#character analysis six

[ruins-and-rewritez]

I love it when there's a couple but then there's a third guy who's also there and he's part of it but not like romantically he's just a part of the couple but like....platonically

[pumppkinspite]

I love the idea that Kaz's superpower is everything is according to plan. And having contingency on top of contingency premeditated. But I headcanon he's just mastered riffing. Through the books he's loosing his grip just like everyone else but he doesn't have the luxury of admitting it because he's in charge of 5 teens just like him who he would loose control of with panic if they didn't trust him. They are at constant risk of flipping the script on him when he's doubted, so having them believe "oh kaz probably planned this the whole time it's gonna be fine" is the thinnest thread of keeping them all together and it unreliable at best.

These kids weren't long time friends before the start, Kaz is just an excellent magician, redirecting attention from the dominoes that don't topple.

[gummypaint]

[thecrowcrew2020]

I like how Kaz is so convinced that catching feeling for Inej is his biggest weakness when it so obvious to everyone around him as well as the readers that his quest for revenge is his weakness. Like look at how the ice court heist went to hell because he went rogue looking for Pekka.

[fumifooms]

Analysis of Laios’ succubus and theories on what it means - deep dive on Laios’ desires in human connections

Laios’ succubus is a very odd incident. I have some particular interpretations of why it was Marcille, and why things went down the way they did.

We know that a succubus shows what one desires, stated in canon as “an alluring form”; yes often in a romantic or sexual sense, as seen with Chilchuck’s succubus being entirely set on looks and seduction, meanwhile Marcille’s does have a focus on chivalrous noble demeanor as well, showing romantic behavior and personality. BUT with Izutsumi we also see that the liaison doesn’t have to be romantic or sexual at all, either, in Izutsumi’s case it’s a familial bond she craves. So perhaps we can say that the succubus exploits a desire based on connection, in whichever form that takes. Marcille wants an emotional connection foremost(which is also reflected in how it’s a character she knows very well and not a stranger. Perhaps romantic.), Chilchuck wants pleasure(a simple pleasure not unlike alcohol, perhaps such a connection is free of the more risky or unpleasant parts of a relationship, he doesn’t have to worry or to think and can just let himself go. Sexual.), Izutsumi wants a mother figure that can offer her warmth and comfort with who she doesn’t have to be tough (Familial), and I believe Laios’ is platonic and centered on his desire to have people with who he belongs and can be himself with…

But Laios’ case is more complex, it has layers. The thing is, even if Laios wanted to have someone able to turn him into a monster—which it didn’t even have to be, could straight up have just been a monster with such powers—, it didn’t have to be someone he knew. You could say the succubus wanted to disarm Laios’ suspicions with someone he knew and that was nearby, but the succubus seem very direct in every other case, simply appearing with someone’s greatest appearance even though both Marcille and Chilchuck were fully on guard and the succubi knew it. "Believability" isn’t an important factor. No, his succubus being someone he knew was important. It being Marcille was important.

There’s a TLDR at the end of this if you want to cut it short. For everyone else, strap in everyone, if you don’t know me hi I’m Fumi and I made this 3k words long analysis and theorizing bc I am autistic much like the character in question and I think this is both fascinating and has a lot to say. In this I offer both platonic and romantic reasonings and I do go rather in depth in Laios’ psychology and relationships to dissect what ever could this damn cryptic event MEAN. Spoilers for the succubus chapters obviously and also the last few arcs of the series so… Spoilers for the series as a whole!

—

So attraction wise it’s kinda unsure where Laios stands. He does sort of logically list off aesthetically pleasing traits of the orc’s wives, but besides that… Not really, or he never voices it anyways. He and Marcille never share like “omg you’re pretty” moments or anything. Senshi gets more compliments than either of them through the series lmfao. Maybe Laios is asexual, maybe he simply doesn’t show outwardly his attraction much or even maybe isn’t self-aware about it, regardless… Laios HAS implied preference for Marcille’s looks in the past. With the orcs, he said that “tallmen like long ears”. Laios’ shapeshifter of Marcille has her hair down just like her succubus, which by Kui is explained to be because she had it down when she revived Falin and it really marked him, though it could also be interesting to see it as his mental image of her as her most authentic self, I’ve seen it theorized that it’s a preference too but I think that’s disproven. But of course the most damning evidence itself… The succubus scene. It could have been anyone else in the party, certainly Senshi shares Laios’ interest in monsters much more already. We shouldn’t discredit the way Laios was blushing madly once she revealed she was a monster, that made her more attractive to Laios for sure, but he still wouldn’t have reacted that way if it was just anyone. The contexts are very different, but we can compare it to how Laios reacted when Lycion turned into a wolf man in front of him for instance. Laios certainly doesn’t act that way with Izutsumi- and it’s confirmed like a page later that he does see Izutsumi as a monster already. AND!! Laios starts blushing madly BEFORE she says that she can turn him into a monster- and we can safely assume that the blush isn’t out of simple fluster but out of desire/infatuation since he clearly wants her to bite him in the next page and his blush does not relent at all.

There’s something we could say about Laios’ liking of Marcille being born out of companionship rather than aesthetic attraction, on familiarity and intimacy. As members of the same party they’ve spent a lot of time together and we’ve seen that Laios trusts in her and relies on her for her skillset and avice. If Laios’ interest in her developped more naturally and gradually, valuing the familiar bond they have, I don’t see why he’d be acting all blushy and lovesick every time they interact or whatever, which is the explanation I have for Marcille genuinely being Laios’ most alluring form but him not freezing at the sight of it. That could also be a reason why he physically rejects succubus!Marcille instinctively, because something about her feels off or different (which is sorta the most direct interpretation of the scene, since Laios’ first thought is that it can’t be Marcille and must be a monster).

 [Edited in: Oh my god. The picture above is the last page of the dullahan chapter, chapter 57, a chapter that centers around Laios and Marcille’s relationship through flashbacks as Laios is on the brink of death and sees his life flashing before his eyes (he remembers how they first met, etc, which is also interesting to note that on the brink of death he reminisces about her the most). The last page of that chapter, more or less the thesis of the chapter in which we see Laios opens up about the real reason he and Falin go dungeon diving to her after them having a rough meeting but she turns out to also have an interest in dungeons, has Laios go "she starts out frowning but she ends up smiling! Wether its’s about eating monsters or about me :)”. That chapter is the one right before th succubus chapters. Laios’ most alluring form wasn’t “just” Marcille, it’s a SMILING Marcille. Which is why the succubus had such a weird and off demeanor right away (which gets knocked off once it doesn’t work and becomes a more Marcille-like Marcille)! It was only focused on smiling because it was the angle it was working from.

Oh my god it makes sense. It’s a direct narrative link, it’s as explicitly put with its story structure without Kui just stating it, besides, you know, the many times Laios says how precious her smile is to him. He’s like “I love her smile” and right next chapter the succubus is like “yes this is what he likes seeing most”. But… This also does mean that the focus might be less romantic, like Marcille’s significance doesn’t diminish, but then the alluring form might be less about her and more about the smile itself. About having a friend who looks at him like that, about someone who smiles after eating monster dishes or surpassing obstacles together… Or it can actually be so much more romantic. Like, maybe the smiling Marcille doesn’t work is because well, it’s not like Marcille, she wouldn’t just be smiling like that and behave like that (esp since his musing is about how her smiles are sort of “earned”, that she doesn’t smile right away but it’s sort of like a rewarding sight when she does). So then the most alluring form of Marcille doesn’t work because she doesn’t convincingly BEHAVE like her. His most alluring form isn’t a Marcille-lookalike, it’s her as a whole. More on the succubus shifting/switching in its approach later.]

Anyways.

Where was I. Ah yes, “It could have been anyone else in the party, certainly Senshi shares Laios’ interest in monsters much more already.” But then that’s the point isn’t it. I think Laios’ succubus being Marcille is because his wish isn’t so much focused on her, or on becoming a monster, but on not being alone. On being understood. On having others finally share his interest. On not only becoming a monster, but having someone to share that with. A trusted friend, a companion, or a lover, it matters little in my interpretation, the bedrock of it stays the same. And this is why it’d be someone he already knew instead of someone new, because it’d defeat the point, and it was maybe Marcille because she’s the most vocal about finding monsters disgusting: it’d have finally been a shift in her that she now liked monsters. And again this brings back to when he talks about her smile, when he says that she starts out unhappy with eating monsters, but ends up smiling by the end of it. Her smile itself represents that though first impression or reflexive dislike, someone can turn around and end up liking it anyways, it’s hope for his interests to be liked and perhaps for him to be lovable as well, that it’s possible to be accepted.

But I do think it would be a mistake to say that there’s absolutely no romantic interest, that it’s plainly platonic or another kind of interest misplaced and idealized in her. What we saw with the other succubus is that they 100% act in ways that the person desires, sure Izutsumi’s start attacking after a while, but that was after pushing them over the edge, and succubus Marcille wasn’t being agressive nor did she have a reason to be (even when she could have with Laios’ choking, she didn’t turn to violence, so she was 100% still in seduction mode). Ultimately the goal of the succubus is to make physical contact to be able to suck their essence, but the way they go about achieving that is tailored to the individual’s desire, Marcille’s kissed her hand and Izutsumi’s offered a hug.  The succubus can identify and embody complex desires, often subconscious ones, shown with Izutsumi’s. They go straight to it without complex subterfuge either. Chilchuck’s succubi were very direct because that’s what he wanted, Marcille’s was courtly because that’s what she wanted, Izutsumi’s offered motherly comfort and affection because that’s what she wanted, and Laios’ is Marcille attempting to kiss him. Let that sink in.

