#character design is such a hit or miss in code black I feel

[not-that-debonair]

reading the code black manga and uhhhh I am having many thoughts about caw code black

[kingsandbastardz]

So for basically my whole life I'd grown up with and was resigned to accept that the chinese concept of formal/nice clothing of my and the previous generation has been western clothes. So at any awards ceremonies or performances, entertainers would show up mostly in western suits/dresses and maaaaaybe you'll spot the occasional cheongsam if they're going for a Wong Fei Hong vibe. Which, you know, kinda sucks if you have any concept of western cultural imperialism in asia.

So when the hanfu revivalist movement started, I was waiting to see when it would enter the mainstream -- my hope was for fashion designers to integrate traditional/dynastic elements into their work and make it common place enough that I can buy this shit online for ME. Because I WANT.

Though some of the designs can be a bit hit or miss, I am LOVING what various stars and entertainers are wearing out and about now.

Anyway - here's a collection of Xiao Shunyao's modern hanfu inspired/hybridized stage outfits from the last couple years. For his MLC performances, his stylists seem to be borrowing inspiration from his Di Feisheng and possibly other character costume silhouettes.

I'd been seeing a few comments about how his outfits play with gender - and some of his outfits do! But I think the interesting thing to discuss is from which standard is he playing with gender? Because from a western perspective, the things he does with his western suit tops, belting on top of the jacket for a tightly cinched waist, and the addition of a trailing skirt = femme. But if you're talking from a hanfu-hybridized pov, that's just a modern take on hanfu and having any of those elements is not inherently femme and would often read masc to me.

So these things aren't necessarily gendered because they exist traditionally in chinese men's clothing or costume designs (ie video games, comics, historical fiction illustrations and film, etc, so therefore in the modern lexicon of masculine/acceptable for men):

presence or lack of a skirt

silky, velvety, gauzy or sparkly material choice, esp in formal or stage clothing

short or long length of skirt

embroidery

flowers/floral/bird designs

folding fans

certain styles of makeup

beading, gold, tassels, jewels

non-chunky jewelry

headbands

widely flowing silhouettes

What XSY's stylists are doing with some western clothing items are interesting. I'm convinced there have been one or two western jacket tops made of thinner material that they're folding over the front, and belting down instead of buttoning (which then matches with his other outfits that are designed specifically to do this). Then they're adding a skirt, cloak or bracer element to it.

The western portions often bring a military minimalist feel which they balance with a more gauzy material in the skirt or cloak portions.

Things I think are playing with gender:

row 1 - image 1: red di feisheng-inspired outfit

The lace-up girdle is there to match the bracers in both material and style. And it's positioned to be similar to the heavy belt that Di Feisheng wears. HOWEVER. That style of girdle/corset-like clothing item can't be divorced from the modern idea of sexy leather corsets. So imo, this waist piece on that outfit was a choice. Especially when paired with his allergic-to-collars-higher-than-his-sternum necklines. And if you take into context how masculine yet female coded his character is in the drama, the whole look evokes that.

row 2, image 1: black western suit with belt on top, hat, cloak, black boots and not-visible but also a black tassel fringe skirt

Hat and cloak moves the intention of the outfit from western toward a more Asian slant, because alone, it looks like a western black suit with western heeled boots, cinched waist with a lady's belt (seated photoshoot) and western style tassel skirt. The suit top consists of a vest and a shrug-like sleeve portion that appears masculine at first glance. But take the shrug and pair it with the tassel skirt (I can't find the red carpet photos but here is a better view of the skirt when seated), and I think you got a look that's both intentionally edging toward the femme in a western sense but also confusing matters by hiding within the parameters of both western and chinese traditional male styling.

row 2 - image 2 : white asymetrical western jacket styled in a front fold-over style, gauze skirt, trailing pearl embellishments

The more traditional leaning version of this is the white outfit in row 3 that he wears to the Hi6 Hello Saturday variety show -- the skirt portion on that outfit is one I'd consider non-gendered. Row 1, images 2 and 3 are examples of masculine/neutral uses of gauze that plays with flow of form but isn't inherently femme. This stage outfit is very western-appearing masculine suiting, until you hit the skirt which is giving me long ballerina tie-on skirt with the additional swan/mermaid pearl strings. Imo, another example of deliberately using traditional masculine styling but switching it up with the combination of material choice and make that is feminine.

row 2, image 3: black space military boots, black suiting, black -silver ombre sequin trailing skirt and white gauzy shawl with black floral design

The over all design is going for a masculine military-feel. (think this outfit for shen langhun) But instead of a thicker military cloak, it's replaced with a woman's gauze shawl and a skirt that trails behind him very much like the back of a woman's formal fish-tail gown when he moves around. If you take into context Wang Herun's outfit is a white-silver sequined dress cut in a way to also give a space-military-queen vibe, imo they both coordinated their outfits to balance out with both femme and masc qualities.

Thoughts? I'm curious what others think about this.

While I wait for the CNY photoshoot for XSY's red and black look, here's him with his stage collaborators with a nice range of skirt lengths, period influences and material choices. The woman in the center is the one with the most military-fighter design out of the bunch. The dudes are all in variations of formal-wear-with-good-kicking-boots (and lots of crotch space).

[daystarvoyage]

Luz Shouldve Been Dressed By A POC (Person Of Color Or Luz Batista To Show Better Cultural & POC Reprensation)

Hello Tumblers, This is kyoko cane of daystar voyage, as a proud black person who’s genderqueer who makes content creations On Pop culture such as Cosplay & drag, I do talk on Animation & Family Entertainment So glad to get this topic cause what we see on tv can be put into reality, Now (Disclaimer)

I will not accept hate on the daystar voyage anyone who can’t handle different opinions, ship whatever (unless legal) if not walk out or off this spaceship into a asteroid belt and black hole

Don’t hate appreciate.

One more thing I do love my girl Luz pilot outfits, there goals however wish they had time to put patterns into her clothes often, like I said in my hootview

However the female cast had a better closet then her, and I did discuss that in my video, for some time they did make her dress in a shonen archetype, (which I made a post about her hair) or an spicy Latina Which of of course personality wise too, (cause she’s made to be the gender non confirming character) but excuse all that cause in a way, the staff shoulda hired someone whos Either Afro, African American Or Latin to dress this girl.

Oh boy now that im done rewatching The Owl House there’s so much in store soon anyway,

I do feel its time to start this short post, I have a fashion hootview which is the intermission so there’s still a lot to come meantime, finished my rewatch of The Owl House as an animation lover,

Lets discuss this topic at hand,

2020s animators need to take notes on costuming & style tips to make characters stand out in environments and to treat there characters better in fashion or color coordination,

yes you can have a color coded character and not rely of a main palette to be able to bring out there features & complexion,

Animators need to take notes, how to properly show kids & there audience that good clothing could be put onto a character of any occasion & not have to rely on sexuality or Stereotype (Disney Programs have a hit or miss on certain shows.)

while proper fashion can do justice, that goes into making a franchise and making a product to sell for marketability in retail & consumers.

if the character or product can be sold with a great design if executed flawless by character, design, costuming, and the app that comes within the series,

This goes to the fandom cause there might be future artistsor small indie creators reading this who probably never read, or look up fashion brands, magazines either hot couture or brand clothing and don’t have that knowledge But that shouldn’t stop you from being able to experiment with different color palettes on what goes into your art.

The fandom needs a wake up call that not only is everything’s perfect and people have the right to critic and criticize a show or any form of art.

cause fandoms today has a self righteous way of bullying others of different opinions and ostracizing others and ithas to stop,

Here’s a quick tv trope in color-coded characters, & a Toonsmag article on fashion in animation.

Marketability is a important factor, industries rely on that to make the money off of that series, be a cartoons or projects,

it impacts the character and representation that kids see when they purchase said item and teaching kids, see good representation within media can matter if done right.

Especially POCs if executed well however

DONW BELOW in some cases miraculous ladybug fumbles it hard, at one point had all the poc of color (EXAMPLE limited to alya and nino if not max be lighter tones on there merch.)

You know lighting character's skin tones like Alya and other brown or dark skin characters, on their products & merch (bad ethnic representation award goes to them).

Not to mention the whole Vas underpaid controversy, that’s been discussed countless times.

(still disappointed about there business decisions)

I appreciate the love of anyone who can view and read this article if you gotten this far,

thanks for reading make sure to check my Tumblr and YouTube vlog cause so much of this particular series I’m gonna debunk

The show had a-lot going for it however feel flat including in the fashion department along miraculous ladybug that’s another thing to be discuss OH BOY so anyway

here’s an example of the video game art of Guilty Gear showing great costume progress years later

always educate yourself cause I do want my platform to show variety on what I offer creatively and semi-education-wise to be able to let people be inspired and that you don't need to follow trends, thank you very much seeya on the next space voyage.

[skitskatdacat63]

The thing about mentioning that you are disappointed because wanderer got changed to blue and anemo is so incredibly real and understandable. I literally had the same experience, so down bad and all and I was eager to get wanderer but now that I have him it just doesn't hit that hard idk. They should have kept the black and red it suited him so much. I can understand that a part of his lore and character is to heal and move on and change but why do all anemo characters have to be so blueish and stuff? Why couldn't the purple, red, black etc. stay? He looked so good with it and he still does but why can't Hoyoverse step out of that zone for once and color things different. Why can't there be a character who is anemo but can still dress more dark YK? 😭 Or even make the elements different. Like red electro or blue flames. Where is the creativity c'mon now :(

Exactlyyyyyyyyy!!! Like why hype up a character for so long, showing little glimpses, getting people excited, only to change his design :( It makes me annoyed to think about because there was soooo much speculation back in the day abt what element he'd be and so much "omg his design is so sick!! I want him so bad" only for him to be...blue. But yeah I totally agree, I usually don't mind their color coding but it sucks in this case specifically bcs his original colors were so beautiful and unique. Though speaking with color, ah at least we have Miko in red/white/pink, I'm very pleased with that! I think if they're gonna pick an element for him that's different than everyone guessed, idk why they have to make it so obvious. Like is it not more interesting for him to be so unassuming? Also I love his old name and titles sob sob, I can't get into "Wanderer" or "Hat Guy" at all.

I guess for me specifically, Unreconciled Stars holds such a special place in my heart as the first ever event. Tthe amount of mystery and hype around Scaramouche was so fascinating to me, cause he was the first of his kind, a character being teased who we wouldn't see again nor get for literal years. I remember rewatching this scene over and over again, trying to get the most I could out of a limited character y'know, it felt very special. He felt so intimindating and cool, the first Harbinger we got to see outside of the only two we knew. And back then, I was like WHEN HE COMES OUT, I'M WHALING!!!! But I wasn't really playing it around the time he appeared in Sumeru, so I was so aggrieved seeing he was finally released, but completely different! I missed the train y'know lmao, I just don't care for his current state at all, bcs as I said, I can't help but be stuck in my 2020 perception of him. It's just very nostalgic for me. Which is why I still call him Scaramouche lol. I know a lot of people like his chara development a lot and think it's interesting, but yeah, I wasn't around for it when it was the big thing so I can't get into it, because for me, it feels like getting swindled. I really love the Fatui and their designs, like one of my fav aspects of the game, so for him to not be that anymore makes me disinterested.

Also here is the only screenshot I have of him from back then LOL, if it was now, I would've taken a million

[mandalhoerian]

Hey, I don't know if anyone's mentioned this to you before, but I just wanted to say making Vera's color scheme pink (with black) totally makes her super recognizable and iconic, you know? It's a genius character design choice to me because in all of Resident Evil, there's no other character that's "pink," so she really stands out in a fresh way. It's like you filled a gap we didn't even realize was there. Plus, she's got that whole tech vibe going on, which is so cool because she stands out from all the scientists and badass fighters dealing with bioterrorism. I just think she's awesome and the thought put into her design is top-notch! I miss her sm I hope you update soon <3

RAHHHHH ANON KICKING MY FEET GIGGLING THANK YOU SO MUCH FOR THIS ?????? I FEEL SO VALIDATED AHAHAHAH LIKE YES MY EFFORT HAS BEEN NOTICED BAAHAHAH

You didn't ask for this at all but I'm going to ramble ANYWAY. SO

I was extremely particular about making her "recognizable" as you say, like memorable. Because good god RE has so many good female characters who are so unique, and color-coded somehow, honest to god I was like "WHAT IS LEFT IN THIS UNIVERSE I DONT KNOW HOW TO MAKE A DISTINCTIVE OC WHAT AM I GONNA DO"

----- like, I had a friend who knows extremely early drafts of her, and embarrassingly she was a corrupt, snobby, scope-hungry journalist redhead who wore red and dressed like veronica lodge from riverdale 🙃🤐

and then she was korean for a while (this fell after i discovered ashiemochi's so-ah). and then turkish. and then the turkish journalist thing fell AS WELL because i discovered other journalist ocs on tumblr paired with leon and a turkish journalist on wattpad and i was like "oh my god fuck i am scrapping everything" (this idea later got recycled in moth to a flame)

first drafts are absolute hell, as you can see.

i actually dont remember how i got the pink idea. im also like. obsessed with color? i guess. i like to categorize so it's always fascinating when a character/thing is associated with a color/symbol/animal/ and owns it -- like, the girlies in RE -- they made Ashley orange-yellow, sheva purple (kinda? its not as prominent as the others), rebecca pistachio green, alex wesker white, ada cherry red, claire apple red and it just HITS, it could just be a me-thing though. It falls apart at one pointt I know, because how many characters can you color code hahahah (and they didnt even try with the men. they're shades of blue, all of them. or black. bo-ring. they went with the hair and body type for them while the girls got the colors kinda DDJSKDS) -- so take it with a grain of salt, it's just that I love color as a starting and developing point and I cant overgrow it 😭

but like. interestingly there was no pink pink character like you said — apart from moira burton that is who has it in like the hood of her jacket and bracelet and nowhere else, though she is a minor character? i guess in a zombie game franchise marketed to boys majorly in earlier years, they wouldn't really prefer pink LMAO so it was easier to bubblegum chainsaw an OC in since that was a deliberately left alone concept. I was like "mine now" and put a spin to it!!!!! I love that she's just black-pink. It's her whole thing. Such a satisfying thing to me to work with

I'm glad you think highly of this, the opportunity was ripe for the taking and I just went for it! Thank you so much for taking the time to share your thoughts with me!1!!!💕💕💕

EDIT: I FORGOT THE TECH THING YOU SAID IM SORRY. Yeah that was on purpose to further establish her to be her own thing as well. Too much "she's not like the other girls" vibes here AND ITS WORRYING but no she is just like the other girls and is proud of it. I just wanted to explore other occupations DJSDHSJSJKD Legit it started out as wanting to branch out and experimenting how I could incorporate it to RE's story!!!

THANK YOU SO MUCH AGAIN I WANT TO KISS YOU CONSENSUALLY ON THE FOREHEAD THIS ASK MADE MY DAY IM WORKING ON THE NEW CHAPTER CURRENTLY!! Hopefully it will be out this month, you know how long the chapters can get 😭

[casscian]

22 & 27!

22. Any comics you are looking forward to?

Stargirl The Lost Children came out last week I just haven’t had time to run to the store yet. It has a fun lineup and I do like the art.

I was very sad when Blue Beetle Graduation Day lost the poll so I’m happy that it has a chance now. I’m still not sure how I feel about the round robin within DC, but regardless I am excited for this book!

I’m always apprehensive when Bart is brought into the mix, but I have been enjoying the current Flash run. Linda and the twins are getting a lot of focus which I love, and it’s also clear that Wallace has an important role in the family and Flash legacy. So all in all very hopeful for where this is going and excited for One Minute War

27. Any comics you've been meaning to read?

There are so many things on my To Read list but I’ll just list these 3 because they are more recent.

