#confronting our suffering

[yoihino]

The infantilation of goofy/dumb characters is real and I hate it

[edenfenixblogs]

It’s really exhausting to have people say they stand against antisemitism and then for me to have to say:

“this is antisemitism. Stand against it.”

And then have people either ignore me or just claim it’s not really antisemitism because they agree with it actually.

[madeinkorea-blbambeyond]

MADE IN KOREA

LEE SEUNG GYU

LEE JONG HYUK

[samerpal]

"First, I would like to thank everyone who supported me.🙏🌹

This is my new platform, friends, after my old platform was deleted for reasons unknown to me.

I ask for your help in sharing my story again to keep hope alive for me and my family, friends.

Thank you from the bottom of my heart.♥️

My family and I appreciate your cooperation and hope to reach the desired goal and save us.🙏

Attached are the verification links for the old account from the supporters.

Link vetted by @ibtisams

Link vetted by @el-shab-hussein and @nabulsi

Link vetted by @sar-soor

My approved number by the families in need and endorsed by the supervisors is 196."

@90-ghost @ibtisams @nabulsi @aces-and-angels @sar-soor @sayruq @fairuzfan @palestinegenocide @vakarians-babe @northgazaupdates @northgazaupdates2

Trapped Family in Gaza Appeals for Help to Survive 🕊️🇵🇸🙏

I Samer Abu Ras, am reaching out to you with a heartfelt humanitarian appeal, after the ongoing war in Gaza has cast its dark shadow over my life and the lives of my family. Our lives were once filled with peace and stability before the onset of this catastrophe, but now, we find ourselves living in a situation described as nothing short of tragic.

My wife, Shurooq, our three children, and I are now homeless, without a source of income, and without hope for the future. My family and I have lost our businesses and our home due to the war, and we now have nothing left but the cold streets and troubled hearts.

My children are suffering greatly as a result of these horrific events. They have lost the security and stability they once enjoyed and are now facing new health and psychological challenges that threaten their lives. As a father and husband, I feel powerless in my ability to provide adequate protection and care for them.

My child, who is a year and a half old, is experiencing hardships far beyond his tender age. Since the war broke out, we had to flee our home and seek refuge in a tent in a displacement camp. My child lives in extremely difficult conditions, deprived of safety and stability. The tent does not provide adequate protection from harsh weather, and food and medicine are scarce. My child suffers from malnutrition and illness, lacking basic healthcare. He cannot play or grow in a healthy and suitable environment. My only dream is to see him grow up in a safe place full of opportunities

In the face of difficult circumstances, Samer Abu Ras and his family find themselves facing serious challenges in their daily lives. They reside in a modest tent lacking comfort and security, suffering from a shortage of clean water and food, and encountering difficulties in accessing necessary healthcare. Despite these challenges, they continue to express hope and resilience in confronting adversity, holding onto hope for a better tomorrow and a return to a more stable and secure life.

I appeal to you today, dear friends, to extend to me a helping hand in escaping this hell. Regardless of the size of the donation, every drop of generosity will contribute to alleviating our suffering and rebuilding our lives anew.

We need your help to secure the funds necessary to travel away from these destructive wars and seek a safe and stable environment where we can build a better future for our children

Let us stand together in these difficult times and let hope triumph over despair by providing support and assistance to those in dire need. Let us be part of the solution and build a better future for ourselves and future generations.

Thank you for listening and for the potential generosity of your giving, and for your generous donations that will change the lives of my family for the better.

With sincere gratitude and appreciation

‏Samer Abu Ras and family.

@heba-20 @soon-palestine @marnota @riding-with-the-wild-hunt @i-am-aprl @nabulsi @sayruq @communistchilchuck @palipunk @palestinecharitycommissionsassoc @faggotfungus @ghost-and-a-half @magnus-rhymes-with-swagness @three-croissants @interfacefox @appsa @akajustmerry @feluka @flower-tea-fairies @90-ghost @victoriawhimsey @ficsforgaza @aria-ashryver @mangocheesecakes @humanvoicebox @plomegranate @queerstudiesnatural @commissions4aid-international @palestinegenocide @ghost-and-a-half @bibyebae @heritageposts @norrriey 🍉🌹🍉✍️

🌹🍉🇵🇸❤️🌹🍉🇵🇸❤️🌹🍉

[jackalhadrurusluvr]

repeating my therapists words in my head like the bike message in pokemon

[girlfictions]

something i’ve been thinking about lately is like. growing up muslim right after 9/11 is something i’d never really reflected on much because it was all i’d ever known — at 5, my friend’s mum didn’t let her invite me to her birthday party because i was the only brown girl in our class, at 12, my classmates would joke about my family being part of isis, at 16, my dad was interrogated by american airport security for hours — and it always stung and it always hurt but it was just the way things were because the western world hated muslims. but i don’t think i’ve ever fully comprehended the extent to which we were hated until now.

palestine is being turned into a mass graveyard. every single day there are new photos of the atrocities being carried out against them and videos of them pleading for help and still those who can actually intervene turn a blind eye. israel is claiming to only be targeting hamas “terrorists” while bombing a refugee camp. israeli police raided and assaulted a non-zionist jewish neighbourhood. israeli soldiers are posting tiktoks of them torturing captured palestinians. this is not a complicated issue and it never has been. ethnic cleansing is being committed right in front of us. and yet the western world leaders refuse to call for a ceasefire.

and while zionist organisations accuse pro-palestine demonstrations of anti-semitism, while zionist celebrities insist that they’re afraid to leave their mansions in los angeles, a six year old muslim boy was stabbed to death and his mother wounded in the same attack in chicago. a muslim doctor was murdered while sitting outside her apartment complex in texas. hundreds of peaceful protesters have been arrested (many of whom have been jewish). despite what zionists want you to believe, this is not a jewish/muslim conflict. i have so much love and gratitude to my brave jewish brothers and sisters all over the world who are condemning israel for their actions.

ultimately, israel have been granted impunity by the west. they have slaughtered thousands upon thousands of innocent palestinians. they have bombed hospitals and schools indiscriminately. they have used white phosphorus, violating the geneva convention. they have completely eradicated nearly 900 bloodlines. how many more need to be wiped out? how many more children need to be buried underneath the rubble? how many more doctors need to be confronted with the bodies of their own family members? how many more journalists need to detail the horrific acts of violence they are witnessing? what more can be done to the palestinian people that has not been done already?

i truly believe that palestine will be free one day. i believe the palestinian people will receive the justice they finally deserve. but what breaks my heart is how much they have suffered and will continue to suffer before they are deemed worthy of help. and it would be to all of our detriment if we ignored how much of a factor palestine being a predominantly muslim state has played into the way the world has reacted to their genocide.

