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angrywolfbouquetlove · 3 years ago

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倫桑/張曉涵【字正腔圓】Zih Jheng Ciang Yuan 看萬山紅遍跟著我念字正腔圓【動態歌詞 Lyrics】

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YouTube : 想念音樂頻道

【動態歌詞 Lyrics】

倫桑/張曉涵 - 字正腔圓作詞：蘇珂作曲：呂宏斌編曲：塞米七和聲：金天/雨蕁/倫桑古箏：丁雪兒

看萬山紅遍跟著我念字正腔圓平上入去譜意氣少年秦漢唐宋元朗朗書聲灑在窗前誰家的詩篇傳頌了千年 Yo 你為什麼站在一旁吞吐剛剛開場不要著急道謝結束說話要說清楚像我說的一樣清楚跟著我來反复清晰流暢還帶一點口才舉手投足謙卑努力成才別讓發音奇怪別人都太難猜聽你說完還要問你what where why 仰天長嘯壯懷激烈蕭瑟秋風換了人間昨日三十功名塵與土男兒須讀五車書關關雎鳩在河之洲雁字��時月滿西樓這剪不斷的理還亂的是離愁別是一般滋味在心頭看萬山紅遍跟著我念字正腔圓平上入去譜意氣少年秦漢唐宋元朗朗書聲灑在窗前誰家的詩篇傳頌了千年小海豚小海疼普通話要標準花蝴蝶發福蝶聽得我快頭昏大你魚越龍門小腦斧會咬人先生戒尺飛流直下讓我掌心發疼大奶留為什麼沒有guo 大機居到底有幾隻jio 長江是長江黃河不是黃ho 先生怎麼又在發火別再打我仰天長嘯壯懷激烈蕭瑟秋風換了人間昨日三十功名塵與土男兒須讀五車書關關雎鳩在河之洲雁字回時月滿西樓這剪不斷的理還亂的是離愁別是一般滋味在心頭看萬山紅遍跟著我念字正腔圓平上入去譜意氣少年秦漢唐宋元朗朗書聲灑在窗前誰家的詩篇傳頌了千年雁字回時月滿西樓為情生者可以死死可以生不知所起一往而深看萬山紅遍跟著我念字正腔圓平上入去譜意氣少年秦漢唐宋元朗朗書聲灑在窗前誰家的詩篇傳頌了千年看萬山紅遍跟著我念字正腔圓平上入去譜意氣少年秦漢唐宋元朗朗書聲灑在窗前誰家的詩篇傳頌了千年

【Pinyin lyrics】

Lun Sang/Jhang Siao Han【Zih Jheng Ciang Yuan】

Kan Wan Shan Hong Bian Gen Zhe Wo Nian Zi Zheng Qiang Yuan Ping Shang Ru Qu Pu Yi Qi Shao Nian Qin Han Tang Song Yuan Lang Lang Shu Sheng Sa Zai Chuang Qian Shei Jia De Shi Pian Chuan Song Liao Qian Nian Yo Ni Wei Shen Me Zhan Zai Yi Pang Tun Tu Gang Gang Kai Chang Bu Yao Zhao Ji Dao Xie Jie Shu Shuo Hua Yao Shuo Qing Chu Xiang Wo Shuo De Yi Yang Qing Chu Gen Zhe Wo Lai Fan Fu Qing Xi Liu Chang Hai Dai Yi Dian Kou Cai Ju Shou Tou Zu Qian Bei Nu Li Cheng Cai Bie Rang Fa Yin Qi Guai Bie Ren Dou Tai Nan Cai Ting Ni Shuo Wan Hai Yao Wen Ni What Where Why Yang Tian Chang Xiao Zhuang Huai Ji Lie Xiao Se Qiu Feng Huan Le Ren Jian Zuo Ri San Shi Gong Ming Chen Yu Tu Nan Er Xu Du Wu Che Shu Guan Guan Ju Jiu Zai He Zhi Zhou Yan Zi Hui Shi Yue Man Xi Lou Zhe Jian Bu Duan De Li Hai Luan De Shi Li Chou Bie Shi Yi Ban Zi Wei Zai Xin Tou Kan Wan Shan Hong Bian Gen Zhe Wo Nian Zi Zheng Qiang Yuan Ping Shang Ru Qu Pu Yi Qi Shao Nian Qin Han Tang Song Yuan Lang Lang Shu Sheng Sa Zai Chuang Qian Shei Jia De Shi Pian Chuan Song Liao Qian Nian Xiao Hai Tun Xiao Hai Teng Pu Tong Hua Yao Biao Zhun Hua Hu Die Fa Fu Die Ting De Wo Kuai Tou Hun Da Ni Yu Yue Long Men Xiao Nao Fu Hui Yao Ren Xian Sheng Jie Chi Fei Liu Zhi Xia Rang Wo Zhang Xin Fa Teng Da Nai Liu Wei Shen Me Mei You Guo Da Ji Ju Dao Di You Ji Zhi Jio Chang Jiang Shi Chang Jiang Huang He Bu Shi Huang Ho Xian Sheng Zen Me You Zai Fa Huo Bie Zai Da Wo Yang Tian Chang Xiao Zhuang Huai Ji Lie Xiao Se Qiu Feng Huan Le Ren Jian Zuo Ri San Shi Gong Ming Chen Yu Tu Nan Er Xu Du Wu Che Shu Guan Guan Ju Jiu Zai He Zhi Zhou Yan Zi Hui Shi Yue Man Xi Lou Zhe Jian Bu Duan De Li Hai Luan De Shi Li Chou Bie Shi Yi Ban Zi Wei Zai Xin Tou Kan Wan Shan Hong Bian Gen Zhe Wo Nian Zi Zheng Qiang Yuan Ping Shang Ru Qu Pu Yi Qi Shao Nian Qin Han Tang Song Yuan Lang Lang Shu Sheng Sa Zai Chuang Qian Shei Jia De Shi Pian Chuan Song Liao Qian Nian Yan Zi Hui Shi Yue Man Xi Lou Wei Qing Sheng Zhe Ke Yi Si Si Ke Yi Sheng Bu Zhi Suo Qi Yi Wang Er Shen Kan Wan Shan Hong Bian Gen Zhe Wo Nian Zi Zheng Qiang Yuan Ping Shang Ru Qu Pu Yi Qi Shao Nian Qin Han Tang Song Yuan Lang Lang Shu Sheng Sa Zai Chuang Qian Shei Jia De Shi Pian Chuan Song Liao Qian Nian Kan Wan Shan Hong Bian Gen Zhe Wo Nian Zi Zheng Qiang Yuan Ping Shang Ru Qu Pu Yi Qi Shao Nian Qin Han Tang Song Yuan Lang Lang Shu Sheng Sa Zai Chuang Qian Shei Jia De Shi Pian Chuan Song Liao Qian Nian

#倫桑 #張曉涵 #字正腔圓 #Zih Jheng Ciang Yuan #想念音樂頻道 #動態歌詞 Lyrics #Pinyin lyrics

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chineselanguageblog · 7 years ago

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Traditional Chinese Art

China, a nation of long history with profound culture, inherited and developed a great variety of traditional art forms which suit both refined and popular tastes. From the melodious and pleasant folk music to the elaborate and touching local dramas, from the simple but elegant inkwash painting to the flexible and powerful calligraphy, one can always discern the light of sparkling wisdom. Traditional Chinese arts have tremendously impressed the world.

