#cyberpunk live action movie

[morganhopesmith1996]

Happy Birthday Alita Battle Angel 🎂

@watchingbehindtheeyes @drabblesfromthegraniteinn

[taxi-davis]

Monodrone — Somewhere Dark

[o-samus]

me during the dnd movie every 30 min @ my dad: thats in baldurs gate 3, waterdeep is where gales from, u go to the underdark in bg3, that city is also in bg3

dad near the end: the group in the cage is the dnd group from the cartoon

me: WOW !!! 🥺

[hollywoodhandle]

Video Game adaptations are finally good: A new age for live action adaptations

For years, video game to live action adaptations have struggled to capture the essence and magic of their source material. Fans of beloved video game franchises have often been left disappointed with lackluster adaptations that failed to do justice to the immersive worlds, intricate storylines, and beloved characters of their favorite games. However, in recent times, there has been a shift in the…

[humanjarvis]

i'm sorry for scaring you

synopsis: caleb shows a new side of himself during one of your fights. it almost makes you believe he's changed.

tags: angst, suggestive (psychologically), fluff (sorta kinda), caleb kneels, caleb crawls, caleb is pathetic, caleb is overprotective and unwell pairing: farspace colonel!caleb x reader word count: 1.7k

a/n: this is angstier than i intended i wanted it to be hot, maybe it's still hot, when he tries to lock u up in his house but he has lethal booboo face ⬇

“I didn't ask for any of this! I didn’t ask for your protection, and I sure as hell don’t want it.”

“You not wanting it doesn’t change the fact that you need it,” Caleb replied blankly. 

In the four months since you’d reunited with Caleb in Skyhaven, your relationship had taken a hit. In the first few weeks, you’d barely seen each other; he’d stop by to check on you, assume you thought him the scum of the earth, and abruptly retreat back home. It wasn’t until you’d grown fed up with the awkwardness and uncertainty that you began approaching him again—asking him about his day, initiating phone calls, and even starting the rare video call, if he was lucky. 

Around the last month or so, things had gotten better. During your increasingly frequent visits, you’d gone out together several times—to see the new cyberpunk action movie, to window shop in the pet store, to marvel at the Skyhaven nightscape from the safety of his personal aircraft. Just as you thought you’d both been making progress adapting to your new dynamic, a wave of highly dangerous wanderers had infiltrated the city, and Caleb had had the nerve to essentially place you on house arrest until the threat was dealt with. Fast forward to now, his composure threatening to overpower your impassioned rebuttals. 

“Did you honestly think I’d let you leave right now?” he asked. “You’re here for a week. The Fleet will take the next couple of days to sort out the problem, and we can go out together when it’s done.”

“We can go out together. Right. So you can rush me back here the second someone looks at me the wrong way?”

“No one will look at you the wrong way. Not here. Not while you’re with me. But you need to understand, Pipsqueak: you came to Skyhaven for me. You’re in skyhaven for me. I won’t stand by and watch you put yourself in danger, and you won’t change my mind,” he replied, his large frame looming over you as he stepped closer. 

You’d had enough. You’d spent almost an hour on the losing side of this back-and-forth, and you were too exhausted to pull your punches anymore. “My first time seeing you after the explosion,” you started, voice trembling. “Do you know how it felt? When you stepped off that plane, when you interrogated me behaving like you never have in your life—I didn’t know what to think. But when you brought me back here? Started spewing off that shit about a world where my only world is you? I was scared, Caleb. I thought I’d needed to be afraid for you, but I was afraid of you. That you’d lock me in this house forever, that I'd only see the sun when you decided it wasn’t top bright for me. I was afraid that I’d die here having grown to hate the person I’d wanted to live for,” you finished, your words dripping with venom.

Seething, you spun around, ready to storm out of the kitchen and into the quiet of the guest room Caleb had remodeled for you. 

You’d taken three steps toward the door when you heard something hit the ground with a heavy thud. 

Body still facing the door, you stopped in your tracks. This was new. Unexpected. You’d been prepared to hear a few calls of your name, some “Wait!”s, maybe even a “Don't walk away from me.” Worst case, you’d expected him to pin you in place with his Evol, preventing your exit and prolonging your fight. 

But a thud? A thud could mean many things. Enough things for you to remain frozen contemplating the possibilities before the voice in the back of your head broke through your thoughts, reminding you of the very real chance that you’d spiked Caleb's blood pressure so much that he’d fainted.

The fear that he was hurt made you finally turn around, only for Caleb to catch you off guard yet again.

Caleb the Loathsome, the overprotective, obsessive, now cold-blooded colonel of the Farspace Fleet, was on the floor before you. Kneeling.

All at once, your anger dissipated, melting into shock at the assertive man before you’s sudden display of submission. 

Realizing you’d turned around, Caleb lifted his head, meeting your flustered expression with his pained one. His furrowed brows, shining eyes, and pouted lips—he looked pitiful, honestly. And as much as it tugged at your heartstrings, it awakened something dormant inside you. 

It made you feel powerful. It gave you an idea. 

Biting the inside of your bottom lip, you took several steps toward Caleb’s kneeling form, closing the distance you'd been so eager to put between you all of ten minutes ago. A slight gasp escaped Caleb at your movement, and he swiftly lowered his gaze back to the floor, as if worried that daring to watch your approaching form would make you retreat. 

When you came to a stop, you were just in front of his knees, looking down your nose at his bowed head. For a few moments, Caleb’s heavy breaths were the only sounds between you, thickening the cold air in the room. 

Then, finally—finally—you touched him, lifting his chin up before resting your palm on his cheek. At your touch, he leaned forward, nuzzling his head against your thigh. 

“…You want this that bad, huh? Want me that bad?”

“More than anything,” he breathed. 

You stared at him. 

“Please,” he whispered, turning his head into your hand to brush his lips across your fingers. 