Laios why are you choking the supposed key to your heart?

Ok so the theory that Laios’ desire is to have a deeper companionship from an existing companion is pretty tame and surface level I’d say, but strap in… The way Laios reacted violently to Marcille trying to kiss him is VERY interesting. The first thing he thinks about is that she isn’t Marcille so she must be a succubus, then confusion at to why it’s her. He’s even afraid of what the others would think, feeling… Shame? With how he imagines Marcille would be horrified that he likes her that way. Fear of rejection?

But no no, what interests me is the shift that the succubus makes. It seemed very confident at first, went straight in, but when overpowered shifted the direction it was going in- shifted from a desire for Marcille to a desire for a monster Marcille and whatever deeper desire that hides. But??? Succubi did not make mistakes as to what someone wanted thus far, possibly that has never ever happened before by human records. Could the succubus truly have miscalculated what Laios desires? It’d be hard to imagine that the succubus would misunderstand what type of companionship someone wished for or what approach to take, since it’s done complex cases before too, Izutsumi being very much in denial before it & at first. In Izutsumi’s case, even with her complex feelings over it and her two souls desiring different things, the succubus did not miss its mark, and ultimately it was having a second soul for who the succubus wasn’t alluring that allowed her not to be frozen to the spot. But with Laios the succubus fully switches strategy.

The thing is that succubi don’t usually need to switch strategies, because the form and approach they take always work and always leave the victim frozen. Izutsumi bypassed this because of her two souls, but was still frozen and struggling to reject the succubus at first. And yet? Laios did. A succubus’ victim is supposed to be instantly frozen, and yet Laios acts on instinct and defensively agressive as soon as his reaction time allows. And well, it’s hard to really come to a logical conclusion as to why, since we have no idea of what rules can override a succubus’ temptation besides multiple souls… C’mon regular Marcille can’t be the winged lion/kenksuke’s desire bc of the loose hair being Laios’ mind-Marcille we’ve gone over this /hj Although, since it’s confirmed that the winged lion was watching with the dream Laios gets induced right after, maybe he’s what allowed Laios to be moving? It’s possible that it’d have frozen him otherwise, even if Laios with his full rationale wouldn’t have accepted the kiss faced with supernatural allure he might have gotten paralysis from being overwhelmed, similarly to how if Chilchuck had his full rationale he wouldn’t allow a woman like his succubus to kiss him (he’s always stayed faithful to his wife even after 4 years of separation, give the guy his earned credit). Getting somewhat offtopic, but something to say about how if that’s the case once again the theme of ‘irrational desire you crave vs what you truly want/need’ that is present throughout the manga would be reflected.

My best guess however on why Laios reacted so quickly and forcefully is: trauma. The more recent arcs with Laios suggest that Laios has deep-seated trauma over humans. He dislikes humans as a whole, that was like, pretty much stated, though perhaps exaggerated. As a kid he fantasized about monsters wiping out human towns. We know Laios has been ostracized for most of his life by others, in his village and in the military, and beyond social rejection it’s shown he got beaten in group too and it was implied that it happened regularly. But damn, disliking humans to the point of wanting to be a monster and murderous genocidal reclusive envies and all of that stuff? That is massive trauma, massive identity & belonging issues and hint at massive trust issues.

So then, the negative reaction could be because of Laios’ deep trauma with humans. Because of trauma getting activated, not due to a miscalculation on the succubus’ part but due to a contradicting dislike of the desire that makes the form inherently and straight out of the gate un-alluring, Laios’ repression being so strong that he’s able to affect his own desires in that way, or an instinctive defense response to the trigger (a human).   Even though Laios hides it well, once again recent arcs (and some other moments) make it clear that Laios still has some innate dislike of humans, which in canon is a term that all races like elves fit in. He has a bias against them, perhaps even an innate distrust of them. Who knows how aware he is of it, or how much control and will he has over it. What if Laios reacting agressively to it was his defense mode tied to this kicking in, a survival and security instinct, stopping any possibility of Laios wanting a romantic relationship with a human? Any chance of that human getting close and being hurt by it, either rejected or stabbed in the back? It’d then make sense if Laios is unaware and doesn’t understand his attraction to Marcille then, if it’s a sort of self-made blockage, denial. And that’d make full sense with how, when Marcille is suddenly a monster, then all of Laios’ reluctance is gone and he’s fully enthralled, all that it took was taking away that one blockage for Laios to be utterly charmed. It takes away the trigger element, humans, and replaces it for something safer. A desire for connections, but connections with people that are ‘safe’, people who also don’t fit in with society, who are part of his interest in monsters, who would accept and understand him. I think that Laios does desire human connections, specifically, but can’t allow himself to pursue them either from conscious or unconscious trauma, so though he does desire it he can’t accept that he does/can’t accept the relationship even if it’s handed to him on a silver platter.

Conclusion

The succubus’ shift could then be either that it switched from one wish, a wish for Marcille, to another, a wish for companionship in monster-liking, or that it stayed on the same fundamental wish, but had to improvise with the new information (that Laios is human-averse)(not bc it didn’t exist previously but bc it wasn’t manifested) to take out of the equation the thing that was holding Laios back (from giving in).

But well, the fact that the rest of the party is included does lean towards the former, but in any case that doesn’t erase all I’ve spoken about, all about how Marcille is 100% the focus of this whole thing. It could still be a bit of both. But it is interesting that he worries about the party’s reaction to seeing his succubus being Marcille, and when she shifts into monster Marcille he *still* worries about the others: “b-but what about the others?” He’s a mess, with his most alluring form seducing him, and he still has a shred of resistance in him to question how the others would react, and it’s only when she says that they’re already monsters too that he truly gives in. Is he really so afraid of ostracization? Of losing the people he cares about due to judgement? Then the mention of the others in the party can simply be something the succubus added on top to unlock another “blockage”, the same way she added Marcille being a monster on top of the basic premise of Marcille; Take out the immediate dismissal of humans first, and then the fear of loss and judgement from other friends so Laios can finally stop worrying and give in. That worry/framing I’d say makes the latter more credible, because it’s not the premise of the alluring form but an extra.

In the end, like the recent arcs kind of spell out, the thing central to Laios’ character is less so a love for monsters and moreso a dislike for humans, and this is what this puts on full display.

Laios’ most alluring form is Marcille, a human that doesn’t understand his interests and thus him, and regardless of everything else that Marcille is, that is so traumatic to him that all of his being immediately rejects it.

—

Thanks for coming to my ted talk! I’ve spent so much time thinking about this and wording and rewording this same train of thought, also it’s the end of my college semester and I’m going crazy

Tldr: My personal fav theory for Laios’ succubus is that Laios really values Marcille’s smile a ton like it’s often mentioned, and that’s what his most alluring form centers on. I’ve got a ton of different interpretation on the why it’d go for a kiss? Since it tailors its approach to the person’s desires, but obviously something goes wrong with Laios’, which is really interesting because even with Izutsumi who resists because she has 2 souls so one part of her can always remain unaffected, the succubus hit bullseye on her most alluring forms. But regardless of that, I think his desire for Marcille (either her or what she represents, wether as a platonic ideal or something else) isn’t wrong/untrue perse, but that Laios has such a complex with humans and intimacy and connecting with others that his defense mode kicks in and that’s when the succubus has to shift into a different, safer desire: one that doesn’t involve humans but that still shows connections and acceptance and belonging. Also Laios realizes that it isn’t Marcille when she goes in for the kiss, which if his allure for her is based on familiarity since they’re friends and all could make sense that it’d break him away from it, or since it’s a liking based on familiarity he doesn’t freeze, or maybe it’s because the winged lion has its eye on him. I think that’s so much more likely with how Kui makes even her jokes be character moments or at least consistent, and also with the tension of the scene, than just the scene being a gag about how Marcille doesn’t mean much to Laios actually.

I think there’s a lot to be said about why Marcille is special to Laios, why her smile means something to him, etc, and I don’t think saying Marcille is special to him is exaggeration or reaching at all. Laios, Marcille and Falin are the golden trio, she’s the deuteragonist, she’s the only other character in the main party whose goal in going back for Falin is Falin and who has a bond with her and Laios outside of being coworkers, in post-canon they live together, happily, in the anime’s ending they’re emphased on by dining out all three together... I could go on.   Marcille has the benefit of being very trusted by Laios, not only with the time they’ve spent together but how she was Falin’s friends first, the person he himself feels so protective of and has been so consistently ostracized throughout her life. Marcille represents a positive odd one out that’s like, the good example of "humanity can be good and safe and warm actually".  Which is a big reason why imo Marcille is like, the secondary protag and with Falin they form the golden trio. She’s central to the story in many ways including making Laios see that humanity is worth saving and sticking with, but that’s a topic for another analysis. One such reason is how his first meeting with her went: it started really badly but ended with her coming around and unexpectedly sharing their interest in dungeons, which made him and Falin open up about the real reason they go dungeon diving, perhaps for the first time. There is just so much that goes into it but Laios seems generally very expectant of rejection: in the climax chapters after he transformed back as a human and was hiding out in the woods, pre-canon in an extra where we see him battling himself on if he should suggest eating monsters or not. But another one, the one I truly want to bring up in this post, is how genuine Marcille is! And funnily enough, how dramatic she is, and how her elf ears change position depending on her emotions. Like, let me compare her affectionately to a dog for a second, but dogs move their ears and use whole body language to communicate, and I think that part of Marcille, really strong emoting, with her ears and body language on top of her often dramatic facial expressions, reassure him. Like ok, maybe he can’t tell when Shuro and Kabru would lie to him, but Marcille? She wears her heart on her sleeve and her feelings on her whole self. And that takes away some of the stress and trauma he has with humans, explains why her smiles would “put him at ease”, doesn’t it?

