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thepastisalreadywritten · 8 months ago

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Inside William’s Next Act: Tatler’s May issue goes behind the scenes as the Prince of Wales is rising above the noise — and playing the long game

The burden of leadership is falling upon Prince William, but as former BBC Royal Correspondent, Wesley Kerr OBE, explains in Tatler’s May cover story, the future king is taking charge

By Wesley Kerr OBE

21 March 2024

When I first met Prince William in 2009, he asked me if I could tell him how he could win the National Lottery.

It was a jokey quip from someone who has since become the Prince of Wales, the holder of three dukedoms, three earldoms, two baronies and two knighthoods, and heir to the most prestigious throne on earth.

He was, of course, being relatable; I was representing the organisation that had allocated Lottery funding towards the Whitechapel Gallery and he wanted to put me at ease.

William is grand but different, royal but real.

At 6ft 3in, he has the bearing and looks great in uniform after a distinguished, gallant military career.

He will be one of the tallest of Britain’s kings since Edward Longshanks in the 14th century and should one day be crowned sitting above the Stone of Scone that Edward ‘borrowed.’

William, by contrast, has a deep affinity with Scotland and Wales, having lived in both nations and gained solace from the Scottish landscape after his mother died.

He’s popular in America and understands that the Crown’s relationship to the Commonwealth must evolve.

The Prince of Wales has long believed that ‘the Royal Family has to modernise and develop as it goes along, and it has to stay relevant’, as he once said in an interview.

He seeks his own way of being relatable, of benefitting everybody, in the context of an ancient institution undergoing significant challenge and upheaval, as the head of a nation divided by hard times, conflicts abroad, and social and political uncertainty.

We might recognise Shakespeare’s powerful line spoken by Claudius in Hamlet: ‘When sorrows come, they come not single spies, but in battalions.’

With the triple announcement in January and February of the Princess of Wales’s abdominal surgery and long convalescence, of King Charles’s prostate procedure and then of his cancer diagnosis, the burden of leadership has fallen on 76-year-old Queen Camilla and, crucially, on William.

The Prince of Wales’s time has come to step up; and so he has deftly done.

In recent months, we have seen a fully-fledged deputy head of state putting into practice his long-held ideas, speaking out on the most contentious issue of the day and taking direct action on homelessness.

Last June, he unveiled the multi-agency Homewards initiative with the huge aspiration of ending homelessness, backed with £3 million from his Foundation to spearhead action across the UK.

He is consolidating Heads Together, the long-standing campaign on mental health, and fundraises for charities like London’s Air Ambulance Charity.

He was, of course, once a pilot for the East Anglian Air Ambulance services – a profession that had its downside: seeing people in extremis or at death’s door, he found himself ‘taking home people’s trauma, people’s sadness.’

Tom Cruise was a guest at the recent London’s Air Ambulance Charity fundraiser, William’s first gala event after Kate’s operation.

And more stardust followed when William showed that, even without his wife by his side, he could outclass any movie star at the Baftas.

There’s also his immense aim of helping to ‘repair the planet’ itself with his Earthshot Prize: five annual awards of £1 million for transformative environmental projects with worldwide application.

This project has a laser focus on biodiversity, better air quality, cleaner seas, reducing waste and combating climate change. Similar aims to his father; different means to achieve the goal.

On the issue which has caused huge convulsions – the Middle East conflict – William’s 20 February statement from Kensington Palace grabbed attention.

He said he was ‘deeply concerned about the terrible human cost of the conflict since the Hamas terrorist attack on 7 October. Too many have been killed.’

There were criticisms – along the lines of ‘the late Queen would have never spoken out like this’ or ‘what right does he have to meddle in politics?’ – but it was hard to disagree with his carefully calibrated words.

His call for peace, the ‘desperate need’ for humanitarian aid, the return of the hostages.

The statement was approved by His Majesty’s Government, likely cleared with the King himself at Sandringham the previous weekend and also backed by the chief rabbi of Great Britain, Sir Ephraim Mirvis.

