#clearly I'm doing it too
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fossore · 6 days ago
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[Image description: screenshot reading "Oh, they're awesome, but they sit behind me on the plane and it's nonstop," Sharks forward Tyler Toffoli said. "Will is just staying stupid things and Macklin is getting him going and I'm telling them to shut up, basically. But, no, seriously, they're great guys." End description.]
Via Dan Rosen for NHL.com (x)
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I’m going to be thinking about this for the rest of the day
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chittychittyyangyang · 2 years ago
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Listen, you should never film strangers in public without their consent, but I swear there need to be fines or something for people who do that shit in some spaces. For example: I had to go to the ER last night, and some jerk filmed a woman who just came in and was clearly having an asthma attack. She immediately got to go back, and he was unhappy about that. Believe me, I get that it sucks having to wait when you're in pain, but you don't get to pick who deserves care when. The medical system in the US is a nightmare, and the ER could be the worst moment of someone's life. No one deserves to be recorded because some jack ass believes someone doesn't look like they need care.
This is fine to reblog. People who film strangers should be shamed if nothing else.
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inkskinned · 2 months ago
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we were sitting on the floor and i was cutting out tiny pictures to make a collage for a friend's birthday. you were on your phone and you laughed about something, and i was still in love with you then, so i asked what had you giggling.
"sorry. i was just..." you took a moment and went back to texting. "i was telling someone about how you're afraid of the dark."
i'm afraid of the dark because something bad happened. "oh." i felt a little slinky of shame crawl down my throat.
you glanced up, and maybe it showed on my face, because you rolled your eyes and held the phone to the side casually so i could see the group chat. "what? was it a secret?"
i looked down to the scissors in my hand. "i just..." no, it's not a secret. it just felt like something private, something serious. saying why would you tell someone that just feels like an accusation. it's unfair. i honestly am not even ashamed of it, it's just a fact about my person that i don't usually share.
what a strange experience. is this a human thing or a generational thing? for our grandparents: did they need to worry about how quickly someone can just... share your personal information? again, i didn't even really have a true objection. what could i say? i want any person in my life to feel they can be honest with their friends. it's not like i said don't tell anyone this.
i cut out another letter to complete the rainbow happy birthday, started hunting for the exclamation mark. i heard you sigh dramatically.
"don't make a big deal about this," you said.
this entire conversation was a pattern for us, and this was when we got to my least favorite part of the pattern. i would get my feelings hurt in some oblique not-technically-terrible way, and then it would be making a big deal about something. you'd get frustrated for me for being soft, but i was born soft. you knew i was soft when you pierced me. it's one of the things that made controlling me so easy.
"i'm not," i felt my voice crack. the question came without my wanting. "why are you guys talking about me?" and why are you saying that thing? why not like - i'm telling them how you're generous and kind and pretty.
you let out this low, tragic groan. "oh my god." you tossed the phone away from your body. "there, see? i just won't talk to them if you don't like it."
the rest of the hour went the way it always went, between us: i said i don't actually mind if you talk to your friends but -, you found a way to call my minor expression of discomfort "being dramatic." you got upset that i had been offended. i ended up apologizing, even though i hadn't actually done anything.
afterwards, you picked up the phone again. after texting for a little bit, you snorted. "okay," you said, "but it is kind of funny you're afraid of the dark. i mean, when you think about it."
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egophiliac · 7 months ago
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Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !
Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)
I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!
someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)
uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE
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#twisted wonderland#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland book 7 spoilers#twisted wonderland episode 7 part 4 spoilers#twisted wonderland book 7 part 4 spoilers#mel is so cute but mal fits with the rest of the draconias better#eng version no you were supposed to save me not make things MORE confusing#anyway raverne huh#that uh. that sure feels like it's supposed to evoke raven doesn't it.#what does it mean WHAT DOES IT MEAN#hold on i'm going to flail around embarrassingly about anime character theories now#(okay first a disclaimer: i do think we need to sit down as a fandom at some point)#(and have a discussion about exactly what is actual canon versus meta speculation versus jokes)#(because i think there has been. some confusion. over that re:crowley and raverne specifically)#(but i do feel justified in being like THEY ARE PROBABLY CONNECTED SOMEHOW RIGHT?! right now)#like i really don't think it's as simple as crowley being raverne but with memory loss or something#(and if they pull that on us i'm going to need an EXTREMELY good explanation to go with it to justify that)#they've gone out of their way several times now to make a point about them acting and sounding different and it feels very intentional to m#(and once again: i super 100% absolutely do not believe that lilia wouldn't recognize him with the top half of his face covered)#i just think the contradictions are a lot stronger than the connections right now but there ARE some connections and i'm 👀ing at them#to be fair the connections are mostly meta like crowley being diablo/raverne being evocative of raven#also the general 'raverne mysteriously disappeared and apparently had distinctive eyes' thing#versus 'crowley's past is unknown and he never shows his eyes'#(i will argue that crowley DOES seem to have some kind of canon connection to briar valley)#(since he is clearly some sort of fae and the masks are a briar valley thing)#and that is kinda it right now isn't it#okay hold on i had to delete some tags because i used too many (thanks tumblr for letting me know and not just vanishing them OH WAIT)#so tl;dr: i'm in the 'crowley is connected to raverne somehow but it's more complicated than just him being in disguise' camp personally#but that will probably change as we get more info and also don't take this as an anti-speculation thing because i love theories HOORAY
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iizuumi · 3 months ago
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nerves-nebula · 9 months ago
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i love to see people who are like "you can talk about csa but not around minors that's gross!" like idk how to tell you this but. who do you think is getting csa'd. i'll give you a hint: the first letter in csa does not stand for "adult"
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claraoswalds · 5 months ago
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#mrs flood who are you: time lord edition
#dwedit#doctor who#mrs flood#fifteenth doctor#the master#jacobi!master#tenth doctor#jack harkness#martha jones#twelfth doctor#ninth doctor#*#okay here is my argument: mrs flood IS a time lord but her presence here has nothing to do with the doctor#instead she's here because of ruby. she's seemingly part of/related to the pantheon of discord & we know that ruby is connected to them too#so i think that she was deliberately placed as ruby's neighbor by the pantheon/oldest one/ruby's mom/? in order to watch over her#it also explains why she was there to check on ruby in 1.04. once she realizes she's on the phone w carla she says 'nothing to do with me'#and she leaves. which implies that it COULD have had something to do with her. if it had been something else going on#ANYWAY. to get to the time lordness of it all. rn i personally believe that she's a time lord that's been hiding on earth for 50+ years#bc i don't think she recognized the police box as a tardis initially. that first quote should be taken at face value.#instead picture this: she's watching over ruby as per usual. a police box is there - weird but nbd. then it dematerializes in front of her.#she drops her groceries. she's shocked. she kinda looks scared. if she already knew it was a tardis why would she react like that?#so imo she knows OF tardises. she DIDN'T know the police box was one. and she's worried the time lords have found her hence the fear.#but when nothing happens and nobody comes at her she realizes she's still safe#later when she sees the doctor she realizes the tardis is his/he must be a time lord. he doesn't identify her but that's happened before#so then when she asks him who he is i think what she's actually asking for is his title. WHICH time lord are you.#bc lbr if she knows abt tardises then she knows about time lords and if she knows abt time lords she knows what it means for ruby#to be joining him - and that's why she wishes ruby good luck. meanwhile this is clearly the outcome she WANTS (them to be together)#bc she gets visibly upset when the doctor seems to decide to leave without ruby.#and for once i'm not master clowning bc the list of names the doctor gives out is VERY interesting. some of them we've never heard before:#the bishop; the conquistador; later he adds the pedant and sagi-shi and reiterates the bishop AGAIN. so i wonder if she's the bishop.....
