#character description writing prompts

[unboundprompts]

Could you do reddish brown eyes? And if you’ve already done if could you link that post

Different Ways to Describe Reddish Brown Eyes

-> check out these posts as well, they might give you some inspiration: x , x

-> feel free to edit and adjust pronouns as you see fit.

She had eyes like the red clay he used in his pottery studio.

His eyes reminded her of the old burgundy barn that sat in the backyard of her childhood home.

Her eyes were as beautiful as the leaves of trees in autumn.

Their eyes reminded her of old brick libraries and vintage books.

His eyes were the mahogany wood that his grandfather used to use to sculpt little figurines.

She had eyes like a dark sunset after a stormy day.

They had a faded tattoo on their arm-- that looks like it was once a vibrant red-- that matched their eyes almost perfectly.

He just couldn't get out of his head that her eyes looked like baked beans. He wanted to describe them as something beautiful, something that he couldn't quite put into words, but all he could come up with were baked beans.

She had eyes like the tea kettle set his mother used to leave out on the table.

His eyes were the same color as the lake water. It reflected the trees, the sun, and the muddy ground on its surface, hiding secrets beneath its docile waves.

They had auburn hair and it made their eyes look so much more noticeable.

She wore a necklace adorned with smoky quartz gemstones. If he didn't know any better, he would say that she had replaced her eyes with those very same stones.

Tragedy was hidden behind their red-brown eyes, weaved between their irises so it was well out of sight.

His eyes were like the red leaves on a maple tree.

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[writersbloxx]

Character Building

Some things to think about when building/describing a character:

Physical traits

Hair: color and length. Maybe it's natural, maybe it's dyed

Build: height, weight, muscle

Face: maybe they have a longer nose or forehead. Think about specific features like freckles, gapped teeth, jaw shape, acne scars, lip shape

Eyes: eye color, shape, 

Backstory

Where is your character from?

Do they have family? How has that affected their personality?

What are their goals?

What are their likes/dislikes?

Strengths and weaknesses

Age

Personality

Voice: is their voice deep? Lilted? Strained?

How do they react to stressful situations? 

What do they wear?

Are they kind? Meaner? Restrained? 

How do they move? If they're older maybe they're a bit slower. Maybe your character is clumsy or move awkwardly

Body language/face: is your character normally more serious? Do they have RBF? Maybe they smile more or their face is more relaxed at rest. Maybe they leave their hands on their hips a lot, or prefer them crossed or in their pockets.

How are they perceived by others? How do they view the people around them? 

Should I dive deeper on some of these?

[literaryvein-reblogs]

460 Adjectives

as reference for your next poem/story

BEHAVIOURAL ADJECTIVES

Affectionate - feeling or showing affection or warm regard; loving

Adoring - feeling or showing great affection and devotion

Affable - being pleasant and at ease in talking to others

Amorous - strongly moved by love; enamored

Caring - feeling or showing concern for or kindness to others

Devoted - characterized by loyalty and devotion

Loving - affectionate

Sweet - pleasing to the mind or feelings; agreeable, gratifying

Sympathetic - given to, marked by, or arising from sympathy, compassion, friendliness, and sensitivity to others' emotions

Tenderhearted - easily moved to love, pity, or sorrow; compassionate, impressionable

Agreeable - ready or willing to agree or consent; being in harmony

Courteous - marked by respect for and consideration of others

Decorous - marked by propriety and good taste; correct

Gallant - nobly chivalrous and often self-sacrificing

Gracious - marked by kindness and courtesy

Pleasant - having qualities that tend to give pleasure; agreeable

Polite - marked by an appearance of consideration, tact, deference, or courtesy

Respectful - marked by or showing respect or deference

Well-behaved - behaving in a polite or correct way

Well-mannered - having good manners; polite

Amiable - friendly, sociable, and congenial; generally agreeable

Affable - being pleasant and at ease in talking to others

Congenial - sociable, genial

Convivial - relating to, occupied with, or fond of feasting, drinking, and good company

Cordial - showing or marked by warm and often hearty friendliness, favor, or approval

Friendly - serving a beneficial or helpful purpose

Genial - marked by or freely expressing sympathy or friendliness

Hospitable - promising or suggesting generous and friendly welcome

Warm - marked by or readily showing affection, gratitude, cordiality, or sympathy

Welcoming - to greet hospitably and with courtesy or cordiality

Cheerful - full of good spirits; merry

Buoyant - cheerful, gay

Cheery - marked by cheerfulness or good spirits

Forward-looking - concerned with or planning for the future

Hopeful - full of hope; inclined to hope

Lighthearted - cheerfully optimistic and hopeful; easygoing

Optimistic - of, relating to, or characterized by optimism; feeling or showing hope for the future

Positive - marked by optimism

Sanguine - marked by eager hopefulness; confidently optimistic

Upbeat - cheerful, optimistic

Clever - mentally quick and resourceful

Astute - mentally sharp or clever

Bright - intelligent, clever

Brilliant - distinguished by unusual mental keenness or alertness

Intelligent - guided or directed by intellect; rational

Knowledgeable - having or showing knowledge or intelligence

Quick-witted - quick in perception and understanding

Sharp - keen in intellect; quick-witted

Smart - intelligent, bright; witty, clever

Wise - marked by deep understanding, keen discernment, and a capacity for sound judgment

Eloquent - marked by forceful and fluent expression

Articulate - expressing oneself readily, clearly, and effectively

Graceful - displaying grace in form or action

Influential - exerting or possessing influence (i.e., the act or power of producing an effect without apparent exertion of force or direct exercise of command)

Persuasive - tending to persuade (i.e., to plead with; urge)

Poised - marked by easy composure of manner or bearing

Refined - fastidious, cultivated

Silver-tongued - marked by convincing and eloquent expression

Smooth-tongued - ingratiating in speech; persuasive

Well-spoken - speaking well, fitly, or courteously

Good-natured - of a pleasant and cooperative disposition

Benevolent - marked by or disposed to doing good

Big-hearted - generous, charitable

Compassionate - having or showing compassion; sympathetic

Considerate - thoughtful of the rights and feelings of others

Good-hearted - having a kindly generous disposition

Helpful - of service or assistance; useful

Kind - of a sympathetic or helpful nature

Nice - polite, kind

Thoughtful - given to or chosen or made with heedful anticipation of the needs and wants of others