At this, you hummed softly, running your thumb across his cheek twice before turning away from him once more. When you break contact, Caleb freezes in the midst of rubbing his face on your leg, his eyes popping open in panic. He only calms when he sees you heading for the armchair tucked into the right back corner of the room, slowly taking a seat, your legs spread. 

“Relax,” you call out, settling in your chair. He didn’t move a muscle.

You decided you’d had enough of the tense silence after a few more beats. It was time to test him.

“…Come here, Caleb.”

In an instant, his head snapped up. His gaze, abruptly ending its budding relationship with the floor tiles, held yours for more than a few seconds this time, your slight smirk challenging his slight disbelief.

Caleb had all the cunning in the world. Since joining the Fleet, nothing got by him—and on the rare chance that it did, he’d chase it down and make it beg for mercy. He was a prideful man. He was a calculated man. So when you called for him in your sweet voice, slightly breathy with unadmitted nerves, he figured you out quite quickly. 

You were testing him—to see if he’d walk or crawl to you—and he knew it. 

And unfortunately for his dignity, any reservation he held about the latter was overshadowed by his desire for you: to be in your space, to breathe your air, to be close enough to feel you—even if he rarely did now, out of fear that his touch would repulse you.

He needed you to need him. So he crawled. 

Inch by inch, Caleb crawled toward you, the only person who would ever see him reduced to this. The only person who could reduce him to this. And all the while, as the fabric of his dark pants dragged across the floor, his violet eyes never left yours. In them, you saw resignation. You saw anticipation. You saw the shattered remnants of a pride that he’d let be broken, and you saw them rebuild themselves in lust the closer he came.

A few inches away from you, Caleb stops, sitting demurely on his heels. His hands twitch in hesitation before falling into his lap. His vulnerability is palpable, and you can feel him banishing himself back to his hell of self-deprecation, the guilt-eroded space in his mind where he repeats how little he deserves you. Before he can lower his gaze again, you beckon him upwards,  guiding his palms to rest on your knees. His kneeling form almost equals your seated one in height.

“I used to love watching you scare off the boys who were mean to me,” you tell him, placing your palm back on his cheek. “But as much as I like you intimidating, this little act might be my new favorite.” 

His nervous breaths come to a momentary halt before he brightens slightly, chasing your touch. He nuzzles into your palm like he did your leg earlier, and you sigh. 

“You scared me, Caleb,” you murmur. 

“I know. I'm sorry.”

“I know you want to keep me safe, that you have kept me safe for as long as either of us can remember,” you say, continuing to stroke his head. “But I don’t want to be afraid of you, Caleb. I won't be afraid of you. So if you want to keep doing this, if you want us to move on, if you want me—it can’t happen again. Tell me it won’t happen again.”

Your movements still as you tighten your grip on his jaw, forcing him to meet your eyes. A grimace flashes across his face as he goes quiet for a moment. But you wait for him. You have to. As exhilarating as it’d been to see him crawl before you, this was the true test—if you extend your trust, will he extend his lenience? You have to believe that he will. To give him the chance to. 

And as you’re wrapped up in your optimism, your fantasies that he’ll acquiesce and let your relationship go back to normal, Caleb responds. 

“...I’m sorry for scaring you.” 

[sparkylurkdragon]

Okay, Tumblr hive mind, here's one for you.

In...ooooh, the mid-to-late-2000's-ish, my folks were walking out the door to go shopping or to dinner or whatever; I think it was still light out. We had, probably, Cartoon Network on in the background. I caught a small snippet of some anime or another. Probably a movie? It had a grungy, dark, maybe cyberpunk look to it, I think.

The bad guy was giving his villain speech. The Action Scene had not yet happened but I think there were some Dramatic Zooms going on indicating that it was about to. Low, menacing music, possibly droning. The following is what I remember, with bolded words exact phrases.

"[Something about how wild animals live, and how] death can come from anywhere, at random. And yet, [life/they/similar] doesn't just survive [in this environment/under these circumstances/similar], it thrives."

The voice was a deep male 2000's Anime Dub Villain Voice. There was a slightly weird inflection on "at random," like "At. Random." Presumably the context was something about eugenics, but I don't actually know.

Does this ring any bells for anyone?

[cyborgdumptruck]

A review for Sonic Movie 3. Anyone who hasn't watched it yet, please do, I highly recommend it. The following text will contain some spoilers. For the record, I have been a Sonic fan since I was 10, so to me these movie series are a great deal.

I played Sonic Adventure not so long time ago, around 2020, unfortunately I just didn't have a console. So the feelings I had after the walkthrough were fresh (just as recent MGS3 walkthrough). So, this is my personal view on the movie adaptation.

Character design—As many fans have mentioned since the first movie, the redesign of the characters was a great move. They all look organic in a realistic environment. The quills and fur feel soft, and the details of the models are great.

Jim Carry did a great job portraying Robotnik. All of his scenes and his performance as Gerald are perfect, funny and close to the canonic Eggman. He had fun with this role for sure :3 Look at them go!

Agent Stone x Robotnik ship is now canon (Robotnik literally said, 'I love you' to him in his last moments), and I couldn't stop saying 'aaaaw' about their scenes.

OMG they even added CHAO

Maria's sequence is cute and fulfilling, she needed it. In games, she barely has screen time, so it is a big plus.

Also, the Ark was moved to Earth, Gerald is alive, and this plot line was different in Sonic Adventure, too, but I think it still makes sense. I like how the screenwriters made the plot fit the realistic setting and also filled the plot holes that were in the game.

No Biolizard boss fight :(

'I found you faker' scene reimagined was a chef's kiss

Shadow didn't say 'Chaos control' or 'I am the Ultimate Life Form' and that's alright.

No Black Doom, but the 'Black Arms' meteorite that arrived on Earth gives us the needed lore about Shadow's origin.