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not enough discussion about the gavins' complicated relationship with feminine-coded/beauty products, i don't think.
#for klavier because it's not as direct it's about how we never see him actually wearing lipstick? even though apollo literally attends#a concert of his which is where you'd most expect him to wear makeup. but apparently he just doesnt. or at least not in public#klavier gavin#kristoph gavin#i feel like there are several ways you can read into it. the misogyny/toxic masculinity one is really obvious clearly with kristoph's#singling out of men specifically and klavier's (probably accidental?) condescending manner of calling women 'fraulein' plus his general#mildly patronising attitude towards many of the women in the game (also probably unintentional)#(i think he's trying to be charming and it's coming off wrong to some of them. like ema. and me.)#but i feel like there's also maybe an element of... inherent perfecfionism to it? like both of these products are conventionally beautifyin#products and kristoph while he is open to showing people he uses nail polish specifically chooses one that's clear and missable unless you#see him apply it. he also feels the need to justify his use of it and specifically spell it out as something he chooses to do rather than#needs to do even though duh. that should be obvious.#idk there's just something about his seeming need to take control of that narrative that i find interesting. his need to spin it into a#'there's nothing wrong with my nails but I had the foresight to see that even the smallest parts of my appearance should be kept immaculate#and it's a choice i'm making to refine an already adequate part of my personage /not/ to cover some unsightly defect.' the need to emphasis#that specifically is so. hm. and with klavier i could see it being a case of him liking makeup liking the pops of colour yet being unwillin#to admit to it because he's afraid that other people might see it as him being dissatisfied with his own appearance regardless of if he is#or isn't. or even just perceiving colourful makeup as being unseemly because it's so overt and unnatural.#like i can see this as them both viewing 'real' beauty to be that which is inherent to a person and seemingly effortless#thus somehow negating the beauty which one achieves through cosmetics or other external means.#and if you want to use external means to achieve beauty or neatness or whatever then your only valid options are those which blend into you#natural state. like clear nail polish. or really awful spray tan.#i feel like klavier's less confined by these ideas (if they hold merit at all) considering he actually owns coloured lipstick and he wears#jewellery (admittedly quite 'masculine' jewellery no gems or pearls or anything like that but jewellery nonetheless) but i think it just#makes it more interesting that he doesnt seem quite able to cross the line anyway. like it's that ingrained into his system.#anyway that's all i've got. you guys should tell me what you think too#annotations
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shitpostingkats · 10 months ago
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Alabasta Ace is so funny.
Like the strawhats keep commenting that Ace is so polite and restrained compared to Luffy but like. This dude drags himself out of the ocean just to thank them for looking after his brother and offer to help wash dishes. Mans asks "Are these guys bothering you?" and proceeds to blow up an entire fleet with his bare hands. He trips over himself to make sure all of Luffy's crew likes him and no, really, you don't mind that he's a weirdo???? That we, I mean he, are feral little insane guys who take up space and emotional labor and are kind hard to handle? Really???? Cool cool cool hey just a reminder I can help out with anything that needs doing. I got lost in the desert but donnut worry in the 0.6 seconds since you last saw me I have somehow acquired water and provisions for several weeks. Don't ask me how!
Peak oldest sibling behavior.
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iwritenarrativesandstuff · 4 months ago
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...even though I know Kunikida won't stay dead, the whole Agency's reaction to him being glooped is going to be miserable.
Atsushi's scream already devastated me. Tanizaki is out for blood (we'll see if he gets glooped or not). I feel certain Ranpo is going to blame himself. And Dazai will be furious.
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thepersonperson · 5 months ago
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Sukuna’s Loneliness Part 4 (Sukuna’s Negative Rizz)
Part 1 Part 2 Part 3
Some warnings before we start.
1) This analysis deals with sexual topics.
2) I will be mainly using the TCB scans because of their accessibility. Raws are from mangareader(.)to.
3) This was written as of JJK 262 266. (I'm just going to keep updating this until I stop finding things I should've noticed earlier.)
4) The raws broke me in ways you cannot possibly imagine.
(Click images for captions/citations.)
Fighting as Communication
Baki the Grappler. This is a manga where men destroy each other’s bodies as a test of strength. It’s poorly written but the art is terrifying and I love it so dearly. Between fights of extreme violence and body horror the characters eat. And that’s it. That’s the manga.
I bring Baki up because Gege is a huge fan of Fujimoto Tatsuki, the creator of Chainsawman. Fujimoto is a fan of Gege too, but more importantly, he is a huge fan of Itagaki Keisuke, the creator of Baki. (His daughter made Beastars btw.) In a way, this means Jujutsu Kaisen has been influenced by Baki. But that’s not a surprise, a lot of manga is.
Itagaki’s work is so massively influetial on Japanese media that it’s kind of hard to grasp since it’s not as popular overseas. When listening to interviews from various Japanese creators, Baki will often be cited as a major influence. And the thing is, you can tell when a creative has read Baki. There’s nothing quite like it. If you’ve read Baki and consume Chainsawman, you will see its bones everywhere. I feel the same about Jujutsu Kaisen.
The main antagonist in Baki is Yujiro Hanma. He is the strongest creature alive. So much so that he has no one to call a rival. He’s bored. He causes trouble. He kills his wife to motivate his son, Baki into becoming stronger. His son, Baki, who he grooms into becoming a fighter that might beat him in combat one day. Kind of sounds like Sukuna, right?
But that’s not my point here. My focus is how Baki doubles as a discussion about strength and manhood. It’s aggressively bisexual. Men love each other with their fists. Straight up the main character says having sex with women is the same thing as fighting men.
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And it just doesn’t stop there. The homoerotic nature of the fights is never shyed away from. Here’s an example of my favorite.
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He grabs his balls and compliments their size. That’s pretty gay, right? Well there’s this reanimated prehistoric caveman called Pickle that fights Baki’s brother Jack. And how do they fight? They kiss.
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I didn’t call it a kiss. Itagaki did. I didn’t say they melded together. Itagaki did. This mangaka overtly calls attention to the homoerotic nature of men fighting men, and how men communicate their love for each other through violence. And yes, it’s sexual. Itagaki wants you to read it that way.
