#certain amount

[cartoonsinthemorning]

Girl Help, I can't stop thinking about Stan's drifter years

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[bamsara]

AHA I learned how to make home made pins (which are stored on this piece of foam for now until I can get or craft a display to put them on)

Some came out warmer tinted than I intended and a few of the Chica cup handles broke but I had fun with it. I applied a sealer to protect them from weather and water but might switch to resin, but resin is also expensive so depends. I might sell these in sets but the ones with some errors will be b-grade discounted obviously. I have other designs as well but haven't tested those yet

[typenull]

this includes all ranges of physical sensation, from pain to pleasure to general touch

[biggest-gaudiest-patronuses]

i am thinking how much poorer, how much less colorful the world would be if art was only made by "professionals." if all the music, all the stories, all the sketches & paintings & craftwork of the world was created only by the small category of people able to make a decent living from their art. imagine if the only people allowed to create were the experts & the renowned & those aspiring to the top. what a grey world that would be. how much joy would be bleached away! i love you people who create for the sake of creating, i love you artists who do art for tiny audiences, i love you people who make things even just for one person, even just for themselves, even if no one's watching, thank you thank you thank you for decorating the world in which we all exist

[poorly-drawn-mdzs]

Breaking Bread, and Spilling Soup.

[Bonus art]

[First] Prev <–-> Next

[pianokantzart]

"He's afraid of everything. He's a little awkward, every so often he gets a little aggressive... he's very complicated."

Hearing Matthew Fogel describe Luigi like that, plus some of the expressions in the concept art, has me hoping that at some point (in a very reasonable set of situations) Luigi's going to snap Charlie Kelley style.

[danceinthunder]

Can you imagine how flustered James would be when he and Regulus start dating and Regulus starts actually being really affectionate and soft with him?

Like of course Regulus still teasingly bullies him (it’s one of his love languages and James loves it dw) but when he starts also complimenting him and giving him random hugs and stuff? James would melt and blush and not know how to respond.

And Regulus would love the fact he can shut James up better than anyone so he’d just do it all the time. Everyone round Hogwarts would be so confused about how The Regulus Black, who seemingly only had two moods: indifference and annoyance, suddenly started being so sweet and soft to James Potter.

He’d chase him down the halls when he forgot a textbook in his room calling for his “Sunshine” and James would be speed walking away blushing the entire time but absolutely adoring the attention at the same time.

[independent-fics]

Sending the Kids Off to Fight Crime With Even More Crime

Leverage (2008-2012)

The Juror #6 Job

[tooquirkytolose]

There's a public park across the street from our house and they recently tore down the playground to build a new one and theres nothing like looking out your kitchen window and seeing a bunch of grown men in safety vests take turns testing out the new swing set

[qursidae]

Rejoice !! The lingerie piece is done 📣

You can pay what you want here to see the N*FW version ;)

Also bonus protag reactions to their ladies:

[Carrd 🃏]

[delicourse]

rare dog among sheep and whatnot

[coloredcompulsion]

Mithrun being a mostly autonomous disabled person with caretakers is incredibly important to me, building up routine habits in order to "fully function" while also still requiring help is so real tbh

[ratwithhands]

A few days ago I woke up bleary eyed, sat down at my computer, and spat this out.

Mostly just a bit of goofy sketching but here's magical boy (magical man?) submas

I'm not gonna flesh this out a whole bunch since there's not much I can really do with it, but some rough notes:

Both of them have two soul stones, one in the hat and one in the staff. In their base uniform, the staff's stone is on the back of their gloves, separating when activated

They're only able to activate their abilities when they're with each other. Though they can both separately fight and return to normal, they need each other to begin the reaction and use their powers. Should one of them go missing, the other will not be able to use their abilities

The stone can be removed from the staff, returning to the hand if it is. The purpose of doing this is to replace it with a pokeball, allowing the staff to channel the pokemon's moves along with its standard attacks (electricity for Emmet, fire for Ingo)

Ingo and Emmet can trade (or steal) clothes mid transformation, switching pieces or entire uniforms. Emmet will typically borrow Ingo's darker gloves and boots if he expects to get particularly violent in battle, while Ingo usually takes Emmet's white accessories since he finds them more classy than his full black uniform

They are able to float in their magical forms, mostly using the levitation to run loops around their opponents and pressure them from all sides

The only opponent is literally Team Plasma, this power is reserved solely for beating grunts, sages, or Ghetsis should they ever cross paths (technically the code is to defend the world from evil but for any other issue they'll either settle it normally or with pokemon battling)

This was mostly for shits and giggles but I hope you enjoy 👍

[doggirlhen]

the thing is you have to get a good grade in being an art commissioner. you cannot be a bitch when paying for art. you have to be patient and nice. i have not been perfect in my years of paying other furries for art of my funny animals but i can, with confidence, say ive gotten a good grade. artist friends of mine agree im awesome and fankly the Keys to being Awesome at being a commissioner are just like. being nice and recognizing artists arent machines. theyre people who have their own lives and are not infront of their tablet drawing for everyone 24/7. youll find them posting about some game or movie when youve been waiting three weeks for something and thats fine. youll find them having difficulty getting something exactly like how it is in your brain because, like all people, they cannot read your mind. you gotta have everything ready and upfront and be ready to answer questions. its fine to be a little nitpicky and a little "sorry im not quite sure on this pose, could you do X Y and Z" and not be an asshole about it. after a certain number of "can you do X different" you have to realize its either not going to be exactly how you want it to be or the artist is going to want to kill you with hammers. and thats fine. i think artists have every right to want to kill you with hammers.

[notebooks-and-laptops]

I am once again imploring people to stop claiming that the companions and factions needed to be sanded down compared to previous games because otherwise there would have been Discourse. I am imploring you to stop thinking that any world (real or fictional) needs to be smoothed down and made simple to make others comfortable. I am asking you to think about what that implies when the 'softening' relates to things like characters cultural heritage, systematic oppression they've experienced, their trauma or even their anger. Demand better from your stories; do NOT fall into the trap of thinking that fan Discourse and Bad Reactions should be avoided at all costs. This is Not something we want to be encouraging or a direction we want all our mainstream media to head in.