#could you be any more pathetic

[chrissy-kaos]

Be mad you ugly ass cis bitch. She probably caught her bf watching trans porn 😂 there’s a whole ass reason why we’re better than you. It’s cool though I’ll just come dick down your boyfriend 😉

[gen-toon]

[aroaceleovaldez]

It's honestly wild to me that ToA went through so much trouble to emphasize the fact that Will did not magically fix all of Nico's problems and was explicitly not Nico's only doctor.

Only for TSATS to have Will fix all of Nico's problems and have Nico be entirely reliant on him the entire book and literally helpless without him and LITERALLY have Nico's problems be magically removed.

[vaguely-concerned]

what would I do without you. indeed illario.

lucanis trust me! indeed illario. the ea-nasir vibes on this shitty little rat of a man (somehow still slightly affectionate despite myself)

I am obsessed with WHERE this letter is found and what we're meant to read into those context clues. I don't have a handy save for this mission right now to double check the details, but from memory: It's the room across from what seems implied to be Caterina's room (Lucanis says these are the family quarters, so Illario has kept her locked in her own room all this time probably?? Oh oh house arrest, house arrest for grandmother for ten thousand years style)? We find the scraps of a letter from Zara to Illario, torn to pieces with one fragment still in the empty fireplace so presumably we're meant to assume he burned it, and this old letter from Illario to Lucanis lying neatly on a table. Whose room is this? Because here's a theory one could put together that has some real crazymaking potential for me specifically at least:

Considering that we're helpfully down to only three Dellamortes to account for, it's likely either Lucanis' or Illario's room. If I'm remembering right/let's for a moment assume that Caterina is being confined to her own rooms -- the fact that Lucanis is her favourite and also heir apparent I'd say tips the scales for me that it's likely she'd keep him closest, whenever he's home. Thus opening for the possibility that all this time Illario has been staying in the room of the cousin he murdered but as it turns out not hard enough that he didn't come back again like a haunting, reading his own old letters to him that Lucanis apparently kept all this time (!!! ow !!!), and sparing them from the spiteful fate he gave Zara's 'aww chin up you'll get 'em next time babe' one, right across the hall from where the grandmother he apparently can't bring himself to kill or seriously hurt even with everything else he's done is imprisoned and i n c r e d i b l y pissed off, if she gets out of there while he's sleeping or something he's fucked. Has he been sleeping in Lucanis' bed since kidnapping Caterina????? (did they ever share a bed, when they were children? for comfort if not ever out of real necessity?) is this some kind of incredibly fucked up way to try to be close to them both somehow even when he is the one who messed it all up to begin with? no matter what I have so many questions here what is WRONG with this family???????? (well I don't think we have time to get into all that right now that's a novel not a text post probably fhsdkj)

[megumi-fm]

.

[sad-endings-suck]

Blue Eye Samurai: regarding Mizu’s “plot armour” or her “ridiculously over-powered” abilities.

“Mizu is way too overpowered, it doesn’t make sense.”

I feel like a lot of people don’t realize just how much the mind over matter mentality plays a roll in Mizu’s “abilities”. Mizu isn’t the best because she’s physically the strongest, or had the best training, or the most experience, or whatever. Mizu is the best because she has single-minded focus and immense tenacity that borders on psychotic due to how intensely dedicated to revenge she has been for almost all of her life. All the years she spent training, all the time she spends taking out enemies, she is being driven by single minded focus and iron willed determination that never wavers. She has been sharpening and honing not just her body, but her mind, for exactly this. She has dedicated her entire life to her quest for vengeance, and in her own words, there is no room in it for anything else.