[joycrispy]

Awhile ago @ouidamforeman made this post:

This shot through my brain like a chain of firecrackers, so, without derailing the original post, I have some THOUGHTS to add about why this concept is not only hilarious (because it is), but also...

It. It kind of fucks. Severely.

And in a delightfully Pratchett-y way, I'd dare to suggest.

I'll explain:

As inferred above, both Crowley AND Aziraphale have canonical Biblical counterparts. Not by name, no, but by function.

Crowley, of course, is the serpent of Eden.

(note on the serpent of Eden: In Genesis 3:1-15, at least, the serpent is not identified as anything other than a serpent, albeit one that can talk. Later, it will be variously interpreted as a traitorous agent of Hell, as a demon, as a guise of Satan himself, etc. In Good Omens --as a slinky ginger who walks funny)

Lesser known, at least so far as I can tell, is the flaming sword. It, too, appears in Genesis 3, in the very last line:

"So he drove out the man; and placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life." --Genesis 3:24, KJV

Thanks to translation ambiguity, there is some debate concerning the nature of the flaming sword --is it a divine weapon given unto one of the Cherubim (if so, why only one)? Or is it an independent entity, which takes the form of a sword (as other angelic beings take the form of wheels and such)? For our purposes, I don't think the distinction matters. The guard at the gate of Eden, whether an angel wielding the sword or an angel who IS the sword, is Aziraphale.

(note on the flaming sword: in some traditions --Eastern Orthodox, for example-- it is held that upon Christ's death and resurrection, the flaming sword gave up it's post and vanished from Eden for good. By these sensibilities, the removal of the sword signifies the redemption and salvation of man.

...Put a pin in that. We're coming back to it.)

So, we have our pair. The Serpent and the Sword, introduced at the beginning and the end (ha) of the very same chapter of Genesis.

But here's the important bit, the bit that's not immediately obvious, the bit that nonetheless encapsulates one of the central themes, if not THE central theme, of Good Omens:

The Sword was never intended to guard Eden while Adam and Eve were still in it.

Do you understand?

The Sword's function was never to protect them. It doesn't even appear until after they've already fallen. No... it was to usher Adam and Eve from the garden, and then keep them out. It was a threat. It was a punishment.

The flaming sword was given to be used against them.

So. Again. We have our pair. The Serpent and the Sword: the inception and the consequence of original sin, personified. They are the one-two punch that launches mankind from paradise, after Hell lures it to destruction and Heaven condemns it for being destroyed. Which is to say that despite being, supposedly, hereditary enemies on two different sides of a celestial cold war, they are actually unified by one purpose, one pivotal role to play in the Divine Plan: completely fucking humanity over.

That's how it's supposed to go. It is written.

...But, in Good Omens, they're not just the Serpent and the Sword.

They're Crowley and Aziraphale.

(author begins to go insane from emotion under the cut)

In Good Omens, humanity is handed it's salvation (pin!) scarcely half an hour after losing it. Instead of looming over God's empty garden, the sword protects a very sad, very scared and very pregnant girl. And no, not because a blameless martyr suffered and died for the privilege, either.

It was just that she'd had such a bad day. And there were vicious animals out there. And Aziraphale worried she would be cold.

...I need to impress upon you how much this is NOT just a matter of being careless with company property. With this one act of kindness, Aziraphale is undermining the whole entire POINT of the expulsion from Eden. God Herself confronts him about it, and he lies. To God.

And the Serpent--

(Crowley, that is, who wonders what's so bad about knowing the difference between good and evil anyway; who thinks that maybe he did a GOOD thing when he tempted Eve with the apple; who objects that God is over-reacting to a first offense; who knows what it is to fall but not what it is to be comforted after the fact...)

--just goes ahead and falls in love with him about it.

As for Crowley --I barely need to explain him, right? People have been making the 'didn't the serpent actually do us a solid?' argument for centuries. But if I'm going to quote one of them, it may as well be the one Neil Gaiman wrote ficlet about:

"If the account given in Genesis is really true, ought we not, after all, to thank this serpent? He was the first schoolmaster, the first advocate of learning, the first enemy of ignorance, the first to whisper in human ears the sacred word liberty, the creator of ambition, the author of modesty, of inquiry, of doubt, of investigation, of progress and of civilization." --Robert G. Ingersoll

The first to ask questions.

Even beyond flattering literary interpretation, we know that Crowley is, so often, discreetly running damage control on the machinations of Heaven and Hell. When he can get away with it. Occasionally, when he can't (1827).

And Aziraphale loves him for it, too. Loves him back.

And so this romance plays out over millennia, where they fall in love with each other but also the world, because of each other and because of the world. But it begins in Eden. Where, instead of acting as the first Earthly example of Divine/Diabolical collusion and callousness--

(other examples --the flood; the bet with Satan; the back channels; the exchange of Holy Water and Hellfire; and on and on...)

--they refuse. Without even necessarily knowing they're doing it, they just refuse. Refuse to trivialize human life, and refuse to hate each other.

To write a story about the Serpent and the Sword falling in love is to write a story about transgression.

Not just in the sense that they are a demon and an angel, and it's ~forbidden. That's part of it, yeah, but the greater part of it is that they are THIS demon and angel, in particular. From The Real Bible's Book of Genesis, in the chapter where man falls.

It's the sort of thing you write and laugh. And then you look at it. And you think. And then you frown, and you sit up a little straighter. And you think.

And then you keep writing.

And what emerges hits you like a goddamn truck.

(...A lot of Pratchett reads that way. I believe Gaiman when he says Pratchett would have been happy with the romance, by the way. I really really do).

It's a story about transgression, about love as transgression. They break the rules by loving each other, by loving creation, and by rejecting the hatred and hypocrisy that would have triangulated them as a unified blow against humanity, before humanity had even really got started. And yeah, hell, it's a queer romance too, just to really drive the point home (oh, that!!! THAT!!!)