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But sometimes he doesn’t want you to read it that way. Sometimes the fights are a dialogue, an emotional conversation. Like one between father and son.
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Itagaki is a master of narrative framing. When he wants you to feel a certain way, you will feel it. He also tells his readers that there’s more to the fights than just fighting.
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Those are the ideas that help me see the bones of Baki in other works. Men loving men with violence. Men communicating with men through violence. I see these ideas in Jujutsu Kaisen too.
Jujutsu Communication
I’ve gone over how Yuji commucates with other people on their own terms. And a lot of it is through fighting. A conversation without words, learning how someone works. Yuji is good at using fights as tool of communication.
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But he’s not the one who tells you that there’s more to the fights than just fighting. Maki does in her spar with the sumo guy.
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Just like Baki. Fighting is a means of communication. Gege has told you that there can be more to the fights than fighting. It's a tool used to understand the self and others.
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With that in mind, I want to reexamine a particular fight under the lens of Baki rather than Umineko.
Sukuna vs Gojo
Baki tells you that homoerotic readings of its fights are intentional. If you ask me, this probably stems from historical stances on masculinity and homosexuality in ancient Japan. Men loved men and women differently, but both were ok. That’s how Baki can have a girlfriend and his gay fights. Peak bisexual optimization.
What does Jujutsu Kaisen have to do with this? Well it has been extremely queer friendly. We have a multidue of canonical trans characters, non-binary characters, and other flavors of queer characters not disparaged for their identities, Gojo Satoru included. It may not be stated outright, but Gojo and Geto do love each other in a gay way. The subtext is so persisent it’s basically text.
In other words, Gege has already told us, yes please have queer readings of this text. It’s the same way Baki tells you, yes this is straight up convoluded gay sex. So that’s what I’m going to do. I’m going to reread the Sukuna and Gojo fight as some ridiculous mating display between two men who are fighting over can miscommunicate their intent the hardest.
Framed as Courtship
Let’s start with the framing. The pre-fight set up. How does text tell you queer readings are allowed?
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Kenjaku does. It’s romantic. It’s a date. This reading has been made valid explicitly. And if there’s room for doubt because of the sarcasm? There’s still additional support for it.
We already know how badly in love Gojo is with Geto. The fight is on the 24th of December, the most romantic day in Japan. And in a fun little Geto parallel, who declared the start of war on this day, violence underlines this new romantic venture.
That doesn’t include Sukuna who recalls Yorozu’s words about teaching love in the context of marriage.
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Gojo never heard that conversation which is why the next point is absolutely insane.
The outfit Gojo initially is in resembles that of a groom at a Shinto wedding.
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Shinto weddings were implemented after the Heian era. Part of the ceremony includes a priest and a shrine maiden who respectively stand to the right and left of the altar. A purification ritual will occur, lead by the priest, to cleanse the shrine before vows are exchanged. Gakuganji is the priest and Utahime is the shrine maiden. To the right and left of Gojo respectively.
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The bride at a Shinto wedding wears mainly white. After the 200% Hollow Purple cleanses the area, the dark shawl is removed and Sukuna remains in mostly white.
How interesting that this battle has been framed as one between groom and bride.
The thing is, marriage in the Heian era was far more lax. There were no major ceremonies. If a man was interested in marrying a woman, he would visit her for 3 nights after receiving approval from her father. Upon the passing of their 3rd night together, the family would have an informal celebration of their union in private. Even after marriage, multiple partners were allowed and sometimes encouraged.
Yorozu’s big celebration proposal to Sukuna and banning of concubines was quite improper by Heian standards. Though it is in line with modern marriages. If Sukuna did not consume any Shinto wedding literature, he probably didn’t recognize that Gojo was dressed as a groom.
But did Gojo dress this way for Sukuna intentionally? The Toji fit served an entirely different purpose. It’s the robes and pre-fight ceremony that catch my attention. So I propose the following:
1) Gojo dressed up as a groom to die and be wed with his one and only Geto in death.
2) Gojo dressed up as a groom in part as an offering to Sukuna. And because Sukuna is from the Heian era it went over his head entirely.
3) Gojo intended for both of these things at the same time and left who he would end up with to fate.
Regardless of what Gojo was going for here, it’s a visual cue combined with the knowledge of it being Dec 24th that encourages the reader to perhaps consider the fight as something other than just a fight. A date perhaps? Kenjaku made the connection and neither Gojo or Sukuna really denied it. Gojo gave the weak excuse of a death anniversary confusion. But much weirder, given how hostile he was to Yorozu, Sukuna did not object to the romantic framing in any capacity.
Am I reaching? Is this reading intentional?
When I start getting this confused by how a translated work wants me to read it, I try to refer to the original language text and anyone who knows it for missing context. Sometimes localizations add things that weren’t there or push readers towards one interpretation. So for the rest of this analysis, I’m going to be focusing on the raws.
I’m going to be honest. My Japanese fudging sucks. I can barely read kanji and can’t reliably translate anything. Feel free to correct me if I got something wrong. That being said, with what little I do know, I have discovered something interesting.
In this post I talked about how weird Sukuna’s manner of speech is. I focused on his you pronoun usage of お前 (Omae) for everyone else and 貴様 (Kisama) for Gojo since this is a strong indicator of how a character views their relationship to someone.
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Here's a summary of the two points I made in that post:
1) Omae is informal and either a casual thing amongst peers or indicates the speaker's higher status. Since Sukuna is arrogant, we can reasonably assume he's talking down to people.
2) Kisama historically was a formal show of respect, but in modern times it is a hostile insult, much more rude than Omae. Since Sukuna is 1,000 years old and hates Yuji (who he uses Omae with), we can reasonably assume Sukuna was being friendly to Gojo when he used Kisama.
With that pronoun usage in mind, while examining the raws for the infamous “You Cleared My Skies” speech I found this:
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Kisama. Sukuna is very happy and lavishing Gojo with praise. The assumption it was formal from the start seems to be correct. It's hard to read this any other way.
Though Japanese can easily be dubious in its interpretation, there are instances where context can cut off all other readings. I truly believe this one of those cases.
Now, to confirm Sukuna is still only treating Gojo this way I started looking at his you pronouns as he got excited post-Gojo death. Maki is the person he seems to admire the most.
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He’s still just using Omae. What does that mean? Gojo is in his own fudging category for Sukuna and he has been there since the start of the manga. (For more on why this is significant, refer to this post.)
Wow ok. That’s pretty intense! We’ve got Gojo dressed up as a groom on December 24th and Sukuna treating Gojo different from anyone else. I read their fight again under the lens of explicit courtship and focused in on these specific panels.
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Satisfaction. Now that’s a word that can easily carry a sexual connotation. Love as well. The parallel syntax fascinated me in English. So I decided to look at the raws and see how close they are.
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Pretty much the same except for "the one who will teach you love" and "the one satisfying him now". Since the one being satisfied is Gojo by Sukuna, it really seems we can assume the one being taught love is Gojo by Sukuna.
