hardwoodfloor0

[miraculouslbcnreactions]

Character Driven vs. Plot Driven

I had someone message me asking what these terms meant and which Miraculous was and if it explained the writing, especially in context of the ending of season five and that's not something I can answer in a quick reply, so you all get a post instead!

Intro

At first glance, “character driven” and “plot driven” are somewhat confusing terms because almost every story has characters making choices that make things happen and almost every story has some kind of plot that's driving the action, so what do these terms even mean? Why do we use them?

The answer is that we generally don’t? These are high-level categorizations that I’ve almost exclusively seen talked about in things like writing classes where the instructor is trying to help you figure out your style preferences or perhaps painting a genre in broad strokes. I rarely see these terms come up when discussing specific works because they’re not that useful in the mirco. They never excuse or explain writing choices the way something like genre might because genre is a meaningful category and these really aren't. They're too vauge.

Also, as with many such binary categorizations, there’s a spectrum here. On one side is pure plot-driven and on the other is pure character-driven and in between them are most of the stories you'll consume in your life. In spite of that minor issue, I am going to start by defining what these two terms mean at their most extremes because that is relevant to the discussion. We’ll then use Miraculous to get into the nuance of the spectrum.

Character Driven

Character-driven narratives are stories that focus heavily on characters doing – or not doing – things because of their unique personalities, thoughts, and feelings. Stories where the events unfold almost entirely because of who the characters are and what very personal choices they make. Switch the characters and the story would look wildly different or even not exist at all.

When I think of pure character-driven works, I generally think of coming-of-age stories where there’s almost no plot to speak of. It’s just a teenage character struggling with life and learning to accept it. Character studies are another good example.

Plot Driven

Plot-driven narratives are stories that you're engaging with for something other than the characters. The characters are just set pieces that are there to be used by the plot. This means that the characters are probably making choice, but we’re not going to focus on the deep, nuanced reasons for those choices. Change the characters and the choices remain the same because the story is focused on something beyond the characters.

When I think of pure plot-driven stories, I think of stereotypical action movies. Movies where the villain is throwing things at the hero and the hero is overcoming them as fast as they can and so much is happening that you barely even know who these characters are because you're not here for the characters. You're here for the action, so it's fine if the characters are pretty generic. Mystery stories also tend to fit this category as those are often just about the mystery and the characters that aren’t developed beyond what is needed for the puzzle to work.

Nuance

So which is Miraculous?

If we must pick a side, then it’s going to be plot driven because that is Miraculous’ main writing style. It’s not here to study the characters and let them drive the action. It’s here to entertain kids in 20-minute-long chunks where the kids don’t need to know the greater context of who the characters are in order to get what is going on. Pick a random episode and it’s probably going to be one where a random akuma shows up and where everything that happens will never come up again. That is not what character-driven narratives look live. This is not a show brimming with things like Chat Blanc and the season five final. Those are exceptions to the rule.

However, the existence of those episodes and the fact that some of the characters aren't interchangeable shows that this isn’t a purely plot-driven show. The writers do want the characters to effect the world in unique ways decided by their personalities and motivations and relationships. Those are character-driven elements and is why these categories are kind of meaningless in this context. Plot driven vs character driven doesn’t justify or explain Miraculous’ writing choices because many of the writing choices make no sense in either type of story!

Narratives that are mainly plot-driven are not narratives plagued by poor characterization. They’re just ones where the characterization elements aren’t the main focus. You still want your characters to feel authentic and make sense and you can even have moments where the action is effected by who the characters are because plot-driven isn’t some hard rule. As I said at the start, it’s just a general categorization! Genre and format are infinitely more limiting and worthy of discussion because they actually come with some pretty clear rules.

Dunking on Miraculous

The problem with Miraculous is not that the plot is the main driving force of the action. The problem is that characters often make no sense! They act widely out of character for the sake of dragging out the plot, which is the plot driving the narrative, but that doesn’t make it good writing! “Because plot” is not an excuse, it’s just an explanation. In fact, because the show so often ignores the characters’ personalities for the sake dragging out the plot, it actually undermines the entire story because it feels cheap when the story tries to use the characters’ personalities to justify further delays Oh, now you’re letting this matter? Really? How nice. F-off.

Here are some examples of what I mean about the plot-driven nature of the show making inauthentic characters:

Alya is obsessed with finding out everything she can about the miraculous and even becomes a full-time team member in season four with the explicit job of tracking down the butterfly and the peacock, but she never does anything meaningful in that role. We never see her trying to track down the villains even though her character would absolutely do that. Her lack of action is wildly inauthentic.

Gabriel and Nathalie learn all of the temp heroes identities at the end of season three and make two minor efforts to do something with that information that before letting their god-tier knowledge fizzle to nothing even though those same temp heroes never stop being used. This is out of character for both of them, especially Nathalie. In a story that was true to its characters, this would have meaningful consequences such as all the temp heroes having to be benched and/or the villains guessing that Ladybug is someone who knows these people since they have some obvious connections.

The secret identities are the only reason Ladybug lost all of the miraculous at the end of season four and Adrien knows this. The season also ends with Ladybug promising to trust him more and the next season opens on an episode where she does just that. In spite of this, Adrien never even tries to tell her about the secret identity thing and Ladybug never seems to become more open with her partner because, if the show did those things, then an identity reveal would happen and they can't let that happen so, once again, plot trumps characterization.

When a show is plagued by asinine choices such as these while also trying to claim it has these overarching plots and meaningful character beats, the story can come to feel disingenuous and frustrating to a lot of fans. That’s why we can get something as divisive as the season five ending. Because of the poor writing that lead up to that final, it’s hitting different people in different ways depending on how tolerant they are of a lot of the shows previous flaws.

Would it be hard for Marinette to tell Adrien the truth? Sure! That struggle is - in theory - a genuinely good character beat, but it falls flat for many because it comes after multiple seasons of forced, inauthentic delaying tactics that spat in the face of established characterization for basically every meaningful character. With those in mind, it’s hard to view the secret keeping as some authentic, meaningful choice for Marinette’s character when she and many others have been denied so many other authentic, meaningful choices.

This is extra true because her choice to keep both Adrien and Chat Noir in the dark just compounds the issue of the authentic growth that Marinette has been denied! I briefly touched on this in that last example in my list, but we just spent an entire season watching her and Chat Noir maintain their distance in spite of that being something that should have changed based on the character-based events of the last season. Remember, season four gave us this moment in Penalteam:

Ladybug: (looks around them and frowns) I'm sorry, I've been a bad captain. I played a solo game, I forgot we're a team. I'm gonna need all of you now, more than ever. Rooster Bold: Are you sure? I'm not really.. Ladybug: You're an excellent player, Rooster Bold. That's why I chose you. That's why I chose all of you! Let's play together, and bring all of our individual strengths together onto the field!

And this moment in the final, which is the two-part episode directly after Penalteam:

Ladybug: Why don't you just give up on me? I've lost ALL the Miraculous! I'm the worst Guardian EVER! I wanted to control everything, I didn't listen to you, I lied to you, I kept you at a distance! Every time you offered me a helping hand, I never took it! I really made a mess of EVERYTHING! (continues sobbing)

We are, as always, going to ignore that these things don't really match the story that season four told and instead take them at face value since this is the stated lesson. The viewers are being directly told that Ladybug went into season five having learned to trust others and stop keeping Chat Noir at a distance.

But did she? What actually changed in season five? I can't think of anything. Season five maintained all of the secrets and ended by adding new ones. We also had to suffer through Marinette doing absolutely nothing to try to find the missing kwamis even though that is wildly inauthentic to her character. Once that girl has a problem to solve, she obsesses over it! It's one of the few things that consistently gets her acting normal around Adrien, so why did her brain shut off and go full-Adrien for all of season five?

Add in the fact that a major plot of season five was outing Lila's lies and lies being bad and Marinette keeping this secret falls incredibly flat both plot-wise and character-wise. There's a reason that one of the main justification people use for the lie is a scarf from season one that we have literally never seen again and that Marinette never actually lied about. The show simply did not set itself up to make Marinette's lie feel like some authentic character beat. The best justification most people can give is that a 14-year-old would probably struggle to reveal this secret.

To be fair, that is a believable justification. That's believability is why the season five ending could have genuinely worked in a better show where the characters felt more authentic or even if it came much earlier in the story. If this was the season two ending, then I think that most people would be engaged by it and I’d probably even be defending Marinette’s actions because this is a massive thing to put on someone’s shoulders and she was early in her journey. Heck, I have defended her actions by pointing out that she was the last-informed of the group of people in the know and none of them are telling Adrien, so this is not all on her.

But that's the best I can do while being authentic to the story because this lie isn’t part of a story with authentic characters. Marinette has not been set up to lie like this and the lie is being told at the end of a season full of poor storytelling after multiple seasons of stalling tactics, making it impossible to take this lie seriously. Even if Miraculous was a primarily character-driven show, you can’t use that to justify the lie while ignoring all the poor characterization that surrounds it. The writers gave Marinette the kind of journey that should lead to her being brave enough to tell the truth, not the kind of journey where she was too much of a coward to tell the truth. The writing also never set up Nathalie or Kagami as the kind of people who would just bow to Marinette's wishes. It is glaringly obvious that this is all happening as a delaying tactic and not because it's a good choice for the characters or the plot.

[rivertakis]

there is no better feeling in life than connecting with other people

i feel like im going to explode from how much joy im feeling atm. i love being alive

[godsfavoritescientist]

Building off of what I wrote in my fic "Sparks," I'm really compelled by the idea of Ford genuinely no longer being interested in sailing around in a boat with Stan by the time they were seniors in high school.

I like the idea of it not being just a symptom of the resentment that had been building between them, nor it being a dream of Ford's that only paled in comparison to west coast tech, but it being a genuine loss of interest on Ford's end. I think it complicates things even further in some really juicy ways.

Like, imagine going through high school slowly losing more and more interest in the dream you've shared with your twin and only friend ever since you were little kids. How do you break it to him? How do you explain it to him without making it sound like a rejection of him? Without it making him hate you?

