower Moon (Jacqueline West) Napoleon (David Crossman & Janty Yates) Oppenheimer (Ellen Mirojnick) Poor Things (Holly Waddington)

Best Makeup and Hairstyling

Golda  Maestro  Oppenheimer  Poor Things  Society of the Snow

Best Writing (Adapted Screenplay)

American Fiction (Cord Jefferson) Barbie (Noah Baumbach & Greta Gerwig) Oppenheimer (Christopher Nolan) Poor Things (Tony McNamara) The Zone of Interest (Jonathan Glazer)

Best Actress in a Supporting Role

Emily Blunt (Oppenheimer) Danielle Brooks (The Color Purple) America Ferrera (Barbie) Jodie Foster (Nyad) Da’Vine Joy Randolph (The Holdovers)

Best Original Score

American Fiction (Laura Karpman) Indiana Jones and the Dial of Destiny (John Williams) Killers of the Flower Moon (Robbie Robertson) Oppenheimer (Ludwig Göransson) Poor Things (Jerskin Fendrix)

Best Production Design

Barbie Killers of the Flower Moon Napoleon Oppenheimer Poor Things

Best Film Editing

Anatomy of a Fall The Holdovers Killers of the Flower Moon Oppenheimer Poor Things

Best Production Design

Barbie Killers of the Flower Moon Napoleon Oppenheimer Poor Things

Best Sound

The Creator Maestro Mission: Impossible – Dead Reckoning Part One Oppenheimer The Zone of Interest

The 96th Academy Awards will air live coast-to-coast on ABC on Sunday, March 10 from the Dolby Theatre at Ovation Hollywood.

While Jimmy Kimmel is set to return for the fourth time as host, the 2024 Oscars will air at a new, earlier time of 4 p.m. – 7:30 p.m. PT / 7 p.m. – 10:30 p.m. ET.

[bolllywoodhungama]

Critics Choice Awards 2024: Christopher Nolan, Oppenheimer, Barbie, Succession, The Bear lead the wins

The Critics Choice Awards 2024 celebrated cinematic and television excellence on Sunday night, January 14, 2024. Chelsea Handler returned as the host for the evening. Christopher Nolan’s Oppenheimer shone, securing eight wins, including Best Picture and Best Director though Cillian Murphy missed the Best Actor win. Greta Gerwig’s Barbie claimed six awards, winning in categories like Best Comedy and Best Original Screenplay. Emma Stone earned Best Actress for Poor Things. On the TV front, Succession, The Bear, and Beef led the wins.

FILM BEST PICTURE American Fiction Barbie The Color Purple The Holdovers Killers of the Flower Moon Maestro Oppenheimer - WINNER Past Lives Poor Things Saltburn

BEST ACTOR Bradley Cooper, Maestro Leonardo DiCaprio, Killers of the Flower Moon Colman Domingo, Rustin Paul Giamatti, The Holdovers - WINNER Cillian Murphy, Oppenheimer Jeffrey Wright, American Fiction

BEST ACTRESS Lily Gladstone, Killers of the Flower Moon Sandra Hüller, Anatomy of a Fall Greta Lee, Past Lives Carey Mulligan, Maestro Margot Robbie, Barbie Emma Stone, Poor Things - WINNER

BEST SUPPORTING ACTOR Sterling K. Brown, American Fiction Robert De Niro, Killers of the Flower Moon Robert Downey Jr., Oppenheimer - WINNER Ryan Gosling, Barbie Charles Melton, May December Mark Ruffalo, Poor Things

BEST SUPPORTING ACTRESS Emily Blunt, Oppenheimer Danielle Brooks, The Color Purple America Ferrera, Barbie Jodie Foster, Nyad Julianne Moore, May December Da'Vine Joy Randolph, The Holdovers - WINNER