People also seem to be making a lot of assumptions about what kind of training and how much training Mizu has or has not had. As the audience, we’ve only been shown bits and pieces of Mizu’s past, which includes her experience learning martial arts. Asking shit like “how is she so good with a sword if she’s only self taught?” is like asking “how can she read and write if Master Eiji is blind?”. The answer is that Mizu has obviously learnt these things from more than one source, but documenting her entire education in detail doesn’t exactly serve a purpose to the narrative. We are explicitly shown in one of Mizu’s flashbacks that she’s been practicing with a wooden sparring sword since she was very young. It’s actually her child self that we see in that brief particular flashback. Not her teen/tween self, her child self. She’s also following the movements and instructions of an older man that is clearly a skilled samurai or warrior of some kind based on context (which y’all love to ignore). Besides, who else would want/need a sword from a master sword-maker besides an expert swordsman? How many skilled fighters from all over Japan have come to Master Eiji’s forge hoping for a blade, and wait with nothing better to do but train while their blade is being made? How many of them have divulged information about certain fighting styles (like Shindo-Ryu, which Mizu was familiar with despite never having been to the dojo before). Or practiced around her and with her? We are clearly shown through Mizu’s flashbacks that receiving training from a visiting client has not been unusual for her throughout her apprenticeship with Master Eiji, and her little spar with Blood Soaked Chiaki was no one time event. Yet Mizu is never given the benefit of the doubt by the audience, despite context clues indicating that she should be.

“Taigen has way more training in an actual dojo, so why is Mizu better?”

Whereas Taigen, while he was determined to become more than just a fisherman’s son and was driven to rise through the ranks of the Dojo and become a skilled samurai, did not have that same desire or determination to hone every part of himself to be the most deadly weapon he could possibly be, like Mizu did. Taigen believes in the samurai code of honor and upholds it in his own way (preventing him from learning how to “fight dirty” so to speak) and he also had a life outside of his training (he had a social life, he drank, he partied, he snuck around a lot to see Akemi presumably, etc). In fact, we actually never see Taigen practice, train, learn, hone his skills, or anything (to my recollection) throughout the whole season, until he’s bested by Mizu in combat. I’m assuming Taigen had to work quite hard for several years to become as good as he is, but I get the sense that ever since he has been regarded as a prodigy he has allowed himself to get cocky and maybe a bit too comfortable. He has always been the best and always thought himself to be the best, so he never needed to give 150% effort when he fought. In fact, as he got older and more practiced, and it became more and more apparent how much better he was than everyone else, he probably stopped giving his 110% and allowed himself to get a bit comfortable putting in 100% effort, and then eventually 80% effort (which is part of the reason why I think he’s so pissed he lost to Mizu in their first fight, because he knows he could have done better: been less cocky, been more tactical, more driven, etc).

We also never see Taigen meditate or mentally or physically prepare himself the way we do with Mizu. Mizu will pray before a major upcoming battle, not because she’s religious, but because she’s mentally, emotionally, and spiritually preparing herself. We even see Mizu submerge herself in very cold ocean water (during the winter mind you) as a ritual/practice of sorts that serves to center herself and prepare mentally and physically for what’s ahead when she feels herself getting “too emotional” or too stressed or unfocused or even just slightly off kilter. Mizu sacrifices every part of her life, so that she can be the deadliest version of herself possible. She has no social life. She has no friends, or significant others (Mikio aside). She has no other activities to participate in, because she’s been completely alienated and thus being anything but the best is not an option in her mind because she has no options. She tried married life. She had the best possible life that she could have had as a biracial woman in Edo era Japan. She did as she was told by her “mother”. She showed her true self to Mikio, just as he desired. Yet the blood and vengeance still caught up with her. She has no other options anymore. Pursuing revenge is the only thing she knows how to do, because every other avenue in life has been cut off from her. So she has to be single-mindedly focused on her vengeance, which means being as skilled and as dangerous as she can possibly be. She has no hobbies or jobs or responsibilities beyond sword-making (which allows her to become as familiar with the blade as possible) and training herself. If she has extra time, she uses it to practice, to train, to improve, to simply maintain peak performance. Such as when she was hacking through those trees in episode 2. Afterwards, we see Taigen attempt to replicate her training (by cutting down trees with his sword). Though even then, it was more about curiosity and trying to suss out Mizu so he could gauge her skill level, then it was about actually honing his own abilities (until episode 3 when he practices with Chiaki’s broken blade). Which does count as training in its own way (assessing your enemy), but my point still stands. Taigen does not have the same unwavering focus and force of will that Mizu does (partially because he does not actually want to kill Mizu, as we do see Taigen go cold blooded with focus when he kills Heiji Shindo, but those are whole other discussions).

