Okay, so is the “Professor” (or whoever the fuck that was because that very much was not the beloved Professor) like possibly planning to Silence of the Lambs Ryan? Like that’s what the moisturizer was about right? Needs Ryan’s skin to be soft for a meat suit?
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I know The Founders Cut, generally, is the edited scrubbed over version of genloss from Showfall in-universe (as well as a not-8-hour-long-three-stream-binge-night whenever we want to watch it again) but something that struck me as odd and I haven’t seen anyone mention yet, is this warning
It shows up right at the junction where the third act starts, where it appears the Hero is breaking free of Showfall thanks to Hetch. But here’s the thing, while a LOT less than the previous acts the audience still played a significant role in this act, even when really only given two audience interaction choices. Which makes me wonder, how real is this warning, and who is it for? Obviously the audience involved knows what happens past this point, but the audience is also implied to be an integral part of the Social Experiments, which is part of why things start to tweak out when the Founder removes them in the Founder Cut as the Generation Loss generation loses.
My first thought, was that obviously this is another bait and switch, a way to draw the audiences attention, seeing something that’s secret, something that’s not “meant for them”, which is a tactic I could see Showfall using in universe to keep people’s attention and add an air of mystery to their shows.
But
Showfall is doing all their experiments and these shows with a LOT of help from their censors to show it off, displaying a fun silly show that is definitely not uber fucked up and that is 100% just slime don’t worry about it, it’s kid friendly if it’s green! And I don’t think they’d want to bet all their cards on this one experiment doing well enough to their audience to not question the sudden shift in tone that follows this warning. Which makes me wonder.
They did their test, they did their experiment, and the evidence of this last act? I think it was a one time run, they don’t want anyone seeing this, it isn’t for the audience. Act three is specifically to both test and play with their Hero, Hetch’s new lines add a level to this, never once does he call the Hero by their name, just refers to Ranboo as their Role, and he’s not exactly. Nice? About literally any of Ranboos concerns, which wouldn’t really seem conductive to making an audience trust him, especially with his monologue at the end. Ranboo has escaped before, possibly right before act 1 started, they tightened the security on his mask to be unremovably part of them, Hetch doesn’t like the Hero but they’re a fan favorite so he can’t just get rid of them.
Act three is the cumulation of Ranboo being punished for things they don’t remember, for daring to break free from Showfalls control, this is Hetch taking the Hero and essentially majorly fucking and manipulating them to take his frustration out on a fan favorite they can’t otherwise get rid of or give a smaller role like Slimecicle. which is exemplified by the fact that we now know Charlie most likely was never able to actually able to fully snap out of the control, that even in act three in panic and confusion there was at least still a part of him being influenced by Showfall.
So the first two acts are the usual show, they have their posters, they have Squiggles to introduce them, they have goofs and silliness and only a couple slip ups that’re quickly dealt with, the usual rose tinted curtains. Act three?
Do not watch the following material
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The more I see your work and the more I see of poorly drawn scum villain, the more I'm tempted to do a poorly drawn tgcf 🥺 (I've only just started listening to it and I absolutely love it!!)
I just don't think I'm as funny as both of you and don't know if I could commit to uploading as regularly as you both do.
But oh! I am SO very tempted!! 😭
Working on an adaption of an existing media as a long form project is honestly my strongest recommendation for getting your creative brain going! Of course, there is still planning and hard work that goes into it, but the biggest creative pressures are much lower (And when anxiety brain is quiet, art brain thrives!)
That said, projects like this are a huge commitment, and I'm a bit of a freak case when it comes to the grind. PD-Scumvillian and I both put a lot of work behind the scenes to make it seem as effortless as it is. I'm wholeheartedly giving you my support should you go through with it; feel free to reach out and ask for tips and tricks!
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what i love about the Famous Actor Natori Shuuichi of it all is that...it's not just that he's famous and therefore widely recognizable wherever he goes. like yes that is very funny because he was an exorcist before he became a famous actor, which means he CHOSE, on purpose, a day job that would make it harder to hide his double life/secret identity from the hordes of his adoring public, but it's more than that. it's not just that he's famous, it's that he's famous specifically for being an ACTOR, aka a person whose job it is to dissimulate, to make believe, to inhabit roles and emotions other than his own. like he decided he was going to become as visible as possible (which again was literally not necessary! he could have gone into any other career for his day job!!) but in such a way that everyone would see him but no one would see him - they would just see his various made-up personas, including the Famous Actor Natori Shuuichi persona. i can't decide if he's a genius or if he just made so many absurd decisions that they canceled each other out and circled back around to working out. he's either playing 9-dimensional chess or he's eating the pieces. too soon to say.