BEST YOUNG ACTOR/ACTRESS Abby Ryder Fortson, Are You There God? It's Me, Margaret. Ariana Greenblatt, Barbie Calah Lane, Wonka Milo Machado Graner, Anatomy of a Fall Dominic Sessa, The Holdovers - WINNER Madeleine Yuna Voyles, The Creator

BEST ACTING ENSEMBLE Air Barbie The Color Purple The Holdovers Killers of the Flower Moon Oppenheimer - WINNER

BEST DIRECTOR Bradley Cooper, Maestro Greta Gerwig, Barbie Yorgos Lanthimos, Poor Things Christopher Nolan, Oppenheimer - WINNER Alexander Payne, The Holdovers Martin Scorsese, Killers of the Flower Moon

BEST ADAPTED SCREENPLAY Kelly Fremon Craig, Are You There God? It's Me, Margaret. Andrew Haigh, All of Us Strangers Cord Jefferson, American Fiction - WINNER Tony McNamara, Poor Things Christopher Nolan, Oppenheimer Eric Roth and Martin Scorsese, Killers of the Flower Moon

BEST ORIGINAL SCREENPLAY Samy Burch, May December Alex Convery, Air Bradley Cooper & Josh Singer, Maestro Greta Gerwig & Noah Baumbach, Barbie - WINNER David Hemingson, The Holdovers Celine Song, Past Lives

BEST CINEMATOGRAPHY Matthew Libatique, Maestro Rodrigo Prieto, Barbie Rodrigo Prieto, Killers of the Flower Moon Robbie Ryan, Poor Things Linus Sandgren, Saltburn Hoyte van Hoytema, Oppenheimer - WINNER

BEST PRODUCTION DESIGN Suzie Davies, Charlotte Dirickx, Saltburn Ruth De Jong, Claire Kaufman, Oppenheimer Jack Fisk, Adam Willis, Killers of the Flower Moon Sarah Greenwood, Katie Spencer, Barbie - WINNER James Price, Shona Heath, Szusza Mihalek, Poor Things Adam Stockhausen, Kris Moran, Asteroid City

BEST EDITING William Goldenberg – Air Nick Houy – Barbie Jennifer Lame – Oppenheimer - WINNER Yorgos Mavropsaridis – Poor Things Thelma Schoonmaker – Killers of the Flower Moon Michelle Tesoro – Maestro

BEST COSTUME DESIGN Jacqueline Durran, Barbie - WINNER Lindy Hemming, Wonka Francine Jamison-Tanchuck, The Color Purple Holly Waddington, Poor Things Jacqueline West, Killers of the Flower Moon Janty Yates, David Crossman, Napoleon

BEST HAIR AND MAKEUP Barbie - WINNER The Color Purple Maestro Oppenheimer Poor Things Priscilla

BEST VISUAL EFFECTS The Creator Guardians of the Galaxy Vol. 3 Mission: Impossible – Dead Reckoning Part One Oppenheimer - WINNER Poor Things Spider-Man: Across the Spider-Verse

BEST COMEDY American Fiction Barbie - WINNER Bottoms The Holdovers No Hard Feelings Poor Things

BEST ANIMATED FILM The Boy and the Heron Elemental Nimona Spider-Man: Across the Spider-Verse - WINNER Teenage Mutant Ninja Turtles: Mutant Mayhem Wish

BEST FOREIGN LANGUAGE FILM Anatomy of a Fall - WINNER Godzilla Minus One Perfect Days Society of the Snow The Taste of Things The Zone of Interest

BEST SONG “Dance the Night," Barbie “I’m Just Ken," Barbie - WINNER “Peaches," The Super Mario Bros. Movie “Road to Freedom," Rustin "This Wish," Wish "What Was I Made For," Barbie

BEST SCORE Jerskin Fendrix, Poor Things Michael Giacchino, Society of the Snow Ludwig Göransson, Oppenheimer - WINNER Daniel Pemberton, Spider-Man: Across the Spider-Verse Robbie Robertson, Killers of the Flower Moon Mark Ronson, Andrew Wyatt, Barbie