Patient - not hasty or impetuous; steadfast despite opposition, difficulty, or adversity

Accommodating - willing to please; helpful, obliging

Forbearing - to hold oneself back from especially with an effort

Forgiving - willing or able to forgive (i.e., pardon)

Long-suffering - patiently enduring lasting offense or hardship

Stoical - firmly restraining response to pain or distress

Tolerant - permitting or accepting something (such as a behavior or belief) that one does not like

Uncomplaining - not complaining; patient

Understanding - endowed with understanding; tolerant, sympathetic

Unexcitable - not responsive to stimuli

Reflective - marked by reflection; thoughtful, deliberative

Contemplative - marked by or given to contemplation (i.e., an act of considering with attention)

Insightful - exhibiting or characterized by insight (i.e., the act or result of apprehending the inner nature of things or of seeing intuitively)

Introspective - characterized by examination of one's own thoughts and feelings; thoughtfully reflective

Inward-looking - more interested in themselves than in other people or societies

Meditative - marked by or conducive to meditation (i.e., a discourse intended to express its author's reflections or to guide others in contemplation)

Pensive - musingly or dreamily thoughtful

Self-analyzing - relating to or using self-analysis (i.e., a systematic attempt by an individual to understand his or her own personality without the aid of another person)

Self-examining - a reflective examination (as of one's beliefs or motives); introspective

Self-observing - introspective

Sensible - having, containing, or indicative of good sense or reason

Analytical - skilled in or using analysis especially in thinking or reasoning

Cerebral - primarily intellectual in nature

Judicious - having, exercising, or characterized by sound judgment

Logical - capable of reasoning or of using reason in an orderly cogent fashion

Practical - actively engaged in some course of action or occupation

Pragmatic - relating to matters of fact or practical affairs often to the exclusion of intellectual or artistic matters; practical

Rational - relating to, based on, or agreeable to reason

Realistic - able to see things as they really are and to deal with them in a practical way

Reasonable - being in accordance with reason

Valiant - possessing or acting with bravery or boldness

Adventurous - disposed to seek adventure or to cope with the new and unknown

Bold - fearless before danger

Courageous - having or characterized by courage; brave

Dauntless - incapable of being intimidated or subdued

Fearless - free from fear

Gallant - spirited, brave

Heroic - exhibiting or marked by courage and daring

Plucky - spirited, brave

Valorous - valiant

Apprehensive - viewing the future with anxiety or alarm

Doubtful - marked by qualities that raise doubts about worth, honesty, or validity

Hesitant - slow to act or proceed (as from fear, indecision, or unwillingness)

Insecure - beset by fear and anxiety

Mistrustful - to be suspicious

Self-conscious - uncomfortably conscious of oneself as an object of the observation of others; ill at ease

Self-doubting - timid, diffident, insecure

Self-effacing - having or showing a tendency to make oneself modestly or shyly inconspicuous

Uncertain - not having certain knowledge; doubtful

Unconfident - lacking in confidence; unsure

Disillusioned - having lost faith or trust in something formerly regarded as good or valuable

Bleak - not hopeful or encouraging; depressing

Cynical - contemptuously distrustful of human nature and motives

Defeatist - an attitude of accepting, expecting, or being resigned to defeat

Downbeat - pessimistic, gloomy

Fatalistic - hacing a belief or attitude determined by a doctrine that events are fixed in advance so that human beings are powerless to change them

Hardened - callous

Negative - marked by features of hostility, withdrawal, or pessimism

Pessimistic - of, relating to, or characterized by pessimism; gloomy

Skeptical - relating to, characteristic of, or marked by skepticism (i.e., an attitude of doubt or a disposition to incredulity either in general or toward a particular object)

Dull - tedious, uninteresting

Bland - dull, insipid

Boring - causing weariness and restlessness through lack of interest

Charmless - unattractive or unpleasant

Stodgy - boring, dull

Tiresome - wearisome, tedious

Uncharismatic - lacking charisma (i.e., a special magnetic charm or appeal)

Unexciting - not exciting; dull, commonplace

Uninspiring - not having an animating or exalting effect

Uninteresting - not attracting interest or attention

Fierce - violently hostile or aggressive in temperament

Aggressive - marked by obtrusive energy and self-assertiveness

Antagonistic - showing dislike or opposition

Argumentative - having or showing a tendency to disagree or argue with other people in an angry way; disputatious

Bellicose - favoring or inclined to start quarrels or wars

Belligerent - inclined to or exhibiting assertiveness, hostility, or combativeness

Confrontational - clashing of forces or ideas; conflict

Defiant - full of or showing a disposition to challenge, resist, or fight; bold, impudent

Hostile - marked by malevolence; having or showing unfriendly feelings

Violent - emotionally agitated to the point of using harmful physical force

Impassive - giving no sign of feeling or emotion

Aloof - removed or distant either physically or emotionally

Apathetic - having or showing little or no interest, concern, or emotion

Cold - marked by a lack of the warmth of normal human emotion, friendliness, or compassion

Detached - exhibiting an aloof objectivity usually free from prejudice or self-interest

Dispassionate - not affected by personal or emotional involvement

Expressionless - lacking expression

Indifferent - marked by a lack of interest, enthusiasm, or concern for something

Stoic - not affected by or showing passion or feeling

Unemotional - not easily aroused or excited; cold

Lethargic - of, relating to, or characterized by laziness or lack of energy

Idle - not occupied or employed

Inactive - not active; sedentary

Indolent - averse to activity, effort, or movement; habitually lazy

Inert - very slow to move or act

Languid - sluggish in character or disposition; listless

Lazy - disinclined to activity or exertion; not energetic or vigorous

Slothful - inclined to sloth; indolent

Slow-moving - slow-footed, slowgoing

Sluggish - averse to activity or exertion; indolent; torpid

Mysterious - exciting wonder, curiosity, or surprise while baffling efforts to comprehend or identify; mystifying

Closemouthed - cautious in speaking; uncommunicative; also: secretive

Discreet - having or showing discernment or good judgment in conduct and especially in speech; prudent

Enigmatic - of, relating to, or resembling an enigma; mysterious

Evasive - tending or intended to evade; equivocal

Inscrutable - not readily investigated, interpreted, or understood; mysterious

Secretive - disposed to secrecy; not open or outgoing in speech, activity, or purposes