...I could spend a long time wildly gesturing at this and never be satisfied. Instead of watching me do that (I'll spare you), please look at this gif:

I love this shot so much.

Look at Eve and Crowley moving, at the same time in the same direction, towards their respective wielders of the flaming sword. Adam reaches out and takes her hand; Aziraphale reaches out and covers him with a wing.

You know what a shot like that establishes? Likeness. Commonality. Kinship.

"Our side" was never just Crowley and Aziraphale. Crowley says as much at the end of season 1 ("--all of us against all of them."). From the beginning, "our side" was Crowley, Aziraphale, and every single human being. Lately that's around 8 billion, but once upon a time it was just two other people. Another couple. The primeval mother and father.

But Adam and Eve die, eventually. Humanity grows without them. It's Crowley and Aziraphale who remain, and who protect it. Who...oversee it's upbringing.

Godfathers. Sort of.

[robinsnest2111]

if I just had someone to hold me through all the bullshit emotions bombarding my brain right now I probably wouldn't have to suffer as much as I do right now. stupid...

[fictionalmenmistress]

I haven't seen anyone else talk about it, so I wanted to share that Logan's rant monologue insulting Wade in the Honda Odyssey, before Wade decides to beat him up and they ~fight~ all night... that so clearly to me, was Logan projecting. It started as a tempered rant to cope with how annoyed and pent up he was, with the heat of everything and with Wade's muchness that makes him, him, but the longer he went on, the more he started ranting and exposing himself in the process.

"THE XMEN REJECTED YOU, AND THEY'LL TAKE FUCKING ANYONE!!!" That was my first hit, that he was referring to himself. He sees himself so lowly, so failed, that's canonical to the film. And canonically, he didn't even quite originally feel worthy or want to be with the XMEN. Didn't feel like there was a place for him there, a place for him anywhere. One of his biggest healings was Professor X not giving up on helping him believe that he deserved to be there, was wanted, was worthy, was a good guy. That's canon to his character. So we know he was speaking about himself. He was chewing Wade out, but he was also talking and focusing moreso on what upset him about himself. (He sees himself as just any jo shmo, when he IS literally THE X MAN ㅠㅠ)

He was seeing himself in Wade, how he "can't even save a relationship with a gd stripper", (he sees himself as not able to save anything either, and he's angry for that more than anything else he's angry or annoyed at) projecting SO HARD as he pieced together saying it out loud, that Wade was exactly like him. Logan hated himself for not saving anything. For being a "loser", a "failure", for all of the same reasons he was lashing out at Wade for. He was so angry and annoyed by Wade reminding him of himself, because he related to him. Wade was his reflection, in his eyes, calling him out so loudly with his own behaviors. And he hated himself. He deeply was suffering with that hatred for himself, and as a result, he lashed out on Wade when really he was chewing out himself, inside, admitting it.

"God's CRUELEST JOKE, IS THAT YOU *WONT* DIE ALONE. BECAUSE YOU! CANT! DIE! SO THE REST OF US HAVE TO SUFFER YOU THE REST OF OUR EXISTENCE!" (something along that.)

He didn't know for sure that Wade can't die. He picked up on that Wade can't be killed. Logan is the one who can't die. They are two flipped sides of the same immortal power coin. When he finished his screaming at him, and everyone was silent at how cruel and shocking the confrontation and his words were, I was sinking with a very empathetically whispered "oh, Logan..." Because I felt his misery. I immediately picked up on him really talking about himself, and I think that was genius and layered. I was upset for how awful that was to say to Wade, heartbroken for Wade taking that to heart, and I was heartbroken that Logan was saying that because he believes that about himself. Because they are, oddly, a lot alike. Very compatible.

This scene here:

I read that Hugh said that Ryan wrote that. He's brilliant with these films. It was so genius. I really needed to share this and bring this thought, meta, analysis to light. For all of us to have.

Is Logan mad at God's "cruel joke" of his immortality, yet ability to feel so much pain through it still? Yes. He punched the roof in rage, because it's not fair. Venting his own pain. He sees his powers, his own and Wade's too, empathetically, as their curse. The curse of being the one who lives, and the guilt with that. The one who can't die. The one who lives, who is forced to live, while everyone who "deserves to live" dies. And WILL die, around them.

"And You can't die. That's on all of US!" Logan says, clearly referring to himself living forever... And "us" being the people HE loved. He saw himself as a burden for existing with them, for them. He deflected that onto Wade, as if the people in Wade's life must feel that way too, but didn't really mean that. He meant it about himself. Logan believes he was a burden on the people he loves, the people he lost. That's probably why he left too, and didn't come back when they called out for him to. He distanced himself to protect them, and protect himself from that fear of rejection that he feels is so imminent, and them not having him, is the one element that led to none of them surviving without him. He was always the key. He was always wanted, and he was always important and needed. He just couldn't ever believe that.

Man, that's why it became so personal for Logan too, when he was shown Wade's photograph of his family. Because HE had a family, and he would do anything now to save them. Just like Wade. He held that photograph all night, he went and got it when it fell out of the car, he kept looking at it. It became personal for him, when he identified with it. That Honda scene really was their turning point of everything. That's when Logan cared with everything. He got it. Wade is the him he couldn't be. But now he can.

I dropped some heat with this one.

Extra little personal context/thought notes: Maybe I just spotted it because I have a natural knack for psychology, I'm hyperobservant, highly empathetic and deeply feeling, and I'm also years experienced of my parents and whole family treating me the same exact toxic lashout way almost every other day. That's a workweek for me to see through toxic lashout anger BS. These are not my gifs!!! They were created by another amazing account. I will refind their @ and tag them!! >>> It's @landoslastnerve ! Thank you friend! 🤍

Also wanted to include someone's tags from those gifs:

.

[eelhound]

"The idea of reforming Omelas is a pleasant idea, to be sure, but it is one that Le Guin herself specifically tells us is not an option. No reform of Omelas is possible — at least, not without destroying Omelas itself:

If the child were brought up into the sunlight out of that vile place, if it were cleaned and fed and comforted, that would be a good thing, indeed; but if it were done, in that day and hour all the prosperity and beauty and delight of Omelas would wither and be destroyed. Those are the terms.