TELEVISION BEST DRAMA SERIES The Crown The Diplomat The Last of Us Loki The Morning Show Stark Trek: Strange New Worlds Succession - WINNER Winning Time: The Rise of the Lakers Dynasty

BEST ACTOR IN A DRAMA SERIES Kieran Culkin – Succession - WINNER Tom Hiddleston – Loki Timothy Olyphant – Justified: City Primeval Pedro Pascal – The Last of Us Ramón Rodríguez – Will Trent Jeremy Strong – Succession

BEST ACTRESS IN A DRAMA SERIES Jennifer Aniston – The Morning Show Aunjanue Ellis – Justified: City Primeval Bella Ramsey – The Last of Us Keri Russell – The Diplomat Sarah Snook – Succession - WINNER Reese Witherspoon – The Morning Show

BEST SUPPORTING ACTOR IN A DRAMA SERIES Khalid Abdalla – The Crown Billy Crudup – The Morning Show - WINNER Ron Cephas Jones – Truth Be Told Matthew MacFadyen – Succession Ke Huy Quan – Loki Rufus Sewell – The Diplomat

BEST SUPPORTING ACTRESS IN A DRAMA SERIES Nicole Beharie – The Morning Show Elizabeth Debicki – The Crown - WINNER Sophia Di Martino – Loki Celia Rose Gooding – Star Trek: Strange New Worlds Karen Pittman – The Morning Show Christina Ricci – Yellowjackets

BEST COMEDY SERIES Abbott Elementary Barry The Bear - WINNER The Marvelous Mrs. Maisel Poker Face Reservation Dogs Shrinking What We Do in the Shadows

BEST ACTOR IN A COMEDY SERIES Bill Hader – Barry Steve Martin – Only Murders in the Building Kayvan Novak – What We Do in the Shadows Drew Tarver – The Other Two Jeremy Allen White – The Bear - WINNER D’Pharaoh Woon-A-Tai – Reservation Dogs

BEST ACTRESS IN A COMEDY SERIES Rachel Brosnahan – The Marvelous Mrs. Maisel Quinta Brunson – Abbott Elementary Ayo Edebiri – The Bear - WINNER Bridget Everett – Somebody Somewhere Devery Jacobs – Reservation Dogs Natasha Lyonne – Poker Face

BEST SUPPORTING ACTOR IN A COMEDY SERIES Phil Dunster – Ted Lasso Harrison Ford – Shrinking Harvey Guillén – What We Do in the Shadows James Marsden – Jury Duty Ebon Moss-Bachrach – The Bear - WINNER Henry Winkler – Barry

BEST SUPPORTING ACTRESS IN A COMEDY SERIES Paulina Alexis – Reservation Dogs Alex Borstein – The Marvelous Mrs. Maisel Janelle James – Abbott Elementary Sheryl Lee Ralph – Abbott Elementary Meryl Streep – Only Murders in the Building - WINNER Jessica Williams – Shrinking

BEST LIMITED SERIES Beef - WINNER Daisy Jones & the Six Fargo Fellow Travelers Lessons in Chemistry Love & Death A Murder at the End of the World A Small Light

BEST MOVIE MADE FOR TELEVISION The Caine Mutiny Court-Martial Finestkind Mr. Monk’s Last Case: A Monk Movie No One Will Save You Quiz Lady - WINNER Reality

BEST ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION Matt Bomer – Fellow Travelers Tom Holland – The Crowded Room David Oyelowo – Lawmen: Bass Reeves Tony Shalhoub – Mr. Monk’s Last Case: A Monk Movie Kiefer Sutherland – The Caine Mutiny Court-Martial Steven Yeun – Beef - WINNER

BEST ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION Kaitlyn Dever – No One Will Save You Carla Gugino – The Fall of the House of Usher Brie Larson – Lessons in Chemistry Bel Powley – A Small Light Sydney Sweeney – Reality Juno Temple – Fargo Ali Wong – Beef - WINNER