I don’t remember wether I’ve mentioned this somewhere or just in my reblog linked at the end of the post, but while at first I thought the succubus going for a kiss on the lips heavily implied a romantic desire in Laios,  now I have a couple different theories on why the succubus would have gone for that approach. I think the most likely is that, if the principal allure of his succubus is her smile, the succubus is like "as long as he sees her face right up until i can suck up his blood and he passes out I’ll be gucci", so it’s not about the kiss but about him seeing her face all the while until the very last moment, so he stays charmed.

Btw chapter 34 explores Laios’ relationship with touch too imo, and we see that he is uncomfortable with touch to some degree, very unsure and hesitant and tense. I feel like it’s something more shown in a bigger picture sense with his whole struggles with humans and extras, than just in any one page so go reread the beginning of that chapter if you want I’d say, but putting a page below as example anyways. I think it’s notable that it’s a character moment shared with Marcille too, she acts sort of like a bridge to humanity with social propriety and being extroverted in many cases. In the chapter Chil and Marcille point out how awkward he is with touch, but he learns to be casual/comfy enough about touch to do healing magic with her (something that was also enforced through him having to practice magic on Marcille turned to stone, he got a lot of touch exposure and magic practice done in those days. Dammit Laios, MArcille and touch is worthy of a whole analysis of its own). She’s just like, his human comfort zone, even if they aren’t that close at least at first, besides Falin he has literally like no friends and I think that itself shows how he doesn’t fit in well socially and that it’s a significant struggle for him. But yes what I was saying here is I believe there’s setup for him recoiling from touch like he did with the succubus (due to an instinctive aversion to touch made especially intense due to the succubus’ oddness and forwardness).

I have even more theories and rambling on details on the succubus here in a reblog, but unless I want to put in some pictures of Laios repressing himself around others and such I don’t think I’ll be touching this post again in a while

[ryin-silverfish]

Heart and Mind: An Analysis of Tripitaka

I've been wanting to write this since…since I came across some good ol' Tripitaka discourse in the LMK fandom ages ago. Couldn't remember the specifics, but as y'all probably know, it falls under the "Is him an abusive master" and people's strongly worded retort to that question.

On one hand, I dislike the "abusive" take because so often, it is an excuse to reduce a character to an 2D caricature for cheap angst purposes, and both JTTW and its historical context deserve more nuances than that.

On the other hand, I don't agree with some of the defenses either——that Tripitaka is Kind and Wise and The Virtuous Monk, Actually, and people who said otherwise just had their views colored by adaptations, or were ignorant westerners misreading the book.

Because trust me, Chinese readers absolutely have gripes with Tripitaka too, and sass him mercilessly.

We may have a better idea of the historical context, namely, the common usage and acceptance of corporal punishments, but quite a few of us don't think he's a good Buddhist either.

Instead, I'd like to focus on his allegorical role, and how it ultimately forms the basis for my interpretation of his character.

It is commonly acknowledged that each pilgrim represent an aspect of the enlightenment seeker: Monkey is the Mind, Dragon Horse the Will, Pigsy the Desire, Sandy the Determination/Ideation.

Tripitaka is either the enlightenment seeker as a human, or the Heart, the Compassion.

But how can someone represent Compassion when his behaviors don't look all that compassionate, when he seems to care more about what a good Buddhist looks like on paper than in spirit?

How can a compassionate man punish his disciple with a migraine spell and disown him twice, be okay with some violence but not others?

Well, to answer that question, I feel like you have to look at Tripitaka in conjunction with SWK, and what the monkey represents. He is literally the Mind Monkey, the boundless potential of human intellect, and that, by itself, is neutral.

In the word of one of the best poems in JTTW:

"He could be good; he could be bad; present good and evil he could do at will. He'd be an immortal, a Buddha, if he's good; wickedness would cloak him with hair and horn."

To put it simply, SWK is one's wits, one's problem-solving skills, the ability to discern good and evil on a cognitive level.

Whenever Tripitaka, the Compassion, is deceived, it falls to the Mind to see the opponents as they are, and take action to protect the human from harm.

But just as blind compassion without judgement can be exploited by evil, the reverse is true for a mind without compassion, driven solely by their own ambition and whims and practical knowledge.

The Mind knows that robbery is a crime, so these robbers deserve death, but has no idea how disturbing it is for a regular guy to witness six people being brutally murdered in front of him.

The Mind knows that abandoning your wife and family to become a bandit is shameful and unfilial, but cannot comprehend why the bandit's father may not want his son killed for these offenses.

The Mind knows right and wrong, but has trouble seeing the human behind those acts, and why one should care in the first place.

And to see what the Mind looks like without any of Compassion's restraint, one needs to look no further than SWK's "Second Mind", the Six-eared Macaque.

Just like how "Heart" sounds like a lame power for a character, Compassion isn't flashy, nor as useful in a strictly ultilitarian sense. In fact, having compassion makes you vulnerable. It hurts. And unscrupulous people will absolutely use it against you.

So why hold onto your weakness and wallow in it? The world doesn't need another sanctimonious wuss, it needs strong, clever people making hard sacrifices, ruthless, logical decisions! Tough up! Stop caring, and you'll never be hurt again!

Much like a certain crowd who think basic human decency is somehow political propaganda, perhaps, when SEM struck Tripitaka, he was trying to do the same thing.

Kill the embodiment of compassion, the sniveling, useless, fragile human that keeps holding SWK back. Replace him as the true Mind, the one strong enough to break all bonds and seize glory with his own two hands.

But without compassion, without humanity, one is no longer a whole person, and cannot reach enlightenment. In fact, just like how Buddha would only give the True Scripture to Tripitaka, if you are not brave enough to make yourself vulnerable, to suffer and feel other's suffering, you will never transcend it.

At best, you can have some pale imitations of the parts you have willingly shut out from yourself.

And that's what SEM does. He thought he could do it on his own, singlehandedly replace SWK and reap the benefits of enlightenment, but he is no Monkey Awakened to Emptiness.

He is just empty; cut off desires because it is base, cut off determined ideation because it is foolish, cut off compassion because it is weak, cut off the altruism and curiosity and creativity from the mind, and you are left with a grand total of NOTHING.

A shadow of a self, desperately clinging onto external validation and stolen stories, reading the pilgrim's travel paperwork out loud as if that would actually make the journey his.

Tripitaka needs to trust SWK and learn from him, because compassion, much like good intention, doesn't solve problems on its own, and mercy is not the same as enabling harm.

SWK needs his master's guidance, because even at his most selfish and impulsive, he cares, and only by extending that care to others and accepting the vulnerability that comes with it can he truly mature and become awakened to the ultimate truth.

Thank you for coming to my TED Talk.

One last bit of ramble: I feel like there is something to be said about Tripitaka's tendency to trust Pigsy, and how the pursuit of enlightenment is often derailed by worldly desires.

Unlike the demons they encountered, however, Pigsy is not the personification of mental obstacles that must be destroyed, because you cannot destroy bodily needs, nor the very human tendencies to slack off and avoid trouble.

You should stop listening to its advice, sure. Poke fun at it, absolutely. But what Pigsy represents is part of the human condition, just like every other pilgrim, and also something one must make peace with.

[ghostpebble]

TELL ME WHY I ONLY JUST REALIZED THE PARALLEL IN BH6 WHERE HIRO LOOKS AT HIS OWN REFLECTION. ITS GLORIOUS

In this scene, when Hiro and Tadashi are midair, Hiro looks at his reflection. On a base level, he's experiencing the joy of weightlessness and catching air time on a red vehicle. But, he's also excited and still in the mindset that this is one of the most exciting thing he's ever done. He hasn't developed resolve as a character, and hasn't found anything concrete in his life. This moment where he whoops just from the air time shows his innocence.

And then, after Tadashi's death and the formation of Big Hero 6, he finds himself here again: experiencing the same joy of flying and weightlessness (and he's riding a red vehicle, LOL). It's different, though, because now he's grown. He's not relying on Tadashi, he's relying on himself. He's grown as not just a character, but a teenager who's understanding how life doesn't always go the way that you plan. He's still excited, but it's more internal here, because he's gained more deep thoughts and feelings from the experiences he's gained from his friends, Callaghan, and the loss of his brother.

It's such a great parallel that's so easy to miss. It's not long, not thrown in your face quite so much, but it's just a moment almost for Hiro himself, not the audience. It's just a moment for him to see how far he's come and for him to be proud of it.

[nekohime19]

Macaque study # S5

At last let's talk about the LMK S5 and Macaque portrayal in it! Took me so much time to edit this one but it's here!

So, to summarize what I said in the previous study of Macaque, after season 4 Macaque showcases a lot of redeeming qualities :

He stepped up to help even though he wasn't asked to, thus showcasing his care.

He admitted that the image of Wukong he was fueling, the one of an uncaring person only thriving for power, wasn't real. And showcased traces of yearning towards Wukong.

Both monkeys reached an understanding at the end of the season. Wukong even extended an olive branch in the form of a peach popsicle.

So if after season 3 Macaque's place within the group was still tentative, this time after season 4 he showed that he was willing to help even when nobody asked him to, thus cementing the tentative trust he forged at the end of season 3. Now, saying that he's buddy-buddy with the rest of the group isn't quite true. There is a distance between them that hasn't been addressed yet.

