#cuneiform
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๐๐ฎ๐ธ ๐ช๐ญ๐ฎ๐ผ, ๐จ ๐ฆ๐ค๐ ๐จ๐. ๐ก๐ค๐จ๐ญ๐ฆ ๐ฑ๐ ๐จ๐ฝ๐ค๐ฃ ๐ ๐ฝ ๐ ๐ฆ๐ฑ๐ค๐ ๐๐ค๐ฝ๐ ๐ฝ๐๐ ๐ฑ ๐ฌ๐ธ๐ฝ๐ ๐ก๐ค ๐ฑ๐ค๐ ๐ซ๐ซ๐, ๐ฑ๐ค๐ ๐ซ๐ซ๐ ๐ฃ๐จ๐ฅ๐ฅ๐จ๐ข๐ธ๐ซ๐ ๐ฅ๐ฎ๐ฑ ๐๐ฎ๐ธ. ๐ ๐ซ๐ผ๐ ๐๐ฝ ๐ ๐๐ง๐จ๐ญ๐ฆ, ๐ญ๐ค๐ต๐ค๐ฑ ๐ ๐ง๐ธ๐ฌ๐ ๐ญ ๐ก๐ค๐จ๐ญ๐ฆ, ๐ญ๐ฎ๐ ๐ ๐ฝ๐จ๐ญ๐ฆ๐ซ๐ค ๐ฏ๐ค๐ฑ๐ฝ๐ฎ๐ญ ๐จ๐ญ ๐๐ฎ๐ธ๐ฑ ๐ฅ๐ ๐ฌ๐จ๐ซ๐ ๐๐ง๐จ๐ญ๐ช๐จ๐ญ๐ฆ ๐๐ฎ๐ธ ๐ ๐ฑ๐ค ๐ผ๐ฎ๐ฑ๐๐ง ๐ ๐ฃ๐ ๐ฌ๐ญ ๐ฎ๐ฅ๐ฅ ๐๐ง๐ค ๐ฏ๐จ๐๐ข๐ง โ ๐๐ค๐ ๐ง, ๐ฝ๐ฎ๐ธ๐ญ๐ฃ๐ฝ ๐ฑ๐ฎ๐ธ๐ฆ๐ง. ๐๐ผ๐๐๐ ๐ ๐ญ๐ฃ ๐จ ๐๐ ๐ซ๐ช ๐ ๐ก๐ฎ๐ธ๐ ๐๐ฎ๐ธ๐ฑ ๐ค๐ญ๐ฃ ๐ซ๐ค๐ฝ๐ฝ ๐ ๐ญ๐ฃ ๐ญ๐ฎ ๐ค๐ญ๐ฃ ๐ฃ๐ ๐ฃ๐ฃ๐ ๐ฏ๐ฑ๐ฎ๐ก๐ซ๐ค๐ฌ๐ฝ ๐ ๐ซ๐ซ ๐๐ง๐ค ๐๐จ๐ฌ๐ค. ๐จ ๐ช๐ญ๐ฎ๐ผ itโs ๐ญ๐ฎ๐ ๐ค๐ญ๐๐จ๐ฑ๐ค๐ซ๐ ๐๐ฎ๐ธ๐ฑ ๐ฅ๐ ๐ธ๐ซ๐ ๐๐ง๐ ๐ ๐๐ฎ๐ธ ๐ ๐ฑ๐ค ๐ฌ๐ค๐ญ๐๐ ๐ซ๐ซ๐ ๐ญ๐ฎ๐ ๐ผ๐ค๐ซ๐ซ ๐ ๐ญ๐ฃ ๐ข๐ธ๐ฑ๐ฝ๐ค ๐ผ๐จ๐๐ง ๐๐ง๐ค๐ฝ๐ค ๐ฝ๐ง๐ ๐ฃ๐ฎ๐ผ ๐จ๐ฌ๐ ๐ฆ๐ค ๐ฎ๐ฅ ๐ก๐ค๐จ๐ญ๐ฆ ๐ ๐ฆ๐ฎ๐ฃ, ๐ ๐ญ๐ฃ ๐จ ๐ช๐ญ๐ฎ๐ผ ๐๐ฎ๐ธ ๐ ๐ฑ๐ค ๐ญ๐ฎ๐ ๐ ๐ก๐ซ๐ค ๐๐ฎ ๐ง๐ฎ๐ซ๐ฃ ๐ ๐ฆ๐ฎ๐ฎ๐ฃ ๐ข๐ฎ๐ญ๐ต๐ค๐ฑ๐ฝ๐ ๐๐จ๐ฎ๐ญ ๐ผ๐จ๐๐ง ๐ ๐ญ๐๐ฎ๐ญ๐ค ๐ซ๐จ๐ช๐ค ๐ค๐ต๐ค๐ฑ๐ ๐ฎ๐๐ง๐ค๐ฑ ๐ญ๐ฎ๐ฑ๐ฌ๐ ๐ซ ๐ง๐ธ๐ฌ๐ ๐ญ ๐ก๐ค๐จ๐ญ๐ฆ ๐ข๐ ๐ญ, ๐ก๐ธ๐ ๐จ ๐ฃ๐ฎ ๐ญ๐ฎ๐ ๐๐ง๐จ๐ญ๐ช ๐ ๐ญ๐ ๐ฎ๐ฅ ๐ธ๐ฝ ๐ฝ๐ง๐ฎ๐ธ๐ซ๐ฃ ๐ง๐ ๐ต๐ค ๐๐ฎ ๐ฏ๐ธ๐ ๐ธ๐ฏ ๐ผ๐จ๐๐ง ๐๐ง๐จ๐ฝ ๐ฌ๐ธ๐ข๐ง ๐ฎ๐ฅ ๐๐ฎ๐ธ๐ฑ ๐ ๐ญ๐จ๐ฌ๐ ๐ซ ๐ฝ๐ง๐จ๐. ๐ฏ๐จ๐๐ ๐ฎ๐ญ๐ซ๐ ๐ฆ๐ค๐๐ฝ ๐๐ฎ๐ธ ๐ฝ๐ฎ ๐ฌ๐ ๐ญ๐ ๐ข๐ซ๐ฎ๐ฝ๐ค๐ฃ ๐ค๐๐ค๐ฝ, ๐ ๐ญ๐ฃ ๐๐ฎ๐ธ ๐ธ๐ฝ๐ค๐ฃ ๐๐ฎ๐ธ๐ฑ๐ฝ ๐ธ๐ฏ ๐ ๐ก๐ฎ๐ธ๐ ๐ฝ๐จ๐ ๐ฑ๐ธ๐ฃ๐ค ๐ญ๐ ๐ฌ๐ค ๐ ๐ฆ๐ฎ. ๐ฝ๐ฎ ๐ฏ๐ซ๐ค๐ ๐ฝ๐ค, ๐ฏ๐ซ๐ค๐ ๐ฝ๐ค, ๐ฉ๐ธ๐ฝ๐ ๐ฝ๐ง๐ธ๐ ๐๐ง๐ค ๐ฅ๐ธ๐ข๐ช ๐ธ๐ฏ ๐ ๐ญ๐ฃ ๐ซ๐ค๐ ๐ต๐ค ๐ธ๐ฝ ๐ ๐ซ๐ฎ๐ญ๐ค
#i had to change some words but yeah#dont look too into it#the riko roast#cuneiform edition#cuneiform#aftg fandom#aftg#all for the game#the foxhole court#tfc#neil josten#nora sakavic#aftg meme#tfc meme
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The Indus Valley Civilization was a cultural and political entity which flourished in the northern region of the Indian subcontinent between c. 7000 - c. 600 BCE. Its modern name derives from its location in the valley of the Indus River, but it is also commonly referred to as the Indus-Sarasvati Civilization and the Harrapan Civilization. These latter designations come from the Sarasvati River mentioned in Vedic sources, which flowed adjacent to the Indus River, and the ancient city of Harappa in the region, the first one found in the modern era. None of these names derive from any ancient texts because, although scholars generally believe the people of this civilization developed a writing system (known as Indus Script or Harappan Script) it has not yet been deciphered. All three designations are modern constructs, and nothing is definitively known of the origin, development, decline, and fall of the civilization. Even so, modern archaeology has established a probable chronology and periodization: Pre-Harappan โ c. 7000 - c. 5500 BCE Early Harappan โ c. 