'Those are the terms', indeed. Le Guin’s original story is careful to cast the underlying evil of Omelas as un-addressable — not, as some have suggested, to 'cheat' or create a false dilemma, but as an intentionally insurmountable challenge to the reader. The premise of Omelas feels unfair because it is meant to be unfair. Instead of racing to find a clever solution ('Free the child! Replace it with a robot! Have everyone suffer a little bit instead of one person all at once!'), the reader is forced to consider how they might cope with moral injustice that is so foundational to their very way of life that it cannot be undone. Confronted with the choice to give up your entire way of life or allow someone else to suffer, what do you do? Do you stay and enjoy the fruits of their pain? Or do you reject this devil’s compromise at your own expense, even knowing that it may not even help? And through implication, we are then forced to consider whether we are — at this very moment! — already in exactly this situation. At what cost does our happiness come? And, even more significantly, at whose expense? And what, in fact, can be done? Can anything?

This is the essential and agonizing question that Le Guin poses, and we avoid it at our peril. It’s easy, but thoroughly besides the point, to say — as the narrator of 'The Ones Who Don’t Walk Away' does — that you would simply keep the nice things about Omelas, and work to address the bad. You might as well say that you would solve the trolley problem by putting rockets on the trolley and having it jump over the people tied to the tracks. Le Guin’s challenge is one that can only be resolved by introspection, because the challenge is one levied against the discomforting awareness of our own complicity; to 'reject the premise' is to reject this (all too real) discomfort in favor of empty wish fulfillment. A happy fairytale about the nobility of our imagined efforts against a hypothetical evil profits no one but ourselves (and I would argue that in the long run it robs us as well).

But in addition to being morally evasive, treating Omelas as a puzzle to be solved (or as a piece of straightforward didactic moralism) also flattens the depth of the original story. We are not really meant to understand Le Guin’s 'walking away' as a literal abandonment of a problem, nor as a self-satisfied 'Sounds bad, but I’m outta here', the way Vivier’s response piece or others of its ilk do; rather, it is framed as a rejection of complacency. This is why those who leave are shown not as triumphant heroes, but as harried and desperate fools; hopeless, troubled souls setting forth on a journey that may well be doomed from the start — because isn’t that the fate of most people who set out to fight the injustices they see, and that they cannot help but see once they have been made aware of it? The story is a metaphor, not a math problem, and 'walking away' might just as easily encompass any form of sincere and fully committed struggle against injustice: a lonely, often thankless journey, yet one which is no less essential for its difficulty."

- Kurt Schiller, from "Omelas, Je T'aime." Blood Knife, 8 July 2022.

[thebreakfastgenie]

This is going to get me screencapped and ridiculed by leftblr but at this point I don't care.

The way people talk about Ruth Bader Ginsburg is misogynistic. This post is not about the merits of her decision to remain in her seat. I've discussed that before and I'm happy to go through it again with anyone who is genuinely interested in the complexities of that situation, but for the sake of this post, I am not arguing that it's unreasonable to believe, with the benefit of hindsight, that the country would be a in a better position today if Ginsburg had retired in 2012. The issue I want to address is how people talk about it.

People who blame Ginsburg for the current state of the Supreme Court tend to throw around words like greedy, selfish, and ambitious, echoing a familiar form of misogyny. Ambition is only bad when women demonstrate it, and women in politics are regularly punished for ambition. Even more disturbingly, people tend to blame not just Ginsburg, but the women and girls who looked up to her. I've seen the "Notorious RBG" nickname derided as a cult of personality, when the reality is that Ruth Bader Ginsburg was a trailblazer and a role model to a lot of women and girls. I've seen leftists try to hide behind valid criticisms of some of Ginsburg's positions (and it should, but doesn't, go without saying that you can see someone as a role model without believing they are correct about every issue all the time) but you barely have to scratch the surface to see that the real complaint is that they think women who admire her are cringe. I don't know if people understand how significant she was; she was only the second woman on the Supreme Court and the first, Sandra Day O'Connor, was a conservative Reagan appointee. Even so, Justice O'Connor spoke about the significance of Justice Ginsburg joining her and reality that women faced in their position being more apparent when she could see it happening to someone else. It's the same old anti-feminist story of dismissing women and their desires.

This particular case rankles me because it's underscored by the complete silence about Anthony Kennedy. Ruth Bader Ginsburg made a judgment call about her health that didn't work out--and barely; she died four months before Trump left office. Anthony Kennedy, a supposed moderate justice who claimed to not want Roe v Wade to be overturned, retired in 2018, knowing full well Trump would replace him with someone who would overturn Roe v Wade. It was Kennedy's replacement, not Ginsburg's, that doomed Roe. The decision was 6-3. If Ginsburg had lived four more months, or retired in 2012 and been replaced with an Obama appointee, the Dobbs v Jackson decision would have been 5-4 in the same direction. Anthony Kennedy was replaced with Brett Kavanaugh, a white man who sobbed crocodile tears when confronted with credible allegations of sexual assault and ultimately faced no consequences. Anthony Kennedy let all of this happen and slunk off into his cushy retirement. Where is the anger for him? He's alive! Being angrier at Ginsburg than Kennedy makes absolutely no sense. There is no logic to explain it, only misogyny.

It doesn't escape my notice that the anger at Ginsburg goes hand-in-hand with blaming women for their own suffering as a result of the Dobbs decision and with blaming Hillary Clinton for the 2016 election, while making any excuse for not voting for her or deriding her for months. It's emblematic of a political system that does not care about women and despises women trying to speak up and make our issues known.

[sena-seastar]

Burning Desire

Aemond x Older!sister Reader

Summary: You rush off to confront your brother Aemond after discovering he hurt your sister, only to find him crying. You are angry at him for what he has done, but you cannot stand to see your little brother suffer.

Warnings:  Angst, Smut, Sibling incest

A/N: This was supposed to be an angsty comfort fic, but it very quickly got out of hand. All dialogue in italics means that the characters are speaking in High Valyrian. I was just too lazy to attempt to translate it. No beta, so I apologize for any grammar and spelling mistakes. (Gif is not mine!)