Indeed, William and Catherine had immediately spoken out on the horrors of 7 October.

William followed up the week after his Kensington Palace statement by visiting a synagogue and sending a ‘powerful message’, according to the chief rabbi, by meeting a Holocaust survivor and condemning anti-Semitism.

This is rooted in deep personal conviction following William’s 2018 visit to Israel and the West Bank, says Valentine Low, the distinguished author of Courtiers and The Times’s royal correspondent of 15 years, who was on that 2018 trip.

‘William was so moved by his visit to Israel and the West Bank, he found it very affecting, and he was not going to drop this issue – he was going to pay attention to it for the rest of his life,’ says Low.

‘He must feel that… not to say something on the most important issue in the world [at that moment] would be a bit odd if you feel so strongly about it.’

There was concern from some commentators about politicising the monarchy, but this rose above the particulars of party politics.

As Prince of Wales, like his father before him, there is perhaps space to speak out sparingly on carefully chosen issues.

On this occasion, his views were in line with majority public opinion.

On homelessness, news came that same week that William was planning to build 24 homes for the homeless on his Duchy of Cornwall estate.

‘William’s impact is very personal,’ says Mick Clarke, chief executive of The Passage, a charity providing emergency accommodation for London’s homeless.

‘Two weeks before Christmas, the prince came to our Resource Centre in Victoria for a Christmas lunch for 150 people.

He was scheduled to stay for an hour, to help serve, wash up, and talk to people.

He ended up staying for two and a quarter hours, during which time he went from table to table and spoke to every single person.’

Clarke continues:

‘William has an ability to listen, talk and to put people at ease. During the November 2020 lockdown, he came on three separate occasions to help.

It gave the team a boost that he took the time; it was his way of saying: “I support you; you’re doing a great job.”’

Seyi Obakin, chief executive of Centrepoint, one of the prince’s best-known causes, adds:

‘People associate his patronage with the big moments like the time he and I slept under Blackfriars Bridge.

The things that stick with me are smaller in scale and the more profound for it – in quieter moments, away from the cameras, where he has volunteered his time.’

It is a different approach from the King’s.

As Prince of Wales, he was involved in the minutiae of dozens of issues at any one time, working into the night to follow up on emails, crafting his speeches, writing or dictating notes.

Add to that much nationwide touring over 40 years (after he left active military service in 1976), fitting in multiple engagements, often being greeted formally by lord lieutenants.

This is not William’s style. He has commended his father’s model, but he does things his own way.

Although patronages are under review, William has up till now far fewer than either his father or his grandparents.

Charles is sympathetic to William’s approach and his desire to make time with his young family sacrosanct.

They are confidantes, attested by the night of Queen Elizabeth’s death.

They were both at Birkhall with Camilla, reviewing funeral arrangements while the rest of the grieving family were nearby at Balmoral, hosted by the Princess Royal.

Charles has had almost six decades in public life and is the senior statesman of our time, with even longer in the spotlight than Joe Biden.

After Eton and St Andrew’s University, where he met Catherine, William served in three branches of the military between 2006 and 2013, finishing as a seasoned and skilled helicopter rescue pilot.

His later employment as an air ambulance pilot stopped in 2017, when he became a full-time working royal.

At that time, not so long ago – with Harry unmarried, Andrew undisgraced, and Philip and Elizabeth still active – William shared the spotlight.

Now, after the King, he’s the key man.

He can look back on the success of his first big campaign initially launched with his wife and brother in 2016: Heads Together.

‘We are delighted that Prince William should have become such a positive and sympathetic advocate for mental health through his Heads Together initiative and now well-established text service, Shout, among other projects,’ says the longtime CEO and founder of Sane, the remarkable Marjorie Wallace CBE.

‘It is not always known that he follows in the footsteps of his father, the King, whose inspiration and vision were vital in the creation of our mental health charity Sane.

