#kimberley crossman

[lunarskye]

Female Red Rangers

[hotandfunnywomen]

Kimberley Crossman getting bloody af on the set of Deathgasm 2: Goremageddon!

🤘🏼😈🤘🏼

[karenjacksons]

Milo Cawthorne and Kimberley Crossman in Deathgasm (2015)

[toomuchlovereviews]

Deathgasm (2015)

⭐️⭐️⭐️⭐️⭐️

A+ on dialogue and bloody puns. Hilarious characters that accidentally stumble upon a demon summoning spell and must take you through the wonderful world of metal music to defeat it. I picture this movie being so fun to take part of.

Watch this film if:

you like hot people covered in blood

you like a kiwi accent

Similar titles:

Blood Quantum (2019) (Canadian horror-drama, also very bloody and cool)

The Babysitter franchise (more stupid horror with satanic cult elements)

[celebclippinz]

NZ TV Guides 2024

[average-guy-reviews]

M3GAN (1023)

“M3GAN is a marvel of artificial intelligence, a life-like doll programmed to be a child's greatest companion and a parent's greatest ally. Designed by brilliant toy-company roboticist Gemma (Get Out's Allison Williams), M3GAN can listen and watch and learn as she becomes friend and teacher, playmate and protector, for the child she is bonded to. When Gemma suddenly becomes the caretaker of her orphaned 8-year-old niece, Cady (Violet McGraw, The Haunting of Hill House), Gemma's unsure and unprepared to be a parent. Under intense pressure at work, Gemma decides to pair her M3GAN prototype with Cady in an attempt to resolve both problems--a decision that will have unimaginable consequences”

For our first review of 2023 we are starting strong. This is a superb film, and a brilliant addition to the horror genre. It blends old school horror vibes with a very modern interpretation, stalk and slash combined with highly intelligent artificial intelligence.

Allison Williams, as Gemma, is thrust into a position she is not at all ready for when her sister dies in an accident and she becomes guardian to a traumatised niece. Williams plays an engineer, who has a massive talent for robotics, and the imagination to put that talent to the test, but Gemma doesn’t know how to interact with children. This becomes a problem when her niece comes to live with her. Williams plays the role of a woman caught between the pressures of a high powered job with deadlines, and trying to learn a new way of living, with consummate talent. She was ideal casting and she should, rightly, be very pleased with her performance.

Violet McGraw plays Cady, a young woman struggling through the traumas of losing her parents in an accident that she lived through, as well as being faced with a whole new existence in an unfamiliar environment. Either would be so tough for a young person, but both? McGraw is a prodigious talent, as seen in this and Hill House, and she performs her role here brilliantly. I have a feeling she’s going to be around a long time in Hollywood.

But the real star of this film is M3GAN herself. The Model 3 Generative Android is designed as “the only toy they’ll ever need”. She is fitted with loads of technical stuff I’m not even going to pretend I understand, but primarily she is made to learn and be a fully autonomous, intelligent, companion to a child. She is played by three different people throughout the movie, Amie Donald, Jenna Davis, and Kimberley Crossman. M3GAN is, right from the start, very creepy. There is something about her, and the way she looks, that is designed to get under your skin, and it works. However, the performances by the three young ladies ladle on layers and layers of creepy, from the way she moves, the way she simply looks at things, and her ability to switch from polite to menacing instantly. Each of the performers for the doll deserve plaudits galore for the way they made her come to life. M3GAN is creepy as hell and she may be nudging for her spot as one of my favourite horror protagonists ever.

Gerard Johnstone has done an outstanding job as director. This film feels both massively open, and yet constrictingly claustrophobic. His choices of lighting and setting add so much to an already intriguing premise. One particular shot of M3GAN, in the dark with just a slice of light across her eyes, really stood out for me. It showed me that he really understood what she was, and that sometimes in the horror game less is more. I don’t know for sure that I’ve seen his work before but, mark my words, I’ll be checking out to see if I have and I am very intrigued by what he might do next.

The way the film is shot, the cinematography, the soundtrack, the sets and costumes and the special effects? All of it is really spot on. I love the way the movie came across and the version of David Guetta’s Titanium they used was sublime. I loved it.

Overall it’s a really great film. It’s certainly the best horror I’ve seen in the last 12 months, for sure, and may be one of my favourite movies overall of the last year. I was wondering before I saw it how she’d compare to the other horror doll with a personality. For me M3GAN makes Chucky feel like a secondary character, a sidekick if you will. It’s getting a solid 9.5/10, and the reason it’s so high is because as soon as it finished I looked and said “I need to see this again”, and I will be. So should you.....

[jprgirl]

The Almighty Johnsons S3E5 - Deleted Scene

Most of this is actually in the final cut, the deleted portion is the bit at the start about someone pulling down Zeb's pants, etc., and then the part when she starts trying to convince Axl is all in the final episode but with different visual shots.