BEST SUPPORTING ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION Jonathan Bailey – Fellow Travelers - WINNER Taylor Kitsch – Painkiller Jesse Plemons – Love & Death Lewis Pullman – Lessons in Chemistry Liev Schreiber – A Small Light Justin Theroux – White House Plumbers

BEST SUPPORTING ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION Maria Bello – Beef - WINNER Billie Boullet – A Small Light Willa Fitzgerald – The Fall of the House of Usher Aja Naomi King – Lessons in Chemistry Mary McDonnell – The Fall of the House of Usher Camila Morrone – Daisy Jones & the Six

BEST FOREIGN LANGUAGE SERIES Bargain The Glory The Good Mothers The Interpreter of Silence Lupin - WINNER Mask Girl Moving

BEST ANIMATED SERIES Bluey Bob’s Burgers Harley Quinn Scott Pilgrim Takes Off - WINNER Star Trek: Lower Decks Young Love

BEST TALK SHOW The Graham Norton Show Jimmy Kimmel Live! The Kelly Clarkson Show Last Week Tonight with John Oliver - WINNER Late Night with Seth Meyers The Late Show with Stephen Colbert

BEST COMEDY SPECIAL Mike Birbiglia: The Old Man and the Pool Alex Borstein: Corsets & Clown Suits John Early: Now More Than Ever John Mulaney: Baby J - Winner Trevor Noah: Where Was I Wanda Sykes – I’m an Entertainer

[boardchairman-blog]

2024 Oscar Predictions

Best Picture

American Fiction

Anatomy of a Fall

Barbie

The Holdovers

Killers of the Flower Moon

Maestro

Oppenheimer

Past Lives

Poor Things

The Zone of Interest

Best Director

Jonathan Glazer- The Zone of Interest

Yorgos Lanthimos- Poor Things

Christopher Nolan- Oppenheimer

Alexander Payne- The Holdovers

Martin Scorsese- Killers of the Flower Moon

Best Actress

Lily Gladstone- Killers of the Flower Moon

Sandra Hüller- Anatomy of a Fall

Greta Lee- Past Lives

Margot Robbie- Barbie

Emma Stone- Poor Things

Best Actor

Bradley Cooper- Maestro

Leonardo DiCaprio- Killers of the Flower Moon

Paul Giamatti- The Holdovers

Cillian Murphy- Oppenheimer

Jeffrey Wright- American Fiction

Best Supporting Actor

Robert De Niro- Killers of the Flower Moon

Robert Downey Jr.- Oppenheimer

Ryan Gosling- Barbie

Charles Melton- May December

Dominic Sessa- The Holdovers

Best Supporting Actress

Emily Blunt- Oppenheimer

Danielle Brooks- The Color Purple

Penelope Cruz- Ferrari

Sandra Huller- The Zone of Interest

Da'Vine Joy Randolph- The Holdovers

Best Original Screenplay

Anatomy of a Fall- Justine Triet and Arthur Harari

The Holdovers- David Hemingson

Maestro- Bradley Cooper and Josh Singer

May December-  Samy Burch and Alex Mechanik

Past Lives- Celine Song

Best Adapted Screenplay

American Fiction- Cord Jefferson

Barbie- Noah Baumbach & Greta Gerwig

Killers of the Flower Moon- Eric Roth and Martin Scorsese

Oppenheimer- Christopher Nolan

Poor Things- Tony McNamara

Best Animated Feature

The Boy and the Heron

Chicken Run: Dawn of the Nugget

Elemental

Nimona

Spider-Man: Across the Spider-Verse

Best Documentary Feature

20 Days in Mariupol

American Symphony

Beyond Utopia

Bobi Wine: The People's President

The Eternal Memory

Best Foreign Language Film

20 Days in Mariupol (Ukraine)

Fallen Leaves (Finland)

Society of the Snow (Spain)