Folk Music

Chinese folk music, with strong nationalistic features, is a treasure of Chinese culture.

As early as in the primitive times, Chinese people began to use musical instruments, which evolved today into four main types categorized by the way they are played. The first type is wind instrument, as shown in xiao (a vertical bamboo flute), flute, suo-na horn, etc. The second type is string instrument, represented by urheen, jinghu (a two-string musical instrument similar to urheen), banhu fiddle, etc. The third type is also string instrument, but played unconventionally by striking the strings with fingers, represented by guzheng (a Chinese zither with 25 strings), guqin, pipa (a plucked string musical instrument), etc. The fourth type is percussion instrument, as seen usually in gong, drum, etc. For centuries,Chinese musicians have created numerous excellent songs and lyrics, but, unfortunately, many were lost. The extant melodies include “The Ambush on All Sides”, “Spring Snow”, “Hundred Birds Worshipping the Phoenix”, “Guangling Verse”, “Three Variations on Plum Blossom”, “Spring River Moon Night”, “The Moon Reflected on the Erquan Spring”, “Rain Pattering at Plantain Leaves”, “Higher Step by Step”, “A Thunder in the Dry Season”, etc. Those well-known melodies are often performed at home and abroad, and some have won international awards. “Hundred Birds Worshipping the Phoenix”, for example, won the second prize in the folk music contest, at the Fourth World Youth Festival.

Chinese people love folk music for its unique charm. In China, almost every region has its own folk music troupes, some of which are self-organized by folk music fans. Chinese folk music troupes are often invited to perform internationally. In recent years, they have been invited to visit Vienna-the world music capital, and perform in the famous Golden Hall during the Chinese Spring Festival. The pleasant melodies not only impress the local audiences, but also win international popularity.

Beijing Opera

Beijing Opera is the most popular and influential opera in China with a history of almost 200 years. In the course of its formation, it assimilated the best form many other local operas and was affected by Beijing local dialect and customs. Though Beijing Opera exclusive to Beijing only. Beijing opera troupes can be found in most regions of China.

Beijing Opera combines singing, recital, acting and acrobatic fighting. Singing refers to the singing according to certain tunes. Recital refers to monologues by performers and dialogues between performers. Acting refers to body movements and facial expressions. Acrobatic fighting refers to choreographed martial art. In the long term of development, Beijing Opera has formed a number of fictitious props. For instance, a pedal means a boat, a whip in the hand means riding on a horse. Without any physical props involved, an actor may perform going upstairs or downstairs, opening or closing a door by mere gestures. Though rather exaggerated, those actions would, with their graceful movements, give audience a deep impression.

There are four main roles in Beijing Opera: sheng, dan, jing and chou. Sheng are the leading male actors, and are divided into laosheng who wear beards and represent old men, xiaosheng who represent young men, and wusheng who are acrobats playing military men and fighters. These roles usually wear no facial paintings. Famous actors playing this type of role include Ma Lianliang, Zhou Xinfang, Ye Shenglan, Gai Jiaotian and Li Shaochun. Dan are female roles. Formerly, the term meant female impersonators. It is further divided into several categories. The most important category, qingyi, usually play respectable and decent ladies in elegant costumes. Huadan represent lively and clever young girls, usually play military or non-military women capable of martial arts. Laodan are teh old ladies. Mei Lanfang, Cheng Yanqiu, Shang Xiaoyun and Xun Huisheng were the celebrated Four Major Dan Roles in the 1920s. Jing, mostly male, are the face-painted roles who represent warriors, heroes, statesmen, adventures and demons. Famous actors playing this role include Qiu Shengrong and Yuan Shihai. Chou, most of time, play roles of wit, alert and humor. It is these roles who keep the audience laughing and improvise quips at the right moments to ease tension in some serious plays. Renowned actors playing this role included Xiao Changhua and Ma Fulu.

Facial makeup in Beijing Opera has its own pattern. A sheng or a dan has to have his or her eyebrows painted in a way that they look slanted with the outer ends of eyebrows going upward, and their eyes circled with black color. As for a jing and chou, the pattern is in accordance with the disposition of the characters according to the rule of facial makeup in Beijing Opera. For example, a red face usually depicts the role’s loyalty and bravery; while a white face symbolizes a sinister role’s treachery and guile.

It is said that the complete Beijing Opera repertoire includes more than 3800 plays. What are staged today are primarily three types, newly composed historical ones and modern ones.

Beijing Opera, as the national opera, enjoys a high reputation both inside and outside China. Many foreigners have come to China to learn Beijing Opera, while many Beijing Opera troupes and famous opera actors and actresses have frequently been invited to perform abroad and have been highly appreciated by foreign audiences.

Local Opera

China is a country with vast land and various nationalities. People in different regions speak different dialects. As a result, many local opera forms have appeared alongside Beijing Opera.

Statistics show that there are more than 360 types of local operas, of which the best-known are Pingju Opera, Yue or Shaoxing Opera, Yu or Henan Opera, Huan mei Opera, Guangdong Opera, and Sichuan Opera; etc.

Pingju Opera originated in Tangshan city, Hebei Province and is popular in Beijing, Tianjin, North and Northeast of China. Pingju Opera is lively, free in style and close to life. It is a perfect form to reflect the modern life. The best-known performers include Xiao Bai Yushuang and Xin Fengxia. The representative plays are Qin Xianglian, Small Son-in-Law and Liu Qiao er, etc.

Yue or Shaoxing Opera originated in SHaoxing of Zhejiang Province and is popular in Zhejiang, Jiangsu, Jiangxi, Anhui provinces and Shanghai. At first, all of the performers ere male. But since the 1930s, all the roles were played by female performers. The tunes of this opera are mild and roundabout, and the acting is meticulous. It became the second largest opera form next to Beijing Opera. Renowned performers include Yuan Xuefen, Wang Wenjuan and Xu Yulan. The representative plays are Butterfly Lovers (or Liang Shanbo and Zhu Yingtai), A Dream of Red Mansions, etc.