S5 ep 1

Macaque appears in the first half of the episode, narratively his appearance is here to highlight the season's main plot : MK's origins. He's here to introduce troubles. Essentially, he's doing groundwork for the rest of the season, encouraging the viewers to already question MK's origins.

Now story-wise I think his appearance is very interesting because it highlights the current state of his relationship with Wukong. While season 4 ended in a tentative offer of allyship, season 5 begins with an argument between the two monkeys, an argument they tried to avoid.

So, right after MK left, And Wukong fail to broach the subject of his monkey form, Macaque appears through Wukong's shadow :

Macaque : Well, that went well bud.

Wukong : Hugh, are you actually lurking here?

Macaque : Hey, this mountain has been my home just as long as yours.

This first section of the dialogue is relatively tame. Macaque is falling back on his habits which are : teasing/ taunting. Macaque is shown as smiling, relatively laid-back, while he nips at Wukong's unsuccessful attempt at talking (of course, the “that went well bud” is sarcastic, but it's not as bitter as we are used to concerning Macaque taunting). And the moment Wukong questions Macaque's presence on the mountain, Macaque answers with another quip.

It's also interesting to see that Macaque still considers the mountain as his home and lurks here despite having the freedom to go and explore the world. Of course, I do believe the writers are keeping him around for plot purposes BUT I also find it sweet that he cannot bring himself to leave the mountain. Perhaps, in some way he's scared to let go of the familiarity that the mountain offers. Macaque says that the mountain was his home just as long as Wukong's, considering that Wukong was born on the mountain, it's not far-fetched to think Macaque was born here too. If we follow this line of thinking, it means Macaque never truly left the mountain. So, in a way, Macaque's only experiences with the outside world have been : the brotherhood's wars, his death at Wukong's hand, and his time as a slave under LBD….So I can understand if he doesn't want to leave the mountain yet.

Now, after this first relatively tame section, things turn more serious.

Wukong : You found anything?

Macaque : no but with the Jade Emperor gone the celestial realms… Things aren't good. Wukong… the kid.

Wukong : I know.

Macaque : You need to talk to him.

Wukong : I know. But… He’s not ready.

Macaque : You mean you're not ready. You really are the worst mentor.

First, we learn that Macaque has been lurking around the celestial realms and probably shared his findings with Wukong more than once if Wukong is aware of his lurking. That in itself told us that they take their roles seriously, they're preparing themselves for future troubles, as they said they would at the end of season 4. At the same time, I find it interesting how Macaque is trying to push Wukong around.

He begins by highlighting the importance of talking to MK, especially since he just witnessed Wukong's unsuccessful attempt. But Wukong is dismissive. He answers with a succinct “I know” and turns away from Macaque, as if fleeing the conversation. Macaque notices his unwillingness and frowns, he insists again, and he fully turns towards Wukong. Once again, Wukong repeats himself, while still averting Macaque's gaze, giving the impression he's still fleeing, BUT then he meets Macaque gaze heads on at the end of his sentence : “He's not ready.” This shows that Wukong is sure of himself, he's not just fleeing, he has seen how MK avoids the conversation, the kid is truly not ready. Yet Macaque answers with a quip meant to push Wukong out of his comfort zone.

Yes, maybe the kid isn't ready. But maybe you're also not ready either.

Macaque knows how to make Wukong's react, he's trying to push him around. Yet when Macaque sees that Wukong is getting angry (cue Wukong growling) he drops his smile and attitude, because he doesn't want to fight Wukong, they have more important things to worry about.

Macaque : He needs–We need to know everything we can.

Wukong : He's just a kid. Can we just-

Macaque : He's not just a kid! Why him Wukong? Did you know about-when you chose him…

Wukong : No, I didn't know. It just felt…right.

Macaque : And that doesn't bother you!? This kid just happens to have all your powers, that is at the center of all these battles. And you never questioned why? None of us even knew he existed? How?

They're both obviously frustrated by the other, yet contrary to other seasons they try to not let this turn into a fight. When one of them feels like they're on the verge of snapping, they turn away and put some distance between themself and the other. Everytime they feel like exploding, they try to reign it in. In itself this is a huge improvement from their previous fights. They're really trying to not let this develop into a heated argument.

As we can see in those various shots, they always try to keep a distance between themselves, they're really trying to not let this turns into a fight :

At the same time, Macaque is trying to make Wukong realize that they cannot wait anymore. The question of MK's origins was always looming over their heads, but Wukong never looked into it. Macaque believes they cannot brush the matter aside anymore. That MK needs to know, that they need to know to be prepared. Macaque is a highly cautious individual, so character-wise it makes sense for him to have this need of preparation. He cannot let MK's origins remain a mystery, not when so many coincidences lead him to believe someone is pulling the strings.

But on the other hand, on what grounds can Macaque criticize Wukong's mentoring when he hasn’t been around for long? Macaque is right in his worry, but his way of broaching the subject with Wukong is not right, especially since he's very citisizing of the way Wukong handled the situation. Perhaps because his feelings for Wukong are still very much tainted by his previous hatred, he's very harsh with him. At the same time, if he's not harsh with Wukong, who will be?

In the end, despite their best efforts, the conversation turns into a fight.

Before leaving Macaque says :

Macaque : Look, that kid idolizes you, you're his literal hero and you just…

Wukong : I just what?

Macaque : He needs to know it's not all on him. You need to do better.

Macaque is very harsh and critical, and he's NOT the right person to say this, especially since he has no right to criticize Wukong on mentoring. But he's the only one that can currently push Wukong out of his comfort zone.

At the end of the episode, we see Macaque laying on the same tree that symbolized his friendship with Wukong in season 4 surrounded by monkeys.

First, how obsessed do you have to be to be laying on this particular tree? Macaque… really I have no words, how much of a simp are you? Seconds, the monkeys truly missed him 🥹. It's good that he's home, finally.

S5 ep 2

I found this episode particularly interesting for its duality, at the same time it shows Macaque closeness with Wukong yet it also highlights the distance between them (while also highlighting the distance between Macaque and the rest of the team).

Closness :

Macaque recognizes Li Jing’s spell before anyone else, showcasing how he was already familiar with it. Macaque is also the first to rush to Wukong.

In prison, one look is enough for Wukong to convey his plan to Macaque.

Still in prison, Wukong laughs at Macaque's joke concerning “MK lawyer bit".

During the fight against the celestial soldiers, both monkeys fight in harmony, defeating them together.

After leaving the celestial realm, Wukong explicitly says “I trust no one that isn't standing there right now.” Even Macaque is surprised by this affirmation, as he is standing here, meaning he is part of the people Wukong implicitly trusts.

Distance :

In prison, Macaque is standing in one corner while both MK and Wukong are sitting in the middle, thus creating a physical distance between them representative of the symbolical distance that is still present in their relationship. Moreover, as we can see in the shot, a chain is separating the three, furthermore highlighting the divide between the three characters.

Wukong and Macaque argue a lot. Even MK acknowledges the tension between the two. Wukong even says “Classic, I get all the punishment, you get to mop” which can be a reference to how he was constantly the one being punished (the mountain, the journey, the circlet) yet Macaque always acted like the one suffering. In response, Macaque says “Maybe going to jail wasn't on my agenda for tonight.”, which can be a reference to how Macaque is always getting dragged into Wukong's mess.

After landing, Macaque picks a fight with Wukong and both end up arguing once more. More precisely, Macaque calls out Wukong on his lack of substantial plan, doubting how whimsical, possibly not real rocks, could be seen as a great plan. Once again, Macaque is highly cautious.

This episode does a great job at showing us the chemistry/ the potential dynamic of Macaque and Wukong (their closeness) but still acknowledges the distance between them that cannot be totally breached yet.

At the same time, perhaps because Wukong acknowledges that he trusts Macaque, Macaque in turns decides to trust Wukong and MK. He sacrifices himself to Li Jin, thus buying time for the team to escape and go search for those (possibly not real) rocks, a plan he clearly didn't agree with minutes before.

It could also be a call back to Wukong sarcastic comments “Oh sure, cause normally you just rush to my rescue.” in season 4. Here, Macaque IS rushing to Wukong's rescue, both when he rushed to him when Li Jin threw the circlet at him, and now when he's sacrificing himself to buy time.

We can argue that Macaque never truly apologized to MK and the others, and I do think a verbal apology is still needed, but I don't think it's fair to brush aside his actions as “idiotic suicidal tendencies.” He helped save the world twice, and here he's yet again sacrificing himself. You cannot forget those actions, or brush them aside as bad writing, because you don't like their implications. Yes, Macaque never formally apologized, he still needs to, but saying he did nothing to gain the others’ trust is a bit much and quite uncalled for. For all it's worth, the others do trust him, Wukong trusts him, but that doesn't mean he's their best friend either. He's someone the others can depend on, now is he someone they like is still to be debated on (I do think MK likes him, Wukong too even if it's more complicated, but I don't think Pigsy likes him very much).

S5 ep 7

This episode is great because it does show us multiple things concerning Macaque. It further emphasizes this distance we have observed between Macaque and the others but also showcases how differently Macaque and Wukong process what happened between them.

After saving him from the memory eye, Macaque argues with Wukong (“Geez Wukong, kinda wasting my sacrifice here”). Furthermore, we can clearly see a physical distance, even more so a barrier, between them.

There is a pillar between them, a fracture of some sort that further highlights the divide they cannot mend yet. At the same time, we can notice how differently Macaque and Wukong react in this scene. Macaque is turned towards Wukong, his tail high, he's more annoyed than anything, he acts normally by picking a fight. Whereas Wukong is turning away, tail low, we could even spot tears in his eyes minutes before. He's withdrawn.

