#coat colors are fun

[theadventurek9]

Incorrect breed guesses, Cat edition:

Everyone thinks Rebel is a Bengal or Bengal cross. They don't believe me when I say she is your typical cat. Shorthair variety, brown spotted tabby in color. Her spots look nothing like Bengal spots.

She doesn't even have a breed...just a type.

[milkywayes]

GARRUS VAKARIAN: DATABASE IMAGE ACCESS. > PT. 1 : 2160, 2166, 2170. > all files backdated according to user preferences: (terran_coordinated.calendar).

[bruhstation]

steam team's seniors during their baby years

A friend group so weird and toxic to people they dislike it could rival It’s Always Sunny In Philadelphia’s. They're not immune to the "I came to Sodor to avoid my problems and wanted a fresh start" trope many Sudrians also follow

Edward Pettigrew

Age: 31 as of 1984

A kind, friendly NWR railwayman who didn’t mind a lot of things and was popular amongst younger folks for his looks and demeanor. He likes showing newbies the ropes of the NWR and Sodor as a whole because he just loves infodumping. Despite being made fun of by some railwaymen for his “weirdness”, Edward worked hard and was known as the jack-of-all-trades by his peers, usually treating younger and newer railwaymen to drinks after work to get them accustomed to Sodor (he did this to Henry, then Gordon, then James). Originally from the village of Pezë in Tirana, Albania, 1940s. Due to his beginnings in a small rural village and the Albanian government’s censorship of outside influences and heavy restriction of traveling outside the country, Edward’s hunger for knowledge about the world grew more and more. His family had connections to the Lëvizja Nacional-Çlirimtare and Edward’s particularly bright and good at talking, so he became a diplomat to travel outside Albania – a step into his plans of learning more about the world. After landing himself in the United Kingdom and studying everything he wanted, he believes it’s still not enough. He found out about an island infamous for its supernatural occurrences and cases of people missing just off the coast of the UK – Sodor. Being the curious man he is, he discarded everything that’s needed for the LNÇ to locate him and landed on Sodor, gorging himself with every mystery the island has to offer. Impulsive? Yes. But for the first time, Edward felt true freedom. However, Edward got too curious and nosy and became a casualty in an accident fueled by supernatural hysteria related to Lady of the Legend and was transported around 40 years into the future, landing in 1983 with his memories all over the place. Despite losing his sense of self and having no idea what he is, his thirst for knowledge still lives on inside his head. His cheerfulness, amicability, and kindness are extensions he formed to make up for the hole inside his heart. Edward does love his friends, but he believes that if he can withhold information from them and make them all live in blissful ignorance, they can be truly happy – this all stems from his fear of exceeding his limits and being discarded (which he later copes by being a typical wise friendly old man in 1999). He often sees visages of Lady in his dreams.

Gordon J. Gresley

Age: 26 as of 1984

Joined after Henry. Looked like he was fresh out of a funeral. A young hotshot who was more polite, quiet, and reserved compared to his 1999 counterpart. Gordon started out as an apprentice fireman for the Wild Nor’Wester’s previous driver. He treated his arrival on Sodor as a desperate last resort to escape his issues and grief and pitifully believed he was “lumped with the social pariahs in the boonies”, but he’s gotten better and believed that this is where he can truly outshine everyone, much to the annoyance and chagrin of his seniors. Gordon acts like he knows what he’s doing in order to build up his image as someone who’s dependable and strong and revels in small basks of limelight. However, he was constantly uncomfortable with how Edward treated accidents as normal due to their survivors being in tip-top shape the next day and how Henry is so distrustful of and odd about everything and everyone and sweats 24/7, but he’s been masking and convincing himself that he’s not like the rest of them. He’s normal. He’s normal! Let’s all hold hands. Don’t be fooled by his sad face. Young Gordon can be arrogant and think he knows everything for being a youngin.

Henry Stanier

Age: 27 as of 1984

Joined after Edward, so he’s quite close to him. Gordon’s “senior” by 6 months. He’s always, ALWAYS scared endlessly about anything “out of the ordinary” and beats himself up over it, much to his own disgust. Henry had a deep rooted hatred and jealousy towards his peers for pitying him after a coworker revealed to other railwaymen that he’s narcoleptic without his permission. He’s been masking his disabilities despite it being detrimental for his well-being, but as long as people treated him “normally”, Henry would endure (dreadfully). He did this especially with Gordon, the newest addition to the Northwestern Railway at the time, because he didn’t want anyone else to treat him differently when they find out about his health issues. As an extention, Henry developed a vitriol towards Gordon too – he’s particularly jealous about how he’s so “ungrateful” of everything’s given to him like his fair looks, clothes, and position as the to-be face of the Wild Nor’Wester. They did become friends though despite the process not being easy. It’s okay. They became besties that were mean to old nosy folks. Initially wanted to pursue arts, but due to circumstances from his past related to his health and paranoia fueled by his past failures and “jinxes”, he came to Sodor as a half-hearted last resort to get a job. He wasn’t hopeful of having anyone respect him for who he is, but things do get better, much to his surprise.

