#compassion is like practicality. to me. actually.

[virtuousweakling]

10 things about Hantengu that keep me up at night (I WISH THERE WAS MORE CANON INFO ABOUT HIM)

In the close up of Hantengu's jaw and hands (when the blind monk calls him out on stealing) his hands and jaw don't actually start trembling until he realizes he's in trouble. This means he was relatively still or calm before that point, thinking he wouldn't get fucking caught.

Hantengu reaches towards the blind monk while trying to convince him as if he's not only trying to show him the hands he's blaming to further prove his point, but completely forgetting the fact that the monk (whose eyes are also CLOSED) can't even see him. This means he is so self centered he doesn't even acknowledge it or have regard for the other man's disability. Really delusional, considering he was living there while feigning his own blindness.

Sekido's monk's staff, Karaku's pompom vest and Urogi's belt are not only derived from traditional Tengu lore (which involves monks) but Hantengu's human self was living on the premises OF monks, likely sitting in on their teachings, meditations and other practices. Did he follow with them? Likely not. He probably sat with his eyes open, carelessly. He clearly did not wear their traditional clothing then because he didn't succeed as a monk (raggedy ass purple kimono) which means he may have been taken in as an act of charity since he was 87, acted blind, and he probably thought affiliating with monks would push the innocent act further, since monks have high moral and spiritual values. He also knew their compassion would serve him. Yikes.

This also means he had knowledge of Hell and his life aligned perfectly with the requirements to enter the Buddhist hell. (Buddhist/Shinto hell is nearly identical to Abrahamic/Christian hell) And, the theory of reincarnation doesn't come so quickly and easily for criminals of Hantengu's degree. And because he knows he's a fucking criminal of wicked sorts, he is likely so scared of death both as a demon and as a human because he knows what awaits him in the afterlife.

The probability of him having leprosy is slim but I understand why the author modelled his protrusion after it. I say this because it's highly contagious and spreads throughout the body, which isn't seen. His thighs, calves, knees, forearms, throat and collarbone area become exposed during his running sequences as his kimono moves, proving the majority of his body to be clear of blemish. The pressure on his head however (mucus membranes) may have caused his mental health to worsen, and cry so easily.

Leprosy affects mucus membranes. The most notable mucus membrane? The foreskin. His penis would have spread disease to anyone he slept with. And, canonically and unfortunately, he slept around a lot.

Taking this into consideration, whether or not Hantengu was guilty, it may not have been entirely his own fault but rather the illness contributing to his lack of morality.

I get this odd, creeping feeling that he was incredibly good in bed and I don't think it's just me being lustful minded. The moment I first saw him and found out he had kids, I knew he was a fucking playboy and a beast in the sheets. Old or not. Also, he's fucking fast. And, really fast. *Blushing*

Did he actually stick around to administer at least SOME fatherly presence in his children's lives? Did he help feed them, bathe them and teach them or did he just sit around bitching. Because, I hear, he is also based on the sin of sloth. Has any baby daddy ever NOT represented sloth? Smfh.

His demon markings are not visible on his body. While some day it's the purple discoloration, I beg to differ. I believe the discoloration on his forehead is from the horns breaking through adding pressure to his bumpy, bruising him. The markings might be the tongue kanji.

[moe-broey]

"His loved ones keep him grounded and kind" appeal is not "I can fix him" but more "I also really struggle with empathy either having too little of it or having way too much (which Isn't a humble brag and is actually super fucking annoying and is generally useless and hinders more than it helps)" -- The only truly consistent and reliable thing that is in your control is compassion, which is a skill you have to learn, which is something you cultivate, ultimately because of love for the people who ground you and also love for everyone you have ever cared about and wanting the best for everyone in general beyond yourself!!!!!

[aforeffortenjolras]

really trying to find ways to take care of myself that are doable and enjoyable when possible. and i really feel like with meditation i've had a lot of progress in letting go of things and being able to not get bogged down by circumstances, and i'm having so many more good days and just feel so much lighter overall :)

[cobra-creampuff]

why are they laughing at him as he gets straight up killed??? he doesn't deserve this! he's a sweet kid at heart! he literally just needs one (1) real friend!!

[fourthswordofzoro]

I'm reading a book that makes me just so mad at christianity, not only nowadays but also in the early middle ages like gaaah so many thoughts

[shakespearerants]

My therapist being constantly amazed at me bc when we talk about me changing a habit or recognizing a trigger I go out and do what we talked about...like on the one hand yes I am getting a good grade in therapy something that is both normal to want and possible to achieve but also what do you MEAN you're SURPRISED that when we spent an hour discussing how I'm communicating unhealthily with my friends bc I get triggered in conversations sometimes and how I can recognize my triggers and change how I react in detail I GO OUT AND RECOGNIZE MY TRIGGERS AND CHANGE HOW I REACT LIKE WE TALKED ABOUT IN DETAIL. What do other people DO in therapy.

[toymoder]

I think unless you specify that "no" "stop" "wait" mean anything else all of those are withdrawals of consent, even in kink. When in doubt, check in. Not every scene is CNC. I'm really tired of stubborn and inconsiderate people, often doms, who refuse to listen to anything but standard issue safewords and colour systems. I've never accidentally said no when i didn't mean it and i know thats what I'm gunna reflexively say when i need everything to stop. "No isn't the safeword" is coercive at best when CNC has not even been discussed.

[maedhrus]

#imo he's nothing like crozier at all tbh. bc crozier starts giving up the moment things start getting worse#he straight up stops caring. or at the very least avoiding his sense of care and responsibility through drink#making the worst calls ever bc he's angry all the time#when he goes fully alcoholic that's him avoiding his responsibility.#for everyone on those two ships. that's the entire point. it takes blanky losing a leg for crozier to think wait actually#i should be giving a fuck. bc that's my job!#and sure then he goes all redemption saviour arc but too bad! damage already been done by that point.#you know who carries on with a million burdens on his shoulders while crozier is off drinking himself into a stupour? edward.#every time i think abt it i get mad on edward's behalf like what do you MEAN you're still this loyal to a man who did all of that.#to you personally and to all the men on the expedition. how is there still any hope in you.#when people r like 'wow edward isn't suited to command he could not be a captain he's so anxious' i don't like that#he is anxious bc he wants to keep EVERYONE alive against all odds. and he never gives up even when he's scared out of his mind#and constantly abused by a direct supervisor whose condition he has to keep a secret from everyone else#idk this is a personal opinion but sometimes i feel like at the end on the shales when crozier is like 'no we need to bring everyone home'#i still feel like a big part of that is him looking for redemption. that he leans into this saviour complex#bc he feels extreme guilt over what he did. and bc he knows what his own rash decisions have led to re: feelings amongst the crew#nd when things go wrong he still takes that out on other people (like edward). which im not saying no one else out there is making mistakes#bc well they are. but personally! personally. i am a little tired of the way crozier is so often#painted as this flawless human being once they're out there on the shales. and im like actually he is still being a person#with conflicting emotions and being unfair sometimes and not always capable of assessing ur own mistakes#he's just as full of trauma as everyone else. (via @abrahamvanhelsings)

Matthew McNulty on Edward Little

Q:  At what point do you think Little begins to give up hope/worry about survival? A: I think Little's probably one of the most hopeful out of them all, simply because he has clung on to his humanity. I don't think he's compromised his morals up to this point, despite everything that's happened. So, I would say that he's still hopeful. He still thinks that humanity will prevail in this dark, dark world. There's definitely still a chunk of positivity in him.

[solxamber]

Trash Novel Chronicles: Get Me Out of Here || Rook Hunt

You’re isekai’d into a trashy novel and stuck as a tragic side knight character. All you want is survival, but your boss is Rook Hunt—a poetic, eccentric duke.

Now you’re caught in his chaos and, worse, you kinda don’t mind.

Series Masterlist

You’re a completely normal person. You eat normal meals at normal times, sleep the normal amount of hours (give or take a few, who needs all eight anyway?), and hold down a regular, soul-crushingly normal job. It’s not glamorous, but it pays the bills and lets you indulge in your one true love: reading web novels for five hours straight like some kind of feral literature goblin.

Your current obsession? The Lady’s Tragic Love. It’s the sort of story that you can’t put down—not because it’s good, but because it’s so excruciatingly terrible that it loops back around into comedy. The heroine has all the personality of a wet tissue but somehow manages to ruin everyone’s lives with reckless abandon. It’s almost impressive.

You rub your temples as you skim yet another chapter. “Oh my God, this woman has the moral compass of a black hole,” you mutter.

The plot makes less sense the deeper you go: the heroine starts off as the daughter of a down-on-their-luck noble family. Her father racks up an unholy amount of debt, so she’s forced to marry a viscount who—get this—is actually a nice guy. Like, genuinely kind. He agrees to marry her in name only to protect her from debt collectors, even offering to fund her hobbies.

And what does she do? Poison him. Poison him!

"Okay, maybe she's misunderstood," you think, in the kind of delusional optimism only a web novel enthusiast can muster.

Nope. She poisons him because she "can’t stand looking at his face," which is only mildly unattractive and not the ogre-like monstrosity the text implies. Also, he was literally helping her stay alive.

“Oh, sure, let’s kill the only decent male character in this hellscape. Why not?” you hiss, scrolling furiously.

After committing literal murder, the heroine sets her sights on an archduke, who is tall, handsome, and very much engaged to the so-called villainess. The villainess is stunning, kind, intelligent, and inexplicably hated by everyone because—checks notes—she’s too perfect?

At this point, you're gripping your phone so hard that it’s a miracle it doesn’t snap in half. “Why is the villainess the villain? This should be the heroine’s title! She’s practically speedrunning how to be the worst human being alive!”

But no, the heroine gets rewarded for her nonsense. The archduke doesn’t fall for her (because he has taste), but the crown prince does. The prince, apparently a sucker for chaos, marries her. Instead of being happy with her new title and riches, the heroine spends her days scheming to ruin the villainess’s life because, in her words, “How dare the archduke choose someone that isn’t me?”