Taciturn - temperamentally disinclined to talk

Tight-lipped - reluctant to speak; taciturn

Uncommunicative - not disposed to talk or impart information; reserved

Odious - arousing or deserving hatred or repugnance; hateful

Abhorrent - causing or deserving strong dislike or hatred; being so repugnant as to stir up positive antagonism

Despicable - deserving to be despised; so worthless or obnoxious as to rouse moral indignation

Detestable - arousing or meriting intense dislike; abominable

Hateful - full of hate; malicious; deserving of or arousing hate

Horrible - extremely bad or unpleasant

Loathsome - giving rise to loathing; disgusting

Unkind - not pleasing or mild; inclement; harsh, cruel

Vicious - dangerously aggressive; savage

Vile - morally despicable or abhorrent

Presumptuous - overstepping due bounds (as of propriety or courtesy); taking liberties

Audacious - intrepidly daring; adventurous; recklessly bold

Bad-mannered - discourteous, disrespectful, ill-bred, impolite

Churlish - of, resembling, or characteristic of a churl; vulgar

Discourteous - lacking courtesy; rude

Disrespectful - to show or express disrespect or contempt for; insult, dis

Ill-mannered - having bad manners; rude

Impolite - not polite; rude

Impudent - marked by contemptuous or cocky boldness or disregard of others; insolent

Rude - offensive in manner or action; discourteous

Prickly - vexatious; easily irritated

Bad-tempered - easily annoyed or angered; surly, ill-tempered

Cantankerous - difficult or irritating to deal with

Crabby - easily irritated; peevish and irritable; grouchy

Curmudgeonly - (especially of an old person) bad-tempered and negative

Grouchy - given to grumbling; peevish

Ill-natured - having a bad disposition; cross, surly

Irritable - easily exasperated or excited

Sensitive - highly responsive or susceptible

Surly - irritably sullen and churlish in mood or manner; crabbed

Proud - having or displaying excessive self-esteem

Cocky - boldly or brashly self-confident

Conceited - having or showing an excessively high opinion of oneself

Haughty - blatantly and disdainfully proud; having or showing an attitude of superiority and contempt for people or things perceived to be inferior

Overbearing - harshly and haughtily arrogant

Overconfident - excessively or unjustifiably confident; having too much confidence (as in one's abilities or judgment)

Pompous - having or exhibiting self-importance; arrogant

Smug - highly self-satisfied

Snobbish - being, characteristic of, or befitting a snob (i.e., one who has an offensive air of superiority in matters of knowledge or taste)

Supercilious - coolly and patronizingly haughty

Silly - exhibiting or indicative of a lack of common sense or sound judgment

Brainless - devoid of intelligence

Dense - slow to understand

Foolish - having or showing a lack of good sense, judgment, or discretion

Idiotic - showing complete lack of thought or common sense

Ignorant - destitute of knowledge or education; unaware, uninformed

Mindless - marked by or displaying no use of the powers of the intellect

Slow-witted - mentally slow

Vapid - acking flavor, zest, interest, animation, or spirit; flat, dull

Witless - lacking wit or understanding; foolish

Talkative - given to talking

Babbling - idle, foolish, or nonsensical talk or chatter

Blathering - engaging in or characterized by foolish or nonsensical talk or writing

Chatty - fond of chatting; talkative

Conversational - given to conversation

Garrulous - given to prosy, rambling, or tedious loquacity; pointlessly or annoyingly talkative

Gossipy - characterized by, full of, or given to gossip (i.e., rumor or report of an intimate nature)

Loquacious - given to fluent or excessive talk; garrulous

Rambling - straying from subject to subject

Verbose - given to wordiness

Timid - lacking in courage or self-confidence

Bashful - socially shy or timid

Diffident - reserved, unassertive

Introverted - possessing a reserved or quiet nature typically with an inclination to solitude

Meek - deficient in spirit and courage; submissive

Reserved - restrained in words and actions

Reticent - inclined to be silent or uncommunicative in speech

Sheepish - meek, timid

Shy - easily frightened; timid

Withdrawn - socially detached and unresponsive

Tightfisted - reluctant to part with money

Avaricious - greedy of gain; excessively acquisitive especially in seeking to hoard riches

Close-fisted - unwilling to spend money; stingy

Miserly - marked by grasping meanness and penuriousness

Parsimonious - frugal to the point of stinginess; sparing

Penny-pinching - frugal

Penurious - given to or marked by extreme stinting frugality

Scroogelike - not generous with money; miserly

Stingy - not generous or liberal; sparing or scant in using, giving, or spending

Ungenerous - not generous; petty, mean; stingy

EMOTIONAL ADJECTIVES

Angry - feeling or showing anger (i.e., a strong feeling of displeasure and usually of antagonism)

Enraged - very angry; furious

Furious - exhibiting or goaded by anger

Incensed - very angry; enraged

Infuriated - furiously angry

Irate - roused to ire; arising from anger

Raging - causing great pain or distress

Seething - constantly moving or active; agitated

Upset - emotionally disturbed or agitated

Wrathful - filled with wrath; irate

Calm - free from agitation, excitement, or disturbance; still

Peaceful - untroubled by conflict, agitation, or commotion

Relaxed - easy of manner

Sedate - keeping a quiet steady attitude or pace; unruffled

Serene - marked by or suggestive of utter calm and unruffled repose or quietude

Tranquil - free from agitation of mind or spirit

Unbothered - not feeling or showing agitation, worry, or annoyance

Unflappable - marked by assurance and self-control

Unperturbed - not worried, upset, or disquieted

Untroubled - not given trouble; not made uneasy; calm

Cheerful - conducive to cheer; likely to dispel gloom or worry

Beaming - radiant; bright; smiling brightly; cheerful

Content - contented, satisfied

Gleeful - full of glee; merry

Happy - glad, pleased

Jocular - characterized by jesting; playful

Jovial - characterized by good-humored cheerfulness and conviviality; jolly

Joyful - experiencing, causing, or showing joy; happy

Merry - full of gaiety or high spirits; mirthful

Radiant - marked by or expressive of love, confidence, or happiness

Content - contented, satisfied

Appreciative - having or showing appreciation (i.e., a feeling or expression of admiration, approval, or gratitude)