Time to learn some Japanese again!
Kanji has multiple readings. Most have at least two. The Onyomi (Chinese) reading typically used for nouns and the Kunyomi (Japanese) reading typically used for verbs. (This is not always the case but it’s the basics.)
That’s probably why 満 is read as まん (man) when Gojo and Geto are talking about “satisfaction” using the On version and み (mi), the Kun version, when the narrator is talking about who “satisfies” who.
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However 満 on its own does not mean satisfaction. It means full. To be filled. Or fullness. 足 (zoku) is added as a modifier after 満 to be read as satisfaction 満足 (manzoku). 足 usually means feet, but it can also mean to be sufficient. Manzoku therefore has a direct translation of being sufficiently full. It’s not a surprise a lot of food places in Japan use Manzoku in their names or advertising.
But what’s this? Why is this sentence written as 満たして or Mi(tashite) instead of 満足して or Manzoku(shite)? The addition of Zoku is what transforms Man into "satisfying". Without the Zoku, it’s just "fill". The means this sentence can be read as “The one filling him up now is—”
We’ve already established that the blank is Sukuna. The new problem is that he’s filling Gojo up. And boy, does that sound homoerotic to put it lightly. But perhaps I am reaching.
So I did what any sane person would do in this situation. I read hentai.
Surely if the phrase 満たして (mitashite) can carry a sexual connotation I will find it in hentai.
...
I immediately found a yaoi doujin called Fill me with your Big Love aka おっきな愛で満たして (Okkina Ai de Mitashite). Honestly, I found too many doujins about creampies specifically. (You have internet access verify this yourself.) When you search Manzokushite the results are much more in line with life satisfaction than sexual satisfaction. ...So Gege decided to use the more frisky phrasing.
Manzoku is also the name of an active sex toy manufacturer (I’m not linking them use a search engine.) and a discontinued adult entertainment news company. So the satisfaction Gojo and Geto talk about, along with Geto using 妬 (ya), the jealous kanji often used between lovers, is definitely probably carrying a sexual connotation too.
So, I’m not reaching. What the fudge did Gege mean by this?
Now that we've established that I am NOT reaching. What do we do with this information?
Well, we ruminate on the fight with the knowledge that Sukuna, of his own volition, decided to get Gojo off, probably.
I have forgiven Nanami for calling Gojo a pervert. If I watched someone bust a nut after being cut in half by his sworn enemy instead of saving the country, I too would be like what the fudge.
Anyways, the typical phrase used for an orgasm in Japanese is 行く(iku). It translates as to go. And yes it can mean to die, as in going to the other side. To die and go to heaven if you will. Which is what Gojo did with a big old smile on his face.
There’s also the term 心天 (tokoroten). It refers to a dish were a semi-opaque white substance is pushed through holes to create noodles. Literal translation using the kanji for heart 心 (kokoro) and the kanji for heaven 天 (ten). (Don’t ask me why them being smack together turns the Koroko into Tokoro. I don’t know.) Which in slang refers to prostate orgasms. This has nothing to do with this analysis I wanted to drop this fun fact in here. …And this image of Sukuna clutching his heart while looking at someone he sent to heaven.
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(This is a reach but the idea of this being an elaborate gay pun amuses me greatly.)
I have another fun slang term: 賢者タイム (kenjataimu) which directly translates to sage 賢者 (kenja) time タイム (taimu). This refers to post-nut clarity sending someone into a meditative-like state.
Oh that’s a bit familiar. Sukuna was giving sagely advice to Kashimo and reflecting on satisfaction and love.
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And what’s this? Mitashite has made a reappearance! Sukuna is saying “I’ve never thought about needing another person to fill me up.” Which 1. further supports the 'The one satisfying/filling him (Gojo) now is—Sukuna.' reading and 2. suggests Sukuna is a top suggests Sukuna really doesn’t have sexual interest in people. (Since the context of this convo is relationships and love.)
By the way. Acts of eating in Japanese can be modified to carry sexual meanings. It’s a bit more suggestive than English, but it carries over pretty well I think? 肉食系 (nikusokukei) refers to someone who aggresively pursues romantic or sexual relationships. Composed of the kanji 肉 (niku) for meat, 食 (ta) for eating, and 系 (kei) class. If you noticed, 食 isn’t usually read as Soku. It becomes Soku when paired with Niku for some reason. (I don’t know why someone please help me.) Side by side the kanji 肉食 (nikusoku) means meat-eater.
食 is still interesting on it’s own. The 食べる (taberu) reading is normal eating. The 食う(kuu) reading is an innuendo. It can mean to devour someone, like a cannibal, or devour someone sexually.
Sukuna has made it very clear that his eating of people is literal. There’s no innuendo. In fact, if you read into it, he’ll kill you (rip Yorozu and Kashimo).
Gojo, however, appears to be his sole exception to this rule. When Sukuna tells Kashimo not to spoil his pleasure he uses the kanji 興 (kyou). This of course can be directly translated as pleasure, but the Chinese reading of it can also indicate intense excitement or sexual arousal.
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Sukuna is pretty good at double-entendre wordplay if his earlier stunts with the kanji for Enchain doubling as Megumi Activities if read a different way is anything to go by. He's a fan of Chinese literature. It's not a stretch to assume there's more going on here.
And if notoriously homophobic Reddit dudebros are posting things like this. Maybe there's a lot more merit to this reading than I can currently grasp.
I’m still pretty convinced Sukuna is aroace. That of course doesn’t bar him from pursuing romantic or sexual relationships. Sometimes there’s the one exception. Sometimes the desire to be with and please an allo partner allows for engagement of activities they aren’t into. Sometimes the actions are pursued without the emotional attachment because they physically feel good. There’s also the gray-scale and demi labels to consider.
With that in mind, I want to emphasize this all points to how important Gojo is to Sukuna regardless of sexuality. He tried to engage with and understand Gojo on terms he won’t for anyone else. And he’s been pursuing this connection relentlessly since the start of manga.
Sukuna’s Negative Rizz
Ok I established that reading the Sukuna vs Gojo fight as unhinged courtship is supported by the text. That doesn’t really say anything about Sukuna sucking at it.
But, my dear reader, that in of itself is proof of his negative rizz. I had to sit down. Learn about Heian era and Shinto wedding rituals, learn more Japanese, splice seemingly unrelated manga panels together, read hentai, and know that Gege is into yaoi to come to this conclusion. I had to rip every little shred of characterization and context apart and rearrange it into something comprehensible.
You know who can’t do that? Gojo.
As far as Gojo is concerned, Sukuna hates him. Kisama is an extremely hostile you pronoun in modern times. And if Gojo can’t tell Shoko (his closest friend after Geto) is stressed over him being used like a meat puppet by her visibly falling back on her addiction, he’s going to default to the assumption Sukuna hates him just as much as everyone else.