The final battle scene, the conversation between Sonic and Shadow on the moon, was fantastic. I almost got a tear. It's beautiful, they finally settle things between each other. Sonic just couldn't kill him; he is just not the type of character. The scrip writers dove deep into the lore and adapted it brilliantly.

Sonadow now feels more canon than ever. My inner shipper screams, "I must draw something with them." I also love the parallels of the moon scene. Of course, I also instantly thought of the Cyberpunk 2077 moon scene.

Tails and Knuckles were cute, and the group hug in the end was just aaaaw. Sonic Team & Knuckles made me chuckle 😄

I would like to rewatch it in English dub, obviously for Idris Elba and Keanu Reeves.

When 'Live and Learn' started playing I had goosebumps, and almost jumped out of my sit

Metal Sonic's and Amy's appearance was peak after the credits, holy shit

In conclusion, Sonic 3 is one of the greatest game adaptions I have seen so far. Every detail and every action scene doesn't feel overwhelming, I actually don't mind the plot's slight alteration from the canon. I enjoyed it a lot and I had lots of fun!

[plagueddead]

Technoverse - A guide for interaction roleplay and insert wise.

This was EXTREMELY requested

This blog exceeds to help newcomers to my AU environment. This blog will be updated over time if I see fit to change how this works interacts with itself. This blogs images will be updated over time if I find more suitable matches.

Photos have been found through Pinterest and art station. I will try and credit the source if I can.

This is an AU inspired by Rise of the Teenage Mutant Ninja Turtles. This is a free to join au. Major canon characters are prohibited from being claimed. Villains are up to discussion.

This is a isn't the backstory post of the turtles but the world they live in.

THIS AU CONTAINS TOPICS OF RACISM, ILLEGAL SUBSTANCES AND ACTIONS, AND VIOLENCE. Though I've done my best to try and make it as friendly as possible. This AU is a 16+ story due to these warnings.

Current AU time

25 years after the ROTTMNT movie.

AU Theme

Cyberpunk dystopia

Fantasy

Dark fantasy

Major city settings within AU

New York, Hong Kong, Tokyo, Seoul, London

City Summary

After the integration of Yokai as independent civilians and free citizens world wide, and with the collaboration of their technology as well as krang salvage, a new system of buildings and interlinks have been created to accommodate citizens. Buildings stacked overhead that pierce the clouds, the old world was left to turn into slums and poor living areas on ground zero. Due to permanent clouds caused by pollution and overhead cities, these major empires are in a permanent state of darkness. Neon signs often light these cities to create a spectacular aroura of lights and designs. Though with a permanent overcast comes with a cost, as rain clouds mix with polluted smog to create a toxic like rain that causes many illnesses. It's common among every citizen to keep an oxygen mask at all times in case of rain.

City main inspiration and reference: Altered Carbon

Major cities as listed above are unique as floating SSC (Solar System Cosmopolis) Cities cover most of the dense populated area. These floating cities serve as purpose as secured homing for politicians, celebrities, and mostly the rich. Though they are also engineered mega labs founded by Barron Draxum and Donatello Hamato. They serve to bring back and study extinct species, cultivate cures for major diseases, and help improve on already futuristic technology. They spin very slowly and resemble that of a solar system. Hense the nickname.

These cities are held afloat by a self sustainable gravity generator that uses the gravity of a man made miniature star; created by Donatello Hamato (age 20).

Main inspiration from CMD Studios recent project!!!

Hidden cities

These main cities are focused world points for another reason. They rest above other hidden cities in which they have their own theme and setting.

New Yorks hidden city belongs to Big Mama, a spider Yokai who deals in illegal gambling and the distribution of illegal mystic items. NY Hidden city remains as a hub for traveling species of Yokai from all around the world.

Hong Kongs hidden city belongs to [REDACTED TBA]- A Dragon Yokai who deals in illegal sales of mystic items and krang salvage from the old battle.

This hidden city is less developed than the others, as most accomodation plans have been denied to preserve its pristine buildings and history. This hidden city resembles deep mountain caverns with buildings built into the sides. Common mystical creatures from Chinese mythology live within this city and rarely travel. Humans are not allowed.

Main inspiration by David Noren!

London's hidden city belongs to [REDACTED TBA] A plant like fairy Yokai who often helps with creating forged ID's to help Yokai find a better place to live. She also is known to sell potions that aren't approved by the hidden cities overlords and FDA.

This hidden city has developed slowly over time, but due to quick overgrowth of plants and trees. Most buildings have been built into large glowing trees that hang over the city in beautiful rainbow colors. The ground is a great hub for growing fruits and herbs for medicines. The Yokai in this hidden city are spirits from English folklore. They have spread over different cities over time.

Main inspiration found on Thin blue line on Pinterest!

Seouls hidden city belongs to [REDACTED] a Polar Bear Yokai who deals in illegal weapon distribution and species trafficking.

This hidden city is up to date and mostly in an indoor environment due to this hidden city being within a freezing temperature climate. More artic themed Yokai live within, but this hidden city is popular as a summar retreat by humans and other Yokai looking to stay cool for the summer. But this hidden city isn't as welcoming to humans as the others.

Main inspiration by Annabale Siconolfi!

Tokyos hidden city belongs to Yeosobai. A jellyfish Yokai who deals with handles most black markets and distribution of illegal substances.

This hidden city is completely underwater. Surrounded on a deep voided ocean under Japan, pod cities have been added to accommodate air breathing citizens, though most buildings were air tight even before. This hidden city is also a large hub for tourists due to its underwater appeal. This city distributes most seafood around the county. Known for its large amount of attractions and adult clubs, it's also a very crime ridden city.

This is also where Current Donatello resides.