Fulfilled - feeling happiness and satisfaction

Grateful - appreciative of benefits received

Gruntled - in good humor; happy, contented

Pleased - feeling or showing pleasure and satisfaction, especially at an event or a situation

Satisfied - pleased or content with what has been experienced or received

Thankful - well pleased; glad

Untroubled - not given trouble; not made uneasy

Unworried - not afflicted with mental distress or agitation

Disgruntled - unhappy and annoyed

Agitated - troubled in mind; disturbed and upset

Annoyed - feeling or showing angry irritation

Cross - marked by typically transitory bad temper

Distressed - of, relating to, or experiencing economic decline or difficulty

Exasperated - having or showing strong feelings of irritation or annoyance

Irritable - easily exasperated or excited

Resentful - full of resentment (i.e., a feeling of indignant displeasure or persistent ill will at something regarded as a wrong, insult, or injury)

Stressed - subjected to or affected by stress (i.e., bodily or mental tension)

Vexed - feeling or showing irritation, annoyance, or distress

Jealous - hostile toward a rival or one believed to enjoy an advantage

Begrudging - said, done, or given reluctantly; grudging

Bitter - exhibiting intense animosity

Covetous - marked by inordinate desire for wealth or possessions or for another's possessions

Desirous - impelled or governed by desire (i.e., conscious impulse toward something that promises enjoyment or satisfaction in its attainment)

Envious - feeling or showing envy

Grudging - unwilling, reluctant

Malicious - having or showing a desire to cause harm to someone; given to, marked by, or arising from malice (i.e., desire to cause pain, injury, or distress to another)

Resentful - caused or marked by resentment (i.e., a feeling of indignant displeasure or persistent ill will at something regarded as a wrong, insult, or injury)

Spiteful - filled with or showing spite; malicious

Lively - briskly alert and energetic; vigorous, animated

Animated - full of vigor and spirit; lively

Elated - marked by high spirits; exultant

Electrified - to excite intensely or suddenly

Energetic - operating with or marked by vigor or effect

Enthusiastic - filled with or marked by enthusiasm (i.e., strong excitement of feeling)

Excited - having, showing, or characterized by a heightened state of energy, enthusiasm, eagerness, etc.

Exhilarated - very happy and excited or elated

Spirited - full of energy, animation, or courage

Thrilled - extremely pleased and excited

Unhappy - not cheerful or glad; sad, wretched

Crestfallen - feeling shame or humiliation; dejected

Dejected - low in spirits; depressed

Gloomy - low in spirits; melancholy

Glum - broodingly morose

Grief-stricken - very sad; deeply affected by grief

Melancholic - of, relating to, or subject to melancholy; depressed

Miserable - being in a pitiable state of distress or unhappiness

Sad - affected with or expressive of grief or unhappiness; downcast

Sorrowful - expressive of or inducing sorrow (i.e., resultant unhappy or unpleasant state)

PHYSICAL ADJECTIVES

Aged - grown old

Ancient - having had an existence of many years; venerable

Centenarian - one that is 100 years old or older

Elderly - of, relating to, or characteristic of later life or elderly persons

Gray-haired - having gray hair; of or relating to old age or old people

Mature - of, relating to, or being an older adult; elderly

Nonagenarian - a person whose age is in the nineties

Old - advanced in years or age

Senior - a person older than another; of, relating to, or intended for seniors

Wrinkled - to become marked with or contracted into wrinkles

Attractive - arousing interest or pleasure; charming

Beautiful - having qualities of beauty; exciting aesthetic pleasure

Dashing - marked by vigorous action; spirited

Fetching - attractive, appealing

Good-looking - having a pleasing or attractive appearance

Gorgeous - splendidly or showily brilliant or magnificent

Handsome - having a pleasing and usually impressive or dignified appearance

Pretty - having conventionally accepted elements of beauty

Striking - attracting attention or notice through unusual or conspicuous qualities

Stunning - strikingly impressive especially in beauty or excellence

Average - not out of the ordinary; common

Forgettable - fit or likely to be forgotten

Homely - plain or unattractive in appearance

Mediocre - of moderate or low quality, value, ability, or performance

Ordinary-looking - not different or special or unexpected in any way; usual

Plain - lacking ornament; undecorated

Plain-featured - ordinary

Plain-looking - not beautiful, distinctive, or remarkable in appearance; normal

Unexceptional - not out of the ordinary; commonplace

Unremarkable - unworthy or unlikely to be noticed; not remarkable; common, ordinary

Feeble - markedly lacking in strength

Decrepit - wasted and weakened by or as if by the infirmities of old age

Delicate - not robust in health or constitution; weak, sickly

Doddering - showing or involving a loss of physical or cognitive abilities in old age

Frail - easily broken or destroyed; fragile; physically weak

Infirm - of poor or deteriorated vitality, especially: feeble from age

Sickly - somewhat unwell, also : habitually ailing

Unwell - being in poor health; ailing, sick

Wan - suggestive of poor health; sickly, pallid

Weak - lacking strength

Muscular - of or relating to physical strength; full-bodied

Athletic - vigorous, active

Brawny - muscular, also: strong, powerful

Burly - strongly and heavily built

Fit - sound physically and mentally

Herculean - of extraordinary power, extent, intensity, or difficulty

Powerful - having great power, prestige, or influence

Robust - having or exhibiting strength or vigorous health

Strong - having or marked by great physical power

Sturdy - firmly built or constituted 

Short - having little length; not tall or high

Diminutive - exceptionally or notably small

Little - not big

Petite - having a small trim figure

Pint-sized - small

Short-legged - having short legs, particularly in proportion to one's body

Small - having comparatively little size or slight dimensions

Stubby - being short and thick

Teeny - tiny

Tiny - very small or diminutive; minute

Sophisticated - deprived of native or original simplicity

Chic - cleverly stylish; smart

Dapper - neat and trim in appearance

Dignified - showing or expressing dignity (i.e., formal reserve or seriousness of manner, appearance, or language)