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Here’s a little doodle dump of Tonis I put together because I love him
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There's something juicy about Laudna correcting herself when talking to Delilah
"The ones I love - the one I love"
Codependency? Did she correct herself because she's continuing to prioritise Imogen over everyone else in the party?
Self-hatred? Did she correct herself because she doesn't think Bells Hells (sans Imogen) reciprocate her love - so why bother trying?
Possessiveness? Did she correct herself because she thinks she's the only one left who truly loves Imogen?
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I think we should have more httyd or rotbtd horror
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Thinking about running a best character, best ship, or best quote bracket. Here's how each would hypothetically work (and vote in the poll at the bottom, please!):
The issue with characters would be that I’d have to go through all eighteen and a half books to find all the characters, or the other option is I only take characters that get submitted by the seven of us chilling here together in this hot tub (because like for Conor against Tepin, who the hell’s gonna vote for Tepin, right?). I would also allow you to submit propaganda to get your fav as far as possible and anti-paganda if you want a certain character to lose (as long as you keep it light-hearted and don't try to bash anyone that actually votes for that character etc. etc. etc.).
For ships, I will definitely only take submitted ships, because there are an infinite amount of ships that could happen otherwise. But I'll take anything no matter how crackship-y or rarepair-y it is (within limits, obviously no pedo/incest ships). Tentatively saying I will again allow propaganda and (light-hearted) anti-paganda, since I'm hoping we as a fandom are mature enough to let this be a chill experience and not devolve into ship bashing (I'm pretty sure we are, we're not the a/t/l/a fandom, so).
And for quotes, again, I'd only make a bracket out of quotes that get submitted. I'm not sure if I will allow propaganda for this one, because it seems kind of self-explanatory. But maybe, if people want it. If you submit a quote, you'd have to be able to tell me which book it was from, the page or chapter number, and who said it for it to be allowed into the bracket, although if you're not sure of one of those things, you could just tell me and I'd try to find it (I own all the books, so it wouldn't be a problem). I may or may not allow you to submit context or background for the quote (in some cases that can ruin the quote, or give it an unfair advantage). Quotes would be allowed to be as unserious or serious as you want, there will be no restrictions on it whatsoever (just don't make your quote, like, a single word or something).
In any case, you’d be allowed to submit as many characters/ships/quotes as you want. I would not reveal who submitted what character/ship/quote if that's something you choose to reveal to me, unless you want me to. I’m not sure how submissions will work, either through my ask box (don't worry, anon asks would be on) or through an anonymous Google form. Of course, my DMs are always open, too, if you want to submit something through there.
Your propaganda would be allowed to be anonymous or not (if you want the credit). It would also be allowed to be as short or as long as you want, and as unserious or serious as you want (you could literally submit, like, "Vote for Rollan, he's so funny and he needs a hug" as propaganda and I would accept it, or you can go deep and start talking about his parallels and arc and motifs and backstory and personality and hardcore analysis stuff, and that would also be fine). If multiple people submit propaganda for the same character/ship/quote, I’ll keep them all, and you are allowed to submit propaganda or anti-propaganda for as many characters/ships/quotes as you would like. When we're approaching the start of the bracket, I'll also say how many pieces of propaganda and anti-poganda were submitted for each character/ship/quote. That way, if a character/ship/quote has no propaganda or anti-paganda, it would be giving everyone a warning that that's the case and that it's the last chance to submit for them. Your propaganda also doesn't have to have any basis in canon. You could make up headcanons about a character and submit them as propaganda and that would be entirely fair game. You would not be allowed to submit links to analysis posts as propaganda, though, even if it's yours. Everything submitted needs to be something you wrote specifically for the bracket.
I would be the judge of whether the anti-propaganda crosses the line into bashing (no hard feelings, sometimes tone can be weird over text), and if it does I'd delete it but let whoever submitted it know that I did, so that they could try to submit something milder. Also, keep in mind that propaganda is subjective. Something you submit as anti-propaganda might actually resonate as propaganda with other people (like saying "Meilin was a racist and a classist" as anti-propaganda might just register as "Oh, she had such fantastic character development!" with some people, completely ruining what you were trying to do). Seems counterproductive, but if you have mixed feelings, I'd allow you to submit propaganda and anti-propaganda for the same character/ship/quote (I don't think anyone will actually do this, but it's an option).