Main inspiration creator unknown

Human and Yokai stances

With the sudden booming population of mutants and Yokai integrating into human society, of course tensions and protests by humans were bound to happen. A world they were so used to was building into something unknown before their very eyes after all. And so, tensions between species rose.

Humans with a deep dislike towards other species either hide their hate, or become extremists. Often getting tag as cultists as over years hate crimes toward Yokai and mutants became a world wide situation. Yokai were often kidnapped from their homes to be found barley recognizable by their attackers. Yokai would retaliate, and after much tension, civil wars broke out. Protests for safer living for both species were in demand, and so most governments integrated an artificial intelligence police force that contained mostly droids to prevent race picking. Most countries have adapted this form of law enforcement.

Cultists are still a major problem though their numbers have thinned.

The term Mutant has become a word to target Yokai and mutants in a hateful way, and this word soon became outdated. All non humans are now under the identification of Yokai. This includes mixed races between the two.

It's common for Yokai and humans relationships! Often by now the first generations of Yokai and humans hybrid children are born!

There are even schools for these rare breeds as they are still being studied as a new species.

It is illegal for most countries to have discrimination between species. No Yokai only or human only living spaces, restaurants, or shops.

Though within most slums there is a secret rule to separate the species as mostly disgrunted humans and Yokai live here.

And now we're here!

I want my character to join the au, but I don't know what's allowed!

This part of the blog aims to help you adapt your character into this new universe.

What should my character wear?!

It's really up to you! Most humans and Yokai wear mostly cyberpunk themed clothing! Often I find Pinterest as a source of inspiration. I think your character would fit better if it comes from a certain part of the world. Armor and glowing clothes are welcome and encouraged! Get creative!

I want my character to have cool robotic limbs and mods in their body! Is this allowed?

Yep! And encouraged! This is a futuristic setting! So modifications to the body aren't uncommon!

Can my characters have cool unique weapons?

Of course! And I'd love to see them!! 🔥🔥🔥

Do I have to ask before joining this AU?

Nope! But I'd love to see/read your creation! Or see that you're inspired to join!

Does my character have to be human?

Nope! Any species welcome!

Can my character already know personally main characters?

That's up for discussion. Current time Donatello isn't open to being known nor talkative to strangers. I'd like it if you didnt. He's playing dead unlike the rest of his brothers. Leo's up for discussion but with Mikey and Raph, they are more social and I can see them having multiple friends. Leo's treated more as a police officer and doesn't have a lot of friends due to his work.

Can my character work for the main boss Yokai of the hidden city.

Yes! I'd like you to stay close to what they do in terms of how they run things!

Can I claim ships with these characters?

NO.

Claiming ships with only your characters and main cast is prohibited. That's why Y/N is created as a medium for all 18+ participants that want to ship their characters with main cast. Ships are fun and welcome! But you cannot claim it as a you only ship.

Thank you for reading what I have for now! More to be added!

[goodwhump-temp]

FULL WHUMPS LIST;

Shows, movies, anime, & cartoons (Organized Alphabetically by TV Title)(pinned) - Message me if any of this is outdated! Organized whump of my posts

LIVE ACTION

Ray Palmer | Arrowverse Jake Peralta | Brooklyn-99 Tangerine | Bullet Train Richard Castle | Castle Ryan | Castle Dexter Morgan | Dexter Johnny Gage | Emergency! (1979) John Carter | E.R. Peter Bishop | Fringe Simon | Firefly Malcolm | Firefly Mike Schmidt | FNAF Movie Tom Mason | Falling Skies Matt Damon | Jason Bourne Jake Green | Jericho (2006) Hawkeye | M*A*S*H Steven Grant | Moon Knight Thomas Shelby | Peaky Blinders Shawn Spencer | Psych Daniel Jackson | SG1 Trip Tucker | Star Trek: Enterprise William Riker | Star Trek: TNG Rodney McKay | SG: Atlantis John Sheppard | SG: Atlantis Sam Winchester | Supernatural (S1-S15) Mark Wahlberg | Ted 2 Hughie | The Boys Shaun Murphey | The Good Doctor Dick Grayson | Titans Rust Cohle | True Detectives Cordell Walker | Walker Ryan Gosling | Multiple movies Owen Strand | 9-1-1 Lone Star

ANIME

Hajime Nagumo | Arifureta: From Commonplace To World's Strongest Ciel Phantomhive | Black Butler Ichigo | Bleach Yukio Okumura | Blue Exorcist Rin Okumura | Blue Exorcist Akutugawa | Bungo Stray Dogs Atsushi | Bungo Stray Dogs Yuu Otosaka | Charlotte Lelouch Lamperouge | Code Geass David Martinez | Cyberpunk: Edgerunners Allen Walker | D. Gray Man Saiki K. | Disastrous Life of Saiki K. Natsu | Fairy Tail Grey | Fairy Tail Yuki | Fruits Basket Edward Elric | Fullmetal Alchemist: Brotherhood Edward Elric | Fullmetal Alchemist: 2003 (+ the Movie) Shoyo Hinata | Haikyu!! Nanase Riku | IDOLiSH7 Kuroko | Kuroko No Basket Cheng Xiaoshi | Link Click Lu Guang | Link Click Deku | My Hero Academia Natsume Takashi | Natsume's Book of Friends Yuito Sumeragi | Scarlet Nexus Kirito | Sword Art Online Cid Kagenou | The Eminence in Shadow Naofumi | The Rising of the Shield Hero Ashiya Hanae | The Morose Mononokean Vanitas | Vanitas No Carte Yuri | Yuri On Ice

CARTOONS

Boimler | Star Trek: Lower Decks Ezra Bridger | Star Wars Rebels Bumblebee | Transformers: Prime Optimus Prime | Transformers: Prime Ratchet | Transformers: Prime Smokescreen | Transformers: Prime Jack Darby | Transformers: Prime Lance | Voltron: Legendary Defender Robin | Young Justice Blue Beetle | Young Justice Batman | Justice League / Unlimited, JLA + Movies..