Elegant - of a high grade or quality; splendid

Majestic - having or exhibiting majesty; stately

Noble - possessing outstanding qualities; illustrious

Regal - of notable excellence or magnificence; splendid

Stately - marked by lofty or imposing dignity; haughty

Stylish - conforming to current fashion

Stout - bulky in body

Big - large or great in dimensions, bulk, or extent

Chubby - somewhat fat; having a full, rounded form

Heavy - having great weight

Large - exceeding most other things of like kind especially in quantity or size

Overweight - exceeding expected, normal, or proper weight

Plump - having a full rounded usually pleasing form

Plus-size - extra large

Portly - heavy or rotund of body; stout

Potbellied - having a potbelly (i.e., an enlarged, swollen, or protruding abdomen)

Tall - high in stature

Colossal - of, relating to, or resembling a colossus (i.e., a person or thing of immense size or power)

Gangling - tall, thin, and awkwardly built; lanky, gangly

Giant - having extremely large size, proportion, or power

Gigantic - exceeding the usual or expected (as in size, force, or prominence)

Long-legged - having long legs

Massive - forming or consisting of a large mass; bulky; weighty

Monstrous - having extraordinary often overwhelming size

Statuesque - having a tall and shapely form

Towering - impressively high or great; imposing

Thin - not well fleshed; lean

Angular - lean and having prominent bone structure

Bony - having prominent bones

Lean - lacking or deficient in flesh

Scrawny - exceptionally thin and slight or meager in body or size

Skinny - lacking usual or desirable bulk, quantity, qualities, or significance

Slender - spare in frame or flesh, especially: gracefully slight

Slim - of small diameter or thickness in proportion to the height or length; slender

Underweight - weighing less than the normal or requisite amount

Willowy - pliant; gracefully tall and slender

Unattractive - not attractive; plain, dull

Ugly - offensive to the sight; hideous

Displeasing - to incur the disapproval or dislike of especially by annoying; to give displeasure

Hideous - offensive to the senses and especially to sight; exceedingly ugly

Ghastly - terrifyingly horrible to the senses; frightening

Repulsive - tending to repel or reject; cold, forbidding; arousing aversion or disgust

Unpleasant - not pleasant; not amiable or agreeable; displeasing

Grotesque - fanciful, bizarre; absurdly incongruous; departing markedly from the natural, the expected, or the typical

Revolting - extremely offensive

Unsightly - not pleasing to the sight; not comely

Young - being in the first or an early stage of life, growth, or development

Adolescent - of, relating to, or being in adolescence; emotionally or intellectually immature

Boyish - of, like, or characteristic of a male child or young man

Childlike - resembling, suggesting, or appropriate to a child or childhood, especially: marked by innocence, trust, and ingenuousness

Girlish - of, relating to, or having the characteristics of a girl or girlhood

Juvenile - reflecting psychological or intellectual immaturity; childish

Immature - exhibiting less than an expected degree of maturity

Teenaged - of, being, relating to, or intended for teenagers (i,e., someone who is between 13 and 19 years old)

Underage - of less than mature or legal age

Youthful - having the vitality or freshness of youth; vigorous

Sources: 1 2 3 4 5 ⚜ More: Notes & References ⚜ Writing Resources PDFs +600 Traits ⚜ 170 Quirks ⚜ 200+ Character Quirks ⚜ Types of Adjectives

[icamefromadream]

°•°Habits to Give Your Characters°•°

╭┈◦•◦❥•◦ Constantly crosses legs when sitting

╭┈◦•◦❥•◦ Doodles when zoned out (if there's no paper around they could trace doodles like little hearts on a table or even on the back of their hand)

╭┈◦•◦❥•◦ Crucks knuckles

╭┈◦•◦❥•◦ Braids hair when their bored (or just generally plays with their hair)

╭┈◦•◦❥•◦ Stands way to close to people when talking to them.

╭┈◦•◦❥•◦ Avoids eyecontact when people talk to them.

╭┈◦•◦❥•◦ Clutches on to other's sleeves.

╭┈◦•◦❥•◦ Bites nails when nervous

╭┈◦•◦❥•◦ Raises their eyebrows when interested.

╭┈◦•◦❥•◦ Offers food to others, before taking a bite themselves.

╭┈◦•◦❥•◦ Scratches top of nails (like when you're scratching the coat of nail polish off your nails.)

╭┈◦•◦❥•◦ Whistles to ease nerves.

Follow @paranoia-art for more!

Do message me if you have anymore you would like to add!

[shimmershy]

Just two siblings back from the dead, hanging out, totally not using this opportunity to torment one another for the rest of time! <3

Chara Week Day 4: Flowers

[Image Description: A digital drawing of Chara and Flowey from Undertale. They're on the Surface, with grass and trees and mountains stretching out behind them. Chara has golden flowers clustered around their left eye and speckled in their hair and on their hands. They're kneeling on the ground and smiling wide, holding Flowey's flower pot in one arm. Their other hand is outstretched in front of them and holding a camera. Flowey has a red bow wrapped around his stem and stickers in the shape of hearts, stars, and smiley faces decorating his pot. He looks annoyed as Chara leans their face in close to his to take a photo. /End ID]

[eloquent-edits]

🗡️ Analogies for the poetic

similes for describing characters and their behaviors 🗡️ character inspiration

like the sun, radiant and raging against the far horizon, a clear beacon for others to follow

like a panther in the night, patiently stalking its unsuspecting prey

like a trapped bird flitting about, calling out for any help while nipping the hands that try

like a staircase in the woods, worn away by time, building up to something—somewhere—that not even you know

like a tree felled in a creek, uprooted from your home but still holding up to those who walk over you

like the static on old TVs, ever-present and ever-moving, fading to the background

like a cabin in a snowstorm, a comforting mirage as the world clutches me to its icy heart

like the antique vanity resting in the corner, stable in the dizzying array of things that come and go

like a stained glass window, taking the light you see in others and showing them all the colors within

like the glint of a knife, only there when you look from the right perspective

like a cat lounging in a garden, at peace with watching the world pass on

like reflections in a pond, serene yet obscuring what lies below

like a wound that won’t heal, annoying and a reminder of what happened

like syrup wafting through the air, sweet with a touch of familiarity

like the air after rain, fresh with the stench of earth and dew

like my favorite song, an unmistakable tune of nostalgia and hope to dance to

like the nebulae above, a fusion of stardust and the unknown

like a miasma of sulfur and rot, oozing death and corruption wherever you step

like summer, in all it’s stormy fury and welcome firelight

[oc-loving]

by Eric Muhr on Unsplash

IMAGE PROMPT

imagine/draw/write your oc in this setting. how do they feel about snow - are they used to it, awed by it? do they like or dislike the cold? are they well prepared? what could they be doing here, who are they with?