How do you explain it without it feeling like a spit in the face to all the hard work he's put into a plan that started out as a way of him comforting you by telling you "it doesn't matter what people say about you, you're going to be an adventurer who sails away into the sunset and never has to hear their mockery ever again, and there will be babes and treasure and heroism, and then they'll all see how cool you really are!"

And all through high school you think to yourself, "he's going to move on to more realistic dreams any day now, and then I won't have to say anything about it!" But no matter how many times you mention something else he could do with his life that he seems interested in, or bring up the challenging logistics of traveling around long-term in a boat, he sounds just as committed to the childhood dream as ever, and completely oblivious to how apprehensive you sound.

So resentment grows, little by little. Because that's easier than confronting the soul-crushing levels of guilt that are building up inside of you, every time you don't take an opportunity to tell him you don't want to do the plan anymore. You don't have a single person in your life who modeled how to have difficult conversations for you. As far as you know, having this conversation with Stan would crush him into tiny little pieces and then he would hate you forever, and you can't stand the idea of losing the only friend you've ever had.

So tensions grow. A lack of interest turns into a bitter resentment that, if you were really being honest with yourself, is directed more at yourself than it is at Stan.

And then the falling-out happens, and it seems like you were proven right. Stan hates you now, and he's never going to forgive you for giving up on his dream. But two can play that game, so you try to hate him too. Because if you hate him too, then maybe it won't hurt as much that he never came back. That he never even turned up at school, or by the boat, or in through your bedroom window in the middle of the night. He knows what dad's like, and how he says impulsive exaggerated things when he's angry, and haven't you both dealt with his harsh words countless times before and been able to dust yourselves off and joke about it later? So why isn't he back at home, joking with you about how absurd your dad acted that night, being impossible and belligerent about ruining your dream, but at least now you're even, because you've ruined his dream too.

-

And now imagine you find out he risked the lives of everyone in existence to bring you back, right after you had accepted your fate was to die killing Bill. It would be terrifying and confusing and infuriating. If he cared so much, why didn't he do something to reconnect with you sooner? Why did he ignore you in favor of trying to make it big without you? Why didn't he take the infinitely safer and simpler action of reaching out to you without you having to track down his address and send a desperate plea for help? You were convinced that he didn't care enough to bother with you unless you had an important enough reason for him to come. But even then, he thought your plans were stupid. He didn't want anything to do with you, not even with the world at stake.

Did he save your life out of guilt? Does he pity you that much? It doesn't add up with what he did in the decade leading up to shoving you into the portal. And the dissonance between the version of him in your head that hates you, and the man who held out his arms to welcome you back to your home dimension, is so strong that you feel like you're being lied to again, like you're back in the depths of gaslighting and manipulation that Bill put you through, even though there's no way that's what Stan is trying to do... right? You can't figure it out, so you run away from it. You don't want to know the answer to whether or not Stan hates you, because you don't know which answer would hurt more, so you try to make him hate you more than ever, because at least then you would know for sure how he feels.

And in the end, after he sacrifices his memories for you, and for the world, things seem clearer. The layers upon layers of confusion and anger and hurt seem to have washed away like drawings in the sand, leaving behind the simple truth: that you two had an argument, and didn't move past it for forty years, and despite everything you put each other through, you both still want to re-connect.

So you sail away in a boat together.

And at first, it's wonderful. It's exactly what you want. It feels like an apology to Stan, and a thank-you for saving the world, and a once-in-a-lifetime chance to heal the rift between you two, and it's good to be back on earth, and you wonder why you ever doubted the dream you two once had.

But then, after the first long journey you spend on the sea together, when you get back home to dry land, Stan is already talking about planning your next adventure out on the open sea. He recaps every adventure you had on the first trip, over and over again, and he wants to chat with you all through the morning and long into the night, and you don't have the words to explain to yourself that you don't have enough social battery for this, and suddenly you're slipping back into the horrifyingly familiar feeling of Stan being overbearing and needing space from him and how could you think that? How could you think that about him after everything he's done for you and everything he's forgiven you for? But the longer this goes on, the more you realize that you still don't want to spend the rest of your life sailing around with Stan. It's great fun in moderation, but the idea of your whole life revolving around Stan and going on adventures with Stan and being in a boat with Stan with no time to be by yourself thinking about your own things and figuring out your own dreams makes your skin crawl with a claustrophobic kind of panic that you still don't know how to put into words forty years after the first time this feeling grabbed you by the throat and ruined your friendship with Stanley.

But the first time this happened, it nearly ruined his life forever. You can't let yourself feel this. You don't feel this. You're happy to spend the rest of your life fulfilling Stan's lifelong dream, and making up for the time you crushed his dream, and sure, maybe he crushed your dream once too, and maybe it would be nice for him to support your dreams like you're now doing for him, but you can't say that. He saved the universe, and it would be horrible and ungrateful and cruel for you to try to voice these feelings, especially when you don't know how to voice your feelings without it making other people feel like you twisted a knife into their gut. So you try to pretend the feeling isn't there.

You go out on a boat with Stan again. You planned out another incredible journey together, and this should be fun, and you should be happy about this, but the unspoken feeling you shoved as far down in yourself as it could possibly go is eating you alive. The worst part? Stan is starting to notice. You have never been good at hiding your emotions. The trick to it has always been to convince yourself you don't feel it at all, and not think about it, and that has always worked like a charm. But whenever the emotion claws its way back up to the forefront of your mind, you can tell Stan knows something is wrong. So you can't even give him the happy ending he deserves. You can't even convince him that you want to be here on the open seas forever with him, like he deserves. And you keep trying and trying to hide it, but Stan keeps asking in roundabout ways, like "You're being awfully quiet, sixer," and "whats that look on your face?" and eventually it comes exploding out of you like a shaken-up soda bottle dropped on its cap.

And then it's like you're back at home in New Jersey again, standing in the living room while dad grabs Stanley by the shirt. It all comes pouring out of you, in the worst possible way, with the worst possible phrasing, like a pandora's box of monstrousness, and Stan tries to fight back against the sting of your words, but you're made out of acid and you're burning through him and you can see it on his face, and there's never any coming back from this, not this time, you'll just have to either jump into the ocean or become a monster forever, so Stan can hate you more easily again, and-

-and at the end of the outburst, you're still on a boat in the middle of nowhere in the ocean with your brother, in dangerous waters, and you have things to do to keep the boat running smoothly.

You can't run away from him. He can't run away from you. You're stuck here for at least a couple more weeks, even if you turned around and sailed back towards shore right away.

-

And the thing that compels me so much here, despite how unbelievably angsty it all is, is that it sets up a situation wherein the Stans might end up forced to actually address the decades of resentment and confusion and wanting-to-reconnect-throughout-it-all that they thought they could gloss over and heal with enough time spent adventuring together on a boat. They might end up forced to actually address the crux of the issue that drove them apart in the first place: Ford wanting a little more space to feel like his own person, and to feel like he's able to have his own dreams, too.

It wouldn't happen easily, nor right away, but if they were stuck together on a little boat in the middle of nowhere surrounded by magical creatures they have to protect each other from in order to make it back home alive, then after they had one fight where they brought up all the things they silently agreed to never bring up again, it would probably happen many more times, and each time it would leave them both angrier at each other than ever, until eventually something honest slipped through amidst all the saying-anything-except-what-they-mean bickering. And once enough of these honest moments slipped through, then they would have a thread to tug on to start to unravel the gargantuan knot of their decades of unresolved conflicts.

And then, eventually, maybe Stan could learn that he can have a good friendship with his brother without needing to be glued to him at the hip, and Ford needing a certain amount of alone time doesn't mean he dislikes him or wants to abandon him, and Ford could learn that he can be honest and have a meaningful connection with someone without it driving them away and making them hate him.

[that-was-anticlimactic]

i think it's about time that we acknowledge that, no, that character would Not change their name in a groupchat! especially not to that. and, no, that character would not change everyone else's names! especially not to that.

[todayisafridaynight]

I’m fairly new to the fandom, but I do have a question if you can answer it! Why do people ship Daigo with Aoki / Masato? I tried looking to see if they’ve interacted before, but couldn’t find anything! Sorry for asking I’m just </3 dumb AND I LOVE YOUR ART OF THEM!!! Nerd looking ahhhhhh

hi ! welcome to the community i hope you're having a lovely time so far and ty for enjoyin my stuff :) no need for apologies it's a very fair question to have :]

i cant speak for everyone (all. ten people into masadai anyway) but Personally To Me i just think the idea of them together is very funny. thats quite literally it im afraid..

[okcoolthanks]

Off topic but Whale reminds me of qsmp slimecicle from when he like went to fucking eggsile what the fuck ever kill me

[stillresolved]

continued from here! / @ptternminds

HE WORRIES HER, SOMETIMES. Not that Felicity thinks Yannick is incapable of taking care of himself ( although that was debatable back then; they all were trying to figure it out though ), but the man sitting in front of her is not the friend she remembers from their uni days.

That person was, well, maybe happier? Hopeful?

Driven.

( Back then, they both had been quite the duo, hadn’t they? The ice hockey prodigy with the physics wiz, a seemingly incompatible pair of an athlete and a nerd. What they didn’t know was that he could watch documentaries for hours on end and she could surf with relative ease. Isn’t that why they became friends in the first place? Reputations make deceptions of the bearers all the time. )

“I mean it,” she says, insistently. Her brow furrows. “You don’t…I mean I know you’ve been in journalism for a while, but you don’t have to keep doing it if you don’t want to. Nothing wrong with changing your mind. Or finding a new dream.” 

But Felicity relents- she didn’t come to dinner with him just to lecture him after all. This is supposed to be a catch-up session. She snorts, shaking her head. “I’m a pHD student, Yanni, not a celebrity– even if we did come up with a breakthrough, My supervisor would be taking most of the credit.” Her lips crease into a frown. “Unfortunately.” 

( If not for her boyfriend, she would have said something crasser. )

She leans forward, elbows sitting on the table. “I envy you sometimes, you know? Like yeah, it’s celebrity drama, but you get to be out in the world for a living; I’m stuck in a lab for days on end. And get paid shit.”

