#dance costume companies

[activewearmanufacturer]

Must-Have Tracksuits Worth the Investment

Tracksuit trends are blooming in the market today and it is coming out as the most unique piece, you need to pick out the right colors and shades that will promise you to make you look absolutely crisp and tasty! The leading wholesale dance wear companies are coming up with the latest designs which are on equal parts funky and comfortable. You can also get the pieces which are going to be the most firm on utilitarian grounds and will aid you to strive for perfection when you are working out.

Take a look at the latest designs of tracksuits custom athleisure manufacturers have lined up for you:

The Black And Grey

If you want to bring out the sass from your dress outlook then you need to take a look at these pieces which are very crisp and the lush grey backdrop with black shoulder stripe adds on to the elegant flare these tracksuits feature.

Stripes

Looking for an elegant touch to your tracksuit trend? Then take a look at these navy blue tracksuit designs which are very classy and the stripe designs which features a couple of relative shades adds on to the glare! You can wear these with white keds shoes which will make you look very appealing creating a contrasting look which will work out perfectly for you.

The Neon Yellow And Black

If you are looking for something that will add on to the glow of your appeal, and if you have a lighter skin shade then you can easily sport these tracksuit designs which features a bright yellow shade on the jacket and the pants has a black background with a shiny yellow side panel, making it the perfect choice for your workout.

If you are a retailer looking out for the best designs of workout tracksuits then you need to get in touch with the leading bulk athletic apparel wholesale suppliers who are bringing you the best designs at the most reasonable price ever!

[snowshinobi]

Chinese Lunar New Year lion dance performed by Wah Lum Kung Fu & Tai Chi Academy!

bonus vid of sleepy pre-performance lion pats

[annelise-eastes]

We’ve had a few patrons express recently that they would prefer to purchase actual gifts for us rather than send funding 🎁

Although we appreciate monetary support (these funds go towards studio rentals and dancer wages), we hear you! 💕

We just made a wishlist on Throne so you can purchase costumes, accessories, and props for us 😍🙌🏻

(This platform protects both the gifter and giftee’s privacy, so we wont see any of your personal information.)

Click the link to shop for us! 🛍️

[fashionbooksmilano]

Dance We Must

The Art and Costumes of Ruth St.Denis and Ted Shawn, 1906-1940

Edited with text by Kevin M.Murphy and Caroline Hamilton

with additional contributions by Erica Dankmeyer, Panalee Maskati, Norton Owen, Thandi Steele, Munjulika R.Tarah

Williams College Museum of Art, Williamson, Massachussetts 2022, 128 pages,70 color., Hardcover, 20.96 x 26.67 cm,   ISBN  9781646570270

euro 50,00

email if you want to buy booksinprogressmilano@yahoo.it

On America's first modern dance company and its many collaborators, with reproductions of costumes, sets, ephemera and more

Ruth St Denis (1879–1968) and Ted Shawn (1891–1972) pioneered modern dance in the US with their company Denishawn, founded in 1914. Incorporating elements from ancient, non-Western and Native American sources, Denishawn became the first important American dance company. A generation of dancers and choreographers, including Martha Graham, trained and performed with the company, and many artists, including Auguste Rodin, John Singer Sargent, Katherine Dreier, Marcel Duchamp and Joseph Cornell, collaborated with them. This catalog reproduces artwork, sets, ephemera and especially costumes, many of which have not been seen since the 1930s. Some of the materials and costumes, as well as the choreography, borrow from East and South Asian and Native American cultures, and the publication interrogates the legacy of cultural appropriation in dance. The materials also demonstrate St. Denis and Shawn’s stylistic and personal connections to American and European modernists, broadening an understanding of American dance in early modernism.

01/03/23

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[protectcosette]

(apologies friend, but I must pass on this ask game, it’s the law)

💐 once you receive this lovely bouquet of flowers mention five things you love, publicly, and send it to 10 of your favourite followers SPREAD POSITIVITY! 💞 (no pressure!! hope you're well!!! 💗)

My old dance company

My cat

Salted caramel whipped cream from Aldi

Soft black t-shirts

Sleeping late

[kpopsuppository]

[honey-bri-books]

[no-144444]

prince charming- l.norris

summary: lando brings his niece to the ballet, who knew he'd find love?

pairing: lando norris x fem! ballerina! reader

୨ৎ⋅୨ৎ⋅୨ৎ⋅୨ৎ⋅୨ৎ

Another show finished, another day done. All you had to do was meet some children and show them around the stage. It was a thing the company had decided to do after every single show, and you were one of the only ballerinas who enjoyed it. Everyone else ran out of there as fast as they could, but you stayed around, in full costume, showing them everything. 

“Y/n! Y/n! Look!” Mila, the little girl that had been assigned to you pulled on your hand and you followed her over. “It’s your Prince Charming!” She pointed at your co-star, Richard, who was playing Prince Charming while you played Cinderella. He was lovely and one of your best friends, but Mila’s face fell when she saw him kiss another girl, aka his actual girlfriend Mia. “He’s kissing someone else!” she gasped, looking at you hurt. 

You smiled. “We’re only together in the show, remember? My name isn’t Cinderella, is it?” You chuckled and she nodded, laughing. “So, that’s Richard, and he’s Mia’s real-life Prince Charming, not mine.”

She nodded understandingly. “Do you have a Prince Charming?”

You internally cringed, why did kids always want to know about your love-life? “No,” you smiled. 

Her face lit up. “OH! Perfect! Uncle Lala!” she called for her uncle to come over as your face fell. “Uncle Lala will you be Y/n’s Prince Charming so she can be my Auntie and we can have fun forever?!” 

Mila’s excited face and the ridiculousness of her statement, reminding him she truly didn’t know how the world worked, made him giggle. And with Lando, when he starts, he doesn’t stop. It took a whole minute for him to stop laughing, while you sat there awkwardly. You knew who he was, you knew why he was laughing, but it was still rude. Just say no, dude. 

“Mila, it doesn’t work like that,” he explained. “She’s way too pretty for me,” he whispered, sitting down beside her, and in front of you. 

Your eyes widened and you looked down, confused at the entire situation. 

“I know she is,” Mila answered (subtle dig at her uncle, but alright). “But you could ask her to dance or something. Princesses like dancing.”

Lando shook his head. “I’m an awful dancer.”

“Why do you just try talking to her!” Mila scoffed, then ran off to go look at some of the set of the show. 

You looked up and met his eyes and you both started laughing. “I’m so sorry about her, she gets like this sometimes,” he admitted, a slight blush on his cheeks. 

“It’s alright, it happens sometimes,” you waved him off, an easy smile on your face. 

“You get hit on through people’s nieces a lot?” he questioned. 

You chuckled. “It’s more common than you think, people love the ballerina shtick.”

He laughed. “How old are you?”

“I’m 23,” you answered. “And I’m Y/n.”

“I’m Lando,” he held his hand out to be shaken. “Nice to meet you.”

“NIce to meet you too,” you smiled, shaking his hand. “Congratulations on the year you’ve had.”

“You watch F1?”

You nodded. “My mom has been into it since she was a kid, she gave that to me, so… yeah.”

“Who’s your favourite driver?” he smirked and you chuckled. 

“Nico Hulkenberg,” you smirked. 

He chuckled. “Understandable,” he smiled, nodding. “Mila is probably off somewhere trying to destroy your set, I should probably go grab her.”

You both got up and smiled at each other. “It was nice to meet you.”

“It was nice to meet you too, Prince Charming,” you joked, he giggled. 

And that was that. 

୨ৎ⋅୨ৎ

For the next few days, Lando could not get you out of his head. You were funny, kind, beautiful, good with Mila, everything he wanted in a person, yet he’d let you slip away. You weren’t even on social media, but he followed the company’s instagram and some of your friends to see pictures of you. He decided, once the season ended, he’d go back and find you. Maybe he really could become your Prince Charming. 

He joined the rest of the crowd in their standing ovation as you bowed, smiling brightly. He waited around and followed a few more people backstage to finally see you again. 

“Lando?” you questioned as you looked at him from behind. “What are you doing here?”

“I wanted to see you again,” he shrugged. “Happy holidays.”

You smiled. “So it is true,” your eyes shone with a hint of mischief. “You did follow the company account.”

He screwed his face up in a half-smile-half-grimace, he’d been caught. “You don’t have a public account, thought it would be weird to follow you on your private one.”

You chuckled. “I would’ve let you follow me,” you told him. “You are my Prince Charming, right?”

He beamed. “Right,” he nodded. “Dinner?”

“Let me get out of costume,” you agreed. You started to walk off and he didn’t follow, unsure what to do. You turned back and grabbed his hand. “Come on!”

He was very happy he had brought Mila to the ballet.