Clearly, those two processed Macaque's death differently. Macaque had time to come to terms with what happened to him. He lived through his vengeance arc, he processed the fight in more ways than one. But Wukong isn't the same. It's very likely that he repressed those memories, that he erased them from his mind (cue the numerous times he avoided the word death, instead referring to Macaque as “leaving” or “coming back”).

But this episode also showcases Macaque distance with the rest of the team.

When Macaque saves Pigsy, he does so in the background, by that I mean that he doesn't show himself in front of Pigsy. He stays in the back. Not willing to be on the same level. Moreover, when Sandy brings everyone into a hug, Macaque is at first not part of it, Sandy has to bring him into it, and even then Macaque looks greatly surprised and even confused by the gesture.

Clearly, Macaque is shown as withdrawn when it comes to the team. On numerous occasions throughout the season, he put himself in the back. Because he knows that even though they might trust him, it doesn't mean that they like him. Macaque might have redeemed himself, but it doesn't mean that his development is over, he gained the other's trust, but he'll have to go further to gain their affection. He's not suddenly everyone's best friend. As we can see, and we will keep seeing it, there is physical distance between him and others in each of his appearances.

S5 ep 8

There isn't too much to say about this episode, mainly because Macaque doesn't appear much. It does groundwork for the next episodes, with Macaque being able to free his hand of Xianglu power for a bit, informing us that Macaque powers are effective against him.

Also, Mei make one of the greatest joke :

MK : I'm very used to all our used to our enemies being just your recycled old enemies.

Mei : or like your ex best friends.

Also, not Xianglu acting like he was friend with Wukong when in JTTW he only appear on one chapter and Wukong kicks his butt cause he was scaring a village.

S5 ep 9/10

Ah, so much to say about those two episodes, 😌. The season ties up nicely everything we already observed about Macaque, mainly the physical distance we often noticed between him and the team throughout his numerous appearances.

I will adopt a more thematic approach to analyze those two episodes, instead of my usual chronological order, because I believe it is more relevant in this case.

Confrontation with MK

Macaque confrontation with MK is a great callback to the end of season 4, when Macaque encourages MK to walk his own path. Here, Macaque is trying to let MK know that he doesn't have to bear everything alone.

Macaque : this isn't the kind of things I meant when I told you to chose your own destiny!

MK : you don't understand if I don't do this everyone loses, everything get destroyed!

Macaque : You don't always have to be the hero! It doesn't alway need to be you!

MK : this is the only way

Macaque : You don't know that, you can't know that.

Macaque first sentence is a callback to season 4. Clearly, Macaque is trying to dissuade MK. Trying to let him see that he doesn't have to save everyone alone. It is something Macaque already mentionned at the beginning of the season, when he told Wukong to do better, he also told him that MK needed to know “that everything wasn't on him”. Maybe because he saw what happened with Wukong, what happened when someone decides to bear everything alone, he doesn't want the same things to happen to MK.

The “You don't always have to be the hero” is quite powerful in itself. Macaque always had some problems with heroes, but he did acknowledged how wrong his definition of heroes was in season 4. Here, Macaque tries to take MK's burden away, to let him see that he doesn't need to always sacrifice himself, but also he's trying to let MK see that he's not alone. I think it's very clever to let Macaque have this particular line. Especially since in season 3 MK was the one to show Macaque that heroes never abandon their friends, and thus that heroes aren't alone. Here, Macaque is trying to reenact in some ways what MK did in season 3 by trying to convince MK that he doesn't have to do everything alone, that he has people to depend on.

But of course, Macaque get interrupted before he can truly get through MK, 😭.

Closing the distance

Macaque distance with the other characters (and especially Wukong) was an underlying theme throughout the whole season, especially within the shots’ composition. As we already saw, Macaque was always withdrawn, he never truly fit in the frame, always cut off by either an external object (chains, pillars) or pushed to the background. And of course, the end of season 5 offer a tentative resolution of this story-line.

First, we have this very short scene, after Macaque is interrupted by Xianglu, he decides to give his all and free the other and himself at the cost of his strengh. Before doing this, he clearly say while glancing at Wukong :

Macaque : here goes nothing, make it count.

So Macaque is putting everything in Wukong's hands. He explicitly decides to put his trust on Wukong. This is a great improvement, especially when we consider how cautious Macaque usually is. Moreover, once Macaque free everyone he falls to the ground in a way that is very remiscinent of season 3, after the fight with the possessed Wukong. However, contrary to season 3 where Wukong walked over Macaque while not even glancing at him, this time Wukong reaches towards Macaque and asks if he's okay.

Macaque is the one who has to push him to leave. This is a great callback to make us realizes how much those two evolved compared to season 3 and how much things changed between them.

Morever, after MK leaps in the pillar and everything fades to white, each member of the team calls for MK but Macaque is the only one calling for Wukong. Probably because he knows that if MK was able to jump, it meant Wukong failed, and thus meant Wukong is probably crushed by guilt right now.

But truly, the gesture that ciment Macaque place is Wukong reaching towards him.

Once the pillar is on the verge of being destroyed, and everyone stands together to face what is probably their end, once again we can see that Macaque is in the background.

There is still a distance between him and the team. But this time the distance isn't ignored, instead someone reach towards Macaque, inviting him to stand together with the team, on the same level, and that someone is Wukong.

The fact that Wukong is the one who pulls Macaque at the forefront, who close off the distance between them, is a very powerful gesture. It is a sign of their healing, but also, symbolically, can represent how truly Wukong is the one that connect Macaque to the others. It is through Wukong that Macaque met the team, and thus Wukong has to be the one that close this distance we have observed throughout the season.

Unfortunately, as we all know, Xianglu (damn guy) will intefer before Macaque can take Wukong's hand. Symbolically, it can represents how difficult mending a relationship can be, and even if both parties reach out to each other, it doesn't mean that everything will be healed. Yet the attempt was made all the same. Wukong reached out to him, and Macaque reached back, this alone is proof that their relationship, even if rocky, is slowly healing.

It is proof that this distance, while not fully breached yet, is slowly being closed.

Macaque's powers

Those two episodes also gave us something really interesting to think about and that is Macaque's powers. Macaque's powers are admittedly the most mysterious of LMK and that is because his powers don’t come from JTTW. Indeed, it is never mentioned, in JTTW, that the Six-eared Macaque possess shadow powers. As such, Macaque's powers are an unknown factor to us that had never been truly explained.

Here, we finally have some lead on his powers, especially when they directly confront Xianglu's powers. Indeed, Macaque is the only one able to free himself from Xianglu's hold. Moreover, his shadows are very similar to what Xianglu's uses, the only exception being their colors.

Xianglu : Oh that was quite a trick. That power, who gave that to you? Who did you make a deal with?

Macaque : a deal?

Xianglu : ah, it doens't matter.

So that's very interesting. First if Xianglu is to be believed, his powers are not something he's born with but rather something he borrowed. However, Macaque doesn't seem to be aware of any deals whatsover, so either Macaque unknowingly made a deal or he doesn't need to make a deal. I'm more inclined to believe the second option.

First, Xianglu powers are linked to the chaos. And the end of the season confirm that Macaque's powers also stem from the same source with this particular shot :

What lead me to believe that Macaque didn't need to make any deal is because he has been tightly linked to Yin symbolism throughout the whole show.

Indeed, the Yin is linked with darkness, passivity (which was one of Macaque trait in the past, as in he prefered to avoid confrontations), the moon… But the Yin can also be tied to chaos. As such, perhaps Macaque doesn't need to make a deal because chaos is a part of who he is, it is in his nature, and thus he's born with it.

The idea of Macaque being linked to chaos could also explain a personal theory of mine. During the brief flashbacks of Wukong and Macaque fight, that we saw previously in this season, we could clearly hear Macaque laughing manically while Wukong was pleading for him to stop. Macaque sounded unhinged, precisely chaotic, perhaps because his powers, naturally linked to chaos, took over him in that moment.

So this ends Macaque study in season 5. As we saw, this season follows through what have been established in season 4 : Macaque gained the team’s trust but it doesn't mean there is no distance between them. In fact, it is only at the end of season 5 that an attempt at breaching this distance was made.

Macaque and Wukong relationship also greatly evolved from the first seasons. They still fight, but now they try to make a conscious effort of not letting it get messy. Moreover, Wukong actively reach towards Macaque at the end of the season.

As always, this is my interpretation of Macaque character and you are free to disagree, no hate. I do love Macaque so even if I try to be unbiased, I know my appreciation of the show will shine through no matter what I do.

Maybe if season 6 comes out and I am still into LMK, I will do another study of Macaque.

S1 / Previous

[capswarmedals]

BBC GHOSTS: DEEP DIVE

"You're a bloody fool, James!" - Ben Willbond, Inside Ghosts: A Christmas Gift.

CONTAINS SPOILERS FOR CHRISTMAS EPISODE AND SEASON 5. BE WARNED.

Okay, just before we start, I WILL be referring to BOTH James and The Captain. Wait and see, your poor little dumplings.

We all know The Captain. Brave, stern, always has a stiff upper lip and of course, most obviously, he's an ABBA loving star. Joking (not really though)!! The most obvious part is that he is gay, but he hides it deep down inside himself. You'd have to kill him to find out or well, you know what I mean (/ref). That part deep down inside himself is James. James. The real person, the person under the mask, the villain, the mastermind of it all. Except that... James isn't really anything like The Captain. James is not brave, not stern, never has a stiff upper lift, but he's still an ABBA fan and gay. Incredibly, incredibly gay.