If you have something else you want to add, put it in the tags. I’m also going to open up my ask box soon, so if you want to yell at me anonymously, that’ll be the place to go.
Hate to be that person, but reblog for sample size, please.
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hoping so hard that the detail about pan being said to be the only god to have died for real before is true just so he and freddie can have meaningful (and hilarious) bonding time post-game. peak potential OT3 dynamic. every time Grace gets on their case about anything they immediately go 'yeah ok but did you die tho' in unison and then high five about it. grace's divine buddy cop comedy duo backup crew slash harem are unionizing help her
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sooooo... *twirls her hair* how many asks should i send until kuwagami art. jk as well. the real question will be: does it happen often that someone else’s art inspires you? in fandom spaces specifically
well you see it’s like a loyalty card program, every 10 asks or so you get a complimentary kuwagami
just kidding you can just breathe in my direction and I’ll be tempted to draw them. kuwagami blast! (you've caught me on a... just okay art day lol)
(people still like kabedons, right?)
anyway for my actual answer:
in terms of direct inspiration, it doesn't really happen much? the last two times i did art directly based on someone else's work is probably this one from this fic, and also that time i drew art of someone else's judgment au. oh! and there's that moriohpsycho art based on this comic! (filthyguts' work is so very. hgngngghh. very good.)
nothing else really comes to mind, and when i think of the other things i've been into recently there hasn't been as much opportunity for that to happen...
flex and herds = strong fixation but lmao. almost nobody else made stuff about them. nobody is surprised
umineko = surprisingly i don't read much umineko fanfiction? and in terms of illustration, i certainly picked up imagery and indirect inspiration but nothing concrete enough for me to give an example... now that i think about it, i did once draw andromalius from redaction/sunny, but that was years ago, and also mostly because i was acquainted with the writer. ...i don't have that artwork on hand right now
death note = didn't really get involved with the fandom + i enjoyed my own ideas well enough! ...i can't recall if i drew long-hair-L art before or after seeing other artists do it.
and as for everything else the same kind of reasoning applies. didn't really get involved with the fandom or wasn't really compelled to make art in response to stuff i saw, or i just don't remember anymore.
buuuuuuut if we're opening this up to just... pulling ideas from other people? then yeah, all the time, though that kind of goes without saying when you have a creative hobby. ...it's probably going to be hard to come up with examples of this since it's more ambiguous.
there's uhhhhhh... kuwana listens to nickelback which was a @/four-white-trees invention, wasn't it? (EDIT: and @/overdevelopedglasses!) (not tagging in this post so he doesn't feel obligated to read my big ass ask responses 💀) as of writing this, it's not posted but i did end up making kuwagami art based on a nickelback song so. yknow. there's that LMAO
for sawashiro and arakawa, i do sometimes go reference @/todayisafridaynight 's art to help me with my own. ("how did he draw this part of the suit? oh, like that huh? hmm" <- this kind of thing)
and um. i'm not trying to pander to you (at least not this time), but genuinely it's one of the few examples that come to mind at this moment. but when i was writing my first kuwagami fic, i could feel the influence of the ever-changing on my brain... was turning over some of your ideas there...
you remember this? (you even pointed it out in your comment on my fic, and i should've said something then, but whatever i'm saying it now)
that was absolutely because of this
(obligatory poke at anybody else reading this post that you can read passthroughtime's fic here.)
so, um. yeah. not really sure what else to add to that. pretty self evident i think. (i'm always talking about the ever-changing but i don't think i can overstate the impression it left on me at the time)
anyhow there aren't really any other examples off the top of my head! these are all recent examples so they're not so difficult to recall, but there are probably others i've forgotten...
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Episode 91 Nara to Neil: Is it because you know, because you know that my affection is a means to an end or do you feel something for Wynn and don't know how to say it?
Episode 95 Neil to Wynn: If this is a moment where there’s a line in the sand about us staying together, you know I’ll follow you to go die.
Episode 91 Neil to Nara: I haven’t known these things maybe for a long time, and so I just sit in inaction because I don’t know.
Episode 95 Narration of Neil by Rob: When Wynn confirms to Britta that she’s in love with Kabir, Neil goes stock still.