GAMES

Johnny Cage | Mortal Kombat

[ljesak]

🌲pinned🌲

im Maki, a 21 year old hobbyist artist from serbia currently majoring in compsci ! I have a bunch of interests, main ones being art (visual and writing), philosophy, sociology, media analysis, biology and video games as a storytelling medium

✦ main fandoms: warrior cats, elder scrolls, fallout, furry

✦ i engage with various other things too but these are the biggest!

✦ when it comes to art i enjoy portraying atmosphere and emotion, subjects are varied as im interested in too many things to settle on only few! I do wanna make more oc content, though and finally branch out into humans

✦ i enjoy a plethora of movies/books/shows/games etc. but it felt bloated to include them all here

✦ art is under #art tag !

my characters: https://toyhou.se/ljesak (art with them is tagged with their name, ex. laurie)

✦ other socials and commission info: https://ljesak.carrd.co/

I open commissions sporadically, my messages are open for inquiries

more about art/stuff i like!

video games: fallout nv, what remains of edith finch, disco elyisum, the talos principle, witcher 3, skyrim, firewatch, SOMA, beginner's guide, baldur's gate 3, outlast franchise, cyberpunk 2077, citizen sleeper, fran bow, undertale, outer wilds, the unfinished swan,, there's def more but those are the favs i rmbr so far. i want to get into dragon age and mass effect

webcomics im currently reading and enjoying: What Lurks Beneath, Lackadaisy, Oren's Forge, Golden Shrike, I Hope So, Tofauti Sawa

shows: bojack horseman, atypical (except the 4th season that one was awful), midnight gospel, dungeon meshi, atla, dragon hunters, arcane... i did watch many shows but i remember these personally resonated. i need to watch more shows in general but they are quite a big time investment

films: most of miyazaki's work, favs being princess mononoke and spiried away, WALL-E, coraline, ratatouille, I'm thinking of ending things, the eternal sunshine of the spotless mind... and more. i tend to prefer animation over live action as it's more expressive (obv not always the case)

again i did watch more movies id consider good but not personally meaningful enough to mention

books: i mostly read philosophical texts and fiction!! my fav authors are probably meša selimović and chomsky but i really need to expand my horizons with books, I'm least experimental with them, so its classics mostly unless i get a good recommendation

music: mostly indie folk/rock but i do listen to most genres, fav artists rn are Lord Huron, Daughter, Wickerbird, Slowdive, Warpaint, Arcade Fire, Wilsen, Aphex Twin and more!! i rlly love ambient music too so a lot of the games i mentioned previously have gorgeous soundtracks

will probably edit this periodically as i remember more things !!

[morganhopesmith1996]

“You underestimate who I am!”

[pjsk-story-summaries]

Backlight Lens Flare Event Story Summary

TL;DR: Wonderlands x Showtime sign up to work as extras on a movie set at the recommendation of Reki, who has a starring role in the film. Though they had only expected to work there for a single day, impressed by their dedication and desire to learn, Director Ohara invites them to work as stage hands for the rest of filming.

The work is difficult and demanding, and the director intense, but they all find valuable learning opportunities along the way. Director Ohara is especially impressed by Rui's curiosity with all forms of direction and drive to learn, so he invites him on as an assistant director.

While filming the climax of the film, none of the acting adjustments they give Reki manage to convey the proper emotional tone. Rui resolves to find the issue before they try filming again the next day. He and the director skip dinner to edit the film. While doing so, a mysterious and antagonistic stage director and old "friend" of Director Ohara's stops by. He gives some cryptic advice before leaving.

Rui did not sleep that night re-watching the reel and finding old performances of Reki's. Tsukasa, Emu, and Nene come over to give him a bento and make sure he's okay. Emu mentions how cool it would be if they could make a bento that's completely tailored to each person, which inspires Rui for what change they could make. He runs over to tell the director; however, he had already figured out the same thing to a greater degree.

Rui's upset that he was not able to come up with the final solution, but everyone is proud of the final result and the opportunities they were given. Rui's also curious about that strange stage director.

Shortly after, the mysterious director approaches Ohara. He's impressed Rui was able to figure out what he was hinting at and decides to keep an eye out for him.

Fan translation (WxS Translation Team) / Song (CYBERPUNK DEAD BOY) 2DMV

Chapter 1: After finishing working with the Shunmeiza theater troupe, Wonderlands x Showtime sign up as extras for a day at the reccomendation of Reki, who will be starring in the film. Though they're only working for the day, they're all excited to see how film differs from theater productions (and cheer Reki on).

They meet up with Reki, who expresses his nervousness yet excitement. Reki talks a bit about the director of the movie, Director Ohara. He's a young and talented director passionate about the craft to the degree of seeming a bit intense. Rui understands that sentiment. The group splits off to begin preparations for filming.

Chapter 2: Rui explains the plot of the film, which is based on a novel. Katsuyuki, who lives an average and mundane life, is suddenly approached by Hajime, a girl claiming to be his long-lost sister. Through their interactions, Katsuyuki starts to learn to appreciate life.

Emu notices that the scene they are filming occurs later in the plot, despite this being an earlier day in filming. Rui explains how movies are often shot out of order, so actors must find a way to express consistent character growth and portrayals despite jumping around the plot constantly. The other's seem to be appreciating learning about these challenges. Rui wants to learn more, too.

The day finishes with everyone feeling satisfied (except for Tsukasa, who had ruined a take after seeing a bug in the flowers). As they leave, Reki comes over to thank the four for their hard work. They congratulate Reki on his performance in turn. Suddenly, Director Ohara approaches the group.

Chapter 3: Director Ohara invites Wonderlands x Showtime to continue working on the movie as part-time stagehands. He appreciates their passion for learning and needs the extra hands on set. The four graciously accept.