We know that he had a very, VERY strong crush on Havers (Anthony as I will be referring to) as evident in the Cricket Report in the Button House Archives and in Redding Weddy/Carpe Diem. Throughout the series, we see James fall for men. Mike ("Yes, he'd make a very fine soldier."), Adam, the director ("Yes, though I might just... Check."), Pat (even though it's not as obvious, but it's certainly there).

Many people, including myself, head canon James/The Captain to be autistic, and I can very much add some reason and proof to these reasons.

1. A very strict routine. This man will NOT let go of routine, and it is clear in 4x02 (Speak As Ye Chooses) where he states: "It's all very well saying 'At ease', but what do you do for the rest of the day?" and visible expression of shock and anger to finding out that a club was cancelled. As we come to the end of episode, where we see the man casually without his jacket on, he says "We've got forever" before immediately re-settling himself into his strict routine when being reminded of Film Club. But of course, this could be either that James is attracted to Captain America or is just reminded of his strict routine. This links into another point about change. In 3x05 (Something To Share?), this silly man agrees with Pat about how it is frightfully important to have an extremely strict routine. DON'T get me started on his almost coming out. (I will talk about this.)

2. Hyperfixations. This man has a hyperfixation/special interest in tanks, birds and basically anything remotely military related. He made a club solely dedicated FOR birds. He values his hyperfixations over secrets ("This is outrageous, I'll simply have to tell Fanny-" "No more war documentaries, then." "Your secret is safe with me, she'll have to kill me first- Well- You know what I mean."). 1x02, watching Hitler's Secret Superweapons "It's Christmas! I mean, it's Christmas Morning!" and when Mike turns it off... "What the bally heck do you think you are doing? Where the bally hell are the tanks?" "If you were dead, I would thrash your bottom, sir!". As like other autistic people, such as myself, taking away our hyperfixations isn't a good thing. We don't like that.

3. Masking/easily overwhelmed. (Basically what this deep dive is about). James is the true individual. The Captain is his mask, his shell. And he's been living in it for far too long now. He does not like change, and hates loud noises. This is clear when a club is cancelled in 4x02, and when he realizes the Queen's speech is televised in 2x07. He stress stims by using his swagger stick (Or Anthony's) and twirling it around in his fingers, he bounces a lot, he hums a lot, and whenever he matches about the place, he swings his arms depending on what arm the swagger stick is under (usually the right), and yes, I know that military marching is very exaggerating on the arms, but STILL, it's an output of energy that he does CONSTANTLY. I don't think I've seen anybody talk about the fact he hums. He does it SO MUCH.

4. Tone. Because of his ridiculous amount of gayness inside of him, this man cannot always understand straight jokes. 5x04, where they play Blankety Blank and he does not understand the word "saucy" (I mean, it is late 20th century/early 21st century slang...) and does not approve of the meaning. He gets jokes late, but that's alright because I do too.

ANYWAYS. Back to his pining.

In the first GIF, you see James check Adam out. This also happens in another scene with the quote "Do you find yourself to be distracted?" where he takes the moment to check Adam out yet again. In this second GIF, you see James slightly creep out when he realizes that he's openly saying he'll miss a man, with that look down, almost ashamed of himself.

But why does he fall for these men of order? Because it reminds him of Anthony, not because they're bossing everyone about - it's as if they're doing the bossing about for him, so he can relax and be himself. During Redding Weddy, we see Anthony order the unit around whilst James is looking outside the window (suppressing stims, but bouncing slightly on his feet) trying to spot Germans. I could see why James fell for Anthony. Despite everyone else, Anthony does not see these stims as annoying or his remarks to be unfunny. We see him SMILE when James makes a joke.

As we know, their love for each other was mutual.

He knew.

Anthony smiles after saying "James" and saying "I know". Why? He knew he was dying, he knew that James loved him, he knew why James was here. He wanted to be by James' side as he died to comfort him. To just be together, maybe once. Maybe twice. We don't know if they've held hands, kissed, but still. This is a very significant moment.

Additionally, Anthony's knowledge of James' intense crush is during their talk in James' office in Redding Weddy as it starts to reach a conclusion. Anthony subtly hints to the fact that if James should say anything, the moment is now ("Well, if that's all?").

He raises his eyebrow slightly, communicating to James that he is eager to hear what he really says, and that it's okay to be them because they're alone together. But no. The Captain completely hides James away. Anthony understands, he always has. The Captain probably hid James away because of Anthony's reaction to "I shall miss you, Havers." (his smile drops).

But... "I say, Havers?"

The way Anthony turns around. SO QUICK.

His smile. It's so ridiculously warm. But he knows because he saw that hesitancy, he saw James' sad expression. James is bally well sad that Anthony is leaving!!

Masking is clearly shown in this conversation. The Captain is preventing James from speaking the truth. And just like how he buried the limpet mine, he too, buried his feelings. And it became a ticking time bomb to Carpe Diem, where that emotional bomb finally explodes.

He leaves it to the last second. Literally. Let me show you proof.

Ben is absolutely AMAZING at micro-expressions, one of the many reasons I love to delve into The Captain so much. Carpe Diem (5x05) is an excellent example of some of the best James scenes.

Right here, what I am personally reading is that James is attempting to unmask, or is in the process of doing so. He deciding whether he should tell his story or not. This frame is important as it comes just after the quote "When I died, I never got to be surrounded by the people I loved." Blatant foreshadowing here because well, it shows that James loved Anthony and still does, despite it being 83 years since Anthony left of that year, he still holds him very dear to his heart. Of course, he has Anthony's swagger stick, which I love because he's always been there with James to help him out through moments. I love that and I love everything about that. How I ADORE Simon Hynd's directing here of the camera position, openly hinting to the fact that James died with Anthony next to him. God, everyone in that show is a mastermind!!

I also think that he is remembering here. Perhaps remembering the good memories? That Sunday afternoon stroll, or that certain Cricket Report? He's trying desperately to remember Anthony so he doesn't forget him when he moves on. For all he knows, he doesn't even know if Anthony thinks of him. All he knows is that he knew, and is most probably dead. He doesn't know what's beyond the veil. He doesn't know if he'll see Anthony. It's worth it.

This "desperate searching" facial expression is the same as the expression he had when glancing at the gate a few scenes prior to this, eyebrows furrowed and mouths slightly agape. It cuts to the gate, where we know, that in Redding Weddy, Havers walked out of. Anthony. Yet again, he's remembering him. James is obsessed with the memory of Anthony, the good times they had yet the good times they never were really good as laws about homosexuality were extremely strict. You could even say he is clingy.

Another thing is that, The Captain is one of the most favourite characters and people have been demanding to see how he died for ages! Why is it near the end of the last season? Well. I may have an idea to why it is in the last season.

James leaves things until the last second, he leaves the real explanation to things until it's too late. I saw someone on tiktok quote that James is as pretty as poppies because his love sprouts up in the wrong times and wrong places, which I think is amazing. I personally believe that his death was purposely the last one because you needed to see that he's more than just a stern WW2 CO with no feelings. He's an anxious man who's terrified of the real world so decides to seclude himself in a time and place where he was loved. World War 2. 1940. When Anthony loved him. We needed to see this inner secluded character within him to make the death sadder, which is what Ben likes, the silly man.

This also explains why he says "Is it? Is it, Alison?" during Redding Weddy because, well, with his mindset and attitude, he doesn't believe the war is over. He wasn't very good at keeping a unit of alive people under control, but perhaps he could try at keeping a whole bunch of dead people under control to keep himself busy from accepting the fact that Anthony is gone and he should emotionally move on.

In 4x04 (Gone Gone), the episode where Mary moves on, we see that James' coping mechanism is to keep himself busy. Keep himself busy so he doesn't have to focus on his feelings, but when he's given the time to pause and process it... He completely breaks down. Imagine that with Anthony when he left for North Africa.

But why does he like Pat?

Well. It isn't canon. But, the most recent Christmas special definitely hints at it. Pat introduced James to the amazing thing of baby talking, attempting to teach him just as Mia is put to bed. But once again The Captain's hard shell is back again and gives him a monotone voice and tone, rather making him seem like a robot. But at the end of the episode. He learned, and the glance he takes towards Pat is "Did I do it?" and Pat gives him a warm smile and a subtle nod. HUSBANDS I TELL YOU!

The Woodworm Men (3x03): Pat outbests The Captain with camping, yet they are still both very keen. The Captain trudged back though!! In this episode, James is awarded the teamwork badge from Pat, and when you see the scene, you can tell that he is smitten and in love. Because, now rewatching that scene with the context of his death, he must've been the happiest he had been in a while to achieve and properly earn a badge. James, I think, personally likes Pat because he still has all the leading roles (being a scout leader) and that reminds him a lot of Anthony hence why we see them working together in a lot of episodes (2x06, 2x02, etc). It all leads back to Anthony. Who knows what would've happened if they didn't meet.

I also think that Getting Out (1x06) is a good episode that represents self growth as well as debating with the issue of being mocked, as James is mocked in the episode.

This is him overhearing the conversation. Confusion. Anger. This episode is where James learns that not everybody will adapt themselves for him, not everybody will accept the way he acts. It's pretty clear that he cannot control this mindset he has, it was probably drilled into him, the poor soul. The way he brings himself back into the group is through a secret weapon (Kitty, because she's the most likeable and their relationship is mwah).

This episode is also important because of the scene in the library with James and Kitty.

"What matters more? Keeping Alison here, or letting her be happy?"

Now imagine that question but Anthony. James has sacrificed his life and soul towards Anthony, and even has a piece of him with him. This man is obsessed with Anthony. Crazily in love. He can't control his feelings for people. It just... Happens.

