#chasing notes

[ao3-crack]

(x)

[moobrvoobl-moobmoob-oobmpoobroom]

why did they show House giving Wilson his watch and belongings as they showed Cameron and Chase exchanging rings. why did they show House and Wilson gazing at each other as Cameron and Chase shared a literal wedding kiss what the hell

[umblrspectrum]

hi heres art so you pay attention to me now go read the tags

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.

(Part 1, Part 2, Part 4)

[redcheekdays]

hawkeye & trapper's four (4) goodbyes

[thegreatidk]

My biggest beef with the way Annabeth was written in the show is that I think Rick fell into his own trap. Like his whole thing with Annabeth is that just because someone doesn’t look smart doesn’t mean they aren’t. And while it’s about their literal looks for both the show and the book, book Annabeth also sometimes acted in ways that people wouldn’t stereotypically associate with “smart” because I think we’ve all be condition to think bbc sherlock no emotions genius is the only way to be smart. Book Annabeth acts super flustered around Luke because she's a kid and she has a crush on him, she's afraid of spiders, and wanted to see the arch just because she thought it was cool. In general book Annabeth is allowed to be sillier and have a wider range of emotions than show Annabeth without it detracting from the fact that Annabeth is smart. I find this whole "stoic genius" idea is often used to put down teenage girls for being dumb and superficial just because they show emotions and the only way to beat it is to be cold, calculating, and emotionless and most people just aren't like that.

[rosalie-starfall]

The Not Ready For Prime Time Players

Saturday Night / Saturday Night Live October 11th 1975

[aroaceleovaldez]

I was reading a post about CoTG and I realized: Rick has seemingly started to write every character pairing with the exact same dynamic, and he's not good at writing that dynamic and it doesn't make sense for 90% of the characters he writes it for.

It's that very specific dynamic of one half of the pair who is almost aggressive to the other party - "teasing" them constantly/insulting them, affectionately punching/judo flipping/maiming/etc, seemingly almost always exasperated with the other - and said other party usually just accepts this treatment or blanketly views it fondly, and may generally be framed as more incompetent than their partner and a little bit of a doormat (particularly relating to being insulted/teased/etc by their partner).

We start seeing this dynamic in HoO with Percy and Annabeth, as a sort of semi-inconsistent twist on their rivals-to-friends-to-lovers dynamic from the first series. Then the dynamic pattern develops further with Leo and Calypso. Then Magnus and Alex. Then Nico and Will, particularly in TSATS. And now in CoTG, it's Percy and Annabeth again but even more in this direction.

I know people have talked about Nico and Will's relationship over the series rapidly being shoehorned into Percabeth Two™, and it's extremely apparent in TSATS that Rick's doing it on purpose (including directly quoting Percabeth scenes but minorly tweaking them to be Solangelo). But recognizing it as an overarching trend in Rick's later books honestly reminds me a lot of how Rick started trying to apply the "Percy Formula" so-to-speak to nearly every protagonist in HoO (and then try to replicate similar character archetypes with Magnus and Apollo's narrations - moreso Magnus in being jaded and sarcastic, very much trying to be first series Percy. He only sounds unique because Rick failed at making him Percy 2. Apollo is more akin to later-series Percy characterization of being goofy and incompetent. Apollo [and Zeus] even got retconned to give Apollo a more similar backstory to Percy's). Rick seems to have decided that he thinks the audience wants this specific dynamic but 10 times over, except he's not good at writing it the first time because it's a bastardization of the time he did a different thing okay.

And Rick also seems aware of that too! Because he retconned Calypso and Leo at the end of TOA, probably because he realized how absolutely awful it was reading when they were written with that dynamic of Calypso just functionally hating Leo and constantly being aggressive towards him! The only time Rick's actually made the dynamic even semi-successful was with Magnus and Alex, because it actually fits within their characters, their dynamics with each other, and their environment. Alex beheading Magnus on the regular works out fine because there are no repercussions to that in Valhalla, Magnus will be fine, so it does genuinely come off as humorous. And Alex has been effectively established to be abrasive at times but have her genuine feelings shine through regularly, and that meshes well with Magnus' jaded-and-aloof-but-quietly-very-empathetic character. And Magnus has been established to, yes, not be great at combat, particularly compared to Alex. They are the only time that flavor of dynamic in that form was effective and cohesive.