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And Gojo does just that. He assumes he failed to reach Sukuna. Despite how often they did hand to hand combat and weaponized their knowledge of each other, Gojo believes they never had proper conversation through fighting. He dies not understanding Sukuna, convinced the other was not trying to communicate with him at all.
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And if you recall, all of this fight occurred while Sukuna was wearing Megumi’s face. That boy is pretty much Gojo’s adopted child. From my experience, most single parents do not go looking for clones of their kids as partners.
If someone wore the skin of my family member I would assume they were trying to torment me. And torment Gojo Sukuna does. He draws attention to Megumi’s soul being used as collateral and attacks him with the 10 Shadows. We as the audience know this is all for the sake of getting past Infinity using his Shrine. Gojo doesn’t know that. He’s fighting an evil dude who is puppeting the body of his son for god knows what reason.
Seriously, Sukuna sucks at communicating intent.
In Part 3 of my examination of Sukuna’s loneliness, I said Dismantle is a tool Sukuna uses to understand. And that him upgrading it by making Gojo the center of his world was indicative of his desire to reach him. I also said his refusal to use it on Yorozu was him expressing how little interest he had in her.
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Yorozu is pissed by this. She sees it as Sukuna rejecting her and I don’t think she’s wrong. Sukuna saved his special Cursed Technique (CT) for Gojo while turning Yorozu down. If we’re considering all the wedding imagery and references that started with Yorozu, I’m certainly allowed to read that as him saving himself for Gojo. (Think of how he lied to Gojo about being the first one he killed.)
There’s also the fact that Yorozu saw their battle as an expression love and lust—that the usage of CT is a type of foreplay under certain circumstances since it is an extension of the self. Combine that with the established premise that fighting is a type of a communication thanks to Maki vs Sumo Guy and you can start to see the courtship logic behind Sukuna’s treatment of Gojo.
If we are to read “The one who will teach you love is…Sukuna” there’s another adorable caveat. Yorozu uses the you pronoun あなた (Anata) for Sukuna.
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It’s an informal you pronoun used by people learning Japanese. Native speakers try to avoid using it as it can come across as rude. But in the context of love? This is colloquially called the wife pronoun as its often used by a wife to her husband.
If you wanted to localize its usage in the way Yorozu means it, Anata might become “you, dear”. So here we have Sukuna dressed in white, like a bride to Gojo’s groom, thinking of him as Anata.
The problem is, Gojo doesn’t know that. Sukuna never bothered to open his mouth and say this was an act of love. Sure he told Kashimo in the most roundabout way possible, but Gojo was the one who needed to hear that. If a courtship is going to be this diabolically complicated, there has to be clear hints for the other party. JJK is not Umineko where there’s a witch that can revive the dead over and over until the idiot finally understands this was all for them.
Gojo also doesn’t have access to the kanji Sukuna uses to describe certain techinques or words. He hears the phonetics and runs with whatever best fits the context. This means there’s no way for him to catch the double-meaning unless he’s a certain type of lingust, which he is not. His manner of speech and personal interests don’t line up with the flowery language of the Heian Era. The types of written works Gojo is into are historical war politics from the Sengoku period (known for violence more than the fine arts), Shonen manga, and physics/math.
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And what's this? According to CFYOW (the canon light novels): JJK Thorny Road at Dawn, Chapter 3 Asakusabashi Elegy, Gojo doesn't even like ancient poetry. You know, the thing Sukuna enjoys and tries to communicate with.
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The Kokin Wakashu Gojo off-handedly disparages is a compilation of Hiean Era poetry known as Waka. This was the primary means of communication amongst the noble class and spiritual leaders at the time. And the thing is, this poetry is supposed to be read into. Down to the quality of stroke and paper, not just the kanji written. Especially for courtship.
It’s not that Gojo is stupid. He just doesn’t specialize in the studies that would give him a more critical ear to Sukuna's words. And Sukuna doesn’t seem to understand that no one in the modern era communicates like this anymore.
If you didn’t know, this is why Japanese characters introduce themselves they often describe what kanji their name is spelled with. Take for example: Satoru. He uses the kanji 悟 meaning enlightenment. This kanji can be read as Go instead of Satoru. Additionally, the name Satoru can be written in kanji as 聡 for smart, 智 for wisdom, 知 for knowledge, 了 for understanding, 哲 for philosophy, 聖 for virtuous, or 暁 for daybreak. That’s 8 different kanji possible if you hear the name Satoru.
This is why Sukuna’s wordplay for everything else can be easily missed by other characters. They hear the words and cannot read the kanji like us. Context decides what Sukuna means for them. And since Sukuna’s context for most is violence and insults, it’s very hard for them to think about his words in any other way.
And boy howdy does Gojo miss it. Sukuna straight up calls him his husband and it took me several rereads to catch it. While mocking Gojo for being unable to open his domain, Sukuna calls him "painfully ordinary". This is localized from the word 凡夫 (bonpu) which can also be translated as unenlightened. (A layered insult! Sukuna is pretty much saying Gojo's sorcery is so boring he shouldn't even call himself the Honored One.)
The thing is...Bonpu is comprised of the 2 kanji 凡 for mediocre, and 夫 for husband. (Please note that there are many other ways to call Gojo a ditz without using the kanji for husband.) And an update from the Replies: Turns out there's layers to the gayness too.
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It's come full fudging circle. Gojo came dressed as a groom for a wedding and Sukuna thinks they're already married. The miscommunication is off the rails.
But wait! There's more...
Earlier I mentioned that the kanji for Enchain doubles as Megumi Activities. Let's break that down more. (Unfortunately the Twitter account of the person I referenced may or may not be nuked so here's this screenshot I've doctored.)
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So we have the translation of Enchain from 契闊 (Keikatsu), which might be better localized as Separation.
This term comes from a Chinese poem about lovers who are husband and wife in The Book of Odes, Section I (Lessons from the States), Chapter 3 (The Odes of Bei), Poem 31 (Banging the Drum). (Here's a link to the full poem and context of it.)
In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)
Keikatsu specifically comes from this passage:
“Our vow is beyond death and life”, I and you are together I always remembered. I will hold your hand, And together we grow old.
Too pitiful we are faraway apart, The distance separates us to meet again! Too miserable this takes forever, And it does not let us fulfill our vow!
Keikatsu is used to exemplify how the physical distance between the husband and wife prevents them from fulfilling their wedding vows. And that's just what Keikatsu/Enchain does to Yuji and Megumi, it causes painful separation neither of them wanted.
Keikatsu also tells Yuji exactly how Sukuna plans to do it. 契(kei)闊(katsu) can be written as 恵(kei)活(katsu). The kanji 恵 can be read as Kei or...Megumi. (It's the literal kanji used for his name.) The kanji 活 (katsu) can mean "activities", which is how we get Enchain=Megumi Activities.
A two for one special! Sukuna mocks Yuji for being so close with Megumi while telling him exactly how he's going to destroy their relationship.