5500 - 2800 BCE Mature Harappan โ c. 2800 - c. 1900 BCE Late Harappan โ c. 1900 - c. 1500 BCE Post Harappan โ c. 1500 - c. 600 BCE The Indus Valley Civilization is now often compared with the far more famous cultures of Egypt and Mesopotamia, but this is a fairly recent development. The discovery of Harappa in 1829 CE was the first indication that any such civilization existed in India, and by that time, Egyptian hieroglyphics had been deciphered, Egyptian and Mesopotamian sites excavated, and cuneiform would soon be translated by the scholar George Smith (l. 1840-1876 CE). Archaeological excavations of the Indus Valley Civilization, therefore, had a significantly late start comparatively, and it is now thought that many of the accomplishments and โfirstsโ attributed to Egypt and Mesopotamia may actually belong to the people of the Indus Valley Civilization. The two best-known excavated cities of this culture are Harappa and Mohenjo-daro (located in modern-day Pakistan), both of which are thought to have once had populations of between 40,000-50,000 people, which is stunning when one realizes that most ancient cities had on average 10,000 people living in them. The total population of the civilization is thought to have been upward of 5 million, and its territory stretched over 900 miles (1,500 km) along the banks of the Indus River and then in all directions outward. Indus Valley Civilization sites have been found near the border of Nepal, in Afghanistan, on the coasts of India, and around Delhi, to name only a few locations. Between c. 1900 - c. 1500 BCE, the civilization began to decline for unknown reasons. In the early 20th century CE, this was thought to have been caused by an invasion of light-skinned peoples from the north known as Aryans who conquered a dark-skinned people defined by Western scholars as Dravidians. This claim, known as the Aryan Invasion Theory, has been discredited. The Aryans โ whose ethnicity is associated with the Iranian Persians โ are now believed to have migrated to the region peacefully and blended their culture with that of the indigenous people while the term Dravidian is understood now to refer to anyone, of any ethnicity, who speaks one of the Dravidian languages. Why the Indus Valley Civilization declined and fell is unknown, but scholars believe it may have had to do with climate change, the drying up of the Sarasvati River, an alteration in the path of the monsoon which watered crops, overpopulation of the cities, a decline in trade with Egypt and Mesopotamia, or a combination of any of the above. In the present day, excavations continue at many of the sites found thus far and some future find may provide more information on the history and decline of the culture.