[whumpitisthen]

"People used to cut off the hand that the criminal used to enact their crime. Quite the severe punishment, I agree. We could crush yours, flay the skin off, or cut your fingers off instead... I'm flexible."

[hauntedraggedyanne]

Things to add to a character just to make them stand out more

These can play as big of a part in the story or it can have absolutely 0 effect on anything

—Birthmarks

—extra limbs/eyes/mouths

—Machine parts

—tattoos

—not human skin color (red, blue, green, multiple colors, etc)

—Fantasy/alien body parts that are creatively hidden or explained in a human form (like an alien pretending to be a psychic with a third eye, and everyone thinks that they’re just a really talented make up artist and not that they actually have a third eye)

—minimal or lots of body hair

—walking sticks

—piercings

—different hair types and styles to go along with that

Let me know if you can think of anything else!

[pleb-the-original]

Day 28: Mascot Horror

(Well this is probably the single cringiest thing I've done for either Cringetober. Look, I am not a fan of Poppy Playtime. I can respect their improvement in crafting horror and their commitment but I can't overlook the sins of the past and present and what they've done to mascot horror overall. Heck, at first when then the Nightmare Critters were first being revealed I just wrote them off as cynical money printers from a greedy company. Then more of them started getting revealed and I slightly warmed up to the designs. But then they HAD to make the shark critter a mako. If you couldn't tell from the comic I posted earlier this month, I really like my oc Dr. Mako. By extension I get excited whenever I encounter anything shortfin mako related. And NOW THEY MADE A MAKO IN POPPY PLAYTIME. So my idiotic ass latched on like a fish to a hook and now I've created an oc version that quite frankly is asking to be made into an ask blog but I do not have the time or skill to host one. Anyways did you know I'm writing a full document on the doctor?)

Name: Maggie Mako

Species: Bigger Body

Personality: Hyper-intelligent, snarky, silly, witty, nervous wreck, opinionated, talkative

Summary: Maggie’s human memories are somewhat scattered but she remembers more than most other toys. She used to be a scientist that worked on the toy creation process. Despite most of the other adults fearing what might happen should they become toys after the Bron incident, she very much wanted to be a toy. She picked Maggie Mako due to her love of marine biology and submitted herself to the role. She expected to become a normal toy but her enthusiasm, intelligence, and drive got the others to attempt to turn her into a Bigger Body instead since they figured an adult would be more cooperative and prone to outbursts. It worked surprisingly well as Maggie maintained much of her human self only losing most of her memories. She was very active and used to just kinda hang out in the lab a lot with the other scientists, especially her old friends. But eventually her friends either died, were sent away, or became toys themselves only leaving other scientists with no connection to her old life. They could tell there was a growing feeling of rebellion amongst the toys and feared Maggie’s intelligence and awareness would be too dangerous and so locked her away alongside her fellow more monstrous Nightmare Critter Bigger Bodies. Soon enough, the Prototype came to them and told them of the Hour of Joy coming soon which horrified Maggie but she couldn’t say anything since by some miracle no other toys had figured out who she used to be yet. Eventually, they were all released onto the premises when the Hour of Joy came. To fit in, Maggie did have to kill a few people which she didn’t want to but did get some gratification once she got to the scientists that locked her away. After that, she roamed around the facility free to explore wherever. Her toy personality meant that she preferred sweet snacks unlike the others which allowed her to forage from the various vending machines around the facility easily. She actually dislikes the taste of meat and doesn’t seem to require it as sweets have been keeping her alive this long. She’s been trying to find an exit for a while as blending in and making sure no one finds out who she really is has been getting harder and harder. Worst of all is the Prototype, who she knows could be anywhere and could be watching at any time to take her and make her a part of him. So she just wanders hoping to find an exit and then maybe a place to live out the rest of her existence. 

[unboundprompts]

Random Prompt #130

She was a tall girl with long brown hair that came down to her hips. A tattoo of a serpent snaked up the length of her arm and coiled at the nape of her neck. She wore long floral skirts and black boots, and she had a cigarette tucked behind her ear.

[writersbloxx]

Body Language

When someone is…

Nervous/Anxious

Face:

Darting eyes/avoiding eye contact

Rapid blinking

Tense jaw

Looking upwards when talking or fixing eyes on a more distant point

Furrowed (or raised) brows

Frowning

Blushing 

Micro-expressions- quick/short facial expressions like suddenly widening their eyes or a brief grimace

Voice:

Shaky or trembling

Higher pitch or thin

Breathy

Wavering

Raspy or slightly cracked

Hesitant

Speaking quickly or stuttering

Choppy (many pauses in speech)

Shorter, clipped words (staccato)

Gestures/Posture:

Tense, closed off stance

Hunched shoulders

Body is stiffened

Crossed arms

Fidgeting

Touching clothes

Cracking knuckles

Bouncing knee

Subtly covering their mouth

[literaryvein-reblogs]

Writing Notes: Describing Eyes

A person's eyes can reveal a wide range of emotions. A simple gaze, a blank stare, or a narrow squint can all convey deep meaning. The expressive power of human eyes makes them the perfect literary tool for character development in fiction writing.

Tips for Describing Characters' Eyes in Your Story

In literature, a character’s eyes are a powerful resource writers can employ to engage readers in a scene. A character’s eyes can serve as a window into their soul. Here are 8 tips for describing eyes in your writing:

Describe eye color in different ways. Providing visual information about a character allows readers to visualize imagery in their mind. Eye color, along with hair color, is one of the first things people mention when describing someone’s appearance. Include it when sketching your characters, but be sure to do it in a descriptive way. Think of related words to describe eye color—blue eyes can be baby blue, light brown eyes might be described as amber, and green eyes can be referred to as emerald. Give a mysterious character black eyes that are described as obsidian—black, shiny, impenetrable. If you get stuck, use a thesaurus and come up with word lists for ways to describe eyes in your story, or use Google to find how other writers have described eyes to give you ideas.

