#co 67

[schlady]

Finishing old pieces I couldn't give up on, thinking about that special moment when lime green aspen leaves change over to gold. The car felt like my old old paintings. "67 Aspens" 20" x 16" Acrylic on canvas January 2024

[robynnandco]

Operation Bad Heir Day 4x67

[doyoulikethissong-poll]

Daryl Hall & John Oates - Out of Touch 1984

"Out of Touch" was released as the lead single from Daryl Hall & John Oates' twelfth studio album Big Bam Boom. This song was their last Billboard Hot 100 number-one single, topping the chart for two weeks in December 1984. It also became the duo's fourteenth consecutive top 40 hit since 1980. According to John Oates, he came up with the chorus while randomly playing around with a synthesizer that he did not know how to use. He thought it could be a song for the Stylistics, having a Philly sound. But in the studio the next day a co-producer told him it should be a hit for Hall & Oates themselves. It recieved a total of 84,4% yes votes.

[mitivy]

CAS NO.9003-18-3 ACRYLONITRILE/BUTADIENE COPOLYMER /High quality/Best price/In stock

Quick Details Product name:ACRYLONITRILE/BUTADIENE COPOLYMER CAS: 9003-18-3 Molecular formula:C7H9N Molecular weight:107.16 EINECS No.:231-675-1 Appearance:powder Other names：Acrylonitrile/Butadienecopolymer(33/67);POLY(ACRYLONITRILE-CO-BUTADIENE)30-35&;POLY(ACRYLONITRILE-CO-BUTADIENE),37-39WT.%ACRYLONITRILE;POLY(ACRYLONITRILE-CChemicalbookO-BUTADIENE)19-22&;Acrylonitrile-1,3-butadienecopolymer;CeMedine540;Poly(acrylonitrile-co-butadiene)acrylonitrile37-39wt.%;POLY(ACRYLONITRILE-CO-BUTADIENE) Port: any port in china Packing:  according to the clients requirement Storage: Store in dry, dark and ventilated place. Transportation: by sea or by air payment methods: L/C, T/T, D/A, D/P, O/A, paypal, western union etc.accept all payment. Application Used in the manufacture of various oil-resistant rubber products such as rubber hoses, sealing rings, rubber rollers, aircraft fuel tank linings, gloves, etc. Superiority 1.supply sample 2.the packing can be according the customers` requirment 3.any inquiries will be replied within 24 hours 4.we provide commerical invoice, packing list, bill of loading, coa , health certificate and origin certificate. if your markets have any special requirements, let us know. 5.factory price. 6.prompt delivery. we have good cooperation with many professional forwarders, we can send the products to you once you confirm the order. 7.we can accept various payment methods, l/c, t/t, d/a, d/p, o/a, paypal, western union etc., and we cooperate with sinosure many years. Core Strengths Contract Researching We’re recognized for our expertise in complex organic synthesis. To work with us, you will have the following advantages. Reasonable price Scale up capability in our ow factory Decades of experience in organic synthesis Sophisticated cooperation within the industry Contract Manufacturing Our site produces under GMP guidelines. With in-house researching capabilities, we can reduce the costs and, in the meantime, not sacrificing the quality. Compare to other contract manufacturers we have four major advantages. Newly built site which can produce cost efficiently Comply with more and more stringent environmental regulations Lean but dedicated team with professional skills Private owned by the management team with long-term visions and growth targets Special Strength: Catalytic Reaction We has a special precious metal catalyst research center which can recover 95-97% of the precious metal. This can help customer reducing their costs by up to 50%. Own portfolio We have developed a wide range of intermediates for APIs, agricultural chemicals and special industrial chemicals for top companies in the world. Anyway ,if you need any chemicals from China ,MIT -IVY INDUSTRY CO.,LTD can help you. Company Information MIT-IVY INDUSTRY CO.,LTD is a manufacturer and exporter of fine chemical dyes & pharmaceutical intermediates in China. Mainly produce aniline series products and chlorine series products. MIT –IVY Chemicals Industry Co.,Ltd. is a leading manufacturerof chemical for 21 years with complete production equipment and meticulous management and  maintenance of machinery. We use advanced production technology and test methods to realize production, quality controlling to meet the standard. We have been approved by SGS, ISO9001, ISO140 01, GB/HS16949 and T28001. Mit-Ivy main products include as the following： API, pharmaceutical intermediates ,Dye intermediates, fine,speciality chemicals Our main markets includes America, India, Africa, Indonesia, Turkey, South-east Asia, West Asia and so on.  MIT-IVY Industry Main products shares 97% of the domestic market specializing in the production and management,  We can supply the products with more competitive cost. with premium quality and price and welcome to consult. Our company has professional persons who major in chemical R&D and sicentific management, supply fine chemical products with high quality and close service, also supply custom-tailored products according to our clients’ requirement. We have a positive and self-motivated management work team with a common philosophy, caring and commitment through teamwork, our team strive to achieve success in delighting our clients and ourselves. ​we continuously innovate our products and improve our service, sales network. Hence, we initiate the first sale mode on net in China, which is the retail trade of small package bring along wholesale of diversified management modes. Our products are exported widely to South Korea, Vietnam, Australia, Europe and South America, highly recommended by our clients. We insist on the management creed “Market is our compass, Quality is our life, Credit is our soul”. Clients’ trust is our forward powder, their satisfaction is our struggling goal. Brand Customer Service: Our JIT customer service account team network in China develop and implement tailor-made concepts for the optimum supply of our customers with industrial and specialty chemicals. Your advantages: ● Centralized customer service supports simplification of administrative procedures, resulting in time and cost saving. ● Our Chinese network and sophisticated logistics solutions ensure that chemicals of identical quality are supplied to customers with several manufacturing locations and contribute to security in planning and reliability of processes. ● Our processes are continuously optimized and adapted to our customers’ changing structures and requirements. Superiority of Chemistry Logistics service: Chemical logistic service is very professional and should be superior under UN regularity, especially