#creative process bullshit
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Six Sentence Sunday & Countdown to EGF (Week 1!)
Hello hi hola!! Thank you for the early morning tags, @thewholelemon and @artsyunderstudy! I have six-ish sentences from Chapter 3 of my EGF fic, which I shared with my lovely EGF collaborator @shemakesmeforget (thank you for making me feel good about my writing 😆😆😆):
When Baz comes out into the kitchen, Simon Snow is still trotting around mostly naked except for Baz’s boxer briefs. He has freckles and moles everywhere, and the collar around his neck and the steaming mug of tea in his hands make him look oddly domestic; Baz is sure he’s seen a porn that started this way.
“Here,” Simon says, thrusting the mug at Baz. “Wasn’t sure if you took milk or sugar.”
“Usually milk,” Baz says, opening the fridge, “but - ah, yes, I’m out. I was going to do the weekly shop, but then kidnapping, imprisonment, et cetera.”
“Extremely et cetera,” Simon says solemnly.
Writing blather, a bonus pic, and tags behind the cut!
Here’s a brief description of my writing process thus far:
Write 22 000 words in basically a fever dream / fugue state (around the same time that I wrote “A cake with your name on it”)
Let it sit, because I knew it needed massive edits
Sign up for EGF in early Jan with all the arrogance and naivete of youth, because “hey! I already have a draft!”
Reread the draft in mid-Jan and feel like throwing up (Jan. 15 journal entry: “I just re-read my EGF fic and it seems like such a fucking disaster. What the actual hell”)
Attempt ambitious rewrites. Fail. Lose momentum. Journal about it a lot. Draw a bunch of mind maps. Get lost in the black hole of Tumblr. Cry in the car. Eat kettle chips and binge-watch the K-drama Doctors
Reread/re-watch some classic things that I should keep in a box/bookmarks folder called Break Glass in Case of Artistic Emergency (The Artist’s Way; Liz Gilbert’s TED talk on daemons; Kiki’s Delivery Service)
Do some useful loosening up exercises (rewriting and responding to the Basic Principles in The Artist’s Way; writing a paean to the Muses; making a checklist of how to create a good writing context for myself)
Re-read the draft. Think, “Huh, it’s actually not as bad as I thought. Rewriting isn’t working, so I think I just have to work with what I have.” Realise that the draft hasn't changed in quality, just my mindset.
Think fondly of my old mentor McKenna (playwright, poet, Irish madman), who would always say, “These things that you think I'm teaching you? You know them already. I’m just reminding you, is all.”
I share this not just because I crave validation (I mean, I’m an artist and a human, of course I crave validation) but because I think everyone who reads this probably resonates with at least one part of it.
And it’s useful for me to have this as a record to come back to say, “Oh yeah, this happened to me before, this will probably happen again, here is evidence that I climbed out of this well before, and here are some really concrete things that I did to climb out of the well. This is all part of the process, even the stretches that suck and feel like you’re off-roading in the dark.”
If you made it through this exercise in navel-gazing, please enjoy this picture, because I have apparently branched out from making fake t-shirts and entered the realm of making fake mugs for my fic, as part of my Creative Process:
I have to run off soon (to pick up fresh cinnamon buns) so I am just going to do a bunch of hello tags off the top of my head in a completely random fashion: @erotic-grope-fest, @captain-aralias, @fatalfangirl, @cutestkilla, @technetiumai, @tectonicduck, @aroace-genderfluid-sheep, @raenestee, @dohrnaira, @larkral (look, I came out to play!!!), @facewithoutheart, @you-remind-me-of-the-babe, @whogaveyoupermission, @martsonmars, @aristocratic-otter. Happy Sunday to you all!
#Six Sentence Sunday#egf2023#good morning good night good morning#creative process bullshit#sneaky btvs references#my fic tag
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If anyone is wondering what my ass is doing, I'm working on my first original work in like six years btw.
#snoweytrashposts#snoweytalks#snoweyrambles#snoweyrants#writing#creative writing#writing process#random ramblings#my random bullshit#tw cursing
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regarding the big Finale end-of-life announcement:
an offer without any expectation: i've been using the (free, open source) program LilyPond for all my sheet music engraving for years. i think it is powerful, flexible, and beautiful, but i also know that it has a steep learning curve and runs differently from many other programs. if you're curious about it, i'm always happy to talk about how it works, show you my process, and field any questions that come up for you if you decide to try it out. this is a standing offer; feel free to drop me a line about this at any time if you decide it's something that might be right for you!
#finale#lilypond#sheet music#music notation#composers#that creative life#Finale eol announcement crisis 2024#for those of you who don't do music notation:#there are like. three big commercial music notation programs#and one of them — which has been around for about 35 years — just announced they're shutting down#and like. shutting down as in “you will not be able to install this program on any new computers as of mid 2025”#because of corporate ip bullshit basically#which means that some people have three decades' worth of artistic work#that is going to be stuck in a defunct proprietary format soon#unless they can find a way to port it over to an entirely different program#the entire thing is an absolute *nightmare* for everyone affected by it#which ranges from small independent composers doing little pieces for local friends#to folks writing multi-act shows with international development processes#IT'S BAD IT'S REAL BAD IF YOU KNOW A COMPOSER GIVE THEM A HUG TODAY
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i know Zelda team said theyre kinda done with this iteration of hyrule so theres no DLC and thats fine i guess but i wanna know why they made certain choices
#trying not to feel the resentment for the development cycle aches only to be a bit stiffed on the lore side yknow#like as a creative type with a fucked up attention span i get it 100% but OOF hard mode at least#i dont need a whole ass novel i just want a little bit of thought process#ALSO GIVE ME KASS#i refuse to believe they killed him off in the blizzard what a bullshit move thatd be#Penn seems to think he's alive anyway#rory's ramblings#botw/totk blogging
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I have written over 2500 words today and these are the first words I’ve written in months and it’s all Gistarion vjvjvjch
#bisho liveblogs her creative process#sorry folks I am back on my faerûn bullshit#it’s been like a decade so sue me
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Remember how that Make Way for Ducklings update was going to be next? The plot bunnies have struck else where it is gonna be a minute longer 😬
#allylikethecat#ally’s creative process#or lack there of#make way for ducklings#matty x taylor are needing some love#they are my favorite child currently#also back on the hangster bullshit#updating when you think of me made me remember how much i love them
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Sleep-deprived Leon's upstairs neighbor works late 'cause she's a singer on a deadline, and he's having none of it. He comes up with a wild solution to the problem in a moment of desperation, and he's surprised when you actually go along with it, but anything to get a full night's sleep, right? Then he finds himself wanting a bit more than camaraderie with you in the process.
f/m, romance, fluff, does this count as crack??? popstar reader w/ a twist, ID leon is USELESS w tech + lives under a ROCK, also you manic pixie dream girl a bit too close to the sun but it's ok bc ur cute LOL
word count: 2.6k // read this chapter on ao3
a/n: req fic + belated bday gift for my lovely 🍍 anon!! as usual i got carried away and butchered it. um. NOTHING makes sense just go w the vibes i beg you </3 pt. 2 coming out asap bc this fic will not leave me alone in the best way :)
chapter one
Rule of thumb: don’t bang on the first date.
Leon’s wrapping his pillow around his head like a pair of goddamn Beefs (or is Beets? those tacky, overpriced- oh, forget it) while his upstairs neighbor gives her bed a run for its money on a Friday night, at a blessed 9 PM no less.
Oh yeah. Her.
Thump-thump. Thump-thump.
R-rated suspicions aside, Leon tries hoping for the best. His new neighbor might just be an interior designer of the nocturnal sort. Sick of his previous rowdy, college kid-infested apartment building, he’d moved into this complex not too long ago thanks to a very politely-worded call to Hunnigan about open listings in quiet, senior citizen-friendly neighborhoods. Call him old, call him boring, but after a long day of running around saving humanity from the newest bioweapon to hit the market, all Leon ever wants to do these days is get a few winks of sleep. He’s pushing 30. Insomnia’s no fountain of youth, people.