Why I'm sad they deleted this scene:

I suppose it does give you an idea of what Zeb saw in her, and why he thought of her as a genuine friend (despite what we later learn).

Why I think it's okay this was cut:

I don't think it makes a huge difference on the episode, and I (understandably) don't really like Amelia, so less of her was fine with me haha.

-

What do you think of this scene?

[dreamsandnightscapes]

Kimberley Crossman NZ actress

[blogger360ncislarules]

It could have been the year of Sue (and Brad).

Six years after ABC passed on an offshoot of the long-running family sitcom The Middle, would-be spinoff stars Eden Sher and Brock Ciarlelli (aka Sue and Brad) are telling fans what they would have seen in the show, which at one point went by the working title Sue Sue in the City.

The pilot, ordered by ABC in August 2018, would have seen Sher reprise her breakout role as Mike and Frankie’s daughter, Sue Heck, as she leaves Orson, Ind., to pursue a career in Chicago, Ill. The Middle creators Eileen Heisler and DeAnn Heline penned the script, and were set to serve as executive producers. Alas, the Alphabet network decided not to move forward with the show.

“We did film it, and it was pretty devastating when it didn’t go,” Sher says in the Instagram video below. “We were all… pretty shocked, to be honest.” Adds Ciarlelli: “It was one of those things where, because we had just come straight off of [The Middle] and [the network] was super excited about the show, we were like, ‘Of course this is going to get picked up. And it was a really good show.”

Though a flash-forward sequence at the end of The Middle‘s May 2018 series finale revealed that Sue eventually marries next-door neighbor Sean, the spinoff was set long before their big day, leaving Sue single and ready to (awkwardly) mingle. “It took place, like, three years in the future,” Sher reveals. “She’s in her mid-20s, she’s graduated from college…. Basically, Sue goes to Chicago, tries to save a hotel, and the cast of characters” — which included Chris Diamantopoulos (Silicon Valley) as hotel owner Nick, Finesse Mitchell (Saturday Night Live) as bartender Hudson, and Kimberley Crossman (Creamerie) as hotel chef Remi — “was really good.”

Sue eventually would find herself at her “lowest point,” which set the stage for Sue’s best friend Brad to come “flying in on a taxi” to save the day. “So, we have our Brad-and-Sue stuff — you’re used to that — and then we danced in the streets of Chicago and it started to snow,” Ciarlelli shares. “That’s how it ended. It was really cute.”

In the video, Sher also shows off a selection of never-before-seen ABC publicity stills taken for the pilot, which reveal an all-grown-up Sue in a power suit, ready to grab life by the horns.

Sher and Ciarlelli intend to share more about the scrapped spinoff in the first episode of their forthcoming Middle rewatch podcast, aptly titled Middling, when it premieres on Wednesday, July 31. In the meantime, hit the comments and tell us if you’re still upset that we never got to see Sue Sue in the City.

[kimberlyannharts]

who would be your picks for alumni in Cosmic Fury if there were no actor/contract/scheduling/etc issues to contend with?

I'll have to see how the returning guys relate to the story before I can answer this fully but if [REDACTED] is really going to mentor Amelia on being a red ranger then THAT SHOULD HAVE BEEN KIMBERLEY CROSSMAN RETURNING AS LAUREN

also since Billy's there (and tbh his return is something that makes sense/I'm fine with) then Charlie Kersh/Minh should be too

[2013venjix]

Kimberley Crossman

[gayles55]

Matt Minto as Simon Lapton in The Bad Seed

Guy Pearce as Thomas Munro in The Convert

Tim Curry as Dr. Kao in Doomrunners

Haley Sproull as Mitch, Kimberley Crossman as Lisa, Chris Parker as Derek, from Golden Boy.

Kevin Sorbo as Hercules in The Legend of Hercules.

Rachael Carpani as Jodi in McLeod’s Daughters

Nathalie Morris as Emma Ryder in One Lane Bridge.

Kayte Ferguson as Simone in Serial Killers

Kate Elliot as Chloe in Toy Love

Bryan Cranston as Trumbo in Trumbo

Simon Mead as Gus in Under The Vine

Antonia Prebble as Rita West in Westside

Simon Prast as Stephen in When Love Comes (Along)

Renee O'Connor as Gabrielle in Xena

Here's Round 2 of "Name that screen partner" where you name the character, show, and bonus for the actor. #DeanoBingo2024

[hotandfunnywomen]

Kimberley Crossman

[classichorrorblog]

Deathgasm (2015)

[quintennyson]

DEATHGASM (2015)

[stinky-crow-film]

Kimberley Crossman behind the scenes of Deathgasm (2015) - dir. Jason Howden