“Mizu just has ridiculous plot armour, that’s the real reason she survives every encounter.”

I feel like people that think Mizu has ridiculous plot armour are just not at all familiar with the Samurai or Western/Cowboy sub-genres at all, or even action as an overarching genre on its own. I don’t believe I have ever engaged in a single piece of action media in which the protagonist didn’t have “plot armour” in some way. Basically half of all male protagonists from any and all modern western action movies ever, have been way too over-powered and been able to take a ridiculous amount of damage that should have killed them multiple times over. These action heroes (who in western media are almost always cis-het white men) have ridiculous plot armour in the most classic sense. Yet no one complains when it’s a white man. Only when it’s a queer-coded biracial woman of colour. Shocking.

In fact, you could argue that every main character in every fictional story ever told has plot armour to a certain degree, because having an entire narrative revolve around one character is inherently “unrealistic” and therefore the main character has plot armour, yes? No? Yeah, that’s what I thought. Oh, and on the topic of the samurai genre specifically (and many martial arts based action media) there are certain genre specific tropes that are nearly integral to the genre. One of the most prominent being the samurai/ronin/warrior/martial arts master that is “ridiculously over powered”. It’s literally part of the genre. In fact, the western/cowboy genre is quite similar to the classic samurai genre. Now, how many westerns have you watched in which Clint Eastwood or John Wayne shoot 5+ guys with one pistol before any of the guys they shoot even get a shot off? A lot I bet. Is that not the definition of “over-powered” and “unrealistic”? Or is it just a genre trope, or even perhaps, a genre staple? No one thinks Arthur Morgan (Red Dead Redemption 2) is over-powered. No one thinks that Joel (The Last of Us) is over-powered. In fact, when the TLOU show came out, people actually complained that Joel, the fifty-something year old man that has been living in a post apocalyptic wasteland for 20 years, was not badass or strong enough (he kills dozens of humans and super zombies and he’s legally a senior). So, who is the “judge” of what is and is not realistic in action media that borders on sci-fi/fantasy based on how “over-powered” the protagonists “realistically” are?

“It’s just weird that Mizu is so powerful when other characters within the story are not. It makes Mizu such a Mary Sue.”

Okay… so, with all that in mind, let’s circle back to where I started when referring to Mizu as someone driven by unwavering determination, and how that affects her “abilities”. That facet of her personality and motivation is nothing new when it comes to the action genre, especially for protagonists of revenge storylines. Think of Kill Bill or John Wick. Why does John or the Bride keep going and keep winning even when they are constantly getting injured and always fighting. Is it because they are simply that much better than everyone else? Yes and no. No, because they are not superheroes (technically), but also yes. Because their single minded determination and need for revenge drives them to push that much harder than anyone else on their skill level. They are the best, but they win against everyone else that is also “the best” because they want it more. They need it more. Mind over matter. They are willing to endure what others are not through sheer will and pure cold rage. Mizu, Beatrice Kiddo, John Wick, and so many more similar protagonists in action-revenge narratives don’t keep winning and keep getting back up no matter how inured they get because they are just “that much stronger and more talented than everyone else”. Yes, they are extremely skilled and would probably be one of the strongest and most deadly combatants/killers in their respective universes regardless… but their refined skill and raw talent and power are not the only reason they win. Their unwavering force of will, extreme determination, ice cold fury, and single-minded focus on revenge is what drive them to be that much tougher. Their tenacity is their superpower. They want to win more than their opponent does. They need to win, because this is their one and only goal in life as of now. Mizu (Blue Eye Samurai) Beatrice (Kill Bill), John (John Wick), they all share a philosophy in life when it comes to their revenge, which basically boils down to “Either I kill you, or I die trying. There is no middle ground, there is no negotiating, no other choice, no path of least resistance, no other goal or motivation. You will die, because I ain’t fucking dying until you do.”