Thump, thump-thump-thump.
New Girl upstairs seemed to have the same idea but with far more nefarious intent. She’d moved in at the same time as him, he’s sure – Leon saw a flash of her face a few days ago when she was lugging boxes of stuff into the elevator up to her floor. She’s the only sign of life from the 21st century he’s encountered since the day he came to sign his lease papers. Why?
Because Hunnigan had fulfilled his request to a T. Leon’s new apartment building is long-term care home adjacent.
Full of grandmas and grandpas who got about as loud as their record players, only leaving their homes to fetch the mail – telegrams by the wrinkles on some of them. It was perfect. Leon was positively thrilled when Eunice from Unit 202 very, very slowly, waved hello to him on his moving day.
THUMP-THUMP! THUMP-THUMP!
And then she happened.
Maybe he’s just a grumpy old man right where he belongs, in all his 29-and-a-half glory. But the pounding that girl is giving her bed with some frat boy right now is giving Leon the college dorm experience all over again. It takes him half an hour of tossing and turning in his sheets to throw on an old jacket, beeline to the elevator, punch the neon 3 button, and darken New Girl’s doorstep.
His turn now. A quick knock, knock is enough for Unit 304’s door to open a crack.
“Hey, I’m from downst- oh my God, are you decent?”
And you, standing at the door in a dress that’s more sheer than his disbelief, only tilt your head to go, “Huh?”
“Listen, I know tomorrow’s the weekend but I- shit,” his face burns, “could you keep it down, please? You guys are really loud and it’s late.”
“What are you talking about?”
“You- you and whoever you’re with, could you not do this right now?” Leon croaks.
Your hands flail wildly in dismissal. “Oh no, that was just me jumping on my bed! Helps with my creative process,” you say, smiling weakly. “I didn’t know the floors were that thin, I’m sorry.”
Bullshit. “They are.” Leon grimaces, “And um, it’s fine if you guys are loud, just save it for when everyone’s asleep next time.”
A frown interrupts your smile. “I just said it was me. There’s no one else here, seriously.”
“So what’s with the getup?”
“The-” your eyes drift down to the near see-through of your dress and Leon gestures vaguely, as if you need more explanation to why he’s avoiding eye contact with your chest. “Oh, this?”
He nods.
“Creative process!” you chirp brightly.
“For what, pray tell?”
Curiously, that puts the wind out of your sails. Suddenly you having trouble meeting Leon’s eyes, lashes fluttering as you look up, down, anywhere that’s not his face.
“For school,” you finally make out, fingers wrapping around the edge of your door. “I’m a music major.”
Pianos and prancing on beds don’t exactly mix. He can’t help but squint at you. “And the jumping helps with…?”
“Getting past writer’s block!”
Back to bubbly with the ball in your court, you go so far as to open your door a little further to explain. Leon’s cheeks blaze as he tries his damndest to keep his eyes from drifting south.
“I read online that moving around helps with ideas, and I’m supposed to have a whole album written by the end of the week. I probably shouldn’t have procrastinated…” you trail off with a half-hearted chuckle, “so now I’m throwing everything at the wall to see what sticks, y’know?”
He hums. “You wanna be a singer?”
“Mhm!” Your updone hair bobs with you, reminding him a little of a bobblehead. It’s almost cute enough to make his AMs worthwhile.
“Then you better start singing somewhere else, sweetheart. The walls are just as thin as the floors.”
And Leon immediately turns his ass around to go back to sleep.
In hindsight, it might’ve been a little mean of him to leave like that. But his bed is just so heavenly, and with the sleep deprivation he’s been racking up lately, Leon’s half sure he just dreamed that entire exchange. There’s no way a girl like you in college – in her 20s, give or take – is seriously jumping on her bed on a Friday night for a homework assignment. That too in a dress fit for the club to add to the irony. Are all creatives this weird?
He pinches the bridge of his nose as the elevator descends, pushing aside his last glimpse of the glum expression he left you with in your doorway. So much for first impressions. But hey, you didn’t really make a great one either. He’ll call it even. Maybe get you a gift basket for chivalry’s sake.
He considers all this as he slips back under his blankets, finally, at 9:45 PM.
And then he hears a creeeaaak.
“Please,” Leon groans, jamming his pillow over his ears.
Thump…thump?
Nix the gift basket.
6:00 AM on Saturday finds Leon with his eyes wide open and glazed insomniac red.
His alarm blares as if to say, you actually thought you’d need to get woken up, didn’t you?
It’s a little patronizing. He teaches it a lesson by throwing it off his nightstand.
Sometime between 11 and 12 at night, you’d gotten bored of your bed and taken to something with wheels. An office chair is Leon’s best guess. You’d rolled across your floor all night, and the resulting clatter of plastic grating on hardwood had kept him awake until the sunrise. Hangovers were more pleasant than the night of sleep (or lack thereof) he’d just gotten, and Leon’s no wimp. He’s a man, goddamnit. A decorated government agent!
So he handles the problem at its source. Whips out his flip phone like a man, and makes a very important call.
A disgruntled female voice crackles through at the first ring. “May I remind you that this line’s only for emergencies, Leon?”
“It is! I need you to find me another apartment, Hunnigan, please,” Leon sits up, rubbing his eyes to plead his case to an unimpressed Ingrid Hunnigan. “My upstairs neighbor won’t let me sleep. The floors are thin as hell and she’s been moving around all night. It’s even worse than my last place.”
“Really? An old lady is giving you that hard of a time?”
“She’s college age — a singer — and when she starts singing for her homework all the time, I’m really not going to get any sleep. I’m begging you, Hunnigan. Get me out of here.”
“Strange.”
“Isn’t it?”
“Truly,” Hunnigan deadpans. “You know how hard of a time I had getting you into an apartment building only for people over 55, Leon?”
He winces, holding the phone a little further from his ears just in case.
“How many favors I had to cash in, strings I had to pull, all because you’re hopeless at navigating an apartment listing site, let alone anything on the Internet? Do you realize I had to do that in my personal time because your request would fall under illegal use of federal intelligence resources?”
Leon falters. “I didn’t-”
“So here’s what you’re going to do,” Hunnigan says shortly. “You are going right back to your neighbor and working out a solution like an adult.”
“But I already-”
“You’re solving this on your own, Leon. Figure something out because I know you can delegate. Got it?”
He really doesn’t. He’s only good at that outside of the US.
“Is that clear, Agent Kennedy?” Hunnigan repeats for semantic measure.
“Crystal,” Leon mopes, sapped of all hope when she ends the call with a ‘good luck’, just like back in Spain. A familiar routine.
He’s back in front of Unit 304 by 9:00 AM.
You open your door with a half-chewed yawn, wrapped in a robe and looking deceptively angelic, that is, if it weren’t for the immediate pinch your pretty brows take on when you grace him with a decidedly sour look.
“Up already?” Leon tries.
This time all he gets in response is a quick nod, a mouth parted in distaste.
Forward march, Kennedy.
“You were up past midnight. I heard you, y’know, on your chair. Kinda loud.”
“I’m not annoying you on purpose,” you sigh, tucking your arms into a tight cross over the fluff of your robe. “I just really have to turn my album in on time and I’m having crazy writer’s block. They told me the people here are quiet and easygoing. I haven’t had a single noise complaint so far except for you, did you know that?”
“That’s because everyone in this building either has hearing aids or doesn’t realize they need them yet,” Leon grits. “I don’t even know how you got in here, to be honest.”
“A sparkling letter of recommendation, thank you very much. And you?” You push up on your toes indignantly. “Are you just older than you look? ‘Cause you might need a pair of hearing aids yourself.”
Leon bites back a scoff. “Don’t need ‘em. I can hear you plain as day from below.”