୨ৎ⋅୨ৎ⋅୨ৎ⋅୨ৎ⋅୨ৎ

navigation for my blog :) (masterlist)

[heechwe]

the boy is mine | 𝐥𝐡𝐬

୨୧ pairing: lee heeseung x fem!reader ୨୧ word count: 2.3k ୨୧ genre: smut ୨୧ tags: secret relationship au, semi-fwb, idol!reader, idol!heeseung, semi-public sex, oral (f receiving), pet names (baby, love, etc.), unprotected sex. ୨୧ synopsis: A company costume party is not the perfect place for your relationship with Heeseung to be exposed. So, like rational people, you both decide to have a rendezvous in a closet when jealousy rears its ugly head, if only to prove to each other who you belong to. ➸ banner created by @hobeemin ♡

A costume party for hundreds of celebrities was as ideal as expected. The lingering, dramatic stare-offs between exes with bad blood created a thin layer of tension for some partygoers. The whispers of rumored hookups in the bathrooms at parties prior to this one caused an onslaught of prying eyes. With every motion of an idol, there was a microscope ready to catch every moment worthy of gossip.

Heeseung kept to himself since the beginning of the night, only conversing with his fellow members rather than other idols and leadership teams. It wasn’t that the guy was rude, not at all; he just didn’t focus on paying attention to the engagements of his colleagues. His job was to make music, perform, and then live his life. Once he was off the clock, nobody but Heeseung knew about what went on in his bed.  He preferred it that way.

“Come on, Seung. We gotta try and find some action tonight.” Jay tips his cowboy hat in his friend’s direction. The Toy Story costume did not suit him, and Heeseung made sure to tell him so when he bought it as the guys kept to the superhero theme they picked out. But, against the better judgment of his seniors, Jay tends to do what he wants. And tonight, it’s clear where his intentions lay.

“I’m not feeling it,” Heeseung responds, shrugging and drinking the beer in his glass, some of the liquid dripping onto his cowl. The plastic Batman mask itches Heeseung’s face, but it keeps him from being picked out immediately by randoms in the room.

“Seriously? Don’t be such a wet blanket, dude.”

”If you want pussy, go talk to Jake or Hoon, man.” The two aforementioned boys were chatting up some girls from a group under Pledis. With their respective Spiderman and Iron Man masks off, it’s easy to discern their place in the crowd of people. At the bar in the corner with their conversation partners, they’re on a mission to end All Hallow’s Eve with a bang.

Before Jay can respond, his eyes go wide in recognition and a smile spreads across his face. “Ah, I get it now. You’ve been waiting on her.”

Heeseung’s head turns, and he feels all the blood in his body go straight to his core. In a Catwoman costume, completely clad in a latex-coated suit and red lipstick, he may go insane and take you on the floor in front of everyone. Even in the mask that hides half of your face, he can see how your eyes darken when you capture his attention, the borders of his mouth watering at your figure.

He downs what’s left of his alcohol and readdresses his friend. “I don’t know what you’re talking about.”

”Sure.” When Jay sees you continue your path towards Heeseung, he makes his exit in the direction of the bar. “Have fun and use condoms!”

Heeseung wants to slap Jay silly for saying his parting words so loudly, but the feeling dissipates seeing you so close. 

When you first met, it was a strictly platonic environment between friendly coworkers. It wasn’t in his mind then to progress to whatever your relationship was now, a partnership that dances the lines between a sexual agreement and a full-blown relationship. But now, the feelings in his chest are ready to explode in the tiny banquet hall the company rented for the party. He wants to kiss you senseless, smear your lipstick on his face, and press his face to other parts of you, but he knows that would expose both of you to extreme scrutiny.

It was not out of the bounds of your contract to date or sleep with coworkers under the same label. Still, it was extremely frowned upon by your peers. Keeping your relationship a secret was not difficult though, burner accounts and private meetups both yours and Heeseung’s best friends.

Heeseung tries to keep his sexual appetite at bay when you finally make it to him.  You pose with one hip jutting out, causing your whip to jiggle at your side.

“Selina Kyle, right?” He asks rhetorically, a smirk on his lips.

“Thanks for noticing, Master Wayne.” Your British accent causes Heeseung to emit a chest-rumbling laugh. “You look handsome.”

“And you look…” Although you’re nestled in your corner of the expansive room, he knows he can’t outright describe all the ways he wants to tear the costume off of you. Hands, teeth, the list is endless. But he settles with a simple answer that hopefully says just enough. “Incredible.”

“You’re just saying that ‘cause of the spandex.”

His eyebrow quirks, unsurprised you could tell exactly what was on his mind. Six months of fucking made it easy to discern a person’s words from their tells. “I’m saying it because you always look incredible. The spandex is just a bonus.”

The tension between you is electric. Even prior to the first time you slept with him, the signs were there. You felt the buzz under your skin at his presence even if he said nothing and it was ever too brief. His gaze and body would linger during practices or studio sessions,  his being too close but not close enough if you were honest with yourself.

Heeseung tries to be discreet as he attempts to grab your hand under the cover of shadows. You shuck him off in the presence of so many eyes. “Not here, Hee.” You frown, wanting nothing more than to feel his fingers in between yours, his warmth bringing an unexplainable comfort. “You know they’ll talk.”

“They already are.” Heeseung practically hears the bullshit discussions between the surrounding people. Can you believe that? They probably picked out their outfits together. How can they be so obvious?

Your initial confidence is dampened by the thoughts that Heeseung knows you both share, but he shrugs off the chitchat about you both that could be occurring nearby. “Matching costumes can just be a coincidence.”

“Is that what they’re calling it?” You laugh sadly,  knowing you have to leave his side to avoid suspicions. The night may not be over, but you can’t stay too close unless you want to bring everything out in the open. “I’ll talk to you later.”

Heeseung can’t keep his focus on anything but you, conversing and laughing with gentlemen from other groups under the same label. The idiots came up with some Cowboys and Aliens-inspired costumes, and the flirting taking place between you and these men makes Heeseung scoff. How could you be impressed by a guy with a cowboy hat on? 

The interactions occurring in front of Heeseung make his skin crawl, the image of you smiling for guys who aren’t him hitting like a stone in his gut. He knows he’s not your boyfriend, and no labels were ever discussed at the start of your relationship, but that doesn’t take the sting out of it. And his feelings aren’t curbed by the alcohol in his cup.

Unable to avoid his distaste anymore, he excuses himself from his conversation with the random executives who bothered him ten minutes ago to saunter over to your spot in the banquet hall. “Excuse me, gentleman. I need to speak to Catwoman for a second.”

You barely say goodbye to Jeongin and Yeongbo before Heeseung takes you by the arm and into the hallway of the building. He looks around in rapid motion, and finds an open door to shove the two of you into. The makeshift closet provides enough space for the two of you, but not much.

Heeseung takes the cowl off of his head and throws it to his side, his eyes dark due to more than just the black paint around the upper portion of his face. “Heeseung, what’re you—“

He suddenly knocks you back into the wall of the closet and slams his mouth into yours, his tongue and teeth colliding with yours frantically. Your desire spikes when he palms on of your breasts over your costume, the latex wrinkling under his touch, “Fuck, seeing you with other guys drives me insane.”

You scoff, a smirk on your lips. “Like I was happy to see you talking to Yunjin earlier.”

“Don’t be like that.” His eyes glint with mischief at your response, but it melts into pure sincerity that makes your heart kickflip. “You know I only have eyes for you.”

“Likewise.” You nip his lips and knock him down to his knees. Before he can catch his breath, you lower the front zipper at the center of your costume and shrug it off of your arms, revealing the black-lace set covering the places Heeseung knows by heart. “Now touch me.”

“Jesus.” He hooks his thumbs into the sides of your underwear to yank down, careful to not rip the fabric. “Did you plan this or something?” 

“You’re the one that pulled me into this room, baby.”

Heeseung smirks and presses a kiss to the center of your midriff, testing and teasing before going in for the kill. He nuzzles his face against your clit, kissing the bundle with adoration.

In the end, when he first saw you walking over to him at the start of the night, you both had to have known it would end like this, lost in each other and away from the rest of the world’s opinions and influence. Fuck them, Heeseung thinks. If their scrutiny meant he still found himself here, in between your legs and showing you how much you meant to him, he would take every comment with a smile.

“You taste incredible,” Heeseung whispers before passing his tongue against your slick folds, lapping up the wetness like he has never eaten anything better than you. “Just like always.”

“More,” you whisper, putting your hand under his chin to look at you. Even in the low light surrounding the small space, you can see the glint of his lips from your arousal. “I want more of you.”

“As you wish.” He stands up and kisses you deeply. “Wrap your legs around me, love.”