You stormed through the castle halls, ignoring the maids and knights who quickly stepped out of your way. Usually, you would give them some sign of acknowledgment, but tonight, you couldn’t— not when your anger was boiling over. Your hands trembled with repressed rage, and your fingers curled into fists as you tried desperately to refrain from lashing out. There was only one person who was deserving of your wrath, and you were headed to find him now. 

When you arrived at his door, you entered the room, not bothering to knock. The loud sound of the wooden door slamming close behind you echoed in the air. The room was dark; only a few candles were lit, though they were burning dangerously low. You squint your eyes, searching until you find the silver-haired man hunched over in his chair. Your robe made a slight whooshing sound as you stormed over to his side. 

“How dare you!” Your voice cut through the air like a sharpened blade, every word dripping with venom and contempt.

Aemond says nothing. His head is lowered, and his long silver tresses conceal his face.

“You dare to lay a hand on our sister?! Has she not suffered enough?! And now you wish to send her into battle?!” Your chest is heaving wildly as you lose what little composure remains to you.

Once again, you are met with a deafening silence that angers you even more.

“Have you nothing to say?!” you yell, each word cracking like a whip. Your brows furrow and your lips curl into a snarl.

Yet once again, your words go unanswered. You open your lips, prepared to berate him even more until quiet sobs reach your ears. Your blood runs cold, and you freeze. Aemond’s body jerked with every gasp that escaped his throat. 

“I am alone,” he whispers . “As I always have been.”

His words move you to tears. 

“Aemond,” you whisper, stepping closer.

You reach out a hand to touch his shoulder but pull it away just before reaching him. Your mind is suddenly conflicted. Your rage is quickly converting into sadness with every second that passes. The two of you rarely saw eye to eye these past few weeks. His actions above Shipbreaker Bay had left you horrified. The abhorrent murder of your nephew, Jaehaerys, happened not long after. You blamed Aemond for that and did not bother trying to hide it from him.

Then, Aegon returned from Rook’s Rest, burned and broken beyond repair. Your mother came to you shortly after, sharing her thoughts about what had happened. She believed Aemond to be responsible, but you could not bring yourself to believe it at the time. But as the days passed, you found yourself becoming increasingly unsure. Especially after today, when the horrific details of his actions at Sharp Point reached you. Most days, you could hardly even recognize him—this strange man who shares the face of your sweet little brother.

You take a deep breath before reaching out. Your hand trembles as you place it on his shoulder, but he does not flinch from your touch. He leans into it. Aemond raises his head just enough to look you in the eyes. His face is stained with tears, and his eye is red and gleaming with tears, ready to fall. His silver hair is unusually messy and unkempt. The leather eyepatch is gone, exposing the beautiful sapphire embedded into his eyesocket. It is a sight he has entrusted very few to see.

“I am sorry,” he cried. “I didn’t mean to hurt her.”

“I know,” you whisper, pulling him close.

He buries his face into your stomach. His large hands gripped tightly at your sides, and you did your best not to wince. You lift a hand, brushing down his unkempt hair. You were angry at him. You had come here to yell at him, maybe even hit him, but you couldn’t. Not when it filled your heart with great sorrow to see your brother in so much pain. Your little brother. The boy you had always tried so hard to shield from the cruelty of this world. The boy who had always run to you for comfort after being humiliated by Aegon time and time again.

Aemond continued to sob. His tears made the thin fabric of your nightdress stick to your skin, and the cold wetness sent a chill down your spine. You gasp as you feel him pull you down, sitting you on his lap. He held you close, burying his face into the curve of your neck. Your hands rested against the warm, bare skin of his back as you held him. He must have been preparing for bed not long before you arrived as he was only dressed in a pair of black lambswool breeches.

“You are not alone,” you reassure him, gently kissing the scar that marred his brow. “I am here, as I always have been.”

There is a slight chill in the air, but the heat radiating from his skin keeps you warm. Aemond sniffles but says nothing. You can feel his tears sliding down your neck. You move a hand up to his head, toying with his hair. He nuzzles his nose into your neck, seemingly inhaling your scent. Aemond shifts in his seat, spreading his legs a little wider, making the position more comfortable for you. A quiet gasp escapes your throat as you feel the taut muscle of his thigh pressing into the most intimate part of your body.

The feeling sends a rush of heat through your veins. Your breath quickens as you try to push the sensation aside. Your face burns as shame begins to overwhelm you. He just wanted to be close to you, searching for comfort in your arms as he had done many times before. But your body is turning it into something perverse.

Aemond bounced his knee ever so slightly, almost like a tremble. You squirmed, trying to press your thighs closer together in hopes of stopping the heat growing in your stomach. One of Aemond’s large hands rests firmly against the small of your back. The other moves to grip the outside of your thigh.

“Aemond,” you gasp as you feel his lips grazing against our collarbones.

“What?” He asks, his voice so nonchalant.

“I think I should go,” you replied, trying to stand up.

But his hands hold onto you tight, refusing to let you go. 

“Please stay,” he begged, burying his face into the curve of your neck once more.

“Alright,” you whisper, trying to calm him.

His hair tickles your nose. You lift your head a bit, resting your chin on the top of his head. You trail the tips of your fingers against the muscles of his back. Aemond nuzzles his face against your neck. He bounces his knee a bit harder. You wonder if he is doing this on purpose.

“Aemond, stop it,” you mumble, trying to ignore the fire sparking in the pit of your stomach.

“Stop what?” He asked, ghosting his lips over your jaw. 

“You know what,” you whine.

He ignores you; his lips press soft kisses against your jaw. Aemond bunches the skirt of your dress into the hand that grips your thigh. He steadily inches it up higher. The cold air touching your now bare legs makes the hair on your body stand up. Suddenly coming to your senses, you gasp, slapping a hand over his as the skirt of your dress reaches just above your knees. He tries to continue, but you use all the strength you can muster to keep his hand still. 

“We must stop,” you command, trying to stop yourself from giving in to him completely.

This was wrong. You were both betrothed to other people—him to some Baratheon girl and you to the Lord of the Arbor. They were political matches, as most marriages are. You held no love for Lord Redwyne, but you would do your duty as was expected of you.

Aemond easily pushed past your hand, slipping his hand between your thighs. You gasped, trying to squeeze them together to keep him at bay. Your stomach flutters as his thumb rubs across the sensitive skin of your inner thigh. Your fingernails dig into his forearm. You pull back, and he lifts his head to look you in the eyes. 