Poison Ivy had so many variant covers that I wanted and I ended up not getting any of them :(

I liked a few of the YA graphic novels DC has released recently (Shadow of The Batgirl, Oracle Code) and after seeing some screenshots from Green Lantern Alliance it has definitely made my list.

Black Adam is very hit or miss depending on who is writing but this book has been well received I think? Honestly, Malik’s character design was what intrigued me.

What do you love about comics? Ask Game.

[theworldgate]

Okay, so, we know that there's some color-pair stuff going on, and it's likely that PWs get assigned based off that (for mono-color PWs it's a vibes thing).

I'll also guess that they have to be human-ish to make the correspondence work (and also because there are limited slots it's best to go for immediately 'legible' characters with decent cards in the past).

And I put too much thought into it so here's a cut:

We're presumably getting Chandra (I'd say, like, Badger if those are Rx (or a Raccoon? Raccoons may be RG going by the commander decks), or maybe the Spiky Lizardfolk) and Liliana (I'll go for Bat for now, she does a lot of metaphorical wing-spreading so the opportunity to literally do that feels fitting).

I think we're getting at least one Squirrel (it'd be weird if we didn't because the Lead Designer famously loves Squirrels, and there's probably the slots for it [again, assuming a dozen or so new SPG cards]), which I'll guess is Nissa (Squirrels are Green/Black - even if we get a mono-Green Nissa (incl. MAT Nissa) it fits. And she is quite squirrelly.). Although I could also see Vivien. (though, I think getting a Nissa isn't unlikely, and I haven't found anyone else for mole. Unless that's Vivien because Vivien's thing is searching for home and Nissa's things include "posing in trees" as-is). We might get both of them as Squirrels, of course, with no mole.

For Rabbit/Hare I'd say Thalia, because it includes creatures and I feel like that rider is specifically to include, like, Thalia, specifically.

We might get a second Otter [vis a vis Ral] in Saheeli, and if so, uh... maybe Mouse Huatli? Or a second Rabbit - if we're looking at a dozen Special Guests, we'd have at least one repeat. We might not get Huatli though - I don't know whether they'd go atemporal for the PW cards (so desparked walkers can be PWs for the purpose) or not and we're probably not getting a double-sided Special Guest unless double-sided cards are the whole shebang.

For our token Frogfolk, it probably has to be Kasmina for irony points, even if frogfolk aren't Blue/Green (though those or the Gecko Lizardfolk sure look it - I wonder if the Lizards are separate to the whole shebang, as we have a Rx looking Lizard, too).

Mu Yangling's thing is birds, but she hasn't appeared much, so I'll guess Narset instead (who also works if they go for keeping desparked walkers desparked, which is why I'm skipping Sarkhan). And okay maybe not one per critter because Niko could also go there? But Niko's single card is a 50 cent one so I'll guess not.

Mouse Nahiri feels really funny to me so I'll go ahead and 'predict' that - I think there has to be at least one PW who is Not Pleased at the transmogrification and. Again. Nahiri funny, and being a white mouse works for making her design legible (though I guess if it's MAT Nahiri, who has an equipment theme which might match the mice in this set too! - we'd also have the post-Phyrexian scarring that can be reflected in some way).

If we have Nahiri then we have to have Sorin who is a vampire so has to be a Bat, right? (I think his fit isn't sufficiently iconic that, like, they could get away with anything else)

Okay you know what I said up there about being "Human-ish"? I think Niv-Mizzet being a Lizardfolk of some description could fit regardless (especially if the Lizardfolk are outside the colour pairs, which they might have to be because we have a Gecko who is visibly Green/Blue and a different type of Lizard who is very obviously Not That).

I think that kind of leaves one slot. I think Teferi is the biggest name I haven't hit yet (who fits the theme) - the big issue there being his apparent desparkedness not being matched with a card, though we could bring out Mage of Zhalfir. If so... like he has to be another Fox which feels annoying insofar that we'd be missing one of the critter types but also. Like. They made Otters U/R and then made Ral Zarek a literal Otter. They could easily make the chill middle-aged-coded dude a silver fox.

ok so does anyone have predictions for pw fursonas in the bloomburrow what ifs

[synergysilhouette]

I'd love for Disney to make these films into Broadway musicals.

Cinderella--Admittedly, the R&H musical definitely has a big leg-up for anything else entitled Cinderella (and could Disney even call it Cinderella here?), but I do think it's worth exploring, from the costumes to the characters. My ideal vision of it would be largely taking from the 2015 remake along with parts of the 1950 version and it's songs. It'd feel classic and modern at the same time!

Sleeping Beauty--I really enjoyed how the original film looks like art, and I'd love a Broadway adaptation to have that same feel--albeit with more songs (using the original ballet score) and fleshing out Aurora and Phillip's relationship (maybe allowing them to meet each other several times in the forrest before the "Once Upon a Dream" sequnce). For the finale scene, I'd love it if they gave Aurora a pink and blue dress similar to her dress in the "Designer Disney" and "Midnight Masquerade" doll lines (and maybe use Phillip's silver and black costume from the latter line). It'd be great to see more of Aurora before she goes to sleep--or perhaps the fairies' magic would allow her spirit to guide Phillip and the fairies to her.

Mulan--I always said this musical didn't have enough songs. If done expertly, it could be an epic action musical without feeling as though the darkness is lost in it. It'd be so fun to see such a diverse story and a unique sound on stage! I'd probably include Mulan having a brother like in the original story to kind of show her contrasts, being kind and gentle while also being a bit of a tomboy and athletic. I feel like I heard a version somewhere where she had a sister, and I love the idea of her having an older sister who she worries about living up to. Plus imagine her and Shang singing a duet reprise of "Reflection"!!!!

The Emperor's New Groove--This is mainly me voicing my wish that Disney revived their idea for "Kingdom of the Sun." Whether keeping it whimsical like the final product or more serious like the concept, I'm sure I'd be pleased to see how this Inca adventure unfolds.

Atlantis: The Lost Empire--You've gotta admit, a science-fantasy musical about Atlantis sounds like it could be legendary if done right.

The Princess & the Frog--This film does NOT get enough love. It'd be fun if Tiana, Naveen, Ray, and Louis had costumes similar to Simba and Nala in the Lion King, letting you know they're animals but still having gorgeous costumes. Plus diving into Naveen's background and contrasting how he and Tiana live live (as a royal of color and as an American woman of colo in the 1920s). It'd be fun if they nailed down where Naveen was from, especially since many fans see him as Indian-coded. Perhaps a fictional Indian state that was influenced by British colonialism, explaining his western interests?

Tangled--Another film that doesn't get enough love. I don't know what Disney had planned for their "darker version" by Glen Keane, but from the concept art, I'd love it if they leaned into that.

Big Hero 6--We need more superhero musicals, though I know the hazards and expenses that come with it. I love the Japanese-American influence in San Fransokyo, and it'd be fun if they leaned more into the fantastical concepts of the comic (Fred becoming an actual dragon and Wasabi's qi manipulation), but again, expenses.

Moana--I can't be the only one who imagines the colors and the gorgeous culture we'd get to be exposed to in this film. Moana had 7 brothers in the original concept, and that'd be nice to see her have siblings who would encourage her dreams while warning her of the dangers, similar to what her mother and grandmother do.

Raya and the Last Dragon--I was super sad this wasn't a muscial, and the reception was hit-or-miss with SEA audiences. Maybe change the Kumandra countries to represent ONE SEA country instead of a mix (I keep thinking Heart should represent Vietnam), as well as making Sisu look more accurate to the culture, and perhaps making Namari's redemption smoother, such as having her start to give Raya her gem piece when a search party looking for her accidentally shoots and kills Sisu, forcing them to flee, and Namari gives it officially to Raya at the end of the film (though I suppoee it's more emotional if Raya gives Namari the gem).

Encanto--I don't have to explain the appeal. I only hope we give more screentime to Luisa, Isabela, and Dolores. In my eyes, we need to see Luisa strong and confident for most of the film before breaking down when Casita is destroyed. It'd be cool is Isabela's perfection being a lie is a shock to the audience, making her confession powerful, as she shows no hesitancy beforehand. And maybe having Dolores looking sad at Mariano pining for Isabela, maybe trying to talk to him before Abuela interrupts.

[thewritewolf]

Cat Crossing

When Marinette gave out her code to let people onto her Animal Crossing Island, Chat Noir was the last person she expected to pay her a visit.

Hello and welcome to this surprise one shot! I wrote this as a slightly late present for my good friend @sweetsweetsweetie! She is a phenomenal artist and you can find her work on tumblr and instagram.

This was also written as a collab between me and another friend of mine, @lesslinette! They made a great piece of art for this fic, which I'll add here as soon as it is posted.

Enjoy!

Read on Ao3

It was late.

Marinette really should be sleeping right now, but…

Just a few more tweaks and her village would be perfect. Her favorite villagers. Many of them wearing clothes she’d personally made - she was as much a designer in Animal Crossing as she was in the real world. It’d taken a while to get the lamp posts she wanted too, but now that they were here…

She was ready. After opening up the airport on her island and getting her dodo code, she put her switch to the side and typed the code into the group chat. It didn’t get used much - mostly just Nino sharing memes with the rest of them, or attempts to get everyone together to hang out. Attempts which almost always ended in failure, thanks to Adrien’s strict schedule and even stricter father.

Adrien…

He was the only other person in the gang that even had a switch, which is what gave her the idea for this in the first place. While it was hard for them to hang out in the real world, she was sure they could squeeze in some time together online.

Marinette could picture it now. He arrives, amazed at her village. They hang out together, growing closer every day. Friendship turns to dating and dating turns to marriage. Twenty years down the line they can tell the story about how they got together because of a video game and Marinette’s excellent village-building skills.

But in the present day, it was three in the morning. With the switch turned off, the long delayed exhaustion hit all at once. Dreams of the married life with the boy of her dreams danced in her head as she fell asleep.

------------

A few days passed. Everyone had seen the message she’d sent on the chat, but it was quickly buried under a torrent of memes, pushing it out of sight and out of mind. She opened the airport and sent out the code one more time, but it was a faint hope.

Her dreams - the friendship, the dating, the marriage - turned to ashes, but at least she still had her village to keep her busy. So busy, in fact, that without even realizing it, she had ended up playing until into the late hours of the night once again.

The groove she’d worked herself into was rudely thrown off when a cutscene began playing, interrupting her fishing. A plane was gently cruising into her airport.

Marinette read the text that showed up and spoke out loud, “Chat Noir, Carefree Animal from Purr-adise has arrived on your island?”

That couldn’t be right. She sat up, suddenly alert. True, she and Chat Noir weren’t exactly strangers - he shows up on her balcony sometimes during his patrol. He at least knew her name. But what was he doing on her island? Assuming it was even actually Chat Noir.

Her curiosity sparked, she made her way to the airport.

Sure enough, whoever they were had gone the full distance. They’d made their own outfit modeled after the feline hero of Paris - black with the accents all in the right places. No cat ears or tail, but they did manage to get a black hero mask. Between that and the messy hair and green eyes, it was about as close as someone could get to his iconic outfit.

The rose in the mouth, though - that was what really convinced her that this was none other than Chat Noir. If she had any doubts after that, the moment the speech bubble appeared over his head quieted them.

“Aw, princess! Came to see me off the airplane? ;3”

Huffing, Marinette quickly typed out a response. “How did you get here Chat.”

“Plane.”

“I mean it!”

“Oooh, pretty island!”

And just like that, Chat Noir had bolted away, an entirely new type of cat boy loose in her village. Although one thing she learned after a few minutes of running after him - there wasn’t a lot of mischief he could actually get into.

After standing still for a few moments, Chat Noir said, “...want to be best friends?”

“So you can tear up my island? Hard pass.”

“Nooo come on, plz? I’ll be a good kitty I purromise.”

“No. But because of that pun? Definitely no.”

“Then I will become a Menace. >:3”

“You do you Chat. I’m going back to fishing.”

Fishing in games was always relaxing for Marinette. Her mind could wander while she listened to the gentle music of the game, all the while slowly building up a pile of fish she could sell off. It was a nice way to unwind after the stress of tests or akuma battles.

Usually.

Those times, she didn’t have an annoying cat boy visitor running into the water, screaming “RUN AWAY FISHY FRIENDS!”

“CHAT.”

His only response was to slowly run into her, gently pushing her away from the water.

“I am FISHING. Go hang out somewhere else.”

“Where the princess goes I must follow.”

“Ugh fine.”

Figuring that fishing was out now, she wandered away to find something else to do. Although it was a little annoying, she had to admit it was nice having him on the island. It was a nice little ego boost to see him ooh and ahh at her village as he followed behind her. And the presence of another person made things feel a little less repetitive.

Of course, that goodwill quickly flew out the window once she tried to pick something up, only for Chat’s net to bonk her on the head.

She silently turned her character towards him, pretending that she was glaring at him despite the unchanging smile on her character’s face saying otherwise. After a few good long seconds she tried again.

BONK.

“aksfvjJKHDFBVJHGB,” she keyboard smashed.

“:3”

He kept following her as she went to a little picnic area. After all, if she wasn’t going to be able to get anything done, she may as well lounge in style.

“How did you even get here?! Seriously! I only gave my code away to”

Her eyes widened and she hit send accidentally. Their characters stood looking at each other for long minutes.

Only three people. Chat wasn’t Nino and he definitely wasn’t Alya. Which just left…

“...Adrien?”

Another moment passed in silence.

Chat Noir has disconnected.

Marinette stared blankly at the spot that Chat’s- Adrien’s character had just been standing.

After all the close calls and the near misses and all that they’d done to keep their identities a secret… Chat Noir blows it in under an hour because he wanted to tease her in the virtual world. Marinette wanted to be mad at him, but all she could do was laugh. It was just such a perfectly Chat Noir way to mess it up. What else could she do?

Her eyes gleamed with mischief. School tomorrow was going to be fun.

[trixree]

Feminist, Queer, Playboy, Philanthropist: Why Ironman Belongs to the Shes, Gays, and Theys

Introduction:

This material originally comes from a media critique project I did for an undergrad philosophy course and I've attempted to adapt it into a tumblr post that doesn't make your eyes bleed. I may or may not have been successful. Upfront, I'm giving you a trigger warning for discussion of sexual assault/rape. If you'd like to skip that part of the analysis, mind the red content warning [start/end].

Trix, what are you up to today? Well, I’d like to present an alternative narrative interpretation of the capstone of the MCU. At face value, Tony Stark shows us a wise-cracking, suave, and hyper-masculine superhero. His soundtrack is AC/DC and he arrives on the battlefield in a shower of gold sparks and hydraulics, wearing sunglasses that cost more than my uterus would fetch on the black market. However, this character presents us with so much more than just a hyper-masculine caricature of straight, cis heroism. Not only does he embody typically “feminine” film tropes—such as the hypersexualized “fighting-fucktoy” role, the policing of his body and promiscuity, and the climactic “rape scene” in which his predatory father-figure drugs him and steals his “heart”—additionally, he embodies classically queer film tropes. Unlike most male action-movie protagonists, his story line is an identity crisis at heart, culminating in a climactic “coming out” scene. His character is promiscuous and spurned for it, and camp is a constant underlying theme in his character design as a whole. I explore these themes in two main parts: the femme and the queer. We'll start with the femme.

Hyper-Masculinity & Tony Stark

In order to understand the subversive nature of Tony Stark, we must first establish the typical nature of hyper-masculine and the hyper-feminine character tropes. Before we can ask the question, “how is this character coded as femme?'' We must first ask, “how is this character coded as masc?”. Further, what do these tropes tell the audience about those characters? Ultimately, the hypermasculine caricature lends power to the subject while the hyperfeminine caricature strips the subject of all agency.