He lifts you with ease, his muscles expanding to reveal their form even in his bulky costume. You can’t wait to feel the heat of his skin against yours later when you’re truly alone. It’s never been a one-and-done with him, going many rounds without stopping, whether you had expected it to go that long or not. His sex drive was unstoppable when he was in the mood, and it seemed whenever he was with you, he didn’t have any intentions of slowing down.

By the time he enters you, your body is already welcoming him from the previous foreplay. It makes him hiss with pleasure, the tone low to avoid any strangers  in the hallway from hearing and speculating. You capture his lips with yours, letting the extent of his moan be swallowed by your lips.

“Does it feel good, baby?” He asks, the whisper as loud as any groan he could emit. He releases one of your breasts from your bra, kneading the skin tenderly. “It’s fucking incredible for me, the way you stretch around me like this.”

“Fuck, you know you’re amazing, Hee.” You scratch your hands down his arms as he thrusts inside of you, the only available skin to take hold of.

“You’re all mine, you know that right?” He captures your eyes with his stare, going slower to punish you until you give him the answer he’s looking for. Fortunately for him, you don’t mind giving him what he wants if he does the same.

“Yes, all yours.” He resumes his original speed, sucking on the skin of your neck to create hickeys only he will know about. He loves to mark you and see your excruciating attempts to cover them up, makeup only going so far before friends and coworkers asked about what had occurred the night before.

If there’s anything as strong as Heeseung’s lust, it’s his pride. And he was as proud as he could be knowing he could claim you so well, even if only the two of you knew about it.

“Hee, I’m gonna come,” you whimper, holding on tighter to reach your end faster.

“Do it baby, let go for me.” He kisses you again to swallow the deep moan that leaves your lips as you come. If only you could shout from the rooftops how good he made you feel. How he was as impeccable as a lover as he was a person, just to make every adoring fan and foe of his envious of your spot in his life.

Your body feels like lead by the time you come down from the high, Heeseung has to hold onto you harder so you don’t crumble onto the floor.

“Hold on tight.” He braces his body with one hand against the wall behind you as his pace speeds up to an exhausting degree. His muscles twitch as he releases inside of you, burying his face in your neck to not let the groan escape his throat. His breath is hot on your skin, but you love the feeling of him so vulnerable as he lets go.

You kiss him quickly when he raises his head, his eyes half-lidded. “For a cat, you didn’t scratch that hard,” he says, lips upturned.

“Fuck off.” Heeseung helps you get dressed again, zipping up the front of your costume for you while you try to wipe away the remnants of your red lipstick from his face to no avail. He’ll have to wipe it off in the bathroom before going back to the party, but you doubt he cares much. “Come to mine after?”

He feels foolish for thinking tonight may be the night to discuss your relationship status, but stranger things have happened. Like the bat and the cat joining forces, per say. He kisses you again before leaving you with, “Of course.”

@seokgyuu @mini-mews @jayparked @heesuncore @yoursjaeyun @sungbeams @jenoslutie @loserlvrss

𝐧𝐞𝐭𝐰𝐨𝐫𝐤𝐬 ౨ৎ˚₊

@kvanity-main @sweetvenomnet @onedoornet @sayxonet @violetanet @svthub @whipped-kpop-creators

[sharenedesigns]

Sharene Designs is Top Dance Costume Companies

Looking for a top-tier dance costume company to create stunning and unique costumes for your next performance? Look no further than Sharene Designs. As one of the top dance costume companies in the industry, Sharene Designs offers a wide range of custom-made dance costumes that are designed to make you stand out on stage. With over 30 years of experience, their team of skilled designers and seamstresses can create a wide variety of costumes, from elegant ballet tutus to bold and edgy hip-hop ensembles. Whether you're a professional dancer or a student, Sharene Designs will work with you to create the perfect costume that reflects your individual style and personality. 

[thewritetofreespeech]

Could I request the Itoshi brothers and Bachira with a ballerina reader?

“You can’t possibly be serious.”

Rin didn’t know a lot about relationship and girls, but he still knew when he said that, he crossed a line.

“Oh really.” [Y/N] snapped back at him. Arms crossed across her chest. Glaring at him with that fiery determination Rin usually respected, but now was a little scared of. “So you admit you think my training is BS compared to your training?”

The two of them had been on very intense practice schedules as of late. Rin training up to prepare for his next match and move up, and [Y/N] training for their upcoming performance and hopefully be scouted for prima in a company. They were stressed out, fried, and exhausted. And what do exhausted people do when they are exhausted? Compare their exhaustion so they make sure that their complaints are justified as they are the only one, in the whole wide world, who could be this exhausted.

“I didn’t say it was ‘BS’. I’m just saying you can’t possibly compare what I have to do to what you have to do. The weight training. The cardio.”

“The stretching. The vaults.”

“The practice matches. The strategy management.”

“Learning every step in the performance, even if it isn’t yours, to memory. Being lifted almost 8 feet in the air and hoping your partner can hold so you don’t break your leg, or your neck.”

“The ice baths.”

“Pointe shoes.”

“Having to deal with Isagi!”

The couple growled at each other before [Y/N] finally snapped. “Fine! You think it’s so easy, you do it!”

“Fine!”

Rin would live to regret that.

The next day, to foolishly prove a point, Rin went through [Y/N]’s whole workout schedule with them. The stretching, the vaults, the practice, the lifts. He wouldn’t let himself be lifted, nor wear pointe shoes, but by the end of the day his body hurt in new ways he didn’t even know were possible. “Still think it’s so easy?”

Rin looked up from the floor he was laying on up at [Y/N]. “Fine. I take it back.”

She smiled and knelt down beside him. “Well, I appreciate that. People think because ballet is all pretty costumes and fluid movements that it’s calm & easy. They don’t appreciate the work that goes into it.”

“I’m sorry.” He realized he was doing that. Belittling their hard work.

Rin sat up and took a sip out of his water bottle. “Are you going to do my training tomorrow then?”

“Sure. What’s fair is fair.” She agreed. “But no weights. I can’t bulk up anymore of Madam Costume Maker will murder me.”

Rin scoffed. “We’ll just do an easy day for you then. If you can’t handle it.”

She punched him in the shoulder, but Rin was too tired to even feel it.

One thing that people don’t tell you when you become a professional athlete is that it’s not just about the games anymore. It’s the press.

Sae sighed as he came back to his hotel room. Completely drained from having to deal with people all day and answer their silly questions. He just wanted to play football. Why did he have to tell everyone about his fitness strategy or what brand of saltines he liked?

As he was taking off his coat his phone rang and Sae answered it. “Hello.”

“Thank you for the flowers.”

A small smile tugged at Sae’s lips as he heard [Y/N]’s voice. “Of course.” With his game coming up, he was not in town for [Y/N]’s opening night. He felt bad about it, which was strange, but being professionals in their art sometimes they had to make sacrifices. That didn’t mean he couldn’t make an effort. “How was the show?”

“Good. Early critic reviews seem to be positive.” Of course they were with [Y/N] as the prima. “I wish you could have seen it.”

“I will.” Sae explains that he paid someone to film their performance. He had gotten special permission and everything from the company; with a hefty donation. “I’ll watch it later.”

“You sound tired.”

“I am.” He confessed.

“Poor baby,” [Y/N] cooed. Even though she was the one that went through the grueling physicality of dancing, she still seemed more concerned for him. “Why don’t you take a hot bath and get some sleep then?”

“They don’t believe in baths here.” Or at least his hotel room didn’t.

“A shower then. I’ll see you next week?”

“Of course.”

Sae hung up the phone and sighed again. Still tired, but a little refreshed from talking to [Y/N].

He showered and went to bed as suggested. Getting a goodnight sleep for another press tour tomorrow before the game. When he woke up that morning there was a knock at his door and a delivery from room service. A hearty breakfast of an egg white omelet, fresh fruit, and salty seaweed tea. The kind of breakfast he needed but would never get for himself. After accepting delivery, Sae noticed a card on the silver tray and quickly read it.

:Do your best: was all it said, but Sae knew who it was from.

He sat in his hotel room and ate his breakfast in silence. Watching [Y/N]’s performance on TV. Just because they had to make sacrifices didn’t mean that they couldn’t make the effort.

Bachira had been obsessed with ballerina’s ever since his mother took him to see a show once at Christmas.

The bright costumes. The spins. The music. It always excited him.

Dating [Y/N] was almost like being in the show. Helping them with their choro. Coming to rehearsals to see them practice. Bachira had probably seen the show a hundred times before actually opening night, and yet he was as nervous & excited as the actual dancers.

“You’re going to do great [Y/N]-chan~!” He whispered to her backstage.

“I don’t know…it’s a much bigger crowd than I expected….”