As founding patron, he was instrumental in establishing our 365-days-a-year helpline and was a remarkable and selfless support to me in setting up the Prince of Wales International Centre for Sane Research.’

'Indeed,' says Wallace, 'this is where Prince William echoes the work of his father, showing the same ‘understanding and compassion for people struggling through dark and difficult times of their lives and has done much to raise awareness and encourage those affected to speak out and seek help.

We owe a huge debt to His Majesty and the Prince of Wales for their involvement in this still-neglected area.’

Just as I saw all those years ago at that early solo engagement in Whitechapel, William still approaches his public duties with humour and fun.

‘He defuses the formality with jocularity,’ says Valentine Low, citing two public events in 2023 that he witnessed.

In April last year, while on a visit to Birmingham, William randomly answered the phone in an Indian restaurant he was being shown around and took a table booking from a customer – an endearing act of spontaneity.

On his arrival later that day, the unsuspecting diner was surprised to be told exactly whom he had been talking to.

In October, Low reported, William ‘unleashed his inner flirt as he hugged his way through a visit with Caribbean elders [in Cardiff] to mark Black History Month.

As he gave one woman a hug – for longer than she expected – he joked: “I draw the line at kissing.”

And while posing for a group photograph, he prompted gales of laughter when he quipped: “Who is pinching my bottom?”’

Low believes that when William eventually becomes king, he will be more ‘radical’ than his father but wonders if people will respond to ‘call me William’ when ‘the whole point of the Royal Family is mystique and being different.’

However, William has thought deeply about his current role and is prepared for whatever his future holds.

For now, there is a decision to be made on Prince George’s secondary schooling. It’s said that five public schools are being considered, all fee-paying.

Eton is single-sex and boarding but close to home. Marlborough (Catherine’s alma mater) is co-ed and full boarding. And Oundle, St Edward’s Oxford and Bradfield College (close to Kate’s parents) are co-ed with a mix of boarding and day.

As parents, William and Catherine aspire to raise their children ‘as good people with the idea of service and duty to others as very important’, William said in an interview with the BBC in 2016.

‘Within our family unit, we are a normal family.’ Which may be one reason why he is so resistant to their privacy being compromised either by the media or close family members.

The 19th-century author Walter Bagehot wrote:

‘A family on the throne is an interesting idea also. It brings down the pride of sovereignty to the level of petty life… a princely marriage is the brilliant edition of a universal fact, and, as such, it rivets mankind.’

If hereditary monarchy is to survive, it must beguile us but also demonstrate its utility, that it is a force for good.

William said in that 2016 interview, ‘I’m going to get plenty of criticism over my lifetime,’ echoing Queen Elizabeth II’s famous Guildhall speech in 1992 ‘that criticism is good for people and institutions that are part of public life. No institution – city, monarchy, whatever – should expect to be free from the scrutiny of those who give it their loyalty and support, not to mention those who don’t.’

William saw close up his mother’s ability to bring public focus and her own personal magnetism to any subject or cause she focused on.

He admires his father’s work ethic, the way he ‘really digs down,’ sometimes literally (I understand that gardening is giving the King solace during his cancer treatment).

But the biggest influence for William was Her late Majesty, as he said on her 90th birthday.

As an Eton schoolboy, William made weekend visits to the big house on the hill, being mentored by Granny rather as she had been tutored in the Second World War by the then vice-provost of Eton, Sir Henry Marten.

William said in 2016:

‘In the Queen, I have an extraordinary example of somebody who’s done an enormous amount of good and she’s probably the best role model I could have.’

That said, his aim was ‘finding your own path but with very good examples and guidance around you to support you.'

Queen Elizabeth II had a brilliant way of rising above the fray and usually being either a step ahead of public opinion or in tune with it.

If you are at the helm of affairs in a privileged hereditary position, your duty is to serve and use your pulpit for the benefit of others.

In a democracy, monarchy is accountable.

