#character bedroom

[bvannn]

Drew Mikey and Shaun’s Bedroom, for practice

[poorly-drawn-mdzs]

Happy Halloween! 🧼🥩🎃

[lala-blahblah]

The thing is I don't believe Miles Edgeworth would ever say "I love you" to Nick, and I don't think he would reach out to hold him. But I do think the moment he hears about what's going on with Trucy he would show up at Nick's door with a stack of documentation on adoption and sit down with him for hours as they wade through the legal process to gain custody. One step at a time, you are not alone in this, we'll figure this out together. Acts of service my beloved... Let me ease your burden by taking it on. I love you and want you to be well.

[secriden]

Just going to cry again (see: my previous post about the parallels between the storage room scene and the abandoned factory scene) about parallels and juxtapositions in the store room scene vs the one in Styles bedroom:

Both these scenes have such a tone of desperation and are characterised by an overflowing of emotions, but in drastically opposite directions.

(Note, some of what I say in this post directly relates to concepts and themes I talked about here, so it may not wholly make sense without that context.)

The scene in the storeroom is filled with frustrated desire. Fadel kisses Style because he wants Style's body and also wants to take his frustrations at Style out on his body. He doesn't need to look Style in the eye (and in fact very intentionally only does so only in small snatches) because this isn't about a connection as much as it is about a release. Fadel's kisses come fast, hard, and are intended to bruise more than to adore.

But episode 5's scene is filled with much more quiet and tender sort of desire. Style is kissing Fadel so much more slowly and purposefully. He keeps looking back at Fadel, checking in to see how he feels and whether Fadel is enjoying it. Everything Style wanted in Episode 3, he now gives to Fadel here, pours the secrets of his knowing and choosing Fadel anyway into the way he presses his lips onto Fadel's skin. His kisses linger, they carry a weight but are somehow infinitely gentle still; Style's kisses contain a purpose that Fadel's kisses couldn't in Episode 3 because in all honesty they were relative strangers back then.

There's also the way there's such a ferocity and carelessness in the way Fadel starts the encounter in episode 3 that is juxtaposed beautifully by the slow, tender, almost hesitant way Style slides his lips onto Fadel's. Both of them are in such different headspaces, between these episodes and its especially evident in the way they care so much more about the other person's comfort and how intentionally they showed that to the audience.

There's hunger present in both scenes but what this hunger is focused on is so drastically different. In the storeroom, they're both mainly focused on a physical release; its primal and visceral but lacked emotional resonance. Fadel gives Style what he knows Style wants (that hint of danger, with the hand on his neck), but its not because he really cares about what Style wants on anything more than a physical level. In Style's bedroom, however, Fadel is drunk (intentionally and by his own design) and desperate to open himself up to Style on an emotional level. Meanwhile, Style wants that desperately too, but knows that Fadel shouldn't because of his own terrible secret. So this kiss is what they both will allow themselves - an honesty and a hunger for this deeper connection they can only share in act but not in words.

In the storeroom, Style wants Fadel to want more than his body but knows (or thinks) he can't push for it yet, so he remains passive, lets Fadel do whatever he wants, lets him turn and shove and place Style how he wants because at this point, this is all Fadel will give him. Here, Style is passive in spite of what he wants. But in the bedroom, Fadel is passive because it's what he wants; he wants to let Style do whatever he desires to and with Fadel's body. He wants to lay himself as bare as he possibly can, which is only physical, and so he does.

And because the encounter in Episode 3 lacked that emotional connection, the focus is merely their respective releases. There's a sense of two people trying to find pleasure and 'finish' while remaining emotionally disconnected despite actively having sex with each other. Because in some ways, they didn't really need each other in that moment to get there (there's actually a lot of truth in what Fadel says about it being easier to just jerk off alone). In sharp contrast, the scene in Episode 5 isn't focused on the destination but on the journey. Style is taking his time and Fadel is letting him - Style is choosing to worship Fadel's body, with his fingers, with his lips, to respond to his vulnerability with gentleness and tenderness and adoration. The goal has stopped being about finding a release, it's about allowing both these men to revel in the giving and receiving of pleasure.

The point of these scenes is to show to us the ways in which Fadel and Style have grown to care for and, dare I say it, love each other in ways that are so purposefully portrayed by showing the nature of their physical connection. Because the ways in which these scenes are the same and yet so wholly different showcases how their touches are now no longer merely tied to their senses any longer, but also to their hearts as well.