[that-foul-legacy-lover]

This might sound a bit odd, but Childe for the character bingo (Not FL)

~ The anon who wanted Kaveh but didn't want Baizhu or Ganyu Why is this just my self name now lmao

i like normal Childe!! almost as much as i like Foul Legacy... not quite tho. the circled ones are the ones i'm unsure/hesitant on because Childe has a lot of layers, he's a complex lad!!! i like him but it's hard to explain why... he's like a stress toy i would squish when nervous or mad but also i love him and want a hug but also the common fan characterization of him is so rancid to me that sometimes i want to stay 100 miles away. none of this makes sense at all, but long story short i like him very much but only certain characterizations of him (like mine), especially ones that give him depth, love those a lot

hehe i like that anon name it makes me smile :)

[3hks]

How to Write REALISTIC and SMOOTH Dialogue

In a story, dialogue is quite important, it helps the readers paint a picture of what's happening and the characters themselves. However, it can be difficult to avoid the unnaturalness and choppiness that comes with a lack of experience. But luckily, I have put together A LOT of advice on how you can get over that rockiness and improve!

*** KEEPING YOUR DIALOGUE REALISTIC, AND PACING ***

>> Keep your characters in character:

Dialogue is a remarkably quick way for readers to determine your character's personality. Thus, you want their speech patterns to remain fairly consistent so the audience won't get confused. If your character is more serious, then they will use less slang and perhaps a more impressive vocabulary. If your character is more relaxed, they will use more slang and compress the words. (such as "dunno," "kay," "y'know," etc.)

Basically, you want their tone to match their traits so the way that they talk is more realistic and personlized to themselves. If the way all your characters speak is the same, there's something wrong. A strong tip is to put yourself in your character's shoes and imagine how they would respond!

>> Take the situation into consideration:

This is another part of keeping your characters in, well, character. Different emotional situations will have a different effect on separate people, so make sure that you have an idea of how your character will act during stressful, irritating, and sad times.

If your character is normally cold, they will struggle if it comes to comforting other people because they have less experience in that field.

>> Don't take too long with their words:

Unlike when narrating something, most people talk just to get the idea across. They will be more specific and quicker with what they say. (This excludes any character who likes to talk a lot.) Unless it's on purpose, they won't dance around the topic. Think of when you casually chat with your friends; you're pretty unlikely to use certain words and/or phrases that might be common to use while narrating.

If you want to explain something complicated, instead of writing out a paragraph of just one person talking, use a question-and-answer prompt! This is where another character continuously asks related questions that get answered by another person, so you can indirectly reveal your explanation.

*** HOW TO WRITE A SMOOTHER CONVERSATION AND DIALOGUE TAGS***

>> Having a variety of dialogue tags:

This is a pretty basic thing to look out for if you're new to writing conversations. Using words like "said," every other sentence can easily make it feel choppy and robotic. Instead, use words like "murmured," "smirked," etc. to paint some emotion into their words. Additionally, vary the location of the dialogue tags! They don't all have to go after the statement, you can include something in the beginning or even the middle, too!

Examples:

Beginning - She tilted her head, "What are you talking about?"

Middle - "Oh," he blinked, "I actually never thought about that."

End - "Wait up!" She exclaimed loudly, waving her hands around.

>> Using no dialogue tags to create a smooth conversation:

Having too many tags can also overwhelm your reader--remember, sentence variety is a crucial part of writing--so you can always drop them if they're unneeded. This applies when your characters (two is the suggested amount) are talking back and forth in a pattern straightforward enough for the reader to understand who's talking without it having to be labeled.

Dropping dialogue tags in these moments can create a smoother atmosphere during the conversation because the reader only has to focus on the talking present.

*** USING SLANG, STUTTERS, FILLER WORDS, AND PAUSES ***

Human speech is often not perfect; when talking, we often make mistakes such as filler words, grammatically incorrect phrases, etc. Hence, for more natural-sounding dialogue, it's important to incorporate some of these.

>> Pauses and stutters:

When reading dialogue, we read it at a steady pace unless it's written otherwise. However, that steady pace can soon get too robotic and too smooth. Luckily, there are several ways to change this! You can use dialogue tags, (ex: she quickly spoke) commas, and ellipsis (...). These are often integrated when the character is hesitant, nervous, answering something, or when they need to admit something. The same idea applies to stutters--they're mainly used to demonstrate anxiousness, which can be found in varying situations.

>> Filler words and slang:

Filler words can really just be used where you see fit. They may be used in the situations I previously mentioned (because it shows someone stumbling over their words) but it's ultimately up to you!

Slang, just like everything else, should not be used too often, or it will seem forced and exaggerated. The point is to sound natural, and increasing amounts of repetitiveness can ruin it. It's also important to remember that in real life, our conversations move slower; when someone speaks, another person usually doesn't respond quite literally, right after. However, in writing, dialogue can actually often seem that way, which is why using tags and these imperfections of speech is pivotal for building a realistic conversation!

*** CONCLUSION ***

Lastly, a key point when writing dialogue is to ALWAYS read the conversations! Whether it be in your head or out loud, it can often help you catch anything that seems off! Additionally, like I mentioned at the very beginning, write dialogue from your character's perspective! Imagine yourself as them and how they/you would talk. Try to keep your dialogue tags, sentences, and word use varied to create a natural conversation!

If you were struggling before, I hope that this (extra) long guide was able to really offer you some insight and useful tips! If you read this far, thank you!

Happy writing~

3hks <3

[yanderederee]

Orange Theory

Bofurin Edition

concept: The Orange Peel Theory is from a viral trend where you ask your partner to bring you an orange. If they bring it to you peeled and ready to eat, it indicates that they're thoughtful and caring. If they bring it to you with the rind still on, it could indicate a lack of consideration.

a/n:I tried sticking as closely to their character colors as I could٩( ᐛ )و I also tried including as many characters as I could, even lesser written characters like Tsubakino/Taiga/Kiryu/lowkey Kaji too lol… I hope you like and agree!♡

⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯✦

Sakura Haruka

Poor boy would be so lost.

“I’m really craving an orange…” you mumbled to yourself.

“There’s some in the kitchen.” Sakura would reply casually, popping another grape in his mouth.

You’re silent for a while. Eventually he picks up on it and looks at you with a raised brow. “What’s up?” He’d ask.

“Can… you bring it to me please?” You’d ask. Sakura wouldn’t mind. He’d simply nod and hoist himself up, walk into the kitchen, and return with two unpeeled oranges. “I kinda want one too…”

He hands you one, distracted by the group chat on his phone as he began to peel the orange in his hand.

You were beginning to give up on the test, looking down at the unpeeled orange solemnly. “You haven’t touched your orange, you okay?” He’d ask, cluelessly.

“Im fine..” you’d reply, feeling silly for feeling so distant.

Sakura knows something’s up, so instead, he leans over, and takes the orange from your hand, replacing it with orange he had just peeled from his other hand. “If you wanted me to peel it for you, ya couldn’a said somethin’.”

Overall; 4/10. He sees you as a person who can do simple things for themselves, and may only feel the need to act more considerate if he notices you having a hard time.

Suou Hayato

The two of you decided on having a movie night at your place, and Suou thought it’d be courteous to bring a bag of oranges with him as a gift.

“You know what they say, oranges being good luck and prosperity.” (I was the one who wrote this and I still expected to proof-read ‘an orange a day keeps the doctor away.’)

Before you even had the chance to ask for one, he’s asking to use your kitchen to fix one up for you.

You agree, trying to watch him from the kitchen entrance. He smiles sweetly at you and politely asks you to wait for him in the movie viewing area.

It’s curious, but you do as he says.

He returns soon with a plate, neatly peeled and decorated.

Also asks if you would prefer a fork, if you didn’t want to risk getting your fingers sticky. It’s a little over the top, but he’s only trying to be considerate.

Overall: 11/10, He even saves the peels for Umemiya to use as compost. Encourages you to eat the entire plate, but will indulge in one if you insist.

Nirei Akihiko

Nirei asked if you’d like to binge your favorite show that night. As you both stopped by the store to pick up snacks for the binge, you remembered a couples trend, centered around the oranges in front of you.

You bought a couple, the excuse for them being one of your snacks for the night. Sweet Nirei praises you for making such a healthy snack choice, and even inspires him to put back some of his own snacks to live up to your example.

Just as you were about to begin the binge, you got very comfortable on the couch, and batted your eyelashes at your sweet boyfriend. “Can you bring me an orange please? I forgot them in the kitchen..”

Immediately agrees and hops up from beside you and to the kitchen.

He’s very happily humming to himself as he’s concentrating on the orange, walking back to the couch trying to get a good peel started.

Poor Nirei is so bad at it though, only able to peel off little bits of rind at a time. Half way through the first episode, the orange is crudely peeled, and he’s holding a slice out to you for you to eat.

Overall: 9/10, while its poor, he peels the orange with no indication you need him to, and feeds it to you one by one. ♡

Sugishita Kyotaro

Oh no.

Umemiya led you to Furin’s back yard area, eager to show you and Sugishita the fruits(haha) of his labor; a freshly grown baby orange tree.

Sugishita is immensely proud of his senior, and praises him for his hard work. Umemiya sends you two off with only one orange, since he needs to share the few he did receive from this harvest with the others.

At first, Sugishita doesn’t want to eat it. He wants to preserve it for as long as he can because it was something his previous Umemiya grew.

After a few comments like “It’ll go bad soon, you wouldn’t want Umemiya-san’s efforts to go to waste, would you?”

No way in hell would Sugishita allow that.

Sugishita hands you the orange, perhaps too nervous of accidentally crushing the fruit with his immense strength.

If you’re too slow on the take to peel it, he will accept the task. However, his worries are warranted, you discover, when he shares a slightly soft and dripping orange with you.

Overall: 5/10. He’ll initially wait for you to peel the orange, but he’s too impatient and will offer to do it instead. It’s slightly crushed, but that’s okay.

Hiragi Toma

You asked Hiragi to come over and help you with some yard work. Of course he’s happy to help.

During a break from the work, you lazily asked him to bring you an orange while sitting in front of the box fan.

He chuckles, kisses your sweaty cheek, and walks off to fulfill your request.

It takes him a minute, until he asks from the door way, “Can I go ahead and make some juice outta these?”