After Carpe Diem, it took me only a fraction of a second to see how comfortable he was. He was free to love who he wanted! I was stimming so crazily when the last scene of Season 5 (disregarding the Christmas special) was him being gay. Fanny comforted him after he came out, and every one supported him. He feels safe now.

The mirror and the draw in the intro.

Personally, I believe that the mirror represents the fact that his medals are the right way, meaning that the man in the mirror is The Captain and the man looking at his reflection is James. He's looking what he could've been. A hero. Yet now that he's come to terms with himself, James knows that he can be himself now. Free of judgement. Free of secluding himself away. I believe that the drawer represents him ever searching for more memories to grasp onto, more things about Anthony to remember. I also think it represents the fact that there is something inside of him that is worth looking for, and that thing deserves to be looked for and looked after. The draw is pulled out as far as it can go, so this could point to the fact that there is something buried within the house that needs to be found and given back to him. Could be the limpet mine. Or perhaps that William letter truly was a love letter.

OVERALL:

James is a different man to The Captain. The Captain is merely a costume or a nickname James wears knowing full well of the man he is underneath those perceived images of him. James is a coward. James is obsessed with Anthony. His heart has bled so much he has to rely on the small amount of attention from someone so he can carve it out and then offer it to those people who attention has been wasted on him. Ben is an amazing actor and writer who threads things together so subtly and sneakily it's insane. James won't let go of the military mindset, just incase he meets Anthony when he moves on. He thinks that no one will fall in love with the present him so he tries his best to act like his old self. Ben is right. You certainly are a fool, James. But oh, how I love your character.

[she-posts-nerdy-stuff]

It’s one in the morning let’s talk Six of Crows analysis - it feels like it’s been ages since I did any analysis, which is like the entire point of this account so sorry about that but here we go: We should talk more about Adem Bajan you guys okay because first of all he effectively comes to represent the vast majority of everyday people in a clear juxtaposition to both Inej and Van Eck, but he also is in a position of far less choice than I think we give him credit for.

As a reminder, Bajan is a young Suli boy (presumably somewhere around 19 but we have no confirmation of that) working in the Van Eck household teaching Alys music. He is highly implied to be having or to have interest in having as affair with Alys, and was Van Eck’s chosen jailer for Inej at the beginning of Crooked Kingdom. Van Eck claims he made this choice because he thought “a Suli boy would be most conspicuous” when he was attempting to lure Kaz into a trap to save Inej, but it was also an inarguably smart decision in that, as Inej even comments herself, Bajan was easy to talk to, made her feel nostalgic, homesick, and alone, and very nearly succeeded in drawing information out of her without having to restore to torture. If anything, resorting to torture was Van Eck’s major mistake at this point but that’s really a conversation for another time. Bajan is a really interesting character because he doesn’t want to hurt Inej and specifically encourages her to tell him things so Van Eck won’t escalate things further, but when Van Eck does escalate things Bajan is unable - or possibly unwilling - to stop him. For this Inej calls him a monster, and when he claims he did nothing replies “no, you’re the man who stands idly by congratulating himself whilst the monster eats its fill”. She draws a Suli phrase on him that effectively means he’ll be rejected by the community forever and his spirit/soul won’t be accepted, and she describes it as the worst fate or something along those lines sorry I can’t remember exactly. But what’s the most interesting thing is that even though he claims not to believe in any of it Bajan gets noticeably upset by this and says “that’s not fair”. Inej is surprised that he’s this soft, and there’s a very clear juxtaposition between the lives they have lived.

BUT - let’s look at this from Bajan’s perspective. And remember - this is important - Bajan is not described as an employee of Van Eck’s, but an indenture. An indenture. So Bajan is a young boy indentured in a foreign country to a man as high up in the country’s government as you can get and who has clearly been illustrated to the reader as a terrible person on several different levels that I won’t dissect in too much detail right now. He appears to have acclimatised himself to Kerch surroundings and acts with elevation above his status, because that’s what he has to do to survive in the upper echelon of a deeply classist society that actively diminishes and disapproves of his culture. (<<if anyone wants references for that let me know and also I’ve written about it quite a bit before so that’s kicking around on my page somewhere) He refuses to speak to Inej in Suli because “it makes me maudlin” and my question to you is: is he rejecting the language to further attempt to fit in and as a product of internalised prejudice, or because it’s so incredibly painful to be half-connected to a culture not only that he has forced himself to reject but also that he feels he can never safely return to? Probably both. He tells Inej he doesn’t believe in Suli superstition, religion, or culture, and yet is deeply upset when she uses it against him. Is this because he actually does believe, or wants to believe, in the Saints and the Suli interpretation of them but has rejected them for survival and the supposed betterment of himself? Possibly.

Bajan strikes me as very similar to Jesper in the way he presents himself as free, flirty, and casual, but had a considerable weight to almost everything he says and considerable pain hidden closer to the surface than he may have realised. I think there are parallels between him and Inej if we want to see them, but also a very stark difference in the way Kerch and Ketterdam have treated them. Bajan may not be privileged but even as an indenture he has - or at least as far as we know has had - a far safer and kinder experience than Inej has. This could be related to gender since the hyper-sexualisation of Suli culture is mostly centred on women - “the Menagerie always stocked a Suli girl” (I’ve intensely analysis this quote before so I won’t now but ugh there’s so much to say) - but we do know there are young boys captive at the pleasure houses as well although less commonly and it’s also possible that this difference is linked to Bajan’s decision to turn his back on Suli culture in order to appeal more to Kerch society whilst Inej continually embraced her culture and arguably became more religious in response to her experiences.

This is complicated because I’m not entirely sure how I feel about Bajan. I understand and support Inej’s perspective and everything she saw whilst in a far more dangerous position that he was, but is it possible that this was a lonely boy who saw someone he thought was like him and tried to communicate with her the only way he thought was safe? You are completely isolated in a foreign culture and hate yourself for having suppressed your own upbringing in order to survive, but now you meet someone else who yes, is in more danger than you, but who you might be able to help so that she can help you in return. You aren’t safe to speak freely and so you subtly tell her that you are an indenture, hoping she acknowledges that none of this is of your free will and because you know that she was indentured too (and remember from a societal pov there is very little understanding of what indentured girls at the pleasure houses actually go through and although that doesn’t excuse ignoring Inej’s trauma it may explain why he doesn’t fully acknowledge that their positions aren’t equal), you tell her that speaking your own shared language makes you feel maudlin, hoping she realises that you desperately miss your homeland and using your language makes you feel even further from your family than you already are because you can’t share it with them. She doesn’t seem to be taking any of it in, your employer has every intention of hurting her and you don’t know what else to do, so you make a last plea: you ask her about home. You think you’ve already made it clear that speaking about home is painful, so you ask her about it to invite that pain, to share it, so you both understand. But it fails, because she only sees your employer puppeteering you. You openly beg her to tell him the truth so that he won’t hurt her but she refuses to comply, and after all of your efforts and your desperate attempts to connect and beg her to help you both go home, her response is to turn your home against you and banish you from it for eternity. So when you see her the next morning, how could you possibly look her in the eye?

Bajan did not make all of the right choices in his brief time on the page. He didn’t. But maybe he was trying really hard, and he had no other options left.

Anyway I’m not saying this is definitive one way or the other it’s just an interpretation but I find him a very interesting and very sad character and I although I support all of Inej’s actions in these scenes from her point of view I do find myself wondering how she appeared to Bajan and how he felt in the aftermath.

[drieddpetals]

(i feel like analyzing stuff again so here we go) kaz is smart because he knows people. he loves puzzles, loves locks, loves taking things apart to figure out how they work. he says in soc that you figure people out like you figure anything else out, by taking it apart. kaz is smart because he finds enough out about people to make assumptions.

he knows what people will do, and often times it leaves the ones being duped going "how did he do that? how did he know?" kaz never truely knows something will 100% happen, he's just assuming it will and is almost always right.

in the begining of soc, when the crows are breaking matthias out of hellgate, kaz assumes wrong, though. he knows that jesper has a reputation for being late, so he assumes that jesper will take to the task of releasing the animals like he will anything else he does, and be late doing it. he has, in some sense, taken jesper apart. he knows what jesper does, and he plans around this assumption, however ends up being wrong. nothing extremely consequential happens because of his assumption, but it proves that kaz will assume things with confidence.

a huge aspect to why kaz is so successful in his planning and overall schemes is because he knows how to make a good assumption. he has inej gathering him intel, which enables him to make such confident and correct guesses about how people will act.

one instance of kaz's assumptions being correct is the whole geels and 19 burstraat situation in the beginning of soc. when kaz threatens to burn down geels' lover's home, geels could have not cared, could have shot kaz right there, but he didn't. geels doesn't, and kaz continues very boldly facing him. why? because kaz knows how geels will act.

another instance is in ck when kaz kidnaps alys and uses her to get inej back. at this point, kaz knows how van eck will act. van eck has already duped kaz once, and i imagine after this one of the things kaz does to insure it never happens again is over analyzing and taking him apart. it works in this instance, because kaz has already seen how much van eck cares about a "worthy heir," and alys is literally holding that. kaz has taken van eck apart, and had figured him out enough to make a bold and correct act based on assumption.

all this to say, kaz thinks and thinks and thinks and is always thinking and picking everything apart, and that is the key to why he can get away with everything he does. and maybe one day his assumptions that make him so smart will fail him, and maybe one day they'll be fatally wrong.