Mizu doesn’t have plot armour and she’s not over-powered. She is an archetypical protagonist of the action-revenge narrative and the samurai/western genre as well. She arguably even has better reason to be completing the feats that she does than John Wick or The Bride, because the medium of Blue Eye Samurai is animation and not live action, and the genre borders on magical realism far more than Kill Bill or John Wick. Now, how many anime protagonists (probably almost all male) can you think of that are “ridiculously over-powered” especially compared to any live action counterparts, but no one complains about it? Why does no one complain about it (aside from misogyny)? Because the medium of animation inherently has different “rules”, expectations, and set standards for suspension of disbelief, than the medium of live action film or television. For example, is it ridiculous and unrealistic when you’re watching a Looney Tunes cartoon and Bugs Bunny’s legs pinwheel in super-speed for 3 seconds straight before he starts running, or when he runs off a ledge and gravity just lets him hang there for a sec so he can look straight at the camera before he falls? No, it’s not “unrealistic” or emersion breaking, not even a little, but why? Is it because any of those things seem even remotely probable or “realistic”? Of course not! It’s perfectly acceptable because the medium, genre, target audience, atmosphere, art/animation style, narrative choice, storytelling style, and more, have all established that Bugs Bunny defying physics is normal in Looney Tunes, and therefore not a “plot-hole” or “unrealistic”. In fact, if Bugs Bunny or Tom and Jerry didn’t defy physics in ridiculous ways all the time, then it feels far stranger and off-beat than if they did. Same goes for pretty much all action anime. If the characters in those stories were strictly limited to what is 100% humanly possible in real life, most of those animes wouldn’t even have storylines anymore. They’d be turned into completely different content that may be unrecognizable from the original source material. Or wouldn’t even have any material anymore because all the characters would be dead after their first fight scene. So why is Blue Eye Samurai being held to a different standard?

Now, do y’all get it yet?

[fictional-men-enthusiast]

Old Flesh + The Parliament is conservatism.

I said what I said and I’m not taking it back.

[spitblaze]

One day you will reach a point where someone will misgender you and instead of feeling the jab of disappointment or fear or mockery, you will only feel confusion or bewilderment or even just...nothing, whether you correct them or not. And you will realize how far you've come, and how resilient you've grown, how much comfortable you are in your own skin.

[july-19th-club]

favorite type of villanous characters are the ones whose motivations boil down to

like they dont even have to have any stakes in the broader situation. they just have take pleasure in destruction

[kiwiplaetzchen]

A-and how does one protect their k-knob?

My dear Anon,

to safeguard your knob, treat it like royalty! Crown it with a trusty helmet, armour it with layers, and no, not layers of love. Remember, a protected knob is a happy knob, and a happy knob makes for a delightful day!

Wrap it up: No, not with a bow, silly! Use a trusty rubber knob (or knob-dom, if you will) to shield it from unwanted, pathetic grabdaddlers (don't confuse it with grabdaddies, honey). Safety first, right?

Dress to Impress: Give your knob a snazzy makeover! Make your knob feel cosy. Think of it as haute couture for your knob – chic AND practical!

And voilà! Your knob is now cosy and secure, ready for any adventure. 😌

[roobylavender]

had talia not been character assassinated do you think she and bruce should have gotten back together?