You pause and reread that line. Then reread it again.

“WHAT?!” you yell so loudly that your downstairs neighbor bangs on the ceiling.

It’s a spiral of nonsense that drags you through emotional whiplash until you finish the last chapter with a migraine and a full-blown existential crisis. You stare at the screen. "Why...why did I do this to myself?"

You stumble out to your tiny balcony to clear your head, phone still in hand. The cool night air washes over you as you lean on the railing, your brain buzzing with rage and confusion.

“Why does she get a happy ending?” you grumble. “She’s a walking red flag factory! The villainess deserves to be queen, and the prince deserves a lobotomy for his taste in women!”

In your frustration, you kick the balcony railing. Unfortunately, your landlord hasn’t exactly been diligent about repairs. The rusted screws holding it in place give way with a terrifying screech.

“Oh, come on,” you say, deadpan, as the railing collapses beneath you.

You plummet ten stories down, bouncing off an awning like some kind of cartoon character before landing face-first in a suspiciously placed fruit cart.

As darkness creeps in, your final thought is not of regret, nor fear, but of pure, unfiltered pettiness:

“I hope my next life is more exciting… and I never have to read about this heroine again.”

With that, you pass out, blissfully unaware of the absurd fate that awaits you.

You wake up, groggy and disoriented, and immediately ask yourself the first logical question: Why the hell am I alive?

The last thing you remember is gravity betraying you and a suspiciously convenient fruit cart breaking your fall. But when you sit up and look around, it’s very clear you’re not in your crappy apartment anymore. For starters, this place is way too clean, smells faintly of vanilla, and—oh, is that sunlight streaming through those beautiful glass windows? Not the dim, depressing flicker of the streetlight outside your old place?

Something is very wrong.

You scramble out of the bed, which is definitely not your rickety twin-sized monstrosity held together with duct tape and misplaced hope, and start poking around. The furniture is elegant, the carpet is plush, and there’s an oil painting on the wall that practically screams, Welcome to Generic Medieval Europe™!

The realization slams into you with all the subtlety of a freight train: You’re in that garbage web novel.

You pause, frozen, your brain throwing up a million red flags at once. Your knees almost buckle. "Nope. No. Absolutely not. This is some kind of cosmic punishment," you whisper to yourself, clutching your temples.

You creep towards the ornate mirror on the other side of the room, your reflection getting clearer with every step. “Please,” you mutter, “if there’s a single merciful entity out there, don’t let me be the heroine. Or the villainess. Or, God forbid, one of the male leads.”

You finally reach the mirror, squeeze your eyes shut, then crack one open. And there you are: just some random face.

“Oh, thank God,” you exhale, slumping against the wall. You’re not the heroine. You’re not the villainess. You’re not one of the tragic walking disasters that make up the main cast. You're just… some person. A total nobody.

But just as you’re about to bust out your victory dance of mediocrity, something catches your eye. You lean closer, squinting.

Wait.

No.

NO.

You’re that nobody.

You’re the tragic commoner knight who gets blackmailed by the heroine, coerced into doing her dirty work, and ends up assassinating the villainess for her. The same commoner knight who dies in three chapters because the heroine throws them under the bus as soon as the villainess's fiancé finds out what happened.

You stagger back from the mirror like it’s cursed. “Nope. Nope. Absolutely not. I did not reincarnate into this medieval soap opera just to get unalived in the dumbest way possible,” you say, pacing the room like a lunatic.

Your character’s life flashes before your eyes: the abusive father, the crippling family loyalty, the gambling debts. This poor soul had it rough even before getting turned into the heroine’s personal murder minion. And you? You’re not about to pick up that torch.

So you grab some parchment and pen what might be the most passive-aggressive resignation letter of all time.

“To Her Highness, the Crown Princess,

Kindly do your own dirty work from now on. My father can gamble himself into oblivion. I’m out. Good luck with your reign or whatever.”

Satisfied, you sign it with an unnecessarily large flourish, slap it on the desk, and prepare to bounce.

You’re halfway down the hall when you almost walk face-first into him.

Rook Hunt, the walking embodiment of “this guy doesn’t belong in this novel but here he is anyway,” stands there with his golden hair and overly dramatic smile. He’s loud. He’s eccentric. He’s dressed like he’s about to break into a musical number about the beauty of life. Oh, and he’s also the duke whose household you served in as a knight before you quit.

“Mon ami!” he exclaims, throwing his arms wide like you’re long-lost lovers. “You’ve returned to me! What an exquisite twist of fate! Shall we celebrate the beauty of reunion?”

“No,” you say flatly. You attempt to sidestep him, but Rook doesn’t just let things go.

“You cannot leave me again! Do you not wish to resume your role as my loyal knight?”

“Absolutely not,” you snap on instinct, because why on earth would you willingly dive back into this mess? But then it hits you. Wait.

Rook isn’t part of the main plot. He’s not the crown prince, not the archduke, not the villain, and definitely not one of the doomed love interests. He’s just… there. A minor character. A colorful extra who pops up to sprinkle poetic nonsense into the plot and then wanders offstage.

Your brain kicks into overdrive. If you stick with him, you’ll be close enough to the action to keep tabs but far enough to avoid the heroine’s nonsense. Plus, salary. And minor characters like him rarely die!

Your decision solidifies. You plaster on a winning smile and nod. “Actually, on second thought, yeah. Let’s do that.”

“Magnifique!” Rook practically beams as he grabs your arm. “Come, let us bask in the splendor of returning home!”

You follow him, letting his endless stream of poetic babble wash over you. Is this the best plan? Probably not. But it beats getting murdered for a heroine who couldn’t find her moral compass with both hands and a map.

You make it back to the duke’s grand estate—because of course it’s grand. Every aristocrat in this godforsaken novel seems to have a mansion the size of a small country. Rook practically floats through the gates, his dramatic energy causing every passing servant to give him the “not again” look. You follow, still trying to process the reality of your current situation.

After an unnecessarily flowery tour of the place (you’ve been here before in this body, but you let him talk because it’s easier than interrupting), he finally stops in the courtyard. He turns to you, his eyes gleaming with excitement.

“Now, mon chevalier, reclaim your rightful position as my trusted bodyguard!” he declares, flinging his arms wide as if inviting the heavens to applaud him.

You blink. “…Respectfully, sir, why do you need a bodyguard?”

He pauses, staring at you like you just asked why water is wet. Then, with an infuriatingly serene smile, he says, “Ah, but the shadows are filled with secrets, my dear knight! The beauty of life is in its mysteries, n’est-ce pas?”

You squint at him. “Okay, but that doesn’t answer the question.”

He leans in closer, dropping his voice to a conspiratorial whisper. “Because the wolves, mon ami. The wolves.”

You freeze. “…What wolves?”

Rook straightens up, tilting his head as if contemplating the meaning of the universe. “Ah, they are everywhere and nowhere. In the forests, in the halls, in the hearts of men. Who can say where danger truly lies?”

This man just said a whole lot of words without saying anything.

“Right,” you say slowly, pinching the bridge of your nose. “But you’re, like, ridiculously strong. I’m pretty sure you could take on any wolf—metaphorical or not—by yourself.”

“Ah, mon chevalier,” he says with a wistful sigh, placing a hand on his chest like he’s reciting a Shakespearean soliloquy. “Strength alone cannot protect one from the unexpected, the unseen, the poetry of peril!”

You stare at him, trying to figure out if this is some sort of elaborate prank. But no. This man is completely serious.

“So… wolves. Poetry of peril. Got it,” you mutter, rubbing your temples. “I’ll, uh, just… go patrol or something, I guess.”

Rook claps his hands together, beaming. “Ah, magnifique! I knew you would understand! Truly, you are a gem among knights!”

You slink off, still scratching your head. You’re 90% sure the wolves are a metaphor for absolutely nothing, but who are you to question the logic of a trash novel? At least the pay is good.

You quickly realize this trash novel is trying to trash you right back. It’s like every corner you turn, fate has decided you don’t deserve a peaceful life.

Walking through the garden to calm your nerves? Someone leaps out of the hedges with a dagger. You narrowly dodge, trip over a decorative fountain, and the attacker runs off, cackling.

Trying to enjoy the roses because you’re starting to think, “Hey, if I gotta die, at least let it be aesthetic?” Nope, arrow. Right past your ear.

By the fifth assassination attempt (some guy “accidentally” dropping a potted plant from a balcony), it clicks. The heroine must’ve decided since you’re not doing her dirty work anymore, she needs to eliminate you before you spill the beans. But, unlike her, you have brains.

So, you write a letter.

Dear Villainess and Esteemed Archduke,

I hope this letter finds you well, though considering the general chaos surrounding us, that feels optimistic.

I am writing to inform you of an unfortunate situation involving a certain someone (cough the crown princess cough) who has, shall we say, less-than-noble intentions toward your continued existence.

To clarify: she asked me to assassinate you. I know, shocking. However, as someone who values integrity, personal safety, and not being murdered by shady royalty, I’ve decided to step down from my position as her unwilling assassin.

This does mean she may hire someone else to handle the job, which is unfortunate for you but also none of my business anymore. I’m not sure how you typically handle murder plots, but I suggest taking precautions, like perhaps not smelling your roses or standing under precariously placed flower pots.

Lastly, while I am admittedly a pawn in this chaotic mess, I felt it was only fair to let you know what’s going on. I wish you both a long, unassassinated life.

Warm regards,

Your Local Retired Assassin

P.S. Please don’t kill me. I’m just the messenger.

You thought this letter would buy you peace. Instead, it bought you an invitation.

And by “invitation,” you mean you’ve been dragged into a private meeting with the villainess and the archduke, who are both sitting across from you now, looking like they’re deciding whether to thank you or strangle you.

“So,” the villainess says, her voice like ice. “You’re telling me the crown princess is plotting to kill me?”

“Uh, yes,” you say, your palms sweating. “But, like, not me anymore! I’ve retired. Permanently.”

The archduke raises an eyebrow. “Why would she want to kill us?”