It seems this has nothing to do with Gojo until you consider the 3rd possible reading from wordplay with 契闊 (Keikatsu). The kanji 契 when read as Kei refers to a promise, pledge or vow. When 契 read as Chigi? It can refer to sexual intercourse, especially between husband and wife.
So we have 契闊(keikatsu, separation), 恵(kei Megumi)活(katsu, activities), and 契(kei chigi, spousal sex)活(katsu, activities). It's no wonder he erased Yuji's memory of it.
Keep in mind, that when Sukuna uses Keikatsu, the only vow that he has made at this point is his promise to kill Gojo. He eventually does that using Megumi's body during a fight framed between groom and bride. And for reasons beyond their control, Sukuna and Gojo have been unable to fulfill that vow through lengthy separation.
Notes from poem "Banging the Drum" Sukuna references include the following:
"And during the operation, he lost his horse, which was a desperate situation (horses in ancient time carried soldier supply and weapons, are life companion for soldiers in advance or retreat), he lost his horse, his supply, maybe his armor and weapons, and the road he was facing that we may lose his life so he may never go back. In all these mess, he started searching, and somehow at this hopeless moment he started to revisit his happiest moment, when he together vowed in marriage ceremony with his wife, and he was even afraid that he might never see his love again."
"And His last statement for his true value is his home, his love, his fulfillment of his vow is his true duty. Hero's duty is to pursue love."
In Buddhism, which JJK is heavily influenced by, horses are a pretty big deal. Horses can represent the path to enlightenment, especially since The Buddha's horse is what takes him on this journey away from his wife and children. They separate in the end though, the horse dying of a broken heart.
Remember how Sukuna called Gojo unenlightened? He sort of guided Gojo to enlightenment using Mahoraga, whose Eight-Handed title is a reference to the Eightfold Path to be followed for enlightenment. Buddhist enlightenment is centered around liberation from suffering. (Just check the wiki entry to verify this.) Infinity was the source of Gojo's suffering and Sukuna cut right through it.
Sukuna has been running around with a broken heart for a good chunk of the post-Gojo fight. And if you take that into consideration with this poem and all the other symbolism, he's somehow a Buddha, a Bodhisattva, the dying husband, the widowed wife, and the heartbroken horse all at the same time. Not unlike his wordplay taking on every possible meaning at once.
But my point here is that Sukuna might’ve seen his fight with Gojo as consummation of their marriage. (There's probably a joke in here about the husband reaching climax while leaving his wife unsatisfied.) Remember in the wise words of Itagaki Keisuke, "Fighting and sex are exactly the same!"
In Conclusion?
This is possibly one of the most bizarre and elaborate expressions of love I have lost my mind over. Sukuna gave everything Gojo ever wanted from Jujutsu violently. He did it in such an unpleasant and cruel way that the target of his affection thought there was nothing between them. Sukuna also hid his intent under social norms that no longer exist. Unless Gojo happened to be into ancient literature, there was never a scenario where he would catch onto this. Sukuna's failure is critical on multiple levels.
It’s impressive. It really is. No one knows how Sukuna’s strange little brain works so he’s stuck being loner without anyone that fully understands him. (I’m still thinking about how Uraume didn’t know Sukuna was a twin for over 1,000 years.) He’d have to let people in and tell him outright, but he’s just like Gojo so I guess that’s never happening.
#cactus yaps#I need to have my weeaboo license revoked.#How on earth did I miss this?#GEGE WHAT DID YOU MEAN BY THIS.#Hi yes I will dress as a traditional groom on Dec 24th the most romantic day in Japan after someone else called the arrangement a date.#Is this even subtext at this point?#Why can’t these men use their got danged words instead of Umineko levels of psychological warfare.#Sukuna: ''Gojo is clearly driven by lust. How do I have s*x with him without actually having s*x?#Fighting and death are basically the same thing as s*x so I’ll do that and hopefully he sees that I love him.''#Gojo to Geto: ''Sukuna gave me the best *rgasm I've had in years. I think he hates me.''#Geto: ''Huh.''#Absolutely fascinated by girlfailures Sukuna and Geto horribly fumbling Gojo in completely different ways.#I want them to fight over him in the most passive aggressive way possible.#Gojo was meant to be a romcom harem protagonist.#Though Sukuna should be way more ok with poly given Heian rules on relationships.#But you know Geto was also ok that someone else was able to make Gojo feel good.#I like that prioritization of his pleasure. Even if it came a little too late.#Much to think about.#Consider this my Sukugo manifesto part 2.#Update 8/14/24: One of these days I'm just going to have to make a new post.#Update Cont: Sukuna calling Gojo his mid unenlightened husband wife spouse all at once using two kanji is truly insane.#Update 8/19/2024: All according to Keikatsu.#sukugo#ryomen sukuna#gojo satoru#jjk spoilers#jujutsu kaisen#lemons
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jabberwockypie · 3 months ago
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I lived, bitches.
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rillils · 3 months ago
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🌸 post-catws stucky + lovers’ kiss
one.
The thing about grief is, it has a habit of dropping by every once in a while, unannounced and insistent like a nosy suburban neighbor.
It’s a contrary little creature. Some days it strikes hard, and crushes Steve’s chest with the brutal force of a frothing waterfall. Sometimes, though, it comes in droplets; little pills that get stuck in his throat for a minute, until he can swallow them down.
Steve doesn’t mind those too much: sure, the aftertaste is bitter – but there’s always a spoonful of honey at hand to help wash it down.
two.
There’s a morning ritual Steve is particularly fond of.
When the coffee has been made, and the first sip taken, he nudges their mugs to the side, and crowds Bucky back against the kitchen counter, arms braced on either side of him to box him in. Bucky watches him come with a knowing grin, a gleam in his eyes that says, well, all right, he’ll let Steve believe that he’s leading this little dance here, just this once.
But it’s Bucky who pulls him in the rest of the way; Bucky who sets his hands low around Steve’s waist, and brings their bodies flush together from hip to knee, delight written in the pretty curve of his lips.
“Hey there, sailor,” he teases. His morning voice is a dark, rich thing, rough around the edges but soft at its core, sweet with that old Brooklyn drawl that brings Steve right back home.
“Hey there, sweetheart,” he chuckles against Bucky’s smiling lips, their breaths warm between them. “Fancy meetin’ ya here.”
It’s a ritual. Aren’t all kisses a ritual? Well-learned steps and a worshipful heart, the motions so ingrained they come naturally to your limbs.
Their mouths brush together, easy. Unrushed, like time will slow down for them if they’ll just deign to ask.
Bucky’s head tilts just so in Steve’s hands, and the kiss opens up, spilling its molten heat on Steve’s tongue, stroking inside to taste him, easy, easy.
It’s a long-practiced dance. If Bucky pushes, Steve will give; if Steve strays to flutter kisses all over Bucky’s bristly cheek, Bucky will grin and chase after him, and steer Steve back towards his lips.