“That’s ok.” Bachira told her. “They’re all just faceless blobs in a crowd. Don’t focus on anyone but me in the first row. Unless…I get removed for cheering too loud. That’s gonna be hard for more….”

[Y/N] chuckled, then kissed Bachira’s cheek. “Thank you. I wouldn’t have made it this far without your support.” The music changed, coming up on [Y/N]’s cue, and they get into position to dance out. “Don’t get kicked out.”

“I’ll try~!” Bachira promised, then went to his seat to watch the performance from the audience. In awe & rapture of the beauty of the show and his partner.

[xosamioo]

“𝐌𝐚𝐬𝐤𝐞𝐝 𝐃𝐞𝐬𝐢𝐫𝐞𝐬”

Paring: Boyfriend! Riki x f! reader

Rating: 18+ explicit and mature content, smut and angst

content warnings: NSFW knife play violence role playing swearing slight degradation

Summary: you decided to buy your boyfriend riki a ghost face costume for "Halloween"...definitely not intentionally buying it for other purposes....

Wc: 4k

Authors note: 🔞 This story is fiction and does not reflect the personalities or desires of those it is written about. This story has some scenes that may be uncomfortable for some readers, read at your own risk.

Halloween was in a few days and you were going to spend it with your boyfriend Riki. You decided to buy him a ghost face costume for Halloween and you did not buy him the costume because you thought it would look hot…. Oh definitely not!

you were laying down against the pillows on the headboard while Riki is leaning against the wall. His long legs taking a majority of the bed

He’s currently playing on his PlayStation, having a pretty intense match on FIFA with his friend while you scrolled on your phone. The two of you often hang out like this. Doing your things while enjoying each other’s company.

He leans back and lets out a frustrated groan when he misses the goal, “I should’ve had that!”

“maybe you shouldn’t suck at the game.” you tease, grinning as you watch him shoot you a small glare before looking back at his game.

You sat up gently and crawled over sitting on his lap “Hey babe?”

“yeah?” he replied, sounding a bit distracted since his focus was still on the game.

“how long is your match going to last?” you asked, resting your chin on his shoulder. “I wanted you to try something on”

” Oh?” he glanced over at you, looking away from the game once again. ”what did you want me to try on?” he asked with a tilt of his head. God, he looked so hot.

“I got you a ghost face costume” you smiled “For Halloween” you clarify

”oh yeah?” “you want me to try it on now?” he asked as he paused his game. he pats your thigh gently signaling for you to get off him.

You get off his lap and sit on the bed as you watch him get up from it. He stretches, the bottom of his shirt rising a little, showing a bit of his toned stomach.

”wait right here,” you say before quickly getting up from the bed and leaving the room to go and grab the costume you bought for him.

After a minute of searching, you finally found it. You grabbed it and went back to your room where Riki was still waiting there for you.

You hold it out in front of him, “here” you watch as he takes the costume from you and takes it out you sit down on your bed and watch him go to the bathroom to put the costume on. After a few minutes, he returns. He stood in front of you his tall frame with his arms hanging at the side holding the fake knife in his hand. He had the long black cloak and the infamous ghost face mask covering his face. He looked just like a ghost face. “do you like it?” he asked, tilting his head at you as he spoke.

You took a second to answer, just taking in how hot he looked you gently squeezed your thighs together. He looked so fucking hot. “you look like actual ghost face”

“that’s kinda the point,” he said as he leaned forward resting his hands on each side of you.

The position caused you to slightly have to look up at him, his face still fully covered by the mask and hood, your thighs clenching even more

You couldn’t help but notice how broad his shoulders looked in the costume. You always knew he was toned due to all of the dance practices he had and the workouts he did.

You felt his large hands trace up and down your thighs, lightly squeezing them. he was still so close to you, his knee placed on the bed between your open legs to make sure you couldn’t close them even if you wanted to. His hands then traced up towards your waist, you shuddered a bit at the touch.

He let his hands rest on your waist pulling you a bit closer to him. You felt his knee press against your aching core. A small whimper left your mouth. You were such a mess and he had barely even touched you yet.

“Oh, what’s this” he asked, his hand trailing back down to lightly brush against your core. You bit your lip lightly trying not to make any noise. You noticed him slightly shaking his head in a ‘tsk, tsk’ motion before he spoke again. “no, no, no” he said, lightly shaking his head. “don’t hold back, let me hear you” he said, placing more pressure where you needed it.

You gasped loudly, squirming under his touch your hips lightly bucking up towards his hand. The pressure didn’t feel like enough. The fabric of his pants created a delicious friction between your already-soaked core that made you let out a soft moan. “what do you want? Tell me” Riki murmured as he chuckled, ”or else I’m gonna kill you with this knife,” he said as he raised the fake knife in the air moved it to point it at you, and gently placed the tip of the knife below your chin making you look up at him playing the role very well

You slightly whimpered at the role-play as your legs shook slightly. The knife being pressed against you only made you more and it was painfully obvious as Riki could feel how wet you were through your thin panties. “please” you whimpered

” Please what?” he teased, looking down at you. he slowly pulled the knife away from your chin, now placing it on your throat and holding it there lightly. “use your words princess, tell me what you want” he practically purred.

”need you” you whimpered looking up at him, your eyes looking at his through the tiny holes in his mask

He let out a slight chuckle at how needy you looked. He moved forward you felt him shift a bit. He was so close now that the small height difference was even more noticeable. You could feel his breath through the mask, and you wanted it off. You wanted to see his face. And before you could even think about what you were doing you gripped the edge of the mask and started pulling it up. As soon as the mask was off you saw his face. His hair was tousled and messy a little sweaty because of the mask making his black locks stick to his forehead his cheeks flushed and you could tell how bad he wanted it by the look in his eyes. Your eyes looked at plump his lips before quickly looking up at his eyes again. A moment passed of you just staring into his eyes until you surged your head forward and pressed your lips against his roughly. Your lips molded together with his as he kissed you back just as fiercely. A moan left your mouth as his tongue invaded your mouth, you could feel him smiling against your lips. You slightly pulled away to catch your breath as you panted against his lips. he pulled away slightly looking down at you. he smirked, before speaking again. "you know," he started, slightly chuckling after speaking. "the knife is for a show" he looked down at you with a grin. "you weren't supposed to take the mask off" he said slightly shaking his head. "can't play the part right if the actress isn't playing her role either" he said in a teasing tone. He moved the knife back down to your neck, gently tracing it down your neck until he got to your chest. He traced the outside of your breast with it causing you to shiver slightly. He looked back down at you and you swallowed before speaking. "well I wanted to see you" you said in a soft voice. He was smiling looking at you as you spoke. His eyes were slightly hooded from lust as he looked over you his eyes tracing down your face. "cute" he whispered out softly as he gently moved his thumb to sweep across your bottom lip "It's just a costume, don't tell me you got all worked up over a mask?" he asked lightly squeezing the sides of your thighs with his other hand. “didn’t think you’ll be into this kind of stuff” your thighs clenched at his words, a low whine coming from you. You nodded slightly feeling a little embarrassed but also a bit needy at the same time. He grinned at you, looking down at you. "you're so easy" he teased, "that's what you get for pulling my mask off" he continued looking down at you, "and besides, you ruined the role play" he paused. "now, what am I gonna do with you?" he asked tilting his head to the side lightly. "I need to punish you somehow." a playful grin now plastered on his face when the words left his lips.

