#count dracula bbc

[black-ak9]

"Drink as much as you want

I'd like to join you but I don't drink ...wine."

[darklinaforever]

I don't understand the problem people have with rewrites of Dracula that humanize him. Yes, Dracula in the original book is a pure representation of evil. But like Carmilla he is a fictional and almost mythological figure at this stage who evolves with the times. The myth of the vampire has changed, so it is logical that Dracula himself follows this model. The book will still exist, so what's the problem ? The same goes for offering him a romance, whether or not it is with a rewriting of the character of Mina or an another invented female character, or sometimes a woman linked to the Van helsing lineage, or even Van helsing changed directly into a woman !

Even Jonathan himself for exemple in order to explore a homosexuality or bisexuality in the story of Dracula ! Strangely I never see people revolting when Jonathan is placed as a romantic interest. I totally see where that's coming from, but the fact is that their relationship isn't good in the original material either.

As for the problem of Mina, a strong female character, apparently having her strong characteristics erased when she is made Dracula's lover... I don't agree.

After all, it all depends on how the thing is done. Yes, the Mina from the 1992 film is not the one from the book (which is far from being a flawless representation of a strong woman... Yes, for the time when the book was released, it works, but in our time modern era, there are flaws apparently, as with most works dating back a certain number of years), but she still remains a strong female character in her own way and morally ambiguous in this adaptation. It's just a different version. I particularly liked the version of Mina in the canceled series of 2013. These 3 versions of Mina are all strong women on different levels.

Don't make me say what I didn't say. I love the original version of Dracula, and I really hope one day to have a more or less faithful adaptation, but the rewritings of the characters of Dracula and Mina are not to be demonized. I also think that we will surely continue in the future to have versions where Mina and Dracula are associated together as lovers, as other times not. Maybe one day we'll even have a version with Dracula and Jonathan officially partnered as lovers. Who knows ? And everything will simply depend on the writing of the characters. On the other hand, yes, I am a little exasperated by the tendency to make Jonathan a character either bland or an asshole in certain adaptations. Give me the adorable Harker from the book for a change please... Anyway, these are my thoughts on the various adaptations of the Dracula myth !

[mechanicalemotions]

claes bang as dracula (i'm barking)

[not-el]

The Young Dracula boys

[jangmirina]

My favorite character all time.

Oh come to me, personal porn named Dracula.

[agir1ukn0w]

listen up freaks, I will enjoy my interpretations of Dracula as a truly monstrous creature representing disease and abuse and terror AND as a cunning, drop-dead gorgeous, bitchy sex god

[the-fucking-cannibal]

BBC Dracula (2020) and Renfield (2023) would probably be the most powerful couple on the planet, but ya'll aren't ready for that talk yet ☕

full uncensored version right here ♡

[hillsidecomics]

The long-awaited second instalment of Orlok Holmes: Vampire Detective has arrived in the Hillside Comics Shop! Can Orlok and his loyal companion, Dr. Jeff Witson, solve the case of the Neck-Bite Killer? Order your copy today, and save money by getting the Hallozine bundle! (Includes Dr. Acula 1-3 and Orlok Holmes 1&2)

[nocturnalnella]

Veil of Shadows. (Chapter I)

Word count : 903.

Warnings : None. (so far)

Pairing : Dracula x female reader.

Setting : Victorian London, 1889, amidst the backdrop of the Industrial Revolution and rising supernatural rumors.

Plot : You, an aspiring journalist, are investigating a series of mysterious disappearances linked to the upper echelons of society. During your research, you stumble upon an invitation to an exclusive gala hosted by the enigmatic Count Dracula, a recently arrived nobleman rumored to be both charming and dangerous.

Chapter I – Shadows of Curiosity.

The gaslights flickered in the damp London streets as you navigated the bustling crowd, your notebook clutched tightly in hand. Y/N, an aspiring journalist, had always been drawn to the stories hidden beneath the city’s surface, and the recent spate of mysterious disappearances had ignited a fierce determination within you.

You worked for a modest newspaper, yet your ambition pushed you to dig deeper. Each account of the missing—prominent figures from high society—had painted a chilling picture, and you felt compelled to uncover the truth behind their vanishing.

Whispers of a supernatural connection intertwined with the mundane, hinting at secrets lurking in the shadows of Victorian London.

As you delved into the investigation, you haunted the libraries, poring over records and old newspapers, each page revealing layers of intrigue.

The more you unearthed, the more unsettling the narrative became. It seemed the upper echelons of society were not only hiding their sins but also playing a part in the darkness that surrounded the disappearances.

Your late nights were filled with the rustle of parchment and the musty scent of forgotten stories. You had come across tales of a mysterious nobleman, Count Dracula, whose arrival in London coincided with the first disappearance. Lord Ashcombe, a well-respected member of Parliament, had vanished without a trace during a lavish soirée, his absence causing ripples of panic among the elite. Your research revealed a pattern; each missing person had been seen in the company of enigmatic figures at various high-society events. Rumours circulated that these figures were part of a secretive society rumoured to dabble in the occult, their gatherings filled with dark rituals and whispered incantations. You couldn’t shake the feeling that they were somehow connected to the Count, whose reputation was a tapestry of charm and danger a perfect enigma that both fascinated and terrified you.