The troupe watches an action movie in SEKAI with the Virtual Singers. Rin is fascinated by the practical effects Rui explains and wants to learn more about how movies are made. They invite her to come observe them working. The other Virutal Singers cheer the group on.

Much of the work Wonderlands x Showtime has been doing is preparing sets and getting shooting permissions. Director Ohara is very intense, which has led to some other part-time workers dropping out. Rui suspects that's why they were invited in the first place. Still, they've all found the work valuable, so they decide to stay with the project.

Rui wishes he could observe the director closer, but believes asking that would be too selfish. Director Ohara yells at him him for placing the wrong version of the script on set; Rui explains that he rebound it with the newer version to help compare them. Director Ohara nods in approval.

Chapter 4: Some time later, Director Ohara approaches Rui to ask him his opinion on a scene's direction. Rui picks up on the use of camera perspective being unique to film. Director Ohara challenges him to explains the pros and cons of this. The director is impressed by Rui's dedication to learning all techniques of direction, even beyond those that can be applied to plays. He promotes Rui to director's assistant.

Chapter 5: Rui skips lunch to review film with Director Ohara. He suggests changing a scene to backlighting to represent hope for the future, but recognizes this approach is not enough to change the mood. The director teaches him even more techniques.

Some time later, it's time to film the climax scene, where Katsuyuki has to say goodbye to Hajime. She had been hiding a terminal illness from him, and didn't want him to be sad when she left. Katsuyuki, realizing she was trying to disappear, chased after her to get her to stay.

Though the others feel as though the performance went well, the director and Rui feel as though something is off with it. Reki believes it is because he's trying to change his acting syle for the movie, so he tries again. However, this change didn't fix it. He offers to try again, but the director realizes the mistake isn't with the acting. They will retry tomorrow. Rui resolves to try and find the mistake by then.

Chapter 6: Despite earlier, the rest of the day goes by smoothly. Wonderlands x Showtime try inviting Reki to dinner to cheer him up, but he declines. They overhear the director also choosing to skip dinner to edit film. Rui chases after him to help, worrying the others.

None of the edits the two make manage to carry the emotional impact. Suddenly, a mysterious person approaches. He's an old "friend" of the director's and a stage director. He antagonizes Director Ohara through teasing and playing film without permission. He gives cryptic advice before leaving.

Chapter 7: Rui stayed up all night re-watching the scene and taking notes on Reki's past performances. Rin's concerned about Rui not taking care of himself. Nene, Tsukasa, and Emu come over to bring him a meat-based bento, which he appreciates. Emu talks for a bit about wishing they could make a bento specific for each person, like one without any veggies for Rui. Her statement inspires Rui, who runs off without a word.

However, by the time Rui reaches Director Ohara and Reki, he learns that the director had come to a similar conclusion first. Rather than change Reki's style, they should change the script. Rui suggests altering the lines to fit Reki's style, but the director feels as though this conclusion is far enough of a change.

Chapter 8: They reshoot the scene, but this time, they removed some of the lines to better reflect Reki's acting style. The director realized that, though those lines were necessary in a novel, Reki didn't need them for a performance.

Though frustrated he couldn't find the solution himself, Rui is glad to have had this experience. He's also curious about the stranger that approached the night before, but never caught his name.

Wonderlands x Showtime watch an advance screening of the movie together. Though the experience was difficult, they all learned valuable lessons. Reki and Diretor Ohara come by to personally thank Rui for his determination with the climax, and for the confidence boost. Rui tries asking about the stage director, but doesn't get the chance to ask before Director Ohara has to run off.

After Wonderlands x Showtime leave, the mysterious director comes to talk to Director Ohara. He's impressed by the scene change, but even more so that Rui was able to realize what he had meant with his cryptic hint. He decides to keep an eye out for him in the future.

[canmom]

Animation Night 184: Mars Express

Animation Night is baaaaaack from Annecy break!

And yeah, the last couple weeks of this blog have been pretty Annecy focused here on the canmom entertainment sphere. And tonight that will continue! For tonight we shall right a wrong! And that wrong is...

...that wrong is that I didn't get to see Mars Express at Annecy last year. @mendely did and I was super jelly, OK!

For real though, this was among the hottest tickets at Annecy last year, and despite queuing a bunch of hours, I didn't stand a chance to get in without a reservation. But what is it? Well, it's a scifi movie directed by Jérémie Périn. Who's Jérémie Périn?

Well, the true veterans may recall Animation Night 1, when I showed you a certain music video for a song called Fantasy by DyE...

...that's not gonna embed, is it? But if you know, you know. (If you don't know, it's the one where the teens break into the swimming pool to make out and such and then a bunch of them turn into tentacle monsters.)

So Jérémie Périn is the guy who directed that! He's also well known for directing Lastman, a crowdfunded action series in which a boxer battles a bunch of superpowered agents to try to protect a psychic girl, not that you'd gather any of that from this trailer...

and writing for Crisis Jung by Bobbypills - don't blink or you might miss the boob-growing henshin and the guy with a chainsaw dick...

And while Crisis Jung isn't primarily his project, we can still definitely trust that when Périn is at the wheel, we'll seem some incredibly stylish, anime-inflected drama and also some proper freaky imagery now and again.

Mars Express, however, is Périn's first foray into film rather than TV animation, building on the big success of Lastman - and a pretty high-effort foray at that, taking some five years to make. And by all accounts it kicks total ass.

But what's it about? Classic cyberpunk noir material: a detective and the android replica of her partner return to their home planet Mars after apprehending a robot hacker. But the hacker is released, and they're given a new mission - to work with this hacker and go down to a colony where, ostensibly, humans and androids live in harmony, and track down a guy who jailbreaks the androids from their artificial constraints. That sounds pretty shady already, right? But the dirty secrets are only beginning.