You glance at the villainess. “Uh… because you exist?”

Before the villainess can stab you (she looks ready), the door swings open, and in saunters Rook.

“Ah, my friends!” he says, grinning ear to ear. “How serendipitous that we are all here. I believe I can shed some light on this matter.”

You gape as Rook launches into a detailed explanation of the heroine’s convoluted scheme—exactly what she’s planning, who she’s hiring, and even the color of the dress she’ll wear while gloating about it.

The villainess and the archduke exchange a glance, then rise, thanking Rook for his “invaluable insight” before sweeping out of the room, leaving you and Rook alone.

You turn to him, your jaw still on the floor. “How do you even know all that?”

Rook just winks at you. “Ah, mon chevalier, the shadows have ears, and I am their maestro.”

He struts out, humming a jaunty tune, leaving you sitting there, more confused than ever. At this point, you’re half-convinced Rook is either a genius or just making stuff up as he goes. And honestly? You’re too tired to figure it out.

You’re stationed at the edge of the garden, trying your best to blend into the scenery while the tea party unfolds. Rook, as usual, is the life of the gathering, passionately chatting with Vil and Epel, who looks like he’d rather be anywhere else.

You’re in your usual "bodyguard mode," which mostly consists of staring off into the distance and trying not to fall asleep. It’s peaceful—for once—until Epel casually drops a comment loud enough for even you to hear.

"Rook, you finally got them back, huh?"

Your brain screeches to a halt.

Got you back? Back? What does that mean? What is there to get back? Was there something to get back in the first place?

You barely have time to process any of this before Rook, in the most Rook way possible, interrupts with a flurry of poetic nonsense.

“Ah, young Epel, the winds of fortune have indeed graced me with their bounteous song! But let us not dwell on the past, for the present blooms before us like a radiant garden of opportunity!”

You blink. Did… did that mean anything? Epel seems to think it doesn’t, judging by the way he rolls his eyes and mutters something under his breath. But you’re too busy processing the odd look on Rook’s face to care.

Because, for the first time ever, Rook looks nervous.

His usual serene confidence is still there, but there’s a hint of something else—a faint pink dusting his cheeks, an almost imperceptible shift in his tone. And why the hell is your heart fluttering at the sight?

You squint at him, trying to decode whatever is happening here. Is he… embarrassed? Flustered? Can Rook even be flustered?

Before you can spiral further into overthinking, you notice Vil’s sharp gaze cutting through the moment like a knife. His violet eyes lock onto yours, and an infuriatingly amused smile tugs at the corner of his lips.

Oh no. He knows.

Vil, of course, pretends like nothing’s happening, smoothly pouring himself another cup of tea and joining the conversation like the consummate aristocrat he is. But every so often, you catch him glancing at you with that same entertained expression, like he’s just discovered a juicy secret.

You try to shake it off, refusing to let yourself be dragged into this nonsense. But Rook’s flushed face lingers in your mind, and every time he smiles at you for the rest of the party, you feel the heat creeping up your own cheeks.

Great. Just great. Whatever this is, it’s going to haunt you for days.

It started with an uproar in the palace—a desperate, urgent call for help sent to Rook, Duke of Hunt.

"The wolves are attacking!"

You were mid-sword practice when the messenger arrived, breathless and frantic. He handed the summons to Rook, who took the parchment with an amused smile.

"Wolves, you say?" he mused, tapping his chin dramatically.

"Yes, my lord!" The messenger practically collapsed from the effort of delivering the message. "They’ve breached the outer gardens, and the prince and heroine request your immediate assistance!"

Rook looked at you, his eyes sparkling with mischief. "Ah, mon chevalier, do you recall what I told you once about wolves?"

You blinked, frowning. "You mean the thing about being surrounded by wolves one day? I thought you were joking."

Rook’s grin widened. "Oh, I never jest about wolves."

You opened your mouth to demand clarification, but Rook waved the parchment dismissively. "Alas, I must decline."

The messenger froze. "W-What? But…you’re the Duke of Hunt! The greatest tracker and marksman in the kingdom! Without you, the palace is doomed!"

Rook leaned forward conspiratorially. "Tell me, mon ami, what makes you think I’d risk life and limb for the likes of the heroine and her precious prince?"

The messenger stammered. "B-But—"

Rook held up a hand, silencing him. "No, no. I simply cannot. My schedule is far too packed. Why, just this morning, I promised my chevalier here that I’d help reorganize their weapons rack." He turned to you with a wink. "Isn’t that right?"

You rolled your eyes but nodded. "Yep. Super busy."

The messenger left, looking utterly defeated. You figured that was the end of it.

It wasn’t.

Over the next two hours, messengers kept arriving, each more desperate than the last. Rook refused them all with increasing flamboyance.

One messenger was sent away with, "Alas, the stars are not in alignment for such a hunt!"

Another was dismissed with, "The winds whisper that this is not my destiny today."

Finally, a personal plea came from the heroine herself. She barged into the estate, dramatically throwing herself at Rook’s feet.

"Oh, noble Duke!" she wailed. "You are the only one who can save us! Please, I beg of you!"

Rook tilted his head, pretending to think it over. Then he glanced at you, his expression suddenly sharp beneath the veneer of cheer.

"And what of my chevalier?" he asked.

The heroine frowned. "What do you mean?"

"You’ve made quite a nuisance of yourself lately," Rook said lightly, though there was an edge to his voice. "Why, only yesterday, you sent someone to ambush them in the gardens, did you not?"

Her face paled.

"I might reconsider," Rook said, his tone taking on a singsong quality, "if you promise to leave them alone from now on."

There was a long, tense pause. The heroine’s expression flickered between rage and fear before she finally forced a smile. "Very well. I promise."

"Splendid!" Rook clapped his hands and stood. "To the hunt, then!"

You stood there in stunned silence as he walked out the door, bow in hand. When he turned back to flash you a grin, you couldn’t help but mutter, "What the hell just happened?"

Rook’s laugh echoed through the halls, and you were left wondering yet again if you’d ever fully understand this ridiculous man.

It’s payday, baby.

You’ve never been more excited to hold a pouch of jingling coins in your life. Your day off couldn’t have come at a better time, and you’ve already decided to treat yourself. No assassination attempts, no cryptic poetry, no Rook yammering about beauty—just you, the market, and sweet, sweet retail therapy.

After wandering for a while, you stumble upon a fruit stall, and your eyes light up. The produce is incredible—vividly colored, juicy, and nothing like the waxy, suspiciously glossy stuff you’d get in your original world. You don’t even know what half these fruits are, but they smell amazing, and you’re buying them all.

As you carry your haul back to the manor, an idea hits you like a freight train. You’ve been craving dessert—specifically, something you can’t get in medieval Europe. Something simple, sweet, and utterly anachronistic.

And that’s how you end up in the kitchen, surrounded by fresh fruit, flour, sugar, and whatever else you’ve managed to scrounge up. You’re determined to make crêpes. Yes, you know they weren’t invented yet, but the cooks don’t even seem to know what a waffle is, so they’re not going to stop you.

It takes a bit of trial and error—because, shocker, medieval kitchens are not equipped for finesse—but eventually, you’ve got a plate of soft, golden crêpes filled with fresh fruit and drizzled with honey. It’s so beautiful it almost brings a tear to your eye.

You’re mid-bite, mentally congratulating yourself, when Rook materializes out of nowhere like some kind of dessert-seeking missile.

“Mon chevalier! What marvel have you crafted here in this humble kitchen? The scent alone rivals the sweetest perfume!”

You freeze. This is fine. He’s just curious. There’s no reason to panic. Subconsciously, you scoop up a bite on your fork and offer it to him, your body on autopilot.

Rook doesn’t hesitate, leaning in and accepting the bite with the elegance of a prince at court. “Magnifique! Truly, you have woven magic into this creation, mon cher!”

You relax slightly, pride swelling at the compliment—until he takes your hand and licks a stray drop of honey from your finger.

Your brain short-circuits.

Before you can even form a coherent thought, Rook grins at you with that infuriatingly charming smile of his, leaning in to press a quick kiss to your cheek.

“You are as talented in the kitchen as you are with a blade,” he says, his voice warm and soft, as if he hasn’t just dismantled your sanity.

And then he’s gone, striding out of the kitchen with his usual jaunty step, leaving you standing there like an idiot, replaying the sensation of his lips on your cheek and his tongue on your finger.

You slowly sink to the floor, crêpe in hand, trying to process what just happened.

“Why,” you mutter to yourself, taking another bite of your crêpe for courage, “does this keep happening to me?”

Life had been…dare you say it, pleasant recently. No assassination attempts, no tea parties and no surprise arrows whizzing by your head. You were almost convinced this world might not be so bad after all.

But like clockwork, the plot reared its ugly head.

You were outside, basking in the rare serenity of a quiet afternoon, when the shouting began. You knew the voice instantly. It was grating, furious, and way too familiar.

Your abusive father—the original you’s deadbeat excuse for a parent—had somehow crawled out of the woodwork.

“You useless brat!” he snarled, stomping toward you. “How dare you stop sending money? Do you think you’re too good for your family now?!”

Oh, for the love of—

You crossed your arms, already done with the theatrics. “First of all, family implies mutual care and respect, neither of which you’ve ever provided. Secondly, kiss my ass.”

The man’s face turned a deep shade of purple, veins bulging in his forehead. He raised his hand, and you didn’t flinch. You weren’t scared of him. You were just irritated that he had the audacity to show up and ruin your vibe.

But before his hand could even swing down, an arrow whizzed past, slicing through the air with deadly precision. It nicked his cheek, leaving a shallow cut, and he yelped like a scolded dog.

You turned, and there he was.

Rook.

But this wasn’t the poetic, flowery Rook who praised sunsets and waxed lyrical about everything under the sun. No, this was Duke Hunt. His bow was clenched tightly in one hand, his expression colder than you’d ever seen. His eyes locked onto your father, sharp and unyielding, and for the first time, you truly understood why people called him a hunter.