for DGR Class series. We provide a special-purpose solution to optimize logistic and suitable packing group and labeling service for our principals. Our main Chinese ports with DGR chemical warehouses are to operate specialty chemical and apply all relative paperwork concerned. Our distribution capabilities include: ● Flexible deliveries, intelligent solutions ● Anything from bulk shipments of thousands of tonnes down to the smallest shipment of packed goods and even samples. ● Bulk – storage and transport of powders and liquids – movement of goods in ships – powders and bulk liquids ● Pharma, feed and food storage to accredited standards ● Segregated materials by business unit and hazard classification ● Temperature controlled storage and transport ● Effective cost control ● Re-packing, drum filling, bagging, ripping and tipping ● Customer delivery KPI's on delivery fulfillment performance If you are interested in getting more quotations, please add WHATSAPP:0086-13805212761 or E-MAIL:info@mit-ivy.com FAQ Q1:Will you supply samples for testing? A: For most of our products, samples are available, but please cover the shipping cost. Q2:What's your MOQ? A: For the high value product, our MOQ starts from 10g,100g and 1kg. Q3:Which kind of payment terms do you accept? A: Proforma invoice enclosed with our bank information will be sent after confirmation of order. payment methods: L/C, T/T, D/A, D/P, O/A, paypal, western union etc.accept all payment. Q4:How about your delivery time? A: Generally, it will take 3 to 5 days after receiving your advance payment. Q5:How do you treat quality complaint? A:First of all, our quality control will reduce the quality problem near to zero. If there is a quality problem caused by us, we will send you free goods for replacement or refund your loss. Main products Mit-Ivy is a well-known fine chemicals and pharmaceutical intermediates manufacturer with strong R&D support in China. Mainly involved Aniline, Chlorine products. Payment：DA 60 DAYS TEL:008619961957599   E-MAIL:info@mit-ivy.com 产品 Product CAS   N-甲基间甲苯胺 N-Methyl-M-Methylaniline 696-44-6 N-羟乙基苯胺 N-(2-hydroxyethyl)-Aniline 122-98-5 N-乙基对甲苯胺 N-ethyl-p-toluidine 622-57-1 N,N-二甲基邻甲苯胺 N,N-Dimethyl-o-toluidine 609-72-3 N-甲基邻甲苯胺 N-Methyl-o-methylaniline 611-21-2 N,N-二乙基对甲苯胺 N,N-Diethyl-p-toluidine 613-48-9 N,N-二乙基间甲苯胺 N,N-diethyl-m-toluidine 91-67-8 N-氰乙基－N-羟乙基间甲苯胺 N-cyanoethyl-n-hydroxyethyl-m-toluidine 119-95-9 N-乙基间甲苯胺 N-ethyl-m-toluidine 102-27-2 N-氰乙基－N-羟乙基苯胺 N-cyanoethyl-n-hydroxyethyl aniline 92-64-8 N-乙基邻甲苯胺 N-ethyl-o-toluidine 94-68-8   N,N-二羟乙基对甲苯胺 N,N-dihydroxyethyl-p-toluidine   .3077-12-1   N,N-二乙基苯胺 N,N-diethyl aniline 91-66-7 N-丁基－N-羟乙基苯胺 N-butyl-n-hydroxy aniline 3046-94-4 N-乙基－N-氰乙基间甲苯胺 N-ethyl-n-cyanoethyl-m-toluidine 148-69-6 N-丁基－N-氰乙基苯胺 N-butyl-n-cyano aniline   61852-40-2 N-甲基－ N-羟乙基苯胺 N-methyl-n-hydroxyetjyl aniline   93-90-3 N,N-二丁基苯胺 N,N-dibutyl aniline 613-29-6 N-乙基－N-氰乙基苯胺 N-ethyl-n-cyanoethyl aniline   148-87-8 N-正丁基苯胺 N-Phenyl-N-butyl aniline 1126-78-9   N-乙基－N-羟乙基苯胺 N-ethyl-n-hydroxyethyl aniline 92-50-2 N-乙基－N-苄基间甲苯胺 N-ethyl-n-benzyl-m-toluidine 119-94-8 N-甲基－N-苄基苯胺 N-methyl-n-benzyl aniline 614-30-2 N-异丙基苯胺 N-isopropy aniline   768-52-5   N-乙基－N-苄基苯胺 N-ethyl-n-benzyl aniline 92-59-1 N-环已基苯胺 N-Cyclohexylaniline 1821-36-9   N,N-二甲基间甲苯胺 N,N,3-trimethyl- Dimethyl-m-toluidine   121-72-2   N-甲基甲酰苯胺 N-Methylformanilide 93-61-8   N-甲基-N-羟乙基对甲苯胺 N-(2-HYDROXYETHYL)-N-METHYL-4-TOLUIDINE 2842-44-6 N,N-二甲基对甲苯胺 N,N,4-trimethyl-;dimethyl-4-toluidine; Dimethyl-p-toluidine 99-97-8   N-甲基对甲苯胺 N-Methyl-p-toluidine   623-08-5 N,N-二甲基苯胺 N,N-dimethyl aniline 121-69-7 N,N-二羟乙基苯胺 N,N-dihydroxyethyl aniline 120-07-0 N-乙基-N-羟乙基间甲苯胺 N-Ethyl-N-Hydroxyethyl-M-Toluidine 91-88-3   N,N-二羟乙基间甲苯胺 N,N-dihydroxyethyl-m-toluidine   91-99-6   N-乙基苯胺 N-ethyl aniline 103-69-5   N-甲基苯胺 N-methyl aniline 100-61-8 N-甲基对甲苯胺 4-Methyl-N-methylaniline 623-08-5 N-甲基-N-羟乙基苯胺   2-(N-Methylanilino)ethanol 93-90-3 N,N-二甲基对苯二胺 N,N-DIMETHYL-P-PHENYLENEDIAMINE 99-98-9 3-(甲氨基)甲苯 3-(Methylamino)toluene 696-44-6 N,N-二异丙醇对甲苯胺 DIPROPOXY-P-TOLUIDINE 38668-48-3 N,N-二乙基邻甲苯胺 N,N-DIETHYL-O-TOLUIDINE 606-46-2 N-甲基对硝基苯胺 N-Methyl-4-nitroaniline 100-15-2 N,N-二苄基苯胺 N,N-DIBENZYLANILINE 91-73-6 N-苯基乙醇胺 2-Anilinoethanol 122-98-5 N-苄基苯胺 N-Phenylbenzylamine 103-32-2 N-羟乙基间甲苯胺 N-2-HYDROXYETHYL-M-TOLUIDINE 102-41-0 N-乙基N氯乙基间甲苯胺 N-ETHYL-N-CHLOROETHYL-M-TOLUIDINE 22564-43-8   N,N-二乙基-4-氨基-2-甲基苯甲醛 4-Diethylamino-2-methylbenzaldehyde 92-14-8 间甲苯胺 M-Toluidine  MT 108-44-1 1,4-二溴-2,5-二碘苯 1,4-DIBROMO-2,5-DIIODOBENZENE 63262-06-6 N,N-二羟乙基对苯二胺硫酸盐 N,N-Bis(2-hydroxyethyl)-p-phenylenediamine sulphate 54381-16-7 N-乙基-N-苄基-4-氨基苯甲醛 4-(N-Ethyl-N-benzyl)amino-benzoaldehyde 67676-47-5 N,N-二乙基-4-氨基苯甲醛 4-Diethylaminobenzaldehyde 120-21-8 对二甲胺基苯甲醛 p-Dimethylaminobenzaldehyde 100-10-7 2-氨基噻唑 2-Aminothiazole 96-50-4 对甲苯胺 P-Toluidine  PT 106-49-0 N,N-双(2-羟基丙基)苯胺 N,N-BIS(2-HYDROXYPROPYL)ANILINE 3077-13-2 N-乙基-N-氰乙基苯胺 3-Ethylanilinopropiononitrile 148-87-8 N-乙基-N-(3'-磺酸苄基)苯胺 N-Ethyl-N-benzylaniline-3'-sulfonic acid 101-11-1 邻苯甲酰苯甲酸甲酯 Methyl 2-benzoylbenzoate 606-28-0 对羟基苯甲酸甲酯 Methylparaben 99-76-3 十四酸异丙酯 Isopropyl myristate 110-27-0 棕榈酸异丙酯 Isopropyl palmitate 142-91-6 邻甲苯胺 O-Toluidine  OT 95-53-4 4-甲基-N-苯基苯胺 N-PHENYL-P-TOLUIDINE 620-84-8 N,N-二甲基苄胺 N,N-Dimethylbenzylamine  BDMA 103-83-3 N,N-二甲基甲酰胺   N,N-Dimethylformamide  DMF .68-12-2 N-甲基甲酰胺 N,N-Dimethylformamidedimethyl acetal  (DMF-DMA) 4637-24-5 N,N-二甲基乙酰胺 N,N-Dimethylacetamide   DMAC 127-19-5 N,N-二乙基间甲苯甲酰胺 避蚊胺 N,N-diethyl-m-toluamide    DEET 134-62-3 N,N-二乙基羟胺 N,N-Diethylhydroxylamine  DEHA 3710-84-7 N,N-二甲基-间甲基苯胺 N,N-DIMETHYL-M-TOLUIDINE 121-72-2 N-甲基二苯胺 N-Methyldiphenylamine 552-82-9 N,N-二氰乙基苯胺 N,N-Dicyanoethylaniline 1555-66-4 N-乙基-2-硝基苯胺 N-Ethyl-2-Nitro-Benzenamine 10112-15-9 N-(2-羟乙基)乙二胺 AEEA 111-41-1 二乙烯三胺(DETA) Diethylenetriamine  DETA 111-40-0 三乙烯二胺 Triethylenediamine 280-57-9 三乙烯四胺 TriethylenetetramineTETA 112-24-3 四乙烯五胺 TEPA 112-57-2 间二氯苯 1,3-Dichlorobenzene   MDCB 541-73-1 间二三氟甲苯 1,3-Bis(trifluoromethyl)-benzene 402-31-3 粉末丁腈橡胶 MITIVY33-1（POLYMER/ADHESIVE COMPOUNDING） 9003-18-3 十六烷基氯化吡啶 Cetylpyridinium chloride monohydrate 6004-24-6 对氯甲苯 4-Chlorotoluene 106-43-4 无水硫酸钠 SODIUM SULFATE 7757-82-6   /15124-09-1 碱性嫩黄 Auramine O 2465-27-2 偶氮二异丁腈 2,2'-Azobis(2-methylpropionitrile) 78-67-1 N-甲基-N-氰乙基苯胺 N-Cyanoethyl-N-methylaniline 94-34-8 N-甲基-N-羟乙基间甲苯胺 N-Methyl-N-hydroxyethyl-m-methylaniline N-甲基－N-苄基间甲苯胺 N-Methyl-N-hydroxyethyl-m-methylanilin CB91170851 N-甲基－N-氰乙基间甲苯胺 N-Methyl-N-cyanoethyl-m-methylaniline CB91139498 N-羟乙基间甲苯胺 N-Hydroxyethyl-m-toluidine CB71167929 N,N-二羟乙基间氯苯胺 NN-dihydroxyethyl m-chloroaniline CB2546593 N,N-二乙基邻甲苯胺 N,N-DIETHYL-O-TOLUIDINE 606-46-2 Read the full article