You blink wide at him, unexpectedly. “If… if you want to.” You mumble in response.

He nods, hustling back into the kitchen, before he begins peeling multiple oranges, and blending them up and straining them to make a fresh orange juice.

He returns with two full glasses and a half pitcher resting in your fridge. “You’ve worked hard today, hopefully this helps.”

Overall: 11/10, one of Hiragi’s love languages is acts of service, and of service he is to you all the time. Mr. “You want it? I got it.”

Kiryu Mitsuki

Sweeet sweet baby.

The two of you are just hanging out in his room, listening to whatever bedroom-pop song he put on while you both scrolled on your phones.

You come across the orange theory while on a social media app; and grin.

“Mitsuu~ I’d like an orange~.” You singsong to your boyfriend.

Kiryu looks up from his phone, and lazily hums. “Good idea~ can you bring me up one too?” He asks.

Your mouth almost hits the floor at his casual tone, but it ends when you see him hoist himself up from the bed, laughing “Just kidding angel~ I’ll be right back.”

Holding one of his many plushies close to your side, you wait for your boyfriend.

Kiryu returns with an unpeeled orange and a knife. The knife takes you by surprise at first, but once he sits at his little table and begins working on the orange, you realize he’s cutting it into sections with the rind on.

He offers you a slice with a lazy smile. Once you take it, he quickly pops a slice into his own mouth, making a cute wide orange smile.

The unexpected action sends you into a fit of laughter, your adorable boyfriend only grinning wider and blushing at how cute you are.

Overall: 10/10 I guess? He loves seeing you smile and actively does things to make you do so.

Kaji Ren

Oop

The two of you will be chilling on the Furin rooftop, enjoying the cool breeze and quiet hours, now that everyone was finally gone.

The only sound coursing through the air was the music escaping from his headphones, which lay carefully by his side, instead of his neck, so you could both enjoy the tune.

A bag of snacks lay between the two of you. You felt a bit peckish, so you glanced over at the bag and spotted an orange. Quickly, you get the idea to test the orange theory.

“Re~n, could you give me the orange?” You ask, feigning your inability to get it yourself as he was closer to the bag than you were.

Kaji looked over and spotted the orange from the bag. He reached over with ease and made a gesture like he was preparing to underhand throw it at you.

You quickly crossed your arms to show you did Not want him to throw it. He considered his options for a second, before huffing, sitting up, and leaning over so the orange was just a few inches from your reach.

‘Damn.’ You frowned. ‘Maybe this wasn’t the right opportunity to ask?’

Kaji noticed the disappointment on your face, but even after staring at you and trying to figure out what was causing your sour mood, he couldn’t imagine why. He gave you the orange just like you asked, and didn’t throw it.

“What?” He asks bluntly, causing you to flinch. “Nothing.” You replied back, closing your eyes to enjoy the evening breeze once again.

However, your answer was unsatisfactory, and your orange was left untouched. He really had no idea what he did wrong.

Kaji walks over to you, and squats to glare at you. “Quit lyin’ ‘n just spit it out.” He’d press. If you kept being stubborn, he’d just tickle you ruthlessly until he got his answer.

“T-the orange..! Aha—it, ehe… it w-was a test!” You yelped. Once you came clean, Kaji would stop just for a second to let you explain further.

Once you explained it clearly for him, his expression only soured further, tickling you even more sternly. You screamed for him to stop but he refused.

“That’s so dumb, of course I care about you. If you want me to peel a damn orange just say so, ‘n I’ll do it.” He huffed, finally releasing you and sitting by your side.

Overall, 1/10. Kaji is extremely caring and indeed will do anything for you, as long as he knows what’s expected of him. He’s doesn’t much appreciate his affections being tested in such a lame way though.

Taiga Tsugeura

Sweet angel child

You agreed to come over to his house and spot him as he did his usual muscle training routine.

Once he’s finally tired himself out, he begins talking about wanting a healthy snack. He’s going through the options he has while raiding through his cabinets.

As he does this, you notice a load of fruit in his fruit bowl. “You should eat a banana Taiga. Would you mind getting me an orange while you’re there, please?” You’d ask him nicely.

He grins as bright as the sun at your suggestion. “Great thinkin’ Y/n!!” He’s quick to grab both the banana and orange from the bowl. Before he can hand you the orange, his grin becomes more mischievous.

“Check this out,” he says with pride, holding the fruit in both hands. Then, with a quick snap, he rips the orange in half.

You’re BAFFLED. mouth agape and simply, STUNNED. Your shocked expression is all he wanted. He laughs hard, and displays the two halves face up, his own face in the middle.

“Cool huh!” He asks, before doing the same thing with the banana. “Want me to break the rest up for ya?”

Honestly, you aren’t sure what to say.

Overall: 7/10. He… does? It? But it’s more because he wants to show off a cool skill of his than he’s doing it for your sake. He also always asks you if you want him to peel your oranges, so… the thought is there.

Tsubakino Tasuku

Aaaaahh! (Post edited to use he/him pronouns)

You were cuddled up with Tsubaki in his bed after a long day. After a well deserved nap, you woke up when Tsubaki gently slid out from under you, assumingely to use the bathroom or something necessary.

Groggily, you reached out your hand, and whined. “Dar~ling~ ‘so snacky… can.. you bring me back… an orange… pleeeeasssse…”

Tsubaki thought you were the absolute cutest. “Of course my dove~” he would kiss your forehead and pat your hair down sweetly. “I’ll be right back.”

You fell back asleep, but when you did wake up, you saw Tsubaki only a few feet away painting his nails. “Ah! You fell asleep before I got back, you know!” He pouted.

You giggled an apology, and looked around for the orange you’d asked for. “On the nightstand darling.” Tsubaki helped direct you.

You are not expecting to look over and see a dazzling fruit assortment waiting for you. Halved grapes, thinly sliced strawberries, heart shaped banana slices, and bite sized mandarin oranges, all neatly assorted in a bowl…. With a sprinkle of sugar making the entire display shine.

You’re stunned, gasping at the beautiful display. “It’s so cute!! All for me?” You asked, glazed eyes seeking your partner out. He giggled back. “Of course all for you~ enjoy!” And blew you a kiss.♡

Overall: ∞/10. Are you kidding me? Tsubaki ABSOLUTELY would go ABOVE and BEYOND for the ones he loves, ESPECIALLY his partner. PUT SOME RESPECT ON BABE’S NAME RIGHT NOW OR SO HELP ME!!!

Umemiya Hajime

As much as your boyfriend wishes he could grow a fruit tree of his own, he knows that they take time. So, he settles for easy to grow vine fruits like Strawberries and blueberries.

He loves making you an assortment of berries, and presenting them to you with love. It’s so so very sweet.

ALWAYS encourages you to eat vegetables and fruits, even if you’re not in the mood for them. “They’re super good for your health y/n!”

So you indulge him.

When it’s you who’s asking instead, “Can you bring me an orange please?” He’s elated.

“YES MA’AM!” He all but yells, rushing to get you just that.

Umemiya returns with two imperfectly peeled oranges. He’s a little clumsy with it, but he’s just excited.

Loves sharing food with you and will hand feed you them like a goddess.

Overall, 12/10. The assignment is to gauge one’s thoughtfulness, and Umemiya blows it out of the water. He wants nothing but the best for you and aims to give it to you tenfold.

[narcjsistx]

𝐕𝐀𝐑𝐈𝐎𝐔𝐒 𝐇𝐂𝐒 𝐈𝐍 𝐀 𝐑𝐄𝐋𝐀𝐓𝐈𝐎𝐍𝐒𝐇𝐈𝐏 𝐖𝐈𝐓𝐇 𝐓𝐇𝐄𝐌 | sae, shidou, rin (part two)

𝐌𝐘 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 ; take a look, trust me!

— sae itoshi

✶ Sae seems like someone who actually likes to wear bracelets, rings or necklaces, but can't wear them often due to the matchs he plays, where he would risk breaking them. going back to the basic concept, his gifts would probably be matching jewelry, especially rings... so, in case you were someone who wears them and rarely takes them off, he would try to do the same thing. during matches he would hang the ring on a string that he would put in his pocket or around his neck, kissing it before starting the match or squeezing it after scoring a goal

✶ I don't know exactly why, but beyond the canonical fetish for the ass, I see him as someone who would aim to have a partner with well groomed hands, like nails with polish, smooth and without calluses. he's not a big fan of PDA, the only thing he would do is hold your hand and occasionally leave a prying kiss on the back. in private he is certainly more open, and one thing he loves is massaging his partner's hand; it's a gesture he now makes almost unconsciously

✶ Sae didn't have instagram until he met you, you practically forced him to create an account! he resisted his manager telling him to do the same for a long time, but for you it was only enough once. he just put a profile photo, you had to do it for him the bio and some highlights, about past or future matches. a few days later you opened instagram and noticed that his account had a highlights that you hadn't created, entitled "her": you opened it and there were some photos of you, the ones that Sae considered most important (even if he loves them all). needless to say, your heart was about to explode

what would he post on socials ↓

✶ as a child he may have thought about it a bit, but after joining ReAl he didn't have the time to think about it again. he wouldn't mind having a family sooner or later, but probably after winning the U-20 world cup. two children would be fine, possibly a boy and a girl. he just knows that in some way his children would remind him of him and Rin as lil kids

✶ jealosy level: 5/10

✶ flirtiness level: 7/10 (let's specify, ABSOLUTELY NOT in public, but in private maybe he would indulge in some jokes)

✶ pet names: "amor" / "y/n" / "pretty"

—————————————

— ryusei shidou

✶ even if it doesn't seem like it, Shidou is relatively a normal person as a boyfriend... is there a concept of personal space? not that, but otherwise it's normal. the only "flaw" he may have is that he must CONSTANTLY have his hand touching you when you're together, whether it's a hand on your thigh or an arm around your shoulders: he simply needs to feel you. PDA is no big deal for him: he want to kiss you in front of everyone? he will do it, whatever the cost. if you say he can kiss you after winning a game and it's live nationally, why can't he do it in front of his group of homies?