Hypermasculinity is defined, generally, as the exaggerated portrayal or the reinforcement of “typically male stereotypes” (typical male meaning, in this context, that of a Westernized man) such as aggression, strength and power (both physcial and otherwise), as well as sex appeal, and integrity. Hypermasculinity takes a keen focus on the physical male form as a dominating force (1). A hypermasculine character, then, would be one that portrays a domineering, powerful man that is above his peers in some way, and is sexually desirable, in that he exemplifies a pornified picture of a male physique. This desirable and desiring caricature of manhood “socializes boys to believe that being a man means being powerful and in control” (2).

In contrast to this idea of hypermasculinity is the media’s typical portrayal of women. The typical hyperfeminine characterization of women in media is that of a passive, pretty, and overtly sexualized side-character with little agency or autonomy within the story. This is true of both blockbuster hits starring men and movies starring women, too. “We had many more interesting characters on screen in the '20s, '30s, '40s than we do now… They could be the femme fatale and then turn around and be the mother and then turn around and be the seductress, and then turn around and be the saint, and we accepted that. They were complex human beings” (2). This is no longer the case for a typical role for women on screen.

The documentary Miss Representation (2) presents a common caricature that a woman in Hollywood might find herself portraying. Action movies with a female lead surely must exhibit agency in their own story lines. However, the female-action-movie-lead is dubbed the “fighting fucktoy” by Miss Representation. Although she makes her own decisions and it is her narrative that drives the story, she primarily exists as eye-candy. Thus, even the “fighting fucktoy” is just that to audiences--a “fucktoy”. She may be “strong” but primarily, she must be pretty. The MCU character Black Widow perfectly exemplifies the “fighting fucktoy”. Her physical strength may be unquestioned, but primarily it is her beauty that is the focus on-screen. Never do we see her fighting in a t-shirt and sweatpants. Even outside of the skin-tight deep-vee catsuit, Black Widow’s plain clothes outfits consist of tight jeans and even tighter shirts.

This is true for both hyperfeminine and hypermasculine stories. Both the men and women starring in mainstream productions are expected to exemplify a western ideal of peak beauty standards at all times. However, where the hypersexualization of male’s bodies is associated with power, dominance, and strength, the sexualization of women’s bodies is linked to submission, frailty, and possession. Hence the name, “fighting fucktoy”. Her beauty does not make her powerful, it makes her a “toy”, an object, a possession. The sexualization of men in media gives them power within their narratives. For women, it does the complete opposite. It makes them objects, even when they are strong. Beauty and sex make them the victims of their own stories. Ultimately, the hypermasculine male character is envied and emulated, not coveted.

Ironman: Femme Fatale

The storyline of the first Iron Man movie is one concerned with bodily autonomy in a way typically reserved for women--Tony Stark is presented as a fighting fucktoy with an unattainable heart. Not only that, he must struggle against the literal policing of his body by friends, family, and government agencies alike. This subversive, unexpected feminine story culminates in the pinnacle “rape scene” wherein a trusted older-male drugs and assaults Tony in order to take advantage of his “body”, the arc-reactor.

Let’s examine Tony’s coded “fighting fucktoy” persona in two parts: the “fighting” and the “fucktoy”. Miss Representation identifies what female leadership often looks like in movies. “When it comes to female leaders in entertainment media, we see the bitchy boss who has sacrificed family and love to make it to where she is” (2). Odd as it may seem, this perfectly encapsulates the metaphorical role of the arc reactor powering the Iron Man suits. First and foremost, the reactor represents Tony Stark’s heart. Not only is it literally located within his heart for the purpose of keeping it intact, it represents his rebirth as a caring, philanthropic man--it encapsulates Stark’s “fight”. Before his kidnapping and the subsequent implanting of the reactor, Stark was every inch the “bitchy boss who has sacrificed family and love” as well as morals themselves in order to be a war profiteer. His “fight” consists of standing up against the same system that had allowed him to amass his fortune. This “fight” is inextricably tied to his “bitchy boss” caricature as someone who has had to surrender love.

It is clear to the viewer that Stark has had to sacrifice love to get where he is in life. Many allusions are given towards the “will they won't they” nature of his relationship with Pepper Potts and Stark’s work is identified as the reason why they won’t. At the end of the movie, Stark attempts to seduce Potts, asking if she ever “thinks about that night” to which she replies, “Are you talking about the night that we danced and went up on the roof, and then you went downstairs to get me a drink, and you left me there, by myself?” The viewers are aware that the reason Stark ran off was because he had received news that Stark weapons had gotten into the wrong hands. Later, Potts will gift him the original arc reactor with the engraving: PROOF THAT TONY STARK HAS A HEART surrounding it. In an unconventional way, Stark portrays the frigid boss who sacrificed everything to get where she is in his titular fight against a war profiteering machine.

Next, let’s examine his role as the fucktoy. This is a more subtle theme throughout the film, present in body language and subtext. I will focus mainly on scenes which present a femme-coded sexualization--scenes where emphasis on Stark’s body does not lend Stark power, but instead strips him of his autonomy. Take for example the scene pictured below. In this scene, Stark bares his chest to Stane. He is quick to cover up and fruitlessly attempts to redirect Stane’s curiosity. Much like a scene where an attractive woman shows skin, the emphasis is placed on Stark redirecting Stane’s predatory interest. Notice the tension in Stark’s stance, the challenge in his eyes and the contrasting pose of Stane, mid-motion, pushing so close into Stark’s space. Stane is clearly coded as the aggressor once the reactor comes out. The same effect is observed as when a woman bares skin--an apparent loss of autonomy as other characters (and even the cinematography itself) takes a pornographic view of her body. Instead of a powerful male character baring his chest in the heat of a battle, giving the audience a glimpse of corded muscle and strength, this scene leaves the viewer feeling uncomfortable on Stark’s behalf.

[TW Start] This femme-coded sexualization that leads ultimately to a loss of autonomy again rears its head in the titular “rape scene”. This is the clearest instance of the reactor--a literal part of Stark’s body, symbolically present as his heart--lends itself to his victimization. Just as a hypersexualized female character with no bodily autonomy, Stark’s bodily autonomy is forcefully violated so that a powerful male figure in his life can exploit a part of him. This theme becomes horrifyingly clear when the scene is examined up close.

Notice the position of their bodies. Once again, Stane towers over Stark, pressing into his space on all sides. In the first image, to the right, he has an arm draped over the back of the couch--a parody of a romantic or perhaps affectionate gesture from one intimate partner to another. Stane visibly radiates power in this position, even if the viewer were unaware of Stark’s paralyzed state. Stane’s shoulders are squared, even sitting down. The position of the reactor in his hand is relaxed and undeniably taunting. Looking at Stark himself, the horror and powerlessness of his situation is clear. His eyes are open, but almost appear to be unseeing. He is not looking directly at the reactor nor at Stane. In fact, it seems as though his eyes are looking below the reactor and to the room at large. I can only describe his expression as hollow--the blank eyes fixed out to something the viewers cannot see, his mouth partially open, his skin sickly pale.

In the second image, pictured above, Stane leers over Stark’s body, cradling his head in, once again, a parody of a lover’s tenderness. He coaxes Stark’s now limp form down onto the couch, having just paralyzed him with a fictional, technological nerve agent. The horror is shockingly clear on Stark’s face and the perverse joy is just as clear on Stane’s. This scene itself is an undeniable parody of rape, or, at the very least, physical assault. [TW End]

Tony Stark presents us with a clear, femme-coded character as his story line draws upon classicly feminine tropes wherein the sexualization of the character’s body is exploitative at heart and leaves them vulnerable to physical predation. In this way, though he is strong, his “body” makes him the victim of his own story. Not only that, his character arc itself travels from the heart-less profiteer to the philanthropic man with a heart of gold, drawing upon another classically femme-caricature of the “bitchy boss”.

Queer Tropes & The Closet

Queer tropes are much harder to draw upon than that of feminine tropes. Queer tropes in film developed in a time of great censorship and as a result are often subtle. There are three main tropes I would like to reference for the purposes of this critique. Within the Iron Man franchise, there exists a distinct sense of camp, a problematized sexual promiscuity, and, ultimately, an identity-reveal/coming out storyline.

One of the most obvious of these tropes is camp. Camp is “defined as the purposeful and ironic adoption of stylistic elements that would otherwise be considered bad taste. Camp aesthetics are generally extreme, exaggerated and showy and always involve an element of mockery” (3). Camp is present in queer culture most commonly in the ball and drag scenes. Camp is the gaudy, the glitzy, the over-the-top, the classic-but-not, the in-your-face… Camp is all of the above and more. This is why it is so easily recognizable to audiences.

The Advocate identifies a series of seventeen queer caricatures in media for consideration, one of them being that of the “promiscuous queer”. Everyone knows the myth of the promiscuous bisexual, even when the reality is that bisexual individuals are no more or no less likely to view monogamy as “sacrificial” than gay or straight individuals (4). The stereotype of the promiscuous bisexual is inaccurate and harmful, and they are by no meals alone in being labeled overly promiscuous by a general audience. The “promiscuous queer” is defined as a character that may struggle with emotional intimacy and, as a result, sleeps around to mask the love they are missing in their life. “Films going back as far as the ’80s British period piece Another Country have featured gay male characters who use sex to cover for their inability to feel true intimacy with another human being” (5). Among their list of guilty perpetrators are Queer as Folk, The L Word, The Good Wife, and How to Get Away With Murder.

The last trope I’d like to present is that of the “coming out” story. Far from being problematic, the “coming out” is often necessary when telling a queer story. Coming out storylines can be problematized when they are presented as “Big Dark Secrets” that weigh heavily on a person until they are spoken. Ultimately, coming out is a choice. Many queer people choose to come out while many do not. There are many people who fall in between--some people may be comfortable being out to select individuals while not to others or to the world at large. In any case, people can be satisfied and fully fulfilled in any of those choices. Coming out stories are undeniably part of queer culture in media. Consider the recent hit, Love Simon alongside Transparent, Empire, Supergirl, and Glee.

Camp, Secrets & Sex

Through the camp of the Iron Man persona, the problematized sexuality of Stark, and the underlying theme of a “coming out” journey, Tony Stark presents audiences with a classically queer experience in film. Take the Iron Man suit itself. The iconic red and gold, the whine of the repulsors, the sleek metal edges and the furious glow of the arc reactor all scream camp. The red and the gold, the opening bars of Back In Black, the facial hair cut into odd spikes, and the sunglasses do, too. Each and every part of the Iron Man persona is camp. “Stylistic elements that otherwise would be bad taste”... talk about gold-plated biceps and a bright red, glowing chest piece! It's camp, baby!

The problematized sexuality of Stark is harder to see as reminiscent of a queer trope. Take, for example, one of the first scenes in the movie. “I do anything and everything that Mr. Stark requires, including, occasionally, taking out the trash”, Potts remarks in reference to a one-night stand she’s ushering out of Stark’s home. Here, Potts implies that Stark sleeps with “trash”. The following scene gives us the feeling that this is not a one-off occurrence. As Potts enters the room, Stark asks, “how’d she take it?” References to his repeated promiscuity are obvious. “Playboy” is an integral part of his persona. Equally obvious is Potts’ disapproval. Taking these inferences of his playboy lifestyle with what viewers know of Stark’s lack of attachments--his “bitchy boss” exterior, if you may--it appears as though his promiscuity is a symptom of the promiscuous queer stereotype.

“Don’t ever ask me to do anything like that ever again,” Potts says after removing the initial arc reactor model from Stark’s chest cavity. “I don’t have anyone but you,” Stark replies. The viewer has a clear picture of Stark as a playboy type who is truly lonely on the inside--who struggles with emotional intimacy. This struggle is evident, given that Potts, Stark’s secretary and co-worker, is the only person in his life he trusts to assist him in what is essentially open heart surgery. His playboy lifestyle mirrors the circumstances of the promiscuous queer trope in media.

Finally, we come to the last scene of the movie-- the climactic reveal. “I am Iron Man”, Stark says. This scene most clearly illustrates a queer story-line. Stark reveals his “identity”, shedding his last secret, and declares to reporters (and effectively the world) that he is Iron Man. To understand how this scene evokes such a strong sense of queer experience in viewers, I’d like to reference another recent in-universe identity reveal in the Marvel Cinematic canon. In Spiderman: Far From Home, the end-credit scene shows Peter Parker reacting in horror to his identity being leaked via doctored footage from the villain Mysterio. This scene can read as nothing but a deep violation. Even the main characters themselves react in abject horror at the news. The Spiderman identity reveal and the Iron Man identity reveal are two sides of the same coming-out process. In one, the character had full agency. In the other, the reveal was non-consensual, a complete violation. It is clear that both of these scenes draw explicitly upon themes that resonate particularly with queer audiences.

To Infinity(War) and Beyond

Growing up, I latched onto Iron Man and Tony Stark as an outlet for my “otherness”. I was well and truly obsessed with the character for reasons that I could not really put into words. He was weird, he was loud, and he was, frankly, unapologetic about any of it. I remember very clearly on my first day of tenth grade listening to Thunderstruck by AC/DC in the car and putting on the brightest shade of red lipstick I could find. Tony Stark gave me confidence. He gave me a voice. Throughout high-school I must have watched the first Iron Man movie upwards of twenty, maybe even thirty times. It was a comfort to me because it showed experiences I resonated with and it showed a strong character recovering from them. Tony Stark rose from the ashes every time and gave me the strength to rise from my own ashes every time he did.

Our heroes can be anything. And Tony Stark was mine.

[aggressive-positivity-network]

Your demo in a relationship headcanons were simply aaaaaaahhhh!*chef kiss* could we maybe have some for everyone's favorite aussie stringbean?

I absolutely love Sniper...he’s one of those characters I can just fall back on. I also just like Australian accents, especially when he speaks in a low, intimidating voice. Gets me every time. Makes me either blush or happy stim whenever I hear it.

First Date:

You find Sniper on a dating app after a particularly bad break-up.

His profile picture is of him shirtless, holding a huge gun next to him. However, instead of looking sexily into the camera, he’s looking off camera with a bewildered look on his face.

His bio says, “My friends put me up to this. Don’t expect too much. If you go on one date with me maybe they’ll shut up. Who bloody knows?”

You get curious, and you decide to start a chat with him.

“Your friends put you up to this huh? 😏”

“yeah. what of it?”

“What, are you some lonely wolf type or what?”

“you could say that.”

He was texting back almost immediately. Even if he wasn’t a lovey-dovey person, he was certainly interested.

“How would you like to get those friends off your back?”

“i’m free wednesday.”

You make plans, which, despite only seeing this as a one-night stand, you gradually get more and more excited for.

You meet Sniper at a nicer restaurant, wearing a new black dress that you hadn’t worn yet.

When you finally see him at the lobby, you realize that the picture didn’t do him justice, even thought he now had a beige suit on.

His lankiness showed a bit more, but his arms were very strong despite his frame. He was wearing sunglasses, which added an air of cool refinement.

At first you thought he was British because of his texts, but when he spoke, you knew right away he was Australian. You are far from disappointed.

You are still waiting for your table when all of a sudden, Sniper takes out a huge knife. Before you can react, he quickly slices something out of your vision and then brings it before your eyes. You had forgotten to take the tag off your dress.

“I’m flattered. I didn’t think you’d get all shinied up for me.”

You breathe out shakily and rub your neck. Sniper’s eyes furrow.

“I didn’ nick ya, did I?”

“N-no...just s-scared me...”

You thought maybe you had met up with a psycho, and all your suspicions were not put to rest yet, but the close encounter seemed to awaken something in you.

The date continues as normal. Both of you are pretty awkward at first, especially since the knife incident. But before the main meal is brought to your table, you’ve started up a conversation.

Sniper told you he was in the military, but his base is very lax with dress code and schedule.

You start telling him about your job as a graphic designer when all of a sudden a scream interrupts you mid-sentence.