[rilia-ana]

ZASADY NA WRZESIEN

+ gra na punkty

Codziennie rano zapisuje wage

Codzienne bilanse + foodbooki

Ćwiczę 6 razy w tyg w niedzielę rest

Pilnuje nawodnienia i suplementacji

Regularnie uczę się i dam o wygląd

Gra na punkty:

Za każde cyferki w dół na wadze otrzymuje 1pkt

Za każdy wykonany trening dostaje 0,5pkt

Za każdy spacer dostaje 0,5pkt

Za udany limit kalorii 1pkt

Za każdy 1kg w górę tracę 2pkt

Za każdy dzień bez aktywności poza niedziela tracę 1pkt

Za każdy binge tracę 3pkt

Za każdy nieudany limit (powyżej 200) tracę 1pkt

Gra polega na tym że rozpoczynam ją z 20pkt na start. Założyłam że w tym miesiącu chce schudnąć do 65kg co oznacza że potrzebuję -7kg zatem nagroda będzie za 107pkt. Jak są nagrody to i są kary i już je przedstawiam:

Za 90-106pkt muszę pójść na 4h spacer bez przerwy w weekend.

Za 73-89pkt muszę zrobić hit cardio 40min + 2h spacer bez przerwy.

Za 55-72pkt muszę zrobić cardio 1h i pójść na 2h spacer

Poniżej 55pkt muszę zrobić 2 dniowy post z 4h spacerem.

Wyzwanie rozpoczęto już od 02.09.24 i potrwa do 30.09.24

72-71-70-69-68-67-66-65

Trzymajcie się motylki w tym nowym roku szkolnym!🦋🫂

Ps nagroda będzie dla mnie sukienka i lepsze ciało na wesele kuzynki :)

[genderkoolaid]

The majority of nonbinary adults in the workforce are under age 35 (87%), and half (51%) are people of color. About three-quarters (74%) of nonbinary people in the workforce are making less than $50,000 a year. Our analysis indicates that employment discrimination against nonbinary employees is persistent and widespread. At some point in their lives, about six in 10 nonbinary employees (59%) reported experiencing discrimination or harassment at work (including being fired, not hired, not promoted, or verbally, physically, or sexually harassed) because of their sexual orientation or gender identity. Many nonbinary employees reported recent experiences of discrimination and harassment. Within the past year, 16% of nonbinary employees reported that they had been fired, not hired, or not promoted because of their sexual orientation or gender identity, and 20% reported experiencing harassment at work. One in four (26%) nonbinary employees reported experiencing adverse treatment because of their LGBTQ status at their current job. Many nonbinary employees also reported engaging in actions to avoid discrimination and harassment, including hiding their nonbinary identity and changing their appearance or behaviors. Nearly half (45%) of nonbinary employees were not out to their current supervisor, and 17% were not out to any of their co-workers. Two-thirds (67%) of nonbinary employees reported downplaying their LGBTQ status at work by doing one or more of the following: changing their speech, mannerisms, appearance, or how they dress at work; avoiding work social events; or not talking about their outside activities at work. Nearly six in 10 (58%) nonbinary employees have looked for another job because of how they were treated based on their sexual orientation or gender identity at work, and half (50%) reported leaving a job because of such treatment.