Yu or Henan Opera is the local opera of Henan Province and prevalent in Henan and neighboring areas. Yu Opera is played with a bright, loud sound, alternating with sorrowful tone. There are about 650 traditional plays, of which Hua Mulan, Mu Guiying Takes Command, A Petty Official, etc. are the most famous. Well-known performers include Chang Xiangyu, Ma Jinfeng and Niu Decao.

Huangmei Opera is the local opera of Anhui Province and is popular in Anhui and Jianxi provinces, and part to Hubei Province. This opera is characterized by dancing while singing. Its tunes are mild and pleasant, and its movements and natural and graceful. It is also very close to real life. Renowned performers include Yan Fengying and Ma Lan. The representative plays are Marrying a Fairy, Emperor’s Female Son-in-Law, The Cowherd and the Girl Weaver, etc. Guangdong Opera is the local opera form of Guangdong Province and is also popular in Guangxi Province and southern Fujian Province. Overseas Chinese in Southeast Asia, America, Europe and Oceania, and the people of Hong Kong and Mcao SARs are also very fond of this type of local opera. Guangdong Opera is sung with the Cantonese dialect and is rather unique in its singing style. The best-known performers include Hong Xiannü and Ma Shizeng. The representative plays are Searching the Study,Guan Hanqing, etc.

Quyi (Folk Art)

Quyi is a general term for all kinds of talking and singing arts. It derived from oral literature, the talking and singing performances of ancient people. It refers primarily to storytelling accentuated by body movements to tell stories, express feelings and reflect the social conditions.

There are still about 300 types of quyi beijig performed in China, including comic dialogue, dagu, kuaiban, errenzhuan, tanci, shuang-huang. Of these, the most popular is comic dialogue.

Comic dialogue is a kind of folk art with the “comic” dialogue as the main form of ancient folk jokes. Comic dialogue of today originated in Beijing and Tianjin over a century ago.

Comic dialogue realizes its artistic presentation by means of talking, imitating, teasing and singing. The jokes are skillfully hidden in the baofu, or “package”, a jargon used by the comic dialogue performers. When the right time comes. they are suddenly spilled out, just like the funny stuffs being tossed out of a carefully wrapped package, so unexpectedly, but logically with a second thought, causing the audiences to laugh.

Most of the comic dialogue stories come from daily life. Others are based on folk jokes,historic legends, events, and word games. The stage props is quite simple, a table, a fan , or a handkerchief will be adequate. It could be performed either by one person or two, or even by a group. However, normally, a comic dialogue is performed by two people. The usual pattern is that one is a straight man that asks questions and the other gives funny answers.

The best-known comic dialogue performers are Ma Sanli, Hou Baoli, Ma Ji, Jiang Kun, etc.

With the concerted effort of performers generation after generation, comic dialogue has become a national entertainment loved by highbrows and lowbrows alike.

The Game of Go

The game of go, originated in China, is the earliest form of chess in the world. The board of go consists of a grid 19 by 19 resulting in, 361 intersections. The pieces are placed on the intersections in such a way as to gradually command more territory by surrounding and eliminating the opposition. Each of the two sides, one with black pieces and the other with white pieces, possesses 180 of them. It is an exciting and intense competition and the situation on the board keeps changing and unpredictable. Players have to resort to all sorts of tactics in order to defeat the opponent. As the tactics used in the go are so variable and profound, the ancient Chinese said in an only deities can invent such a game. Playing go exercises the brain and enhances one’s sense of logic. At the same time, it can also cultivate temperament, build up character of perseverance and calmness. Therefore, go has become more and more popular with young people.

Go was introduced into Japan during the Sui (581-618) and Tang (618-907) dynasties and into Europe in the 19th century. Today, it has spread to more than 40 countries and regions. Players from China, Japan and The Republic of Korea are of the highest skill in the world, and Chinese competitors like Nie Weiping and Ma Xiaochun enjoy international fame. Go has been developed into a very important international contest.

The Chinese Chess

The Chinese chess, originated from the Warring States Period, is a game created on teh basis of two confronting military formations of that period. By the time of the Tang Dynasty (618-907), it had already become very popular, with its style of play basically fixed by the Song Dynasty (960-1279).

The chessboard is square in shape, with a border called the Chuhe River in the middle that separates the two sides. On either side, vertical and horizontal lines are drawn forming 90 intersections, where pieces are placed. There are altogether 32 pieces, which are divided into two groups. Characters engraved in chessmen are painted red or black respectively to represent the two sides. Each side has a Marshal (King), two Elephants, two Horses, two Chariots, two Cannons and five Soldiers, each with its designated move. At the start of play, all the chessmen must be placed in fixed positions. The red side moves first, then the players take alternate turns. Different pieces have different rules to move, for example, the Horse moves one point orthogonally followed by one point outward-diagonally, the Elephant moves exactly two points diagonally, the Chariot moves any number of points either horizontally or vertically but not diagonally, etc. When the Marshal is checked and there is no way to save him, that side is lost, but sometimes there can be a stalemate.

Since 1949, Chinese chess has been listed as an event in the national sport games. In the 1970s, Chinese chess players began to promote the game abroad, Today, more than 40 countries and regions have established their own Chinese chess clubs.

Chinese Characters

The Chinese characters constitute one of mankind’s oldest systems of writing, and have the most users in the world. There are numerous Chinese characters, totaling about 60000, with about 6000 basic ones. Chinese characters have a long history. It derived from the pictorial recording of events, known as hieroglyph. The earliest Chinese characters discovered up to now are jiaguwen (ancient Chinese characters inscribed on tortoise shells or animal bones), dating back 3400 years, which were already mature characters.

Chinese characters have undergone tremendous changes over the ages. From the earliest form of hieroglyph to the more advanced symbol character compised of strokes, it has experienced a process of jiaguwen, jinwen (ancient language used in inscriptions on ancient bronze objects), lishu (official script), and kaishu (regular script).

There are mainly four ways of creating a word as follows:

Hieroglyph refers to the method by drawing the profile of the involved subject, such as 月 which looks like a curve moon.

Self-explanatory characters are made up by adding self-explan-atory symbols on pictographs, or totally made up of symbols,such as 刃 (blade), which is made up by adding a point on the cutting edge of a knife, pointing out the position of the blade.

Associative compounds are combination of two or more symbols to represent a new character with a new meaning. For instance, the character 明(bright) is composed by 日(sun) and 月(moon). Definitely, it will be bright when the sun and the moon appear in the same place.