There’s a guy holding a gun about eight tables from you, pointing it at the many patrons. He doesn’t seem drunk, but just enraged.

“WHAT’S A GUY GOTTA DO TO GET SOME DAMN FRIES?!”

The manager tries to talk to him, but ends up getting shot, most likely dead.

The yelling continues for about fifteen minutes. You are very uncomfortable, not to mention terrified, but Sniper seems oddly nonchalant.

Suddenly, Sniper yells, “OI! THEY’RE BRINGIN’ OUT YOUR FRIES! RIGHT THERE, MATE!”

The guy follows Sniper’s finger, and all of a sudden there’s a gunshot. But it wasn’t from the madman’s gun...it was from Sniper’s.

The guy falls over on top of the bleeding manager, writhing in agony.

Before you can even process what’s happening, Sniper grabs you by the arm and drags you out of the restaurant.

“Dishes it out but can’t take it, eh luv? C’mon, we’ll go to my place. It’s real nice.”

You get into his van, which smells like a mixture of old leather, beef jerky, and...something else. However, your terror quickly trumps your logic.

“First Time”:

Despite your fiasco of a first date, you still decide to stay at Sniper’s until it’s all blown over.

His apartment is covered wall to wall with guns, memorabilia, and sticky notes, usually with names and dates written on them.

On the far wall was a cork board filled to the brim with pictures, yarn, and Xs made in thick red Sharpie.

“If I woulda known it would go this far, I woulda tidied up the place. Sorry about that, luv.”

You brush it off, and you both sit on an old leather couch with bits of stuffing sticking out of it.

You take this as a cue to get around to what this whole date had been about: some sweet, sweet rebound. It seems awkward now that you had gone through so much - besides, you hadn’t expected to connect with Sniper the way you have...

But you still manage to spit it out.

“Er...yeah. That’s what people usually do, right? Yeah? I dunno. I’ve been off the playin’ field awhile.”

Sniper puts his hands around your neck and let’s you begin to kiss him. But it was clear after a while he wasn’t into it, so you pull away and ask if he wanted to wait another time.

“Aw, no, shiela. Look at me, lyin’ ‘ere like a dead fish...I just...I’ll try ‘arder, luv, I promise.”

You pull away completely. This had trauma written all over it, and you weren’t about to force someone into it...you were better than your ex.

“Did I do somethin’ wrong?”

You asked him what was wrong, and why he was being so passive about what was happening to him. Why didn’t he say anything? Do anything?

Sniper sighed, pulling his hat way down in front of his face.

“I like girls, don’t get me wrong. It isn’t that. But I never felt...that way about ‘em. Or anybody else, honestly. I tried it once in college...I just ended up feelin’ sick. Tried it with another girl, then another, then another. I even tried with my guy roommate. But I always ended up feelin’ like I was gonna puke. Sometimes I did. It just never felt right. It wasn’t magical, it was bloody disgusting.”

“But every girl I’ve ever been with expected it, and to keep ‘em, I ‘ad to do what they wanted. Sometimes I’d just lie there, tryin’ not to vomit, trying to at least move a little, act like I was into it. They said they’d change my mind, that this time would be different. At the end of the day, it never was, and I lost ‘em. And now I’m gonna lose you too, ‘n I’m gonna halfta tell the guys...they’ll never let this go...”

Back At The Base... :

Spy called the entire team into the security room to watch the entire date go down. He had placed a bug on Sniper’s suit while helping him adjust it, and now everyone was here to watch the show.

Everybody cheered when the guy was shot, though Spy made a mental note to call Miss Pauling in the morning.

The whole team, Scout especially, was excited to see some action when Sniper brought you to his apartment. Well, everyone except Medic. He stood their with his eyebrows creased. He knew exactly what was going to happen.

“Aw, c’mon Snipes, what’s the hold up?! She is so inta you!”

There wasn’t any sound, so no one exactly knew why Sniper paused for so long.

Finally, you two came back together again, but after about thirty minutes of just kissing, the other mercs got bored really fast.

Scout was especially disappointed.

“Man, this was whole thing was a bust!”

Spy shrugged. “Not quite a waste of time. Look at her. She’s smitten. I never thought I would say this, but gentlemen - we have found Sniper a suitable suitor!”

Medic, eyes wide, kept his Sniper’s medical history too himself - not for HIPAA, but for the drama of it all. He wanted to see how this would play out.

Love At First Shot:

On a casual date at his place, Sniper catches you admiring one of his weapons.

“That’s one’s a beaut, ain’ it? That’s one ‘a my oldest guns. She’s outta service, the old girl, but she don’t look a shot over thirty.”

He picks it up and cocks it, nodding approvingly.

“Got this offa real bloody fruit seller. The muzzle ‘ad stains all over it, rust in some places...the bloke obviously had no idea how to take care of it.”

You suddenly feel a pang in your chest.

“Oi, luv, not a fan ‘a guns?”

“No...I...it just made me remember something.”

Sniper puts down his weapon, sits on the sofa, and pats his leg.

“‘Ere. Tell me about it.”

You hesitate for a moment before shyly sitting on his knee. You’re on the smaller side, but you were still afraid you might hurt him.

“Aw, it’s alright. Put your full weight on. These babies can ‘old an Aussie an’ an AK-47.”

You giggle, letting yourself get a little more comfortable.

“Now, luv...what’s on your mind? What’s that pretty lil’ head a’ yours thinkin’?”

You sigh.

“My boyfriend...or, my ex-boyfriend...we broke up for a reason. Or, well, I dumped him. We had been dating for almost three years, and I didn’t see it coming.”

“Crazy train crashed inta the station, huh?”

“He almost did. He...he had hit me before. I just didn’t say anything because I didn’t want him to get in trouble. But one night...it got really, really bad. He wasn’t even drunk. He was still in his work uniform. I stayed with a friend, and I told him it was over with a text - I was just so scared he’d find me. He knew my friends. He knew my address. And so I just wanted to find someone to protect me. It was more than just rebound...I just didn’t want to be alone. I wanted one person in my life he didn’t know so they could protect me.”

You could feel tears welling up in your eyes, but you bit them back. You didn’t feel like sobbing in front of your new boyfriend. Sniper, though, started laying down, taking you with him.

Your head was now under his chin, and you were laying all along his body. The sudden show of affection caught you off guard. You started to cry, burying your face in his chest.

Sniper wrapped his arms around you, supporting your entire weight easily.

Neither of you spoke for a good fifteen minutes, except for Sniper saying an occasional, “Aw, sweetheart...”

Finally, you calmed down, feeling safe in your boyfriend’s embrace.

“Y’know, luv...”

Sniper hesitated.

“I...could teach ya how to shoot. If it’ll make ya feel safe.”

You sniffle and look up.

“I know ya probably want some big, strong man to protect ya, an’ I will. God, if anybody even touches a bloody ‘air on your ‘ead, I’ll kill ‘em. But I wan’ you to go to the movies, or the store, or just ‘ave a nice walk an’ not be lookin’ over your shoulder. I wan’ ya to enjoy your life, luv.”

“I...I can’t shoot a gun...”

“Why not?”

“I can’t...aim or shoot...I don’t think I’ve even held a gun before...”

“Well, we can fix that! ‘Ere...”

Sniper leans over and picks up his old gun again, laying it in your hands. It’s a bit heavier than you expected.

You run your hands over the muzzle and barrel, not even daring to touch the trigger.

Sniper puts his hands over yours and guides them over the gun, giving you more confidence about handling the weapon.

“A gun is like...like a dog. You train it right, an’ you train yourself, you’ll be fine. You’re no kid, so you know ‘ow dangerous these can be. But fear doesn’t shoot the bullet. Fear doesn’ aim for ya.”

Every time you went to his apartment, he would do this. Sometimes you two would be talking, and he would nonchalantly hand you the gun, which, after a while, you took without thought.

Now it was time to take you to the range.

He gave you that old gun to use as practice, but promised a newer, more compact gun when you had gotten the hang of shooting.

Hands on your shoulders, hands over yours, he taught you how to target a person’s more sensitive areas.

Over the next few months, you grew better and better at hitting your mark. You weren’t perfect, but you could definitely defend yourself.

One night, Sniper went to go get you both Chinese food, and you were hanging out at your apartment.

You heard a knock on your window. You ignore it, thinking a bird had flown into it by accident. However, as the knocking grew louder and more insistent, you lift your head, startled.

It was your ex-boyfriend.

He was in a suit, but his face wasn’t nearly as neat. His eyes were red and wide, and his hair was messy.

He had walked up the fire escape to your balcony, and was leaning against the rail, relaxed.

You stayed inside, but you knew that the door was unlocked - he could come in any time he wanted. And he knew this.

He spoke, and you could hear him through the glass.

“Still single. Just like I thought.”

You opened your mouth to speak, but he cut you off.

“I came back because I was worried. It’s been so long since I’ve seen you...I thought maybe something had happened. You were so depressed when you left. I couldn’t help but think that maybe...well, that doesn’t matter. What matters is that you’re here, and I am more than willing to be with you again. I think we both have cooled off, right? We’ve had some time apart, and now we’ve realized we’re madly in love with each other and can’t be apart for another minute...”

“I have a new boyfriend!”

You blurted it out so suddenly you even surprised yourself. But your ex was unmoved.

“Oh, right. Sure. How much are you paying him, this boyfriend of yours? Do you have to pay extra for sex, or do you have a pity discount?”

“He...he’ll come back...and...”

You looked beside you. Your gun was laying on the floor beside you. Sniper had just taken you to the range, and you hadn’t had enough time to put it away.

You remembered what he said...

“I wan’ ya to enjoy your life, luv.”

You put your hand around the gun, grasping it tightly.

You swallow.

“Come back and what?” your ex jeered. “What’s your new boyfriend going to do? Beat me up?”

You are still trying to make your decision when you hear the glass door open.

“Look at me when I’m talking to you, angel. I want to see your beautiful face.”

You whip around, the gun in your hand. Your ex immediately recoils, his hands flinging up.

“Woah woah woah...!”

“Please. Leave.”

Your voice is hoarse, but you try to sound as firm as possible.

“Even if I didn’t have a boyfriend, I would never get back with you. Ever. You...you made me feel so helpless, scared, alone...I can’t feel that way forever. I don’t want you to get hurt, but I want you to leave and never come back. Please. Just leave me alone.”

Your ex smirks, albeit shakily. “You can’t shoot that. You’ve never touched a gun in your life.”

“My boyfriend wanted me to be safe. He wanted me to be happy. He wanted me to be able to deal with creeps like you.”

You get up, gun still in hand, and your ex backs away.

“He did more than you ever did.”

“What, so you’re just going to shoot me? End up on the six o’clock news?”

“No. I won’t. I don’t want to hurt you. I just want you to leave. For good.”

“I bet that thing isn’t even loaded.”

You show him a half-full magazine and point to the fire escape.

“Like you know how to -!”

You quickly turn to a picture of a seaside landscape, shakily aim, and manage to shoot it, shattering the frame to pieces.

“Get. Out.”

Your ex practically runs out, yelling that he was calling the police.

Sniper comes back a few minutes later, and when he asks you what the hell happened, you start telling him between trembling breaths what had occurred.

Sniper turned bright red and tipped his hat down.

“That bloody wanker...fruit sellin’...”

He starts to walk towards the fire escape, but you stop him.

“I scared him off, please don’t...he said he was going to call the police...”

Sniper took a few deep breaths, calming down.

“We’ve got th’ best lawyers in the country. I’d like to see ‘im try.”

The police was never called - you think it was probably a pride thing, since you had overpowered him so easily - but you weren’t sure you had seen the last of him.

But with your own experience and Sniper’s, you had some piece of mind.

However, you were soon going to find out that Sniper had more power on his side than you thought...

*****************

Long time, no headcanon! Well, good headcanons, anyway. I rushed my last post, so I tried to go all out with this one. I might write a second part when headcanons are open again, but I think I prefer leaving some things up to the imagination, hm?

Anyway, more headcanons on the way! Same bat time, same bat channel! The next one is about siblings, though I may post shorter headcanons before that, since it’s such a fun idea to write.

[spiralhigh]

ranking the sdr2 cast by how much their formal wear hits

this is just my opinion, but my opinions are great and i know what i’m talking about! this will be long so it’s under a cut

S TIER:

s tier is reserved for only the best of them all, the cream of the crop, the fit that i would gladly lay down my life for. s tier is the crown jewel. s tier is what everyone else should strive to be... but only one can take the prize.

#1: AKANE OWARI

the undisputed champion. this look is everything to me. EVERYTHING. the red-trim cape with the fur. the contrast of the airy, gathered blouse with those skin-tight shiny (leather? vinyl??) pants. the pumps. the belt that screams disco style. the necklace accentuating the tasteful titty window. the red white and gold color scheme  are you FUCKING WITH ME miss owari this look could bring ARMIES to their KNEES in an INSTANT. whoever drew this deserves full creative control of the danganronpa franchise and i’m not kidding

A TIER:

a tier is for the fits that frankly own bones. they’re not as jaw-dropping and legendary as owari, but they’re still razor as hell and deserve to be met with riotous applause.

#2: KAZUICHI SOUDA

kazuichi, i didn’t know you had it in you, but this FUCKS. the character of the pins on the lapels, the sneakers, and the mispinned tie. the absolute CLASS of the suspenders, watch, and tiny round glasses. the handsome slick in the hair now that the greasy beanie is gone. the tasteful highwater. he looks like the host of the larry king show if the larry king show was exclusively about ska bands and he has never looked better

#3: HIYOKO SAIONJI

tell me this isn’t the cutest shit. the colors here are EXQUISITE. the bright notes from the blue on top, the way the soft pink is a perfect middle ground of the pink + white flowers on her sleeves, the subtle way the green in her bow matches the green in her collar, the white petals breaking up the sky blue that might otherwise look out of place? remarkable. stunning.

#4: PEKO PEKOYAMA

the ELEGANCE is EVERYTHING here. the monochrome is offset by just a splash of red that ties everything together with her eyes and the flower in her hair, the checkerboard pattern is visually interesting but not distracting, and her hair in that loose ponytail with the little white ribbon? ugh. ADORABLE! but most of all, look at those BOOTS. those CUTE LITTLE HEELS on those SICK LACE-UP BOOTS..... QUEEN shit!!!

#5: CHIAKI NANAMI

rounding out our a tier is chiaki in this adorable little dress just LOOK at her!!! she looks like a little rose, a perfect flouncy skirt with a glittery mesh overlay, a fun and fresh over-the-shoulder collar, a fucking big old bow tied in the back?? i can literally feel the way this dress would feel in my hands. it’s simple and perfect and frankly a GORGEOUS color on her this is flawless

B TIER:

b tier is a perfectly respectable place to be. these fits lack the lustre and flavor of the a tier entries, but they’re still dressed to impress and they still look fine as hell.

#6: TERUTERU HANAMURA

say what you will about teruteru (and i do) but this suit is ADORABLE and it fits in with his theme + talent better than any other mfer on this list. the tasteful white/brown/red palette gives it a flashy chocolate cookie look, which is amplified in the fun pattern on the jacket. the chef’s hat switching out for a little top hat and the way the cumberbund looks a lil bit like a chocolate bar is also VERY cute

#7: THE IMPOSTOR

now on its own, the suit is just alright. a vibrant pinstripe blue three-piece with the classic red tie wouldn’t land the impostor in b tier on its own... but that FUR COAT, LUXURIOUSLY DRAPED OVER THE SHOULDERS does WONDERS to pull this look together. not only is it worn with “yeah, it’s real mink, no, you can’t touch it” confidence, but it also ties the otherwise arbitrary white loafers into the structure of the look. it’s subtle and class as hell.

C TIER

c tier is full of looks that are... fine, but ultimately either are boring, lack cohesion, or have a confusing design choice or two that make it hard to get all that amped about. c tier is a passing grade, but nothing more.