no. i hate to use the word "phase" bc that would seem to diminish the importance of what's between them, which is something that will always persist esp as their continued dedication to the same causes and their respect for each other remains. but i do think realistically bruce should be a phase in talia's life. at least in terms of consummated romances specifically. i do love the idea of them remaining allies, close friends, and co-parents, but i think allowing talia to walk away from ra's and bruce in the first place has to stand for something in the long term. before talia went her own way i think it was easier to imagine a potential future where she ended up with bruce bc it felt like the desirable option. she was in this very debilitating position where she had little to no freedom to act on her own desires and goals, the embodiment of which was none other than bruce. so when you frame her situation pre-tower of babel, obv wanting to be with bruce was appealing. he was as much the love of her life as he was a means of escape and freedom and talia having the scope to then act on her own desires. i think that's what subsequently makes dc #750 (or is it #570. i never get the numbers straight and i'm too lazy to check) a really clever issue, actually, bc it acknowledges that and the fact that bruce once again setting her free bc of his love for her actually gives her the courage to step out on her own where she never has before. the fact that she has the option to go back to gotham with bruce and presumably have everything she's ever wanted with him, but she leaves it anyway, is a really huge deal. it's a statement. she loves him, but not more than she loves herself. and sure, what talia puts herself through during lex corp era certainly begs the question of whether her version of loving herself is really viable or in any way healthy, and i would love to see bruce help her recognize that she's not alone and that she doesn't have to do it alone to prove that she's capable. all of this i agree with. but i don't think that really means she and bruce have to fall back on their once-imagined dream of playing house. even if talia did find methods of going about her work that were mentally healthier i don't really know what'd be in it for her to play house with bruce in gotham. bc that is what it would have to be, for their relationship to work in any way. bruce will never leave gotham and son of the demon didn't need to explore that issue bc it was never going to get there but trust that corny as the line about naming the baby thomas or martha was it was reflective of a reality: gotham is bruce's entire life. no matter where he goes, no matter what he does, no matter who he works with, in the end he will always belong to gotham. and i simply do not think that would ever work for talia bc there is so much more she is capable of. while her vision is aligned with bruce's her scope of access and ability is entirely distinct of his own and there is so much more that she can do aside from relegate herself to gotham (hence why lex corp as an arc makes so much sense, bc it capitalizes on that scope). and yeah every superhero couple is kinda crazy and they have teleportation and shit but idk i don't think it's really a relationship for each party to go on long missions with ill-defined parameters that give them the worst sleep schedules known to man and occasionally they share a bed. it really isn't. and that's something that bruce and talia have to live with. their duty is always going to come first even though they both have a passion for civilian life. for talia to be in a relationship again she would have to stop having the liberty of being able to go wherever the work carries her and for bruce to be in a relationship again he would have to have the equivalent of a robin-wife. neither of these things is ever going to happen. so

[theloveinc]

yandere!bakugo, essentially, TO ME, is just: "If you're good to someone, there's no reason they wouldn't love you. So i'll be good to them, even if it's by force."

[idol-emu-otori-official-archived]

╰┈➤ SHUFFLE AU

DESTINATION POINT (DP)

the Leo/need adjacent unit, composed of Ichika Hoshino, Airi Momoi, Ena Shinonome, and Minori Hanasato. ☆ a girl who's lost her friendships, and three others searching for their worth.

about the group's name: ♡ originally, i had "from here to there" in mind, but someone from the Discord gave me the name "destination point" and i thought it was much better, so i went with that. ♪

about the SEKAI: ♡ the Train SEKAI. no one knows when it left, or where it's going - just that it never stops. it's the perfect place for those who feel like they're lagging behind. just close your eyes and let yourself be carried away, right? but maybe there's something you can do… starts with a Miku and a Rin. the former's hardworking and talented, but the latter struggles - Rin is somewhat influenced by Ena's (and, to a lesser extent, Airi's) jealousy towards others.

•

Ichika hasn't managed to rekindle her friendship with her friends, and she's not doing particularly well. At one point, she meets Airi - who just quit being an idol. The two start talking and become friends, at which point they end up forming a band together. Airi wants to try finding a place where she could finally be taken seriously.

Ena's invited by Airi, and Minori - who had failed auditions recently - ends up inspired by Ichika's kindness, Airi's drive and Ena's determination, which is how she joins. (Haruka completely gave up on being an idol; something Minori is saddened by.)

In my mind, Ichika plays the guitar; Airi, the drums; Minori, the keyboard and Ena, the bass.

-

IDEAL HEAVEN! (IH)

the MORE MORE JUMP! adjacent unit, composed of Mafuyu Asahina, Emu Otori, Mizuki Akiyama and Shizuku Hinomori. ☆ an up-and-coming idol group that combines cuteness and sophistication.

about the SEKAI: ♡ quite similar to the Empty SEKAI, but with some idol influences - a broken stage with no one in sight. there's no bright lights, no colorful props. nothing. that SEKAI both comforts and pains Mafuyu. home to a lone Miku. sweet, hopeful, but genuinely crushed by the pressure she's feeling.

•

Mafuyu's mother wants a perfect child. idols are very frequently represented as being perfect - so, she decides that her daughter should become one, too. Mafuyu's not keen on the idea, but that's her mother; she's obedient, so she goes along with it.