Pictophonetic method is a word-formation method combining one element of a character indicating meaning and the other, pronunciation, into a new word. Form element indicates the word’s meaning and characteristic. Phonetic element indicates the pronunciation of the word. For example, 湖(lake) is composed of three dots indicating water, and 胡 indicating the pronunciation.

For thousands of years, Chinese people had been writing in Complex Chinese Characters (Traditional Chinese). However, the Complex Chinese Characters are difficult to identify, memorize and write due to their complicated strokes. From 1949, for the sake of the popularization of education, the Chinese government simplified the Chinese Characters on a large scale. There were more than 2000 Complex Chinese Characters that were simplified to today’s appearance. Nowadays the Simplified Chinese Character is one of the official characters used by the UN.

In history, Chinese characters were borrowed by Korea, Japan and Vietnam for a long time. It has been borne out that Chinese characters are of vigorous vitality.

Calligraphy

Calligraphy is the traditional art of writing Chinese characters. After centuries of creation and evolution, calligraphy has become a unique from of art.

Chinese scripts are generally divided into five categories: the seal script (zhuang), the official script (li), the regular script (kai), the cursive hand (cao) and the running hand (xing). The seal script was the representative script of the Qin Dynasty (221BC-206BC). The official script was popularly used in the Han Dynasty (206BC-220AD). The regular script was the result of development of the official script. The cursive hand is a fast way of writing the regular and official scripts. The running hand is the script between the regular and cursive. Neither as neat as the former nor as difficult to recognize as the latter, it is the most commonly used, and is the easiest way of handwriting.

There have been many famous calligraphers, such as Wang Xizhi, Quyuan Xun, Yan Zhenqing, Liu Gongquan and Zhao Mengfu, to name but a few. Each, after years of hard practice, has formed a unique calligraphic style, elevating the Chinese calligraphy into a higher level.

Chinese brush, ink stick, paper and ink stone are the necessary tools and materials for writing and painting and have always been named collectively as the “Four Treasures of the Study”. To learn calligraphy, one first has to learn how to use a Chinese brush. Beginners should should start by copying the regular script.

Wang Xizhi (303-361 or 321-379) was a famous calligrapher of the Eastern Jin Dynasty and enjoyed the reputation of “the saint of calligraphy”.

Ouyang Xun (557-641), with personal name as Xinben, was a famous calligrapher of the Tang Dynasty, called “the regular script top one of the Tang Dynasty”.

Yan Zhenqing (709-785), with the personal name as Qingchen, was a famous calligrapher of the Tang Dynasty. He totally got rid of the early Tang Dynasty writing style and created a new Calligraphy style.

Liu Gongquan (778-865), with the personal name of Chengxuan, was a famous calligrapher of the Tang Dynasty. He was famous for his unique script equally with Yan Zhenqing and they were called “Yan & Liu”.

Zhao Mengfu (1254-1322), with the personal name of Songxue or Oubo, was a famous calligrapher and painter of the Yuan Dynasty.

Seal Cutting

Seal cutting refers to the art of carving on a block of certain material following a diagram of calligraphy or painting already drawn on it. A unique form of traditional art in China, it is of both practical and appreciative functions. A block thus carved is called a seal. Characters can be carved in relief or deep into the carving material. The latter is called intaglio.

At the very beginning, a seal was only used as a token of pledge or a symbol of power. It was not until the Tang Dynasty (618-907) that the seal was gradually transformed form a practical item into a piece of art. Seal cutting, as a new form of art, started in the Song (960-1279) and Yuan (1206-1368) dynasties and flourished in the late Ming Dynasty (1368-1644) and early Qing Dynasty (1644-1911). During this period, many carving artists and schools appeared. The renowned carving artists included Wen Peng, He Zhen, Ding Jing, Deng Shiru and Qi Baishi.

In seal cutting, seal style cutting is commonly used. Besides that, regular, official, running styles can also be seen. The seal itself can be made of crustal, jade, metal, animal horn, ivory, bamboo, wood, stone, etc. Stone is most extensively used, among which, Qingtian, Shousahn, Changhua and Balin seal stones are the most favorable.

In China, seal cutting is recognized by all circles and is popular today among young people.

Traditional Chinese Painting

Traditional Chinese painting is the art of painting on a piece of Xuan paper or silk with a Chinese brush that was soaked with black ink or colored pigments. It is regarded as one of the “three quintessence of Chinese culture”, the other two being traditional Chinese medicine and Beijing Opera.

By subject, traditional Chinese painting can be classified into three types, figure painting, landscape painting, and flowers and birds painting. Figure painting came into maturity as early as the Warring States Period (475-221) and reached its peak during the Tang Dynasty (618-907). Famous figure painting artists include Gu Kaizhi and Wu Daozi.

Landscape painting, as the name indicates, delineates the outside scenery. It first appeared in the Qin Dynasty (221 BC-206 BC) and became an independent genre during the Sui (581-618) and Tang dynasties. By the time of the Song Dynasty (960-1279), it had reached a very high level. Representative artists of landscape painting include Li Sixun, Fan Kuan and Tang Yin.

Flowers and birds painting concentrates on the drawing of flowers, birds, animals, fishes, and insects, etc. in their natural state. It came into being in the Northern and Southern dynasties (420-589) and became a mature art during the Song Dynasty. Celebrated artists include Zhu Da, who excelled in execution of flowers and birds, zheng Xie, who was good at bamboo, and Qi Baishi, who excelled in fish and shrimp.

By styles of brushwork,traditional Chinese painting can be categorized into “gongbi” (realistic painting characterized by fine brushwork and close attention to details) and “xieyi” (freehand brushwork aimed at catching the spirit of the object and expressing the author’s impression or mood). Unlike Western sketches which focus on truthful regeneration of subject, traditional Chinese panting pays more attention to verve and artistic conception, canonizing the idea that painting should contain more meaning than what it depicts. For instance, when Xu Beihong began to draw horses, he would firstly have shape features in his mind, and then draw a painting of horses that were more beautiful and real than horses in real life in the simple brushwork. To take “xieyi” painter Qi Baishi as another example, in one of his paintings there were two chickens scrabbling for an earthworm. However, he named the painting “Say ‘Hello’ Afterwards”, meaning that although the bubs were not so sensitive that both of them scrabble for the same food, they would have deep friendly feelings and say “Hello” to each other afterwards. The whole personification of little chickens reflected Qi’s comprehension of the whole life. In general, the style of traditional Chinese paintings is grandiose, containing ruggedness as well as detail and magnificence. In addition, its contents are rich with colorful forms.