#8: NAGITO KOMAEDA

there’s a lot that’s good about this outfit, but there’s also a lot that doesn’t really work. let’s start with the good: the slutty loose bowtie and collar, the tight-fitting vest that ends before the hipbones so you can see the belt, the cute little ponytail? (chefs kiss) exquisite, all of it. but the suit itself is boring as sing, and who the hell decided to put the t-shirt symbol on the sleeves??? was it to add visual flavor to an otherwise bland suit? this does NOT have the black/white/red elegance that peko had.

#9: FUYUHIKO KUZURYUU

the silver and gold mob-boss look, complete with matching shoes vest and fedora, are a nice nod to fuyuhiko’s talent! the plaid is teetering on the edge between fun and garish to me, but the fact that it’s consistent and the only pattern means it isn’t too offensive. quick question though: why are his pant legs rolled up like that?? this isn’t a cute “cuffed at the ankle” look, dude looks like he had to wade across a pond to get to the venue. what gives

#10: GUNDAM TANAKA

out of everyone here, gundam’s suit might be the most boring of all. the scarf is just his normal scarf. the red tie and trim don’t do anything to tie the look together. the only mild point of interest is the asymmetrical vest, and i can’t even tell if that’s intentional. simply put, this “““fancy”““ outfit isn’t even in the same ZIP CODE as the level of ostentatious chuuni that gundam serves us every single day in his casual wear. maybe even worse than being ugly... it’s disappointing.

#11: IBUKI MIODA

now, look. is this dress buckwild and ugly as hell? yes. but you know what else it is? it is IBUKI MIODA’S DRESS. there might not be a single cohesive thing about this dress aside from its color scheme. the huge poofy ruffles of the skirt and arm things with the spiked bow and corset are baffling. the artist somehow managed to draw the awkward, clumping shape of the skirt to make it look exactly like an emergency cosplay sewn four hours before a convention. frankly, i can’t justify ranking it as a c! but i’m doing it anyway, because the sheer level of craftsmanship demands it, and in this house we respect diy queens that are totally off the shits.

D TIER:

d tier is for outfits that aren’t offensive, exactly... but like, they sure don’t look good! d tier is not a respectable place to be. those in d tier won’t be laughed out of the ceremony in shame, but they should really run their outfit by someone else first next time.

#12: NEKOMARU NIDAI

now don’t get me wrong: i have nothing but respect for the titties-out look. keeping the shirt unbuttoned all the way down to where the lapels of the jacket end? that’s sexy as hell. however, this flawless idea has a confusing execution. why emerald green and orange? what’s with the... long-sleeved printed (hawaiian?) shirt? why the red pocket square? and the jacket itself, while fitted perfectly along the chest and midsection, has a weird, unflattering scallop shape flaring out at the bottom. i want to like this fit, but there are just too many bad choices.

#13: HAJIME HINATA

oh, hajime... literally nothing about this ensemble is it. the creamy manila suit might have had potential if there were literally any color variation in the vest (or potentially shoes) to give it a little more shape, or even if you just went with a white shirt underneath it! i could get behind a light, off-monochrome look! but that leprechaun-green shirt is downright perplexing to me. it looks like a mistake! did you get dressed in the dark? did you spill something on your other shirt? this is a mess.

F TIER:

f tier is inexcusable. f tier should never have happened. how does it get this bad. who did this? who’s responsible for this?

#14: SONIA NEVERMIND

y’know, the colors are pretty! i dig the white and teal! but... girl... what the fuck is this construction. the ruffles are all over the place. the bodice looks like it has less fabric than space it needs to cover. the bottom half of the skirt looks like it was sewn on as an afterthought because the top half was too short for dress code. what’s with the weird choker collar detached from everything else. why is the hairband a slightly different shade of green. so many decisions were made here and none of them are flattering

#15: MAHIRU KOIZUMI

yknow, i like the idea behind this. i can see what you were going for! the dress on its own might have worked, even! but everything else about it is just... so ugly. what the fuck is happening with those shoes??? the sheer black tights aren’t the sexy OL look you think they are. the collar of the dress looks like it’s... braided for some reason??? those earrings are so huge for no payoff, statement jewelry with nothing to say, and worst of all... that headband. GIRL. that headband and that belt...... there’s nothing here. also i love orange but it’s not her color.

and finally... the worst.

#16: MIKAN TSUMIKI

what the fuck. what the fuck is this. this is straight up cheap rubber fetish gear. why is the HAT rubber? that skirt ruffle makes this look like fucking polly pocket clothes. why the fuck is she wearing that. the clothes are so bad that it makes her hair look like rubber too. was she dared to wear this? is this some cruel punishment? i don’t even know what to say. this is the worst possible outfit. there is not even one redeeming quality about it.

[popculturebuffet]

Blacksad: Somewhere In the Shadows Review

Hello you beautiful people! I have a WEIRD relationship with Noir. It’s weird because i’ve never really dived into the films of type, though I really should, But as a kid I absolutely LOVED the tracer bullet arcs in Calvin and Hobbes, where everyone’s favorite hyperactive and imaginative six year old would plant himself as the hero in a noir pastiche.. ironically like myself Bill Watterson was also not a huge noir buff and just relied on Cliches but hey, it worked. 

Still love these. So from fourth grade on it imprinted a lifelong love of a good bit of detective noir. Not enough to you know, get me to read any traditional noir books or watch any noir tv shows or detective procedurals but I still love a good mystery from time to time and some of my favorite comics such as Howard the Duck by Chip Zdarksy and Peter David’s second run on x-factor run on the genre while having fun with it’s cliches. 

I also love anthropormphic animal stories. Dunno why, I just do, so once I found out about Blacksad, a comic that combines disney quality art from a former disney animator with gripping, adult noir that rips your heart out... I couldn’t resisit trying it. Telling the tale of John Blacksad, a cynical private detective and the cases he steps into via gorgeous, straight out of a disney storyboard art, the series is by  Juan Díaz Canales (writer) and Juanjo Guarnido (artist), the latter a former Disney artist who worked on several Disney films, meeting in the 90′s while working on licensed works and hitting it off, leading to this series.  That’s.. really all I could find about the making of the series in English. The only other fact is the series is designed for first release in France, which has a huge comics market, hence the various volumes being called “Albums”, with them later being released in Spain and then english, currently in the latter through Dark Horse Comics, who last year collected the current 5 albums and some side stories into one big volume. And with Dark Horse having infrequent sales including Blacksad on comixology it’s easy enough to pick up all 5 volumes in one complete package on digital for 9 bucks, as it is right now. Seriously I’m not trying to shill for Comixology or Dark Horse, I just love these comics and suggest picking them up. The creators DO intend on new volumes... it’s just both have been busy with other work so they’ve been stuck in development hell since 2013. However given there have always been, if much smaller, the biggest being 5 years, gaps between the Albums, I don’t think the series is dead quite yet and with Dark Horse fully backing it, taking the series from only two volumes getting translated to both translating the first four AND translating the fifth within a year of it’s release, we’ll undoubtly get the next one quickly. The series has also spawned a game, Under the Skin, which i’ll probably also cover some day as i’m dying to play it, but i’m waiting for a sale because it’s around 30 bucks and I can wait. It’s also been nominated for an Eisner three times to no suprise and has had fans in Stan Lee, Jim Steranko, Tim Sale and Will freaking Eisner. Yes the GUY the awards were named after liked the series.  So yeah, I love this series and highly support it, but the thought of covering it hadn’t occrued to me.. in part because I already had three comic retrsopectives going, my looks at The Life and Times of Scrooge McDuck, Scott Pilgrim and New X-Men, and simply because I just hadn’t thought of it till Kevin, frequent patron and comissioner of the blog whose paid for tons of reivews, suggested covering the second Album, Arctic Nation, which has our hero searching for a missing little girl he feels has been taken by the titular white supramacist movement.. and if your wondering “Wait how the fuck does that work their animals”, John is black coded due to his black fur, while the white suprmacists are all Arctic Animals.. a touch I really like as I’d honestly never thought of that as a metaphor but it fits like a glove, especially given that most white furred arctic mamals are pretty agressive looking. So yeah I’ll be covering that one next month for Black History Month, among many other things, but I felt I wanted to cover the series in order and since again, it’s only the second of five and I had a free space on the schedule. So without further adew, join me somewhere in the shadows and under the cut as we enter the world of one John Blacksad. 

We open as you’d expect for a Noir with a heady narration and a murder. John was brought in by Smirnov, the chief of police and an old aquantice who serves as his Commissioner Gordon. Since the victim is John’s ex, he was brought in to see if he knows anything and as you’d expect warned not to look into it further, as John dosen’t buy this was a simple robbery. His response is exactly what you’d expect. 

I mean.. what did you expect? You called him out of bed to see his former lovers corpse, KNOWING he’s one hell of detective, dosen’t give up on things easy, and would probably be curious. For him to say “Cool gonna go smoke some reefer and take in a looney tunes short at the theater, call me when you find the murderer?” Also  this series takes place in the 50s. Because of course it does. 

So John goes back to his office to brood, reflecting that the office feels like the remains of an ancient civlization because “It seems to be all that remains of the civlized person I used to be”. Hell of a line. 

We then get his backstory with the victim, Natalia. She’s a famous actress, who John first as a younger man when hired to investgate some death threats she’d received with a boquet of flowers. John shows off just how good he is at his job in just a few panels. 

IT not only shows in just a few panels just how ferocious our hero can be when needed and how good he is at his job, easily having tracked down the man responsible and scared him shitless without breaking as sweat, but how fucking gorgeous the art is. I meant it when I brought up the old disney comparison, as Steranko even mentioned in his introduction to the collection of the first three volumes how it looks like animation cels on the page. IT’s utterly breathtaking and ONLY gets even more lush and beautiful as the series goes on and perfectly fits the noir stylings with it’s realisim, making it’s animal characters feel utterly human and real while still keeping their animal traits in perfect detail. 

John impressed her, and as we see in the next page under his narration they not only had really steamy passionate sex, and why yes we do see them naked even if the bits are covered it’s still very much nsfw and we saw Natalia’s naked corpse earlier, so that ship had already sailed anyway, with Natalia taking him on both as her lover and her on staff detective and the two were much in love.. until the fame apparenlty got to her judging from the visuals, and the realtionship fell apart. 

Before we move on i’d like to talk about the narration which CAN be a bit overwrought here or there and is a bit overused.. but does have it’s mometns of being utterly effective as with above, contrasting John’s statments about a sucessful job and being hired on.. with the beginnings of his and Natalia’s relationship and their passionate lovemaking. IT’s not BAD and it works for the setting, but it can be distracting, but thankfully the series levels this out as we go and they learned from it so no harm done. Just the kinda thing that happens early in a series life when the creators are getting a handle on things, so no harm done. 

But naturally John isn’t going to take the love of his life, responsible for the happiest days of said life, being brutally murdered lying down and is going to find the bastard who did this. So he goes to an old friend, Jake Ositombe, a championship boxer and Nat’s former bodyguard who he recommended to her. Given we see him knock the shit out of his opponent without the slightest effort, yeah good call. Also yes we share the same name and no it’s not weird to type about another Jake, adventure time sorta.. knocked that out of me. Jake dosen’t know much since she fired him a long time ago as one of her lovers hired private security, and the last one he knew of was a guy by the name of Leon.  John, naturally, easily finds the guy’s apartment, Leon Kronkski, a screenwriter.. but also rules him out as the guy lived in a humble apartment and clearly didn’t have the cash to hire his own hired goons. 

He does find a clue, a matchbook for some place called the Cypher Club.. and another when the man’s sweet  mouse landlady shows up, who John charms by pretending to be Leon’s friend and flashing a big smile, finding out a msyterious man with “big bulging eyes”, took him. This scene also to me is great in subtly showing off John’s skill. While the previous flashback showed how badass he is, shoving a gun down the throat of a stalking wannabe murderer with pure rage in his eyes.. here we see a lighter approach, how despite his serious and dour nature.. he easily slips into being cheery and looking like an average joe off the street. He bluffs the landlady not because the plot says so.. but because like any PI he’s just that good at slipping into whatever roll he needs to get the info he needs. He can be his dour self or a charming happy go lucky guy without missing a beat. 

So with that he goes to the studio leon worked for where his boss.. is a walrus j jonah jameson?

But yeah J. Jonah Walruson wants pictures of spider-man.. moving pictures.. but he can’t film them with his star dead and his screenwriter indefintiely gone, with the same bulging eyed man having told JJ he’d be gone indefintely. Nothing suspicious about that!

So naturally John’s next plan is to find the guy.. who is already after him as you’d expect with both a knife to slash at our hero with and the fog covering him so he can hit and run. But unluckily for him .. well i’ll let john say it...

John  headbutts the myserious snake, who only managed to get his coat before and tries to interogate him.. but gets a quick jab to the gut and the guy gets away. 

We soon meet our big bag, who has a big speech about insects and things being usefufl.. and once they stop being useful.. they become dead and collectable, telling the snake man to back off John.. and sending his right hand man to go take care of the Snake who apparently took something from the office. Realizing his numbers up the Snake Man goes to a lizard bar, picks up a package from a friend and runs out the back, knowing he’s being followed.. and we get some hints there’s also racial tension between lizards and mammials here as the bartender, said friend, has the entire bar circle around the guy preventing him from following our mysterious bulging eyed man. 

Meanwhile John goes to the Cipher Club, a wretched hive of scum and villiany. Given Nat was a glamorous movie star, it’s very clear she was here to hide from something or someone, and the bartnender, a wild pig. 

No not you sweetie. The wild pig tells John leon was indeed here and a local rat, in both senses of the word, offers to take John to him.. though understandably John is supscious of the guy he just met in a seedy bar taking him anywhere except to get some heroin. Did Heroin exist yet? Questions for later. But he’s got a case so he follows. Though suprisingly the guy DOES actually come through and it’s not ENTIRELY a trap: he takes john to a tomb for Noel Krinsok.. an anagram for Leon’s name. Unsuprisingly he’s dead. And also unsuprisingly, two hired goons

Show up. As I said not ENTIRELY a trap but it’s obvious given the rat split moments before that our mysterious big bad knew where john would be headed next, and thus while giving him a clue, also set him up to get his head knocked in. And while John is badass.. these guys are a bear and a rhino,  both stronger, bigger, and with suprise on their size, as well as a tombstone to knock john’s head into. They easily beat him senseless and hope he got the message, though john gives a defiant fuck you before being punched out for it. He returns home, feeling like he’s aged 20 years “But no one respects the elderly anymore”, PFFT, and heads home to his rathole, not literally this time, apartment to lay on his cot and think as he gets some rest. 

And while the trail for Leon is cold. our mysterious murderer accidently tipped his hand: only someone with a LOT of money and influence could make a man disappear like this, and it tracks with what we’ve seen so far. The guy has multiple henchman and despite being a big star with plenty of clout, Natalia had to hide in a dive bar just to get away from him and even THEN clearly wasn’t so lucky given she and her new lover both wound up dead.  But Blacksad has bigger problems.. he wakes up in a jail cell.

Turns out Smirnkov had him arrested.. but for his own protection as the case is getting too hot and while he was late on that front given John’s face is hamburger, it’s clear from his tone and demeanor that while he may of been harsh with John earlier.. the two are old friends, and the Chief is simply worried about him winding up dead, and John takes you know being thrown in prison in stride. Which while not a bad scene it is a BIT suspect that a black coded character was thrown in jail for nothing and it’s treated very lightly and as a simple protection between friends, though given they wouldn’t think of coding john like that till next volume, I brush it off as accidental implications in hindsight. 