It’s lazy. Uncomplicated. It’s their first conversation of the day, and Steve can just make out the words in the whisper of Bucky’s hair running through the gaps between his fingers; in the hushed rustle of his own t-shirt, when Bucky’s hand slips under the hem and slides warmly up the dip of Steve’s spine, leaving a trail of pebbled skin in its wake.
You’re here, Bucky’s touch says, awed and reverent.
Always, Steve says back, and kisses that vow to Bucky’s lips for Bucky to find later, when he’ll brush his fingertips against it, and the well-loved flush of his mouth, red and sweetly sore, will remind him of this. Of always.
Parting from him is agony, but breathing is an unfortunate necessity in life – so Steve pulls back, though only just enough to drink Bucky in, his arms wrapped snugly around Bucky’s waist to hold him close.
He’s a sight to behold, all soft and loved up and ruffled from Steve’s own hands, his smile like a ripe fruit framed by the fullness of his beard. His eyes crinkle with it, each little crease a testament to his happiness – and Steve knows he’s gonna have to take his time kissing each and every one of those later, or he’ll simply be driven to madness.
He should get to have a whole lifetime of this, Steve thinks – a lifetime to dedicate just to this little pleasure. Seventy years at least, to make up for the seventy years gone by that could have seen them grow old and gray together, but were stolen from them instead – and then seventy years more, ninety, a hundred, as many as his old withering body will stand and breathe for.
This will be his only job: the worship of Bucky’s laugh lines, of the curling wisps of his bedhead, of his eyelashes fanning darkly against the pad of Steve’s thumb. Cherishing this treasure he holds in his hands – the one he once thought gone forever.
There it is now: a little pill lodged in his throat. The cold hand of grief squeezing around his heart again, just for a moment.
Bucky’s palms cup his cheeks, drawing Steve’s gaze up to meet his.
“Hey,” he murmurs, gentler than before, his thumb stroking soothingly over Steve’s cheekbone. “You’ve got your thinking face on. What’s wrong?”
Steve covers Bucky’s hand with his own, turning his mouth to it to kiss the warm, unyielding metal of Bucky’s palm.
“Nothing’s wrong,” he promises, leaning in to nudge to tip of his nose against Bucky’s, like a puppy. “Just busy coming up with an excuse to kiss you some more.”
Bucky’s breath puffs warmly against his lips. “Yeah? Had any luck yet?”
Steve hums pleasantly, “Mm-mmm”, locking his fingers together just above the small of Bucky’s back, and gently sways the two of them from side to side. Bucky snorts, amused, but he allows it; dropping his hands to rest on Steve’s shoulders as Steve rocks them slowly, left to right, right to left.
“Here’s what I think,” Steve rumbles. “I think I ought to give you one kiss for each day we were apart since 1945.”
Bucky stares back at him, his lips parted slightly in surprise. He takes Steve in, wordlessly, studying him from the arch of his eyebrows, to the half-crooked slope of his nose, to the hopeful smile Steve knows he must be sporting right now. There is much left unsaid, Steve can feel its weight hanging in the air between them, recognizes it by taste and sound.
But Bucky’s gray eyes shimmer, nearly crystal-clear, and they fill with the kind of big, heart-twisting emotion that cannot fit under a single label; one that is equal parts ache and tenderness, and Steve understands – his chest feels too-tight around that same ache, too.
“That’s a lot of kisses,” Bucky rasps softly, and his hand skates up Steve’s shoulder to curl over the nape of his neck, herding him one inch closer into Bucky’s space.
“Yes,” Steve whispers, leaning in the rest of the way to mash their foreheads together. He can feel his own heart beat inside his chest, a quick and steady rhythm, and a rushing sense of victory bubbles straight up to his lips, sweet and light as air. “Exactly.”
Bucky laughs, a little wetly, and laughs ever harder when Steve tries to kiss him and gets all teeth and half a nostril instead – his head thrown back and his whole body shaking joyfully, while Steve ducks in to kiss what bristly portion of Bucky’s neck he can reach.
A treasure, Steve thinks.
A treasure in his hands, and forever to hold on to it.
three.
He sits himself down at the table with a sheet of paper, a pen and a calculator, a bunch of dates marked down and circled over and over in the topmost corner.
Bucky watches him from across the room, amused and – Steve believes – a little bit impressed.
“You’re really gonna do this?”
Steve smiles up at him, throwing in one teasing wiggle of his eyebrows for good measure.
“I’m a man of my word.”
It takes nearly a whole hour of focused scribbling before he looks up again, a wide grin lit up like Christmas on his face and a torn piece of paper held up in triumph. “I have the number.”
25109.
Seventy years’ worth of daily kisses.
It’s quite the commitment. It requires dedication. But good things are always worth putting in the work, Bucky tells him, eyes dancing with laughter; and when he settles in Steve’s lap, heavy and warm in Steve’s arms, and brushes their mouths together to claim the first of what he was promised, Steve can’t help but agree.
four.
25109 kisses Steve owes him, and he initiates quite a few; but mostly, he lets Bucky ask for them, when and where the mood strikes him to do so.
When he’s right on the verge of sleep, his face half-swallowed up by his pillow, and he can’t even peel his eyes open long enough to receive his kiss – he just tips his chin up and waits for Steve to scoot closer and find his mouth, drowsily humming in satisfaction.
When he lets Steve slip into the shower with him, and slides his hands up Steve’s chest, sweet and proprietary, and their breaths mingle with the hot steam.
When he’s got his head in Steve’s lap while Steve reads, and Steve’s fingers carding through his hair at leisure; and Steve catches Bucky watching him from under his eyelashes, and trying to hide that private little grin of his, because apparently Steve was silently mouthing the words again without realizing it.
“Kiss me special, Stevie,” he’ll croon, and Steve will know.
And he’ll be all too happy to comply.
five.
Steve is supposed to keep score. He does, too. For the most part.
Once every couple of weeks or so, though, he’ll just so happen to conveniently lose count.
He’ll roll out of bed with singular purpose, and break the tragic news to Bucky over their morning coffee, barefoot and forlorn. Bucky never buys his little sob story, but that never stops Steve from batting his eyelashes at him all prettily, either.
He’ll guide Bucky’s arms to loop around his neck, luring him in, soft and stealthy like a thief, and he’ll mumble real close to Bucky’s lips, “Let’s start over again.”
And Bucky, sweet, merciful, long-suffering Bucky, will accept his fate and be kissed breathless once more, right in front of their placidly steaming mugs.
“There,” Steve will murmur, again, and again, and again. “One down, 25108 to go.”
Oh, one life won’t be enough to see the end of this, no.
And that’s exactly Steve’s plan.
***
little sidenote nobody asked for lol: obviously the number of days/kisses varies depending on when you think the boys were reunited; my wishful thinking headcanon for this specific fic is: post-helicarrier, they find each other again sometime in the fall, 2014. the ficlet is set sometime in late spring 2016, and ignores everything that comes after catws.