He started slowly tracing his finger in circles on your thighs, the knife still held tightly in his other hand. You shuddered at his teasing touches causing you to close your legs to get some kind of friction your hips lightly wiggling under him. he then suddenly stopped causing you to look up at him. "keep your legs open" he said looking down at you. "or else what?" you teased, keeping your legs closed as you looked up at him. he looked down at you, smiling and shaking his head slightly. "don't tempt me" he said, his tone light and playful. "you still ruined the role play" he said as he lightly gripped your inner thigh. "so you'll be a good girl for ghost face tonight and do what I say, understand?" he asked. You bit your lip, opening your legs a bit wider so it was easier for him to slip his hand between your thighs. "I always listen to ghost faces," you said with a teasing smile. His hand lightly squeezed your thigh. "don't be a brat" he said in a slightly more serious tone than before, you nodded and he seemed to have been appeased at your obedience because he gave you a smile before speaking again. "good girl" he said, moving his hand away from your thigh and moving it up slowly to your core. His thumb lightly traced the hem of your underwear causing a small whine to leave your mouth. "already this wet?" he asked moving his hand so his fingers pressed up against the crotch of your panties, his fingers lightly rubbing over your clothed core, he was teasing you. You were about to whine but his mouth was suddenly on yours as he kissed you roughly. You moaned into the kiss, his fingers that were rubbing you through your underwear sped up. His thumb started to apply more pressure. You pulled away from the kiss, "please" you panted "I need you" you said feeling him chuckle against your mouth before speaking. "so needy" he said, his voice breathy "Fine, I suppose I can be nice for once" he said looking down at you and pulling away from you and settling down in between your legs. You watched him as he settled in between your legs. Pulling them up so they were over his shoulders, before looking up at you. "you've been so good for me" he said moving his hands to take off your underwear. You shivered when the cool air hit your core. Once your underwear was off you watched as he pulled off his fake glove with his teeth, and placed the knife down before speaking. "I want you to put your hands up where I can see them okay?" he asked lightly. You nodded, moving your hands up so your arms were above your head. He lowered his head down towards you, he looked up at you for a moment before he looked down again. Your head fell back slightly once you felt his lips on your folds. You whined slightly. His tongue flicking between your folds your fingers gripped the bed sheets to ground yourself to prevent you from pulling his hair. You felt the pressure build up in your stomach. You started panting heavily, as you felt his tongue press into your entrance and move in and out slowly. Your legs slightly squeezed his head in anticipation. His hands were gripping your thighs almost to the point of leaving bruises. You couldn’t help the moan that left your mouth you were so close. You felt him slightly speed up before he stopped suddenly. You let out a small hiss of frustration. You heard him click his tongue and you felt him move away from you. You looked down at him as to ask why he pulled away. A smirk lay on his face, “can’t have you coming just yet” he said, “we haven’t even gotten to the best part” he teased looking up at you. You let out a groan at his teasing, he chuckled and moved his hands down to the pants of the costume undoing them slowly. You watched his every move as he pulled down his pants and threw them to the side.

You bit your lip and watched as he moved forward. Gently place both of his hands on either side of your stomach. He leaned down slightly closer to you and then he stopped completely. He let out a small sigh, "I almost forgot" he said, now looking down to the side of you. You followed his line of vision to see that he was looking at the mask he placed on the side of the bed after you took it off him

You looked back down at Riki to see him now grabbing the mask and placing it back on his face. Your legs started to shake slightly. You needed him. he looked back at you, grabbing your chin with his thumb and his pointer finger tilting your chin up slightly so you were looking directly at him. "now, let's try this again" he said, letting go of your chin. Your legs still shaking slightly.

He moved closer towards you, slowly stroking your thighs lightly. Moved one of his hands to align his tip with your entrance before pausing and looking at you. he pressed his tip against you but didn't go any further. You couldn't help but let out a small whimper as you felt him against you. But he still didn't do anything. he was waiting for your permission. You quickly nodded, your hips lightly bucking up to feel more. He smirked underneath the mask as he took his other hand off your thigh and placed it on your hip to hold you down before slowly pushing into you. You threw your head back, your eyes squeezing shut as you let out a moan. You could hear him softly panting as he entered you completely. Your walls fluttered around him as your body tried to become used to him. "so tight" he said, pausing for a moment once he was fully inside and then slowly pulling back out. He slowly pushed himself inside you again, this time bottoming out. A drawn-out moan left your mouth as he pressed himself into you again and again. You were gripping the bed sheets so tightly that your knuckles were turning white. Riki let out a moan as he felt your walls squeeze around him. he sped up and you moaned, your head falling on the pillow behind you and his name escaping your lips in a chant as he thrust inside you. " r-riki" You moaned out breathlessly. The sound of his hips slapping against yours filled the room, the sound of skin-on-skin echoing off the walls. He grabbed the fake knife prop again placing it on your stomach. The cold feeling of the plastic against your bare skin caused you to gasp and look up at him your eyes locking with his hooded eyes through the holes in the mask. It felt like an intense staredown as he continued moving inside you, the knife still lightly pressed to your stomach. He let out a low groan, as he trailed the knife down lower to where he and you joined. He looked up at you as he continued to roll his hips against you through the mask tilting his head slightly to the side as he spoke in a teasing tone "Look at that"Pausing his hips momentarily pulling out he started moving the knife back and forth slightly watching you before pausing and smirking "just imagine what would happen if I just.." he said he then suddenly thrust the fake prop knife into you just for a moment. You gasped feeling the cold plastic knife inside of you before Riki pulled it away and put it on the side. Riki chuckled slightly “Sorry sorry I had to” You knew he was smiling under that damn mask. “you’re crazy,” you said, slightly shaking your head and chuckling, he let out a laugh and spoke, “I thought it was pretty funny,” he said pushing back into you and speeding his hips up slightly causing you to moan.

Your grip on the bedsheets beneath you tightened as you let out a long moan gripping them harder. Riki’s eyes squeezed shut and let out a low groan as he felt your walls slightly clench around him. he then let out

A low whine as he slowly pulled out and pushed back into you again, you let a whimper as your eyes squeezed shut. The pressure in your abdomen was back and you knew you weren't going to last much longer. He sped up his hips slapping against yours faster than before. You couldn’t help the low moan that left your mouth as he gripped your hips tightly his thumbs digging into your hip bones. You could tell he was close by the way his hips were twitching and his thrust was starting to get sloppier, you let out low whine, looked towards him, and pulled the mask up so it covered his mouth but his eyes were on display. He looked into your eyes his eyes slightly hooded and you watched as he licked his lips. You felt yourself clench around him at the sight. "c-close" he panted out, you nodded biting your lip at his confession the pressure in your lower stomach getting more intense. "a-actually just let me," Riki said pulling the mask off the rest of his face and throwing it on the floor, "I wanna see you" he said smiling. His smile was contagious as you smiled back at him he moved forwards slightly placing his hands on either side of your head as his hips sped up again the force of his thrusts causing the bed to creak slightly "A-almost" he said his hips moving slightly sloppier as he gripped the bedsheets next to your head. He buried his face in your neck letting out a gasp that fanned against your ear causing you to shudder slightly. Hearing him groan and pant in your ear made you clench around him causing him to let out a whimper "fuck" he whispered out, placing sloppy open-mouth kisses on your jawline. You moved your own hands to grip his shoulders, your nails digging into his shoulder causing him to hiss in your ear. You looked up at him and he pulled his face away from your neck looking into your eyes with a smile as he moved his face closer to yours capturing your lips in a kiss. He moved his lips with yours gently biting your bottom lip, you gently tugged on his hair causing him to let out a low moan into your mouth as he buried his head in your neck. He mumbled against your neck "Gonna come” he said his hips stuttering against yours as his hand dug more into the bed next to your head. Your legs began to shake slightly from overstimulation "M-me too" you panted out your head buried in his shoulder. "inside" you mumbled your nails digging into his back as his hips began to move faster against yours. He lifted his head to bury it in your neck again as he let a long loud moan into your ear his hips twitching. You felt him spill into you as his hips snapped against yours through his high. He let out a shuddering breath before speaking "I love you" he said, his hips still slowly moving as he rode out his high against you until his body stopped twitching. He pulled out of you and kissed you lazily. you both panted against each other's lips softly before you spoke slightly breathlessly "I love you too, so much" you said against his lips he let out a soft chuckle against your mouth, smiling. He laid down next to you resting his head on your shoulder, one hand tracing the skin of your stomach up to your chest while the other held your waist. you both stayed there in a comfortable silence until Riki suddenly spoke up, the tone of his words dripping with smugness "You just bought the costume for this to happen didn’t you" he teased lightly squeezing your hips. "maybe," you said with a slight smirk. "but who am I kidding it's no secret I think ghost face is hot," you joked chuckling slightly. you felt riki shake his head slightly, but you knew he was smiling as he spoke "I already know you got a thing for scary masked serial killers y/n, this isn't surprising" he teased….

Author note: HAPPY HALLOWEEN 🎃

Hope you guys enjoyed please like and share 🩶

© xosamioo 2024 do not repost, plagiarize, or translate.