The scrutiny is intense, with an army of commentators paid for wisdom and hot air about each no-show, parsing each announcement, interpreting each image.

William takes the long view. He has ‘wide horizons,’ says Mick Clarke.

‘There are so many causes that are more palatable and easier to achieve than ending homelessness, but his commitment and drive are 100 per cent.’

The prince seeks a different way of being royal in an ancient institution that must move with the times. His task? To develop something modern in an ever-changing world.

He faces all sorts of new issues – or old issues in new guises.

Noises off from within the family don’t help – Andrew’s difficulties, or the suggestions of prejudice from Montecito a couple of years ago (now seemingly withdrawn), which prompted William’s most vehement soundbite: ‘We’re very much not a racist family.’

William is maybe a new kind of leader who can keep the monarchy relevant and resonant in the coming decades.

Queen Elizabeth II is a powerful exemplar and memory, but she was of her time. William is his own man.

He must overcome and think beyond ‘the unforgiving minute.’

Indeed, he could seek inspiration in Rudyard Kipling’s poem, If.

If you can force your heart and nerve and sinew

To serve your turn long after they are gone,

And so hold on when there is nothing in you

Except the Will which says to them: ‘Hold on!’

If you can talk with crowds and keep your virtue,

Or walk with Kings—nor lose the common touch[…]

Yours is the Earth and everything that’s in it,

And—which is more—you’ll be a Man, my son!

This article was first published in the May 2024 issue, on sale Thursday, 28 March.

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joeygoeshollywood · 11 months ago

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My 25 Favorite Films of 2023

It's that time of year again! Here are my top 25 films of 2023.

25. Joy Ride

Following in the footsteps of Bridesmaids and Girls Trip, Joy Ride offers some of the biggest laughs of 2023 proving once again women can be just as raunchy as men. The cast includes up-and-comers Ashley Park, Oscar nominee Stephanie Hsu, and a scene-stealing breakthrough performance from Sherry Cola. Joy Ride marks a strong debut from writer-director Adele Lim.

24. Theater Camp

Anyone who had aspirations of becoming an actor can relate to Theater Camp, a mockumentary about the staff of a theater camp struggling to keep it afloat. Molly Gordon, Ben Platt, and Noah Galvin lead both behind and in front of the camera in this superb comedy that will leave you singing from the rooftops.

23. A Thousand and One

A Thousand and One is a heartbreaking indie film about a mother's desperate effort to form a bond with her estranged son by kidnapping him from the foster care system following her stint in prison. Teyana Taylor packs an emotional punch with her crushing performance with the help of A.V. Rockwell in her feature debut as a writer-director.

22. Thanksgiving

Eli Roth's filmography in horror is a mixed record, but his latest flick Thanksgiving may be his best work yet. Not only is it a solid slasher with great over-the-top killings, its brilliantly hilarious. In a time where horror franchises can be tiresome, Thanksgiving is one that could call for a second or third helping.

21. Somewhere in Queens

TV icon Ray Romano makes his feature directorial debut in the family comedy Somewhere in Queens. He stars as the father of a promising high school basketball player who goes through perhaps desperate means to assure he lands a college scholarship. Joined by the wonderful Laurie Metcalf, Somewhere in Queens has plenty of laughs as well as plenty of heart.

20. Dream Scenario

The remarkable comeback of Nicolas Cage continues with his brilliant performance in Dream Scenario, a dark fantasy horror comedy in which he plays a college professor who inexplicably starts appearing in everyone's dreams, sparking a national phenomenon that will ultimately take a personal toll. Cage balances the absurdity of the situation his character is in with emotional heft that comes with it. This marks Norwegian filmmaker Kristoffer Borgli's first English-language film and based on how well-executed Dream Scenario is, hopefully it won't be his last.

19. The Covenant

Guy Ritchie's latest The Covenant is a heart-pounding war film based on the true story of Sgt. John Kinley's rescue effort of his Afghan interpreter Ahmed. Jake Gyllenhaal and Dar Salim make a perfect duo in this dramatic, suspenseful film that may be Ritchie's strongest work to date.