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lumiereswig · 7 months ago
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I'm still seeing a lot of angry takes in the tags about how excessive Watcher's current costs are and how all fans really want, apparently, is "just shane and ryan sitting in a basement" back again. While I do think Watcher is probably spending over budget and that's a real issue, a lot of the takes I'm seeing show a fundamental misunderstanding of how video production works and where costs actually lie. So a few quick things that I just keep seeing that are bothering me:
It was never just Shane and Ryan in a basement. BFU did a great job selling that conceit and making sure you never saw anyone beyond them and maybe TJ, but they absolutely had other crew members with them on ghost hunts and they didn't do all the work on BFU themselves. This Q&A from Season 2 lists 36 people on staff for Buzzfeed Unsolved. It's fair to make arguments that Watcher may or may not need 25 people, but those arguments should not be coming from a place of "before it was just Shane and Ryan and nobody else."
If you don't know how many people are needed to make a professional video from a TV/film standpoint, you will not have a reasonable grasp of why Watcher wants to keep 25 people on staff. Sure, some YouTubers get by with a ring light and a contracted editor. The Watcher team have stated repeatedly that they do not want to work as just YouTubers and see themselves more as a production studio—so why do people keep referencing the YouTube model to understand their business? This is like asking the local shake shop why it doesn't function like the kids' lemonade stand down the block. The item category is similar but they're not trying for the same products or process.
The "gold dusted food" is not the big budget sink you think it is. On most TV shows I've worked on it's normal to partner with businesses that are shown onscreen and work out a deal where the price of the product (in this case the gold food) is reduced or eliminated in exchange for the free publicity. Watcher very likely made a deal with every restaurant it worked with to make the Korea trip affordable for the company. The real budget spends are on things you're probably not seeing but that still matter: camera and lighting equipment is expensive, insurance for that equipment is expensive, business overhead and paying your staff are expensive. So again—it's fine to critique Watcher for the streaming plan and the perceived budgetary issues, but go into this knowing the costs might not be coming from the things you see onscreen.
My source is that I work in TV and film and actually have a clue on how the industry functions. Again, 36 people worked on Unsolved (and those were the people mention in Season 2—who knows how big the team blew up past that in later seasons). Entertainment work is real work, and demands decent equipment, competent staff, and the same types of business and budget problems you'd find in any other business (overhead, staffing, etc.). Feel free to critique Watcher's business model, but first try to understand where that model is coming from and what goals it's attempting to serve.
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florenzismind · 3 months ago
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People have been baffled by Great immediately trusting Thyme over his brother but it makes sense to me (in the context of Thyme's "mission" at least)?
One of the first things we get to see as an audience is Great sitting far away from his family when they're eating dinner. It's a visual symbol in itself - Korn sits with his father, Great isolates himself from them.
Yes, Great seems to be closer to his brother, he clearly trusted him enough to seek him out when he had his first "vision" (or however you want to call them lmao) but Korn immediately dismissed it as Great being high or drunk and didn't take him seriously (I can't exactly fault him for that to be fair but to Great, it was pretty traumatic experience).
Then he meets Thyme at the hospital and sees them having intimate and loving sex. He doesn't see the cold, clinical version of Thyme, not for long anyway. Honestly, I think this vision is the only reason why Great even indulged any of Thyme's awkward flirting in the first place.
Then those following things happen: Thyme saves him, awkwardly flirts with him again. Worries about him and seeks him out and while he's joking about the visions at first he does take Great seriously and talks to his doctor friend immediately. They have a cute date and Great even allows himself to be vulnerable again. He gets visions of them holding hands, gently kissing.
Great is clearly very lonely and there's this person that cares about him in this awkward yet gentle way AND he even has visions of the future confirming that they'll be together in one way or another? What is there not to trust?
In the last week's episode he called Thyme first after his hospital vision, not Korn. He only called Korn after he couldn't reach Thyme which honestly was the first indicator on who he depends on NOW.
Now still people rightfully say "well that's his brother, why trust this man he's known for like a month?".
I think it has everything to do with Korn falling deeper and deeper into the shady part of the family business. Korn is literally moving further away from Great's (and Thyme's) shades of grey to his father's "darkness". Korn IS new to this. He' not comfortable with violence at all though he seems to further lose himself in this task to please his father and Great SEES that.
Korn doesn't have time for him anymore. He doesn't smile. He's doing some unknown business for his father that he can't say anything about. And he tells Great directly, this is important. He can't mess this up. But Great already knows by then what he's talking about. He's talking about holding another person hostage. Pleasing his father is more important to Korn than another person's life.
And Great's been forced by the universe (or maybe his own brain we don't know yet lmao) to actually make THE decision he wants to make. To not let the woman die. To protect Dome. He used his chances to do the right thing. He's witnessed people in his life being capable of killing someone else. People who maybe were a little bit shitty but he never thought they were capable of that.
Now there's this man who saves people for a living, who makes him feel loved, protected and cared for, telling Great that his parents are the reason for his parents dying. Great's parents that mean nothing but pain and loneliness to him. And he sees his brother trying to painfully please his father to the point of completely abandoning his moral compass.
The universe is constantly telling him to trust Thyme. Thyme will bring you love, the feeling you're seeking. Your brother, meanwhile, only tries to become this perfect puppet for their parents.
Great asked Korn to explain what kind of business he's doing. Korn answered him: it's incredibly important and he can't mess up. Great could've made Korn choose between him and his dad's business but he didn't. Yes, he "messed" it up but he didn't force Korn to choose.
Not yet anyway. This will become much more painful when Korn will actually have to choose and either fall deeper into the worst version of himself or try to become the man that Tonkla once idolized and Great once trusted.
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kirby-the-gorb · 8 months ago
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#kirby#daily kirby#my art#digital#hal laboratory#nintendo#so like aliexpress used to have a terrible reputation in terms of like quality and truth in advertising and such right#but like. amazon and etsy are swamped with bootleggers and dropshippers now too#so I figured like. can't be any worse right?#besides I know how to double check descriptions and measurements and examine images critically#I've shopped shady sites before like back when banggood was the only place to get those cute diy miniature kits#(now you can get them at regular craft store chains which is Wild to me)#but I have never opened aliexpress because everyone was always just like 'Never Go There'#(but then again these days folks are doing massive temu hauls left and right)#(so clearly norms have changed even if common perception of aliexpress has not)#I open it up and I immediately find the rug I spent an entire day hunting for unsuccessfully earlier in the month.#and a ton of incredible bootleg kirbs.#and a style of hair clip I've been hunting for for *years*.#soooo I spent the entire day in a pastel fugue lol#(I have not spent any money yet but I'm probably gonna)#(so like I can't confirm that you're not gonna get scammed or whatever just like. use common sense.)#(don't trust sale prices read descriptions/reviews when available and try to avoid work stolen from independent artists)#(that's usually gonna be on printed stuff like phone cases and posters)#(and tbh I have no qualms with stolen official art as long as the quality is as advertised)#(but there's a big difference between stealing from Multinational Corporation and stealing from Some Guy)#anyway done rambling now <3#favorites
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