Percabeth is no longer rivals-to-friends-to-lovers badasses on equal levels with shaky pasts who finally found some form of permanence with one another. Now it's super smart doting and affectionately aggressive girlfriend and her silly goofy 50%-of-the-time incompetent boyfriend who she judo flips/pushes off cliffs/etc - but affectionately~! Solangelo is trying to riff off of the early series "Poseidon & Athena are enemies" dynamic that Percabeth had but with Apollo & Hades being "opposites" but learning to accept each other, except it ends up with Will just coming off as a huge asshole and Nico being retconned to a complete doormat about it - when prior to that those characterizations would be completely contrary to their established characters (even just from TOA!). Calypso in HoO gets retconned from her PJO characterization to being snooty and aggressive, and Leo's false persona gets merged into his just normal personality except he just also becomes a doormat but more goofy than Nico with occasional haha-dark/depression-humor! Which Nico also got. Which was also a bastardized Percy trait that got redistributed.

It's exhausting. Rick write more than one relationship dynamic you can do it I promise

[gummi-ships]

Kingdom Hearts 2 - Bulky Vendor

[itswellya]

foreman and cameron look so tired/pissed while chase is ust like "HOLY SHITTTTTT HE CAN JUGGLE" (its that bit when house drank too much caffeine after wilson moved in and hes juggling and he caught all the objects) (2x15)

[cuntyvicodin]

bitches don’t even say “bless you” these days they just stare at you like this

[the-paris-of-people]

I feel like we, as a fandom have never collectively discussed how fucking awesome Rachel Elizabeth Dare is. I honestly think she's the most underappreciated character in the entire fandom. Like demigods, she's incredibly creative, thinks and behaves outside of what's expected of her in the mortal world, and has this incredible power of sight that no one else has. She hates her father for being a developer, she volunteers in her free time to help raise money for art programs for kids, she's a great friend to Percy, she's incredibly brave (i.e. going into the labyrinth because 'she had no summer plans' , flying into a war zone, hitting Kronos with a blue hairbrush), she's really funny, but all everyone talks about is how much they hate her because she's a rival for Percy's affections but when you think about it... hello!!! Of course Percy has a crush on her she's "just as brave as Annabeth", incredibly creative, has complex feelings towards her family and her own identity... are you sensing a pattern!! Percy has a type!! All of this is made funnier when you realize Rick Riordan describes Becky (his wife) as a creative who he trusts with everything like he basically wrote two incarnations of his wife in a love triangle LOL

[all-pacas]

okay i put some thought into this

MALPRACTICE: Willingness and ability to break the law. Mostly a physical stat. How often to they break the law on a case by case basis. this is quantitative not qualitative. 13 and chase have both killed men on purpose, but kutner has set 3 different people on fire. INTELLIGENCE: Book smarts. Are you an A student or a B student. SOCIAL SKILLS: Ability to get along with others, ability to manipulate others, ability to make yourself be liked. CASE SOLVING: Different than raw intelligence. How many House MD Medical Mysteries do you solve. Let's call it creative brilliance. AMBITION: How likely are you to stab a dude to get ahead. CHUTZPAH: Taub's ability to score with 20 year olds. Kutner's ability to set people on fire and get away with it. Audacity. Doing wild shit and getting away with it. Taking big risks. EMOTIONS: How good are you at expressing your feelings and dealing with the feelings of others? Empathy is a part of this score but it's mostly a measure of how emotionally repressed are you.

[mo-mode]

Back on my Screenwriter soap box while watching PJO: They should have bought a bunch of oil diffusers.

(Edit: This post was made before someone pointed out to me that I missed a key line of dialogue, but my points and theories still stand for the same reasons backing up my original post so I’m not changing anything. The dialogue I missed lets us know that Hermes told Percy the lotus was being pumped into the air off-screen. It’s also implies (? I’m still on the fence about this one?) that Hermes told him what day it is, but I missed these during my first three watches because of how quick and vague it was. Which actually kind of supports my point on why visual indicators are so important. Without these, it’s easy to miss key information. And remember, it’s a kid’s show. ANYWAY my conclusions haven’t changed, and I still believe these edits would work better than the quick line of dialogue so just keep this in mind. Thanks.)

(I’m not being nit-picky. I swear. Just hear me out.) So the weirdest thing to me in episode six was how Percy just…learned everything so quickly without any visual indicators? Like they know time passed because it’s dark outside, but how did he know it was Thursday? They know they were affected by the lotus flowers, but how does he know it was pumped into the air? This irked me because even if he’s smart enough to figure some of this out himself (which he is) we as the audience should still be able to follow his thought process instead of learning after the fact.

What if there were oil diffusers?

So imagine the trio walks into the Lotus, figures out this is like the Odyssey, and decides not to eat anything. They waltz in super confident that they cracked the code, but they were wrong. How do we know? Because the moment they enter the crowd, we get an establishing shot of a lotus-branded oil diffuser letting out steam.

Immediately, we as the audience realize their mistake, making it just that more tantalizing to watch. As the episode continues, we realize they’re everywhere. There’s a diffuser in the plants, on the counter, between the game tables, always right out of the corner of our eyes. They just keep churning out lotus-scented oil into the air, which we can infer because we’re smart. (Remember that.)