Your father stumbled back, clutching his cheek. “Y-you’ll regret this! I’ll get my revenge!” he spat, turning tail and running like the two-bit villain he was.

You didn’t even watch him go. You were too busy staring at Rook, your heart pounding in a way that had nothing to do with fear and everything to do with the fact that, dammit, he looked good like this.

You silently scolded yourself. Really? Now? This is when you’re going to have a revelation about your feelings? Pull it together.

Rook’s gaze softened as he looked at you, and without a word, he closed the distance between you. Before you could process it, his arms wrapped around you, pulling you into a firm, steady embrace.

You stiffened for a moment, but then it hit you—you were shaken. You hadn’t realized it until now, but the encounter had left your hands trembling. And Rook…he didn’t say a word. He just held you, radiating warmth and reassurance, as if he knew exactly what you needed.

Slowly, you relaxed, leaning into him, letting the tension bleed out of your body. For once, there were no witty remarks, no poetic musings, no cryptic riddles. Just Rook, steady and solid, and the quiet comfort of his presence.

You closed your eyes, letting out a shaky breath. Maybe life here wasn’t so bad after all.

It was the hunting competition trope—the bread and butter of every third-rate villainess novel ever written. Noblemen rode out in droves to massacre innocent wildlife in the name of prestige, while the women gathered on the sidelines to swoon over who could kill the most majestic creature.

Normally, you'd find this whole affair ridiculous, but today? Today, it was a strategic opportunity.

Rook and you had cooked up a plan. After bagging his game, Rook would publicly gift it to the villainess, cementing the stance of his household against the heroine. A subtle yet unmistakable message to everyone present: this duke’s house wasn’t here to play politics; it was drawing battle lines.

Rook was, predictably, ecstatic about it all. “Ah, mon chevalier, what a splendid opportunity to honor beauty and justice with the art of the hunt!” he proclaimed, twirling dramatically as he readied his bow.

What you didn’t anticipate was his strange fixation on a handkerchief before he left.

Throughout the day, noblewomen approached Rook, each one batting their lashes and holding out dainty, embroidered handkerchiefs. It was practically a parade of desperate peahens.

“Oh, Lord Hunt, a token for luck!” cooed one particularly persistent lady, pushing her frilly kerchief toward him.

Rook clasped his hands to his chest with exaggerated reverence. “Ah, mademoiselle, your thoughtfulness moves me beyond words, but alas, I cannot accept. To carry such a treasure into the wild would be to risk its loss, and I could never bear such tragedy!”

Another woman attempted to loop her kerchief around his wrist directly. Rook gracefully dodged, as though she were offering him a live snake. “My dear lady, your artistry is unparalleled, but the only adornment fit for this hunt is the pure, untainted spirit of nature herself!”

By the third rejection, you were practically biting your tongue to keep from laughing.

But then came the curveball.

“Ah,” Rook sighed as he approached you. “If only I had a handkerchief imbued with sincerity. A simple, honest token to guide my aim and steady my heart!”

You blinked at him. “What, like…this?” You pulled out your completely ordinary, unembellished handkerchief and held it out.

Rook’s eyes lit up as though you’d just handed him the Holy Grail. “Mon chevalier! How perfect! How divine! This humble square of cloth shall be my guiding light!”

Before you could protest, he tied it around his arm with a flourish and rode off, looking like he was ready to star in his own personal opera.

From his place in the pavilion, Vil Schoenheit took a slow, deliberate sip of his tea, his sharp eyes locking onto yours with a glint of pure amusement. The smirk tugging at his lips seemed to say, Oh, I know exactly what’s going on.

Meanwhile, Epel squinted between you and Rook, his expression shifting rapidly as though he’d just cracked the secret to immortality. He whispered something to Vil, who nearly choked on his tea before regaining his composure.

What the hell is going on? you thought, baffled.

Fast forward to now, the present, where the plan was supposed to culminate with Rook triumphantly presenting his prize to the villainess. Simple, elegant, strategic.

So why, why, was Rook standing in front of you holding a literal griffin?

“Uh, Rook,” you whispered through gritted teeth. “What are you doing? This is supposed to go to the villainess.”

But Rook was having none of it.

“Ah, my loyal chevalier,” he declared loudly, drawing the attention of every noble in the vicinity. “It is only fitting that such a prize goes to the one who inspires my steadfastness and resolve!”

Your jaw dropped. “Rook. No.”

He turned his radiant smile on you, looking like a proud schoolboy showing off a crayon drawing to his teacher. “Yes!”

The gathered nobles erupted into murmurs, and you could already feel the weight of every single judgmental stare. This was not part of the plan. But despite your internal screaming, a small, annoying part of you couldn’t help but feel…flattered. This was a duke, and you were just a knight. A very confused, very underqualified knight, sure, but still.

Vil, still seated with his ever-present cup of tea, took another long, pointed sip, his eyes glimmering with amusement.

This was the drama he’d signed up for.

The hallway leading back to the room where Vil, Rook, and Epel were sitting felt oddly silent, the muffled voices of their conversation barely filtering through the door. You weren’t one to eavesdrop—but when you heard your name, well, curiosity got the better of you.

"Just confess already," Epel was saying, his tone exasperated. "We’ve all seen the way you look at them."

Vil chimed in, his voice tinged with amusement. "Epel is right for once, Rook. Love is about timing, and yours is abysmal."

"But love is an art, mon ami," Rook replied, his tone unusually hesitant. "It cannot be rushed. It must unfold naturally, like the petals of a flower in spring."

"Okay," Vil drawled, clearly unimpressed. "But what happens when someone else plucks your ‘flower’? Say, the gardener they’ve been spending so much time with?"

The silence that followed was deafening. You leaned closer, your heart pounding, hoping—no, needing—to hear Rook’s response.

Instead, you heard nothing.

The stillness stretched unbearably until you couldn’t take it anymore. You shoved the door open, startling all three occupants. "What are you talking about?"

Vil raised an eyebrow, the picture of nonchalance, though the corners of his mouth twitched with mischief. "Perfect timing, as always. I’ll leave you two to sort this out."

He grabbed a very reluctant Epel by the collar and dragged him toward the door. "Wait, I wanna see what happens!" Epel protested, but Vil shut the door behind them with a decisive click.

Which left you and Rook alone.

You crossed your arms, leveling him with a look that you hoped masked the frantic hammering of your heart. "So…what’s this about a confession?"

Rook’s usual composure faltered. For once, the poetic, perpetually self-assured Rook you knew looked…unsure. Vulnerable. His hands fidgeted with the hem of his gloves, and he avoided your gaze, staring instead at the floor.

"Rook," you said softly, stepping closer. "Please, just tell me what’s going on. I need to know."

He finally looked up, and the raw emotion in his eyes was enough to steal your breath.

"Mon chevalier," he began, his voice low and trembling, "I have loved you from the start. At first, it was the camaraderie of equals, a kindred spirit I admired. But when you returned from the heroine’s side, defying expectations and staying true to yourself…you captured my heart completely."

You blinked, stunned. "Rook, I—"

He continued, the words spilling out as though he’d been holding them back for far too long. "You never treated me like I was strange. You accepted me as I am, even when others mocked my passions or dismissed my eccentricities. I never truly needed a bodyguard. I just needed you. Near me. Always."

His voice broke slightly on the last word, and you felt your resolve crumble.

You sighed, but it wasn’t from exasperation. It was the sound of relief, of something clicking into place. "Next time," you said, stepping even closer, "just tell me your feelings directly. It’ll save us both a lot of trouble."

Before he could respond, you reached up and pulled him into a kiss.

It was everything a first kiss should be—long, searing, passionate. His arms wrapped around you instinctively, pulling you flush against him as though he never wanted to let go. You melted into him, your hands sliding up to tangle in his hair, and for a moment, the world outside that kiss ceased to exist.

When you finally broke apart, both of you were breathless. Rook’s lips quirked into a smile as he whispered, "Your lips are the sweetest arrow, mon amour, and they have pierced my heart beyond repair."

You burst into laughter, burying your face in the crook of his neck to muffle the sound. "Gods, Rook, only you could ruin a moment like this with something so cheesy."

He chuckled softly, his arms still secure around you.

And as you stood there in his embrace, you couldn’t help but think that this ridiculous, trashy novel world was the best thing that had ever happened to you.

The parlor was warm with the golden light of afternoon sun filtering through the windows, but the atmosphere buzzed with anticipation. You stood near Rook, his arm casually draped across the back of your chair, as Vil and Epel looked at you expectantly.

“Well?” Vil prompted, raising a perfectly arched brow.

You glanced at Rook, who smiled encouragingly, as if to say, go ahead. Clearing your throat, you announced, “We’re…together.”

Vil sighed dramatically, setting down his teacup with a soft clink. “Finally. I was starting to think I’d have to intervene.”

Epel, on the other hand, froze mid-sip of his cider. Slowly, he set the glass down, stood, and walked over to you. His expression was a mix of grief and dread, like someone had just informed him of some terrible, life-altering news.

He placed both hands firmly on your shoulders and looked you dead in the eyes. “Good luck,” he said, solemn as a funeral bell. “This is a life sentence, y’know.”

Rook chuckled, clearly amused. “Mon cher Epel, you wound me! Surely being with moi is more of a treasure than a trial?”

Epel turned to him, unimpressed. “Treasure? You follow people for fun. You recite poetry to wild animals. You can’t even eat pie without analyzing its existential meaning. I mean, who does that?”

You were already laughing, shaking your head as you patted Epel’s hand reassuringly. “Don’t worry, Epel. This is a sentence I’m more than happy to serve.”

Vil smirked behind his tea, watching the scene unfold with obvious amusement. “Frankly, I’m just relieved we won’t have to endure any more of his tragic sighs every time you left a room.”

Rook clasped a hand to his heart in mock offense. “Oh, Vil! My sighs are poetry incarnate!”

Vil didn’t even blink. “Your sighs are the sound of unspoken melodrama. Spare me.”