[wolfsteax]

conversations

[marskid11]

this character showed up for four minutes and is still one of my favorite designs in the series I stg

[tigerjpg]

i have such detailed mental layouts of fictional places in my head im like the sims build mode

[onebizarrekai]

♪ blue's theme - ALL OF THEM (mostly)

mr. character development's tangible rehab from a stupidly evil power hungry bastard who has committed treason against every country to an idiot pacifist with a zebra print fedora, a moped and a license to teach yoga

( note: the 'mostly' comes from two things; one, the very very first version of this song sucked, and two, there are versions that are mostly identical )

[steviesbicrisis]

💫 Steve Harrington's House 💫

So, after this post, I couldn't let go of this house. I decided to rebuild it in The Sims and then I had so much info I felt the need to share it. Other than commenting on some crazy aspects of this mansion, I think it can give some input/ideas for possible scenarios in fanfiction! (for one, I'd like to know what Eddie thinks about half of the features of this house lmao). My process was: canon information > actual house information > gaps I filled the best I could Disclaimer: keep on describing Steve's house however you want to!! I'm sharing this in case you wanna be as close to the actual house as possible!

Listings: Zillow | Trulia | Homemetry

Credits: Sticky notes by rawpixel.com | Washi tapes by rawpixel.com | background paper by starline all on Freepik

[sharpth1ng]

how do you envision billy and stu’s bedrooms? cause every scene in my head it’s completely different to how it was in the last and i need to have the same thought whenever a scene comes across in one of their bedrooms

^^Alright so I have actually drawn Billy's room! this is the background of a piece that will be on my patreon once i feel like i have enough content to actually launch it. I wouldn't say this is exactly canon, I started working on it before I started writing Debaser and there's some stuff i would switch up, like some of the movie posters. There's also the non-canon Maureen VHS which they obv don't have because they didn't film that. But yeah this is a basic idea of what Billy's room looks like to me.

As best as I can tell this is the bedroom they shot as Stu's room.

^^As you can see it has a ridiculous number of doors, and we know the door to the attic is behind the camera because that's where Sidney goes during the chase. We also know the two doors on the left side lead into the hallway, again because of the chase scene. The door on the right I'm going to guess leads into a bathroom, because another door leading to the hallway or into another room would be sheer insanity. This one bedroom has four fucking doors and none of them seem to lead to a closet.

^^^From the movie we can see more of the right side of the room. There appears to be a fireplace mantel, likely bricked off and not functional. Stu is using it as a shelf, it looks like there's some tapes and maybe a trophy there. We can also see his TV and some posters on the wall- someone has made a post where they identified these posters but I can't find it rn (thank you tumblr's broken search function). If anyone knows the post I'm talking about please feel free to link it!

^^^There's also at least three things that look like they could be one of Billy's flannels in this room. We never see Stu wearing blue or plaid in the movie and imo from his costuming it doesn't seem like his style so this detail is pretty funny to me. Billy is just leaving his repetitive wardrobe all over Stu's room. Gee I wonder why.

So that's basically Stu's room in the movie. The way I see it in Debaser is a little bit different, but in many ways the same. First big difference: a maximum of three doors. One to the hall, one to the bathroom and one to the attic storage space. Two doors to the hallway just feels homophobic. Another difference is that I imagine his TV somewhere at the foot of the bed, just makes for a much more comfortable watching experience.

I also imagine him with a lot more on the walls.

^^^Chip Sutphin's (also a Matthew lillard character) room from Serial Mom is a good example with all the Fangoria posters and stuff. Imo Stu is definitely reading fangoria.

(Unrelated side note can I just say i can’t see Chip's girlfriend Birdie without seeing pre-transition Billy. The Blue plaid, the short brown hair, the horror obsession) ⬇️

Like, this is Chips girlfriend and best friend. This movie came out in 1994. I can't. ⬇️

Ok, side note adjourned, back to Stu's bedroom.

Overall I see it as a lot more packed and messy than Billy's. There's more on the walls and more on the floor. I also think he's got a big ass shelf of tapes and video games, and probably some leftover action figures from when he was a kid. I think he kept more of his childhood stuff like that than Billy did. He doesn't play with his action figures anymore obv, but he hasn't thrown them out.

So yeah, that's sort of an idea what their rooms look like in my mind! I do plan on drawing Stu's room at some point but these kinds of detailed room drawings take me so much time, I'm not sure exactly when that will happen.

Edit: Ps you can read what’s written in the notebook in Billys room, please do

[fisheito]

I started reading beastars so now HE's reading beastars .wait

THEY'RE reading beastars

[venacoeurva]

Unstoppable force vs immovable object, truly (I couldn’t decide which version to go with, so have both)

-Please do not reupload/edit/use.-

[canisalbus]

Hello! I saw that you said watership down is one of your favorite books and it's one of mine too!

I just wanted to show this amazing pin I bought of Fiver, Hazel and I believe Bigwig!

Ah, that's neat! You don't see Watership Down merchandise very often, especially if we're talking about the 1978 film. Good find.

I have this ceramic Bigwig guarding one of my bookshelves, bought it shortly after Richard Adams passed away in 2016. I believe it's from 1982 and was made by Royal Orleans.

[animeglitch]

[illustratinghan]

james loves nothing more (except cordelia) than settling in his ‘reading chair’ whilst the sun sets every evening - although he does more sleeping in it than reading😂

(also he really does love tea so there’s always a mug somewhere in his bedroom!)

characters by @cassandraclare 🤍

[wolfsteax]

i just wanna get warm with you