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oh, when Orym looked right at Imogen, days after his talk with Fearne abt what to do if she switches sides, and tells her, "I'm not worried about you." and Imogen didn't insight check him, or push into his mind; she just believed him. and I believed him as well, even though it could have easily been a lie, and then Liam confirmed that Orym really did trust her when he said that. he really did believe that Imogen would stand by the Hells, and she did. she looked her mother in the eye and she didn't waver. and it's not specifically because Orym trusted her, but his trust really does mean something to Imogen. she sought him out that night for a reason.
and now the solstice is still happening but things are so different, and Imogen is one of the most vocally opposed members of the Hells to Ludinus, and the Ruby Vanguard, and Predathos. they're bad. they need to be stopped. she'll kill her mother, kill herself, if that's what needs to be done. her questions and her doubts are gone- or at least, hidden away.
and if they are not, if she's suspicious in any way, Orym has personal orders from the wise and benevolent Tempest (and she is wise and benevolent, is the thing!!) to remove her from the situation however he sees fit. to "do the thing," in the parlance used in Orym's conversation with Fearne, a phrasing acknowledged as vague even at the time. Orym, who loves Imogen, and who shows her kindness and empathy, and who stared the fathoms of nuance and pain defining the actors in this conflict in the face and rejected it in favor of revenge just last week. Orym, who told Fearne she would have to "do the thing" because he couldn't - I always assumed it was because he knew he couldn't match up to Imogen on his own, but it could just as easily be that he couldn't bear to do to her what he thinks would need to be done. Imogen still doesn't know they had that talk. the leash has been held so loose that she didn't even know it was there.
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There's always a slight yearning in the back of my mind wishing I had been born in the right place, time, family situation, income level, etc. to have just lived in one single house for my entire life. Imagine being born in a place that still suits you, even through all of your personal evolutions and etc. The idea of deep familiarity with an area because you've lived and explored it for 40+ years, being encased in a web of memories and connections. Being able to clean out your old childhood bedroom and find personal artifacts, to dig in the yard and remember. I know those lives can still be plenty imperfect, but there's just something so seemingly solid and stable and Grounding about it that I sometimes wish I could have.. (At least from my outside perspective as someone who's moved around a bit geographically and even within the same area, never lives in the same house/ apartment /etc. for more than a few years usually.) Like... having a place that is printed upon, fully your own, rather than chronically a visitor, every thought of a space always tempered with the notion that one day soon you'll have to pack it all up again, etc. There's something peaceful about the permanence.
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hey! i'm still thinking a lot about the minecraft movie and how much potential there is to take the plot in just about any direction - i understand why it would be impractical at best to try and make a film adaptation of the fallen kingdom saga, but that would probably be my favorite...
all this to say: i would love to see other people's takes on potential plots! i think it's actually kind of a lovely way to capture different people's relationships to the game - so reblog this and add (on the post or in the tags) any ideas you feel strongly about? :0
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Cover of Amazing Heroes (Vol. 1/1981), #6 by Bill Sienkiewicz.
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What If Julius and Subaru both met when Julius was a commoner and Subaru got transported Sooner
fun stuff im sure !! but haah okay given julius was a kid when he was a commoner - yeah theyre both kids here!! not sure how old but definitely somewhere before the age of ten. and i think theyd be up to some shenanigans together im sure!! theyre both very mischevious kids (or from what little we know of little kid julius, given iirc tappei hasnt specified just How Much of a "delinquent" little kid julius is okay. but hes definitely the type to sneak out past curfew or something. stay up late reading too, probably. that sort of thing). and also subarus a kid and no way he ISNT missing home poor guy T^TT getting ripped away from home like that is bad enough at seventeen, getting ripped away from home when you are like. no more than eight or something is Bad. but luckily!! im assuming subaru gets found by the juukuliuses (julius's parents probably?) and thats how julius and subaru form their friendship / long-term yearning for each other (if you so desire that) (okay but no way subaru ISNT gonna form long-term yearning for julius flajsdlf). but yes i think julius and subaru would be silly happy kids together and julius's parents would be like oh no this other kid is so lost where is he from :(( but hes so loved by julius already too... well we got another kid under our roof now.
except. julius's parents die in a flood. so i mean. Hypothetically.... either julisuba survive this one first try or subaru dies for the first time. which. ohh god. oh god. oh g -
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