[kazcreates]

The Crows and Fevers

Kaz was always a sensitive child. Although fevers meant getting out of chores on the farm, they made him emotional and upset. It’s even worse after the plague and losing Jordie. From the second the chills set in, Kaz is on edge. The higher his fever, the worse the flashbacks get, delirium mixing with delusion and sending him back to the harbour. His immune system sucks so bad that he’s bedridden almost every time, despite the fact that he’ll try his hardest to work through them. Kaz despises fevers, in himself, but in others too. When those close to him develop a fever, he has to resist every fiber of his being screaming at him to get away from them. He can’t afford to catch anything. He can’t bring himself to watch them suffer. But when he’s healed some, he takes care of them. Watches over them at the very least, even as his hands shake inside his leather gloves.

Jesper also has a negative relationship with fevers. Although he never got them even as a child, being Grisha and all, he can’t stand the see them in other people. Watching those he loves reduced to a shivering and weaker version of themselves, it reminds him too much of sitting by his mother’s bedside as the poison coursed through her veins. He tries his best to be helpful, makes sure that they’re hydrated and at least eating a little, but he paces constantly, tries to distract himself from the memories that itch inside his mind.

Inej doesn’t mind fevers. She doesn’t enjoy them by any means, but she gets over them fairly quickly because she actually allows herself to take adequate time to rest. She doesn’t push through stubbornly like Kaz, and she doesn’t have many negative memories attached to sickness as the others do. She chides Kaz into taking care of himself when he needs to, sometimes going as far as threatening to tie him to the bed if he won’t lie down of his own accord.

Wylan has a strange relations with fevers. When he was younger, being sick meant a break from pointless and frustrating lessons trying to teach him to read. A fever meant rest, meant that he would be taken care of. His earliest memories of being feverish involve his mother, running her fingers through his hair, brushing a cool cloth over his face. Once things took a turn for the worst, sickness meant being lonely, ignored, locked up in his room. Which really wasn’t all that different from usual. But there was no one to take care of him, so he had to learn to be self-sufficient. Once he’s with Jesper and the crows, a fever would mean trying to hide the fact that he was sick as not to inconvenience anyone else. After all, he could take care of himself. (Jesper teaches him how to allow himself to be taken care of again.)

Nina, up until her run in with Jurda Parem, is unfamiliar with fevers. No one in the Little Palace ever got sick, and as a Grisha herself, she was never really around sick people. She’s been trained how to soothe fevers during her Corporalnik training, and practiced it a few times on First Army soldiers. Fighting off her addiction to Jurda Parem was her first interaction with fevers herself, and she was not a fan of it.

Matthias was taught to work through fevers, during his time in the druskelle. Something as fickle as being sick was not allowed to slow you down when you were dealing with dangerous Grisha. He views them as more of an inconvenience than anything. He works through them until he has time to rest, then he takes care of himself. He’s very independent, because there was no one to take care of him in the druskelle. He was a soldier, not a child.

[karmaspidr]

Do you think theres more to vengeance clover than simply being a genocidal maniac?

Absolutely.

Clover's killing spree is motivated by his desire to deliver 'justice' to Monsterkind for what had happened to the Fallen Children but it's even deeper than that.

At the beginning of the Neutral Run Final Boss, Flowey revealed that he had Reset Clover's journey hundreds of times, each run ending in Clover's death with potentially even more in between. Can you imagine that, dying hundreds, maybe thousands of times but being unable to remember it?

Except, Clover definitely remembers. He can learn from previous runs, doing better each time and making different choices despite Flowey's insistence that he shouldn't remember anything. If a Monster can experience deja vu after a Reset, then a human like Clover would remember much more.

All that trauma, buried deep within Clover's subconscious, waiting to be let out. Eventually, that anger was released in the form of the twisted justice that we know Vengeance Clover for. He marched through the Underground, hunting down dangerous Monsters, potentially not even releasing that he would have never even considered something like this a few hours ago.

But despite the pain... despite the anger, suffering, trauma and corruption of Clover's morals, he still keeps a sense of honour. He doesn't attack Monsters that do not threaten him. He (in most instances I hope) honours Starlo's duel. He spares Martlet not once but twice. He even searches Zenith Martlet's memories not to find a weakness but for a reason to kill her.

And most notably, he fulfils the mission. Clover could have simply left the Underground, with no King and dozens dead. Instead, he takes the time to free the souls of his brethren, the reason he jumped into the Underground in the first place. The Axis fight alone proves to us that he cares deeply for his fellow humans. That devotion may have even been strengthened because of the pain that Monsters caused him.

Many people see Vengeance Clover as a mass murderer with extremist ideals.

What I see, is a kid with dreams of being a hero, tortured by a false god and Monsterkind's inability to see the errors of their ways. A kid who was forced to compromise his morals for the sake of survival. A kid who, despite the pain and suffering, still shows signs of goodness. A kid who became the very thing Monsters feared.

Humanity's Vengeance and Monsterkind's Punishment. True Justice.

That is who Vengeance Clover is.

[sunsis]

We don’t talk enough (or at all) about Jesper and Matthias’ short-lived but very fascinating dynamic. Matthias canonically was one of the few people (the only others being Inej and later Wylan) that see through Jesper’s devil-may-care mask in a way that not even Kaz did.

Matthias had enough time by this scene in Crooked Kingdom to develop as a character and wrestle with his prejudices and self-righteousness through not only his relationship with Nina but with all the crows, and likely saw part of his old self in Jesper. An angry, scared boy that is doing everything he can to hide it, taking it out on the wrong people and/or coping in the unhealthiest ways to avoid facing his feelings of grief, guilt, and fear. And it does nothing but make him more unhappy and anxious.

Matthias is completely right too. Jesper is angry and frightened. He’s angry at his mother for sacrificing herself for the sake of another child when he was a child that needed her, he’s angry at himself for betraying his dad’s trust by dropping out of college and joining a gang, he’s angry at himself for breaking Kaz’s trust, but at the same time, he’s angry at both his dad and Kaz too. Colm for teaching him to hate himself for being grisha and repress a gift that could have been used to better their livelihoods rather than gamble it away, and Kaz for both manipulating and enabling Jesper's self-destructive ways for his own goals, as well as being an emotional black hole that refuses to fully trust and confide in Jesper the way he does Inej.

And on top of all that, he's scared of and angry at this cruel and unjust world they live in that makes life so unsafe for grisha like him and Nina, for young women like Inej, for boys like Wylan and the kid Kaz used to be. There are so many parallels between all the characters, but Matthias with his misplaced anger at grisha is the only one that resonates with Jesper's inner turmoil, that not only sees but quietly accepts Jesper and his flaws, and encourages him (albeit bluntly) to face his demons so he can accept himself too.

[keepyourpantsongohan]

While we're talking about Naruto and JJK parallels, I think in the Stupid Alignment Chart format, Kakashi and Nobara hold the exact same type of stupid, which is neither lawful stupid, neutral stupid nor chaotic stupid. I like to call it Stupid Soluble. It's that they will asborb the stupidity genre of whoever they're nearest to at the time

[posletsvet]

I had another one of those thoughts that are bordering on slightly delusional.

Chances are it's already been pointed out by someone before me, but. How come Geto's body reacting to Gojo calling out to him was 'a first' for Kenjaku? Did they only ever choose those who happened to have no loved ones that would want their person back? But we have Itadori's parents, and they deeply loved each other and didn't stop loving till the very end. Is the bond between Satoru and Suguru really so strong as to surpass the one between a happily married couple? And then it sort of struck me that perhaps it's the first time Kenjaku so openly and directly violates their host body's will.

I like to entertain the thought that Kenjaku is not at all detached from human connections and emotion. While they are capable of seperating their conscious from the experience that comes along with the body they're inhabiting, this experience is still an intrinsic part of that body. All romanticization aside, one's personality is dictated by one's physiology. Our feelings are something biological, a network of interconnected structures and chemical levels within our bodies. Who we are is engraved upon our hearts, in a literal sense. To quote Kenjaku themself, 'The body is the soul, and the soul the body'. If it were otherwise, they probably wouldn't be able to mimic various people's personalities so accurately and convincingly as to fool their closest friends and family.

So maybe Kenjaku does feel their host's lingering emotions and is to some degree influenced by its impulses. Maybe while in Kaori's body they did feel the love that remained in her for Jin, did feel the body's budding affection towards a child it gave birth to, did have some maternal instinct. But knowing full well those feelings are but a product of their current body, I imagine they have a far better grasp on them, too, and treat them as tools at their disposal, just sometimes indulging in what the body tells them to do. In Kaori's case, I think they could afford to go with the flow more. They felt the body's urges and responded by acting upon them -- because why not? They're an epitome of 'mess around and find out'.

With them taking over Geto's body, it's different. They're no longer eminence grise operating from the shadows, they've entered the game they'd been orchestrating for so long. Now they're truly proactive, and no longer being under disguise they're more themself than ever, too. And it directly contradicts with the person Geto is (or was). We do not yet know what Kenjaku's true intentions are, but it's unlikely they align with what Geto would want to put his mind to.

And Geto never wanted to do any harm to Gojo. In those ten years, never once did he make a move directly against him. Meanwhile it's an inherent part of Kenjaku's plans. So when it comes to it, Geto's very nature, those tiny glimpses of him still lingering somewhere within his body, cries out against it.

Caring for people around him was Geto's defining trait, and his body still carries those attachments, that love. Responding to Gojo is an instinct his flesh still remembers. Trying to protect him is engraved upon Geto's muscle memory. Kenjaku's actions are essentially at odds with all that, so that puts the body and the soul in discord -- and they clash eventually, getting out a reaction from otherwise dormant and inanimate flesh. No wonder Kenjaku calls that poetic.