The Teacher's Lounge (Germany)

The Zone of Interest (United Kingdom)

Best Original Score

Jerskin Fendrix- Poor Things

Ludwig Göransson- Oppenheimer

Mica Levi- The Zone of Interest

Robbie Robertson- Killers of the Flower Moon

John Williams- Indiana Jones and the Dial of Destiny

Best Original Song

“Dance the Night” from Barbie

“The Fire Inside” from Flamin' Hot

“I'm Just Ken” from Barbie

“It Never Went Away” from American Symphony

“What Was I Made For” from Barbie

Best Cinematography

Hoyte Van Hoytema- Oppenheimer

Matthew Libatique- Maestro

Rodrigo Prieto- Killers of the Flower Moon

Robbie Ryan- Poor Things

Łukasz Żal- The Zone of Interest

Best Film Editing

Jennifer Lame- Oppenheimer

Yorgos Mavropsaridis- Poor Things

Thelma Schoonmaker- Killers of the Flower Moon

Laurent Sénéchal - Anatomy of a Fall

Kevin Tent- The Holdovers

Best Costume Design

Barbie- Jacqueline Durran

Killers of the Flower Moon- Jacqueline West

Napoleon- David Crossman and Janty Yates

Oppenheimer- Ellen Mirojnick

Poor Things- Holly Waddington

Best Production Design

Barbie- Sarah Greenwood and Katie Spencer

Killers of the Flower Moon- Jack Fisk and Adam Willis

Oppenheimer- Ruth De Jong and Claire Kaufman

Poor Things- James Price, Shona Heath, and Zsuzsa Mihalek

The Zone of Interest- Chris Oddy, Joanna Maria Kuś and Katarzyna Sikora

Best Sound

Barbie

Ferrari

Maestro

Oppenheimer

The Zone of Interest

Best Makeup and Hairstyling

Golda

Maestro

Napoleon

Oppenheimer

Poor Things

Best Visual Effects

The Creator

Guardians of the Galaxy Vol. 3

Indiana Jones and the Dial of Destiny

Poor Things

Society of the Snow

Overall

Oppenheimer: 13

Killers of the Flower Moon: 11

Poor Things: 11

Barbie: 10

The Holdovers: 7

The Zone of Interest: 7

Maestro: 6

Anatomy of a Fall: 4

American Fiction: 3

Past Lives: 3

20 Days in Mariupol: 2

American Symphony: 2

Ferrari: 2

Indiana Jones and the Dial of Destiny: 2

May December: 2

Society of the Snow: 2

[chinchillasorchildren]

2023 Golden Chinchillas

Best Costume Design

Asteroid City (Milena Canonero)

Barbie (Jacqueline Durran)

La Chimera (Loredana Buscemi)

Killers of the Flower Moon (Jacqueline West)

Poor Things (Holly Waddington)

Priscilla (Stacey Battat)

Honorable Mentions: Napoleon (Janty Yates & David Crossman)

[flurryheaven]

Critics Choice - Best Costume Design Nominations

Barbie (Warner Bros.) Costume Designer: Jacqueline Durran

Wonka (Warner Bros.) Costume Designer: Lindy Hemming

The Color Purple (Warner Bros.) Costume Designer: Francine Jamison-Tanchuck

Poor Things (Searchlight Pictures) Costume Designer: Holly Waddington

Killers of the Flower Moon (Apple) Costume Designer: Jaqueline West

Napoleon (Apple) Costume Designers: Janty Yates & David Crossman

Update: Congratulations to Jacqueline Durran for the win.

[costumedump]

Costume For Vanessa Kirby As Josephine Bonaparte

Napoleon (2023)

Designed By Jancy Yates And David Crossman

Art Of Motion Picture Costume Design (2024)

ASU FIDM

[mgs-vocal-song-tourney]

ENTRY #26: "The War Still Rages Within" from Metal Gear Rising: Revengeance

Written by: Jamie Christopherson, Pete Crossman, James Chapple, David Kelly, Graeme Cornies Vocals: Graeme Cornies

[fuckyeahcostumedramas]

Joaquin Phoenix as Napoleon Bonaparte on the set of Napoleon (Film, 2023).