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TAGLIST: @leov3rse @aanniikka @heeaxvhhoon @jungwoosbaey @moonpri @high-and-low-all-the-way the-way @jakeswifez @ruth-odyssey @m4rlvky @minlvsjo @mininishiriki

[burntheedges]

Pas de Deux Masterlist

Din Djarin x f!reader | 18+ | ~40k words | complete 1/15 main masterlist | ao3

summary: When Din Djarin – principal dancer at Concordia Ballet Company and generational talent in the classical style – suddenly left CBC and joined the Nevarro Ballet Theater mid-season, it shocked the ballet world. You never would have guessed that he would change your life, too.

full fic tags/warnings (spoilers!): modern AU, ballet AU, fluff, angst, flirting, dancing, lots of ballet terms (I’ll define things/link videos/etc. -- see below), misunderstandings, character study, romance, pet names (sweetheart, beautiful), lots of tension, later: smut, kissing, grinding, fingering, p-in-v sex, creampie, each chapter will have its own tags, Din lifts reader (see note below about reader)

a/n: welcome to the Din ballet fic!! I started writing this in April and it’s finally finished! I’ll post a new chapter every Wednesday, there are 14 total. There’s some smut coming but it’ll be a while, folks. See my notes below about reader in this fic and ballet in general. Thank you @katareyoudrilling for being the best beta, as always!! This fic is so much better because of you. 🧡 And thank you to @almostfoxglove for reading over it and confirming I didn't forget all my ballet, lol. 🩰

note about reader: in this fic you’re a ballet dancer, first soloist at Nevarro Ballet Theater company. I haven’t mentioned the reader’s body size or shape (or hair) basically at all, even to the point of avoiding clothing (except for costumes), but I understand the image that goes along with ballet – I danced for almost 20 years. Din does lift you many times. Please feel free to picture whatever you want, but I know that this might seem more limited. You also have a best friend named Adrian who is in the company with you. I never specified age, but to make first soloist most would be in at least their early 20s. Din is 27.

Chapter list and notes about ballet under the cut! Comment or reblog to join the tag list. 🥰🩰

Chapter List

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

** Bonus: Amazing art of Din by @kenobiwanx!! **

Chapter 13

Chapter 14

...

some notes about ballet: I will share links to videos and such as much as possible, but here are some definitions to get us started – principal, (first) soloist, corps de ballet, variation, and class vs. rehearsal:

Principal - this is the highest level a dancer (of any gender) can reach in a company. Dancers are ‘promoted’ through the ranks. Principals usually have exceptional technique and artistry and can perform solos, pas de deux (partnering), headlining and/or the most challenging roles, etc. (e.g., the white (Odette) and black (Odile) swans in Swan Lake, both usually performed by one principal). Sometimes dancers are hired directly in as principals (like Din, in this fic). Smaller companies might have 5-6 principals, while larger ones could have as many as 20. Nevarro is somewhere between medium and large and has around 14 principals, including Din.

First Soloist - not every company has this rank, but it’s in between principal and soloist. Nevarro has 4 but they are counted among the soloists (12-14ish total). Soloists are often understudies for larger parts, and first soloists would do the same. In this fic reader is a first soloist, just promoted at the start of the season.

Soloist - this is sort of a middle level, for dancers who are doing very well and have proven themselves capable of taking on bigger roles. Many ballets have multiple roles, including supporting roles in the narrative, for soloists and principals to showcase many dancers’ talents. A smaller company might have 5-6 soloists, and a larger company might have as many as 20. (Larger companies also do more shows.) Nevarro is somewhere between medium and large and has around 12-14 soloists, including first soloists.

Corps de ballet - this is the lowest/starting level in a company. It’s where most would start from and has the largest number of dancers – these are the dancers who come out on stage in large groups or form the background unnamed roles in narrative scenes (like a party). Reader started in the corps and was promoted to soloist and then first soloist.

Variation - a solo dance, usually a piece from a larger ballet (e.g., the Sugar Plum Fairy in the Nutcracker). We say ‘variation’ because there are many ballets that have been choreographed differently by multiple people in the ballet world (e.g., there are famous versions of the Nutcracker by Petipa, Gorsky, Balanchine, Nureyev, Baryshnikov… and more). So there can be multiple variations of a solo from a single ballet, and more can be created or altered, etc. But in general the term just means solo.

Class vs. rehearsal - most companies distinguish between ‘class’ and ‘rehearsal’. Class is for the whole company and focused on improving technique. It’s quick and often repetitive and everyone sort of knows what to do. Most people would have ‘their’ spot at the barre and fall into a typical order for going across the floor. After class, most would go into multiple hours of rehearsal, PT, strength training, etc., depending on whether it was a performance day or not. Most companies are rehearsing for more than one performance at a time, so they might have a longer rehearsal for the show coming up this or next weekend, and a shorter one for another performance a bit farther away. But in the days leading up to a show, that show’s rehearsals would probably take over. This can vary by company. On show days, most would have fewer rehearsals with a 1-2 hour break before the call time to get ready.

Season - companies have 'seasons' which just refers to their plan for shows/schedule for the upcoming year. They might refer to like a fall season and a spring season, or the might have a full year schedule with different parts (fall/winter/spring), or they might have only a spring season that runs into early summer. It depends on the company and the size! In this fic Nevarro has a fall season and a spring season, but they tend to think about it as a full year for contracts/etc. They would have 3-4 big shows planned (think Nutcracker, Swan Lake, Giselle, Onegin, etc.) in each part of the season (so, 3-4 in fall and 3-4 in spring). And then they'd fill in the gaps in the schedule with "mixed programs", which are programs with multiple smaller ballets or pieces that feature a lot of dancers. So a mixed program might have a 20 minute Balanchine ballet, a pas de deux, a full corps piece from a larger ballet, and a piece for like 8 dancers. or something. Mixed programs are often when choreographers-in-residence and on staff get to debut their own work.

[irisbleufic]

REVIEW

Gatsby: An American Myth (Welch, Chavkin, Bartlett, Majok, & Tayeh; American Repertory Theater)

Something that most adaptations of Gatsby get wrong, whether film or stage, is the treatment of characters as archetypes rather than individuals. Symbolism drowns out most genuine attempts at capturing emotional connections and conflicts of personality. They forget that this story is not only a failure of the so-called American Dream; first and foremost, it’s a tragedy of failed roles and relationships. Almost every one of the players is attempting to be someone they are not, and even as they reach for what they believe they should want, they reveal with increasing fervor what they actually want. This is the heart of what makes Welch’s new adaptation so devastatingly, disarmingly unique, so true to its source.

The set design is literal wreckage. Crushed and warped automobile chassis scaffold the moving staircases, and concealed trap doors. The backdrop shows no clear incorporation of the infamous Eckleburg billboard; rather, it is made up of a dotted grid resembling headlights. These play out effects ranging from a downpour to camera flashes to, briefly and only once, a pair of eyes that make no effort to hide behind the owlish frames of glasses. The only thing infusing this jagged framework with meaning is the people who move through it.

The lighting design works with the set’s incongruences, deepening or excavating shadows as needed. The brightness, when it flares, is blinding. Jewel tones either enhance or diminish a costuming scheme that is composed of either very pale or very dark shades, no in between. And whether it’s the post-apocalyptic black and gray cabaret garb of the ensemble or the wealthy protagonists’ pale suits or the gunmetal and gray denizens of the wasteland, everyone’s trouser and skirt hems are conspicuously rimed with reddish dust. The visual effects are nearly impossible to describe without sounding like I had some kind of desperate fever dream.

So far, I realize that these descriptions of the set and lighting design sound like this production is about to fall into the trap of overplaying symbolism, but please bear with me. With all of that established, I can focus on what’s truly extraordinary here, what’s meant to and does shine unhindered. The acting, musicianship and vocals are all so precise that it was hard for me to believe this show is still in previews. It feels Broadway ready, West End ready, major international tours ready. If I was the production crew, I’d turn this loose on a massive scale from the get-go without a second thought.

Much like with Hadestown, the musicians are not down in an orchestra pit. They’re characters in their own right, present on the stage from start to finish on tiered risers that run up from the center on each side from one of the catwalks. I’m sure Chavkin’s involvement as director has everything to do with why this show feels so much like, moves so much like Hadestown. The company is on an equally small scale, about 23 - 25 people including the principals.

Costuming among the ensemble is delightfully gender agnostic. I mention a cabaret aesthetic earlier in this review, and I’m not kidding. If you had shown me the ensemble costume designs without showing me the principals’ designs, I would have assumed I was looking at a Cabaret revival. They’re the most talented dancers I’ve seen occupy one stage in more than a decade. The choreography relies on movements in eerie unison for a significant portion of the show, but not without allowance for individual flair within those constraints. The guy sitting next to me, when I spoke to him at the intermission, said he works as a choreographer in regional theater, and he’d never seen anything like this. I couldn’t agree more; the dancing is singular, and as impressive as the musicianship is, the dancing and unusual body movement are maybe the greatest achievements of this show on the living, breathing end of things. I could have watched the dancers for those three hours without any dialogue or vocal intervention and still understood the story. That takes so much fucking doing.

As for the principal cast, they’re constantly among the ensemble; when I say these are all triple threats in the purest sense of that terminology, I really mean it. You always expect a few of the principals to be less dance and movement focused, more polished on the acting and singing side, but this show gives you terrifying proficiency from every angle. Even the guy playing Meyer Wolfsheim is at the center of what I think is the most memorable dance number in the piece. I’ve just never seen such versatile principals all in one production. What’s even more extraordinary is that I had never heard of or previously seen any of them, and that takes some doing given how much live theater I’ve consumed in several decades of life.