Shizuku still quit Cheerful * Days, but instead of stopping altogether she ends up with Mafuyu. Emu wants to make people smile, but no one ever came; Wonderlands × Showtime was never a thing. so she decides to become an idol instead, even if it means she'll never bring back the Wonder Stage to its former state.

Mizuki's half-dragged into IDEAL HEAVEN! by Emu, who saw them looking with interest at idol merch. after bringing them to meet Mafuyu and Shizuku, Mizuki ends up accepting - the idea of wearing cute clothes and being called cute doesn't seem too terrible.

-

READY MADE SUCCESS (RMS)

the Vivid BAD SQUAD adjacent unit, composed of Haruka Kiritani, An Shiraishi, Shiho Hinomori and Akito Shinonome. ☆ two street musicians chasing after their dream, and the two girls they brought with them.

about the SEKAI: ♡ the Street SEKAI. weirdly, it seems Haruka's idol background has somewhat influenced its appearance. its inhabitants are Miku, Meiko and Len. this Miku is levelheaded, but it seems like there's something holding her back from going all-in...

•

after quitting being an idol, Haruka is invited by An to join her.

An's never met Kohane, and she never found a partner. Haruka is hesitant for a moment before deciding to give it a shot, though she keeps struggling with singing. Shiho tries getting more experience, meets Akito. no one really knows how these two ended together, but they both have a similar drive and take music very seriously.

eventually, they all start working together. Haruka deals with her guilt and, while she doubts she'll become an idol again, she's mostly made peace with what happened.

-

STARLIGHT ☆ EVERMORE (S ☆ E)

the Wonderlands × Showtime adjacent unit, composed of Tsukasa Tenma, Saki Tenma, Kanade Yoisaki and Toya Aoyagi. ☆ a strange troupe of people who aim to help others through their performances.

about the SEKAI: ♡ still very much Tsukasa's, so it's the Wonderland SEKAI. [kanade goes there for the first time and dies. alas, they're still a shut-in and this place is simply too colorful for her poor eyes.] starts with a Miku and a Kaito, though this version of the former uses far less onomatopoeias.

Tsukasa figures he needs to show the world how much of a star he is himself, and he drags his siblings into it (with varying degrees of willingness).

a part of Saki still wishes she could be in a band with her friends; she's only somewhat managed to repair her friendship with Ichika. but she's still happy to do something fun and lighthearted after all her struggles. Toya's very excited to do something with Tsukasa and his siblings. he also gets to stick it to his dad, which, honestly - is a bonus.

out of the three, Kanade is obviously the most hesitant about the whole thing. but she sees Tsukasa's drive to make others happy, something she shares with him, so she ends up agreeing. Kanade is… slightly healthier physically on account of the stubborn people looking after her, as well as all the exercise she does she does as part of Starlight ☆ Evermore. mentally? eh… we'll get there. i need her traumatized to be interesting. <3

-

LONELY SYNDROME (LS)

the 25-ji, Nightcord de. adjacent unit, composed of Nene Kusanagi, Rui Kamishiro, Honami Mochizuki and Kohane Azusawa. ☆ hidden behind avatars, these citizens of the web tell stories online.

about the SEKAI: ♡ the arcade SEKAI. this Miku is shy and withdrawn, though she one day hopes she'll be able to break out of her shell, just like Nene. alongside her is Luka - she has a bit of a teasing attitude and a catlike personality, but she always does her best to boost Nene's confidence.

about the group's name: ♡ syndrome refers to a group of symptoms - i paired it with the word lonely because i felt like it represented the atmosphere of an arcade. you're connected with people who share your interests, but at the same time, you're sort of separate from them. surrounded by people, but utterly alone…

•

Nene's social anxiety hasn't gotten better over the years. since she never joins Wonderlands × Showtime, she doesn't learn how to fight her stage fright.

but, she finds an alternate solution; using an avatar online. it's less stress-inducing, and it lets her pursue acting, in a way - it's not what Nene wants, but it's close enough. she figures she could be satisfied with that. Rui ends up figuring out what she's doing, and asks if he can help. Nene doesn't really have any reason to say no, so they start working together.

as for Honami and Kohane, they ended up on Nene's channel by pure accident. but her performances quickly became a comfort to them, since they were struggling at the time (the former because she no longer had her friends, the latter because of her lack of confidence).

unfortunately, ignoring your problems only goes so far, and eventually, her feelings give birth to the arcade SEKAI.