✶ Shidou seems like someone actually very deep, or at least that seems to be described in some parts of his character sheet. Late night chats are literally the level of mental intimacy he hopes to achieve with his partner... he's someone who doesn't sleep much, so he has a lot of energy and hardly gets tired even after hours of talking. You and him tightly hugging on his bed, lights off and just everything that goes through your head... doesn't everything seem perfect?

✶ you know very well that every time he has a match he makes comments that, let's say, put him in a "bad light", or in any case make him seem less interested in you. before being with you he didn't mind saying things like that on the field, and more or less the same thing has remained since you got together as a couple... BUT THERE IS A BUT! every time, once the game is over and above all won, he makes sure to run to you before even celebrating with his teammates: whether you are in the VIP area or not, he will come to you to kiss you with all the passion he has. let's say he uses his method to reconfirm to the people that he is happily taken

what would he post on socials ↓

✶ GET MARRIED AND HAVE MANY CHILDREN AS POSSIBLE? YEAAAAH. no okay maybe not like that, but on the issue of children he doesn't lie... certainly with the career as a striker he has, he has no problems with money, and therefore with maintaining kids. let's say that for marriage it's different... he doesn't find any sense in it, in reality, he only sees it as something superficial: if he loves you and you know it, why have such a ceremony?. so let's say it's 50/50: he would do it if you asked him but at the same time he wouldn't mind not being married

✶ jealosy level: 1/10 (he trusts you too much to even think about it)

✶ flirtiness level: 10/10

✶ pet names: "doll" / "darling" / "love"

—————————————

— rin itoshi

✶ Rin hides under his serious and calculating gaze a boy who simply needs to vent after everything that happened with his older brother. Before being together as a couple he would never have expected to be able to cry in front of someone, but with you it was all quite natural: it took months and a lot of patience to show him that you really cared about him and that you wanted him to feel comfortable with you, but in the end he let himself go and was finally able to tell someone what not even he himself could explain. he'll never admit it but he believes that was the moment he realized how important you really were to him, and how much he simply wanted someone who could understand him

✶ He has a sort of fetish for seeing you in his clothes: it doesn't matter if the clothes are tight, big or the right size, just seeing you in that black sweatshirt of his or in his PxG uniform is enough to send him into crisis. he can't even explain to you why he likes it so much, but the fact that you're wearing something that smells like him is definitely a valid reason. you once surprised him by showing up at one of his matches wearing a jacket with "rin" written on the back, and we can say that he appreciated it to the point of having to prove it to you in some way: that time the match ended 9-0, goal all marked by him

✶ He may be one of the best if not the best, but after finishing the practice he simply needs to rest with you next to him, even more so if the coach was more unpleasant than usual or he simply did a lot of things wrong due to distraction (which is impossible considering it's Rin). Whether on the couch after cleaning himself or in the shower, while you rub shampoo into his hair it doesn't matter, he just needs to feel your presence

what would he post on socials ↓

✶ as a child he often saw other children playing at being married, but he was never actually interested, also because on the one hand it disgusted him to think of having to be tied to a person forever and kiss them on the mouth. as he's grown up he's changed his opinion, he's definitely the marriageable type and he'd actually like to get married as soon as possible: what's the point in leaving you legally free if you've stolen his heart?. let's say that he has a fairly positive opinion about children, he just knows that they arrive after a certain amount of time after marriage: he would like to have two girls... growing up as one of two brothers, both boys, he knows how boys are more problematic than girls

✶ jealosy level: 6/10

✶ flirtiness level: 3/10

✶ pet names: "y/n" / "love"

[opulentbehavior]

A Lot of Time has Passed |Part 1

Series Masterlist | Main Masterlist

Season 4 Rafe x Maybank reader

Summary: Beginning at the time jump, the Pogues seemingly succeeded at something, Rafe is struggling with making amends and being a better person. JJs sister left the island after returning from South America. Returning after 18 months with a secret.

A/N: Writing this with inspiration from season 4 part 1. Rewriting plot lines. No mention of Y/N but is written in her perspective. Was inspired of Rafe’s new character arc which I love but thought I’d make it a bit more interesting and messy.

Also- you have to imagine that Maybank reader is intertwined in the previous seasons. And was involved with Rafe. She understands him more than Sofia. She is JJs half sister, takes after her mom, brunette brown eyes tanned skin.

Not really proofread

Word count: 2.5k

Warnings: smut (fingering) tough discussions, loss of life (Ward, Big John) Rafe can get a little mean, sorry Sofia lovers.

It’s been 18 months since you returned to the island. While you’ve stayed in touch with your half-brother JJ and the rest of the Pogues, you only saw them once in a while since you had made them travel to the mainland. You relished the escape from the chaos of the Outer Banks. Although you maintained a connection with your mother, it wasn’t until you decided to move in with her that you saw her again. You never imagined you’d come back, but hearing about the Pogues’ long-overdue success and newfound wealth drew you back to celebrate.

Once you arrived, you made an effort to keep a low profile. You headed straight to the old house you and JJ used to share. You couldn’t help but feel annoyed at how much he paid for it, but the joy of being back with your little brother overshadowed that irritation. Everything felt just as it had in the past, and you slipped seamlessly into your role as their ‘older sister.’

You found yourself speaking with Sarah down by the docks, where she asked how you were doing and how things were going—just the usual small talk. Then came the question you dreaded: “Have you seen him?” You stared out at the water, trying to push thoughts of him aside while enjoying your time with the Pogues. Subconsciously, you gripped your gold necklace by its 2 charms, one a ‘V’ initial and the other a baby rattle as you replied, “No, I haven’t, and I’m hoping to keep it that way.”

You hadn’t planned to stay long, just a week or two at most, with hopes of hanging out in the Cut, grabbing some groceries, and indulging in shopping at boutiques you never go to do before. You wanted to avoid anything that might draw attention to you. Living with your mom—who was now clean and remarried—had been a breath of fresh air. She shielded you from worry, allowing you to focus on taking care of what you needed to and building a decent savings while working a stable job, free from the burdens your father had imposed.

After chatting a bit more, you hugged Sarah and rejoined the group. They were deep in conversation about a bike race happening the next day. Glancing at JJ's bike in the yard, you felt a mix of confusion and admiration for his confidence. Although you hadn’t planned to join them for obvious reasons, he managed to convince you to come along. With such a big crowd, you thought you could easily blend in and suppress the anxious flutter in your chest at the thought of running into Rafe. Confident, yet now he’s all you can think about.

————————————

The last time you saw him was when you returned home from South America. While you were glad to see him, you dreaded the conversation about his father. After leaving the group at the airport, you headed to Tannyhill. As you entered, he greeted you with a warm hug, lifting you off your feet and showering you with kisses. He set you down, his face bright with a smile, contrasting sharply with the sadness that clouded your own.

Before you set out for South America to help John B with his dad, Rafe had stopped you just before boarding the plane. He promised he’d be a better person for you and wanted you to return from the trip to him. With that, he slipped one of his silver rings onto your finger and kissed you, giving a nod that it was okay to go.

There was always a powerful connection between you two, despite the class divide and his intense disdain for Pogues. You were the exception. Everyone adored you—both Pogues and Kooks alike—especially when you worked as the favorite bartender at the Country Club. You and Rafe bonded over the absence of your mothers and the shortcomings of your fathers. It was a match made in an unlikely paradise.

Though you were never officially together, largely due to his ego, you often went out publicly. Despite JJ and the group’s disdain, you convinced them—and yourself—that it meant nothing, even though deep down, you knew it did. The same could be said for Rafe with Topper and Kelce. No matter what happened, you both struggled to fully pull away from each other. Until that night.

You led Rate to the living room of Tannyhill and gently broke the news of his father's death. The color drained from his face, and his breathing grew rapid and heavy. In an attempt to console him, you placed your hand, adorned with his ring, on his arm, but he abruptly yanked it away and stood up, clearly overwhelmed. Before you could fully explain the circumstances surrounding the tragedy, Rafe erupted in anger. "This is what happens when people get close to someone like John B! Pogues are nothing but worthless pieces of shit, I trusted you all with him!" He lashed out, placing the blame on them as if Ward's insatiable greed hadn't played a role in his decisions. It was bewildering that he believed any of us wanted his father there in the first place. This wasn't any of ours fault.

"Rafe..." you pleaded, desperation lacing your voice. "I don't want to hear it! I can't even look at you right now. All those things I said to you, and you let this happen?! You got my father killed?!" His voice thundered with rage, his eyes dark and wild, veins bulging in his neck.

"You really think we wanted this? John B lost his dad too, you know that?! This was NEVER supposed to happen. I'm so sorry." But Rafe didn't want to hear your apology. "Get away from me! Don't come back! I never want to see you again," he shouted, the finality of his words slicing through you. You felt the tears streaming down your face, sorrow intertwined with disbelief. How could he say this after all the loving promises he had made before leaving? You sat in stunned silence for a moment, then carefully slid the ring off your finger and placed it on the coffee table. With a heavy heart, you turned and walked out of Tannyhill. Rafe didn't even glance back; he couldn't. Deep down, he knew he didn't mean any of it, but his anger always got the best of him.

————————————

As you emerged from your thoughts, everyone decided to head inside for the night, giving JJ some much-needed rest before the race the next day. You settled into your old bed, replacing the dust-covered sheets, and despite the whirlwind of emotions flooding your mind about being back, sleep quickly overtook you. Before long, JJ was shaking you awake, urging you to hurry and get ready.

When you arrived at the racecourse, you kept your distance from the group, sticking close to Cleo to avoid any potential confrontations.

JJ understood what was going on without needing to ask, and he respected your space; having you there, after all this time, was what mattered most to him. It was a relief, allowing you to watch from afar as Rafe interacted with Topper, their tension palpable from a distance.

As the race began, excitement surged through you. Ju took the lead, but then Rafe unexpectedly tapped him, sending both of them flipping over their bikes, igniting a chorus of cheers from the crowd.

Once the race concluded, you made your way towards the group. Topper walked by, not being able to help gloat saying something to Sarah. He then caught your eye, a smug smile on his face, but he chose not to say anything, merely walking away while shaking his head. You refused to let it bother you; Topper's opinions meant nothing, yet you knew that this would undoubtedly reach Rafe, and you hoped to slip away before that happened-at least, that was what you hoped.