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Fragment of a vessel with frontal image of a Sumerian goddess and Cuneiform inscription from Entemena, the ruler of Lagash. The basalt vessel dates back to the Mesopotamian Early Dynastic Period around 2430 BCE, and it depicts one of the first Mesopotamian images of a female deity. The Pergamon Museum, Berlin, GERMANY.
Photo by Babylon Chronicle
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I am very normal about this brick from the Ur city wall where a dog seems to have walked over it before it dried

22nd century BC good boy!
#ancient history#archeology#mesopotamia#cuneiform#btw the inscription says something to the effect of โthis wall/temple was built by king Ur-Namma for the god Nannaโ#it was stamped on every brick of the wall and the ziggurat#ur#third Dynasty of Ur
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Hello! I was wondering if you had any tips for using cuneiform as an art inspiration? One of my friends is super into cuneiform and birds, so I wanted to kind of write the cuneiform for "corvid" using stylised triangular crows.
Feel free to ignore this, it's a pretty involved ask!
I had a look at the Assyrian Languages website, and it spat out
but there's so many options! Why is the translation given as "erebu" without the cuneiform, then followed by the other words "uga" and "buru", which do have cuneiform?
And are there rules for rearranging the different units of the word? Is it like English, where you can't really split the letters of a word up, because it won't make sense?
I also double-checked the translation with the the Concise Dictionary of Akkadian, which you linked a couple posts ago, and they match, but there isn't any cuneiform in the dictionary.
Thank you for reading this far!
Okay, buckle up for a ride!
Akkadian is a Semitic language with a weird, cobbled-together writing system. It's a bit like a rebus: we can figure out that "๐๏ธ โค๏ธ ๐" means "I love you," because "eye" sounds like "I," hearts connote love, and a female sheep is a ewe, which sounds like "you." Likewise, a given cuneiform sign can be one of three things: a syllabogram (representing the sound of particular syllables, like ๐๏ธ), a logogram (representing a particular idea, like โค๏ธ); or a determinative (representing a category of ideas, like "Dr."). In many cases, a given sign could be any one of those, depending on context. As a result, there are many possible ways to spell most wordsโalthough certain sign combinations tend to get standardized in a particular place and time.