Smirnkov though also called John here.. because he needs his help. Since Natalia’s Murder Case is pointing very high up, so his superiors have ordered him to bury the case and as he puts it “the bastards know where to squeeze”. And given in volume 3 we learn Smirnov has a wife and children, it’s very obvious where they squoze and to the volume’s credit while we don’t know that yet it’s VERY clear from Smirnov’s body language they went after some form of family. So while he has to give it up.. John does not. So he brought him to jail to offer a proposal: John goes after this son of a bitch and nails him to the wall.. and Smirnov will FULLY protect John no matter what he has to do.  Now naturally given the rightful reckoning for police that’s been going on for almost a year, this SHOULDN’T play well. You have an officer outright telling an outside party that he and his boys will cover up his crimes. But.. honestly even in that framework.. it still works. That’s because.. the system has failed here. The higher up and more corrupt cops put pressure on the honest and hardworking family man Smirnov to stop a legitimate investigation into a horrible murderer.. because the guy is rich. And even now we’ve seen time and time again how rich assholes effortlessly escape the consequences of their action: How our own president who actively asked other nations to interfere in our election escaped his first impeachment trial, but hopefully not the second, aquitted. How Jeffery Epstien took YEARS to bring down with his years of ellicit parties involving innocent women and children he fucking enslaved. How Bill Cosby got away with all kinds of sexual assault for decades. The rich are often literally above the law in this country, so having a down on his luck detective, who retroactively himself is a minority, go after him with the full support of an actually GOOD police officer who genuinely believes in these people being held accountable but is held back by his family’s safety.. it works. John isn’t able to skirt consequences BECAUSE of a corrupt system.. but because the system’s so broken and slanted in the rich’s favor, that the ONLY option an honest officer like Smirnov has is to go outside it. And when asked WHY he’s doing all of this, Smirnov merley replies

... I got chills, their multiplyin. So John plans to find the bulge eyed snake after a hot shower.. only for the guy to hold a gun to John’s head, having been waiting for him and wave the murder weapon, in a baggie around, the item he had retrieved, feeling John’s trying to replace him as number two. However before he can do anything our snake  pal is shot full of holes by the rat from before, who John dispatches with his own gun. 

So the Snake starts to expire.. but feels a kinship with John “We are nothing right cat? Spent so much time waiting for the right chance and when it happens it all falls to pieces”. The Snake explains his roll in things: He was one of the private security our big bad hired to guard Natalia. But being supscious he also hired the rat to follow her around, and thus found out about her affair, brutally torturing and murdering Leon and shooting Natalia in the head. And we finally get a name as our snake friend tragically expires. 

The snake’s death and tragic dying moments are something I forgot about.. but damn if their not really good writing, taking a character who before was seemingly just a murderous goon.. and comparing him to our hero. Another working class joe, and one who just caught up with the wrong asshole at the wrong time. He easily could’ve been john in another life and vice vers and it’s a good parallel. 

So John’s nightmares finally have  name and he naturally goes to confront the guy since he has an almost literal get out of jail free card. Turns out Smirnov is the richest man in town, and has his own big tower. Huh.. sounds familiar, and John simply sneaks his way up and once Statoc’s guards from before hear him rustling about.. sneaks up on them and clocks both one at at time with a fire extinqusher. 

Statoc warmly welcomes our hero inside, and has the fucking lizard balls, as he’s some sort of lizard himself, to offer John a JOB

I mean he’s clearly lost a lot of his goons and most of them were incompetent. He fails to realize that John can’t be bought, is here for vengeance and has no intention of selling his soul to some rich asshole who killed someone he loved for the creepiest and most asinine reasons imaginable. He says john’s Concisence is why he can’t pull the trigger and that he lacks “cold blood”.. before we cut to the next page, where John’s shot the fucker in the head and left a gaping hole where his lack of a brain was. 

And again what makes this work is the aftermath: John is clearly shaken, having ONLY been able to pull the trigger beause of Statoc’s smug grin and clearly not taking the sight of Statoc’s dead body bleeding out well. And while Smirnov keeps his word, covers for him despite the two guards clearly providing an iron clad argument against john and knoiwng thier blatantly covering this up.. he’s not happy about it. 

This is WHY the narrtive still works. Statoc stacked the law against the bad guys. .but despite this being a necessary evil.. it’s still an evil and subverting teh law at this rightly leaves him not in a great place mentally. John himself isn’t even if he plays it off as otherwise, as we get our final bit of narration and one hell of a closing line. 

Final Thoughts:

Somewhere in the Shadows is a bit rough around the edges, leaning a bit too heavily into the noir pastiche and Blacksad being a harboiled detective, something the next volume would ease up on. That being said.. it’s still a masterpiece, with gorgeous art and masterful pacing. While it’s the shortest of the stories, like those after it the pacing is sublime and never feels like it has any down moments or stuff that could’ve been cut, and the mystery keeps you on edge the whole time. Having forgot a lot of the details since last read I was on the edge of my seat the entire story and loving every second of it. Somewhere in the Shadows is the perfect starter for the series, introducing an important charcter in Smirnov and the noir nature and giving us a case personal to John so we can see who he was before, what he is now.. and what he WILL be for the rest of the series. The moment that MADE him into an even harder man than the one we follows here.. when he took a life in cold blood. A masterful story, seriously check it and the other volumes out, on comixology, in stores, great stuff. Next time we look into john and as I said, he’s taking down some racists and we also meet his sidekick weekly for the first time. As for me tommorow I dive back into my Tom Luictor retrospective but hit pause on our boy for a bit to take care of some of the larger plot.   Until the next rainbow, it’s been a pleasure. 

[clan-sayeed-fic]

Business (Kamilah Sayeed & MC)

Previous chapters: 1, 2

Book: Bloodbound (property of Pixelberry Studios)

Pairing: Kamilah Sayeed & MC: Amy (I do not own those characters, they’re the property of Pixelberry Studios as well)

Warnings: angst, smut

Rating: Mature

Author’s note:  I’m not a native English speaker, I’m sorry for any mistakes (feel free to correct me).

Just like I promised, I'm posting the third chapter of the story 😄 I'll do my best to post the rest of the fic in the future. I hope you enjoy this chapter and don't mind that it’s so long 😂💖

~ 2900 words

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Chapter 3

"Let me go!"

Despite all the power put into the scream, words had been stolen by the infinity of the forest. The only sounds echoing in the darkness were the drumming of hooves and loud breaths coming out from both: rider and his horse.

Just when the man thought that he managed to escape the jaws of death, some impossibly strong creature knocked him off from the saddle. His body flew in the air before hitting the ground, breaking bones.

The young, chestnut stallion stopped galloping as soon as he sensed the lack of weight of his owner on the saddle. This well-trained creature turned around, ready to stand by the side of the man that groomed him since he was only a foal.

But at the time he got closer to the owner, something emerged from the shadows, sneaking up toward them. The horse's ears went wild, moving in different directions. He lifted his head high, getting a better perception of the surroundings as all of his muscles tensed, ready to react.

That's when a harsh red light flashed in the middle of the road in front of them. Despite all the previous courage, the presence of an unusual for the horse predator awoke his instincts.

Instincts that were saying to run away as fast as possible.

The dust picked up around the wounded man, and all he was able to hear was the neighing of the stallion. The sound was slowly fading away, deeper into the embrace of the forest.

"Seems that not even a horse is willing to help you," a feminine, harsh voice came straight from the direction of the crimson light. "I got the order. You must know how these work."

He was her target, a prey to hunt down for her master, her creator.

She had been said to look for the leader of the village in this part of the land. There was a prophecy saying about the downfall of vampires. It pointed at this specific person becoming the cause of it one day.

Her master wanted to take care of it in advance. To make sure that vampires will remain at the end of the food chain for much longer.

So there she was, just doing her part of the job.

"My wife..." the man managed to speak, being interrupted by his own blood, making him choke. "My wife is pregnant, I need to be there..." another spit of blood, "...for her and my child."

The vampire approached the begging man. Just to kneel down, so she would be able to look directly in his eyes. To see his fear and unsureness about the future of his family.

"Oh..." a seemingly sympathetic tone escaped her mouth.

Just to be followed by the dagger aimed straight in his heart.

"...but you will not."

***

Hesitation hit Amy along with the cold air of the evening right after she got out of her car.

Words said during the meeting echoed inside her mind, filling the space with doubt. She was well aware that her attitude during the gathering might have caused the end of this collaboration before it even started. That she might have just ruined the deal on which depended a lot.

Only because her pride had to win... once again.

It was the hour of her meeting with Kamilah. To her surprise, the place that she sent her to wasn't the building of Ahmanet Financial by itself. Instead, she got the address to one of the fanciest neighborhoods in New York.

Amy drove there on her own without bodyguards. She didn't let her parents know about any of what happened so far. In that case, she needed to deal with the situation on her own, praying that she would have only good news to share with them later.

Full of hope, she stepped into the elevator typing the guests' code that Ms. Sayeed sent her earlier that day.

"Now, try to fix it, Amy," she mumbled quietly.

***

The elevator stopped, and doors opened with a loud click sound.

Did she invite me to her penthouse? Amy asked herself in thoughts, stepping inside unsurely, slowly taking in the picture before her eyes.

Her steps were quiet. After walking through a short corridor, she found herself in a spacious living room with a view of the dining table and the open kitchen.

But there was no sign of the apartment owner.

With typical for her curiosity, she looked over the place. The girl was educated in interior design enough to admire a modernly stylized space. The colors around her were outweighed by black, light grey white on the walls and dark, deep browns of the furniture. Here and there, she noticed some accessories in the faint shade of lavender. Everything created a well-balanced contrast, pleasing to the eye.

After a while of waiting, Amy couldn't hold herself any longer, and she slowly approached the dresser that caught her eye from the start. What especially got her attention was an old photograph of the CEO of Ahmanet Financial and some strangers posing in the picture, all smiling. She assumed that the photo showed Kamilah in the company of friends.

But the only person she recognized from it was Adrian. He looked exactly the same as when she met him for the first time. The only difference was visible in his clothes. Everyone in the picture seemed to wear garments that had been taken straight from a different era.

Was it taken during some kind of costume party? Or maybe just a long time ago, but... how long? The girl put her purse aside to place one of her fingers on the picture, tracing over its surface, lost in thoughts.

"I can see you're the nosey one," a deep whisper made her jump in surprise.

Amy turned around quickly, almost knocking the picture by doing so. Just to face a smirking Kamilah Sayeed standing right there with her arms crossed. The girl's heartbeat increased from sudden shock, making her attempt to compose herself fail badly.

"Oh," Amy felt her cheeks reddening without permission, "I thought you were in a bathroom, or..." she was making excuses, but it got her thinking.

Why didn't she notice the woman sooner?

"I was watching you," Kamilah answered like she was reading her mind just by staring intensively at the girl. "Let me invite you to my office."

After a moment of hesitation, Amy decided to leave her concerns for some other time. So she followed this tall, mysterious woman, getting further into the apartment.

She found herself amazed by how different this room was decorated in comparison to the rest of them. It was way more cozy and old fashioned there between these four walls decorated with ancient artifacts.

"I'm surprised to see you alone," Kamilah stood behind the desk, inviting Amy to take a seat in front of her with a hand gesture.

Documents had been already arranged, waiting for her to read them. But suddenly, Amy lost her previous boldness. Out of nowhere, she felt intimidated by the presence of this absolutely beautiful woman.

"I'm not always surrounded by them," the girl tried to focus on the files as the following words slipped out of her mouth without her knowledge, "I'm a grown-up."

Kamilah smirked slightly at this but did not make a comment. Instead, she sat down and let Amy read the new contract that she had prepared for her.

***

Finally, Amy picked up a pen after she read the whole deal several times to make sure she understood everything clearly. She signed it and put the pen aside, having a hard time looking at Kamilah's face.

"Could you stop?" Amy whispered with unusual shyness in her voice.

"Excuse me?" Kamilah's eyebrows furrowed slightly, but she didn't take her eyes off the girl.

"You were staring this whole time," Amy did her best to not drop her gaze. "And you're still doing this," she blushed uncontrollably, making the woman smirk with satisfaction.

Kamilah's shoulders lifted and fell with a short yet deep breath. She reached for the documents just to put them on her side of the desk, giving the girl a short break from her stare.

Just to intimidate her with it again a second after.

"Dear...Amy," she started with a pause. "Is that how you'd like to be addressed?"

"It's up to you, Miss Sayeed," thoughts screamed inside the girl's head, judging her for the lack of courage.

"Kamilah," the woman corrected her before continuing. "I was wondering... Your family tree is a truly generous one."

The girl stayed silent, waiting for the rest, but Kamilah clearly expected her reaction.

"It... certainly is," unsureness grew in her chest.

"For centuries, every single newborn in Paines family," Kamilah leaned back on the chair. She twirled her hair around one of her slim fingers, "was a boy, am I right?"

Amy's body stiffened slightly, but she forced herself to nod calmly in response. But her mind worked faster from then on. She started paying more attention to the topic of their conversation. Because they were touching some delicate matters.

Dangerous matters.

"You are very well protected by your family," Kamilah was circling around the subject mercilessly. "Your parents trust you with their business," she tilted her head slightly to the side. "That must mean you are fully informed in the type of clients they are working with."

Oh my god, I am so stupid, Amy cursed herself.

At that same time, her right hand slowly traveled up her thigh. Her dress was designed with a little pocket on the side. Big enough to hide there a small object without arousing suspicion.

In this situation, even such a small wooden stake was good enough for self-defense.

"And yet, you're here." Kamilah squinted her eyes, letting the whisper to escape her lips. "All alone."

It was too much.

Amy stood up, ready to run, but she wasn't fast enough.

The girl wasn't a fool. She knew too well that she could never be faster than any of them. But it was the last chance left for her.

And it still failed.

In a split of a second, she was pushed against the wall with her hands firmly held down her sides. Making it unable to escape even if she dared to put up a fight.

Kamilah's shining eyes moved from the girl's eyes to her lips, following the path of the vein pulsing on her neck. Corners of her lips curled up as she looked down at Amy's right hand. Her fingers moved along.

"And what, care to tell," she ripped the stick out of Amy's grip, "were you planning to do with this?" Kamilah threw the weapon away, filling the room with the hollow sound of the wood hitting the floor.

"I..." Amy tried to calm down her breathing. "I know what you are."

It made the woman close the distance between them even more, their bodies almost touching.

"Enlighten me," Kamilah opened her mouth a little, letting her tongue run over her sharp teeth.

Amy swallowed hard at the view, trying to get her body under control, without success.

Finally, she managed to look into the woman's eyes, noticing a spark of crimson in them.

"You're a monster," words escaped her lips without hesitation.

Kamilah's eyes changed to red in a flash as a performance of power.

But to her surprise, the view didn't make an impression on Amy.

Actually, it caused quite the opposite reaction. The closeness of Kamilah's body suddenly changed from threatening to intimate, spreading heat inside the girl.

The woman leaned down since she was a little bit taller, bringing her lips closer to Amy's ear.

Close enough to let her hear the whisper.

"Are you afraid?" her breath teased sensitive skin on Amy's neck.

The girl closed her eyes for a moment, knowing how bad this situation was for her. Knowing that the anticipation created inside her was easily perceptible for the woman standing just an inch away from her.

That she shouldn't even question her own feelings. She wasn't supposed to react this way around the vampire. Any of them, there was no exception.

At least she thought so until that day.

"I'm not," she almost moaned the answer when Kamilah's hands moved to her waist, eagerly pulling her closer.

Their lips met, letting them taste each other's warmth.

Kamilah teased her, fastening and deepening the dance of her tongue, just to slow down soon after. To step back, waiting for Amy to follow.

The girl climbed on her toes, wanting Kamilah's lips closer, wanting to feel the ecstasy of this feeling forever. She attempted to touch the woman's face after freeing one of her hands. Just to find herself being turned around with an impossible power in response. She waited patiently this time, pressed against the wall with hands behind her back.

"I want to hear you moan," Kamilah whispered into her ear, thrusting from behind.