Sirens are starting to blare in his head and it’s like he can feel Hunnigan glaring at him from her HQ in the sky. Aborting mission again isn’t an option. If Leon doesn’t fix things now, he’d be starting bad blood that might outlast the combined remaining lifespans of the building’s tenants. His salary could cover rent that long; his ego, not so much.
You’re about two seconds away from shutting your door in Leon’s face before he interrupts with a save pulled straight from his ass: “I’ll help you write your songs.”
So instead, you squawk, “What?”
He sticks the toe of his shoe in your doorjamb for insurance. Blurts, “I mean it. I’ll help you come up with ideas.”
“How on Earth would you do that?”
Great question. No better time than the present for the both of you to find out.
“You said moving around helps?” Leon repeats for you to confirm with a quizzical nod, “I’ll take you anywhere you want. Anywhere in the city, you name it, I’ve got a motorcycle I’ll get you there on. It’ll be a change of scenery. Just whatever you do, enough with the gymnastics at midnight.”
It’s a desperate lifeline, a creepy one now that he’s had more than two seconds to think about it, but a lifeline nonetheless.
And to his horror, all you do is stare.
The resulting silence feels like crystallizing amber. A clock ticks agonizingly from somewhere in your living room. Tick, tick, shit, he desponds. But thankfully, your laugh bubbles out not a moment too soon, sending a tsunami of relief down his shoulders.
“Gymnastics, really?” you snort, covering your mouth with a well-manicured hand.
“I’m serious.” Leon shoots for a winning smile. “But I have to ask, is working late also part of your creative process?”
Your eyes crinkle maybe, but you shake your head no.
“Then we’ll go whenever you’re free. Show you a few of my favorite spots, see if it speeds up your songwriting. Sound okay, sweetheart?”
“How about now?” you pipe up.
Leon coughs his splutter into something more dignified.
“You said whenever I was free! It’s a Saturday, you’re free,” you point a finger at his chest, “I’m free,” turn it back on yourself, “and I need to finish writing my album by, like, yesterday. This is perfect!” With a miniscule squeal, you disappear back into your apartment.
Leon’s left standing in your entryway wondering when his lifeline became a dynamite detonation cord.
“You haven’t even asked me my name,” he calls out to deaf ears. Cups his hands for effect because he can hear you flinging hangers onto the floor. “Don’t they teach you about stranger danger at school?”
“I’ll find out eventually!” floats back your worrying response.
You’re an efficient dresser, Leon gives you that. A thankfully normal one too at the dress and heels you rush back up to the door with. A large pair of cat-eye sunglasses perched on the bridge of your nose makes Leon do a double take at the cloudy sky outside, but then again, maybe it’s another part of your creative process. Beyond his pay grade.
You adjust your sunnies with gusto, grin up at him when he gives you a curious look.
“Well, go on,” you say, pulling out your phone.
Leon blinks at the glowing rectangle.
“Number, name?” You tilt it as if you’re trying to entice a toddler. “I can’t just keep calling you Mr. Noise Complaint.”
“Aw, you’ve been telling your friends about me?” Leon chuckles at last, pulling out his flip phone and handing it to you.
And suddenly it’s your turn to stare at a piece of foreign technology.
You take your sweet time putting in your number. It’s very entertaining, the way the tip of your tongue sticks out the tiniest bit when you make a mistake and the sound of furious keypad backspacing follows right after. Leon’s no better, setting himself on your phone as “LOEN KEENAYD”, and with his pride bordering on hubris, he has no choice but to keep it that way.
“Really small backspace key,” he fibs when you peer at the gibberish in your contacts.
Your lip bite makes for a piss-poor job of hiding how funny it is.
“It’s Leon, by the way. Leon Kennedy. Apartment 204.”
You fix his name in half the time it took him to put it in. He holds his hand out for a shake, timeless enough, and you give it three businesslike pumps.
“I have to grab a spare helmet from my place, I’ll meet you down at the garage,” Leon promises.
You point at him before stepping into the elevator. “Either your idea works or I’ll have to work past midnight to get this album done and then you’ll really owe me, Leon.”
In another life, you could’ve been a CEO. You’ve certainly got the pointer finger for it.
Leon tips his chin in acknowledgment. “Whatever it takes to get back into your good graces, ma’am,” he grins.
That gets a cackle out of you as the elevator doors slide shut.
And he takes the stairs this time, waves good morning to Eunice in 215 on his way to pick up that helmet for you. It must be a good day, Leon thinks, sounding out your name in his phone’s contacts. Eunice even has a post- Great Depression era vinyl playing on her record player. Maybe it’s a sign to not be so glum about his situation. He’s finally fixing it, isn’t he?
So be it. A guy can dream. In Leon’s case, he’s hoping he gets eight hours by Monday.
psst, find more of my work here!
comments and reblogs are very much appreciated <3 take care and i love you!
divider by @/saradika-graphics <3
#📮 delivery#leon kennedy#leon s kennedy#leon kennedy x reader#leon x reader#leon kennedy x you#leon kennedy fluff#leon kennedy x y/n#leon kennedy fanfic#leon kennedy fanfiction#resident evil#infinite darkness leon kennedy#id leon#bed chem sabrina carpenter#vaaaaaiolet#ao3 fanfic
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Batman Has Arrived - Matt Sturniolo
Pairings - fwb!Matt x fem!Reader Summary - Two weeks into the break Matt proposed, he pops up on you at a Halloween party. Warnings - Strong language. Sexual suggestions. Fluff. A lil angst?? W/c - 2560 A/n - That tiktok Matt posted had me dreamingggg. It's now no nut November (idk if I'm participating) so I didn't want to turn this into a smut lol. Let me know what you guys think!! 🦇 Tags - @lvrsturniolo @thepubeburgler (if anyone else wants tagged just let me know!) My Masterlist Current series - City of Love (Matt) Current works - part two to You Like me? (Matt) Latest work - Pierced (Chris)
“Code red!” your best friend sounds from behind you, making you whirl around to face her. “He’s here and he’s so pissed,” she tells you before taking a sip of her drink. Your heart drops to your stomach, the drunken haze you’re in isn’t making it better, “you told me he wouldn’t be here!”
“I didn’t think he would be!” she throws her hands up defensively. It had only been two weeks since Matt proposed a ‘break’ between you two. His reason being - ‘he wasn’t in the right mental state for a girlfriend.’ You thought it was bullshit, and it was. Matt had a bad habit of not being straightforward with you. Truth be told, even though he was always the one to suggest a break, he was always the one to come running back. His constant need to go back and forth left you feeling mentally and emotionally exhausted. This wasn't the first time he brought up the idea, in the beginning you'd constantly check in on. After the third or fourth time of him doing the same stupid shit, you decided ignoring him was best.
Already knowing how the night will end, you pour yourself another shot. Before you can bring it up to your lips, “Batman has arrived,” you hear your best friend scoff. She throws a shot back with you as Matt approaches the kitchen island. “Drinking away your problems, huh?” the familiar voice makes you hold your breath out of nervousness.
You roll your eyes almost immediately, “I didn’t have any problem until I noticed you were here.” You were still holding a grudge. It had been six months since you and Matt first started hooking up. He was probably the most confusing man you had ever been with. One minute he’s talking about a future with you, and the next he’s telling you he needs a break, that he's not ready for a relationship. You’d feel a lot better if he actually communicated, telling you what’s truly wrong, but he did the exact opposite. He never told you shit, just springs unexpected breaks on you like your feelings don’t matter.
Even worse, Matt knew you were head over heels for him. Everyone knew. The way you stare at him when he was in close proximity resembled a schoolgirl swooning over her first crush, that’s what it felt like anyway.
“Don’t be like that, Y/n/n,” he says after leaning down to your ear. The loud music blaring through the house made it hard to hear anything. His hands fall to your waist, and he leans you back against his chest, “I only came out tonight so I could see you.”
You tilt your head to get a good look at him. Black paint smears over his eyes making him look more mysterious than he already did. You gape at him, “Batman?”