[antifainternational]

Lina E. Lina is a German anti-fascist from Leipzig – a city that experienced more fascist-violence per capita than nearly anywhere else in Europe in 2020. Instead of contending with this wave of far-right attacks, police there chose to target anti-fascists – the very citizens willing to stand up to fascist mobs.

Lina was one of the first anti-fascists the police rounded up and has been railroaded into prison, receiving an especially severe custodial sentence in 2020.

In May 2023, Lina and three co-defendants were convicted. Lina received the harshest sentence of the four – five years and three months in prison.

Lina’s support group has set up a website where they are posting updates & news about Lina & her case: https://freiheitfuerlina.noblogs.org/

If you wish to support Lina, you can make a donation to her via bank transfer to Rote Hilfe:

Rote Hilfe eV

GLS-Bank

account no .: 4007 238 317 Bank

code: 430 609 67 IBAN: DE55 4306 0967 4007 2383 17

BIC: GENODEM1GLS

Keyword: undaunted

[heevanly]

.ᐟ TEASER: LATE NIGHT TALKS : LEE HEESEUNG (이희승)

𝐬yn. : being the host of a college late night radio talk show was a passion project since freshman year of college, but now as a senior, y/n hadn't expected the fame it brought to herself on campus... but maybe it was the recent string of murders that caused more tuning in than ever seen before.

𝐰arnings. / 𝐭ags. : (18+!). series, not sure how many parts yet. gore. horror. college au. humor. mildly suggestive. no smut. slight smau...potentially? character death. enha members as side characters. lsf members as side characters. more to be added.

𝐩airing. : ghostface!co-radio host!heeseung x radio host!fem!reader

© @heevanly 2024 | do NOT copy, plagiarize, reupload, or steal my works.

RELEASE DATE : MAY 19TH, 2024

TEASER WC : roughly 1.2k

FULL FIC IS OUT READ HERE!

❝welcome welcome welcome toooo SCU 101.85, you’re currently tuning in to the 10 o’clock pm talk show. i’m your host y/n and i’m here with my co-host..” you turn away from the microphone and glance at your co-host, lee heeseung.

“heeseung.” he speaks up into his microphone, shuffling a few papers around.

“and it’s currently a friday night, it’s 67 degrees out with a small breeze too so make sure you wear that jacket!” you chirp.

heeseung snorts and you pass him a look which he returns with a shrug, “you just sound chipper.. s’all.”

“ah.. well our ratings have been going up again.. it’s better than we’ve been seeing these past four months.. so.”

the past four months have been rather difficult for you and heeseung and the radio show. when you started this project sophomore year, it had just been you and your roommate kim chaewon, your ratings were steady in the beginning but had started declining after two months, which made your at the time co-host and roommate, quit. you don’t blame her, you nearly stopped too, which was before heeseung hit you up asking if you still needed another co-host.

accepting his help was the best thing you had done, his roommates jake and jay were all about the technical jargon behind running a radio show, which the reasoning was apparently the three had thoughts about starting a podcast but couldn’t get the timing right to actually get it started, so here they were willing to help you out.

production took off and the four of you found yourselves seeing steady viewers and got to even open a talk line, which was a segment that both you and heeseung took seriously, finding fun in chatting with anonymous students with various complaints they had of others, professors, relationships, or whatever else going on in their lives.

then, out of nowhere four months ago, the viewers started thinning out, causing your small team of four’s good feelings to falter. having been used to success it was shocking to be randomly met with a hard wall and seemingly, no way of getting out.

heeseung and your’s efforts were all in vain as you tried advertising the radio talk show, you had chaewon talk to her friends about spreading the show, heeseung talked to about it to his other friends and also had them spread the word. jake would mention it at his part time job, and jay even mentioned it at a small on-campus event, which he texted that he was never doing again out of sheer embarrassment.

heeseung hums, “well.. i could imagine people have been feeling a bit safer because of us, due to…” he trails off.

right, there's been a few recent deaths that have plagued not only your campus, but the town. you claim they’re very obviously murders while heeseung’s been claiming it’s been various unfortunate accidents. so far the death toll has hit only four, two on campus, one at a campus nearby, and one on the outskirts of town.

“the murders.” you finish his sentence off, gravelly.

heeseung rolls his eyes, but remembers that the listeners can’t actually see that, “you’re so obsessed with these being murders,” he teases.

“well.. it’s quite obvious, no?” you ask.

“ehh, i wouldn’t really say so, besides the two on campus cause they were ruled as a murder-suicide. besides that was two months ago and the one at KTU was concluded to be an unfortunate accident, shit what did they say about how she died again?” heeseung racks his brain, trying to remember how the girl from KTU died two weeks ago.

you scatter your papers around, “wasn’t it something about a lab issue..? their school got to close down because of it, that’s.. uh.. kind of all i remember about that.”

“oh you’re going to hell, haven’t you been following this whole thing since the murder-suicide on campus..?” heeseung laughs loudly and you slump in your chair, embarrassment flooding your system.

you sit back up and clear your throat, “in my defense..”

heeseung accusing points at you, “you! don’t have one.”

“pause, yes i do! rude…. my defense is that the fourth one’s been throwing me off with this whole thing, that i focused a little less on the third girl.” you huff out.

the fourth death was the weirdest in the whole thing so far, it happened a few days ago and it’s been the only one where the person involved wasn’t in the same age range and died supposedly.. well.. naturalistically. it had been a middle aged man, who was on his way home from work. apparently the report and the news claimed his tire gotten flat and when he had gotten out to check on it, he had been mauled by a pack of wolves wandering through.

the police and how they concluded it just didn’t make sense to you, you stayed up for two days trying to determine it all. first, wolves hadn’t been sighted in that area for several months so a random pack coming through didn’t make sense. second, the blood inside the car, how did it even manage to get in there if the man was supposedly outside? the third rea-

heeseung snaps his fingers to try and get your attention back to the talk show, “hey, y/n, quit thinking about it, you’re just gonna make yourself paranoid.. or worse.. obsess over this.”

“my bad, i just need to stay up on all this, our viewers need the information, they deserve the best after all.”

“and the best of the best is from two college seniors..?” heeseung raises an eyebrow.

“absolutely!” you respond, “we’re the only ones giving multiple sides to these events and ways to stay safe.”

“i’m sure the news have been doin all that too though.”

“pff, news schmooze,” you wave your hand at heeseung, “college students don’t care about tuning into the morning news before classes or turning the evening news on, we’re a source of entertainment AND murder mystery, and that’s what eats up.” 

“you’re greedy, y/n, soo greedy.” heeseung shoots a grin your way, a way to let you know he doesn’t mean it.

trying to stop a grin from making its way on your face, you roll your eyes, “oh suck my dick lee heeseung.” 