Think about the entire eye. When describing eyes, think of the orbs in their entirety—from eyebrows to lids to lashes. What can they reveal about a character? Describe their shape. Sloe eyes are almond-shaped eyes, monolids are eyelids that don’t have a crease, hooded lids droop somewhat over the eyes. You can also describe how eyes appear in relation to the whole face. Are they close-set or deep-set? Is your character wall-eyed or goggle-eyed? Eyes can be sunken into their sockets. Zoom into details like the eyeball or the dilated irises of a character. The condition of eyes can also be a revealing tool. Dark circles under the eyes represent exhaustion. Puffy eyes mean a character has been crying. If a character has crows feet, that can be the author’s way of signifying middle age.

Use eyes to signify character traits. Writers can use eye descriptions to highlight character traits. An innocent child or naive character is often referred to as doe-eyed. A bad guy might have gunmetal eyes. Beady eyes conjure images of a rat. Rheumy eyes signify an elderly person. Steely eyes translate to determination. A twinkle in the eye is the hallmark of a jovial character. Eyes can be warm and inviting.

Describe eyes in ways that reveal intentions. Eyes gather information for a character, and they also reveal information about a character’s intentions or feelings towards a subject. When talking about a character’s body language, start with the eyes. A raised eyebrow casts doubt. Eyes suspiciously look over the top of eyeglasses. A character flirtatiously bats their eyelashes.

Use eye movement to forecast plot points. Eyes can be an active subject in a story and can help push the plot forward. Eyes can gaze, stare, glare, sparkle, pierce, roll, flicker, lock in, narrow, close, open wide, and shoot daggers. The movement of eyes can represent a character’s reaction to events or hint at plot points. A character might lower their eyebrows as they grow suspicious of another character—a writer’s way of foreshadowing who the killer might be.

Use eyes to heighten conflict. If a strong protagonist is wearing contact lenses, glasses, or even a monocle, a writer might use their poor vision as an obstacle that hinders them in moments of conflict. If a character blinks a lot, it might be a sign of insecurity or nervous energy. A writer can take a character’s sight away to strengthen their other attributes.

Recognize that eyes can betray a character. Eyes can be a tool used for contrast. While a character says one thing, their eyes might say another. For example, if a character comes home late with bloodshot eyes, it lets the reader know they were not working late like they said and gives the character away.

Use props to amplify the expressiveness of a character’s eyes. People often accessorize their eyes. Think of people you know and the different ways they hide or show off their eyes. A teenage character might have an eyebrow piercing. A character might paint their eyelids in colorful eye shadow or make their lashes stiff with mascara. A mysterious man, perhaps a law enforcement officer, might walk through a door wearing aviator sunglasses, pulling them off to reveal who he really is.

Source ⚜ More: Notes & References ⚜ Writing Resources PDFs

[erushirosegold]

𝙲𝚑𝚊𝚛𝚊𝚌𝚝𝚎𝚛 𝙳𝚒𝚊𝚕𝚘𝚐𝚞𝚎 𝙿𝚛𝚘𝚖𝚙𝚝𝚜 #𝟶𝟷

Friend #1: “How on earth did you manage to get frosting on the ceiling?!”

Friend #2: “I take my cupcakes very seriously [insert oc name here].”

Friend #1: “Well then, I’m sure you won’t mind seriously cleaning it up..”

Friend #2: *Runs*

Tysm 4 reading, I hope this helps! Until next time strawberries... <3

Elle LOGGING OFF.....12:29 AM

[thethirdromana]

Servalan's costumes, rated

I was supposed to be going out and doing fun things like bouldering tonight, but it's pouring with rain, so instead I'm staying in and looking at Blake's 7 screengrabs.

Screengrabs from here (they prefer their images copied, not linked) and record of what Servalan wears when from here.

As seen in Seek-Locate-Destroy.

We begin the list with what is - delightfully, amazingly - a relatively understated costume by Servalan standards. I guess it's the shorter sleeves over longer sleeves (a consistent Blake's 7 design choice, I guess that's just what fashion is like in the Grim Future) that gives the sense that this might be Dress Down Friday in the offices of the Federation. Almost dowdy in comparison with what's to come. Let's keep our powder dry for now. 5/10.

As seen in Project Avalon.

What amazes me about this costume is how silly it looks in screengrab form - seriously, take a moment to really look at Servalan's tiny head emerging turtle-like from the enormous quantity of furs - and yet, in motion, Jacqueline Pearce completely pulls it off. It's ridiculous, of course it is, but not for one moment do you doubt that this is the kind of thing that Servalan would choose to wear and feel comfortable in. It also gets an extra point or two for how the opening of the coat is tailored to the collar of the dress she wears underneath. 6/10.

As seen in Project Avalon and Deliverance.

There's a fun process that happens when you look at lots of Servalan's costumes (bearing in mind that I've preloaded all the images!) where you start to look at something like this and think, yeah, that looks normal enough, I could wear something like that to the office. And then you step back and go, no the fuck I couldn't, and you admire everyone involved in the process that brought us here. Love the beading and ruching, love the way that big collar actually looks quite comfortable, love the way that Jacqueline Pearce is lounging in it. 9/10.

As seen in Orac.

Trousers? On Servalan? Not sure how I feel about that, and I get the impression nor is she. On anyone else the coordination of white gloves and shiny white knee-high boots would be noteworthy, on Servalan it's just a Tuesday. Bit bland to be honest. 4/10.

As seen in Weapon.

There's an image limit to deal with, so I'm sacrificing at least one further fluffy overcoat thing in order to show more photos of this magnificent costume, and I make no apologies for that. Look at this swan-queen spun-sugar exposed-midriff confection of delight. Just when you think you've absorbed it all you notice the fishnet sleeves and the floor-length cape. Maybe it would be worth submitting to just a little bit of remorselessly evil oppression for the opportunity to float around all day dressed like this. 100/10.

As seen in Pressure Point.

It takes quite an outfit for you not to really notice the Sexy Stormtrooper vibe of the Mutoids in the background. And so Servalan is delivering quite an outfit here. What a jacket, what a hat. Ladies Day at Ascot never looked so good. 9/10.

As also seen in Pressure Point.

This is one of those beaded lizards that we all made when we were eight, right? I feel like I should like this: it's flattering, it's a bit weird, it's a nice dress with 25cm or more of a sparkly gecko giving it jazz hands across Servalan's chest, but somehow it's just not coming together for me. Maybe it's the lack of a massive collar. 5/10.

As seen in Trial and Voice from the Past.