In this case, "UGA" is the logogram for a corvid, and "MUล EN" is the determinative for a bird. So one way to write "a crow" (literally "a crow-bird") would be to combine the signs for UGA and MUล EN. (MUL is the determinative for an astral body, so if you were trying to say "the crow-planet," you could write it as "star-crow-bird," or "MUL.UGA.MUล EN."). And yes, the order does matter in most cases; I wouldn't rearrange them.
But! Instead of writing something logographically, you could "spell it out" using syllabograms. So the word erฤbu/arฤbu, which is what "crow" would have sounded like, can be broken down into syllables and spelled that way, e.g. a-re/ri-bu. When the Epic of Gilgamesh describes sending out a raven as part of the Flood story, it spells it as "a-ri-bu." (Well, technically a-ri-ba/a-ri-bi, because those are the declined forms.)
The simplest two options that appear in the corpus, then, are UGA or BURU4 ("crow" without the "bird" determinative, which is optional) or a-ri-bu. Here's what those look like, using two different potential writing styles: Old Babylonian (an earlier and more complex writing system) and Neo-Assyrian (a more rectilinear, streamlined, later writing system):
As you can see, UGA is a very complicated sign, so I would recommend choosing either BURU4 or a-ri-bu. I find Neo-Assyrian much easier to reproduce, but the choice of writing system is up to you.
I hope this helps. Send me a picture of what you produce; it sounds so fun!
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A lost Canaanite language called Amorite has been decoded thanks to the discovery of bilingual tablets, similar to the way the Rosetta Stone helped scholars decipher Egyptian hieroglyphs.
The tablets were written in Amorite and Akkadian using the cuneiform script. Prior to the discovery of these tablets there was such little written evidence for Amorite that some scholars doubted whether it even existed. Amorite was a Canaanite language related to Hebrew, in the Semitic language family.
Pretty cool, Amorite? ๐
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Sumerian Miku
แธซฤzune mฤซku kalฤmak
๐ฉ๐ช๐ ๐ช๐ช ๐ฆ๐
ยฉ๏ธ ๐ญ๐น๐ฏ 2024
#vocaloid#hatsune miku#miku#miku worldwide#miku world tour#art#digital art#illustration#digital illustration#sumer#babylon#ishtar#babylonian#cuneiform
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Our cuneiform tablet has been translated at last, thanks to the good people at the Cuneiform Digital Library Initiative! It is a receipt for bitumen - oily pitch or tar - to coat farm implements. More context and details are in the article A Sumerian Administrative Tablet in Multnomah County Library.
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Classicstober Day 14: Helen (๐๐ฉ๐/๐ญ๐ท๐)
Helen of Troyโฆ Helen Queen of Spartaโฆ Helen Princess of Spartaโฆ Helen the daughter of Leda and Zeusโฆ the face that launched a thousand ships wore many masks over the course of her life but one thing that remains the same is how compelling she remains as a character. Many thanks to @symeona for helping me with her look!
Helen is a character intrinsically associated with her appearance, but early sources do not describe her at all outside of demonstrations of her status. For this piece, I have borrowed from two sources. The first is symeona, who's excellent translations on Ancient Greek color theory informed my take on Achilles. The second was that wretched and accursed fnckboy Ovid, who described Helen's mother Leda as having 'snowy white' skin and black hair. Since Zeus appeared to Leda in the form of a swan, and considering how pale Leda was, I decided to make her somewhat swan-like in appearance, with big black eyes and naturally ruddy lips to seal the deal.
First, let's talk about Helen the Spartan (rendered here in Linear B as 'Eleni of Laconia'). Despite mainly being known for her role in the Trojan War, Helen lived the majority of her life in Sparta and her husband Menelaus claimed the throne of Sparta through her. Laconia and Sparta are some of the oldest sites of Mycenaean culture, so Helen got to be depicted as Mycenaean as all getout. The high-piled hair, the diadem, the open tunic, and the bracelet are all very common in depictions of Mycenaean and Minoan women. She also has very elaborate florets to mark her status. The red fabric and large gemstones mark her wealth too i completely forgot to draw in the necklace she wore in the sketch version.