“gladlyyy..” he wiggles his eyebrows and chuckles into his microphone.

“you’re a freak..” you gather your papers back up and glance up at the clock, 10:26 pm, time to open up the first talk line segment of the night.

you give a small nod towards heeseung and he nods back and clears his throat, “well well well SCU you are listening on 101.85 and it’s rolling up to 10:30 pm, we got a two minute sponsor for y’all and when we come back live, our callers will be up discussin’ random whatever with us. give us a call at +82 70-5208-6001 and see if you’re lucky enough. again that is +82 70-5208-6001. see you all very soon."

both you and heeseung give a thumbs up to the room in front of you and jay switches your sets off, rolling the sponsor. a few seconds pass and before you’re able to turn to heeseung to just casually chat, the switchboard for the phone calls light up, more so than you’ve ever seen before.

[archive-z]

Billy Pilgrim has come unstuck in time or, what was on Daniel Molloy’s bookshelf in 1973?

Inspired by @volkswagonblues’ and @islandbetweeenrivers’ reading list of texts providing historical and cultural context for Daniel Molloy as journalist in the 1970s and 80s

This is, pretty much in its entirety (bar one or two references throughout the show and its extant material), assumptions I’ve made about the character. But, also: it’s my blog so I can do what I want. Dating works is somewhat inconsistent, as I opted for the date a piece was published in a collection or translation rather than when it first appeared in print if it seemed more realistic to have been acquired in that format.

I’ve found the archives of Rolling Stone and Playboy have been helpful in piecing together a who’s who of literary life in the late 1960s and early 1970s, especially for a intellectually precocious teen from suburban Modesto, CA transplanted into the centre of countercultural life in Haight-Ashbury.

From what I can gather, being born in ‘53 means Daniel was just a year shy of being drafted to fight in the Vietnam War, an experience that would have profoundly effected his peers just a year or two older than him. Throughout his teenage years, he’s got the spectre of the possibility of being drafted hanging over his head. It reminds me of pop-inspirational phrases like “you only live once,” which really puts his risk-taking, thrill-seeking behaviour into the perspective of yeah, this is someone who is trying to live life to the fullest every second of every day because the possibility of being drafted means that he might not make it past twenty. (Unfortunately! Louis & Armand also mean he might not make it past twenty either xoxoxo)

However, crucially, he did narrowly miss the draft, and despite that it would be horrible, I think there’s an acute sense of having missed out on this profoundly altering experience as well. Moving to Haight-Ashbury, he’s six years late to the Summer of Love ‘67, and the rose-tinted image of hippies, peace, and love is replaced by the grittiness of speedfreaks and serial killing (the Zodiac Killer being active throughout 1969, when Daniel would have been sixteen). He’s made it to San Francisco just a few years after its golden era, and i think this makes him even more determined to live, more determined to chase living life in order to make up for that, yknow?

i think the themes that he’s drawn to when reading are:

new journalism, and particularly when the journalist-as-rockstar persona is inserted into said reporting

the provocative, bacchanalian pursuit of pleasure, whether it be sex, drugs, or rock ‘n’ roll — and often sex mixed with violence in a way that is neither straightforward nor legible

travelogues and adventure stories that reflect his restlessness, particularly which let him romanticise far away places with thriving literary scenes like Paris and New York

a general aura of repressed queerness and crises of american masculinity (Capote, Tennessee Williams, Ginsburg, Hemingway)

war narratives as a vehicle for cold war/red scare anxieties

Without further ado, the actual book list:

Periodicals

Playboy magazine. People have long joked about reading Playboy for the articles, but it is the one piece of literature teenage Daniel is in-universe confirmed to have readily accessible, so I’m running with “Danny actually does read it for the articles, though” (and anyways, it’s Diana Ross’ Rolling Stones cover issue from Feb 1 1973 that he jerks off to). In 1973 alone, Playboy featured interviews with playwright Tennessee Williams; Huey Newton (co-founder of the Black Panther Party); news anchor and journalism’s elder statesman Walter Cronkite; science fiction novelist Kurt Vonnegut; and Pulitzer Prize-winning New York Times Vietnam war correspondent David Halberstam. Other Playboy interviews of possible interest: Fidel Castro, Orson Welles, Michael Caine (1967); Norman Mailer, Truman Capote, sexologists William H. Masters and Virginia E. Johnson, Paul Newman (1968); Martin Luther King Jr., Marshall McLuhan, Allen Ginsberg (1969). Also of note: between 1969 and 1971, Playboy was publishing faked letters to the editor that eventually developed into the Illuminati conspiracy theories.

In terms of reporting from major national newspapers in circulation, significant stories that come to mind are the New York Times publication of the Pentagon Papers (1971) and Bob Woodward and Carl Bernstein’s Watergate investigations for the Washington Post (1972-73). It’s harder to gauge the circulation of underground newspapers like the Berkeley Barb (CA) and the Village Voice (NY) but its entirely likely that a resourceful and enterprising young reader with a point of view in Modesto, CA could get their hands on a copy.

Prose, Fiction & Nonfiction

The Little Red Book by Mao Zedong. At Berkeley, The Black Panthers would raise money by selling copies bought in bulk at markup to students. Absolutely makes sense that daniel would acquire (and actually read) a copy. Growing up in the wake of McCarthyism/Red Scare nonsense def makes me think he would see flirtations with communism as provocative and cool/edgy, but never back that flirtation up with follow-through.

The Hell’s Angels, a Strange and Terrible Saga (1966) by Hunter S. Thompson. Throughout the 1960s and 70s, the Hells Angels had a sizeable presence in San Francisco and Oakland — from what I can find they lived dead centre of Haight-Ashbury up until ‘69 if not later. As a teenager in Modesto, Daniel would have been geographically quite close (if not actually in attendance at) the 1969 Altamont Festival Rolling Stones performance where a teenage concertgoer was stabbed to death by a member of the Hells Angels.

Fear and Loathing on the Campaign Trail in ‘72 (serialized in Rolling Stone magazine) by Hunter S. Thompson. The quintessential text to understand ‘73 Daniel, imo. Fuck Nixon, Fuck Reagan, fuck the National Guard killing student protestors. Thompson’s other works include “The Kentucky Derby is Decadent and Depraved“ (with illustrations by Ralph Steadman) and Fear and Loathing in Las Vegas.

The New Journalism: An Anthology (1973) edited by Tom Wolfe. In addition to excerpts of Hunter S. Thompson’s work already discussed above, the anthology collects In Cold Blood (1965) by Truman Capote, Slouching Towards Bethlehem (1968) by Joan Didion, The Electric Kool-Aid Acid Test (1968) by Tom Wolfe, and Armies of the Night (1968) by Norman Mailer. I won’t do justice to summarizing the New Journalism here, but it’s def important.

