#crunchyroll movie

[yazzydream]

The record holder for consecutive Black Flash uses, Nanami Kento, speaks It's not like using Black Flash consecutively is anything amazing. To do so consecutively more than twice in a row… Rather, if not done within the same day it would be difficult. It doesn't matter if the first time is by fluke or skill. Once they land a Black Flash, sorcerers temporarily enter a state athletes call "the zone." The manipulation of cursed energy that is normally done consciously, comes as naturally as breathing. There's a sense of omnipotence, like everything else revolves around you… That might be a good way to put it.

[hotstreak2k3]

The Anime///The Movie

[fever-dreamer97]

This is such an underrated pure-hearted moment between these two.

Iida racing over to Izuku as soon as he walks in to announce them having beef stew (iida’s favorite meal) and Izuku is excited with him.

[inkedberries]

the passion and love for this series..... imma cry

read more here: https://www.japanaradio.com/node/98

text under read more

How much involvement did Nightow-sensei have in the production of the show? You mentioned in your panel earlier that he just gave a green light and said to just have fun. Can you elaborate further?

K: It started with Nightow-sensei, myself, the director Muto, and also producer Takei. So four people altogether, just talking to each other for quite a long time. We heard from Nightow-sensei about what kind of a person he is, what he was thinking about when he was creating Trigun, and what he wanted to cover in that story. And that's where we started. Building on that, we moved on to the concept stage. We had two main staff members working on that.

We had Kouji Tajima, who worked on the concept art, and Takehiko Oshiki, who worked on the setup, writing the text that would describe the overall concepts of the world. Oshiki-san is a huge Trigun fan, a fan of the original anime and the manga. And so, he gathered together for us a bunch of design documents, set up documents, describing the themes that were covered in the original manga, and also the themes that were hinted at, but not really ever explored. Then, based on the text that he had pulled together and written for us, Tajima-san started creating concept art. His goal was to create concept art that would show the overall feel of this world and help us with world building, to envision what kind of a world the planet is, and he took over a year working on all the concept art.

During all of these conceptual design parts, we were continually checking in with Nightow-sensei. So, even before the usual pre-production process, we're showing him the setup text and the concept art, and he gave the okay to all of that. After being deeply involved in the concept design, he told us, "Everything, from here on out, the scripts, the character designs and so forth, the regular stuff of pre-production, you can do as you wish. That's because I'm confident now that you fully understand where you're going with this, and I've signed off on all the pre-pre-production concept designs that you've done."

It's not like he gave us completely free rein to do whatever we wanted. However, because we had actually that much deep, intense collaboration at the very start, he thought that we knew where we were going with this, and he's also good with where we chose to take this.

M: Usually, when you're adapting a book, a manga, to anime, you'd just be facing the book itself. But, in my case, I really wanted to face the person who created it first.

[shironezuninja]

I always liked how Real World Gracia walked away from Officer Hughes, while he was still uncertain about his own morality in 2005/06 FMA film, Conqueror of Shamballa.

[sablegear0]

Watched a good chunk of Mononoke (not Princess Mononoke, I mean the crazy artsy visuals one) and wow. It's like... really good, but really heavy.

Also correct me if I'm wrong but there's both a movie and a series, and the movie is the one getting the sequel right? Will that translate to a season two of the series at some point or is it going to remain standalone?

[matt0044]

On RWBY, The Amazing Digital Circus and Toxic Indie Fandoms...

Fans of cartoons, animated movies and animation in general have a... bit of a complex. Largely when it come to snubbing a new movie and/or show for not being just like what ever the standard bearer is at the time. A mentality that really hurts critical discussion than help. Like... getting mad at, say, Big City Greens of what Disney pulled with The Owl House is just not cool.

I find it happens a lot with Animation Twitter spaces being all about taking Disney down a peg be it because Spiderverse or Puss In Boots (take your pick at this point). Though in that case, it's a case of one-up-manship getting way too out of hand since there's at least a vocal push back.

With RWBY being pitted against every other indie animation, it's actually not too much of a unique case.

It has been a small scale project getting massive amounts of hype from the pilot (or Trailers as with RWBY's case) only for the show to come out and split its pre-established audience down the middle.

This split starts and widens when it comes to how a character may be initially presented only for more facets to them to be revealed. It should go without saying buuuuuuut the creative team are not mind-readers. Even the most popular of fanworks will inevitably NOT reflect what the show will develop into whether they come close or not.

However, that investment in fanon is liable to clash with what canon goes with. Some fans take it is stride and are willing to hear the showrunners on their direction. Others... take it personally.

Maybe a character that seemed mean but wronged turns out to be a very shitty person.

Maybe a character that seemed shitty has some hidden depths beyond how they initally came across.

Maybe the story is taking a turn that, well, had precedence but feels alienating to those who preferred the previous status quo.

Maybe the pacing feels off with certain reveals that may be a skill issue on the writer's part.

The issues may vary but a lot of this comes from a sort of "bigger they are" type of backlash with a lot of specific expectations formed of the story before there even was one.

Now this might sound like RWBY but... a lot of them were inspired by the polarized comments of Helluva Boss Season 2.

It happening to Vivziepop.

It's happening to RWBY.

And let me tell you, it WILL happen to The Amazing Digital Circus even if it has a limited run planned.

A character will become more than just some fan's blorbo for better or worse and said fans will loose their shit.

A ship will sail however much they wanted sunk.

No matter what, there will always be ONE FAN that will be pissed off.

[otakusheep15]

Haikyuu Dumpster Battle is finally on streaming and it’s the only way I’m coping with this election week

[greyskyflowers]

Rewatched Stampede recently and the scene where everyone ends up in the water always gets me. Zoro and Killer immediately going for Luffy and Kid and helping them get back on land 😭 it's such a small part but I love it so much.

I stg my dream relationship would be whatever the fuck goes on between captains and their first mates.

[ariseur]

is it psychological torture if i’m watching given and banana fish at the same time

[nii-chan-tamer]

I wasn’t supposed to ship until next month but it came in today. I’m can’t wait to watch. 

[miss--river]

[b3crew]

REVIEW | "Overlord: The Sacred Kingdom" | B3crew.com

If you've been rooting for Ainz & the gang since Overlord premiered in 2015, then you’ll have a blast watching The Sacred Kingdom on the big screen! Read our review before it hits theaters on November 8th!

[coredrill]

i think crunchy roll is doing this to vex me specifically

[imnobodyuknow]

Yonder breaks a new and glorious morn

[animeshon-anime-by-blbambeyond]

Sasaki and Miyano: Graduation