Epel plopped back into his seat with a long groan, running a hand through his hair. “Anyway, I guess congratulations or whatever. At least now we can all stop pretending we don’t notice him staring at you like some love-struck puppy.”

“That’s rich,” you shot back, grinning. “You’re the one who looks like your pet rat just died every time we get close.”

Epel huffed. “I’m just saying! Now you gotta deal with him being even more poetic! And clingy! You thought the prince and heroine were bad? Wait till you see Rook when he’s in love. You’re doomed.”

At the mention of the prince and heroine, Vil made an exaggerated sound of disgust. “Speaking of those two… Honestly, has anyone ever been so painfully predictable? The prince has all the charm of wet cardboard, and the heroine—don’t even get me started on her hair ribbons.”

“Ah, the heroine,” Rook sighed wistfully, but there was a glint of mischief in his eyes. “Always so delightfully transparent. Her schemes are like open windows to her soul.”

You snorted. “If by soul, you mean her desperate attempts to turn everything into a sob story, then yeah, sure.”

Epel leaned forward, grinning. “Did you see her crying at the hunt competition? Like, girl, it’s a competition. What did you think would happen? That the griffin would apologize and hand itself over?”

Vil smirked, tapping a manicured finger against his chin. “Or how about the prince declaring his ‘eternal devotion’ to her at the banquet last week? I nearly choked on my wine.”

Rook chuckled, turning to you with a soft smile that was far more genuine than his usual theatrics. “Ah, but let us not waste all our words on such trivialities. This moment, mon amour, is one of joy.”

You leaned into him, your laughter subsiding into a contented smile. His arm slipped around your shoulders, holding you close as Vil and Epel continued their playful bickering in the background.

For the first time since you’d been thrown into this absurd world, you felt completely at ease. If this was the result of being trapped in a trash novel, then so be it. You were exactly where you wanted to be.

Trash Novel Masterlist

Complete Masterlists

[elizabethrobertajones]

summer scions!! I absolutely love the new portraits for all their smug happy expressions. Except Y'shtola, who is not going to deign to give a camera a proper saucy look because that's silly. Urianger is smirking twice as hard on her behalf.

Glam review under the cut!

I unlocked Alphinaud first of the twins and didn't know Alisaie had a little necktie yet, so I'm deducting a point from my first impression because the sheer delight that he had a silly little necktie of some sort no matter the situation delighted me so thoroughly. Since they're still engaging in matchy twin dressing to some degree, I have to assume they either like it and won't admit it after digging in so hard, or Ameliance sent them off with cute outfits and matching backpacks, and they still don't really shop for themselves.

He's got the practical watch/compass gloves which are good for a technically proficient Sage and probably the most practical gear he's ever worn except for when he was poncho Alphy, but wearing ankle-length jeans seem like the least weather-appropriate choice of the Scions if we assume their average skin coverage is a good weathervane for the temperature in Tural. I chalk it up to teenage awkwardness.

8/10 unless he and Alisaie chose their outfits themselves, in which case it's a 9/10

I think Alisaie is the only Scion to keep a single piece of their default gear, and those are her usual gloves. She's colour-matched around it.

Because of the gloves and boots, she looks the most ready for hardcore hiking, somehow, and her matching Alphinaud with a cute button down shirt with rolled up sleeves along with that particular choice of baggier shorts (when she normally wears more form fitting shorts) do give me the closest to butch vibes it's probably likely to get for main characters. So I'm giving her an extra point I stole from Alphinaud for the lesbian vibes.

9/10 or 10/10 if she made these choices all by herself.

Everything about this cracks me up, from his portrait above to the image of him tanking open shirted once he pulls mobs.

Believe it or not, he's getting an additional point for those shoes simply because the competition in practicality in tanking is G'raha.

I had a moment of excitement when I thought the necklace was pink because that's always a cute Ryne/Minfillia thing fanartists give him with ribbons and such, but once I got zoomed in on him it was red, so I guess he's just been shopping. Although, the turquoise shorts are her eye colour and the actual large diamond shapes are secretly Mothercrystal coded in those colours, which just cracks me up that you can pick out one of the worse days of his life (Urianger's grand Warrior of Darkness plan) in his Chill Summer Beach Vibes look.

Douchebag beach bro shell bracelet as well, which really makes me double down on him and Urianger spending way too much on tourist bait along the stalls in the Famous Turali Market. The hat and sunglasses are giving him one of the Most tourist-y looks thematically reflecting how a lot of the Scion guys were just here to hang out, narratively or literally. Maybe he's trying not to get such an intense tan again, which is the only reason he's not entirely topless.

11/10 I could not stop laughing when I got him and Urianger to 100 and Beheld The Brilliance in the same moment.

Please note the raised sunglasses in Urianger's portrait, which are not the model his character uses.

I am delighted that I had been incorporating that island watch into my healer glams on both the logic you need to know your clock positionals but also they're largely the smarty pants jobs (WHM being vibes only aside - it gets its own glams :P). And here's Urianger and Alphinaud both using watches.

Now, I had a moment of being vaguely disappointed he had trousers not a skirt or something else swishy and androgynous, but then I did realise that I, a nonbinary weirdo who relates to Urianger since he made me nonbinary, have actually gone to a couple of garden parties dressed in some variation of this exact outfit of light trousers and a nice button up. Plus, the earrings are in both ears, so no "Google, which ear is the gay one?", these are just straight up cute femme dangly earrings with his favourite little dudes on.

More importantly, the colours he's repping are those of Lopporit Radio. He probably tunes in every night for his broadcasts :')

Mirrored sunglasses for the guy notorious for keeping thoughts and plans close to his chest and choosing deliberately to be enigmatic even when it serves zero purpose except for I guess gender affirming care. (The gender is Weird Bitch.)

I can't tell how I feel about those dad sandals. I suppose it depends if he's wearing them like a fashion model (brand new and clean with perfect pedicured feet) or if those are REALLY dad at the beach-like and, since I'm not a foot person, this for me is only a choice between "not off-putting" and "AURGH".

9/10 the proximity to Thancred hauls him up several points of misgivings I had, and the lopporit shout outs are killing me :')

I unlocked Y'shtola last and holy fuck I am a lesbian. I don't even recognise where those boots come from, so either a really expensive glam or something I just have not stumbled on. She has toe rings I think? And painted nails? I have no idea if the garter (?) is part of the boots glam or a custom thing as result of not recognising the boots and how much of them is normal. I feel like they customised a lot on her anyway - the back of her top has purple beads that match her staff (not dyable on the real piece)

and I think the necklace has to be part of the top instead of a separate necklace piece with the way it hangs, AND the bracelets are a glove piece with the original summer glam, but I assume they're layered with the false nails, also in the glove slot. All in all it's giving the sort of effort which is starting to creep up to what I'd expect from the modding community not the game. I mean, not THAT good but getting close. Baby steps towards what fandom can make :P

She really is god's favourite meow meow.

Anyway I can't really judge this fairly because it's really hot and I love her so I'm just going to give it 100/10 and move on. :)

how did I get a picture where Estinien looks like he's stooping to get in the frame...

The fact he has Azure Dragoon Blue Top and then Violently Nidhogg Fuchsia shorts is the colour theory that absolutely killed me. When he lights up during his burst and starts glowing pink all over his shorts are like. Taking him over like the eye once did I think.

love a guy who can embrace his past trauma and dress to match all that has passed before and all that he intends to do now (kill something large and tasty, grill it on the beach, fall asleep with a beer in hand until the waves come in and wake him up).

I gave him that wooden bracelet in the glam he has on my desktop screen so once again I'm feeling weirdly vindicated.

Other details: no ponytail despite the warm weather because he's got enough ventilation. The fact there's cactaurs on his shirt when he's on record for eating them is amazing. We should imagine he's wearing his jobstone like that pendant (since he's one of the only guys with a confirmed jobstone despite being the Guy Without A Job notoriously that one time.)

Unlike Thancred's hat and sunglasses combo, which seems fun and boisterous somehow, he seems the most walled off of all the sunglasses wearers even though he's not the most mysterious. The visor really helps make it a sort of wall. Maybe just because his terse upfront personality and somehow despite his clothes horse habits THIS amount of whimsy seems the most out of character at first glance, but he DOES look uncomfortable to me.

Somehow I find everything about this outfit excellent for his character but also like maybe he was forced into it, everyone cornering him and telling him the Scion Beach Party was a mandatory work event and he was not allowed to beg off of it and he did put some work in expressing himself but also is going to go find a much quieter corner to lurk in for the day, when not competing with Thancred (can't grill, loves it) for the barbeque (Estinien can grill, would only do it because the threat of Thancred doing it wrong is too high).

confused 7/10 mostly because I think Krile is blackmailing him and not because I don't love everything about this.

Here's how G'reenha Tia can still win -

Anyway here's the deducted point for tanking in flip flops (PERFECTLY acceptable BLM gear btw but he's Mr Versatile.)

(I joke but the main character of my novels is a flip-flop wearing menace who could and would tank in them)

Between the padlock and key necklace and the woven bracelet right after we all went feral over the Thavnarian bracelets for couples thing so recently (and Corvos is just across the water!) he's absolutely dripping cutie pie love interest coding yet again.

(Also yes I know the lock and key thing is very funny because we were introduced to him learning he was a fancy key to a big door.)

Gains a point back because the other green g'raha thing is I'm pretty sure people use this shirt glam because it kinda looks like it has weed on it.

Don't quote me on that, vibes only.

Anyway he came colour coordinated (with his original eye colour and hair colour not the bright Allagan dalamud red dye that goes with his normal outfit) so so precise and neat, like he's going to some sort of formal event, and even with flip flops he really does seem incredibly put together like the twins or Y'shtola, just for full outfit cohesiveness.

As someone who would hold G'raha's hand on the romantic gondola vibe, 10/10.

3 out of 10 and a huge cringe if you would not. He's got to stop Striving.