Slaughterhouse-Five (1969) by Kurt Vonnegut. The quintessential Daniel Molloy fiction novel, to me. Exploration of post-traumatic stress disorder through an encounter with time travelling science fiction aliens. Takes on a new resonance for Daniel when he’s dealing with his own ptsd post-1973. Vonnegut’s other works include Cat’s Cradle (1963) and Breakfast of Champions (1973). On the subject of Cold War anxieties, there’s Catch-22 (1961) by Joseph Heller. I don’t have much to say about it as I’ve not read it yet, but it feels like the kind of thing teenage Daniel living in Schrödinger's draft call-up would take to. Maybe also John Le Carré’s The Spy Who Came in From the Cold (1963) and The Looking Glass War (1965), the latter particularly for the palpable air of repressed homoeroticism and WWII nostalgia/Cold War anxiety.

A Moveable Feast by Ernest Hemingway (published posthumously in 1964). Daniel absolutely spent his teenage years romanticising being an expat America writer in the Paris literary scene. Substance use, war, and crises of masculinity throughout. In addition to Hemingway’s reporting on the Spanish Civil War (1937-1938), other works include novels The Sun Also Rises (1926), A Farewell to Arms (1929), and For Whom the Bell Tolls (1940).

George Orwell: Down and Out in Paris and London (1933), Burmese Days (1934), Homage to Catalonia (1938), Animal Farm (1945), Nineteen Eighty-Four (1949); and essays ”Books v. Cigarettes“ (1946), ”Decline of the English Murder” (1946), “Politics and the English Language” (1946), and “Why I Write” (1946). I think Orwell’s nonfiction writing would appeal to Daniel more than his fiction, especially when at the right age to romanticize the poverty-tourism of Down and Out. Also bonus points for Paris.

On the Road (1957), The Dharma Bums (1958), and The Subterraneans (1958) by Jack Kerouac. In particular, The Subterraneans is based on Kerouac’s interracial relationship with an African American woman in the 1960s. He’d also probably read Naked Lunch (1959) by fellow Beat poet William S. Burroughs.

Lolita (1955) by Vladimir Nabokov, both for its salacious notoriety and its unreliable narration. Like myself, Daniel feels like the kind of teenager who would read Lolita at sixteen as a provocation in a conservative environment, but come away genuinely enjoying it.

Poetry, Drama, Misc

Howl and Other Poems (1956) by Allen Ginsberg, particularly the edition published locally by San Francisco’s City Lights Books Pocket Poets series.

A series of miscellaneous titles I’d group together as “Daniel Actually Did the Assigned Reading in High School English Class” — The Great Gatsby by F. Scott Fitzgerald, Catcher in the Rye by J. D. Salinger (“Get off that bench, brother”), Of Mice and Men by John Steinbeck, and “The Second Coming” by W. B. Yeats. Most significantly, I imagine high school is where he’d be exposed to the work of American playwrights Tennessee Williams and Arthur Miller. The Glass Menagerie (1944), A Streetcar Named Desire (1947), and Cat on a Hot Tin Roof (1955) by Tennessee Williams. In the context of his relationship with Louis, I think it’s fun to imagine he’s familiar with/attracted to the Southern Gothic by way of Tennessee Williams (again with the crises of masculinity, the spectre of war, the repressed sexuality). Williams and Death of a Salesman (1949) by Arthur Miller, present the life Daniel could have had ie. the alcoholic husband, housewife vacuuming on Valium, etc.

If there’s anything else anyone thinks I’ve missed, feel free to hit me with a reply or a dm or an @ or whatnot. stay freaky & support yr local library x

[obessedwithfictionalmen]

Co-Stars pt.5

Callum Turner X Actress! Reader

Summary: The story of one of the song Y/n wrote for a movie.

Warning: Mention of toxic relationships/ use of Y/n/ crying/

‘’Y/n, recently we’ve all rewatched Burlesque, and did you write all the songs?’’ The interviewer asked. ‘’Yes, all of them’’ she answered. ‘’What was the inspiration for Bound to You? It’s obviously a personal song and important for the movie’’ Y/n remembers what the inspiration was. It was Callum. Him and all the time that he proved to her that love was possible again.

Sweet love, sweet love, trapped in your love

I've opened up, unsure I can trust

My heart and I were buried in dust

Free me, free us.

The first time they talked about each other’s trauma was on the set of The Only Boy Living in New York, they talked about how Y/n got out of a toxic relationship, scared to love again. She was afraid to trust anyone again, but Callum told her how the person that is going to love her won’t hurt her, like her ex-boyfriend did. That day, she started to trust him, still afraid of rejection, but she trusted him.

You're all I need when I'm holding you tight

If you walk away, I will suffer tonight.

The night when she first cried in his arms was when she had a nightmare that he died. ‘’Please, be there when I wake up, I can’t lose you!’’ she cried. ‘’I’m not going anywhere. I’ll be here in the morning. I promise Y/n’’ he said, hugging her tightly.

I found a man I can trust

And boy, I believe in us

I am terrified to love for the first time

Can't you see that I'm bound in chains?

I've finally found my way

I am bound to you

I am bound to you.

She fell in love with him when he did a big gesture for her. It was as a friend, but Y/n couldn’t believe he would do that. They were both working on Inside Out, she’d talk about Heath Ledger’s musical performance in 10 Things I Hate About You, then Callum tried to recreate it, singing the same song, but they weren’t in public, but still, Y/n fell in love with the British men that day.

-

‘’Bound to you was about Callum actually, about how I fell in love with him over the years and how he was always there for me, since day 1’’ She smiled, they’ve announced their relationship a month ago and the internet has never been more in love with a couple. The British men was next to her, listening to what she had to say about her song. ‘’Callum, how do you feel about that?’’ He smiled. ‘’I didn’t know that, but it’s really big, to have a love song wrote about you. I’m actually just remembering the lyrics and I’m really touched.’’ He smiled. They both looked at each other, love sparkled in their eyes. ‘’I love you’’ she mouthed. ‘’I love you too’’ he replied.

@Official_Y/n

@Official_Y/n: Throwback when I wrote my song 💚 #Burlesque

Like by 67 289

Comments

@User7291: That green dress!!!!

@CallumandY/n4ever: Stop the fact that this song is about Callum!!!!

@Austin_Butler: This is so cute!!!

[doyoulikethissong-poll]

Måneskin - Mammamia 2021

"Mammamia" is a song by Italian rockband Måneskin, released on 8 October 2021 as the lead single of their third studio album, Rush! (2023). Described as a dance-punk and rock song with dance influence, it was composed by all of the band members and co-produced with Fabrizio Ferraguzzo. Written solely by the band's frontman Damiano David, the lyrics depicts a person who tries to express themselves, but they are limited by non-understanding society. Additionally, some lines were written in response to the criticism that he received during Eurovision Song Contest 2021, when he had been accused of taking cocaine, however the allegations turned out to be false, since he passed a voluntary drug test.