Ironically, the musical composition is the one aspect of this production on which I’ll be spending the least time. I need not tell you why Welch and Bartlett were perfect for this job. They understood the assignment, and then some. There’s not a single weak number among the track listings, and I desperately hope they release a recording soon. The standout numbers all have something in common: they showcase Soleia Pfeiffer as Myrtle Wilson. You can tell that’s the role where Welch sank most of the sound that’s considered her signature style. I don’t even need to describe it; you already know what I’m talking about. What’s impressive otherwise is the restraint, the lack of over-reliance on that signature style.

The principals are fucking perfect. I’ve kept this review tautly professional without meaning to thus far, but from here on out is where I start bleeding feels all over the post. If you don’t already know who my blorbos are due to my writing history with a Gatsby-related novel (The Pursued and the Pursuing, 2021), you’re going to know by the time you’re done reading this. You’re going to know exactly who I love and why, who I hate and why, who I ship and why. But you’ll also know that I approach all three of those elements from a place of enjoying every moment of those characters, even the ones I hate. Nobody’s performance put me off or struck the wrong tone when taken in context of the novel and how the tragedy of how their relationships play out.

For a long time, I’ve been saying that there are certain support roles, certain sidekicks, that make or break the higher-profile person to whose side they’re stuck, ride or die, until the bitter end. Horatio is a great example that I’ve ranted about before; if your Hamlet production has a lackluster Horatio, then it doesn’t matter how good the Hamlet is. You have nothing if you don’t have the binary star system at the heart of that harrowing universe. I’ve seen other adaptations of Gatsby consistently fall apart because Nick Carraway is treated like the kind of voyeur who doesn’t matter, the kind of voyeur who serves as the audience’s eyes and ears, and nothing else. Anyway, this is all to say: Ben Levi Ross as Nick might be the most compelling argument I can make for the fact that the creative team behind this show understood the assignment. He’s awkward, warm, sincere, and reactive in all of the ways you need Nick to be. He’s not a passive observer; he’s in the middle of everything, and he knows it. There’s a self-deprecating response he makes when one character, Jordan if I’m not mistaken, quips that maybe he’s the reason for Gatsby’s parties for all he knows. “Maybe I am,” he says, and the tongue-in-cheekness belies a gutting meta-sincerity. We believe Daisy is the point, Gatsby believes Daisy is the point, but what’s borne out every breathtaking moment of this production is that Nick is the point. He always was. He’s also given his due as a gay man in context of the story for the first time ever. I might make some folks mad when I say Nick has always been gay; I’m going to point you to Myrtle’s apartment party and the hookup with Mr. McKee as textual evidence in the novel. The kiss with McKee, the hookup with McKee, is unapologetically here. His lack of belonging everywhere else he’s ever been, because he is gay, is unapologetically here. One of the most memorable numbers in the show hinges on the hope feels at being able to be himself in New York. Queer fans of Gatsby have been waiting a long time for this. Anyone who’s read the text closely and understood him has been waiting a long time for this. I’ve been waiting several decades as a reader, and I would’ve waited forever to have Nick so fully, lovingly realized.

One of the other things that Gatsby adaptations have persistently gotten wrong is the titular character himself. The invention of Jay Gatsby hides the underlying James Gatz, makes it feel as if that old self is truly subsumed, as if it never mattered. But Isaac Powell gives us a Jay who’s exactly as he should be, who can’t hide beneath his own attempt at artifice and reinvention worth a goddamn. He’s young (as young as Nick; they’re 32 and 30 respectively both in the novel and here), painfully earnest, and just barely keeping a handle on the criminal shit he’s had to do in order to get where he is. When he says old sport to Nick, it’s not an affectation; when he says it to Tom, it becomes a biting insult. This is a Jay who knows where and why he’s vulnerable; he latches onto Nick like a not because he sees a man close to Daisy that he can exploit, but because he sees another young man who’s equally vulnerable, equally an outsider, equally haunted by the things they had to do in the war. From the moment they meet, they are almost always touching—a hand on the shoulder, on the back, getting in social harm’s way for each other, eyes seeking each other without cease in the most crowded of settings. When Jay takes Nick to lunch to meet Wolfsheim (who has in this production taken on the function of Dan Cody as well), it’s not to have somebody else vouch for the artifice of who Jay Gatsby is. It’s taking Nick to meet his fucking father-figure, and all of the messy, sincere “if you hurt my boy, I’ll kill you” sentiment that Wolfsheim aims at Nick was the moment I knew just how much the Nick’s loss by the end was going to hurt. Jay’s love for Daisy is a ghost of itself, even if as painfully earnest as everything else about him. Meanwhile, his attachment to Nick is so disarmingly genuine from the start that you understand the true tragedy you’re about to watch untold: these men who need each other, maybe even were made for each other, each prove unable to step outside their parallel distractions from what they truly are to each other. Jay’s interactions with Daisy and Nick’s interactions with several male and/or gender ambiguous members of the ensemble have something in common, which is a shocking level of physicality. This show had an intimacy coordinator; that’s the level of no holds barred we’re talking about. When you look at Tom and Myrtle, you can see why that was merited, too.

Speaking of Tom (Cory Jeacoma), the treatment of him here is every bit as scary as it should be. There’s no attempt to make him palatable, unlike what I’ve seen done with him in other adaptations. He towers over everyone else in the cast, I mean everyone, to a physical degree that’s uncomfortable. The way his wife, lover, and friends all flinch when he gets too close to them speaks volumes to the fact that he’s an abuser in every sense of the term. Even Nick, the prodigal college friend from Yale, is on eggshells around him (which, by the hotel blowup at the end of the show, becomes a sneering, reckless contempt, one of the driving forces that drives Nick to put himself between Jay and Tom whenever real harm is on the table). At the same time, this is a Tom who sincerely loves his wife and was only ever using Myrtle as a fling. You can tell he never meant any of the promises he made Myrtle. When Daisy tells him she didn’t stop the car on purpose, it’s as if his wife’s unapologetic act of manslaughter (“It was her or me!”) is the thing that wins him back. They aren’t careless people; they are people who consciously choose, day in and day out, to use others until they’re bored or done with them. The ruthlessness of Tom and Daisy as a couple is impressive, played up to a level that I feel more adaptations should do without fear of exaggerating the text.

As mentioned above, Daisy (Charlotte MacInnes) is no delicate, nervous creature who can’t help her actions under duress. She knows what she’s doing every bit as much as Tom knows what he’s doing. They use people, hurt people because they get bored and restless and enjoy it. I respect a Daisy who’s in control of her actions every step of the way even if I don’t like her; it’s better than trying to depict her as weak and at the mercy of the men around her. She’s a pragmatist and a survivor. So many of her songs are about choices and being conscious of those choices. She is a person you should fear every bit as much as you fear her husband, and even Jordan knows she’s not safe in Daisy’s orbit.

As Jordan, Eleri Ward is one of the neatest personalities on stage. Like Tom, she’s noticeably taller than most, which gives her a commanding physical presence. She has no romantic interest in anyone; I fucking love that this production show her and Nick bonding on the basis of being queer and tired of everyone else’s shit. This is a more likable, relatable Jordan than I’ve seen in the past. This is a Jordan whose relationship to Gatsby is much more familiar and warm, much more akin to the friendship she forms with Nick. In fact, the queer-and-tired vibes that roll off several of the principals in this production are palpable.

Myrtle and Wilson (Matthew Amira) aren’t always played as effective foils for Daisy and Tom, but here? They unquestionably are. They do actually love each other in spite of the things they’ve done to hurt each other, and it’s a constant dance of daring each other, challenging each other. The most memorable duet in the entire show is between them, during Act II. The confrontation is positively electric. These are two people with deep, complicated history. Of all the couples in the show, they feel the most real, the most alive. It makes the loss of Myrtle so much more wrenching; she’s not just a plot device emblematic of the bad choices they’ve all been making. She’s not shallow or frivolous or anything like that. She’s a shrewd woman with complex motivations, and for the first time ever I find myself loving her and caring what happens to her. She’s thrust even further into the action in that one of her part time gigs is working as a maid at Gatsby’s parties, a conceit that works shockingly well and hastens the devastating consequences of her affair with Tom.