18. Are You There God? It’s Me, Margaret.

Judy Blume's 1970 adolescent classic Are You There God? It’s Me, Margaret. finally made its way to the big screen this year in the heartwarming coming-of-age tale of a girl's awkward journey from childhood to adulthood as well as the complexities that come from being an interfaith household. Abby Ryder Fortson shines as the titular Margaret in an outstanding performance not often seen from child actors. Also, we need more Rachel McAdams.

17. BlackBerry

Arguably the biggest surprise of 2023, BlackBerry offers some of the best laughs in the comedic retelling of the rise and fall of the iconic BlackBerry device. BlackBerry is a showcase of talent of its star Jay Baruchel, Matt Johnson (who also directed and co-wrote the film), and Glenn Howerton of It's Always Sunny fame, easily giving one of the best on-screen performances of the entire year.

16. You Hurt My Feelings

Writer-director Nicole Holofcener reunites with her Enough Said star Julia Louis-Dreyfus with You Hurt My Feelings, which centers a turbulent chapter in a couple's marriage after a novelist overhears her husband mocking her latest book. The dramedy examines the thought-provoking nuances of how fully honest one actually should be with their spouse (the answer may surprise you!). The greatest strength from Holofcener's latest is how its humor comes naturally from the reality of relationships.

15. Mission: Impossible - Dead Reckoning Part One

Mission: Impossible does the unthinkable in Hollywood: keeping a franchise in top-notch shape. Dead Reckoning Part One, the whopping *seventh* installment of the Ethan Hunt saga, delivers on a compelling plot and incredible action sequences, all of which is cemented by the star power of Tom Cruise, who has carried this spy franchise for nearly 20 years. There have been hints that Dead Reckoning may be the beginning of the end for Mission: Impossible, and if that's the case, it's going out with a bang.

14. Talk to Me

The best horror movie of 2023, Talk to Me is a chilling film about a group of teenager's ill-fated decision of doing a viral challenge of interacting with the dead, only to mistakenly leave the portal open between the living and the spirit world. What makes Talk to Me work is the family drama at the core of the film and the powerful performance from its troubled heroine Sophie Wilde.

13. Sisu

Inglorious Basterds meets Mad Max: Fury Road meets John Wick, Sisu is a WWII-era revenge action flick about a gold prospector's quest to retrieve the gold that was stolen from him from a group of Nazis. Full of brutal, bloody fight sequences with a twisted sense of humor, Sisu is one helluva ride.

12. Creed III

Creed III is a throwback to the era where Hollywood blockbusters were able to provide complete satisfaction. The latest installment of the Rocky spin-off franchise marked the strong directorial debut of its star Michael B. Jordan and also may have sadly marked the final film of the incredibly talented Jonathan Majors, whose recent assault conviction may be a knockout punch to an otherwise booming career.

11. May December

Often having vibes of a soap opera, Todd Haynes' May December is a compelling and at times disturbing film of an actress (played by Natalie Portman) who shadows the woman she's depicting in a film (played by Julianne Moore) famous for her 90s love affair with a then 13-year-old, who later became her husband. Despite the powerhouse performances from the two Oscar winners, the film really belongs to rising star Charles Melton, whose character finally comes to grips with the trauma he unknowingly endured as a child. And Melton's performance is among 2023's best.

10. Anatomy of a Fall

We don't often get great courtroom dramatic thrillers these days which is why Anatomy of a Fall really stands out. German actress Sandra Hüller gives a breakthrough performance as a wife and mother who becomes the prime suspect in what authorities believe is the murder of her husband, who had fallen to his death from the attic window. With plenty of twists and turns, Anatomy of a Fall will keep viewers guessing throughout.

9. Maestro

Not only does Bradley Cooper give the performance of his career, he has also shown his ability to direct is no fluke. Maestro, a biopic that spotlights the personal drama of legendary composer Leonard Bernstein, is a beautifully-shot, well-acted film that solidifies Cooper as one of Hollywood's newest talented filmmakers.