In a finished works of traditional Chinese painting, inscriptions, poems, and stamos often come side by side. Therefore, traditional Chinese painting is an art form combining poetry, calligraphy, painting and seal carving, Its artistic achievement and national features have won recognition of the people all over the world. Thus, traditional Chinese painting brings decorous sentiment and artistic enjoyment for people.

#chinese culture

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solidaritytw · 7 years ago

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Recent TVBS mayoral election polls: headline and other #s

Sources: Summary of six majors; Taipei (Jul. 11-13); New Taipei (Jul. 13-17); Taoyuan (Jul. 6-11); Taichung (Jul. 18-20); Tainan (Jul. 4-6); Kaohsiung (June 29 - July 4); Hsinchu County (Jun. 26-29)

Comments -Framing "coal power or nuclear power?" as a binary question puts the national government in a tough spot. -According to this poll, the KMT went with its less popular option in Hsinchu County. -Lin is the incumbent in the greatest danger, but this Taichung poll was conducted before China's intervention to strip Taichung of the right to host the East Asian Youth Games, which may have rallied support to Lin. -After all that’s happened, Ko Wen-je's net favorability is still positive. Pasuya Yao, meanwhile, is toast. -Cheng Wen-tsan fever continues. -Hou You-yi has broad support and is perceived to be a clean politician. -The KMT is disintegrating in Tainan.

HEADLINE FIGURES

Taipei Ko Wen-je (柯文哲) (Independent): 40% Ting Shou-chung (丁守中) (KMT): 30% Pasuya Yao (姚文智) (DPP): 11% Undecided: 18%

New Taipei Hou You-yi (侯友宜) (KMT): 48% Su Tseng-chang (蘇貞昌) (DPP): 29% Undecided: 23%

Taoyuan Cheng Wen-tsan (鄭文燦) (DPP): 56% Apollo Chen (陳學聖) (KMT): 20% Chu Mei-hsueh (朱梅雪) (Independent): 2% Undecided: 22%

Taichung Lu Shiow-yen (盧秀燕) (KMT): 39% Lin Chia-lung (林佳龍): 33% Undecided: 28%

Tainan Huang Wei-cher (黃偉哲) (DPP): 41% Kao Su-po (高思博) (KMT): 15% Su Huan-chih (蘇煥智) (Independent): 8% Mark Lin (林義豐) (Independent): 7% Hsu Chung-hsin (許忠信) (Independent): 5% Undecided: 24%

Kaohsiung Chen Chi-mai (陳其邁): 40% Han Kuo-yu (韓國瑜): 32% Undecided: 28%

Hsinchu County Hsu Hsin-ying (徐欣瑩) (MKT): 31% Yang Wen-ko (楊文科) (KMT): 27% Chang Chao-feng (鄭朝方) (DPP): 9% Undecided: 32%

More questions under the fold:

TAIPEI (Continued)

Favorability: Ko (Independent): 43% favorable, 34% unfavorable, 23% no opinion Ting (KMT): 36% favorable, 24% unfavorable, 40% no opinion Yao (DPP): 15% favorable, 47% unfavorable, 38% no opinion

Satisfaction with Incumbent Administration (Ko's): Satisfied: 44% Unsatisfied: 40% No Opinion: 16%

Regarding Typhoon Maria, New Taipei Mayor Eric Chu (朱立倫) yesterday announced a day off today, while Taipei Mayor Ko Wen-je and Keelung Mayor Lin Yu-chang (林右昌) didn't. Do you believe that Mayor Ko's decision was appropriate? Yes: 66% No: 19% No Opinion: 15%

NEW TAIPEI (Continued)

Favorability: Hou (KMT): 46% favorable, 18% unfavorable, 35% no opinion Su (DPP): 36% favorable, 31% unfavorable, 33% no opinion

Regardless of whom you will vote for, overall, do you believe (candidate) is a person of integrity (清廉)? Hou: 45% yes (12% strongly, 33% somewhat), 12% no (10% somewhat, 2% strongly), 43% no opinion Su: 45% yes (9% strongly, 36% somewhat), 13% no (9% somewhat, 4% strongly), 41% no opinion

The government is going to rebuild a coal power plant in Shen'ao, Ruifang. Do you approve of this? Yes: 22% No: 53% No Opinion: 25%

Some have recommended restarting the fourth nuclear power plant as an alternative to rebuilding the coal power plant at Shen'ao. Would you prefer rebuilding the Shen'ao coal power plant or launching the fourth nuclear power plant? Build the coal power plant: 24% Launch the nuclear power plant: 49% No opinion: 27%

TAOYUAN (Continued)

Favorability: Cheng (DPP): 53% favorable, 12% unfavorable Chen (KMT): 26% favorable, 19% unfavorable

TAICHUNG (Continued)

Favorability: Lin (DPP): 32% favorable; 29% unfavorable Lu (KMT): 37% favorable, 13% unfavorable

Satisfaction with Incumbent Administration (Lin's): Satisfied: 37% (7% very, 30% somewhat) Unsatisfied: 36% (24% somewhat, 12% very) Undecided: 27%

Do you believe that compared with three years ago, Taichung's air pollution is now more severe, less severe, or about the same? Less Severe: 6% (2% very, 4% somewhat) More Severe: 51% (14% somewhat, 37% very) About the Same: 34% Don't Know: 8%

TAINAN (Continued)

Favorability: Huang: 43% favorable, 20% unfavorable Kao: 18% favorable, 25% unfavorable Su: 24% favorable, 33% unfavorable

Hypothetical race with an extra independent candidate and without a KMT candidate: Huang (DPP): 43% Su (Independent): 10% Lin (Independent): 8% Chen Tzu-ching (陳子敬): 7% Hsu (Independent): 4% Undecided: 28%

Hypothetical race with the extra independent and the KMT candidate included: Huang (DPP): 41% Kao (KMT): 15% Su (Independent): 8% Lin (Independent): 7% Chen (Independent): 4% Hsu (Independent)： 3% Undecided: 20%

KAOHSIUNG (Continued)

Favorability: Chen (DPP): 34% favorable, 23% unfavorable Han (KMT): 28% favorable, 21% unfavorable

HSINCHU COUNTY (Continued)

Hypothetical election where KMT nominee replaced by KMT primary candidate who was passed over: Lin Wei-chou (林為洲) (KMT): 37% (+10) Hsu (MKT): 29% (-2) Cheng (DPP): 8% (-1)

Hypothetical election where Lin joined the race as an independent: Hsu (MKT): 27% Lin (Independent): 24% Yang (KMT): 20% Cheng (DPP): 8% Undecided: 21%

#polls

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reikooolim · 6 years ago

Text

MUSIC GENRE RESEARCHES - 05/09/2019, Week 4

1) R & B

- Known as Rhythm and Blue.