I’ve made mention of Meyer Wolfsheim’s (Adam Grupper) uniquely enhanced role previously, so I’d be remiss if I didn’t comment on him again. This is a man who does, in fact, seem to give a shit about Jay above and beyond using him as a tool in his criminal empire. It’s not necessarily a healthy father-son dynamic, but Wolfsheim is usually played as ruthless, opportunistic, inhumanly calculating. Here, he’s a charming, but unquestionably dangerous man moved by a young soldier’s plight. He seems conflicted between his love for Jay and his need to have Jay continue to hold the party line within their business relationship. Wolfsheim is deeply conflicted about Jay in a way that I haven’t seen any Wolfsheim be played previously. And, as I mentioned earlier, the actor has a showstopper of a song and dance number. That may be the #1 “I wasn’t expecting that, but I’ll take it!” moment for me in this show. And I say “may be” only because the moment that truly stopped my heart, will stay with me until everything else fades from memory, is perhaps only understandable in the context of my engagement with the text of Gatsby as a writer of transformative works.

Daisy’s and Tom’s daughter, Pam Buchanan doesn’t always appear in adaptations because she’s a toddler. Even in the novel, she a throwaway mention plus a single scene near the end where the nanny brings her out to meet Jay and Nick. She’s most often left as a throwaway mention without even grave of the scene where she appears. The scene in the novel, however brief, is memorable—and has been captured in all its fragile beauty for the first time in this adaptation. Jay and Nick both pay bewildered, wondering attention to this kid when she’s brought out. Jay drops to his knees and takes her hand when she greets him while Nick looks on in a moment of singular focus on both of them. The child who plays Pam here has a spark, an expressiveness that made me choke up even though she’s only on stage for a few minutes, if that. The tableau is one in which you can feel the shock of reality, however brief, touch on these men—Daisy’s and Tom’s reckless actions may yet do harm to someone who’s barely even begun to live her life, but who is just conscious enough to be a participant in it. They recognize that they, like this child, are probably in for a word of ruin—and that they have let it go on for so long that there’s now nothing they can do about it. For me, the deepest tragedy was watching Nick and Jay throw off that moment of heartbroken, horrified recognition prompted by Pam and return to the parts they’d decided to play out until the moment one of their hearts stopped.

Speaking of grief, of Nick’s grief since he’s the one who loses so much: there is only one person who loses more, and that’s Mr. Gatz, Jay’s father. They preserve his arrival at the house when Nick is the only person who stays around to carry out Jay’s funeral and burial. And when he arrives, the visceral shock of seeing his dark skin, braids, and beaded elements of Native regalia in juxtaposition with his otherwise period-typical Western garb underscore the tragedy of what young Jay was running away from, of what he never quite succeeded in erasing from himself. The burial scene shows Nick reverently bringing several of Jay’s folded shirts from the house and handing them down into the grave to Mr. Gatz, who places them reverently as possessions to accompany his son into thereafter. The cultural ramifications are all at once understated and devastating. Nick has moments with each of Jay’s father figures that are among the most complex and moving in the show. The program does not make clear the name of the ensemble member who takes on this most memorable of all Mr. Gatz appearances, and this erasure in and of itself is both unfortunate and telling. This is a world that never belonged to the majority of those who inhabit it, and Nick realizes it with heartbroken clarity after having this final interaction. Even though he’s an outsider, he’s part of a world that has erased and betrayed the man he loved so much at every turn.

The closing number, “We Beat On,” felt like it needed something more, but it utilized the final line of the novel to a deeply moving effect. The lights go down suddenly as the last word is sung; it feels like the song is half finished. When the lights came up, Nick and Jay were center stage in each other’s embrace, just withdrawing from each other as the entire company transitioned into final bows. That’s how I’ll remember them, always: touching even when they’ve already lost each other, borne ceaselessly back into each other’s arms. If Nick is Orpheus, then I have no doubt that he, too, will tell this story again and again until someday, somewhere, something gives.

[ni4lovesu]

school events to script ₊˚⊹ᰔ

⊹ ࣪ student hosted ˖ ʚɞ.

— back to school party : each year an epic party is thrown 1 week before school starts at a student’s house

— halloween party : weekend before halloween, everyone dresses up in their costumes and it’s extremely chaotic and hype

⊹ ࣪ faculty hosted ˖ ʚɞ.

— spring festival : takes place on spring equinox, right before the start of the spring break. essentially a day for students to cut class, destress and have fun! rose petals littered everywhere, flower mazes, bouncy castles, school wide egg hunt, picnics while watching the sunset, school wide bonfire after sunset, school dance in the evening, large picnic area with seasonal foods and drinks, flower crown making etc.

— summer solstice picnic : students relax on blankets, playing a ton of fun board and card games. buffet section with snacks and drinks

— summer festival : outdoor games include watermelon eating contest, slip and slides, bouncy castles, basketball shootout, ring toss, orbeeze fun shootout, and DIY bracelets etc. and refreshments include cotton candy machines, ice creams, popsicles, slushies served in frozen fruit, juice stalls, fruit stalls, bbq chicken skewers, pizza, tacos, frozen yoghurt cup, wraps, hotdogs, corn on a cob, doughnuts, churros, french fries, fried carrot cake etc.

— fall festival : takes place annually on the fall equinox and includes activities such as apple and pumpkin picking, apple bobbing, pumpkin carving, outdoor harvest feast, pie eating contest, cornmaze, in season food and beverages, bake off etc.

— christmas festival : a day where we do a bunch of christmas activities such as gingerbread house contest, ice skating, snowman building competition, making diy ornaments and going to fun christmas booths selling small goodies, at night there is a christmas concert consisting of songs, dances, plays by students and one performance by some teachers

— winter festival : a day where we do a bunch of winter activities such as ice skating, ice fishing, snowboarding, building snowmen, building igloos, snowball fights, stargazing. in between these activités we can go to nearby towns and drink hot choco and eat chocolate muffins, pancakes etc.

— new years gala : held annually on new years eve. guests gather out in the school square to celebrate the final hours of the year, culminating in a stunning fireworks display and light show as the new year begins. the evening is simple yet elegant, featuring champagne or sparkling cider, an array of delicious finger foods to start, followed by a buffet dinner with exquisite dishes. guests can enjoy dancing, warm company and festive touches like sparklers, small safe firecrackers, party poppers etc. for added fun. attire is unofficially cocktail attire, and music goes from smooth jazz to upbeat and lively tunes as the night progresses

— valentine’s ball : masquerade ball held annually in february in celebration of this romantic month. the venue is adorned with roses, hearts, and soft lighting, creating a dreamy atmosphere. tables are filled with themed foods and sweets with secret messages hidden within its wrappers. waiters also double as letter carriers, allowing students to send anonymous messages to one another throughout the event

— halloween ball : held annually on halloween day, the venue is transformed into a spook show, adorned with eery decoration fitting the season. students can dance, mingle, enjoy themed foods lining the tables, and explore adjoining rooms and hallways designed as haunted corridors filled with jumpscares, riddles, and puzzles to go through in exchange for candy. scare actors also roam the school, ready to give unsuspecting students a great fright.

— lantern festival : the celebration begins with a school wide picnic but as night falls, the focus shifts to designing lanterns and releasing them into the sky. other activities include lion and dragon dances, fireworks display, and rice ball eating competitions

— ice cream socials : buffet full of a wide array of ice cream flavors, a toppings bar, cookies and brownies for crafting personalized ice cream sandwiches, a float station, as well as specialty gelato, sorbet, and frozen yogurt stations. people can relax on provided picnic blankets spread out on a field while partaking in a myriad of activities like slip 'n slides, live band performances, photobooths, ice cream eating contests and even water balloon fights

— storybook carnival : making the school a magical world of stories by decorating the classrooms as different books, having haunted houses, cosy hangout areas around the school, book sale + donations, special book-themed foods etc.

— basket auction : people place bids on baskets filled with food to win the opportunity to have a picnic with the basket owner and its contents

— workshop day : students can learn skills such as woodwork, sewing, gardening, or cooking from local experts

— creations week : art exhibitions, fashion show, game development club’s game exhibition, robotics club’s robots, ceramic crafts, music student’s musical artworks, poetry by literature students

— bonfire : late night bonfire by the beach roasting marshmallows, stargazing and talking

— prom : fun dresses, great music, dancing all night, hype band, air conditioned room, good food, cute date

— overseas trips : ski trips in switzerland, london, greece, hawaii, italy, tokyo, bali, etc.

— learning journeys : science museum, zoo, aquarium, butterfly sanctuary, national gallery, art gallery, farm, planterium, petting zoo, historical landmarks, theatre, industry tours, adventure park, laser tag, bowling, amusement parks, escape rooms etc.

— school wide sleepover : games, movie, pizza, endless amount of beverages and snacks, etc.

— arcade night : the school rents arcade games and puts it all around the gym

— school assemblies : w/ school performances that are hype asf, some even by teachers

— school wide paintball fight, annual barbecue day, founders day, volunteer day, sports festival, pyjama day, no bag day, picture day, talent show, cultural fair, science fair, school play, book fair, movie night, trivia night