[average-guy-reviews]

M3GAN (1023)

“M3GAN is a marvel of artificial intelligence, a life-like doll programmed to be a child's greatest companion and a parent's greatest ally. Designed by brilliant toy-company roboticist Gemma (Get Out's Allison Williams), M3GAN can listen and watch and learn as she becomes friend and teacher, playmate and protector, for the child she is bonded to. When Gemma suddenly becomes the caretaker of her orphaned 8-year-old niece, Cady (Violet McGraw, The Haunting of Hill House), Gemma's unsure and unprepared to be a parent. Under intense pressure at work, Gemma decides to pair her M3GAN prototype with Cady in an attempt to resolve both problems--a decision that will have unimaginable consequences”

For our first review of 2023 we are starting strong. This is a superb film, and a brilliant addition to the horror genre. It blends old school horror vibes with a very modern interpretation, stalk and slash combined with highly intelligent artificial intelligence.

Allison Williams, as Gemma, is thrust into a position she is not at all ready for when her sister dies in an accident and she becomes guardian to a traumatised niece. Williams plays an engineer, who has a massive talent for robotics, and the imagination to put that talent to the test, but Gemma doesn’t know how to interact with children. This becomes a problem when her niece comes to live with her. Williams plays the role of a woman caught between the pressures of a high powered job with deadlines, and trying to learn a new way of living, with consummate talent. She was ideal casting and she should, rightly, be very pleased with her performance.

Violet McGraw plays Cady, a young woman struggling through the traumas of losing her parents in an accident that she lived through, as well as being faced with a whole new existence in an unfamiliar environment. Either would be so tough for a young person, but both? McGraw is a prodigious talent, as seen in this and Hill House, and she performs her role here brilliantly. I have a feeling she’s going to be around a long time in Hollywood.

But the real star of this film is M3GAN herself. The Model 3 Generative Android is designed as “the only toy they’ll ever need”. She is fitted with loads of technical stuff I’m not even going to pretend I understand, but primarily she is made to learn and be a fully autonomous, intelligent, companion to a child. She is played by three different people throughout the movie, Amie Donald, Jenna Davis, and Kimberley Crossman. M3GAN is, right from the start, very creepy. There is something about her, and the way she looks, that is designed to get under your skin, and it works. However, the performances by the three young ladies ladle on layers and layers of creepy, from the way she moves, the way she simply looks at things, and her ability to switch from polite to menacing instantly. Each of the performers for the doll deserve plaudits galore for the way they made her come to life. M3GAN is creepy as hell and she may be nudging for her spot as one of my favourite horror protagonists ever.

Gerard Johnstone has done an outstanding job as director. This film feels both massively open, and yet constrictingly claustrophobic. His choices of lighting and setting add so much to an already intriguing premise. One particular shot of M3GAN, in the dark with just a slice of light across her eyes, really stood out for me. It showed me that he really understood what she was, and that sometimes in the horror game less is more. I don’t know for sure that I’ve seen his work before but, mark my words, I’ll be checking out to see if I have and I am very intrigued by what he might do next.

The way the film is shot, the cinematography, the soundtrack, the sets and costumes and the special effects? All of it is really spot on. I love the way the movie came across and the version of David Guetta’s Titanium they used was sublime. I loved it.

Overall it’s a really great film. It’s certainly the best horror I’ve seen in the last 12 months, for sure, and may be one of my favourite movies overall of the last year. I was wondering before I saw it how she’d compare to the other horror doll with a personality. For me M3GAN makes Chucky feel like a secondary character, a sidekick if you will. It’s getting a solid 9.5/10, and the reason it’s so high is because as soon as it finished I looked and said “I need to see this again”, and I will be. So should you.....