Matt’s fingers make gentle circles on your waistline, the fabric of your costume bunching up in the process. You were dressed in all black, as a fallen angel. Before the break, you and Matt planned on going as Catwoman and Batman, inspired by Robert Pattinson and Zoe Kravitz. It was one of your favorite superhero movies, along with his. Apparently, Matt wasn’t creative enough to come up with another costume idea. Seeing him in the costume you coordinated for him made your stomach twirl. Little did you know - he was praying you'd come dressed as his Catwoman.
“Fallen angel?” he asks before he spins you around to face him. You nod, a bit taken back with how touchy he was being. Matt wasn’t the pda type of person, just like he wasn’t the going out type. You figured Halloween was a special occasion since it was his favorite day of the year. Matt keeps his grip firm, “you look really good.”
“Are you drunk?” you ask him, leaning in so he can hear you better. Matt immediately shakes his head, “I can’t miss you?”
Sucking your teeth and shaking your head at him, “no.” You let your eyebrows knit together, looking at everything except Matt. Truth be told, every time he suggested a break it left you heartbroken. In a way, you felt like you weren't good enough to be his girlfriend. That’s how the constant back-and-forth shit made you feel, like you weren’t good enough for him.
Your drunken state makes it harder for you to blink away the tears prickling at your eyes. Matt’s hands move from your waist to your arms, rubbing them gently like he’s trying to distract you. “Well, I do,” he tells you, searching your face for answers neither of you seem to have. The reasoning behind all the breaks wasn’t because of another girl or wanting freedom. It was simply because he felt like his mental health didn’t allow him to treat you the way you deserved to be treated, and he knew that.
Sucking a breath in and deciding to stay strong, “I’m not doing this tonight, Matt. I came here to get my mind off of you,” you spit out as you take a step back. You run your finger through your hair, hoping the night wouldn’t end how you expected it to - in Matt’s bed.
Before he can say anything else, your best friend, who had been eavesdropping the whole time, snatches you out of his grip. “Okay,” she stretches out, “that’s enough arguing for tonight.”
Matt’s face drops and he keeps a firm grip on your arm, “what? We weren’t arguing,” he defends himself. You look down at the tight grip on your arm, “c’mon y/n/n. Please don’t be like that,” empathy leaking through his words.
You open your mouth to speak, but before you can Chris appears out of nowhere. He whispers something in Matt's ear, making him realize he’s causing a scene. He keeps grip tight as he looks around the room, taking in the people who are staring at you two. Innocent bystanders probably thought he was some crazy overprotective boyfriend. That wasn’t the case though, and it made your heart hurt. Matt being possessive over you was pointless if he never had any plans to make you his.
Six months. Six months you had been fucking him and he still hasn’t asked you out. You were losing hope at this point. You had the ‘don’t go back to him’ talk with your best friend time after time but you never learned your lesson. Nights like this always ended with an angry Matt fucking you into his mattress as you spoke in tongues against his pillow, leaving drool stains on the process.
Chris wraps arm around his brother's shoulder, guiding him away from you, and waving an arm over his shoulder. It was his way of signaling you to get the fuck out of there. You quickly take notion, spinning around and hauling ass out of the kitchen, your bestie close behind you.
“That was fucking intense,” she tells you once you lead her to an empty bathroom, closing the door behind her. You groan, throwing your head back, “did you see how fucking good he looked?!”
“No, no,” she says in a panicky tone. “You’re not going home with him tonight!” She knows you too well. Looking in the mirror, you critic your Halloween makeup, making sure none of it got ruined yet. Your best friend makes her way to the toilet, quickly dropping her pants and squatting, “sorry I have to pee.” You shrugged at her, knowing you’d do the same if you really had to pee.
“I feel so bad though,” you tell her while applying more lip stick. “Bitch, he should feel bad for constantly playing with your emotions,” she scoffs.
“He does. You seen his face,” defending him against her harsh opinions wasn’t uncommon at this point. Y/bf/n was just as protective over you as Matt was. Her knowing every detail about the relationship you shared with him made her question his true intentions towards you. You were never the type to have a friends with benefits relationship, and Matt was pretty much forcing you into it. He hadn’t left you alone since the first night he had you, but he never talked about furthering things either.
“Just because his face says one thing, it doesn’t mean it’s accurate,” she tells you honestly. She had a point, but you knew Matt. You knew he wore his emotions on his face before he communicated them to the world. He held a lot back from a lot of people, you included.
You shake your head in disagreement, but before you can talk, she does, “I know you’re gonna leave with him. But at least tell him what you actually want before the night is over and if he doesn’t give it to you then you need to leave him alone. Matt’s not good for you, Y/n.”
After y/bf/n finishes lecturing you, you quickly exit the bathroom, making your way back to the living room. Only problem was, Matt was standing by the doorway with Chris and Nick, scoping his surroundings in hopes to find you. As soon as his eyes land on you, his feet move in your directions. Nick and Chris in tow close behind him, you’d think they were babysitting their drunk brother, but Matt was nowhere near drunk. He was fuming.
“Y/n,” he calls out as soon as he approaches you. You let your face do the talking, scrunching your nose at his comment. Matt never called you by your first name unless he was serious. “You’re coming home with me,” he states, not bothering to give you an option. He quickly redeems himself, “cause you’re drunk.”
“Right,” you huff, running a hand through your hair, “that’s why.” Matt's lips curve upward a bit like he’s trying to smile but he fights it off, keeping them pin straight. Nick lets out a laugh behind him, followed by Chris. Ear hustlers.
You really didn’t have the time or patience to have your Halloween night ruined. You were a girl who liked to have a good time, so Matt putting a halt on your night made you give in to what he wanted. Anything to avoid the conflict at all costs, you had a soft spot for him. You couldn’t tell if it was black paint he had smeared across his eyes, something told you had to go home with him. Then again, your conscious convinced itself every other night you needed him. Holding out for the past two weeks did neither of you the justice it should’ve. It only made the infatuation worse.
Not even twenty minutes later, you were in the passenger seat of Matt’s car. He sped through traffic occasionally glancing at you with the sour expression still stuck on his face like glue. Two weeks and you were already wasted at a Halloween party, giving any random guy the opportunity to make a play on you. It pissed him off to no end.
Matt knew every time he suggested a break, it broke your heart a little bit more. He couldn’t bring himself to publicly announce your relationship, he feared the attention would ruin it all. If you were soft for him then you’d be soft when the hate comment came along too, and he wasn’t willing to let that happen. As overprotective as he was, he knew he’d lash out at anyone who threw a negative comment your way. He had a soft spot for you, he just didn’t let it show. Deep down, you could sense it every time you were with him and that’s what reeled you in more each time.
“What’s with the looks?” you decide to finally break the silence, cutting the tension that floated in the air. It didn’t matter how mad he was, the Batman costume was doing wonders for you. Matt gives you the silent treatment, mentally scolding himself for practically kidnapping you. He knew it was toxic, and he knew he was the cause of it. The rest of the car ride is silent until he pulls up to his apartment.
“C’mon Matt,” you whine, “I really like the way your face is painted,” pulling the sleeve of his shirt. Not wanting to fight with him anymore, you caved like usual. Instead of letting his shitty mood get the best of you, you made light of it, doing anything you could to make the night end well.
“You’re crazy, you know that?” keeping his tone low and teasing, “you ghost me for weeks and now all the sudden want me, wonder why?” This wasn’t unfamiliar for you and Matt to be so hot and cold with each other. Whether you liked it or not, it happened too frequently. As soon as the door is open, you rush inside to kick off your shoes, stumbling in the process, “slow down!” Matt reaches a hand out, snaking it around your waist to steady you. A blush creeps up to your cheeks as you hold on to his bicep in an attempt to steady yourself even more, “I’m drunk.”