Mars Express definitely pays its homages to those classic 90s anime films and OVAs like Ghost in the Shell and Armitage III, as well as games like Another World for the Amiga, but by all accounts gives it a fresh approach, with grounded characters - protagonist Aline struggling with alcoholism, her reconstructed partner Carlos with his floating holographic head carrying the whole identity issue of being a robot clone who's been rejected by his original's wife - which anchors plenty of juicy scifi concepts like renting out your brain as a computer, or something called 'resonance' which is how robots do it. What does that mean? The review I'm reading left it at that! Guess we'll find out.

Like most European productions it brought together a long list of production companies and it's a little tricky to figure out which ones are actual animation houses, but the main company seems to be 'Everybody on Deck'. They previously worked with Périn on Lastman, but otherwise largely seem to have worked on live action films. However, the animation was split among a variety of studios.

We can at least say that it brought in French animators from across the shop, some even on this very website. (At least I seem to recall seeing people having posted about having worked on it, though if I search now I mostly find peoples' reviews of the film). It's animation leans realist, with naturalistic motion taking advantage of anime-style 3s and 2s to give it a weighty feeling, embedding its characters in detailed environments with strong colour design...

And if we want to know more than that, we're in luck, since there's a pretty substantial 16-part making-of series partly available on Catsuka's youtube, starting with episode 1 showing the development of the script, with Périn and co-writer Laurent Sarfati bouncing ideas off each other. Only two other episodes are available: episode 11 shows some of the voice recording, and episode 16, which talks about the actual animation, interviewing various animators and showing some shot breakdowns. The last of these is probably the most interesting (to animators), talking about how the film went about realising Périn's 'precise, clinical' realist style.

The team were evidently very conscious of this being, for France, a first of its kind - a French-animated thriller targeting adults, with big ambitions to become a landmark film in French animation, able to stand up against the best anime. I'm not sure it's actually the first - for example, Summit of the Gods is also a tense, French-animated thriller with a realist art style! - but it's definitely a genre where there are very few examples to compare, and the team's ambition comes across as absolutely genuine.

That's probably enough to go on! We'll definitely also check out some of Périn's other work tonight, but Mars Express is our main feature! Starting in about an hour and a half at 8pm UK time, at our usual place, twitch.tv/canmom! Hope to see you there!

[rheesvandar]

TOH cast favorite movies!!!! I’m really enjoying this series (edit: series of posts. TOH is my favorite TV series of all time and “really enjoying” doesn’t do it justice)

Luz: The Good Witch Azura (2?). It’s canon

Amity: Also The Good Witch Azura

Hunter: Balto. He has Balto and Jenna plushies for him and Willow

Willow: Little Shop of Horrors. Hunter gets the songs stuck in his head every time they watch it.

Gus: Now You See Me. He likes seeing how human magic is done and thinks the end is hilarious.

Vee: Nimona. She loves seeing another shapeshifter outcast character finding family.

Masha: Fright Night (the original). Mostly because it scares Vee, who wants to cuddle.

Camilla: Cosmic Frontier 2: The Wrath of Khaaaaaaaaaannnnnnnnn. The best of the series!

Eda: Ferris Bueller‘s Day Off. She’s loved it since it was in theaters.

Raine: Amadeus. Music and drama? Sign them up!

King: Dragon Ball Z: Broly. Eda showed it to him and he thinks he can go “Super Titan” if he screams loud enough.

Hooty: Scooby Doo live action. He tries to make “Hooty Hooty Hoot!” his catchphrase every time he sees it.

Lilith: National Treasure. She thinks it’s Bad Girl Historian training.

Alador: Ghost in the Shell. He likes the cyberpunk aesthetic.

Darius: The Blob. He thinks it’s about an Abomination experiment gone wrong

Boscha: Mean Girls but the lesson is completely lost on her

[cyberpunkonline]

The Top 10 Spooky Cyberpunk Movies and TV Shows: Neon, Fear, and Dystopia for #CyberSamhain

Alright, my fellow netrunners and glitch enthusiasts, it’s time to jack into the grid and merge two of the best genres around: cyberpunk and horror. You know the deal—neon-lit cities crawling with tech, corporate overlords doing shady things, and a constant feeling that you're being watched. Now throw in a healthy dose of spine-chilling terror, and you've got the perfect setup for #CyberSamhain. We’re talking about movies and shows that don’t just make you question your reality—they make you afraid of what’s lurking in the dark corners of the digital world.

So, buckle up, because we’re about to run through the top 10 spooky cyberpunk movies and TV shows of all time. Get ready for creepy androids, mind-bending AIs, and dystopian nightmares that’ll leave you sleeping with the lights on… and your computer turned off. You know, just in case.

1. Blade Runner (1982) Spooky Level: "I think that neon sign is watching me." If we’re talking spooky cyberpunk, Blade Runner has to sit at the top of the list. Sure, it’s more of a slow-burn than in-your-face horror, but the eerie, rain-drenched streets of future LA? They’re pure cyberpunk nightmare fuel. Deckard's hunt for rogue replicants isn’t just an action-packed mystery—it’s full of existential dread, identity crises, and the looming question of what it means to be human. Plus, Rutger Hauer’s “Tears in Rain” speech? Goosebumps.

Resource: The Nerdist has a deep dive into how Blade Runner paved the way for dystopian cyberpunk horror.

2. Ghost in the Shell (1995) Spooky Level: "Am I real or just code?" No list is complete without Ghost in the Shell. This anime flick is a straight-up mind-bender that’ll make you question your own existence. Major Kusanagi, a cyborg cop, is chasing a mysterious hacker who’s messing with people’s memories—creepy enough, right? But when you start pondering whether you even have a soul, that’s when the real chills kick in. It’s got a cold, digital aesthetic, filled with philosophical dread that’ll leave you staring at your reflection, wondering if there’s anything organic left inside you.