Amy's dress raised up dangerously, showing her legs, giving access to her skin. Kamilah let go of her hands, and instead, wandered her fingertips all over the girl's exposed thighs, making her writhe under this touch. Making her place both hands on the wall in an attempt to steady herself.

She was breathing heavily, indeed. But that was not what Kamilah expected from her.

And she wanted to make it clear only one more time.

"I said something," her voice sounded a little harsher than before.

Kamilah's hand moved on the inside of Amy's thigh, squeezing. While the other one came impossibly close to the girl's underwear, which was already soaked more than she suspected it to be.

At that point, Amy couldn't hold it anymore, didn't really try either. She moaned through her gritted teeth, moving her hips to feel the woman's fingers more.

"That's a good girl," Kamilah smirked, leaning down to move her tongue on Amy's earlobe.

From there, she moved lower, placing kisses on her nape, moving her blonde hair away from her skin. As she made sure to leave hickeys on her neck, her fingers were teasingly playing with the material of the lingerie. Amy's moans became more urging, revealing her growing impatience.

Desire to finally feel it.

Her aching for the touch.

"You have no clue how much it takes from me," Kamilah muttered into her skin, "to not devour you right now."

These last words were like a dash of cold water that Amy needed at that moment.

She tensed immediately, causing Kamilah to stop touching her. The woman didn't assume to misunderstand her signs earlier, but obviously, something made the girl change her mind.

Amy freed herself from Kamilah's grip, pulling the dress down with shaking hands, trying to cover her exposed skin. To cover thighs that she wanted to have touched so badly only a moment ago.

"I should go," she blinked a few times to collect her thoughts.

"Easy, darling," Kamilah was astonished by this unexpected shift. "I assure you, I won't bite," her appearance showed unusual for her concern.

But Amy was already moving back, making her steps to the way out.

She felt so stupid.

So reckless.

"I..." she couldn't find the right words.

So she chose to say nothing, walking out of the room in a hurry. Vanishing like a scared teenager.

Leaving the woman in her office completely alone.

"That was... unexpected," Kamilah said out loud, pouring herself a glass of gin.

***

A piercing scream signaled her destination.

The well-known scent of blood teased her nostrils, leading toward the source.

After barely a moment, she found herself standing between the buildings of the village, looking at the scene through the window from afar. She heard the faint heartbeat of the woman in labor, growing weaker with every passing second.

"There's no point in saving her, fools," the vampire muttered to herself, ready to turn around.

But something inside her broke.

The feeling remained for barely one short second, obligating her to save this family. Like she owed it to the man that she left behind in the forest.

Without thinking any longer, she used her vampire speed to get inside the building.

To move among people gathered around her target as if she was a ghost. A nothingness that left behind only a gust of wind that was immediately blamed on the open window.

She moved quickly enough to cut her wrist with one of her fangs, letting a few drops of it leak inside a bottle placed on the desk. Poisoning the purity of the water with a deep shade of red.

Just to disappear soon after into the darkness like the shadow that should have never left it.

The vampire ran fast, distancing herself from the place before she could feel the regret inside her chest. Repressing the disappointment in herself because she just broke the most important rule that all of them had sworn to obey.

Humans should never, under any circumstances, feed on vampires' blood.

Maybe if she stayed there a little bit longer, she would know that her efforts were in vain. Despite all the power her blood contained, it was not enough to save the woman. Her heart was too weak to survive the labor.

It stopped beating, just to leave the village and the forest around it with the burden of silence.

But at that moment, the peace of the night was disturbed one last time with a sound of hope.

Weeping of a newborn.

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Next chapter: 4

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tag list: @evexofxtime  @kamilah-is-queen @ariaminsinclair @helpconfusedpersonhere @ayushixo @nydeiri @vonda-b-real

[goatpaste]

WC design/headcannon/ect masterlist- Part B

another chunk of all the headcanos/AU’s/design notes/warrior names for kits and leaders never given a canon one/ect for all the wario cats!

this one is for all the B named cats!

info under the cut

Badgerfang

badgerfang i think a lot of us have a big ol soft spot for, but ought i really care him and his family i think it needs more than jusT the badgerfang death like for real

one of the biggest reasons i wanna learn to animate is because i wanna make a badgerfang and flintfang amv! it would be sdkg more about flintfang because i think he’s a neat character who has a lot of potential for development 

like mAN you ever stop and think about not only was flintfang sad over badgerfangs death because it was sad, bUT also because badgerfang was his sisters kit AND to the thought of blackstar is flintfangs brother. flintfang had to deal with playing a hand in badgerfangs death then watch his brother loyally follow brokenstar, then tigerstar 🥺

Baypaw

baypaw was the first of his lil chunk of family i design, i didnt have a sorrelstripe design made yet so i ultimately decided to base his design on his grandpa Lionblaze. smaller fluffy lionblaze.

I know we should be coming up to baypaw getting their warrior name soon

i think a name like Baysong or Baygale

Beech Tail

the only thing i have  to say is dgjksh when i designed the ‘beech’ prefix designs it was late and i totally went ‘beech... the beach’ and noT beech the tree sdjkgh. so i designed beech tail like that of a penguin sdjkgh

Beechfur

beechfur , riverclan warrior under mistystar’s leadership

i imagine beechfur is be EXTREMely accident prone, from the first instant of getting sick and healed by leafpool all the way up till the end. He is in and out of the medicine cats den constantly. and through this formed a big ol crush on the pretty medicine cat apprentice Willowshine who has had to full on decline his feelings. he is not the only one who has had this treatment, many a riverclan cats have found themself charmed by willowshine

Beechpaw

Beechpaw, a apprentice of ancient skyclan who were forced to leave the forest territory.  i imagine beechpaw was of the few cats who did everything he could to keep the others in good spirit while they tried to find their home, which often came to the annoyance of all his distraught clanmates. he never stopped doing all he could to put a smile on their face until he died.

he was the last apprentice cloudstar named a warrior and only lived a few moons after becoming one.

warrior names i like for him are like Beechshed or Beechshine

Beenose

slight update to my beenose design because i want her to fit my newer darktail group clown aesthetic 

another design note is her and her siblings all are themed after a diff color of the rainbow, beenose is yellow. their mom snowbird has a pale rainbow pattern and each other her kits is a diff color of the rainbow

Beetlewhisker

Beetlewhisker is another one of my quiet favorites i have, and it is because of the error of him being alive for SO many books after he died.

like !!! bitch had a HUGE major death and went on to live for a long time aND be listed as a cats mentor (which i think that has been changed now)

i love the idea of in a way beetlewhisker WAS with the clans that long after his death. that due to his death was in a way locked in the dark forest, his soul stuck there. but because of the ways of the dark forest cat’s he was chased out, and unable to enter starclan having died in the dark forest, now cursed to live in limbo.

He walks to the grounds of riverclan watching over his clanmates while they rest hoping that no one else is to be preyed upon by the dark forest like he was ever again. 

theres ghost stories of riverclan cats seeing the shape of a cat shining brightly when hit by moonlight. a peaceful spirit of the past who protects them.

and in design 100% his design was made to look like that of a smeleton bones lol

Bellaleaf

the erin team will have to pry bellaleaf and firestar being siblings from my cold dead hands!!

you can’t say they look basically exactly alike and their not related i wont take it sdjkg. i DIE for the idea oh whore jake managing to have so many kids that get into the clans. like the over saturation of jake dna through the clans ruining them absolutely kills me sdjkg

i also imagine ravenpaw having like deja vu of firestar when he looks at bella, cats who knew firestar look at her and can’t help feel she reminds them of someone. 

Berryheart

another one of the designfor snowbirds kits, berryheart is the red themed sibling.

she also got a slight design change to be more clowny to fit her time in darktail’s group

Berrynose

i just love berrynose, i think hes very terrible and i love him a lot

i think the books are cowards and i think berrystar woulda been the fUNniest outcome oR like

imagine the powermove if berrynose lived and squirrelflight fucking made berrynose her deputy likE

also berrynose is a lil gay brat, he has a thick country accent and everyone find him weirdly charming. many hate him but cant help but find him alluring. 

he actually is a very good warrior, he stays on top of his task and brings in the prey. his biggest problem is his ego and his need to get in others faces all the time

i love when he’s paired with lionblaze because their stupid rivarly is so good i really wish it was more plot important and lasted longer i LIVE for best friend rivals lion and berry

buT i also love him with jayfeather for the simple dynamic of the one cat who would probably hate him more than anyone else but oops he’s in love to

or him and breezepelt because they could be lil shitheads togeather

Birchface

the biggest thing i can say about birchface is 100% birchface watched over mapleshade’s kits, doesnt let appledusk or his own family hurt them. He treats them like his own.

in AU’s where birchface lives i defiantly can see him having a HUGE crush on mapleshade and being much like thrushpelt was to bluefur. being as a surrogate dad for her kits and keeping the secret.

in my main AU with mapleshade dieing and getting a redemption its mostly the same except they become a sweet happy family together in starclan.

he’s a big goofy dad type and his father had hoped he would become leader one day, but worried that he was too lax with the code and not as driven to fight as others and began to think he would have to rely on frecklewish instead. then they both died and he ended up turning to his youngest son pinefur

Blade

this is just a one time ghost cat buT  i like the design i made for her.

im all here for dark forest cats having this black oozing mark from where they died, starclan gets being covered in stardust and maybe having from pretty plats or glow or other representative stuff on their death. but ghost cats are loUD with their mark of death. its a nagging weight they carry around based on their inability to move on to their respective afterlives. For blade its giant bright red tire marks that slowly circle around her body.

Blazefire

just a lil boy

i imagine he kinda constantly has crushes on cats from other clans which while some might tell him to hush when he shares his thoughts on the pretty cat from riverclan he gets some loving teasing from dovewing and antfur

Blazefire is also miss nearly all of his tail

Blizzardstar and Blizzardwing

not much here but to say 100% i designed blizzardwing in mind of being that of a grandson or great grandson to blizzardstar

Blossomfall

shrug idk a lot to say about her beyond, i know she’s a asshole character but i remember liking her, i think she’s mean but its kinda fun in a way

i think i also just have this soft spot for millies kits because their millie’s

also i just like my blossomfall design i think she’s v fun

Blossomkit

another shadowclan kit who died under brokenstar’s ruling.

i think as sad as it is, i can imagine blossomkit to be badgerfang’s sister, just another sad thing to think about for fernshade’s litter. the potential idea of all her kit’s dying because of brokenstar

a warrior name for her that would been cute woulda been like Blossomglaze or blossomsprout

Bluebellkit

bluebellkit sure disappeared from the books. she’s one of those kits that like, she already had a mouth full of a name and i wish i coulda seen what they woulda named her as a warrior

but she’s another one of snowbird’s rainbow themed kids, her ofc being the blue one.

i think a cute warrior name for her could been Bluebellwhistle or bluebellfoot

Blouder

i lobe boulder i think he is very under appreciated!! 

i think it be very fun to get a novella or something in this POV,,

he’s just hangin out back there yknow,,,

Bouncefire

(bit of an art change from here as i took a break between these two and switched programs)

idk a lot about actual bouncefire, i think the only books with any real characterization in it was ones i havent read

buT id really like to imagine growing up he saw his mentor patchfoot as a father figure and was ultimately the reason patchfoot and his mom got together. and bouncefire being absolutely ecstatic about it. thinking patchfoot is the coolest guy

bouncefire gets along good with his half siblings

gay cat and wanna be emo but just is kinda angy

Brackenfur

my biggest brackenfur AU is my medicat brackenfur which i have info of here

https://goatpaste.tumblr.com/post/631020627780911104/au-where-insteed-of-fireheart-picking-up

and

https://goatpaste.tumblr.com/post/632972589046890496/mmm-writing-out-like-big-plot-point-changes-in-my

the other thing vaguely mention in these but would probably be more prominent in his og story

but brackenfur is quietly the biggest mess in the family. Being on pare with confidence and energy as cinderpelt when they were young, after her accident somethin changed for him. he loved his sister but is a big distant. but its hardly noticeable between the two as they worked very separate jobs in the clan

then his other sister, brightpaw has her accident and brackenfur begins to question something

but when he his the last to leave in the thunderclan group to their new home he stops and looks back at his mother frostfur who is old and frail look, though she wasnt young the damage of the forest hit her hard. 

this when brackenfur decides starclan has it out for his family, especially the mollies. they were cursed he was sure.

moons later he is expecting his kits with sorreltail, letting his mind rest on the idea, the crazy notion that some greater force wanted the she-cats in his family dead. 

then the day his kits arrive cinderpelt dies to the badgers. he pushes down these feelings down again it was the time. But he couldn’t help but think that, if leafpool was there, if starclan had given them a sign of the badgers, anything. maybe cinderpelt might have lived. but he pushes it back down and tells himself it was a warriors death

and then his daughter, cinderpaw is struck by the tree and the stirring in his mind grows stronger. why has starclan done this to his family

then honeyfern gets bit by the snake. how could starclan be so cruel, their always so young.

then his sweet sorreltail fought strongly for her two young daughters future

and on his own, forced to watch seedpaw drown and lilypaw be haunted by what happened.

the women in brackenfurs family is cursed and he bears the burden of relizing it, of living and watching each of them suffer until the end

to the ones that lived and are happy still, with no burdens in their lives he watches happily making sure NOTHING bad comes their way. he would fight starclan themselves to make sure his family is safe and happy

Breezepelt

in design Breezepelt has a p average length tail. which for him is a huge disappointment. His father crowfeather has a long slender windclan tail, a trait that is held to high standards in his family. a trait passed all the way down from windstar herself who had the longest and most beautifully windy tail. 

Breezepelt has a angry spot about this because he feels lacking and especially disconnected to his father. BUT double this with jayfeather having only half windclan blood has a tail even longer than crowfeathers 

i also would NOT put breezepelt with heathertail, i dont see any reason for it. like first off this bitch gay, id love for him to have a boyfriend and it think it should be berrynose because one, their both terrible i think it be funny and i also think its funny to ship berrynose with lionblaze or jayfeather so im like, whats another brother (to be clear not shipped all together, this is separately) and two, the idea heathertail and poppyfrost lesbian could exist

then the big BIg thing is, i would take breezepelts character and gut what happened in crowfeathers trial out of both him and crowfeather

i talk about it a bit here, but i think ill re talk about it in full when i get to crowfeather https://goatpaste.tumblr.com/post/190544981670/breezepelt

Briarlight

miss briarlight i love you!!

very sweetgirl

i based her design off sakuras and bleed heart doves. idk what possessed me but when i went to design her i knEW she was gonna be pink she needed to be she deserved it

briarlight buff as shit in her forlegs she loves trying to rope leafpool and jayfeather into lil strength contest she always wins (sometimes she will let leafpool win on days she needs it) 

her and jayfeather are wlw/mlm best friends. jayfeather calls her pidge which started as a mean nickname that she simply loved and embraced fully

also in my AU with medicat lionblaze i can very much see briarlight and lionblaze being very sweet friends. like big strong lionblaze who is actually docile and compassionate about his work and briarlight loud and rooting him on

Brick

swear to god until i got back into warrior cats this year i had always thought brick was a lady and her and bone were suppous to be scourges like adoptive bad parents jkdg

anyways im still with that, she/her agender brick who adopts their terrible son scourge and is in a monogamous partnership with bone’s. strictly business defiantly not married, they just have a son together. 

Brindlewing

idk a ton about her, but from her wiki it dsjkgh doesnt look like theirs  alot

but i’d like to imagine she’s a very anxious girl and struggles in crowds especially around cat she doesn't know. she feels more comfortable when one of her sisters is with her or her grandmother nightcloud. Nightcloud has always been a source of self confidence for her and they love each very much.

Brindlewing also inherited crowfeather’s family long tail that skipped breezepelt. Brindlewing holds the tail in her mouth as a means of helping her anxiety.