Hey it's the star of the show!! Adorable hairstyle out, cute plot-important earring on, and wearing her exact character colours but adorable beach wear :)

I love that she looks kind of like she went to the girls for advice and got the top from Y'shtola and the shorts from Alisaie, and she probably was very serious and stressed about getting this right even though there's no rules and no one's judging her -

oops.

Anyway the ballet shoes are adorable and go with all the cute picto spins and twirls :)

I think the strict colour scheme does speak to the slight lack of fleshing out she got so far in the story (we don't really have any real character reason that picto in particular spoke to her and this glam isn't one of the many fun takes people had on how to dress to meet that brief ). I don't think DT did more than just repeat that she's serious and sweet and trying really hard to get out of her shell and be more fun and creative and also she's been practicing dodging really hard she shouts mid-Trust combat (bless her). But ALSO getting out of the shell is really hard and she only found out everything and got some closure in the final level 100 quests so there wasn't really much to do with her after that.

This is like her First Non-Plot-Critical Whimsy Moment and losing the hood or any cat ears entirely (and there are perfectly functional cat ears to wear in game) is a good step considering we know she wears it precisely because she needed a sort of advance PR campaign to make her look cute and approachable before she opened her mouth and started bringing down the vibe (serious scary children are SO funny though and i love that for her). Having the same top as Y'shtola is a good thing for trying to make her less childish and have her trying to show that now as she takes this huge step out from the background. I mean, it still has a slight sense of her costuming herself and pushing herself out of comfort zones as she always does, but it's 100% in character so I adore it.

1000/10 because Krile is great and there's so much going on here and it's so fun when a character's whole personality is a costume and then they're like aurgh wait do I even want that??

[atlaculture]

how do you think the calendar is organized in the atla universe? they have a twelve-month system like we do but what would those months each be called? do you think they have leap years?

Right off the bat, let me just say that hypothetical calendars and alternative timekeeping is one of my favorite topics to talk about so this reply is going to be lengthy.

First off, everything we know about the calendar system in Avatar comes from the planetary calendar room in Wan Shi Tong's library.

The innermost ring indicates the number of months in a year (12), the second ring indicates the number of days in a month (30), the third ring indicates the different Avatar eras (16 shown), and the outermost ring showcases all of the animals of the zodiac cycle (12). For this reply, we're only going to be focusing on the innermost and second innermost rings.

According to the episode, the ATLAverse appears to have only 12-month years, so no leap year 13th month like the East Asian lunar calendar. There also doesn't appear to be any months with more than 30 days, judging by the number of days shown on the calendar. This means that the maximum number of possible days for an Avatar year is 360. So it's safe to say that there are probably no leap years like ours in the ATLAverse. I guess their Earth's orbit is slightly shorter and more suited for timekeeping than ours.

As for what each month would be called in the ATLAverse, there's a couple of options. One option is to simply call the months by order: First month, second month, third month, etc. This actually ties back to Avatar's Chinese influence, as that's literally how months are named in Mandarin. This is straightforward, practical, and doesn't require any complex etymology or extensive worldbuilding.

However, I also think it would be fun to weave motifs into the calendar. Since there's so much emphasis on balance and cycles, why not divide the twelve months between the four elements? I imagine these months would be referred to as:

The 1st, 2nd, & 3rd Water Month

The 1st, 2nd & 3rd Earth Month

The 1st, 2nd, & 3rd Fire Month

The 1st, 2nd, & 3rd Air Month

For example, a person might say "I was born during the first water month, in the year of the rabbit." Naturally, there would be plenty of superstitions and horoscopes related to the combination of birth month and birth year.

The show also canonically mentions weeks passing by, although they never specify the number of days in their weeks. In a previous post, I mentioned that government officials during the Qin & Han Dynasty were given a day off every five days to bathe themselves. I think this would be a good basis for a week in the ATLAverse, four days of work and one day of rest. Each working day would be named after a cardinal direction (East-day, North-day, West-day, South-day) and the resting day would be called "Center-day", paralleling a compass.

In short, an ATLA month would be comprised of 6 five-day weeks and a year would be made up of 12 thirty-day months; the days would be themed around the cardinal directions and the months would be themed around the four elements. I think this would be a good way of adding texture to the world of Avatar, without weighing the setting down with too much worldbuilding or cultural baggage.

...And that would just be the default "world" calendar that spirit libraries and world travelers and international organizations would use. I think each nation would probably have their own unique calendar tailored to suit their own cultural and seasonal needs.

I might make a few posts on what each nation's calendar system might be, if anyone would like to read that.

Like what I’m doing? Tips always appreciated, never expected. ^_^

https://ko-fi.com/atlaculture

[monabee-draws]

Dorian confessing his intention to return to Tevinter for good is so heartbreaking in the Tresspasser DLC. Because of course he does! It doesn't come out of nowhere, he tells the inquisitor as much before they even defeat Corypheus - he loves his home country and knows that he personally needs to be the one to fix it. Not any foreign power (including you and the Inquisition) but through internal change. And he's so blasé about it when he tells you, keeping his tone light, excited for his future work with Maevaris and the Lucerni! Of course, he didn't want you to find out like that but this is a good thing. He's happy! He's practically jovial!

And then you think about how familiar that tone of voice is. And remember his romance scene, and the nonchalant way he asks you if this whole relationship is just a one-time thing. And how he jokes and jibes with you in the bad-end future during In Hushed Whispers, to the point where Leliana calls him out on the obvious attempt at levity. Barring your brushes with his family, who elicit a kind of knee-jerk anger that cracks his usual mask, Dorian is very good at maintaining that emotional wall. So you listen as your heart breaks, as you consider how to respond to the lightness of him in this devastating moment, and you realise-

Dorian is terrified. The kind of scared where you can't really voice it, not in public, not even in private spaces when you aren't 100% in control. It's scary losing a parent, even one you're not quite reconciled with. To have to take his place and fill a role you've never fit, and somehow finally actually push forward with all the ideals you've been imagining to be so far away for many years. And to do all that on the opposite side of the world from the people who all made you finally believe it could be possible in the first place?

Dorian is so very used to being the brave one, the optimistically realistic one, that he can't possibly burden you - whose heart is breaking, whose Inquisition is failing, whose body is slowly killing them - with all of his own ugly fear. That wouldn't be very charming and dependable and Dorian of him, would it? More to the point, leaning on you would be both more burdensome to you and chafe against his own stubborn pride - not accepting favours is well-established during his romance-specific quest to retrieve his birthright. So instead of taking you aside somewhere quiet, consulting you about his final decision on the matter, and giving both of you the space to grieve, he...

Well he tells Varric. And Sera, and Bull, and Cole. Part of it is practice - how might they react? Part of it is in hope for advice on how to break the news. Varric and Bull are adept speakers. Cole's whole job is compassion. Even Sera's bluntness might help when you're chronically incapable of not sugarcoating things. But all it really does it make things worse, because its a distancing tactic. Nothing can truly prepare him for the crack in your voice, the sharp sting of your flinch and the perceived betrayal.

It's almost ironic, that his romantic lock-in asks you to decide if you're in for the long haul, when Dorian's entire arc is one that will inevitably draw him back to Tevinter. And specifically in such a way as to leave you. Because he does not want you tagging along (at least not now, not as the Inquisitor.) Dorian's fear in this moment is not fully centered on you, the man he loves, but there is certainly a part of him that is back in the Inquisitor's chambers on the opposite side of that question of 'do you want me to stay.'

Dorian Pavus' greatest fear is temptation, emblazoned on his tombstone in the Fade for all to see. And there you are, with your political power, ready to jump in and save the day once again on his behalf. And he's tempted. There you are with your familiarity and a space for him in the South that accepts him for who he is. And he's tempted.

There you are. Loving him. And well...

So he doesn't lower his voice to whisper to you, or hold you too close. He confesses in public where the crowds prohibit hysterics, he sips on precious wine, and he gifts you his sending stone. It is both distance and closeness all tied with a bow. A temptation that he can just about handle. Fear under wraps. Because if he lets you, you will - without even knowing - stop his entire life in its tracks. You represent everything he can never afford to lose to. And it is wretched how desperately he doesn't want to lose you.

[csuitebitches]

The Charisma Myth: things that I liked

Three quick tips to gain an instant charisma boost in conversation:

Lower the intonation of your voice at the end of your sentences. Reduce how quickly and how often you nod.

Pause for two full seconds before you speak.

The very next time you’re in a conversation, try to regularly check whether your mind is fully engaged or whether it is wandering elsewhere (including preparing your next sentence).

Expensive clothing leads us to assume wealth, friendly body language leads us to assume good intentions, a confident posture leads us to assume the person has something to be confident about. In essence, people will tend to accept whatever you project.

when you can project both power and warmth together, you really maximize your personal charisma potential.

charismatic behaviors must originate in your mind. Knowing how to skillfully handle mental discomfort is even more important than knowing how to handle physical discomfort. Anxiety is a serious drawback to charisma. First, it impacts our internal state: quite obviously, it’s hard to be fully present while you’re feeling anxious. Anxiety can also lower our confidence. Anxiety, low presence, and low confidence can show up directly in our body language, as well as reduce our ability to emanate warmth.

 The single most effective technique I’ve found to alleviate the discomfort of uncertainty is the responsibility transfer. Pick an entity—God, Fate, the Universe, whatever may best suit your beliefs—that you could imagine as benevolent. Imagine lifting the weight of everything you’re concerned about—this meeting, this interaction, this day—off your shoulders and placing it on the shoulders of whichever entity you’ve chosen. They’re in charge now. Visually lift everything off your shoulders and feel the difference as you are now no longer responsible for the outcome of any of these things. Everything is taken care of. You can sit back, relax, and enjoy whatever good you can find along the way.

Golfer Jack Nicklaus said that he never hit a shot, even during practice, without visualizing it first. For decades, professional athletes have considered visualization an essential tool, often spending hours visualizing their victory, telling their mind just what they want their body to achieve.