- A genre of popular music originated in African American communities in 1940s.

- Combines elements of rhythm and blues, pop, soul, funk, hip-hop and electronic.

- “urbane, rocking, jazz-based music witha heavy, insistent beat”

- The genre of music usually encapsulates African - American experience of pain and quest for freedom and joy as well as triumphs and failures in terms of relationship, economies, and aspirations.

- The “Rhythm & Blues” term was created to replace the designation “race music,” which until then was the standard catch-all phrase used in reference to most music made by blacks at the time. After the “race music” term was deemed offensive, Billboard began using the Rhythm & Blues name that Wexler created.

- The meaning behind the name is this: the “rhythm” part comes from the music’s typical dependence on four-beat measures or bars and the liberal use of a backbeat, in which the second and fourth beats are accented in each measure. And the “blues” portion comes from the lyrics and melodies of the songs, which were often sad, or ‘blue’, especially during the music’s emergence in the World War II era. Over time the name was shortened to R&B as a matter of convenience.

- Pioneering Groups of R&B artist: The Cardinals, The Swallows, Dunbar / Hi-Fis, the Five Blue Notes, the Armstrong Four and many more.

- R&B artist today: Usher, Alicia Keys, Jennifer Hudson and many more.

- Example of R&B Muics:

https://www.youtube.com/watch?v=zYZJSiQQFlM

https://www.youtube.com/watch?v=3KL9mRus19o

https://www.youtube.com/watch?v=0habxsuXW4g

https://www.youtube.com/watch?v=fPgf2meEX1w

https://www.youtube.com/watch?v=4m1EFMoRFvY

- Sources:

https://www.liveabout.com/what-is-randb-music-2851217

https://en.wikipedia.org/wiki/Rhythm_and_blues

www.youtube.com

2) C - POP

- Known as Chinese popular music (usually artist from mainland China, Hong Kong and Taiwan).

- 3 main subgenres (Cantopop, Mandopop and Hokkien pop).

- Can be used as an umbrella term to cover R&B, Chinese Rock (diverged in the early 1990s, Ballads, Chinese Hiphop and Chinese ambient music.

- The first Chinese pop music was regarded around 1927 “The Drizzle” composed by Li Jinhui and sung by his daughter Li Minghui.

- Popular artist (collated by Malaysia’s Nanyang Siang Pau):

In 1999, the 20th Century Top 30 are in this order: Teresa Teng, Zhou Xuan, Yoshiko Ōtaka, Samuel Hui, Bai Guang, Paula Tsui, Alan Tam, Jacky Cheung, Anita Mui, Leslie Cheung, Faye Wong, Liu Wen-cheng, Chyi Yu, Lee Yee (李逸), Danny Chan, Dave Wong, Julie Su, Roman Tam, Beyond, Eric Moo, Chyi Chin, Yao Surong (姚蘇蓉), Wu Yingyin, Tsin Ting, Yao Lee, Tsui Ping, Tsai Chin, Lo Ta-yu and Jonathan Lee.

In 2010, the Chinese Music Awards recognized the top 30 C-pop artists since 1980. They are, approximately in the order of their birth years: Liu Jia-chang, Li Guyi (李谷一), George Lam, Sam Hui, Paula Tsui, Roman Tam, Alan Tam, Liu Wen-cheng, Julie Su, Teresa Teng, Fong Fei Fei, Jenny Tseng, Lo Ta-yu, Fei Yu-ching, Leslie Cheung, Danny Chan, Chyi Yu, Tsai Chin, Chyi Chin, Anita Mui, Jonathan Lee, Jacky Cheung, Cui Jian, Liu Huan, Tat Ming Pair, Beyond, Sandy Lam, Faye Wong, Eason Chan, and Jay Chou.

Examples of C-POP:

https://www.youtube.com/watch?v=JbTv4IjIYcQ

https://www.youtube.com/watch?v=1ZQd37_02LE

https://www.youtube.com/watch?v=PwSQQoWqeBs

https://www.youtube.com/watch?v=qu_FSptjRic

https://www.youtube.com/watch?v=u9Gl-Q1u-54

https://www.youtube.com/watch?v=BVK_Q6KZSUI

https://www.youtube.com/watch?v=VAFJZawjSQs

https://www.youtube.com/watch?v=xqI3wiWKCgk

https://www.youtube.com/watch?v=lKe0k2pF9pc

- Sources

https://en.wikipedia.org/wiki/C-pop

www.youtube.com

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thebleedingwoodland · 2 years ago

Photo

啊哈哈哈我找到了化石位於外置硬盤！！ 🤣

...from year 2015. I used to play my Sim visiting Shang Shitla Simla. I cannot take that World seriously, so I made my Sim Chou Cheng-Huan - human version - flirting EA-generated local ladies in that World.

#oh yes the sims is very manly game #flirting with many ladies #the sims 3 #the sims 3 world adventures #shang simla #the sims 3 gameplay

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sportsflu · 7 years ago

Link

The Thomas and Uber Cup 2018 also known as the 2018 BWF Thomas & Uber Cup will be the 30th edition of the Thomas Cup and the 27th edition of the Uber Cup, This event is a Team event contested by the men and women’s national teams of the member associations Badminton World Federation (BWF). The tournament will be hosted by Bangkok, Thailand at IMPACT Arena

This will be the first time that Thailand will be hosting this prestigious tournament from 20 to 27th may 2018, where Denmark and china will be defending Men’s championship and Women’s championship crown respectively.

Thomas and Uber cup finals 2018 draws:

Thomas and Uber cup 2018 Schedule:

Thomas and Uber cup 2018 team level details:

Thomas cup:

Algeria: Abderrahim Bouksani, Balahoune Majed Yacine, Belarbi Mohamed Abderrahime, Hamek Adel, Khaldi Samy, Larbaoui Sifeddine, Mammeri Koceila, Meddah Adel, Medel Youcef Sabri, Ouchefoun Mohamed Abdelaziz

Australia: Chau Matthew, Gobinathan Ashwant, Joe Anthony, Leung Simon Wing Hang, Schueler Jacob, Serasinghe Sawan, Tam Raymond, Teoh Kai Chen, Vuong Eric, Yan Peter

Canada: Dostie-Guindon Paul-Antoine, Ho-Shue Jason Anthony, Lai Jonathan Bing Tsan, Li Antonio, Lindeman Ty Alexander, Yakura Nyl, Yang Brian, Yao Duncan

China: Chen Long, Li Junhui, Lin Dan, Liu Cheng, Liu Yuchen, Qiao Bin, Shi Yuqi, Wang Yilyu, Zhang Nan, Zheng Siwei