I mentioned before in my picture of Cassandra and Hector that I am basing the Trojan looks heavily on ancient Hittite clothing, and this is no exception. I know the movie Troy sucks for lots of reasons, but I did like that they made the Trojan theme color this very rich blue so I decided to add that here; dark, rich colors in general are very expensive to produce, so even if it's not red the saturation makes the cloth very expensive and a mark of royalty. I based her clothing and jewelry off a Hittite statue, but I decided to omit the tall hats that Hittite women appear to wear under their veils; I kind of wanted that to represent status, so only Andromache and Hecuba would wear the tall hats if I depict them.
I was not trying to make a commentary with it, but it does strike me how conservative the veiled, tunic wearing Hittite woman looks compared to the open-bodiced Mycenaean woman. That could easily be read into, but I'm just going to leave it as depiction and not try to ascribe any symbolism to it.
The decorative circle around Helen represents several things. Horses feature prominently in her life. The Trojan Horse is the most well known, but the wedding oath that Tyndareus made Helen's suitors swear to was sealed with the sacrifice of a horse too. Anemones are a sacred flower to Aphrodite (long story) and the white lilies seem like a fun way to evoke the 'pure woman' image.
Also in the circle are depictions of Eris' golden Apple of Discord. For the life of me, I could not find any translation related to fairness or beauty in any Mycenaean dictionaries so I had to cheat: "๐ด ๐๐ช๐ฏ๐ณ๐/ti ka-ri-se-te-i" is just a phonetic transliteration of ฮคฮฮ ฮฮฮฮฮฮฃฮคฮฮ (tฤ(i) kallistฤ(i)), translated as 'for the fairest.'
#classicstober#classicstober2023#classicstober23#helen of troy#helen of sparta#greek mythology#ancient greek mythology#tagamemnon#linear b#mycenaean#hittite#hittite cuneiform#cuneiform
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Ancient Secrets
Imagine an ancient civilization that rivaled Egypt and Mesopotamia in sophistication but remains a mystery to this day. The Indus Valley Civilization was a fascinating culture that thrived between 7000 and 600 BCE in the Indian subcontinent. Its cities like Harappa and Mohenjo-Daro hosted large populations, suggesting a highly developed urban society. Yet, despite its impressive accomplishments, the civilization's writing system remains undeciphered, leaving many secrets untold.
Introduction
The Indus Valley Civilization, spanning over 900 miles, was a cultural and political powerhouse. Its cities were significantly larger than most ancient urban centers, with populations reaching between 40,000 to 50,000 people.
Key Facts
Periodization:
Pre-Harappan (c. 7000 - 5500 BCE)
Early Harappan (c. 5500 - 2800 BCE)
Mature Harappan (c. 2800 - 1900 BCE)
Late Harappan (c. 1900 - 1500 BCE)
Post Harappan (c. 1500 - 600 BCE)
Located in the Indian subcontinent, with sites found as far as Afghanistan and Nepal.
Cities: Harappa and Mohenjo-Daro were major urban centers.
Population: Estimated 5 million people.
The Indus Valley Script remains undeciphered.
Historical Context
The Indus Valley Civilization was discovered relatively late compared to others like Egypt and Mesopotamia. This delayed discovery has led to the realization that some historical "firsts" attributed to these civilizations might actually belong to the Indus Valley people.
Historical Significance
The civilization's sophisticated urban planning and large population sizes highlight its advanced societal structure. The civilization's achievements suggest that it may have been a pioneer in various aspects of ancient culture.
Why You Should Know About It Today
Understanding the Indus Valley Civilization provides insights into the early development of human societies and challenges common historical narratives about the origins of civilization. Its mysterious script continues to fascinate scholars and the public alike, promising new discoveries in the future.
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Sumerian foundation figure, dating back to the Early Dynastic period around 2900โ2350 BCE. The Pergamon Museum, Berlin, GERMANY.
Photo by Babylon Chronicle
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The Sennacherib prism, commissioned by the Assyrian king in the 600s BCE. Its ten sides contain records of his conquests and achievements in cuneiform. The record culminates with Sennarcherib's 15-month siege and destruction of Babylon.
{WHF} {Ko-Fi} {Medium}
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i love u clay tablets and seals
#cuneiform#sumerian#mesopotamia#history#archeology#dark academia#academia#studyblr#college#photography#university#light academia#diary#photo#artifact#historyblr
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