He removes his hand from between your thighs, moving it up to your face. You find yourself melting into the warmth of his palm. The pad of his thumb ghosts over your lips, but his eye never leaves yours.

“You were supposed to be mine,”   he says in the gentlest tone.

“Aemond,” you whine, trying to push him away.

But he refuses to let you go. The hand on your back kept you from standing. His fingertips trail down the side of your neck down to the neckline of your nightdress. His touch on your skin leaves you feeling almost delirious. The fire in your stomach is fully ablaze now. You squirm in his lap as his fingers graze over the tops of your breasts. You cursed yourself for this, as the feeling of his tense muscles sends waves of heat straight to your cunt. The hairs on the back of your neck raise. Your eyes close, and you bite your lip to stop crying out. 

“Look at me.”  

It is a command that you are unable to ignore. Aemond is the prince regent. In this moment, he speaks with the king’s voice. His absolute authority leaves you fearful and painfully aroused. Once again, your eyes meet his. He says nothing, simply watching you like a predator stalking its prey as his hand moves over your nightdress, cupping your breast. You gasp, slapping a hand over his. You know you should push him away, but you don’t. 

A chill runs down your spine. Under his gaze, you feel completely exposed, almost powerless—a feeling you usually dislike greatly. You were a princess of the realm and a dragon rider. You were anything but helpless. Yet you find yourself wanting nothing more than to surrender yourself to him, to escape from your worries and sorrows, to be free from all the tiring expectations that have been placed upon you since your birth.

“Am I so hard to love?” 

His voice trembled, as he struggled to hold back tears. The authority is gone, replaced with something much more vulnerable. The sight broke your heart in two. You had always worried about Aemond, your sweet, sensitive little brother. Since he had come of age, he had changed. He was colder and more distant, not just from you but from everyone, even your mother, whom you know he cared for greatly. It was like he believed he had to be this... pillar of strength, or all would crumble.

You remove your hand from his, moving it up to cup the scarred side of his face. You lean down, pressing a gentle kiss on his brow. You have done this so many times over the years, yet it has never felt as intimate as it did now. Aemond closed his eye, leaning into your touch. A sharp pain stabs at your heart as you watch how desperate he is for your comfort.

The hand on your breast slid back down to your thigh. Aemond’s fingers toyed with the hem of your skirt. Your thumb traced down the deep scar that marked his cheek. You lean down, peppering kisses from his cheek to his jaw, where the scar stops. He turns his head slightly, so that your lips hover above his, almost touching. You rest your head against his. His violet eye stared into your own.

“What of Floris? She is to be your wife.” You say, hoping he may come to his senses, as yours have fled from you completely.

“You will be my wife... for tonight.” A single tear drops from his eye as the words leave his lips.

It is such a beautiful, harrowing sight. One that leads you to shedding tears of your own. Aemond’s hands grip you by the waist, hoisting you up just enough for you to straddle him. Your knees rest on both sides of his legs, trapping him between your thighs. A wave of heat runs through your veins as your bare cunt presses against his clothed bulge. He leans forward, capturing your gasp with his mouth. One of your hands cups his face while the other pushes his hair away from his face. 

The two of you shared passionate, frantic kisses. You had not been prepared from when Aemond’s tongue slid into your mouth. You whine, caught off guard, but do your best to follow along with him. You had no experience with such things. The only kisses you had ever experienced came from tall, handsome knights in your dreams. But even then, those kisses were nothing like this. They were short and sweet. A quick peck on the cheek or lips, but this was much different. Aemond kissed you with such urgency, such deep burning desire.

Aemond lifts his hips, pressing himself against you. The feeling of his hard cock pressing against your aching cunt makes you cry out, though your noises are muffled against his lips. The feeling is so foreign, yet exciting, that you can’t stop yourself from reaching down to palm him through his trousers. His hardened cock is thick and throbbing beneath your touch. A newfound confidence blooms in your chest.

A sound rumbled in his chest; his large hands gripped your ample hips. Your hands moved to grip his shoulders as you rocked yourself back and forth, your bare cunt grinding against his clothed bulge. He hissed, knitting his brows together. You watch as his face contorts into one of pleasure. Your own burning desire is growing too much. Your desperate, heavy breaths fill the air as you grind yourself against him even faster, desperate to reach your peak. He looked up at you; his mouth hung open slightly as he watched you use him for your own selfish gratification.

It’s exhilarating- him watching you- seeing you in a way no other ever has, touching you in a way no other ever has.

“You’re doing so good,” he praises.

His praise sends another wave of pleasure coursing through your veins. The room suddenly feels unbearably hot. You’re so close; you can feel it. The pressure building up in your stomach is eager to be released. You roll your hips even faster, harder. But it is not enough. The throbbing in your cunt is almost painful. You are nearly sobbing at this point.

“I want more,” you whine. “I need more. Please, brother.”

“I am at your mercy, sister,” he smirks. “Take what you want.”

You reach down, huffing as you struggle to untie the laces of his trousers. You can feel his chest vibrate against you as he chuckles.

“Don’t laugh at me,” you grumble.

“My apologizes-” he shudders as your hand wraps around his thick cock. Finally freeing him from the confines of his trousers.

A triumphant smile crosses your face. You give his cock a few strokes, admiring the way it stands so prettily for you, so thick and full. Suddenly, you begin to fear the thought of having to fit it inside of you. Aemond seems to sense your worry. His hand cups the back of your neck, making you look at him.

“Take it slow,” he warns.

You nod, lifting yourself on your knees a bit. Your wetness coats your fingers and his cock as you press the tip into your aching cunt. You whine as the head breaches your walls, and you clamp tightly around him. The stretch is a bit uncomfortable but not painful. You may be a maiden, but you still had desires. Many nights, you have had to satiate your hunger with your fingers.

You lower yourself on him slowly. Thankfully, your wetness makes it easier to take him. You take a deep breath as you take him to the hilt. It takes you a moment to adjust to his size. 

“Are you okay?” Aemond asked, his voice filled with genuine concern.

“Yes, I just ... need a moment,” you breathlessly laugh as he lifts a hand to trail his fingers against your jaw.