“There is good evidence that imagining oneself performing an activity activates parts of the brain that are used in actually performing the activity,” Professor Stephen Kosslyn, director of Stanford’s Center for Advanced Study in the Behavioral Sciences, wrote me. Visualization can even physically alter the brain structure: repeated experiments have shown that simply imagining yourself playing the piano with sufficient repetition leads to a detectable and measurable change in the motor cortex of the brain.

Silvia recently confided that visualization is one of the secrets to her success. Before key meetings, she’ll imagine “the smiles on their faces because they liked me and they are confident about the value I’m bringing them. I’ll imagine as much detail as I can, even seeing the wrinkles around their eyes as they’re smiling.” She visualizes the whole interaction, all the way through to the firm handshakes that close the meeting, sealing the deal.

A twenty-second hug is enough to send oxytocin coursing through your veins, and that you can achieve the same effect just by imagining the hug. So the next time you’re feeling anxious, you might want to imagine being wrapped up in a great big hug from someone you care about.

Self-confidence is our belief in our ability to do or to learn how to do something.

Self-esteem is how much we approve of or value ourselves. It’s often a comparison-based evaluation (whether measured against other people or against our own internal standards for approval).

Self-compassion is how much warmth we can have for ourselves, especially when we’re going through a difficult experience.

It’s quite possible for people to have high self-confidence but low self-esteem and very low self-compassion.

Types of charisma:

Focus: Focus charisma requires, of course, the ability to focus and be truly present. Good listening skills are nonnegotiable, as is a certain degree of patience. To develop focus charisma, cultivate your ability to be present.

Visionary charisma makes others feel inspired; it makes us believe. It can be remarkably effective even though it won’t necessarily make people like you. We assess visionary charisma primarily through demeanor, which includes body language and behavior. Due to the fact that people tend to accept whatever you project, if you seem inspired, they will assume you have something to be inspired about.

kindness charisma comes entirely from body language—specifically your face, and even more specifically your eyes. Kindness charisma is primarily based on warmth. It connects with people’s hearts, and makes them feel welcomed, cherished, embraced, and, most of all, completely accepted.

Authority charisma is primarily based on a perception of power: the belief that this person has the power to affect our world. We evaluate someone’s authority charisma through four indicators: body language, appearance, title, and the reactions of others. you’ll need to learn how to “take up space” with your posture, reduce nonverbal reassurances (such as excessive nodding), and avoid fidgeting. You may need to speak less, to speak more slowly, to know how and when to pause your sentences, or how to modulate your intonation. Look expensive. 

Avoid holding a drink in your right hand, especially if it’s a cold drink, as the condensation will make your hand feel cold and clammy. Before shaking someone’s hand, whether you are a man or a woman, rise if you’re seated. And keep your hands out of your pockets: visible hands make you look more open and honest. Make sure to use plenty of eye contact, and smile warmly but briefly: too much smiling could make you appear overeager. Keep your head straight, without tilting it in any way, and face the person.

Ask people open ended questions, focus on questions that will likely elicit positive emotions. With your questions, you have the power to lead the conversation in the direction you want. In fact, even when you’re speaking, the one word that should pop up most often in your conversation is not I but you. Instead of saying “I read a great article on that subject in the New York Times,” try “You might enjoy the recent New York Times article on the subject.” Or simply insert “You know...” before any sentence to make them instantly perk up and pay attention.

Another way to exit a conversation with grace is to offer something of value:

Information: an article, book, or Web site you think might be of use to them A connection: someone they ought to meet whom you know and can introduce them to

Visibility: an organization you belong to, where you could invite them to speak

Recognition: an award you think they should be nominated for

When someone has spoken, see if you can let your facial expression react first, showing that you’re absorbing what they’ve just said and giving their brilliant statement the consideration it deserves. Only then, after about two seconds, do you answer. The sequence goes like this:

They finish their sentence

Your face absorbs

Your face reacts

Then, and only then, you answer

The next time you’re given a compliment, the following steps will help you skillfully handle the moment:

1. Stop.

2. Absorb the compliment.

3. Let that second of absorption show on your face. Show the person that they’ve had an impact.

4. Thank them. Saying “Thank you very much” is enough, but you can take it a step further by thanking them for their thoughtfulness or telling them that they’ve made your day.

It’s not just metaphors that can paint the wrong picture. Some common phrases can have the same effect. When you tell someone, “No problem,” “Don’t worry,” or “Don’t hesitate to call,” for example, there’s a chance their brain will remember “problem,” “worry,” or “hesitate” instead of your desire to support them. To counter this negative effect, use phrases like “We’ll take care of it” or “Please feel free to call anytime.”

You can deliver value to others in multiple ways:

Entertainment: Make your e-mail or meeting enjoyable.

Information: Give interesting or informative content that they can use. 

Good feelings: Find ways to make them feel important or good about themselves. 

The longer you speak, the higher the price you’re making them pay, so the higher the value ought to be. 

If your goal is to communicate power, set the pitch, tone, volume, and tempo of your voice in the following ways:

Pitch and tone: The lower, more resonant, and more baritone your voice, the more impact it will have.

Volume: One of the first things an actor learns to do on stage is to project his voice, which means gaining the ability to modulate its volume and aim it in such a targeted way that specific portions of the audience can hear it, even from afar. One classic exercise to hone your projection skills is to imagine that your words are arrows. As you speak, aim them at different groups of listeners.

Tempo: A slow, measured tempo with frequent pauses conveys confidence.

To emanate vocal warmth, you need to do only one thing: smile, or even just imagine smiling.

Charismatic people are known to be more “contagious”; they have a strong ability to transmit their emotions to others.

The most effective and credible compliments are those that are both personal and specific. For instance, instead of “Great job,” you could say, “You did a great job,” or, better yet, “The way you kept your calm when that client became obnoxious was impressive.”

Here’s one specific—and surprisingly effective—recommendation for phone charisma, courtesy of author Leil Lowndes: Do not answer the phone in a warm or friendly manner. Instead, answer crisply and professionally. Then, only after you hear who is calling, let warmth or even enthusiasm pour forth in your voice. This simple technique is an easy and effective way to make people feel special. I recommend it to all my business clients whose companies have a strong customer service component. The gains in customer satisfaction are impressive.

Charisma takes practice. Steve Jobs, who appeared so masterful on stage, was known to rehearse important presentations relentlessly.

Retain at least a certain measure of equanimity. Most charismatic leaders are known for their ability to remain (or appear) calm even in the midst of turbulent circumstances.

[nekropsii]

ALPHA TROLLS RANKED BY HOW WRONG THE FANDOM AT LARGE IS ABOUT THEM:

This is a personal challenge, based entirely on my own experience and perspective, and also ranked from Most to Least Correct. I was bored, and thought this might be fun.

Putting this under a cut, because it's long as hell.

MEULIN LEIJON

People get her mostly correct, from what I’ve seen… Most of the time, fan content of Meulin is absolutely recognizable as Meulin, but her pride in her deafness + joy of learning new ways to interact with the world through/due to her disability is always removed, and I do not often see people tackle the Toxic Positivity aspect of her character. That seems less like character assassination, though, and more like a combination of people not actually playing through the Openbounds, people not being able to fathom disabled people (especially those who gained a disability later in life rather than being born disabled) being happy, and general fandom distaste for the idea of touching anything uncomfortable, especially when that uncomfortable topic is highly mundane, normalized, and potentially applicable to them or their loved ones. Meulin’s toxic positivity was, of course, commentary on Tumblr’s ecosystem at the time, so… It was much harder to touch back then.

ARANEA SERKET

People tend to get her general, broad strokes personality right, but unfortunately she gets treated pretty roughly for the crime of Being A Serket. People refuse to understand her motivations, and she often gets demonized for what she was doing around/during [S] Game Over, even though that was something she’d gotten pushed to and also was cool as fuck to watch. God forbid a woman do anything.

DAMARA MEGIDO

People are right about the racism, 100%. It is completely despicable, hard to look at, and extremely blatant. She does, however, have character outside of that. No, it isn’t “whore”, it’s more like “angry, dysfunctional abuse victim”, and she’s genuinely a very interesting and tragic character. But, again, people are right about the racism, so she gets to be placed way up here.

MEENAH PEIXES

She is such a chaotic little bastard. I love her. I really do. Please understand that she genuinely does not understand the concept of consequences. This girl didn’t have a Lusus, she didn’t have parents, it was functionally illegal to tell her “No, you can’t do that.” That would fuck up literally anyone’s moral compass. That’s not me hand waving away all the fucked up and bad shit she’s done, we all know what she did, but people tend to forget this aspect of her character and it pains me deeply, because it is a very genuinely interesting concept that I want to see more of. She’s capable of regret, we’ve seen her feel it, I just don’t think foresight is her forte. No one raised her to consider consequences, or help her experience them in a healthy way, because nobody raised her period.

Also, her ass is not butch, she is the girliest girl in the entire comic. She is about hot pink and glitter and kiss marks and unicorns and cute little puns and you will respect that. She is not masculine. Her ass is not masculine nor is she butch. Let her be her hyper-feminine self.

LATULA PYROPE

Please for the love of god there is more to her character than “Gamer Girl” and “Mituna’s Girlfriend”. You are falling for her fucking ruse. Please. Please. Please recognize that her entire character is about internalized misogyny, and being forced to overcompensate for misogyny in gaming circles as a gamer who happens to be a woman. Please. I’m begging.

KURLOZ MAKARA

His character is not that deep, it’s mostly just a string of events he is mysteriously, inexplicably involved with. The Makaras are extremely Function Over Form- their characters practically do not exist, they're mostly just plot devices that exist to push the story along. I'm sorry to Makara fans. You just invented a guy in your mind and decided he was real. He is also not that soft, though, and his relationships with both Meulin AND Mituna are not healthy. Hard to stop people from ascribing cutesy squishy lovey dynamics to random men who happened to have looked at each other once, though. Some people truly haven't graduated from 2012.