No. Absolutely not. The nadir of Servalan outfits, from the weird double-breasted bodice, which I can only describe as military meets straitjacket, to the terrible combination of off-grey stockings and shiny silver shoes. Even Jacqueline Pearce is struggling to make this look good. 0/10.

As seen in Gambit.

From the nadir to very nearly the zenith. This is only one of two times that Servalan wears an outfit that isn't black or white and wow, does she make it count. The red! The glitter! The big frill thing that looks like the kind of adaptation a lizard might use to warn off predators! Also, not to get too pervy, but I think this has to get extra points for whatever machinations are preventing her boobs from making a bid from freedom from the astonishingly low neckline. 12/10.

As seen in The Keeper.

It's another big fluffy robe! But a different one from the previous big fluffy robe! I like to think she might be hiding snacks under there. 7/10.

As seen in Star One and Aftermath.

This is... a normal dress. Could be an understated bridal gown, plausibly a cocktail dress, but I could imagine both having this in my wardrobe and actually wearing it, and I'm not sure how I feel about that. It's just not what Servalan's costumes are for, you know? Obviously she looks great but where's the pizzazz, where's the oomph, where's the collar that could take someone's eye out? 6/10.

As seen in Aftermath and Powerplay.

This is technically Dayna's dress, but Servalan wears it for two whole episodes, so it counts. Which is a pity because it's just so drab. It shouldn't be! It has a funky triangle neckline, only one sleeve, and a ribbon arm wrap on the sleeveless side like she's heading off to a festival with hippies. Unfortunately the colour scheme brings to mind nothing so much as a faded bus seat and the smock-like cut is deeply unflattering. 2/10.

As seen in Volcano.

Things I like about this: for once Servalan gets to cover both shoulders, her arms and her cleavage. Jacqueline Pearce must have been so warm! It looks comfortable and practical. And dull, but I suppose it must be a lot of pressure on a Supreme Commander to look fabulous all the time. 4/10.

As seen in The Harvest of Kairos.

Fun fact, of all of Servalan's outfits this is actually the closest to something that I used to have in my wardrobe. Mine was navy blue on one side and stripey on the other, and the stripey side emerged into a similar enormous... sleeve... thing?? I never wore it to my day job, but you know, perhaps I should have done. These are the kinds of things that Servalan inspires us towards. 8/10.

As seen in Children of Auron.

And just like that, Servalan changes her colour scheme. Black, of course, looks just as good on her as white did, and I can't decide which I like better. What makes this outfit is the detailing: the collar, the little decorative slashes like a Tudor nobleman would use to show off his undershirt. 6/10.

As seen in Rumours of Death.

I just spent ages scrolling through red carpet photos to try to find the celebrity who I swear recently wore almost this exact outfit. And I can't find them. But never mind! This ticks so many boxes for me: it looks everso pretty, it seems wearable, and the floofy sleeve feels like it reflects plausible fashion trends of the Blake's 7 universe. 9/10.

As seen in Moloch.

Whereas this is not working for me. This is, thank goodness, Servalan's only foray into full-on 80s shoulders (unlike poor Avon, whose costumes suffered from this for the whole of series D) and I do not like it. The wide shoulders, made to look wider by the silver detailing, just serve to make the rest of her look small. And no one should make Servalan look small. 3/10.

As seen in Death-Watch.

Just a normal LBD, innit. 5/10.

As also seen in Death-Watch.

This is the same dress underneath with a semitransparent beaded cardi over the top. It should be fun and vaguely goth, but instead it reminds me of nothing so much as the kind of thing you throw on when you're worried you're showing too much skin for a funeral. Amazing how it makes her look about 10 years older too. I miss the days of the massive collars. 2/10.

As seen in Terminal.

For someone who is confidently writing a series of posts about costume design choices, I know exceptionally little about costume, and as a result I don't actually know what this is made of. Is it leather? Some kind of matt-looking PVC? It's a solid costume choice, anyway; I'm starting to think that the mark of a good Servalan outfit is how much difficulty I have with the image description. In this instance, I have no idea what the thing on her shoulder is and I love it. I also love that this is the 80s and therefore she's allowed to be on TV with a normal human belly. 8/10.

As seen in Traitor.

MAGNIFICENT SHOWSTOPPING ICONIC. She looks like a sexy raven and she's having such a great time. The way the points of her eyeliner match the points of her hair! This is the kind of thing that drives people to cosplay. I don't think I would get a buzzcut and dye my hair solely to get this look just right, but I'm also not ruling it out. 20/10

As seen in Animals.

It's so disappointing when you get an outfit spot on and then it's in the wash, and all you can manage from what's available in your wardrobe is an half-hearted replica. That seems to be what's happened to Servalan here. Sorry, Supreme Commander, but sexy raven lightning doesn't strike twice. 6/10.

As seen in Assassin.

Later on she wears a sort of lacy cardi over it, but I have an image limit and I'd only be repeating what I said for Death-Watch, so we're going to skip that one.

This is another normal dress. It's a perfectly fine normal dress; it's hard to see from the photo, but I like the fabric belt, and those are undeniably good earrings. Still, it's not exactly strange enough for a Servalan costume, and I feel for Jacqueline Pearce having to do this whole episode without a bra. 7/10

As seen in Games.

Just as I am running out of ideas for commentary, I feel like the Blake's 7 costume designers were running out of ideas for outfits. This feels like it has a bunch of disparate ideas thrown at it - polka dots! fluff! peephole thing! - but the vibe is of a reality TV show fashion challenge where they have a box of stuff and 20 mins to turn it into a dress. 4/10.

As seen in Sand.

This is a floor-length dress, but it's best in close-ups: it's the detail that matters. It looks pretty, comfortable, and quite soft. It's a nice costume, but is it really a Servalan costume? It doesn't scream command like some of the others on this list. 5/10.

As seen in Orbit.

Don't worry about what I cut to be able to include two photos again, because this is worth it. From the front it's good but not great (though I'm glad she gets a bit more boob support in this one!) but from the back? Superb. She's wearing the splendid earrings from Assassin again, but here they also reflect the detailing on the back of the dress - oh, it's just a delight. A very creditable note to end on. 9/10.

[uhmmmsweetie]

You're character writes a message they won't send. Who is it to? What is it about? What prevents them from making their feelings known?