“I know, baby. I can tell,” he keeps his grasp tight on you, kicking his shoes off, and leading you to the bedroom. Needles and pins stick into your feet with every step you take, making you take a mental note to never wear those heels again. Matt pushes his bedroom door open revealing his messy room. He never made his room look nice unless he was expecting someone you. In a way, you found it comforting because you knew he didn’t fuck anyone during your breaks. Instead, he sulked, trying to find ways to make the situation better but it never worked. He never put in full effort, and he knew it. It killed him.
You take your spot on Matt’s bed, making yourself comfortable. “I’m gonna go wash up,” he tells you quietly.
“What nooo,” you stretch out, rising to your feet and stumbling in the process. “I told you I like it,” crossing your arms over your chest.
“Seriously?” He asks as he takes off his jacket, hanging it on the back of the door. “I thought you were kidding,” he chuckles. Even though he was still upset over the whole situation, he couldn’t help but think your drunken haze was the cutest thing. He loved how goofy and playful you were, like all the shyness disappears.
You reach out to him, taking the hem of his sleeve between your fingers, “I really wanted to be your Catwoman tonight, y’know,” giving him those seductive doe eyes you mastered years ago. That look made him crack every time.
“The least you can do is be my Batman,” filling in the gap between the two of you. You press your body against his and wrap your arms around his neck, “you missed me?”
Matt hangs his head, making sure he’s ear level to you, “I did,” growling lowly. He places a sloppy kiss on your earlobe and sending shivers down your spine. Matt's hands wrap around the back of your thighs, and he pulls you closer to him. It never failed, as soon as he got you in his possession, there was no keeping his hands off of you. The break ended right then and there.
#matt sturniolo#matt sturniolo x reader#matt x reader#matt sturniolo imagine#matthew sturniolo#matt sturniolo smut#matthew sturniolo fanfic#matthew sturniolo smut#matthew sturniolo imagine#matthew sturniolo x reader#matt sturniolo fluff#matt stuniolo fanfic#matt sturniolo x you#matt sturniolo fanfic#chris sturniolo x you#chris sturniolo x reader#chris x reader#frat boy chris#chris sturniolo#sturniolo triplets#christopher sturniolo#sturniolo#nick sturniolo#nicolas sturniolo
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Finished chapter 1 of the original work with exactly 2,000 words.
#snoweytrashposts#snoweytalks#snoweyrambles#snoweyrants#random ramblings#my random bullshit#writing#creative writing#writing process
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loving is terrifying — han jisung. best friends to lovers. accidental confessions (1.6k words)
in the midst of ranting, han jisung accidentally confesses he’s in love with you
“And if I burn the whole school down, would you bail me out of jail, Hanji?”
You’re still only a few sentences into the important speech you were asked to write, and you’re starting to feel agitated, chewed up pencil carving out your thoughts on paper before finding its way abandoned on your desk.
It’s been a few hours, and you’d chosen to put the pencil down lest you want to bring yourself to insanity.
Pretty lies usually come easy to you, but now they’re burning holes into your skull and flicking the ashes into your brain. In the reprieve, all you can think about is your anger for the authority.
“Bold of you to assume I won’t be your accomplice.” Jisung retorts from where he’s seated next to you on the floor, arms crossed behind his head as he leans against his couch.
“There’s just so much wrong in the system. Their code of rules deprive students of their creativity. Only the top students have a multitude of opportunities waiting for them. And don’t get me started on how the authorities put so little value into culture and societal issues. Everything is wrong, just wrong in all ways!”
There’s a word count in Jisung’s head on how many times you’ve said wrong in one sitting, but he’s looking at you with a hint of something in his eyes. Almost adoration.
“And we can change it by burning the school down?” A tone of amusement is laced in your best friend’s voice, though you fail to search for a trace of judgment.
“We can start there. Then the world.” You take the pencil back and fiddle with it between your fingers.
“The world? That’s very ambitious of you.”
You glare at him.
“I didn’t say I wouldn’t be by your side. I like ambitious.” Jisung smiles at you, making sure to lock his eyes with yours so you can see heavy genuineness where his pupils are. “What’s the next step then?”
“Climate change.”
Jisung throws his head back in quiet laughter, and the slight movement allows you a whip of his laundry detergent from the white shirt he’s wearing. “Okay, climate change.”
“You’re making fun of me.”
“I’m not!” His lips quirk up into a smile, eyes morphing from crescents to a full moon as he struggles to defend his name. There is still laughter even in the way he licks the inside of his cheek and takes your hands in his.
You fail to copy his laughter.
“Your eyes are upset. Are they directed at me?” Jisung softens his voice, only speaking one his laughter has boiled down. He pulls you closer than you already are, and you don’t notice the way he grabs the pencil between your fingers in the process to set it down.
“Of course not.” You mumble. “I’m mad at everything else, at everything wrong.”
A tally adds to his word count.
You sigh when you let go of his hands to take the paper in your own, eyes leaden as they scan across the sentences you had bullshited earlier. “I don’t know how I’m supposed to write this.”
“Just scream it out.”
“What?”
“Scream out what you actually want to say.” He grins.
You gape at him.
“I’m not screaming in your living room. Your neighbors are going to think someone’s being murdered.”
“Then just say it. Whatever you want to say. Everything wrong.”
“I don’t know where to start.”
“Okay, I’ll start then.” He smiles, and it’s heart-warmingly encouraging. “I wish it was easier to ground myself. I live in my head most of the time, and opening up is hard, and I wish forming any form of relationship wasn’t so scary.”
“Ji—“
“Okay, now your turn.”
“We are not going to ignore what you just said.”
“I said, your turn.”
“Jisung.”
“Please?” He places a hand over yours, and it’s enough for your brain to short circuit.
“Alright, fine. But we are going to talk about it later.”
“Now, what about those things that are wrong?” Jisung asks, giving your hand a gentle squeeze before letting go.
“Well, uh— our poor education system, that’s for one. And, the government. Blatant sexism too, how stupid the patriarchy is, how I still can’t parallel park for the life of me.”
You start with sporadic things, the ones that instantly pop in your head when you think about things that make you upset, and as you continue to talk, you dig a little deeper, and you don’t even realize you’ve stood up and your hands are flailing around like a salesman by the second.
“And, don’t even get me started on the transportation system. It’s so dumb how car-centered design came to be because how is it that the people who have access to private vehicles also have the easiest routes over the less fortunate who walk or commute? Like, why do we have to adjust to the roads?”
There’s a long list of things you want to say, finally letting loose and narrating all the things you’ve kept locked away in the back of your mind because you’re with the one person you can trust. When you meet Jisung’s gaze, he’s looking at you in awe.
“I hate how we’re branded as prodigies when we were younger. I hate the expectations that come with it, that we have to be great all the time, and, oh, this actually feels really good.”
Jisung chuckles at the way you come to a sudden realization, but he’s always known you were wiser beyond your years. “You’re brilliant.”
“Well, you have to say something too!”
Jisung fiddles with his fingers, trying to think of where to start. Though, the brilliance that is you and the opportunity of having this moment with you is enough motivation for him to follow suit.
“Uh, it’s so scary how superficial people are nowadays, and how so quickly they’re let down. It stresses me out how a single mistake could cost you so many relationships, but at the same time, who will stress out if not me? And it makes me realize how lucky I am to have the people in my life, and having an opportunity to talk like this really fuels my positivity in life, and it makes me realize even more how much I strongly feel like my life is for you guys, and there is nothing more important to me than being able to be a good person for you guys, like you. I wish I could be the bestest friend for you, maybe even more than that, but fuck, loving is so scary so I wish you’ll never find out how I’m so so in love with you— wait.”
The room falls silent and he’s thinking of a thousand different ways to die on the spot. He’s embarrassed. This is embarrassing, and he’s thinking it really wouldn’t be too late to jump off the bedroom window and hope for the best. A thousand different ways, maybe pretend he never said anything, stand still and maybe you’d think he wasn’t there in the first place. A thousand different ways.
“Han Jisung.”
“Soooo, haha, where were we in your speech again?”
Jisung doesn’t meet your eyes for the fear of rejection. He doesn’t think he has the heart to handle it right now, especially not after his accidental confession.