"Mammamia" appeared on 18 national charts, peaking within top ten in two of them, in Måneskin's home country, Italy, debuting there at number six, and in Lithuania, where it peaked at number two. Additionally, the track was certified platinum by Federazione Industria Musicale Italiana (FIMI) for selling over 100,000 copies in Italy. The song peaked at position 67 on the Billboard Global 200 chart.

"Mammamia" received a total of 65,9% yes votes! Previous Måneskin polls: #16 "Zitti e Buoni", #151 "Off My Face".

[mitivy]

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[vintagelasvegas]

Sands, December 1952

Timeline of Sands Hotel & Casino

'46: Kit Carson Club opened by H. Bynum, D. Anderson, G. Frisbee on US Hwy 91 outside of Las Vegas, adjacent to Kit Carson Motel. The club will later become LaRue nightclub, then the Garden Room of the Sands Hotel.

'50: Kit Carson Club reopened as LaRue nightclub opened by Billy Wilkerson, Nola Hahn, 12/23/50.

'51: LaRue closed by summer. Mack Kufferman buys LaRue, and hires architect Wayne McAllister to build around the existing club. Kuffman and partners apply for gaming license. The project is called Sands by 12/51.

'52: Kufferman gaming license denied in Apr., sells to Jake Freedman (RG 4/9/52, RG 6/13/52). Partners running the Sands are B. Barron, E. Levinson (casino manager), S. Wyman, J. Entratter (showroom & restaurants). Hidden partners are believed to include J. Stacher, M. Lansky. Sands road sign designed by McAllister, built by YESCO. Sands opens 12/15/52 with 200 rooms in five buildings arranged in Y-shaped layout. The guest wings are named after race tracks: Arlington Park, Belmont Park, Haileah, Rockingham Park, Santa Anita. Three other wings of equal size were added circa ’53-54 (two were named Churchill Downs, Hollywood Park), another by ’58, and larger wing by ’60. The total room count in ’60 was 465.

'53: Frank Sinatra plays his first engagement at the Sands and becomes two percent owner in Oct; Carl Cohen joins the Sands as shareholder and casino manager in Oct.

'54: Sign modification: Second reader board added below the main board, Feb or earlier. Antonio Morelli joins the Sands as musical director for the Copa in Jul.

'55: Sands partners assume control of the Dunes in Sep. They sell the Dunes in four months later.

'58: Jake Freedman dies 1/19/58; Jack Entratter becomes Sands president.

'59: Sign modification: Attraction board attached to the sign, Feb or earlier. Baccarat begins at the Sands.

'60: Sinatra, Dean Martin, Sammy Davis Jr, Peter Lawford, and Joey Bishop (the "Rat Pack") are first billed together in the Copa in Jan-Feb. during the filming of Ocean's 11. Senator John F. Kennedy visits during the Democratic primary campaign.

'63: Opening of Aqueduct hotel wing (83 rm) in Apr. Julius Gabrielle, architect (RJ 4/28/63). Sinatra surrenders ownership 10/7/63.

'64: Sands acquires the former Kit Carson Motel; Belmont and Arlington buildings (base of the Y) moved southward to accommodate construction of a hotel tower.

'65: Second sign in Aug; tower completed late in the year and officially opened Jan. ’66. Martin Stern Jr, architect.

'67: Howard Hughes buys the Sands, 7/23/67. Sinatra leaves his Sands residency after confrontation with Cohen, 9/11/67.

'69: Dean Martin leaves Sands to join Riviera.

'71: Entratter dies, 3/8/71.

'73: Cohen leaves the Sands, Jan. '73.

'80: Inns of America buys the Sands from Hughes heirs Summa Corp in Oct.

'82: Third sign, new porte-cochère, marking the completion of remodeling effort including new Copa room, 1/15/82.

'83: Summa Corp reassumes control of the Sands, 4/5/83.

'88: Kirk Kerkorian buys the Sands in Jan. Kerkorian sells to Interface Group led by Sheldon Addison in Apr.

'90: Sands Expo and Convention Center opens.

'94: Remodeling of the casino.

'96: Sands closes 6/30/96. Tower demolished 11/26/96.

Photos of the Sands

Sources include David G. Schwartz. At the Sands: The Casino That Shaped Classic Las Vegas, Brought the Rat Pack Together, and Went Out With a Bang. December 1952 photo courtesy of Slidetreasurehunt.

Construction of the sign, 1952. The pylon sign pedestal was 56’ high, 21’ wide, with the S at 34’ tall. Design by Wayne McAllister, fabricated and installed by Young Electric Sign Co. Photo: YESCO Corporate Records (MS-00403), UNLV Special Collections & Archives.

Opens Dec 15. Danny Thomas, Connie Rusell, Lou Wills Jr, Ray Sinatra Orchestra. Nevada State Museum, Las Vegas, 0007-0345.

Aerial view of Kit Carson Motel and the Sands, '62

[leaping-laelaps-art]

The archeocete Perucetus colossus dives through a coastal bloom of jellyfish in the Pisco Basin (southern Peru), some time during the Eocene (with bonus multiview).

I originally intended to add epibionts to this reconstruction (reflecting the specialized communities found on many living whales, especially baleen whales). Yet, interestingly, it appears that most animal epibionts and ectoparasites of modern cetaceans, such as whale barnacles (Hayashi et al. 2013) and remoras (Friedman et al. 2013), only appeared in the Neogene or late Paleogene, or have a poorly known (co-)evolutionary history, like whale lice (Pfeiffer 2009, Iwasa-Arai & Serejo 2018) and pennellids (large parasitic copepods) (Hermosilla et al. 2015). So, no epibionts* for big lad Perucetus!

References and notes about the reconstruction:

*animal epibionts. Unicellular eukaryotes like diatoms were most likely present on early cetaceans, given their prevalence on modern large marine animals (Ashworth et al. 2022). Of course, it is possible that other animals (i.e., early, less specialized representatives of modern groups, or different taxa altogether) were also already exploiting the surfaces offered by these early whales; however, this remains entirely speculative.

The reconstruction of Perucetus proposed in its original description (Bianucci et al. 2023) includes some rather odd (if interesting) choices about soft tissues, including limbs with webbed and distinguishable fingers, and a manatee-like tail. While these choices might be defendable in light of the rather basal status of Perucetus among cetaceans, I opted for a more derived look based on the assumption that fully marine cetaceans like basilosaurids would have probably rapidly acquired hydrodynamically favorable adaptations, pushing them towards a more familiar Neoceti-like appearance (even though Perucetus itself was likely a poor swimmer (Bianucci et al. 2023), it seems likely to me that this was a secondarily acquired trait, given the less extreme morphology of other basilosaurids).