Chinese Taipei: Chen Hung Ling, Chou Tien Chen, Hsu Jen Hao, Lee Jhe-Huei, Lee Yang, Lu Ching Yao, Wang Chi-Lin, Wang Tzu Wei, Yang Chih Chieh, Yang Po Han

Denmark: Antonsen Anders, Astrup Kim, Axelsen Viktor, Boe Mathias, Christiansen Mathias, Conrad-Petersen Mads, Jorgensen Jan O, Kolding Mads Pieler, Rasmussen Anders Skaarup, Vittinghus Hans-Kristian Solberg

France: Corvee Jordan, Corvee Lucas, Gicquel Thom, Kersaudy Bastian, Labar Ronan, Leverdez Brice, Maio Julien, Merkle Arnaud, Popov Toma Junior, Rossi Leo

Germany: Jansen Jones Ralfy, Kaesbauer Peter, Lamsfuss Mark, Roovers Alexander, Roth Fabian, Schaefer Kai, Schaenzler Lars, Seidel Marvin Emil, Zurwonne Josche, Zwiebler Marc

Hong Kong: Ho Wai Lun, Hu Yun, Lee Cheuk Yiu, Lee Chun Hei Reginald, Mak Hee Chun, Ng Ka Long Angus, Or Chin Chung, Tang Chun Man, Wong Wing Ki Vincent, Yeung Shing Choi

Indonesia: Ahsan Mohammad, Alfian Fajar, Ardianto Muhammad Rian, Christie Jonatan, Gideon Marcus Fernaldi, Ginting Anthony Sinisuka, Kholik Firman Abdul, Mustofa Ihsan Maulana, Setiawan Hendra, Sukamuljo Kevin Sanjaya

India: Attri Manu, George Arun, M.R. Arjun, Prannoy H. S., Reddy B. Sumeeth, Sai Praneeth B., Sen Lakshya, Shlok Ramchandran, Shukla Sanyam, Verma Sameer

Japan: Endo Hiroyuki, Inoue Takuto, Kamura Takeshi, Kaneko Yuki, Momota Kento, Nishimoto Kenta, Sakai Kazumasa, Sonoda Keigo, Tsuneyama Kanta, Watanabe Yuta

Korea: Choi Solgyu, Chung Eui Seok, Ha Young Woong, Heo Kwang Hee, Jeon Hyeok Jin, Kang Min Hyuk, Kim Dukyoung, Kim Won Ho, Seo Seung Jae, Son Wan Ho

Malaysia: Arif Mohamad Arif Ab Latif, Chia Aaron, Goh V Shem, Lee Chong Wei, Lee Zii Jia, Leong Jun Hao, Soh Wooi Yik, Tan Wee Kiong, Teo Ee Yi, Zulkarnain Iskandar

Russia: Alimov Rodion, Dremin Evgenij, Grachev Denis, Gulomzoda Shokhzod, Ivanov Vladimir, Karpov Georgii, Lemeshko Nikita, Malkov Vladimir, Sirant Sergey, Sozonov Ivan

Thailand: Avihingsanon Suppanyu, Isriyanet Tinn, Kedren Kittinupong, Namdash Kittisak, Phetpradab Khosit, Phuangphuapet Nipitphon, Puavaranukroh Dechapol, Thongnuam Pannawit, Viriyangkura Tanupat, Wangcharoen Kantaphon

Uber Cups:

Australia: Chen Hsuan-Yu Wendy, Fung Zecily, Khoo Lee Yen, Lim Lauren, Ma Louisa, Mapasa Setyana, Slee Ann-Louise, Somerville Gronya, Tam Jennifer, Veeran Renuga

Canada: Beaulieu Anne-Julie, Choi Catherine, Honderich Rachel, Li Michelle, Pakenham Stephanie, Tam Brittney, Tong Michelle, Tsai Kristen, Wu Josephine

China: Chen Qingchen, Chen Yufei, Gao Fangjie, He Bingjiao, Huang Dongping, Huang Yaqiong, Jia Yifan, Li Xuerui, Tang Jinhua, Yu Zheng

Chinese Taipei: Chen Hsiao Huan, Chiang Mei Hui, Hsu Ya Ching, Hu Ling Fang, Kuo Yu Wen, Lin Wan Ching, Lin Ying Chun, Pai Yu Po, Tai Tzu Ying, Wu Ti Jung

Denmark: Blichfeldt Mia, Bøje Alexandra, Christophersen Line, Finne-Ipsen Julie, Fruergaard Maiken, Kjaersfeldt Line Højmark, Rohde Natalia Koch, Søby Rikke, Thygesen Sara

France: Batomene Marie, Delrue Delphine, Desmons Ainoa, Heriau Vimala, Hoyaux Yaelle, Lambert Margot, Lefel Emilie, Normand Katia, Palermo Lea, Tran Anne

Germany: Deprez Fabienne, Efler Linda, Goliszewski Johanna, Heim Luise, Herttrich Isabel, Kaepplein Lara, Konon Olga, Li Yvonne, Nelte Carla, Wilson Miranda

Hong Kong: Cheung Ngan Yi, Cheung Ying Mei, Ng Tsz Yau, Ng Wing Yung, Poon Lok Yan, Wu Yi Ting, Yeung Nga Ting, Yeung Sum Yee, Yip Pui Yin, Yuen Sin Ying

Indonesia: Ayustine Dinar Dyah, Fitriani Fitriani, Haris Della Destiara, Hartawan Ruselli, Istarani Ni Ketut Mahadewi, Maheswari Nitya Krishinda, Polii Greysia, Pradipta Rizki Amelia, Rahayu Apriyani, Tunjung Gregoria Mariska

India: Bhale Vaishnavi, Ghorpade Sanyogita, Jakka Vaishnavi Reddy, Jakkampudi Meghana, Kudaravalli Sri Krishna Priya, Nehwal Saina, Prabhudesai Anura, S Ram Poorvisha, Sawant Prajakta

Japan: Fukushima Yuki, Hirota Sayaka, Matsutomo Misaki, Okuhara Nozomi, Sato Sayaka, Takahashi Ayaka, Takahashi Sayaka, Tanaka Shiho, Yamaguchi Akane, Yonemoto Koharu

Korea: An Se Young, Baek Ha Na, Kim Hye Rin, Kim So Yeong, Kong Hee Yong, Lee Jang Mi, Lee Se Yeon, Lee Yu Rim, Shin Seung Chan, Sung Ji Hyun

Malaysia: Cheah Soniia, Chow Mei Kuan, Goh Jin Wei, Goh Yea Ching, Hoo Vivian, Kisona Selvaduray, Lee Meng Yean, Lee Ying Ying, Soong Fie Cho, Tee Jing Yi