James A. Hughes

Age: 25 as of 1989

Joined the NWR 5 years after Edward did. At that point, Gordon already discarded his GNR Green look and went for the blue attire (minus the big coat). Flaunts his beauty almost at any given time, especially when someone mildly complimented him. He’s more of a nerd (word used loosely because he acts like a know-it-all when he actually has no idea what he’s doing) compared to his canon, 1999 counterpart. James came to Sodor for a fresh start and believed he deserves more than what he’s given. He thinks he’s so tough and hard as nails – in fact it became his source of hubris because he gets into accidents and was scolded by his seniors for being so vain and stubborn. He doesn’t want to get dirty, he doesn’t want to shovel coal, he doesn’t want to get wet from the washdown suds – he only wants the good out of the work and doesn’t want to accept the “bad” sides as well, so James was branded as the “problem kid” of the NWR by older folks. James, who can’t handle harsh criticism and labels well, grow even more distant with them. He primarily hangs out with the RWS trio because they seem to understand his situation and the feeling of being “outcasted” (despite Gordon’s annoyance at his boastfulness). 

[chirrups]

omg!!! Dog au

I always head canoned jimmy to be a golden retriever and joel to be a tiny feral dogo

but they are clearly not here and I wonder what breed you drew them as and why you choose them to be that in the au

golden retriever was actually one of the breeds that i was considering in the brainstorming stages (along with some terrier breeds) but i eventually settled on the good old beagle for jimmy.

to me personally, beagle fits because they and their hound cousins are just a little more plucky and scrappy than "himbo-soft" golden retrievers are stereotyped as. jimmy is brash and foolhearted to an hilarious degree so i wanted to give him a more "goofy but still a hunting dog" feeling if that makes any sense at all.

also beagles are known for baying and i think it could function as a fun parallel symbol to the canary stuff he has going on.

and lastly, scott is a sheltie (and martyn and tango are medium-small sized breeds as well), so i wanted jimmy to fit in those size ranges and dynamics. he also just doesn't read big or small dog to me so medium size he is!

and good ole joel is a jack russel because that breed is terror on tiny legs. joel has a truly potent amount of small dog energy with the ferocity and gaul to back it up, so he gets the jack russ because those guys are as if a rabid animal and also 200 live grenades was packed into 10-pounds worth of dog.

it was a debate on whether to give grian, bdubs, or joel the jack russel terrier as they are all (just a little) napoleon-complex personalities to me but jack russel fit joel best design-wise and i ended up finding breeds that work with the other two better

[maomango-doodle]

Playing around with the color wheel WEEE

[beatriceportinari]

A surprisingly cozy scheming scene! Thank you so much @csianme for lending me your lines <3

[gummi-ships]

Kingdom Hearts Dream Drop Distance Nightmare Bosses

[ilovedthestars]

Pallette nr 2 + your favorite childhood cartoon character!

thank you alex! i finally got the motivation to go back and finish this one up!

I'm cheating a little bit because I was fully in high school when this came out, but none of my other ideas were sparking joy so I went with it. Carmen Sandiego from the 2019 netflix reboot :) The palette ended up working great for her!

I really liked the show, my brother and I watched it together and we enjoyed how complex the story was (even though it was still going for the educational geography angle). And the style it's animated in was really pretty! I love the stylized way they always animate her coat blowing in the wind.

(prompt from this color palette challenge)

[lo-fi-charming]

so i've been keeping up with TMP as it's airing, which has been fun, it's actually really nice to experience this kind of story weekly since i came into TMA late and listened up to the s4 finale in like, a month or two. i've been enjoying the new characters and statements, and while i was worried i'd have trouble actively listening (my attention span/executive functioning can be really variable when it comes to podcasts), it's been surprisingly easy for me to actually listen to each new ep the day it drops publicly

all this to say im enjoying the show! but i've found myself feeling increasingly frustrated with a couple things i keep seeing when it comes to discussions of it

to me, it seems... there's been a pervasive reluctance to take TMP as what it is. and i do understand that. it'd be stupid to pretend TMP doesn't exist exclusively because of TMA and that show's success, that it's a successor that was pitched as being similar. it's a story being written by the same people (plus guests), in the same universe (roughly), going for about the same tone and maybe themes.