Reconstruction in the multiview scaled to ~18 m in length after the estimations of Bianucci et al. (2023).

References:

Ashworth, M. P., Majewska, R., Frankovich, T. A., Sullivan, M., Bosak, S., Filek, K., Van de Vijver, B., Arendt, M., Schwenter, J., Nel, R., Robinson, N. J., Gary, M. P., Theriot, E. C., Stacy, N. I., Lam, D. W., Perrault, J. R., Manire, C. A., & Manning, S. R. (2022). Cultivating epizoic diatoms provides insights into the evolution and ecology of both epibionts and hosts. Scientific Reports, 12(1), Article 1. https://doi.org/10.1038/s41598-022-19064-0

Bianucci, G., Lambert, O., Urbina, M., Merella, M., Collareta, A., Bennion, R., Salas-Gismondi, R., Benites-Palomino, A., Post, K., de Muizon, C., Bosio, G., Di Celma, C., Malinverno, E., Pierantoni, P. P., Villa, I. M., & Amson, E. (2023). A heavyweight early whale pushes the boundaries of vertebrate morphology. Nature, 620(7975), Article 7975. https://doi.org/10.1038/s41586-023-06381-1

Friedman, M., Johanson, Z., Harrington, R. C., Near, T. J., & Graham, M. R. (2013). An early fossil remora (Echeneoidea) reveals the evolutionary assembly of the adhesion disc. Proceedings of the Royal Society B: Biological Sciences, 280(1766), 20131200. https://doi.org/10.1098/rspb.2013.1200

Hayashi, R., Chan, B. K. K., Simon-Blecher, N., Watanabe, H., Guy-Haim, T., Yonezawa, T., Levy, Y., Shuto, T., & Achituv, Y. (2013). Phylogenetic position and evolutionary history of the turtle and whale barnacles (Cirripedia: Balanomorpha: Coronuloidea). Molecular Phylogenetics and Evolution, 67(1), 9–14. https://doi.org/10.1016/j.ympev.2012.12.018

Hermosilla, C., Silva, L. M. R., Prieto, R., Kleinertz, S., Taubert, A., & Silva, M. A. (2015). Endo- and ectoparasites of large whales (Cetartiodactyla: Balaenopteridae, Physeteridae): Overcoming difficulties in obtaining appropriate samples by non- and minimally-invasive methods. International Journal for Parasitology: Parasites and Wildlife, 4(3), 414–420. https://doi.org/10.1016/j.ijppaw.2015.11.002

Pfeiffer, C. J. (2009). Whale Lice. In W. F. Perrin, B. Würsig, & J. G. M. Thewissen (Eds.), Encyclopedia of Marine Mammals (Second Edition) (pp. 1220–1223). Academic Press. https://doi.org/10.1016/B978-0-12-373553-9.00279-0

[whateverisbeautiful]

Reveling in Richonne - Master List

TWD Season 3 - Season 7

Season 3

#1: The Fence Arrival (3.06)

Season 4

#2: The Rescue (4.08)

#3: The "It's For You" (4.09)

#4: The Claiming (4.11) 

#5: The “Hey, You Too.” (4.16)

#6: The “I’m Okay Too” (4.16)

Season 5

#7: The "You Ready?" (5.11)

#8: The Knock Out (5.15/5.16)

#9: The "I'm Still With You" (5.16)

Season 6

#10: The Rescue pt.2 (6.09) 

#11: The Domestic Intro (6.10)

#12: The Low Five (6.10)

#13: The "Want" (6.10) 

#14: The Toothpaste (6.10)

#15: The Listening (6.10)

#16: The "I'd Do It For You" (6.10)

#17: The Couch Conversation (6.10)

#18: The Mints (6.10)

#19: The Reveal (6.11)

#20: The "This Is Different" (6.11)

#21: The RV (6.11)

#22: The Shot Calling (6.11)

#23: The "Don't." (6.11)

#24: The "We’ll Win" (6.11)

#25: The Checking In (6.12)

#26: The East (6.15)

#27: The Concern (6.15)

#28: The Dread (6.16)

Season 7

#29: The Memories (7.01)

#30: The Look (7.01) 

#31: The Speaking Up (7.01)

#32: The Co-Leadership (7.01)

#33: The Dream Wedding (7.01)

#34: The Bed (7.04)

#35: The Watching Her Go (7.04)

#36: The Protection (7.04)

#37: The Request (7.04)

#38: The “Are You Going To Let Me?” (7.04)

#39: The Deer Drop (7.04)

#40: The Pallet (7.04)

#41: The Fight (7.04)

#42: The Disclosure (7.04)

#43: The "I'm Gonna Try" (7.04)

#44: The Grimes 2.0 (7.05)

#45: The “Good Luck” (7.05)

#46: The Kiss (7.05)

#47: The "Even If" (7.05)

#48: The Walkie Talkies (7.07)

#49: The Reflection (7.08)

#50: The “Me and You” (7.08)

#51: The Holding Hands (7.08)

#52: The Stepping In (7.09)

#53: The Holding Hands pt. 2 (7.09)

#54: The Side Eye (7.09)

#55: The Mow Down (7.09)

#56: The Smile (7.09)

#57: The Arm (7.10)

#58: The Push (7.10)

#59: The Collaboration (7.10)

#60: The Hug (7.10)

#61: The Enemies-To-Friends (7.10)

#62: The Cat (7.10)

#63: The Everything!! (7.12)

#64: The Montage (7.12)

#65: The "We Gonna Win Today?" (7.12)

#66: The "What's That Smile?" (7.12)

#67: The Pretzels (7.12)

#68: The "Just A Little More" (7.12)

#69: The Sleeping (7.12)

#70: The Owing (7.12)

#71: The Rounds (7.12)

#72: The “Think We Can?” (7.12)

#73: The Fall (7.12)

#74: The Candlelit Dinner (7.12)

#75: The Proposal (7.12)

#76: The “…Together” (7.12)

#77: The Wakefulness (7.12)

#78: The Eight (7.12)

#79: The Great Plan (7.12)

#80: The Flirting (7.12)

#81: The Deer (7.12)

#82: The Ride or Die (7.12)

#83: The Embrace (7.12)

#84: The Collecting (7.12)

#85: The Heart to Heart (7.12)

#86: The "I Can't Lose You" (7.12)

#87: The “I Can Lose You” (7.12)

#88: The “You Led Me Here” (7.12)

#89: The Cat pt. 2 (7.12)

#90: The “Few More Days” (7.12)

#91: The Package Deal (7.15)

#92: The Matriarch (7.16)

#93: The "We're Together" (7.16)

#94: The "You care?" (7.16)

#95: The Showdown (7.16)

#96: The “Somebody Important to You” (7.16)

#97: The Discovery (7.16)

#98: The Relief (7.16)

#99: The TLC (7.16)