“Did you mean what you said?”
“About how superficial people are? Of course, it’s so scary. Hey, did I tell you about the tim—“
“Is being in love with me something wrong?”
He falls silent, and you can visibly see him start to panic, and his hands are pressed together as if in a prayer as he’s shaking his head profusely. “No, oh god no, it’s not. Honestly, it’s one of the only things I’m sure of, and that says a lot because I’m not sure of anything. I’m not even sure I’m in the right course or the right school or if I’m spending my money the right way, or if I’m even gonna live tomorrow, but fuck, loving you and everything about you is something I will never question.”
You can feel yourself start to smile, and Jisung finds himself copying you. It’s one of the first things he knew he loved about you—your smile, and the way you think, and the sound of your laughter. Despite his erratic heart beating and his fear of this exact moment, he still finds himself smiling when you do.
“I’m in love with you too.”
“What?”
You can visibly see the gears in his head turn, and he’s writing a story he doesn’t know the ending to just yet, but the beginning is so beautiful because it’s with you. Then, he laughs. It’s breathy, and you can almost hear the relief. “Did you just say you love me?”
“I did.”
“Oh my god. Oh my god.”
“I’m in love with you, Han Jisung.”
“I’m going to die.”
You laugh, and then he snaps back into reality.
“Can I kiss you?” His tone is so careful, but there’s a hint of something you can only recognize as a slight desperation—like he’s been thinking of it a while.
Jisung reaches out to wrap his arms around your waist, albeit a little shy. It’s a pattern that’s already so familiar. He isn’t a stranger to hugging you, in fact, he’s done it a million times, but the connotations to this one is a little different, and he can’t think straight at the possibility that you might actually consent to letting him kiss you.
“Okay.”
Words that haven’t left being translated into the motion of his lips moving against yours. Honestly, he doesn’t even know who went in for the kiss first. All he knows is his hands are gently rested on your waist and he’s actually kissing you right now, and you can feel the way he’s smiling into the kiss.
It takes a few minutes for you two to pull away, a little out of breath, and he leans in to try and kiss you again but your noses bump against each other’s, and the pair of you can’t help but laugh at how the events of the night had turned.
Jisung marvels at the way everything feels so simple, so right.
“I’m not dreaming, right? Like this is actually happening?”
You laugh even more.
Jisung’s always been afraid of venturing into the unknown, always kept his feelings hidden, and he’s always loathed his mouth for being so uncontrolled with the things he says. But now, with you in his arms, he couldn’t be any more happier about the slip of his tongue and how being with you feels like one of the rare rights among all the wrongs.
#han jisung x reader#han jisung x you#han jisung x y/n#han x you#han x reader#han x y/n#jisung x reader#jisung x you#jisung x y/n#han jisung drabble#han jisung oneshot#han jisung fic#han jisung fluff#skz x reader#stray kids drabble#stray kids drabbles#stray kids one shot#stray kids scenarios#stray kids imagines#stray kids fic#skz imagines#skz fluff#skz scenarios#skz fanfic#skz han x reader
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this is just one aspect of the many reasons why @transformativeworks stance on allowing AI generated output to be archived on AO3 is not only hostile to its fan users, but to the artists who create the source material for the subsequently human-created transformative works.
this stance devalues not only the creative communal art that is part of the human experience being archived on AO3, but condones the devaluation of art production that is being pursued by profit-thirsty corporations on the other side of the WGA strike.
a pro-artist, pro-communal, pro-transformative stance must necessarily be anti-AI generated output being put on the same level as human created artistic expression.
@Passionweiss
#the position that 'well we can't enforce no AI text so them's the breaks' is bullshit#you can take an anti-AI stance while not taking a necessarily punitive approach#taking an anti-AI generated output stance means standing in solidarity with creative workers currently striking#and workers who are being brutally exploited to process the data to make large language models work#it's the bare minimum of an organization that defends human creativity#just take the stance - set the tone for the site and the community on it#allowing AI generated output to be equally valued on the site is confirming the devaluation of human creativity#and is fucking scab behavior
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Archie “Frost” Campbell Profile
》[Open Profile] Disclaimer: as I’m still working through the lore of Task Force Dagger, Archie’s biography is still quite bare. Everything else is finished :)
General
Name: Archibald (Archie) Charles Campbell
Callsign: Frost, Dagger-01 (TFD)
Age: 29
Birthday: 16th November, 1995 - Newcastle, NSW, Australia.
Face Claim: Callum Turner (Specifically - ‘Bucky’ from MOTA’)
Occupation: Fast Jet Pilot (F-35A Lightning II)
Affiliation: Royal Australian Air Force (RAAF - 75th SQN)
Rank: Flight Lieutenant (FLTLT)
Height: 183cm (6ft)
Education: Bachelor’s Degree in Aviation
Languages: English, Spanish, German
Appearance
Hair: Dark brown, wavy hair. Short back and sides.
Eye Colour: Grey
Facial Hair: Pencil moustache
Marks: None
Tattoos: None
Family
Unnamed Mother and Father
Grandfather (Former RAAF 460 SQN)
Pet: Vader (Black cat with white markings on face)
Affiliates
Task Force Dagger
Captain Lachlan Jones (2CDO)
Sergeant Damien Whitlock (2CDO)
Sergeant Daniel Greenhill (2CDO)
Sergeant Joseph “Joey” Hernandez (CCT)
Talullah Jones (ASIS)
Personality
Myers-Briggs Type: ISTJ (Logistician)
Honest and Direct: Archie is a straightforward, no-bullshit kind of person. Will tell his peers how it is without holding back.
Observer: Not one to talk much unless needed, Archie prefers to observe and analyse his peers or situation.
Archie is a level-headed person. He is calm and is able to keep his cool under difficult situations.
Archie doesn’t let his emotions drive his thought process. He is a logical person who bases his thoughts and opinions based on research and experience, and can become stubborn when he doesn’t particularly agree with something.
Skills
As a fighter pilot, Archie has inherited a range of skills apart from simply flying a fighter jet. There include:
Mental Skills: quick and accurate decisions, situational awareness.
Technical Skills: navigation, avionics, flight system and weapon proficiency.
Social Skills: effective communication, cooperation and working as a team, leadership.
Air Combat Manoeuvring (ACM), Fighter tactics and manoeuvres, etc.
Mission Planning
Maths and Physics, as well as creativity in situations.
Survival, Evasion, Resistance and Escape (SERE)
Archie also likes to partake in electrical work, commonly seen tinkering with devices and studying mechanical/electrical engineering concepts in his spare time.
Behind the Callsign
At a glance, “Frost” derives from his frosty attitude towards his peers around him. Being one to keep to himself majority of the time and only speaking when necessary, his attitude was often perceived as cold to others, even when he didn't mean it.
Though if you were to ask his squadron and ground crew, they’d tell you that they call him “Frost” due to his impressive flying skills, often leaving onlookers and other pilots frozen in awe. Almost like an advantage over opponents.
Biography
Archie was born in Newcastle, New South Wales, Australia on the 16th of November, 1995. Growing up, Archie would listen to his grandfather’s stories of being a pilot on an Avro Lancaster throughout the majority of WW2. Though a little incoherent at times, Archie still enjoyed them regardless as they shaped his childhood and future to come.
Throughout high school, Archie would spend a lot of time volunteering at an aviation museum alongside his grandfather as a technician assistant, working on maintaining planes on display whilst rambling bits of information of various planes to visitors. Archie would also frequent RAAF base Williamtown, where he would stand just outside the base and watch Super Hornets scream over his head. He wasn’t the type to stand out among his classmates, much preferring to stick his head in a book and soak up as much information as he could on various aviation and engineering topics. He graduated with a top ATAR score of 97.
Thanks to his constant exposure to the Air Force along with his grandfather’s stories, Archie knew he wanted to become a fighter pilot from an early age. In his later years of high school and after, he worked diligently preparing for multiple officer and screening boards during his application process. He managed to score one of five spots out of hundreds of applicants.