One evening, as you combed through dusty tomes in a secluded corner of the library, a glimmer of gold caught your eye. A gilded invitation to an exclusive gala at the Count’s estate beckoned, promising a chance to uncover more than just rumours. Could this be the key to unlocking the mystery?

In your late-night research, you also stumbled upon a cryptic journal belonging to a long-deceased scholar. Its pages spoke of ancient curses and the allure of immortality, hinting at a dark legacy that echoed through generations. The scholar had mentioned a nobleman whose arrival would signal upheaval, drawing powerful figures into his orbit—an unnerving parallel to what was happening now. As the pieces began to fall into place, you felt a mix of exhilaration and dread. Could the Count truly be at the centre of this web of intrigue? Each clue added weight to the chilling realization that you were standing on the precipice of something far more dangerous than you had anticipated.

With a mix of excitement and trepidation, you resolved to attend, knowing that this gala could lead you closer to the answers you sought—or plunge you deeper into the darkness.

As you made your way home, the fog rolled in, shrouding the city in a thick veil. Your heartbeat quickened, not just from the chill in the air, but from the thrill of the unknown. You knew the path ahead would be treacherous, but you were not one to shy away from the shadows.

—

In the days leading up to the event, you transformed your modest lodgings into a flurry of activity. The dim light of your oil lamp illuminated the fabric swatches and fashion plates scattered across your small writing desk. You carefully selected an elegant gown from your limited wardrobe, a deep emerald silk that draped beautifully and accentuated your figure. The colour reminded you of the lush gardens that surrounded the grand estates of the wealthy—gardens where secrets might bloom as easily as roses.

As you stitched delicate lace to the sleeves, your mind wandered to the gala and the countless eyes that would be upon you. You envisioned yourself gliding through the crowd, a vision of poise and grace, but also determined to seek out the truth. You practiced your smile in the mirror, trying to exude both confidence and intrigue.

The final touch came as you adorned your hair with a simple but elegant arrangement of soft curls, pinned back with a jewelled comb that shimmered like stars. You imagined how the guests would gaze at you, intrigued by the mysterious newcomer.

You found an old leather-bound journal, its pages slightly yellowed with age. There, you began to jot down a few observations, notes on potential questions to ask and who might be worth your attention at the gala. Each word dripped with anticipation, a sense that this evening would alter the course of your investigation—and perhaps your life.

On the night of the gala, as you stood before the mirror, the reflection that stared back was not just a beautiful young lady but also a journalist a woman ready to face the darkness head-on. You took a deep breath, feeling the weight of your determination. With one last glance, you stepped out into the foggy night, ready to uncover the secrets that awaited you.

With determination etched on your face, you steeled yourself for the gala, knowing that the truth awaited—no matter how perilous the journey. The night loomed ahead, promising revelations that could change everything.

[weirdlookindog]

Susan Penhaligon in Count Dracula (BBC-TV, 1977)

[anncanta]

***

As I said before, what is obvious is often not noticed. Dracula's confession in the second episode (‘Agatha, you're exquisite’) seems so natural that we don't think what it's about.

And it is about expectations and reality, from three sides, – Dracula, Agatha, and the viewer.

Agatha expected that when she offered herself to Dracula, she would be torn to pieces. Instead, she received a chandelier, a wine cellar, an interesting conversation, and an admiring look. There may be something else, but they don't show it to us.

But there's something much more important. When Agatha realized what was happening and where she really was, Dracula stood up and suddenly made this confession. Doesn't anything about it seem strange to you?

Yes. He talks about her. The psychopath and narcissist (as the viewer expects him to be) would be talking about himself. He would celebrate the victory. If Dracula were who he wanted to appear and who, perhaps, up to a certain point he believed himself to be, he would say something like the following. ‘You were here with me. You loved it. You ate out of my hands. You couldn't take your eyes off me. If I wanted, you would have allowed me everything.’

But he says something else. He talks about how beautiful she is. And thereby reveals both his personality and the secret of what is happening between them, and the degree of his confusion in the face of his feelings and the woman he fell in love with.

It's incredibly beautiful.

[black-ak9]

[biellepics]

So... Im really in love with Dracula BBC. I mean, Claes Bang as Dracula is soooo hot 🥴

[could-they-be-a-pro-wrestler]

How successful would Dracula…

Would you like to submit a character? Click this link if you do!

[diana-andraste]

Louis Jourdan in BBC's Count Dracula, 1977

"Do you know the significance of the kiss? You are nourishment to me." Living death by seduction

Full movie at the link (recommended!)

[kbaker1431]

My friend hates me, She doesn't think Dracula does the whole sex thing, but on the whiteboard in our English room it says,

Wilde:" Stoker created the greatest sex monster if all time"

And I turned around and said told you.