Mauritius: Allet Aurelie Marie Elisa, Dookhee Kobita, Foo Kune Kate, Leug For Sang Jemimah, Mungrah Ganesha

Russia: Bolotova Ekaterina, Chervyakova Anastasia, Davletova Alina, Evgenova Ksenia, Komendrovskaja Elena, Kosetskaya Evgeniya, Morozova Olga, Perminova Natalia, Pustinskaia Anastasiia, Vislova Nina

Thailand: Chaladchalam Chayanit, Chochuwong Pornpawee, Intanon Ratchanok, Jindapol Nitchaon, Kititharakul Jongkolphan, Muenwong Phataimas, Ongbamrungphan Busanan, Prajongjai Rawinda, Supajirakul Puttita, Taerattanachai Sapsiree

Live streaming of Thomas and Uber cup 2018:

In India:

Star Sports 2 and Star Sports HD 2 is official Broadcaster of the Thomas and Uber Cup 2018 in India. While Hotstar.com will provide the Live Streaming online through the Internet

Outside India:

If you are outside India then watch BWF youtube channel for the Thomas and Uber Cup 2018 Live Telecast, Streaming.

Follow SportsFlu for all updates on Thomas and Uber cup 2018!

The post Thomas and Uber cup 2018: Everything you want to know about appeared first on SportsFlu.

#badminton

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davincieseatommy · 7 years ago

Text

Qian li zhi wai, 千里之外 , song lyrics in English and Chinese

周杰伦千里之外 Jay Chou Qian li zhi wai [Thoushands of Miles Away] 演唱:周杰伦&费玉清 Chorus by Jay Chou & Feiyu Ching

歌詞:方文山 Cinese Lyrics: Wensan Fon

{Music} (ref.:https://www.youtube.com/watch?v=ocDo3ySyHSI) {Music} (ref: https://www.youtube.com/watch?v=2Ywgn_CFI70)

屋檐如悬崖风铃如沧海我等燕归来 wu ru xuan ya feng ling ru cang hai wo deng yan gui lai [Eaves are such as the cliff, and wind rings are such as the sea, I waited for the returning swallows.](Swallows nested under the eave) 时间被安�� 演一场意外你悄然走开 shi jian bei an pai yan yi chang yi wai ni qiao ran zou kai [The time was arranged for an pretented accident, you quietly walked away.] 故事在城外浓雾散不开看不清对白 gu shi zai cheng wai nong wu san bu kai kan bu qing dui bai [The story can not be seen the dialogue in the dense fog and it was on from the outside of this castle.] 你听不出来风声不存在是我在感慨 ni ting bu chu lai feng sheng bu cun zai shi wo zai gan kai [You can not hear the sound of blowed wind (small talks), which didn't not exist. And my feelings were with a moving heart.] 梦醒来是谁在窗台把结局打开 meng xing lai shi shui zai chuang tai ba jie ju da kai [Dreams walked out, but who woke up on the windowsill to open the last theme of the story.] 那薄如蝉翼的未来经不起谁来拆 na bao ru chan yi de wei lai jing bu qi shui lai chai [The future of the story is thin as wings of a cicadas. It can not afford to be broken.](cicadas shakes wings to sound out with a special rhythm, not the similarity as skins of onion to flip out)

{chorus} 我送你离开千里之外你无声黑白 wo song ni li kai qian li zhi wai ni wu sheng hei bai [My distance left you and it was away from thousands of miles, your silence were no truth out as colors of black and white.] 沉默年代或许不该太遥远的相爱 chen mo nian dai huo xu bu gai tai yao yuan de xiang ai [The silent years were. Perhaps, it was the way with no farness from loves.] 我送你离开天涯之外你是否还在 wo song ni li kai tian ya zhi wai ni shi fou huan zai [My distance left you and it was away from thousands of miles, are you still there?] 琴声何来生死难猜 qin sheng he lai sheng si nan cai [Where the sound of piano is from, the hard guess of the sound without death or live](with death and live) 用一生去等待 yong yi sheng qu deng dai [Waited (a result of the story) with a life]

闻泪声入林寻梨花白只得一行青苔 wen lei sheng ru lin xun li hua bai zhi de yi xing qing tai [Heard a sound of dropped tears, find the white of pear flower, get a sight of lined moss](lined moss: moss usually on the steps of forest, this means that no one came) (li hua bai = the white of pear flower. Chinese voice is similar with another chinese words, and those words mean that the away (distance) is truth) 天在山之外雨落花台我两鬓斑白 tian zai shan zhi wai yu luo hua tai wo liang ban bai [(A rectangle views on my sight, that is,) The sky was on the mountain(far view), raining drops landed on the windowsill with flowers(near view). Hair before my ears are white spots.] [Rain outside the mountains outside the mountains I stage two white spotted] 闻泪声入林寻梨花白只得一行青苔 wen lei sheng ru lin xun li hua bai zhi de yi xing qing tai [Heard a sound of dropped tears, find the white of pear flower, get a sight of lined moss] 天在山之外雨落花台我等你来 tian zai shan zhi wai yu luo hua tai wo deng ni lai [The sky was on the mountain(far view), raining drops landed on the windowsill with flowers. I waited for your coming.] 一身琉璃白透明着尘埃你无瑕的爱 yi shen liu li bai tou ming zhuo chen ai ni wu de ai [A suite is with glass white, and it is transparent out of dust, it figures the detail imperfection without your love.] 你从雨中来诗化了悲哀我淋湿现在 ni cong yu zhong lai shi hua liao bei ai wo lin shi xian zai [Then, you walked out of the rain and poetic sad (from the rain), I wet now](so wet now...; I wet now; (I waited till now)) 芙蓉水面采船行影犹在你却不回来 rong shui mian cai chuan xing ying you zai ni que bu hui lai [Colorful hibiscus by the side water, the ship were out with its shadow, and it took no your return.] 被岁月覆盖你说的花开过去成空白 bei sui yue fu gai ni shuo de hua kai guo qu cheng kong bai [It was covered by the duration of years. Flowers you said (so colorful), the past (that you were in) is white] 梦醒来是谁在窗台把结局打开 meng xing lai shi shui zai chuang tai ba jie ju da kai [Dreams walked out, but who woke up on the windowsill to open the last theme of the story.] 那薄如蝉翼的未来经不起谁来拆 na bao ru chan yi de wei lai jing bu qi shui lai chai [The future of the story is thin as wings of a cicadas. It can not afford to be broken.]

{to chorus}

#song #translation #Christmas #lyrics #English

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