He nods, raising his chin to kiss gently against the corner of your mouth. You turn your head, pressing your lips to his. A soft tongue gently licks at the swell of your bottom lip, and you grant him entry. The gentleness comes to an end. He licks into you with a fervor that steals your breath away. Your thoughts fade, and you melt into his arms. 

Aemond kisses you like he wants to devour you, and you want nothing more. You lift your hips before lowering yourself. Aemond finally breaks the kiss, and his hands move to your waist.

“Ah-h,” he whines against the corner of your lips.

You begin to move slowly, easing yourself into up and down on his cock. Your eyes never leave him, watching as he presses his head to the back of the chair. His chest moves with his deep breaths, his eye is closed, and his mouth is partially open. He shudders, and a desperate, eager moan emits from his throat. It is a sight to behold.

He lifts his hips, pressing deeper into you, making you cry out.

“Aemond!” You whimper, fingernails digging into his shoulder blades.

His eye fluttered open as he watched you struggle to find the right pace. He gripped your waist tighter, his fingers digging into your fleshy sides. He guided you, raising you up and down on him. The newfound pace made you mewl pathetically, but you were too desperate to reach your peak to care. He called out your name. It sounded almost sinful coming from his lips. 

You drop your head, resting it against his. Your mouth hangs open as you gasp and moan. The faint scent of pine and smoke fills your nose. It’s him, his scent. The smell is almost intoxicating. Your mind is swimming, dizzy from the pleasure of him bucking up into you.

You feel one of his palms cup the back of your neck, pulling you closer. He lifts his chin, closing the small distance between you pressing his lips to yours. You try your best to follow the frantic rhythm he sets. He swallows every sound you make as he holds the back of your neck, refusing to let you pull away—not that you want to. 

Aemond plants his feet on the ground for leverage as he pumps into you. His thrusts are more erratic now as he approaches his end. The air in your lungs is incinerated, and a shameful, high-pitched moan escapes from your lips. You move your hips, rocking against him, dangerously close to finally reaching your peak. 

He doesn’t stop, bucking into you with a force that would be strong enough to toss you off of him if not for the hand holding onto your waist. Your hot cunt clenched around him, the muscles in your legs burned from remaining in this position for so long. 

It’s not fair- how good he is at this- how good he is making you feel. It’s all too much. Your poor wet cunt is overwhelmed with pleasure. The hand on your neck moves down, and the pad of his thumb rubs circles around that sensitive button between your legs. 

“That's it,” he coaxed, his hot breath fans on your mouth. “Let go, give it to me.”

You don’t stand a chance. Not when his cock makes you feel so full, reaching that one spot that makes you throw your head back. One of your hands tangles in his hair, tugging. Your chests’ are flushed against each other as you both rock against each other. You clench around his cock as you finally reach your release, hard and blinding. The world around you seems to disappear. It’s only you and him who matter.

“Ha-ah ... ah,” he sputtered, becoming more desperate.

You cry out as you fill his hot mouth, which latches into one of your breasts. He suckles at your breast like a starving babe. His tongue lashes back and forth around your hardened nipple. The sensation is strange but has you clenching around him even tighter. 

His teeth graze against your nipple. Every grunt and moan that leaves him vibrates against your breast. You can feel his thrusts becoming sloppy and uncoordinated. His cock pulses inside of you, it feels too good. Aemond releases your nipple, resting his forehead on your breast. Choked gasps and grunts slip past his lips as he reaches his peak, releasing inside of you, filling you with his seed.

The two of you stay pressed against each other as you come down for your highs. Aemond’s hips relax, his body melting into the chair. Your body sinks into him, boneless and spent. You lay your head on his shoulder, resting your chin on his collarbone. His fingertips trail over the curve of your back. Your eyes feel heavy as you struggle to keep them open.

“I am sorry for what I’ve done,” he apologized.

“I know,” you reply weakly.

You can feel his warm breath against your ear. His scent, mixed with his sweat, fills your nose, bringing you comfort.

“Our sister has too much of our mother in her. I see that now.”

You frown but say nothing, letting him continue. His lips press against your ear. He nudges your face with his shoulder, making you pull away. He grasps your chin between his thumb and index fingers. Your eyes flicker between the sapphire and his violet iris. You lift a hand to trail your fingers along his sharp jaw.

“But you and I,” he says, rubbing his thumb over your bottom lip. “We are two flames kindled from the same fire. We were always meant to burn as one.”

“Aemond,” you sigh.

“I am afraid,” he admits, rendering you speechless. “I cannot fight this war alone, sister.”

“You are not alone,” you argued. “You have Daeron.”

“Tsk,” he turns his head. “He is still young, as is his dragon.”

“Young or not, Tessarion is still a dragon.”

Aemond says nothing. His eye stared at the plain stone wall of his bedchamber. You watch him silently, trying to read him.

“Come with me,” he asked, turning his head back to you. 

“What?” You gasp.

“Mount your dragon and go with me to Harrenhal.”

“Mother would never allow it,” you shake your head.

“Our mother has made it clear that she does not hold our best interest at heart.”

“She means well,” you protested, trying to defend your mother, no matter how true his words seemed.

“If we do not fight, we will die. Rhaenyra may spare you and Helaena, but she will not be so merciful to the rest of us. She will have to take Aegon’s head, mine, and Daerons's as well. So long as our father has a living son, she will never be able to rule in peace.”

“You don’t know that-”

“I do,” he insisted. “Is that not what our mother has told us our entire lives?”

You blink, and memories of your childhood flood your mind. He was right. Over the years, your mother had repeatedly stressed the dangers that would follow should your sister ascend to the throne.

“Come with me,” he whispered.

Your eyes flickered from his trembling lips to his tear-filled eye. It was not an order but a plea. He was afraid and desperate for aid. You were afraid as well—you had been since Ser Criston placed that crown upon Aegon’s head. It has only been a few weeks, and already, your life has been turned completely upside down. 

You had no desire to fight this war. Many times, you have had to stop yourself from climbing on your dragon and leaving. But you could not abandon your family, just as you could not abandon Aemond now.

You nod your head. He smiled, a look of relief crossing his face. One of his hands finds yours, lacing your fingers together before bringing his lips to yours, giving you one last sweet and adoring kiss. Once he pulls away, you lay your head back down on his shoulder.

“Can I go to sleep now?” You mumble against his skin.

“Yes,” he lets out a breathy laugh. “You can sleep now.”