i just feel like it's a bit of a shame, though, that so many folks seem unwilling not to carry TMA with them when they're engaging with TMP

i don't know where or when it was said, but i swear there was a comment made by jonny and/or alex about how TMP will have some commonality with TMA in terms of world-building, but also, people who listened to TMA first may find themselves theorizing in the wrong direction because we're judging things based off what is no longer concrete, reliable information; things are going to work differently in the world of TMP, and since we have preconceived notions on what is relevant or how things work, that's going to influence how we engage with information presented in TMP if we let it. and that's not even considering the fact that they've been explicit in conveying the idea that TMP was written so you can experience it fully without having listened to any of TMA at all!

i'm very much someone who tries to engage with media on its own terms, largely taking things at face value until i'm given reason to suspect otherwise. that's something i'm trying my best to still do with TMP, even though obviously, i've also listened to TMA and am basing some of my thoughts and personal theories on what we know from that

but that's what i mean to say i guess, it's something you have to actively choose to do. and it feels like, just based on what i've been seeing in fandom spaces, that a lot of people are having a bit of an odd time with TMP because of a reluctance to do that?

i think the easiest way to explain what i mean is to point to a general acceptance, already on the level of fanon it seems, to interpret the computer voices as Our Jon and Martin (+ Jonah/Elias, maybe). now obviously we have the actual real world reason why their voices are present in TMP, because of course jonny and alex were going to come back as voices in the show in some way. and i 100% agree it's a perfectly logical conclusion to then interpret their inclusion as being related to Jon and Martin somehow. i'm personally very into the theory that it is in no way them - not in any way that matters - but specifically their voices that have been stolen (by the Web?) as a means to help spread fears in other realities. but that's really not how i've been seeing people play with the concept? it seems largely 1:1. and again, i totally understand where people are coming from with that - especially when you consider how it can be a super fun concept for horror and angst, or even just the fact that folks want an excuse to carry their favorite characters into this new show and still play around with them. i promise i don't mean to bring this up as a means of making anyone feel bad or like, chastised for interpreting things a certain way and playing in the space!

it's the biggest example of what i mean though, and was a huge point of frustration for me when we were first being presented with TMP. it's not just that i don't want the voices to be Jon and Martin proper (i am very into their Ambiguous End, i believe it's best to leave that as a space for fans to play in); in all honesty, i think it's kind of a shame and maybe even a bit boring (im sorry!) to be engaging with TMP this way

and it's not just stuff like that - i've been seeing a fair amount of people expressing frustration and feeling disappointed with how TMP is hitting, but i mean, i feel like that's inevitable when you're going into it expecting More TMA? i saw at least one person basically say "ive been waiting for it to make me feel the way TMA made me feel, and it hasn't yet", and i really just feel like that's setting yourself up to be dissatisfied! beyond the fact that we're only 5 episodes in and the story has barely gotten a chance to happen yet, a huge element of this new show is that it's being approached as a largely collaborative effort, it seems, with lots of guests coming in to help shape the story and more writing and plotting influence that isn't jonny

obviously it's fine to not be super into that! undoubtedly it's a question of taste. but you do have to acknowledge that that's the case and adjust your expectations accordingly, or else you're not going to have a great time

i really like TMA, i had a great time with it, but even if TMP is a sequel to its parent podcast, it's not the same thing - and personally, i don't want it to be! i do hope that's a sentiment that is able to be more widely felt by some fans as we gain more distance from TMA while TMP is airing. i just think more people would be able to enjoy it that way, and come up with more interesting theories and interpretations of things! but those are really just my own personal thoughts

[crispy-critter]

BOOM (throws this @ u, runs away)

[glassofoj-twitter]

Chaos child time baybeee

[quill-n]

I'm pretty sure this joke has been made before (not sponsored lmao)

*slightly edited version because the original drawing is really saturated (unedited below the cut)

[ID] A digital drawing of Mollymauk Tealeaf from Critical Role. He is dressed in more modern-styled clothing, including a collared shirt with iridescent-ish colors, a choker, and shorts with red fishnets. He still has gold and silver piercings and horn jewelry. He is sitting with one arm propped up on his knee, taking a sip from a Coca Cola bottle (not sponsored). His tail is flicked up behind him and is wagging slightly. [end ID]

CW// mild(?) eyestrain /bright colors

[ID] The same drawing as the previous image except whole drawing is done in bright, saturated colors. [end ID]

[flowerakatsuka]

honse.

[n3arell-art]

he’s learning the vocabulary of rope ✨

[sesamenom]

silmaril-gazing, maglorath (peaceful) vs maglorath (dagor dagorath)

plus a version with the same palette on both sides

[angermango]

dance dance dancing train guys

(used the Nicholas Brothers almost exclusively for pose reference/inspiration)