As the crowd began to thin out, you felt exposed among the remaining Pogues and Kooks. Seeking a bit of refuge, you decided to head towards the shack that stored drinks and equipment for the track, needing a breather from the charged atmosphere. Just as you turned to leave, your eyes locked with Rafe's.

Your heart raced as a heavy silence enveloped you, and for a moment, neither of you could look away. In that instant, you noticed Sofia slip her arm through his and plant a kiss on his cheek. Another dark haired, brown eyes Pogue you knew from the cut and worked with the country club. He clearly had a type. She playfully pulled his attention back to her. Seizing the chance, you quickly resumed your path to the shack, desperate to put distance between yourself and the turmoil of emotions that Rafe always seemed to ignite within you.

You stepped into the shack, the sunlight streaming through the windows casting long shadows across the floor. Your heart raced with nervousness, and you weren't sure if you wanted to stay or leave. With your back to the door, you pressed one hand to your chest and the other to your forehead, trying to steady your breathing, when a low voice broke the silence.

"Hi."

You spun around to find Rafe's imposing silhouette framed in the doorway, his tall figure looming over you. "Rafe, please, just go. I don't need this. I'm here for my brother," you insisted, your voice unsteady. He chuckled, stepping further into the room, the warmth of his presence engulfing you.

"I've missed you, Maybank."

"Don't say that to me," you retorted, backing away as he moved closer. Soon, you found yourself pinned between him and the table, his blue eyes piercing through the dim light, sparkling with an intensity that made your pulse quicken. He studied you with an expression that was both longing and mischief, tucking a loose strand of hair behind your ear before gently cupping your face.

It left you bewildered, and you instinctively tried to push him away. "A year and a half ago, you couldn't stand me, and now you're all over me. You can never make up your mind."

A smile crept across Rafe's face. "I could never hate you. I never hated you. I was angry, sure, but I took it out on you-and you never gave me a chance to apologize. You vanished, changed your number, and everyone who knew where you were would never tell me."

"Rafe, please just go," you pleaded, feeling trapped. But before you could protest further, he lifted you effortlessly and set you down on the table.

"I can't stay away from you. Please, let us have this moment," he murmured, his voice low and earnest. He leaned in, inhaling your familiar scent-the coconut and mango shampoo mixed with a hint of jasmine perfume. Then, without warning, he pressed soft kisses against your cheek. You let out a slight moan, unable to suppress the spark of electricity that coursed through you at his touch.

He smiled against your skin, his face inching closer to yours. Then, before you could register the moment, he pulled back slightly to gaze into your eyes once more before crashing his lips against yours. The shock of the kiss momentarily stunned you, but as the reality of what was happening sank in, you found yourself responding, moving your lips against his as if you had been waiting for this moment all along.

His hands began to explore your soft skin, gliding down your arms to intertwine his fingers with yours. You felt the familiar weight of the ring that once adorned your finger. He released your hand, gripping the nape of your neck and pulling you closer as his right hand traced down your torso. You wore a thin, cropped strapless top and a mini skirt. His fingertips teased the upper hem, grazing the tops of your breasts while he moved lower, grasping your waist as if afraid to let you go.

Both of you fought for breath, pulling away to look at each other, laughter escaping your lips. “I’ve been waiting to do this again for so long,” he admitted.

“Do you think your girlfriend would appreciate you saying that to me, Rafe?”

“What?”

“Sofia, the girl outside who kissed you on the cheek?” You sarcastically remind him. “Do you think she’d appreciate this? I may be many things, but I won’t be an accomplice to cheating.”

He sighed, “That means nothing to me. If anything, she’s just a distraction while you were gone. It’s always been you I’m meant to be with. I ruined it and forced myself to move on. And now you’re back.”

You bit your finger, feeling conflicted. “But—” Before you could interrogate him more, he captured your lips in another kiss, drowning out your thoughts. His hands ventured lower, teasing the hem of your skirt. Looking into your eyes for confirmation, you nodded, giving him permission to explore further. He slipped his fingers beneath your clothing, pressing against your core, and groaned as he felt your wetness.

He swirled his fingers before moving to your clit, rubbing in deep, rhythmic motions. You broke the kiss to moan, your head thrown back, exposing your neck and chest. He kissed a trail from behind your ear to the tops of your breasts, and then, with a practiced ease, slid a finger inside you.

You gasped, leaning into the crook of his neck. “That’s a good girl. You can take a little more, right?”

You whimper a soft yes, and he added a second finger, igniting a fevered kiss filled with passion and frustration. Despite your anger, desire overwhelmed you. He pumped in and out quickly, his thumb working your clit, sending you into a frenzy. Your breaths quickened, and you were amazed that no one could hear your moans.

“That’s right, baby. Let me make you feel good. Let me make it up to you. Cum for me.”

As waves of pleasure washed over you, your head spun, heart racing. With a gasp, you reached your peak, surrendering completely as he rode out your orgasm, his unoccupied hand brushing your cheek. After a few lingering pumps, he withdrew, licking his fingers clean before adjusting your panties and gazing into your eyes.

“You have no idea what you do to me,” he said softly. You struggled to find your voice, lost in the moment until the door slammed open, revealing JJ. Rage simmered within you at the thought of a confrontation between him and your brother, but Rafe turned to you. “We’ll talk more another time, baby.”

You smiled and nodded, but as he walked out, JJ turned to you with a look of disgust. “What the hell did he want?”

“Nothing. We were trying to talk before you interrupted,” you replied. “I didn’t know he saw me come in.”

“Are you going to talk to him about her?”

“I don’t know, J.”

---

I hope you like it. My first of many stories. I decided to break it into parts. Stretch it out over the month before part 2 of the season drops.

[miraculouslbcnreactions]

Pick One: Magical Girl Show or Rom-com. You cannot be both.

Early in season four we get the episode Gang of Secrets. An episode that ends with Marinette outing her secret identity to Alya. A touching moment that sparked outrage across the fandom because it meant that Marinette had made the choice to reveal her identity to her best friend while keeping her hero partner in the dark.

This choice spat in the face of the exceptions that many fans had for the series. Thousands of pre-season-four fanfics feature moments where Ladybug and Chat Noir promise each other that they'll be the first to know each other's identities. After the Alya reveal, scores of fanfics were written to salt on Marinette's choice to tell the "wrong" person.

Most of these fics feature a betrayed Chat Noir quitting or otherwise punishing Ladybug for breaking their promise to be each other's first, thereby destroying his faith in their partnership. But that promise was never made on screen. It only existed in the realms of fanfic and, when Chat Noir finally found out in canon, his reaction was largely neutral. He never once blamed Ladybug for her choice or pushed for a reveal or even asked for the right to tell one of his friends.

So what happened here? Why did the fans have such wildly unrealistic expectations of canon? Were their expectations even unrealistic or did canon betray them? The answer to that is not as straight forward as you might think because it all comes back to one of Miraculous' many, many, many writing problems: Miraculous is trying to be both a Magical Girl Show and a romantic comedy, but those are not genres that mesh. You can only be one (or you can be a third thing that we'll get to at the end as it's the easiest way to fix this mess, but I want to mostly focus on where the anger is coming from and why the writing is to blame.)

To discuss this mismatch, we're going to do something that breaks my heart and talk about some of Origins flaws. While I love that episode and unironically refer to it as the best writing the show ever gave us, it's not perfect and its flaws are all focused around trying to set up both genres. Do note that I'm going to use a lot of gender binary language here as magical girl shows have a strong focus on gender segregation and rarely if ever acknowledge gender diversity.

Let's Talk Magical Girls

Magical girl shows are shows that center on young women and their friendships. While male love interests are often present in these shows, the boys tend to take a backseat and function primarily as arm candy while the girls save the day and carry the narrative.

A great example of this is the show Winx Club. This show features a large cast of teenage girls who save the magical universe from various threats with their magical powers. Each girl has a love interest, but the boys are usually off doing their own thing and only occasionally show up for a date or to give the girls a ride on their cool bikes or magical spaceship. I don't even think that we see the guys fight or, if we do, it's a rare thing. They are not there to save the day. They are there to be shipping fodder.

Like most magical girl shows, Winx Club starts with the main character making friends with one of the girls who will eventually become part of her magical girl squad. This brings us back to Miraculous.

Did you ever find it weird that Origins implies that Marinette has no friends? She doesn't even have a backbone until new girl Alya shows up to become Marinette's First Real Friend:

Marinette: I so wish I can handle Chloé the way you do. Alya: You mean the way Majestia does it. She says all that is necessary for the triumph of evil is that good people do nothing. (pointing at Chloé) Well, that girl over there is evil, and we are the good people. We can't let her get away with it.

This is a bizarre opening because Miraculous is not about Marinette making friends or learning to stand up for herself. If you skipped Origins and just watched the rest of the show, then you'd have no clue that Marinette wasn't close with her classmates before this year. You also wouldn't know that Alya was new in town and you definitely wouldn't know that Marinette had never stood up to Chloé before this year. So why is this here? Why waste screen time setting up elements that aren't actually important to canon?

Miraculous did it for the same reason that Winx Club did it: magical girl shows traditionally start with the main character making friends with at least one of her eventual female teammates because Magical Girl shows are all about the girls and their relationships. The boys are just arm candy.

But Miraculous isn't a magical girl show. The writers have explicitly stated that it's a rom-com and romantic comedies aren't about female friendship. They might have female friendships in them, but that's not where the focus is. The focus of a rom-com is on the romance and Origins is very clearly all about the romance.

Origins as a Rom-com

Origins has a lot on its plate. It has to establish the villain's motivation for the first time, show us how the heroes got their miraculous, show us how the heroes first met on both sides of the mask, show us how they met their respective best friends, and show us how the heroes dealt with their first akuma. It would be perfectly understandable if this 40 minute two-parter didn't do anything with the romance. They have a full show to give us that!

In spite of this, Origins has some incredibly touching moments for both Ladynoir and Adrienette because romance is the heart of Miraculous. It is the main focus of the show. The driving motivation for both of our leads and the majority of the show's episodes. To tell the story of how their journey started without at least one of them falling in love would feel wrong. That's why we see both of them fall in love!