HORUSS ZAHHAK

I am begging people to consider that maybe the biggest issue here is not that he is “Bad Otherkin/Therian Representation” and is in fact maybe the fact that Hussie was actually making fun of Systems when he was writing Horuss. Because Horuss is canonically a system. He uses the word system. He uses the word switching. He uses the word host. He literally talks about his Plurality at length in extremely upfront, plain terms. I don’t know how him being “Bad Otherkin Representation” was and still is the main discourse about him. It makes me insane. That is a commentary that truly writes itself. Talk about having your priorities out of wack, honestly...

PORRIM MARYAM

No, she is not a MRA, she’s just a regular feminist who happens to live on a different planet with different politics and social hierarchies from Our Real World Earth’s USA. Whatever argument you’re about to pull out of your ass to say that she sucks is bad. She already explained what she meant by that, in more detail, very clearly, and she was right. Half the time she’s literally just giving you factual information about what Beforus was like, and literal plot synopses. She isn’t saying anything insane. She’s literally normal. I don’t know why people cannot handle or process this. Porrim has not ever said anything controversial. If you disagree with this you’re either misconstruing her on purpose or you fell for Kankri’s bait, and that’s just fucking sad at that point.

Also, she’s more than a sex object, and her tits are not huge. Honestly, half the shit she was saying was just “I am more than my sex life”, and so many people took that and made her main character trait her sex life. Just pathetic.

RUFIOH NITRAM

This man is a fucking war criminal and I will stop at nothing until he is behind bars for his crimes against Damara. Raging misogynist. Total fucking cunt. Just the worst. If I talk any more about this, this part will be 1,000 paragraphs long. But also, I’m begging people to recognize his relationship with disability, too. He was similar to Meulin in the sense that he didn’t mind his disability, and his biggest gripe with it was the way that Horuss tried to “fix” it… Which is an interesting way to expand upon how Beforus’s culling system is not only very explicitly ableist, but mimicking real world systemic ableism. I also want people to recognize that Hussie is actively having a conversation about the reclamation of slurs with Rufioh’s character, and how not letting people reclaim such language is doing nothing but giving the word power against them while stripping away their own personal agency. Rufioh’s a complicated guy, and he’s interesting and also the worst, and I am really tired of how he gets watered down to nothing but “Pretty Boy Victim Of His Inexplicably Psycho Ex”.

MITUNA CAPTOR

Holy Fucking Shit, You Guys Are Ableist.

KANKRI VANTAS

To this day I see people saying he was just Hussie making fun of SJWs. To this day. To this day people think Hussie was trying to make Every Tumblr Leftist look bad, and that he hates them Because They Are Leftists. When will people recognize him as a bootlicker to the oppressive class and the violently bigoted. When will people recognize that. When will people recognize that this is more of a commentary on the legitimate real flaws of Tumblr’s politics at the time. When. When.

When will people stop portraying him as a lovey-dovey Catholic Whore. I’m going to stab my fucking eyes out and then kill everyone in this building. Me when it's based and cool to ship an aroace character with a sexual predator. I GUESS.

CRONUS AMPORA

I say this with every ounce of sincerity I can possibly muster as a person: What the literal actual fuck.

[honeytonedhottie]

how to stop being toxic⋆.ೃ࿔*:･⭐️

the point of this post in general is a reminder to be self aware so that then u can become an individual that u are proud of ✨

SELF AWARENESS ;

everyone has traits in themselves that they aren't necessarily proud of and thats okay. its only natural bcuz we are humans. whats important is that u are able to acknowledge it and work on it.

toxic traits and behaviors stem from things like our own insecurities, conditioning, our egos and a multitude of other things. when we aren't toxic we free ourselves up for better people and experiences.

SELF ASSESSMENT ACTIVITY ;

do some shadow work, dig deeper and do some journalling to rly assess some of ur personality traits whether u classify them as a negative or a positive trait. some examples of traits include

having trouble taking accountability (shifting blame)

once you've classified that trait, write a sentence that explains why that particular trait is/isnt toxic. so for this particular trait ur sentence could look something like

trouble with taking accountability for myself and my actions is a toxic trait because it displays my inability to be responsible for myself/admit fault. this can jeopardize relationships and opportunities for me, it can also hinder my growth as an individual.

just because you notice toxic behaviors within yourself, it doesn't mean that u are a bad person. in fact, since u can acknowledge it and wanna improve it, that shows that u are a good person.

HOW TO ACTUALLY STOP ;

look for the source of toxic behaviors that u display. some ways that can help u to identify what makes u act in that way is by seeing a therapist who can help u to dissect and understand urself, intentional journalling etc.

when u find urself in situations in which u think that ur being toxic, u can practice mindfulness and nip it in the bud. the more that u practice doing this the easier and more natural it'll feel.

be a good listener

show urself compassion

start journalling/going to therapy

listen to feedback

listen to feedback from others from an impartial view. dont take criticism or negative feedback personally. take the feedback that u get and apply it cuz thats one of the many ways u can grow.

[literatureloverx]

Would BSD men sacrifice their true love for the sake of the world, or would they let the world burn?

I know you are on a break for a while, so feel free to reply any time you feel like replying. However, I do sincerely wish you are resting properly and eating well. You are being missed and appreciated, our dearest Snow White, who is as beautiful and graceful as her name!

-🛵🌻

Awww, you’re flattering me, 🛵🌻-anon! Thank you so much. ♥️ Please forgive me for keeping some of these brief without much explanation—I’m still unwell. 🥺♥️

Please keep in mind that my requests are actually closed! I made an exception because this one intrigued me.♥️

Would BSD men sacrifice their true love for the sake of the world, or would they let the world burn?

Featured characters: Fyodor Dostoevsky, Dazai Osamu, Nakahara Chuuya, Nikolai Gogol, Akutagawa Ryuunosuke.

BSD MEN x fem!reader

I know this might surprise many of you, but I believe FYODOR might actually be capable of sacrificing the world for his darling. While we don’t know much about him, we do know he is intensely focused on his singular goal and unwaveringly confident in it. However, love is unpredictable—it can make even the most logical person act irrationally. Fyodor, being a semi-canon yandere and canonically willing to gift his darling an entire country as a Valentine’s Day present, shows that he could prioritise his darling in unexpected ways.

Though he is detached and calculative, this doesn’t necessarily mean his obsession lies solely with his ideal world and not his darling. His perception of love likely wouldn’t be romantic or warm—after all, this is Fyodor we’re talking about—but that doesn’t make it any less consuming. If he were to sacrifice the world, it would likely appear to be a practical, impersonal decision on the surface, though it would stem from deeply personal feelings.

Of course, his darling would have to bear the burden of being his weakness, paying the price for making him burn the world down for her.

DAZAI doesn't see a reason to live and has a complicated inner moral compass —if he even has one at all. If he were to find another reason to live beyond his darling, he might let the world burn to protect that purpose. Otherwise, he would likely choose to sacrifice his darling along with himself, as he would want to die together with them.

In doing so, he would simultaneously honour Odasaku's dying wish to save innocent people and do good, while also fulfilling his own desire for a double suicide—albeit in a twisted and tragic way.

CHUUYA… my beloved Chuuya. He would sacrifice you for the sake of the world, but not without crying his heart out in the process. He’s someone who carries his heart on his sleeve, no matter how much he tries to mask it with his tough exterior. This decision wouldn’t just break him—it would shatter him. He’d be haunted by the memory of what he’d done, the sound of your voice, your smile, and the warmth you brought into his life.

After that, he would never be the same. Chuuya, with all his passion and fire, would lose a part of himself—his joy, his light, and perhaps even his will to keep going. Though he wouldn’t let the world burn for you, his sacrifice would scorch his soul in ways no one else could see. He would shoulder the weight of the decision, carrying it like an eternal wound, always hidden beneath his bravado.

I don’t believe he has it in him to let the entire world burn just to keep you. Chuuya’s sense of duty, his unwavering commitment to the people he cares for, and his understanding of the bigger picture wouldn’t allow him to prioritise one life over billions. But that doesn’t mean it wouldn’t destroy him. Deep down, he’s just a man with a heart far too big for the world he lives in.

Yet, in his own way (or maybe even literally), he would die the day you did. Perhaps he would let himself waste away, quietly fading from the world as he lost the only person who made it feel like home. Or perhaps he would go out in a blaze of fury, throwing himself into battles he knew he wouldn’t return from. Either way, the Chuuya you knew—the one who loved you with all his being—would be gone, leaving only a shadow of the man who once was.

NIKOLAI is an obsessive individual, deeply scarred by trauma, pain, and mental instability. He would undoubtedly let the world burn for his darling. Despite his philosophical outlook, which claims to encompass all of humanity, his approach is ultimately rooted in his own personal experiences and inner struggles. At the end of the day, everything is about him.

His so-called friendship with Fyodor is a prime example of this—he clings to it not because Fyodor is a fascinating person in his own right, but because he believes Fyodor is the only one who truly understands him. Not once have we seen Nikolai genuinely reflect on Fyodor’s goals or thoughts. Similarly, his darling would need to be someone who both understands and cherishes him, which would inevitably drive his romantic obsession with her.

There’s no chance Nikolai would sacrifice his darling for anything. However, after letting the world burn for her, would he ultimately kill her because she understands him better than even Fyodor? The possibility is disturbingly high.

Before meeting the ADA Dazai and Atsushi, AKUTAGAWA would likely have let the world burn for his darling without hesitation. His overwhelming need for validation, coupled with his devotion to those he holds dear, would drive him to extreme lengths, prioritising his personal attachments above all else. His harsh upbringing and struggles for survival have made him fiercely protective of those who matter to him, making it plausible that he would abandon the world for his darling’s sake.

However, after his experiences with Atsushi, Akutagawa would find himself in a moral dilemma. These encounters push him to question his black-and-white worldview, challenging him to consider the value of broader ideals like justice, compassion, and sacrifice for the greater good. His budding respect for Atsushi and his complex, unresolved feelings toward Dazai would weigh heavily on his conscience, creating an internal struggle.

While he may still feel a deep, almost obsessive desire to protect his darling at any cost, the lessons he’s learned would make him pause.