Archie then attended the Australian Defence Force Academy (ADFA), where he pursued a Bachelor’s degree in Aviation. He would be a maths tutor to a few of his peers in his spare time, but most commonly Joseph, his newly made friend who he bonded with over their love for Star Wars.
Upon graduating ADFA, Archie was sent to Perth to begin his initial specialist employment pilot training (ISET), where he spent a year flying the PC-21. He graduated from Number 2 Flying Training School and was recommended by his instructors to pilot the newly introduced and mighty F-35A.
Now part of 75th Squadron, Archie is posted to RAAF base Tindal in the Northern Territory to continue his training, also managing to deploy overseas to various locations such as the US and Japan.
At some point, Archie was approached and recruited into Task Force Dagger on recommendation from Joseph. Working with TFD would show him his first set of real combat outside of simulations and practice exercises. To be continued…
*(Archie would have been 26 years old when the F-35A was first introduced into the 75th SQN, a few years after he graduated ISET (22-23 years old). For story purposes, assume the F-35 arrived earlier.)
Trivia/Preferences
His favourite music band is Daft Punk. His favourite song from them is ‘Face to Face’. Also likes Coldplay, Kenny Loggins, Phil Collins, Foo Fighters, Linkin Park, etc.
In his spare time, he also likes to build lego sets and model jets. He’s also a gamer, preferring to play games like League of Legends, Cyberpunk 2077, Helldivers 2, etc.
He likes to wear Rayban Aviators in the colourway black/black or gold/green.
He is a big fan of Star Wars. His favourite movie is ‘A New Hope’ and he also really enjoys ‘Star Wars: The Clone Wars’. His favourite characters are Wedge Antilles and Commander Wolffe.
He likes to spoil Vader rotten! Buys him all kinds of toys. Even has a Death Star cat house. He has a really big soft spot for Vader which Joseph likes to tease him about, quote: “he is the only one to knock down that icy wall he’s built around himself.”
When Archie chose his aircraft preference, he originally chose the F/A-18F Super Hornet.
If he didn’t become a pilot, he’d become a mechanical engineer.
After his grandfather passed, Archie carries his ID tags with him as a source of comfort and support.
Archie was inspired by the character ‘Viper’ from Titanfall 2 and the song “Dodge This”.
#woohooo finally!!#I was gonna post him and Joey together but nah#he’s just a guy#archie campbell#task force dagger#my oc#my art#military oc#pilot oc
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All of Aabria's subtle choices as Suvi make me absolutely feral.
Subconscious hand movements and freedom?
The not so secret machinations of The Citadel coming through??
Utilizing resources that haven't been mentioned in ages in the most creatively controlled chaos to bullshit her way through a witch confrontation???
I am unwell in best of ways & need to lay on the floor and process everything that happened in this episode.
#worlds beyond number#the wizard the witch and the wild one#aabria iyengar#suvirin kedberiket#suvi the wizard#the wizard sky#wnb The Snake#vandal my beloved
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I did not get into Game of thrones when it first started airing. In fact, I waited until it was long past it's heyday (around s6 or 7) to check it out because the marketing and the conversation surrounding it misled me into thinking it was nothing more than "grimdark" bullshit. As one famous YouTuber sarcastically called it "hot fantasy that fucks." So, I avoided Martin's work for literal years due to the impression that I got from online reactors and show-only casuals who did as you and a few others have described as his work being fundamentally misinterpreted.
Fortunately, I overcame my hang-ups, purchased the books (even the supplementary material) and fell down an entire rabbit hole of ASOIAF which led me to recognizing that this world he spent decades creating is far more complex than what had been portrayed onscreen. Regardless of the possibility of the books remaining unfinished (which I am fine with, personally), what George has created is a genuine work of art that I imagine took a tremendous amount of time and energy. So, for so many people online to behave like children and throw tantrums because they feel entitled to him (ew) instead of ushering forth more reasonable conversations and legitimate debates about the nature of his situation frankly makes me look at this fandom with a heavy dose of skepticism.
It is truly baffling to hear even professional critics and see articles describing George as being "ungrateful" or "unprofessional" when it has been well-documented just how often authors get locked out of the adaptation process and left to the wayside as consultants. Look at what happened to Rick Riordan and Christopher Paolini! George R.R. Martin is not the only author to have qualms with how a multimillion dollar studio has mishandled his creative work, and to act like he should remain silent just because he's amassed a certain degree of wealth is quite frankly, ridiculous. He shouldn't have to settle down, be grateful, and stay quiet because the greedy corporate executives and their media drones will get offended by actual criticism that could alter the perception of the adaption being revealed as mediocre for having departed from the source material.
TLDR: authors should be allowed to speak up about their art being sacrificed for commercialization.
Thank you so much for this message, anon! This needs to be talked about more, because I don't think a lot of commentators truly understand the vulgar, late-capitalistic sheen that seems to set in and slowly poison any ASOIAF adaptation. It honestly baffles me how quick some members of this fandom are to rush to the defense of, what is essentially (let's not be kidding ourselves here), a cashgrab by a giant corporation to the detriment of the actual artist and the actual creative foundation behind it.
Why else would "MAX" (if that is even their name) make another (or several other) ASOIAF adaptations? Not to stay true to any philosophical aesthetic vision, as it has become more than apparent with Season 2, but to increase shareholder profits by appealing to the lowest common denominator. Even the basic premise has been shifted in order to address popular trends and satisfy the mindless consumer that doesn't want to engage with anything deeper than their favourite tropes, prettily packaged:
from a story about a doomed ouroborous family superimposed on the pitfalls of feudalism, with villainy and heroism to be found on both sides, it has been simplified and reduced to a narrative that exalts white feminism and disqualifies anyone who opposes its girlboss protagonist. This is Sheryl Sandberg's version of Fire and Blood.
Truly, I think Sara Hess did (unintentionally) outline it the best: "civilians don't matter in Game of Thrones". They don't matter in Game of Thrones, but they matter in A Song of Ice and Fire. The entire heart of the series is contained in Septon Maribald's speech. The writers "kind of", must have forgotten, though.
#she sure showed her entire ass with that comment#that and (to a lesser extent) 'oh i read the books a long time ago'. girl. we can tell.#(and don't think i'm letting ryan condal off the hook - he is the main shill in this equation)#ask#anon#grrm#house of the dragon#hotd s2#also i'm not in any way able to speak on grrm's behalf here because i don't know the man's prior financial situation#but a lot of writers would probably sell the rights to their books if asked#because it would finally mean they would have financial stability#in a field that pays notoriously very little. it's very difficult to support yourself as a professional writer. you'd have to sell a ton#and there's no saying when your popularity will suddenly declin and the cheques stop coming. what if you never have another good idea again#so do not be so quick to judge writers for 'selling out' or whatever the hell. they're trying to make a living too
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dear calware, I'm not sure how much you know on the topic of Doc Scratch, but I was wondering, why is the common consensus around him that he's like a creepy pedophile? after rereading his messages with Rose, he seems more tone deaf and weird than a fully on creep. is there something I'm missing?
scratch isn't "literally" a pedophile (or a hebephile, which is the accurate term for this situation) which we know because of this
but at the same time, that is still the Way he's written
(i'm sorry if this following explanation is confusing.... i really do not have the right wording to describe it) it's almost like a metaphorical representation. he's a child predator in every way but the actual sexual attraction. the way he's written references the behavior of actual child predators and is meant to signal to the audience that this is the Kind Of Character he is. it's a literary tool(?)to tell the audience that he is literally taking advantage of characters in various ways (as well as straight up abusing damara) while at the time comparing it to child sexual abuse
but if you do want literal actions on his part, he does Literally groom young girls and they are his targets for manipulation
also, directly from the author commentary (which. is not 100% serious at times. but i do think it sometimes offers some actual insight):
I know I just said a bunch of stuff about [DD] maybe being a creep. But look, this is just my OPINION here. I don't think he's actually being creepy about this. I think he has a genuinely parental attitude toward Aradia and wants to see her succeed in her violent and underhanded schemes. See how he wants them to conduct their business with efficiency? He's way too professional to go Full Doc on these girls.