First we get Chat Noir giving his heart to his bold and brilliant lady, then we get Marinette's heart being stolen by the shy sweet boy who never once thought to blame her for her snap judgement of his character. We even get a touching moment where Chat Noir inspires his lady to accept her role and be Ladybug, leading her to boldly face their enemy and call him out:

Roger: I have a new plan, unlike you! Move aside and let the pros do their thing. You've already failed once! Ladybug: …He's right, you know. If I'd captured Stoneheart's akuma the first time around, none of this would have happened! I knew I wasn't the right one for this job… Cat Noir: No. He's wrong, because without you, she'd no longer be here. (they look at Chloe) And because without us, they won't make it, and we'll prove that to 'em. Trust me on this. Okay? Ladybug: Okay.

I love this moment, but it does lose a little of its power when you remember that we had an Alya-driven variation of this exact same thing five minutes prior:

Alya: HELP!! (Marinette suddenly gets filled with courage. She gets the case out of Alya's bag and puts on the Miraculous. Then, Tikki appears, happy to see Marinette again.) Tikki:(raising her arms) Mmmm! Marinette: I think I need Ladybug! Tikki: I knew you'd come around! Marinette: Well, I'm still not sure I'm up for this, but Alya's in danger. I can't sit back and do nothing.

This scene initially confused me because - if Miraculous is a rom-com - then why would you make Alya the reason that Marinette became Ladybug? Why wouldn't you have Chat Noir be the one in danger so that Marinette chose to fight because of her love interest and then encourage that bond with the later scene of him encouraging her? Why split the focus like this? Why give Alya so much attention?

In case you haven't figured it out, it's because Origins is trying to establish two different genres of show. Two genres that will continue to fight for the rest of the series (or at least the first five seasons).

Magical Girls Vs Rom-com

Why is Alya the one to shake off the nightmare dust and inspire the others during the season five finale? Why is Alya the one that Marinette trusts with all of her plans while Chat Noir is kept in the dark? Why does Alya and Marinette's friendship get so much more focus than Adrien and Nino's? Why was Alya the only temp hero who got upgraded to full time hero?

It's because Alya is Marinette's second in command in a magical girl show and magical girl shows focus on female friendships while the boys are just there to be cute and support the girls.

Why do most of Marinette's talks with Alya focus on Adrien? Why is Chat Noir the only other full time holder of a Miraculous for the first three seasons and then again for the final season? Why do Marinette's friends become more and more obsessed with Adrienentte as the show goes on? Why is the love square's identity reveal given so much more narrative weight than any other identity reveal?

It's because Miraculous is a rom-com and the love square is our end game couple, so of course the story focuses on their relationship above all else!

Are you starting to see the problem?

Circling back to our original question: no, it was not unreasonable for the fans to expect that the Alya reveal would have massive negative consequences for Ladynoir. That is what should happen in a rom-com and Miraculous is mainly written like a rom-com. But the writers are also trying to write a magical girl show and, in a magical girl show, Alya and Marinette's friendship should be the most important relationship in the show, so it makes perfect sense that the show treats the Alya reveal as perfectly fine because the Alya reveal was written from the magical girl show perspective.

When it comes to Miraculous, if you ever feel like a writing choice makes no sense for genre A, re-frame it as a thing from genre B and it suddenly makes perfect sense which is fascinatingly terrible writing! It's no wonder there are people who hate the Alya reveal and people who will defend it with their life. It all depends on which genre elements you've picked up on and clung to. Neither side is right, they've both been set up to have perfectly valid expectations. Whether those expectations are valid for a given episode is entirely up to the mercurial whims of the writers!

How Do We Fix This Mess

At this point, I don't think that we can, the show is too far gone, but if someone gave me the power to change one element of Miraculous, that element would be this: scrap both the magical girl stuff and the rom-com stuff and turn Miraculous into a team show where the friendships transcend gender.

At this point, I've written over a quarter of a million words of fanfic focused on these characters (the brain rot is real) and one thing I've discovered is that it is damn near impossible to keep Adrien and Alya from becoming friends. They're both new to their school while Marinette and Nino have gone to the same school for at least a few years. Alya and Adrien are both obsessed with Ladybug plus Adrien is a natural hype man who loves to support his friends and Alya loves to talk about her blog. Alya is dating Adrien's best friend. On top of that, Alya, Adrien, Nino, and Marinette are all in the same class, meaning that they pretty much have to be spending time together five days a week unless French school don't give kids a chance to socialize or do group projects. If so, then judging them for the first issue, but super jealous of the latter.

Given all of that, why in the world is does it feel like Alya is Marinette's close friend while Adrien is just some guy who goes to Alya's school? Along similar lines, while canon Marinette barely talks to Nino, I've found that Marinette and Nino tend to get along smashingly, especially if you embrace the fact that they have to have known each other for at least a few years.

If you embrace this wider friendship dynamic and scrap the girl squad, replacing it with Alya, Adrien, Marinette, and Nino, then the fight for narrative importance quickly goes away. It's no longer a question of is this episode trying to be a magical girl show or a rom-com? Instead, the question is: which element of the friend group is getting focused on today? The romance or the friendship?

A lot of hero shows do this and do it well. I think that one of the most well known examples is Teen Titans. That show has five main characters and the focus is usually on their friendships, but there is a very clear running romantic tension between the characters Robin and Starfire with several episodes giving a good deal of focus to their romance. I'd say that this element really starts in the show's the 19th episode - Date with Destiny - and it all culminates in the movie that capstones the series: Trouble in Tokyo. The character Beast Boy also gets a romance arc and, while it's more short lived, it's further evidence that you can have strong romances and strong friendships in the same show and even the same episode. You just have to own the fact that boys and girls can be friends with each other, a very logical thing to embrace when your show has decided to have a diverse cast of heroes instead of imposing arbitrary gender limitations on its magical powers.

I couldn't figure out a way to work this into the main essay, but it's relevant so I wanted to quickly point it out and give you more to think about re Origins. Have you ever found it weird how Origins gives both Adrien AND Marinette the "I've never had friends before" backstory and yet wider canon acts like Marinette has this strong amazing friend group while Adrien doesn't seem to care about making friends and instead focuses all his energy on romance? Why give both the protagonist and the supposed deuteragonist this kind of origin if it's not going to be a major element of the show? It makes so much more sense to only give one of them this backstory and then focus that person's character arc on learning about friendship.

[aphroditelovesu]

Yan! PJO + HOO the first time they tell that they love the Reader? You can choose the characters you want to write! Love you work 🥰💕

❝ 🌊 — lady l: I only did a few, since you gave me the freedom of choice. I hope you like it and if you want a part 2 with other characters, I will do it! Good reading and forgive me for any mistakes!

❝warnings: none, just fluff, very soft!yandere and me being a cheesy romance reader.

❝🌊characters: percy jackson, annabeth chase, grover underwood, luke castellan, jason grace, nico di angelo, will solace, piper mclean and leo valdez.

❝dividers by: @cafekitsune 💙

❝Yan!PJO/HOO ❝The first time they say: ''I love you.''

Percy Jackson had never been good at expressing his feelings in the healthiest way. He knew he loved you, he knew it from the first time he met you but he didn't know how to put those feelings into words, he just knew how to show them.

And he showed in an unconventional way how much he cared about you, how much he loved you. His favorite way and the one that worked the most, in his mind, was being a bully to those who bothered you. He once almost drowned Clarisse to death after she knocked you down in training. Percy only stopped when you begged him to do so.

He knew there was failure at the moment, so he decided to have another strategy. He needed to confess what he was feeling, get those suffocating feelings out. With the advice of some friends, Percy decided to ask you to go swimming with him. When you were sitting on the riverbank, chatting away, Percy used his powers and made several hearts with the water, along with the sunset, it became a romantic environment.

He got close to her face, held her hands tenderly and whispered loud enough, ''I love you.''

When his lips connected, Percy knew he had known true happiness.

Annabeth Chase always knew what she wanted and when she wanted it and she knew she wanted you. She knew it since she met you at Camp Half-Blood and she knew you were meant to be hers.

Due to her more reserved personality regarding her feelings, Annabeth didn't have much of an idea of how to express them to you. A simple ''I love you'' could be enough, but she wanted something more. She was proud and wanted something that really screamed for her.

So she spent weeks planning how everything would go. The atmosphere, the lighting and the exact words she would say to you. Annabeth had a whole plan, everything was carefully planned. She invited you to go with her to a more distant part of the camp, where you could be alone.

Everything was going as he wanted, the silence was good, the light was beautiful and most importantly, you were there. After you ate some fruit and talked a little, Annabeth knew this was the time. But she got nervous and could no longer say the speech she had planned, so all that came out of her lips was, ''I love you.''

But that was enough. She was slightly blushing and felt her chest fill with happiness when you said you felt the same and when you kissed her.

Grover Underwood is much more cautious in its approach. He is a satyr who is shyer than the others, more reserved, especially towards you. He knew he was in love, but he wasn't sure if you loved him back.

And the gods knew how much it would break him if you rejected him.

So Grover chose to just be friends with him, to yearn for you from afar. He was satisfied with this choice, with this position in his life, but it didn't take long for him to be consumed by jealousy when he saw another demigod or satyr near you. That's when he knew he couldn't stay in the shadows any longer.

He asked Percy and Annabeth for advice, who advised him to be direct, but be more romantic when confessing to you. Grover was still afraid of being rejected, but he couldn't live with himself if he didn't at least try. When the moon was in the sky and the stars were shining and the two of you just watched it, that was when he gained courage.

Grover was a bit confused with his words, but he managed to say everything he wanted. When he said, ''I love you'', you pulled him into a breathless kiss, sealing your love. Grover almost melted in his arms.

Luke Castellan was much more interested in his revenge against the gods than in his feelings. He tried at all costs to ignore them, that is, ignoring you, but it got to the point where he could no longer ignore what he felt.

He was soon overcome by feelings of jealousy, of anger that left him breathless when he saw you near another demigod. When you spent your time with others other than him. He knew he was being a hypocrite, after all, he was the one who left but that didn't mean you could replace him.