[wolfsong-the-bloody-beast]

You know how Wyll is sad during the tiefling party, because he's been transformed into a devil, which is why he isolates from the festivities by the lake? I wanted to try something different during this playthrough when I'm romancing him, so I put off recruiting Karlach and did the goblin camp all without her. I was curious to see whether that changes Wyll's mood during the party.

What did I find out? That man is just a bundle of worry.

When you don't confront Karlach before the party, he isn't sad about having been transformed into a devil, because that didn't happen, but he worries that Karlach is still out there and innocent people might be in danger.

So, I went back, and recruited Karlach just before the party, so Mizora didn't have a chance to transform Wyll yet.

Then he isn't sad about his transformation, which didn't happen, and doesn't worry about Karlach being out there any more, because she is our friend now, but he... just worries. He worries about the tieflings and how they'll survive out there on their own.

Not to even mention that he must secretly worry about what Mizora will do to him, as well, because we have spared Karlach.

I don't want to go that road in this playthrough, but I don't suppose that killing Karlach would make him feel any better during the party, either. I imagine that'd just bring other awful feelings. It doesn't solve the problem with the tiefling refugees being in peril, either.

Mission failed. Local man still suffers from anxiety.

[psychotrenny]

One of the most literal manifestations of "Labour Aristocracy" is the way that Imperial Core Proletariat, when confronted with the idea of aristocracy whether in fantasy, historical fiction or even discussion of actual history, consistently identify with the nobility over the commoners. It's why you see people cry rivers of blood for the executed Romanov children without any regard to countless children who died in war and poverty under the Romanov's rule. Same attitude that makes people say shit like this

Only the suffering of "real" people matters; who cares about those who die for the sake of our wealth?

[sapphiresaphics]

The number of people who try to quantify Caitlyn’s bad deeds to determine if she is redeemed or not is sickening. Especially because 9 times out of 10 they come to the conclusion that Caitlyn is beyond redemption and doesn’t deserve Vi or to be happy.

And what pisses me off is that this mindset is addressed IN THE SHOW ITSELF and it comes to a very different conclusion.

When confronted with her crimes by Vi, Caitlyn acknowledges them by shouting “I KNOW!” But then she turns around and says that no amount of good deeds erases their crimes. She’s talking about Jinx in that moment, but it’s pretty clear that she’s thinking about herself.

She’s so remorseful about what she’s done she’s looking for ways to punish herself. That’s why she goes to see Jinx. She’s looking for justification to keep hating Jinx so that her own crimes will be justified in capturing her.

But she doesn’t get that. Instead she gets a sad, depressed, suicidal little girl, who isn’t eating and who is empathetic to Caitlyn’s own grief. She even apologizes for killing her mother.

And Caitlyn can’t handle it. She needs to justify capturing Jinx so that she can wipe away her own crimes, and Jinx doesn’t allow her to do that. Caitlyn realizes that she’s responsible for a lot of the hate that caused Jinx to lash out in the first place. She’s responsible for what she did to the undercity to capture her. She’s responsible…

“No amount of good deeds can erase our crimes.” She says.

But the show Arcane doesn’t leave it there. Because the show doesn’t BELIEVE that sentimentality is true. Arcane proposes that yes, actually, you ARE allowed to break free from the cycle and choose to do good for yourself despite EVERYTHING you’ve done to others. That you’re allowed to change.

You can’t erase your crimes. But you can choose to learn and grow from them.

And this is the part of the “quantifying redemption” that many fans seem to miss. There’s no algorithmic formula to make amends for the pain and suffering you caused. And there shouldn’t be. This isn’t a numbers or points game. This is real life. And in real life things only change for the better when YOU choose to do better.

Caitlyn may never live down the pain she caused in the undercity. But she can CHOOSE to have empathy. She can CHOOSE to do the right thing. She can CHOOSE not to repeat her mistakes.

And that’s exactly what we see her doing. She lets go of her hatred of Jinx. She lets Vi try to save her sister. She re-establishes the council and ends the martial law. She resigns from the council and installs Sevika on it to help the undercity have a voice. She fights to defend the city from Ambessa and loses an eye in the process.

Nothing will ever truly wipe her slate clean. But that doesn’t mean she can’t try to do better going forward because it’s the right thing to do. And Vi is the person who is going to keep her grounded. She’s the dirt under her fingernails. Vi will always be her reminder to do good.

[cckaisen]

⋆⭒˚. ࣪˖ ִֶָཐིཋྀ @ 𝓜A𝓢TER𝓛IST . . . !

💗 - [n]sfw / check out my rules <3

ᡣ𐭩 smaus .

little troubles the jjk men babysitting a little terror of yours.

what dignity?

drunk texts from our jjk boys.

ultimate betrayal watching ur fav show without u ! :(

slideshow freak ur lookin a little too good for insta.

warm heart pastry the jjk men with their baker-centric girlfriend.

knocked up, (or not) missed period prank on the jjk men

jealous much? making the jjk men jealous jus because.

just because you're mad at me jjk men reaching out after a nasty argument.

u know what day it iss! they know what day it iss!! (no they don’t) (ur pranking them) (lol)

question asking the jjk men if they’d rather kiss their ex or let you die, bcz ur sweet like that:3

easy mistake 💗 ‘f’ and ‘t’ reallyyy shouldn’t be so close to each other on the keyboard. especially not when u wanna get tucked in!! :/

not quite strangers the (torn up) jjk men when you, (their latest ex), ask to pick up your stuff from their place.

not quite strangers, yet the jjk men finding out you moved on.

wrong person 💗 sending them a naughty photo, only to lie n tell them it acc wasn’t meant for them !! oops:(

typo, oops the jjk men making typo errors since i like to see them suffer, but not like gege <3

cheater (of ur dreams) u had a dream that the jjk men cheated… :( better confront them about it, hm?

'can i tie a bow around ur bicep? asking the jjk men if u can tie a bow around their bicep… pretty please?

ᡣ𐭩 fics .

jezebel , nanami kento. 💗 an indulgence in nanami, his sweet intern, and their shared insanity.

brother fucker , sukuna ryomen. 💗 boyfriend’s older brother!sukuna. while little bro yuji spits up his liquor in the bathroom, sukuna takes care of his girl, finally fucking her like she deserves.