Resource: Collider has a killer write-up on why Ghost in the Shell remains a staple of spooky cyberpunk perfection.

3. Akira (1988) Spooky Level: "I don’t want to become a tech monster, thanks." Want to see what happens when body horror meets cyberpunk? Look no further than Akira. This anime classic brings you a futuristic Tokyo, biker gangs, government conspiracies, and mutated psychic powers. The result? An out-of-control cyberpunk nightmare that gets creepier by the minute as Tetsuo’s powers spiral into grotesque body horror. The neon-lit streets and apocalyptic vibes are what dystopian dreams (or nightmares) are made of.

Resource: IGN has an in-depth feature on how Akira shaped the cyberpunk genre and our collective nightmares.

4. Altered Carbon (2018–2020) Spooky Level: "Body-swapping freaks me out." This Netflix series threw us headfirst into a cyberpunk world where consciousness can be transferred between bodies—or "sleeves"—so death is more of a suggestion than a rule. The spooky vibes come from the whole immortality for the rich, dystopia for the poor thing. The first season especially gives off some dark, existential fear—imagine waking up in a body that isn’t yours, with no idea how you got there. There’s action, mystery, and just the right amount of creepy tech horror to make you rethink that new VR headset you just bought.

Resource: The Verge has a solid breakdown on why Altered Carbon brings fresh cyberpunk horror to the screen.

5. The Matrix (1999) Spooky Level: "What if this is all just a simulation?" Look, if the idea of living inside a computer simulation where machines are harvesting your body for energy doesn’t freak you out, then you’re tougher than most. The Matrix took cyberpunk and cranked up the paranoia, making everyone question reality for a solid decade. Sure, Neo’s kung-fu is slick, but it’s the spooky concept of being trapped in a digital prison that makes this one so chilling. The machines run everything, and humans? Just disposable batteries.

Resource: Vulture has a deep dive into the philosophy and horror of The Matrix and how it made us all low-key paranoid.

6. Videodrome (1983) Spooky Level: "Body horror and TV mind control? Sign me up!" If you want a straight-up creepy trip through a cyberpunk-esque world where TV and tech meld with the human body in the most disturbing ways possible, Videodrome is your ticket. Directed by the king of body horror himself, David Cronenberg, this film dives into the concept of tech-induced hallucinations, mind control, and some seriously weird flesh transformations. You’ll never look at your TV the same way again. Long live the new flesh, am I right?

Resource: Den of Geek does an excellent job dissecting the chilling horror behind Videodrome.

7. Dredd (2012) Spooky Level: "Trapped in a megacity with psychos and drug dealers." While Dredd might lean more towards action than traditional horror, the dystopian setting of Mega-City One is creepy as hell. The movie focuses on Judge Dredd and his rookie partner, Anderson, as they fight their way through a skyscraper controlled by a brutal drug lord. The Slo-Mo drug scenes, where time is slowed to a crawl, are unsettlingly beautiful and grotesque, and the entire setting just screams cyberpunk dystopia. The violence, the dark atmosphere, the claustrophobic tension—it’s all there.

Resource: Empire has a fantastic retrospective on why Dredd became a cult classic and hit all the right cyberpunk notes.

8. Ex Machina (2014) Spooky Level: "Are AIs gonna kill us all or just manipulate us?" Here’s the deal with Ex Machina—it’s quiet, subtle, and so unnerving. The movie follows a programmer who’s invited to test an advanced AI named Ava, and let's just say things get complicated. The spooky part? Watching an AI learn to manipulate and deceive with an intelligence that’s almost human, but not quite. The claustrophobic setting, the slow-burn tension, and the underlying theme of humans creating monsters through tech? Yeah, this one will mess with your head.

Resource: Wired has a fantastic exploration of the AI horror in Ex Machina and why it feels so real.

9. Black Mirror (2011–present) Spooky Level: "Welcome to your tech-fueled nightmares." If you’ve watched Black Mirror, you already know why it’s on this list. Every episode is its own spooky cyberpunk horror story—whether it’s the dark side of social media, virtual reality, or AI gone rogue. "San Junipero" might be a more feel-good episode, but "Playtest", "White Christmas", and "Metalhead" will have you questioning whether we’ve gone too far with tech. It’s cyberpunk horror, but with that all-too-real edge that makes you want to smash your phone and go live in the woods.

Resource: The Guardian does a killer analysis on the most terrifying episodes of Black Mirror and why the show taps into modern-day fears.

10. Upgrade (2018) Spooky Level: "When your body fights back." In Upgrade, a guy gets an AI implant that controls his body after he’s paralyzed in a brutal attack. But this isn’t your average tech-upgrade story—soon, he’s dealing with an AI that’s starting to take control in very disturbing ways. The film’s got that cyberpunk dystopian vibe down, with a gritty future setting and a tech-horror concept that feels way too close for comfort. It’s violent, it’s slick, and it’s got enough body horror to satisfy your spooky cravings this #CyberSamhain.

Resource: SlashFilm has a great breakdown on Upgrade and why it’s one of the most underrated cyberpunk horrors in recent memory.

Final Thoughts From existential AI crises to body horror nightmares, cyberpunk and horror go together like neon and rain. This #CyberSamhain, grab one (or all) of these movies and shows, switch off your phone (because, y’know, Black Mirror), and get ready to dive into some of the creepiest, most unsettling cyberpunk worlds ever imagined. Just remember—whether it's rogue AIs, mind control tech, or creepy robots, it’s all fun and games until the machines start thinking for themselves. Sleep tight, netrunners!

[marymunchkiin]

POV: Hiroyuki Sanada as Goro Takemura in a Cyberpunk 2077 live-action show/movie.

Edited with Photoshop. Not quite the best cleaning since its my first time to edit a face but I tried 🥹