Bristlefrost

a biG design overhaul for my bristlefrost design, i really didnt like the old design i made her. wanted her to be a lil darker colored and in general have a cuter design

i gave her diff color eyes to mark her double agent status one eye green like her fathers and the other sharing the same blue i use for ashfur’s eye color

i kept her with the one white paw which i give to any descendent of jake, just because canonically she is ivy and ferns kid.

but in my rewrite their not togeather. Fernsong was a kittypet or a loner who had lost their mate and home and was found by ivypool caring for his three kittens alone. this is more fernsong headcanon, but bristlefrost is there

bristle and all the kits love ivypool they look up to her big time and all wished she was their mentor when they became apprentices. 

bristlefrost often confides in her father when feeling guilty or unsure of herself and he is always there for her

Bristlekit

half brother to tallstar

i imagine woolytail’s family seems to have a high mortality rate with their kids with only one maybe two usually making it to adulthood. bristlekit would die before becoming an apprentice and spent time in starclan with finchkit and later rabbitkit waiting for wrenflight and tallstar.

if bristlekit made it to being a warrior id like to think he was named Bristlefeather or Bristlefoot

Brook where small fish swim

teeny update to my brook design to give her small white fish dots matching her brothers spots

her general design is mean to be loosely based on a mountain lion. 

she got strong powerful mountain climbing body

i also wish her romance was better developed and wasnt like based in a lot of white savior romance plots given to native and native coded characters

in general the tribe really shoulda just been written better

Brownpaw

brownpaw, brother to littlecloud killed mosspaw as a kit on accident and was apprenticed for it by brokenstar

i imagine him and his brother wetfoot killing mosspaw effect them both deeply. for wetfoot it shook him to the core and made his doubt his own claws

for brownpaw it set him down the path of destruction. brokenstar rewarding him for what happened with mosspaw was the biggest enabler

brownpaw would go on to be a blood thirsty apprentice who would throw his young life away under brokenstars order of attack.

had he been made a warrior i think brokenstar woulda named him Brownmoss claiming he had earned the name when he took it from mosspaw.

Bug

design for bug because i think the book she was in didnt exist when i originally started drawing every warrior cat

love her!

bumblestripe

bumblestripe’s character makes me sad

im SUCH a millie stan and for one of her kids to be disabled then treated like garbage to the end of her life and written super ablest and then her other two kids are total shit heads? makes me sad

i wish at lEAST millie and graystripe had a second little, maybe just one total sweetheart

and its been forever since i read the books. but i remember bumblestripe being a real nobody characters just very generic personality until romance plot for dovewing came into play. and now he super sucks!

i wish he coulda just been a good character who loved dovewing, is sad and kinda jealous of her feelings for tigerheart but in the end respects her decisions and even admires her courage to follow her heart even if it led her over the borders.

Buster/Rippletail

slight buster redesign to fit more in the circus clown look from when he was in the kin

also design note, he’s got an orange themed design to go along with his rainbow themed siblings

Buzzardkit

windclan kit who showed up once in the sight crying and being comforted by a queen

mm i think some good warrior names for them woulda been like

buzzardface, Buzzardshriek or buzzardwhistle

[purplebunniboy]

Retrograde Character Masterlist

I lied, here are all the characters. I’ll do in depth backstories later.

This probably isn't EVERY character but it's damn near close and just some basics about them that are totally subject to be altered or expanded upon later

---

Afton Family

Michael Frederick Afton/ Fritz Smith/ Mike Schmidt:

Thick curly brown hair, hazel green eyes, grey tshirt with rolled sleeves, tucked into jeans// scars along his face, torso, and arms

Born October 7th, 1969 to Sandra Schmidt and William Afton

The oldest of the Afton children

Loved baseball, got his first bat from Henry

Scar across his nose came from a fight, hand scars came from attempting to pry open Fredbear's mouth during the bite, arm scar came from encounter with the Nightmares, torso scar came from getting scooped, various other scars from animatronic encounters

Fox mask bully, Dayshift worker at Freddy Fazbear’s in 1987, Technician at Circus Baby’s Pizza World and Party Rentals, Nightshift Security Guard at Freddy Fazbear’s in 1998

William David Afton:

Shiny dark hair, soft blue eyes that turned grey the first time he “died”, well-groomed and cared about his looks

Father of Michael, Elizabeth, and Cassidy Afton; Spouse of Sandra Afton

Co-owner of Fredbear’s Family Dinner, Freddy Fazbear’s Pizzeria, Circus Baby’s Pizza World, Fazbear Robotics and Fazbear Entertainment inc.; Owner of Afton Robotics LLC

Cunning, charming, and extremely persuasive, could find out absolutely anything about anyone and use it against them to get what he wanted

Extremely theatrical and loved going over the top in performances, 

Loved robotics and excelled at crafting learning AI, but could never perfect it how he wanted

Drove himself mad with the idea of immortality and legacy

Absolutely hated being called Billy

Did love his kids, at least originally, he’s only Somewhat a heartless monster, but there’s something still beating in that chest of his

Cassandra “Sandra” Bella Schmidt:

Denim jumpsuit, dyed blonde hair, hazel green eyes

Mother of Michael, Elizabeth, and Cassidy Afton. Spouse of William Afton

Was a Broadway actress but left her career behind to marry William and raise her family

Very soft-spoken, only confident when she was on a stage under the spotlight

Had a beautiful singing voice and would often sing her children to sleep, especially if they woke up from night terrors

Elizabeth “Lizzie” Rose Afton:

Dark strawberry blonde hair curled into tight ringlets and pulled back into two ponytails with red ribbon ties, bright green eyes, often wore a lot bright colors

Born May 12th, 1979. Died February 1986

The youngest of the Afton children

Suspected of being the product of an affair as her looks did not resemble her father’s

Did whatever it took to get her way and was very cunning about how she went about doing that

Liked to sing with her mother and was very musically inclined

Evan “Ev” Afton:

Thick brown curls that often fell in front of bright green eyes, white collared shirt a large black tshirt with two white stripes across the chest

Born October 31st, 1975. Bitten by Fredbear October 31st, 1983. “Died” November 5th, 1983

The middle child of the Afton children

Was never the best at communicating with others, complained a lot, fought with his brother constantly at home

After witnessing Charlie’s unaliving, became traumatized and cried all the time

Had a large collection of stuffed animals but was usually carrying around at least one of the Fazbear Plushies

---

Emily Family

Henry Emily

Shoulder length hair always swept or pulled back out of his face, dirty overalls, hands are never clean

Father of Charlotte and Samuel Emily. Spouse of Donna Emily

Treated all the robots the same way he did his own children

Caring and understanding but had a short temper and lacked patience, especially when under a lot of stress

Extremely talented in robotics, excelling in them from an early age. He could make anything look lifelike and real.

Preferred the comfort of his garage workshop over really showing his face

Donna Fitzgerald:

Big and poofy dark hair, dark eyes, high-waisted acid-wash jeans, pink wool turtleneck

Mother of Charlotte and Samuel Emily. Spouse of Henry Emily.

Strong-willed and very loud about her opinions on things.

Very supportive of Henry’s passion with robotics even if the whole topic gave her headaches when she attempted to wrap her brain around the concept

Charlotte “Charlie” Emily:

Denim overalls decorated with marker drawings of flowers, green striped tshirt, green wrist band, untamable brown hair pulled into two high pigtails

Born June 26th, 1978. Died April 5th, 1983

The younger of the Emily children

Extremely empathetic and caring, always went out of her way to care for children smaller than her, wanting them to feel loved and accepted

She was never afraid to get dirty, she always colored outside of the lines on purpose, she wanted to do the daring and unexpected.

Carried around a porcelain doll that was styled like a black and white jester

Her robotic counterpart was the spitting image of the real one

Robotic Charlie was much more sensitive and much more analytical of the world around her

Samuel “Sammy” Jeremy Emily/ Jeremy Fitzgerald:

Born June 24th, 1970. Bitten by Mangle October 7th, 1987

The older of the Emily children

He was always a very gifted child, excelling in mathematics from a very young age, but hit gifted kid burnout by the time he hit highschool

Never had much of an interest in robotics

Patient and gentle, he preferred to keep to himself and would often seek out quiet places he could be alone

Jennifer “Aunt Jen/Jenny” Emily:

Older sister of Henry Emily

Always had an interest in robotics and passed her skills on to her baby brother

Fiercely loyal to family she would do anything she could to protect them and keep them happy, especially Henry since he was the only family she really had left

She was strong-willed, even in her younger years, and able to hold her own very well

---

Before the Bite

Michelle “Mitchie” Peters:

Spiky short brown hair, green t shirt, blue boy shorts, green sweatbands

Bear mask bully

Older sister to Gabriel Peters

Died July 4th,1985

Michael’s closest childhood friend

A tomboy, closet case, and had a major superiority complex or at least pretended to have one

Called the Mama Bear of the group due to her caring deeply for her friends but aggressiveness towards everyone else

David “Davie” Kennedy:

Wavy black hair, red polo shirt with a popped collar, blue bunny mask

Bigger kid and designated meat shield of the group.

Willing to defend his friends to his dying breath.

Inside, he had a soft core. He was the one who would check on each of them, asking if they were ok and if they needed help. His soft core often got him teased by his friends but it never stopped him from wanting to make sure they were always safe

Bunny mask bully, Technician at Circus Baby’s Pizza World and Party Rentals

Christopher “Chris” Houghton:

Short curly dark hair, long sleeve blue shirt

Chicken mask bully

Never left the arcade, living that sweet gamer life

Liked to run his mouth and always needed to have the last word

Vanessa “Nessa/Ness” Abernathy

Dark hair, rainbow clip extensions, dark eyes

Born December 24th, 1970. 

Knew Michael in school, had a crush on him, he was the first one to ever call her Ness and the only one she ever let call her that

Took a robotics class because of him and also got really into coding

Influenced by William and eventually taken completely under his control. She was his eyes and ears in the outside world. Talks to him through the Spring Bonnie plush when non-possessed

Poses as Mike’s therapist to keep an eye on him for William

Matthew “Matt” Griffiths

Older man though no one was sure how old he actually is or if he can even die, choppy hair, thick rimmed glasses

Phone guy

Dayshift worker/ Training Manager at Fredbear’s Family Diner, General Manager of the first Freddy Fazbear’s Pizzeria

Loyal to the company but also put his own well being and safety before anyone else’s

Would not stick his neck out for anybody on his own

Blunt and standoffish, sometimes considered rude though he was never rude to customers or kids

One of Afton’s first “puppets”

---

Party of 1985

Susan “Susie” Waylar:

Messy golden blonde curls, blue eyes, pink shirt, bedazzled jeans

Older sister of Samantha Waylar

Best friends with Gabriel Peters

Died June 26th, 1985. Stuffed into Chica

Extremely energetic and always told she should settle and be quieter like her sister

Despite being super messy, constantly having gunk in her hair and under her nails, she had an unnatural ability to always keep her dresses clean

Gabriel “Gabe” Peters:

Straight light brown hair, striped shirt beneath denim overalls, missing front tooth

Younger brother of Mitchie Peters

Died June 26th, 1985. Stuffed into Freddy Fazbear

Stood up for the smaller kids whenever possible

Energetic, never able to settle, and outgoing. Impossible to ever see him not smiling

He was clumsy and always getting hurt accidently.

Best friends with Susie Waylar

Cassidy “Dee-Dee” Richards:

Dark hair always pulled into two uneven pigtails, always wearing yellow

Died June 26th, 1985. Stuffed into Golden Freddy

Pulled a lot of pranks, some lighthearted, some not so much.

Threw tantrums to get what she wanted.

Always wanting to be first, always wanting to come out ahead, always 

Jeremy Velasquez:

Died June 26th, 1985. Stuffed into Bonnie

A generally shy kid who’s loud and energetic around his friends

Started growing out of Freddy’s pretty early on

Susie felt bad for him and invited him to hang out with her and Gabe

Frederick “Fritz” Parker:

Messy auburn hair, pastel pink polo shirt

Died June 26th, 1985. Stuffed into Foxy

Aggressive and rude, rather abrasive and destructive

---

Party of 1987

Pete Dinglewood:

Brown hair, red letterman jacket, backwards baseball cap, prosthetic hand and glass eye after being hit by a car and barely surviving.

Died October 4th, 1987. Stuffed into Foxy

Older brother of Charles “Chuck” Dinglewood

Always sticking gum under the tables in the party rooms

Alec Wilkins:

Blonde curly rocker mullet, sci-fi movie shirt with cut off sleeves, braces

Died October 4th, 1987. Stuffed into Freddy

Older brother of Hazel Wilkins

Could be rude at times, always got himself into trouble and pinned with the “problem child” title

Toby Billings:

Fluffy brown hair, mullet, reminds Michael of Cass, pullover sweatshirt with an athletic team’s logo on the front, always putting stuff in his mouth

Died October 4th, 1987. Stuffed into Bonnie

Younger brother of Connor Billings

Wanted to have the highest scores in the arcade

Cracks his knuckles when he’s lying or when he’s nervous which most people will loudly say is gross and annoying

Millicent “Millie” Fitzsimmons:

Dyed black hair always teased and pinned on one side, always wears a lot of black and intense black makeup

Died October 4th, 1987, stuffed into Chica

Best friends with Alec

Lives alone with her grandfather, who is sometimes hired by Fazbear’s or Afton Robotics to fix any minor technical malfunctions with the animatronics

Was there during the grand opening event of Circuse Baby’s when Elizabeth was killed in 1986

---

Around Town

Connor Billings:

Brown hair, square face, very hyper and always laughing even if the joke isn’t funny

Phone dude

Older brother of Toby Billings

Became obsessed with the mysteries of the place after looking into the 1987 deaths more

Collected old remnants of the closed down restaurants.

Hired by Henry to find the stuff still haunted to put into Fazbear’s Frights, no questions asked

Lowkey scared of Michael saying, quote, “the guy just gives me bad vibes”

Samantha Waylar:

Older sister of Susie Waylar

Quieter, though who’s to say that equals maturity 

Preferred to keep to herself and her books

She knew how to stand up for herself and was actually better at telling kids off than her sister was

Swear she loved Oliver more

Stanley Martinez:

Technician at Circus Baby’s Pizza World and Party Rentals

Was into tech most of his life.

Known to be a generally kind man, putting others and their well being before himself

He was never one to snoop around and would prefer staying out of other’s business

Clayton “Clay” Burke:

Father of Carlton Burke. Spouse of Betty Burke

Chief of police. Was a detective when the 5 murders happened, worked on the case.

Though he is at times a little air headed, he is very caring of those around him

Carlton Burke:

Ginger hair, dark clothing

Only son of Carlton and Betty Burke

Childhood friends of Charlie, John, and Jessica

Always the kind to crack jokes when the mood was down and laugh in the face of danger.

Art and theatre kid

John Aowyn:

Messy brown hair, white shirt, brown leather jacket

Childhood friend of Charlie, John and Carlton. Had a crush on Charlie

He was a writer and constantly lost in his own fantasy world that sometimes it was hard to pull him out of

Jessica Sinclair:

Shiny light brown hair, brown doe-eyes, always clean cut, fashionable clothing, contagious smile

Childhood friend of Charlie, John and Carlton

Fiercely loyal to her friends, and would do anything to protect them. She hated seeing them sad or hurt and was always there with bandaids and snacks the moment they needed her

Very perceptive and smart, she had a love of forensics and her friends would often put on mystery hunts just for her

Leslie Dunn:

Round face, light hair, police uniform

Police officer/ Detective

A bit blunt at times though not with the intention of being rude

A bit awkward at times

Jack Flores:

Younger man, greasy hair, bright eyes

Nightshift Security Guard at Freddy Fazbear’s Pizzeria

Overly curious, couldn’t keep his nose out of other’s business