[brofightiscancelled]

ok kind of an insane ask so feel free to ignore but would you be able to translate "友達バリア" by deco*27? i can't find any translations online and i wanna see if i'm right about the song kind of fitting the matsus... it's also a banger imo

- vocamatsu anon

omg.... tbh i have a feeling deco will make a video for this one which means we'll get an official english translation of it, rendering this completely redundant, but i'm really cheesed to have been asked, so i gave it a shot for you anyways <3

Friend-zoned, love fire, sparks flying HIBANA We're ready, set to lock horns, love's ultimate showdown I'm outmatched- but it's not over yet! I won't let this end! With a dazzling, never-give-up attitude, I'll break through your defenses!

The despair of never getting anything more of this Your behavior, nor what's going on in your head- I can't read it at all! I can't help but envy the kindness you radiate Omnidirectional compatibility- it's just not for me

Carefully-picked down-played words The outcome: A bloody heart True feelings double-crossed by embarrassment; how frustrating, I'm changing sides But that won't fill up my heart What I want is nothing more than to be by your side If you've got something to say, then say it- 'til I defeat you, that is! 3, 2, 1!

Friend-zoned, love fire, sparks flying HIBANA We're ready, set to lock horns, love's ultimate showdown I'm outmatched- but it's not over yet! I won't let this end! With a dazzling, never-give-up attitude, I'll break through your defenses!

I want you to like me! I want you to like me! Friend-zoned, love fire, hey, say "I give up"! With a dazzling, never-give-up attitude, I'll break through your defenses!

Fun things, good feelings- without you, they have no taste at all Sadness, jealousy- if they're cuz of you, then I don't mind them Let's throw down, bro! Better to regret doing it, than not doing it at all! A feeling like I won't need any special moves, YEAH I'm sure everything will be OKAY With an endless supply of love, you're undefeated, AYE Play dead, BYE BYE I'll be the one to throw the first punch

Friend-zoned, love fire, sparks flying HIBANA We're ready, set to lock horns, love's ultimate showdown The lonely and timid me is already no more! With a dazzling, blazing flair, I'll burn through your defenses!

Do you like me yet? Do you like me yet? Friend-zoned, love fire, now, let's immerse ourselves in love! With a dazzling, blazing flair, a never-ending HAO sweetener battle!

Do you like me yet? Do you like me yet? Friend-zoned, love fire, now, let's immerse ourselves in love! With a dazzling, blazing flair, a never-ending HAO sweetener battle!

------

my notes:

my overall interpretation of this song is "I'm trying to break through the friend zone (friendship barrier) so that you like me instead of thinking of me as a friend", so any vagueness in translation went in that direction

The use of "lock horns" in the official translation snippet + the HAO motifs give me the mental image of like, a hand-to-hand kung fu battle, so I leaned towards that imagery whenever there was vagueness (as opposed to like, a military campaign, for example)

deco's official english translations tend to be very liberal, so i tried to keep my translation a little more literal

[mellotronmkll]

i like literally wish i didnt feel compelled to rewatch and relisten to the same things over and over and over and over and over and over and over and over and over again its like actually really annoying and frustrating because i just feel like im constantly stuck in a loop doing the same things over and over but thats just literally what its like being autistic like its just frustrating cos i dont want to have to be constantly fighting with myself over it because its like okay we dont need to get stuck in the daily loop of walking in circles for hours listening to the same songs we've heard 200 times or sitting and watching things we've seen 30 times and there are better ways we could be spending our time but the compulsion is SO strong and its just Omfg like its just annoying and horrible because I have to force myself to try to break out of patterns I wish the constant compulsion I have to do the same things over and over and over and over and OVER AND OVER wasnt there at all because it would make things way easier for me and it just makes me feel so dumb.

[girlypsyop]

Man. Leaving a toxic relationship is just an exercise in learning how to live in your own head again.