Another peek at Rose suggests she's still at it with her creepy uncle, Doc Scratch.
Then you have a few beats of conversation which bring Equius to mind, such as the creep-factor
[Dirk and Equius] have this creepy-guy streak running through them, with strange or offputting interests, and seem to get a quiet kick out of making others uncomfortable through demonstrations of these fascinations. [...] I'd say these self-examined qualities are just drawn out, isolated, and inflated both for dramatic effect, and also as critical write-up of those qualities existing within many human beings in general, which I would like to think is grounded in a creative process involving a certain degree of humility about some of this bullshit. I like all these characters here, but that doesn't mean I think their unpleasant qualities are good. It just means I am harnessing and heightening those qualities for creating strong villainous portraits.
We start getting the sense that the entire purpose of this conversation, from Doc's vantage point, is just to passive-aggressively manipulate Rose into peering directly into one of his cursed testicles. Wait, my youth pastor is literally barking like a dog right now for some reason. Probably because I put him on a leash and tied him to a post in the backyard. I guess I fucked up again? I mean one of Doc's seeds.
Maybe it's fair to say I have a higher than average tolerance troubling content. But even I have to admit to shuddering a little when I read Doc's creepy lines toward Rose. I think Doc's creep factor toward girls is most likely channeling part of Caliborn's personality, which almost seems to revolve around his horrid attitude toward women. For Caliborn, this weird combination of wrathful misogyny, yet fixation and obsession with certain girls, is obviously central to the type of real-world profile he's meant to portray. But when his personality is more muted among the collective in Doc's head, those qualities come across as more "restrained," "polite," and "flattering," which arguably just makes it all creepier. The result is a creepy dude profile that also exists in the real world, sort of adjacent to the Full Caliborns out there. There seem to be many stripes of this kind of unfortunate male behavior, which all exists in a broader family of sub-Caliborns. The Docs, the Eridans, the Cronuses… They're all sketchy in different ways.
Doc sitting back just to "watch" is another creepy Equiusism. Remember that was a thing with him.
I wonder what Jade would think if she knew she had in her possession since childhood one of Doc's testicORACLES!!! Oracles. The word I meant to say was oracles, not anything else. Anyway, like I was saying, how would Jade react if she realized every time she played with one of her beloved toys, she was actually fondling this weirdo's plump, juicy oracle. I know you think my youth pastor may have something to do with this peculiar outburst, but you're wrong. I "dismissed" him recently, because he told me with great pride that I learned everything he had to teach me. I don't need anyone to keep me from shoving my foot in my mouth anymore, I'm sure you'll be pleased to know. Now let's watch this grieving teen receive a demonic message from an evil puppet's big fat nut.
bonus commentary from book 6 that has nothing to do with the post:
We're reaching a specific kind of story partition. Not the end of an act, but the end of a year. Also an end of "disc," which is a kind of meta-partitioning I just made up for the purpose of closing the book on two years of content, as well as being a good meta-device for introducing the Doc sequence we're about to get into in the next book.
"next book"...... sad
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Do you ever start something as a joke and lose complete control over your life?
In a world of dwindling hope, love has never mattered more... [read the full blurb here]
What is Hunger Pangs?
Hunger Pangs, often shortened to “Phangs” by the self-proclaimed phangdom, is my debut romance novel, published in Nov 2020, featuring a deaf, disabled werewolf, a neurodivergent, mad scientist vampire, and an all-powerful enchantress who is the last of her kind.
It is the first book in a slow-burn, polyamorous gaslamp fantasy romance series focusing on the relationship(s) and antics of the three main characters, Nathan Northland, Vlad Blutstein, and Lady Ursula, as they work to save the world they love from imminent magical and ecological disaster.
The first book primarily focuses on the relationship between Nathan and Vlad, with Ursula heavily alluded to in the next book (Pride and Folly) via some shameless flirting and stolen, impulsive kisses.
No love triangles here. Just three highly competent, world-saving bisexuals sharing the same brain cell the closer they get to each other.
There are two editions of the novel. The Flirting with Fangs edition depicts on-page sexual acts, and the Fluff and Fangs edition which uses alternative scenes/fade-to-black scenes for those who prefer not to read depictions of sex. You can read more about why I decided to do this here.
How Did Phangs come to be?
Like most things on my blog, the original concept began as a joke. My friend and enabler, @jeneelestrange, and I were talking about our least favorite tropes in romance/erotica, including but not limited to toxic “alpha” werewolves, brooding stalker vampire boyfriends, and the absolute profound bullshit that is the Conflicted Love Triangle and Bury Your Gays.
Eventually, it culminated in this post:
(source)
It was meant to be a joke. I really cannot emphasize this enough. It was meant to be a shitpost between friends.
A throwaway ADHD impulse.
Tumblr, however, wanted more of these posts, and like a swarming mass of drift-compatible rats in a trench coat, grabbed hold of my lack of impulse control and Ratatouille'd me into becoming an international bestselling author, and, well, here we are.
I also started writing the series while dying, which I highly do not recommend as a functional creative process.
Absolutely do not start a 500k five-part novel series about love and hope while dying from an undiagnosed genetic disorder. Or if you do, make sure you actually die so you don't have to edit the damn thing. (I am mostly kidding.)
What are the themes/tropes/character dynamics of the book?
In the simplest of terms, Phangs is a queer-polyamorous-paranormal-satirical-romance series featuring vampires, werewolves, and all other manner of creatures that go bump in the night.
It is set in a pseudo-regency meets fake-Victorian Gaslamp Fantasy world, complete with gothic castles, enchanted forests, and just a smidge of industrial coal dust.
Style-wise, Phangs has been described by readers as "like reading the queer, goth love child of Terry Pratchett meets Jane Austen," and I've never been more proud of anything in my life.
If Game of Thrones ascribes to the idea that the night is dark and full of terrors, Phangs is the monster-fucker politely sidling up to them at the bar and asking if they can buy them a drink.
It is also primarily a love letter to fandom, which has led some people to believe it’s fanfiction with the serial labels filed off. But as the person who spent five years agonizing over the world-building, I can assure you this is all very much the product of my weird little ADHD brain picking up tropes, shaking them upside down, and running off with whatever fun and interesting things shake loose.
As already stated, the first book, True Love Bites, focuses primarily on the relationship between Captain Nathaniel J. Northland and Viscount Vlad Blutstein.
The first part of the book primarily focuses on Nathan coming home injured from war and trying to find his place in the world as newly deaf and disabled -- something which alienates him from his werewolf family, who don't know what to do with an injury that can't be mended by a full moon.
While working on the island of Eyrie, he encounters Viscount Blutstein -- Vlad-- a neurodivergent, mad scientist dandy vampire with an enthusiasm for demonic botany and a streak of unfailing kindness as broad and expansive as the sky.
It's not so much love at first sight for the pair as instantaneous lust hampered by the restrictions of polite 1880 society and old ingrained prejudices that make them think the other couldn't possibly be interested in them that way. They're just misreading all those heartfelt stares and sexually charged chess games.
(The love is requited, your honor, they're just idiots.)
Both characters are explicitly queer/mspec, as is Ursula, who drops into their world like a magical atom bomb going off, but not before she spends her own parts of the book desperately trying to figure out what manner of dark entity is killing the magical shrines around the world that keep the world alive.
Thematically, the series touches on many things, but the book’s overriding theme is love. Romantically, of course, and love between families, both found or otherwise. But also love as an act of courage. As a choice. An act of defiance in dark and troubling times, and what it means to be loved and belong even though you’re different.
Especially when you’re different.
And I really fucking hope you enjoy it.
To read the full synopsis and check out the heat ratings, buy links and content tags, go to www.joydemorra.com
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