8. Spider-Man: Across the Spider-Verse

One would assume that a Spider-Man cartoon would solely be geared towards children but Spider-Man: Across the Spider-Verse is such a sophisticated film between its complex plot and the remarkable animation that are a continuation from its 2018 Into the Spider-Verse predecessor. Between a strong voice cast, an amazing score and a brilliant cliffhanger, Across the Spider-Verse was the shining gem of the many superhero duds 2023 had to offer.

7. Killers of the Flower Moon

At 81-years-old, legendary director Martin Scorsese hasn't lost his step with Killers of the Flower Moon, his best film in at least a decade. The crime drama is based on a true story on the 1920s murders of members of Osage Nation and its ties to the marriage Ernest Burkhart and Mollie Kyle, played by the reliably gifted Leonardo DiCaprio and powerful newcomer Lily Gladstone.

6. Saltburn

Following her strong debut with 2020's Promising Young Woman, filmmaker Emerald Fennell makes a valiant return with her twisted comedic psychological drama Saltburn, which surrounds an Oxford student who is quickly embraced by the wealthy family of a classmate and the jarring fallout as a result. Barry Keoghan (The Banshees of Irisherin, Dunkirk) proves he's more than capable of being the leading man and is joined by rich ensemble including Rosamund Pike, Jacob Elordi, Richard E. Grant and Carey Mulligan. With stunning visuals and some of the most shocking things you'll see onscreen in 2023, Saltburn is a stirring work of art.

5. The Holdovers

It's been a long time since a new Christmas movie can live up to beloved holiday classics and Alexander Payne makes the closest effort with The Holdovers, a 1970-set dramedy about a miserable teacher at a boys academy who is stuck essentially babysitting the "holdover" students who didn't go home for the holidays. Joining the always-brilliant Paul Giamatti is newcomer Dominic Sessa as his troublesome student and Da'Vine Joy Randolph, who gives a powerful Oscar-worthy performance as the cook mourning over the loss of her son. The Holdovers is the perfect film to warm your heart over the holidays this year and every year going forward.

4. Past Lives

Perhaps one of the more unsung heroes of 2023 cinema, Past Lives is a touching story about love and what if. Greta Lee stars in a breakout role as a married woman who rekindles a relationship with a childhood friend from South Korea but rather than going down the typical "will they, won't they" or "love triangle" paths this film easily could've taken, Past Lives delves into the emotional complexities with such tenderness that only writer/director Celine Song could've told (the film is semi-autobiographical).

3. Oppenheimer

If anyone knows how to make a biopic an epic, it's Christopher Nolan. Oppenheimer is essentially two films rolled into one- a tick-tock thriller about the creation of the atomic bomb as well as a political drama that J. Robert Oppenheimer endured. Cillian Murphy gives the performance of his career and leads a gigantic ensemble cast in a film that despite its 3-hour running time goes by fast. And while Barbie may have won the box office battle, Oppenheimer certain won the war in more ways than one.

2. Polite Society

Polite Society is a brilliant action comedy following an aspiring stuntwoman who believes her sister is marrying into a sinister family. In the style of a Tarantino movie, up-and-coming filmmaker Nida Manzoor makes a strong feature debut that is the epitome of a fun popcorn movie, which have been in short supply in recent years.

Poor Things

Yorgos Lanthimos has quickly risen as of the strongest filmmakers of this generation, proving so once again with his latest film Poor Things. Emma Stone gives an Oscar-worthy performance as a woman brought back to life who embarks on a journey of self-discovery and autonomy and is accompanied by an excellent supporting cast. Like a modern-day Tim Burton, Lanthimos was able to create a mesmerizing universe with incredible production design, a whimsical music score, and stunning cinematography. Going to the movies is meant to be an escape, and Poor Things perfectly encapsulates that.

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