When he saw you laughing with one of Aphrodite's children, that's when he knew he had to make it clear who you belonged to. During a cold, calm night at camp, Luke invited you to walk along the beach because he wanted to talk to you.

His eyes widened slightly when the son of Hermes held your hands and with gentle words, the gentlest you had ever heard come out of his mouth, he confessed how he felt to you. You were surprised, even more so when you heard him say, ''I love you.''

Luke waited for your return and when you said you felt the same, he kissed you. For the first time in a long time, he actually felt happy.

Jason Grace was nervous about his feelings, shy even. He was confident in many ways, but he didn't know how to tell you, the person he loved most, how he felt. He had no idea how to make you see the truth, see what he really felt and not just words that could be empty depending on the context and the person.

He was sitting by the lake, watching the gentle waves as he tried to collect his thoughts. Jason knew he needed to find the courage to express his feelings, but every time he tried, the words seemed to slip out of his mouth, leaving him even more frustrated.

He picked up a smooth pebble and began to throw it into the water, watching the circles form and slowly dissipate. It was like his feelings, he thought. They were there, clear as water, but they were lost before reaching the surface.

The sun was setting over the horizon, dyeing the sky in orange and pink tones, while Jason felt increasingly restless. He knew he needed to find a way to show the truth, to make you understand without his words faltering. With his mind made up, he got up and walked to where you were sitting, looking at the sunset.

With a lump in his throat and his heart pounding, he sat next to her, took a deep breath and, on impulse, took her hand and let the words full of feelings come out of his mouth, in love, ''I love you. '', it was said and when he finished speaking, you kissed him passionately, admitting that you loved him too. Jason could die right then and there and he would be happy.

Nico di Angelo was afraid to admit what he felt, he was afraid for you. He didn't want to accept that he was in love, no, that he loved you deeply because he was afraid. Being a demigod was already a danger in itself, but being a child of the Big Three, a forbidden child, only made everything more difficult. But he was selfish, he couldn't stay away from you.

He struggled daily with his own feelings. The weight of being a demigod, a son of Hades, added an extra burden to his already tormented heart. Nico tried hard to hide his passion for you, fearing the consequences of this forbidden love.

Yet his soul longed to be close to you, even if it meant defying divine rules and risking his own safety. He found himself torn between the responsibility to protect himself and the uncontrollable need to be by her side. Every moment together was an internal battle for Nico.

He tried to be distant, but your presence next to him was constant. His eyes held deep secrets, and his silence hid the intensity of what he felt.

One day, when the pressure became unbearable, he summoned the courage to confess. With hesitant words, he revealed the whirlwind of emotions he carried with him. He was afraid of her reaction, but he could no longer deny the love that consumed him. Nico just let the words come out, he didn't try to stop them or control them, he just vented his feelings and when he said, ''I love you'', that's when he knew there was no going back. When you kissed him and returned his feelings, Nico almost cried.

Will Solace was excited to confess to you, to the person he loved so much. He could already imagine your future together and happily. But he was still unsure how to confess to you and he knew it would need to be at least perfect.

He was determined to make this confession a memorable moment. Will spent days thinking about how to express his feelings in the most sincere and meaningful way possible. One afternoon, while walking through the Camp, he saw some flowers that were planted by Demeter's children and, after asking their permission, he had an idea.

With determination, Will began to set the stage for his confession. The chosen location was a clearing near a waterfall, a peaceful place full of meaning for both of them. He spent hours arranging the petals, creating a delicate, winding path to a central point, where he positioned a carpet of grass, adorned with more flowers, forming a heart.

When you arrived at the place, with your heart pounding, Will took a deep breath and, with all sincerity and love, expressed his feelings. He talked about how much the person meant to him, how precious every moment shared was, and how he envisioned a future filled with adventure and joy together.

''I love you.'' Will said, his eyes shining with love. He waited for his reaction and when you hugged him, kissed him, he knew it was worth it. You were worth it.

Piper McLean was confident that you loved her back, not more than she did because no one else could love you like she did. She was very confident and knew exactly what to say and what to do to tell you how she felt. For her, all that was needed was words and a kiss to seal everything. She was a daughter of Aphrodite, after all, no matter how different she is from her half-siblings.

Her confidence was like an aura around her as she approached. Piper knew how to seduce with words, but this time, it was something deeper, something that went beyond the persuasion skills typical of a son of Aphrodite.

She approached you with a smile, her eyes full of determination and tenderness. It was like she knew exactly what you were thinking, like she could read your mind. With a gentle touch to her face, she whispered words that would echo in her mind for a long time.

''I love you.'' It was her first words after a long look and when she saw your face blush slightly, Piper knew what she would have to do.

You felt the warmth of her hand on her face, her eyes shining with a rapturous sincerity. Piper approached slowly, lips hovering close to hers, an emotionally charged silence stretching between you. When they broke apart, she looked into his eyes, a tender smile playing on her lips. There were no more doubts, no words needed. What existed there was a mutual understanding, a palpable love that no divine power could overcome.

Leo Valdez was always that type of person who lit up any room with his contagious energy and playful way. His relaxation and optimism were like magnets, attracting those around him. However, behind his constant jokes and his eccentricity, there was something deeper that he couldn't easily express: his love for you.

He looked for ways to show his feelings, but his mischievous nature and his difficulty in saying what he felt complicated him. He wrote letters, tried to be more serious at times, but always ended up turning everything into a joke, too nervous to express his true affection.

One day, in the middle of one of your games, Leo suddenly stopped, looked into your eyes and, with a somewhat awkward smile, said: "Did you know that I love you?" You almost spat out the drink you were drinking, without having not sure if he was just joking or serious.

When it became clear that it wasn't a joke, you stayed quiet for a few seconds, until Leo pulled you into a hug, placing his head in the crook of your shoulder. You closed your eyes and melted into the warm embrace.

''I love you.'' Leo whispered, holding you tightly.

[todayisafridaynight]

would it be okay if u told me why u like aoki😭/gen😭😭😭😭BEEN TRYNA LIKE HIM FOR SO LONG I JUST CANTT but i love ur art so much so i still consume it otherwise lol

i liked tohru adachi in high school and tbh i think that alone is enough of an explanation for why i ended up liking aoki

[temiizpalace]

☆┊DRESS TO IMPRESS!

SUMMARY: playing dress to impress with him!

CHARACTERS: all dorms + others

GENRE: fluff

WARNINGS: none

NOTES: i feel so bad for having people with requests wait so long but im losing ideas and idk what to write 😭😭😭 please bear with me event requesters,,,,, ik i suck at this

reader gender is not mentioned, reader not specified to be yuu

VERY COMPETITIVE

if he catches you trolling it’s on sight. he takes this game very seriously, and refuses to get anything lower than 3rd. when you play together and ask to duo, he carries. you’ll see him with the most impressive and beautiful outfit you’ve ever seen and watch him lose his mind when he gets 5th. he spams poses, like in full concentration mode. also a very harsh critic. if he sees you off theme it’s an immediate 1 star, no exceptions. anytime he critiques your outfit you feel like an office worker with an overly harsh boss that demands better. he also probably has VIP. and beef with 10 year olds. (so think of when caseoh plays, but less yelling)

riddle, azul, jamil, vil, rollo

PLAYED IT AS A JOKE : IS NOW HOOKED

at first he thought it was just a dumb and silly dress up game for girls.. boy was he wrong. when he first played with you, he was expecting to hate this game to its core. he was a troller at first, purposefully making dumb outfits that don’t even match, barely adding anything to his outfit at all. suddenly, something in his mind flipped, and now he’s addicted. you’ll catch him sometimes playing his free time, teasing someone like him for playing a dress up game. not that you have room to talk. duos are fun, he likes being partners with you. he’s probably the kind of guy to vote everyone one star and then vote you five, but he expects five stars in return.

deuce, ruggie, epel, idia, skully j. graves

LOVES THE GAME

he’s played this before, he loves it! dressing up in cute outfits and watching other people dress up in cute outfits? why wouldn’t he play? and to play with you? that’s even better! wouldn’t be as competitive as the first category, but does take the game seriously. he doesn’t despise trolls, actually laughs at them sometimes. he does find it unfair they make the podium sometimes, but it’s really just a game. he loves duoing with you and wearing matching outfits, absolutely adorable! he either votes pretty fairly or votes everyone five stars depending on who they are. please play more with him, he loves this game!

cater, kalim, rook, ortho, lilia, neige

NOT THAT INTERESTED

what’s the appeal to it? it’s just playing dress up, nothing special. he’ll play once in awhile with you, but don’t expect it to be a regular thing. it’s just not his cup of tea. obviously since he doesn’t play often, his outfits are subpar. nothing podium worthy. votes pretty fairly, giving criticism and critique on other people’s outfits (though his aren’t that much better). he doesn’t mind being a duo with you, but you definitely carry. personally he thinks trollers are ruining the game and making it annoying for those who play religiously. overall, just a dress up game. would play but only if you play too.

trey, leona, jack, sebek, silver

THE TROLLER

is that one guy who has nothing on their character and walks onto the stage with no hair or makeup. skin tone is still at the default, colors on the clothes are unchanged, and it’s all on purpose too! would dress up in dumb outfits for a completely different theme and loves watching people argue about it in the chat. votes everybody one star because they’re just silly like that! absolutely cackles if he gets on the podium and loves watching the server get into fights about it. you don’t duo with him, you know better. loved playing with you, but it doesn’t seem the feeling is mutual.

ace, jade, floyd, che’nya

HOW TO POWER HANDHELD DEVICE

teach him how to use a phone first. doesn’t know how to log in to his account. when he joins the game, poor baby kept running into walls trying to put on shoes. outfits are usually incomplete or unchanged because he doesn’t know how to take off accessories or how to put them on. votes fair enough, but doesn’t ever make the podium. if you ask to duo, you’ll have to teach him cause he also doesn’t know about that either. basically just a big man baby who needs help using technology for the first time.

malleus

A/N: obsessed with this game lately (idia would know all the lana lore)

date published: 10/10/24

© temiizpalace — do not copy, steal, or put my work into ai. thank you!