Now when Percy realizes what’s going on, we know HOW they’re doing it and HOW Percy knows without being told!! Because they were there the whole time.

Onto Thursday.

Consider: A watch.

What if Hermes has the only watch in the casino until the trio walks in with their own?

Let’s give Annabeth one of those cheap, funky watches that gives the time, day, month, year, etc. Something you get from a kids toy catalogue. It’s waterproof, glows in the dark, has an alarm or whatever. I feel like Annabeth would have one of those. (And honestly, she might already. I forgot.) The most important feature for us, though, is the day. It clearly tells us the day of the week.

It’s pretty easy to establish that Annabeth has the watch. Just do it the same way they establish the date: Percabeth arguing over it in the truck. Annabeth shows him the watch. Establishing shot of the watch’s face. That’s it. No bells or whistles necessary. Then when they get to the casino, Annabeth checks it one more time (without an establishing shot, she just does it casually) and they walk in.

(It’s so easy. I promise.)

While Grover is walking around alone, he tries to check the time and realizes there’s no clocks. (Which ngl is super common in casinos already, but it’s creepy nonetheless.) Yada yada, he gets sucked in by Augustus and that’s how he gets got.

Meanwhile, Percy and Annabeth keep meaning to check the time, but every time they do, someone tries to hand them an appetizer or a drink, which makes them forget OR Annabeth’s hubris keeps her from checking. (Percy: Time check? Annabeth: Its only been five minutes. We’re fine. We need to focus.)

And that brings us to Hermes. After their chat, yada yada, Annabeth “leaves” and Hermes gets all cryptic, then he makes a BIG show of checking his watch, and THAT’S when Percy realizes something’s wrong because oh no they haven’t checked the time. So he finds Annabeth, they see it’s dark outside, they check her watch, and it’s Thursday.

“But we didn’t eat anything!” Annabeth says. Percy looks at the diffusers by the entrance. It dawns on him. “They’re pumping it into the air.”

That’s how you VISUALLY SHOW US THINGS instead of Percy just figuring everything out off-camera and telling us!!!!

Now, you may be thinking “Oh but do they have the budget for that??” Do you know how cheap these props are? Just bulk buy like six oil diffusers, slap a homemade sticker of a lotus flower on them, and keep moving them into every shot. And they’re quiet!! They wouldn’t interfere with the sound, the steam is visible enough to be caught on camera without messing with the lighting, they actually look really cool in some lighting, and they fit the atmosphere of a hotel/casino!! Then the watch is like $15, fits with Annabeth’s character, and totally matches her outfit.

It’s CHEAP! It’s EASY! It DOESN’T CUT INTO THE RUN TIME! It’s AESTHETICALLY PLEASING! ANNABETH GETS A SICK WATCH!! NO DOWNSIDES!!!!

The biggest problem with this show isn’t how accurate it is to the book or how much money they have or that they’re “Disney-fying” it. The problem is they are TELLING US things instead of SHOWING us. And not to beat a dead horse because everyone’s heard of “Show Don’t Tell” but like??? This is exactly why everyone is taught this over and over again in school?? Because people still do it anyway all the time???

There’s also something else I learned (or really just picked up) when I got my B.A. in Creative Writing: Good shows are predictable.

Whether it’s a case of the audience learning what’s going to happen before it happens or them watching the show again and realizing how obvious the answer was the whole time, audiences always want to feel smart. They want to interact with the material. If you don’t give them the opportunity to pick apart the mystery themselves by setting down clues, they’ll give up on interacting with the show and lose interest. That’s why you SHOW them things. There are several moments where this show is completely unpredictable, not because it’s complex but because it doesn’t let you predict it. That doesn’t make it bad—the comedy and character development is doing a great job of carrying the show’s weight so far. But it definitely doesn’t make the show good.

It’s like Rube Goldberg machines. Or dominoes! We don’t watch those crazy 1000+ domino videos so we can watch the last one fall. We watch it to see HOW they fall. Take one domino out, and it’s unsatisfactory. It doesn’t work anymore.

But some oil diffusers and a watch??? Little clues that make the realization that more visually appealing??? THAT’S SATISFYING

Anyway, these are just two things that could have been done, but weren’t. Most of the show is stellar. I think it just needs a little bit of editing here and there. I studied this for like years, and I needed to get this off my chest. That’s it.

Rick Riordan, if you ever see this, I am available for hire :) I would love to be a script doctor please please please please

[queenhelenblackthorn]

the long pause between the "hey you asleep?" and the "yes" was my favorite

[deconstructthesoup]

Do you think that people have attempted to use the lot below the Dead Boy Detective Agency's office

Do you think that it's subsequently turned into a hub for paranormal investigators because the tenants below always seem to get chased out for one reason or another