#celebrity meet up

[vultures-yay-or-nay]

I didn't catch it on my first watch but Evan tells Sam, "It's been a couple weeks," which means they meet up probably pretty regularly 🥹🥹🥹

I feel like Sam and Evan one-on-one is something we haven't seen but it's canon and I'd love to see more of it

[thepersialionheart]

My first and (probably) only headcanon for haikyuu is that no one can tell if Kageyama and Hinata are dating or not.

This is something which has most likely been said before but I still want to add onto it.

Are they Flirting or fighting? No one knows. There have definitely been fists involved and one time Ennoshita may have hallucinated when he heard Kageyama whisper that he was going to have his way with Hinata once they were alone. Maybe it just meant that they were going to fight more, that Kageyama was furious with Hinata and wanted to give him a piece of his mind, so the team were now all on watch duty until the end of the day, always making sure Hinata and Kageyama were never alone.

At the end of the day, before anyone could say anything, the two bolted out of the door and ran off without more than a quick "bye".

(They ignored the frustrated glares both Kageyama and Hinata gave them during the day. They definitely ignored the suspiciously placed bruises on each of their necks the next day. They must have fought a bit too much.)

A bet has been going round the Volleyball teams about whether or not they are together. A bet which Yachi and Kiyoko started amongst the Karasuno players and then the managers of other teams. Except, the players of their teams caught onto it and it has been going strong, even after Hinata went to Brazil. Especially after the Adlers vs Jackals match where most people decided against it.

(It is suspected that Yachi actually knows whether or not they are dating, but no one has gotten her to crack just yet. From the way she smirks whenever someone asks, no one will anytime soon.)

Oikawa is firmly against it, not because he doesn't believe they could ever be together, but because they are both idiots who don't know anything more than volleyball (and each other). Some agree with him.

Kenma is one of the ones who have put his money (and a lot of it) on them being together. There is too much chemistry between the two idiots that even they couldn't ignore.

There's another bet amongst the ones who bet for them being together. When they got together. Kenma says since the end of first year. He seems to know something the orhers don't know. Bokuto likes to think that they confessed just before Hinata went to Brazil and became long distance star crossed lovers. (Akaashi told him to stop being stupid (and then bet alongside Kenma)).

Surprisingly Tsukki is the one to bet on them being together since after the first training camp.

Yachi stayed out of this one. (She knew. She definitely knew.)

Yet even when Hinata and Kageyama become aware of the bets (actually they have been aware of them for years but they won't mention that just yet) they just shrug their shoulders and tells whoever is asking, "We're partners. Even when we're not on the same team."

Oikawa decided to shift his money to the other side, betting that they got together after the Adlers vs Jackals match.

But it was still unclear.

Even when Kageyama and Hinata moved in together, when people stayed over they thought it was just courtesy that one of them would give up their room and bunk with the other. Even when they touched or fought playfully, the others couldn't tell if that was actual affection or just Kageyama and Hinata being Kageyama and Hinata.

It took winning an olympic gold medal together for the truth to finally come out. After the Japan team won, everyone was on a high. In the heat of the moment, Hinata and Kageyama drew each other in for a bone crushing hug, whispering sweet nothings to each other as tears of joy spilt out of both of their eyes.

Their foreheads touched. Suddenly, it was like the entire court was quiet. It wasn't long before lips met and cheers erupted around them.

In an interview later, the both of them would be asked about their relationship.

"We've always been partners. We just thought it was time the rest of the world knew."

The only problem now was, when asked about when or how they got together, both Kageyama and Hinata would be vague. Perhaps they would mention a detail about how they confessed to each other. Yet, no one could tell when exactly it happened.

What they did let people know was that Oikawa was most definitely wrong about his guess and he could go suck it for thinking they were idiots who would take so long to realise their feelings for each other.

[sometimesmaybespoof]

When she Half on my Life till I 2

[darthbenn]

sometimes you meet your favorite actor in the grocery store parking lot after working outdoors in Vegas summer for 12 hours

The rumors are TRUE: MATTHEW GRAY GUBLER IS THE NICEST HUMAN BEING ON THE PLANET!

[souenkun]

Pokémon Masters EX spoilers ahead!

Kabu likes to play TAG with his pokemon... and he's shown to have a much softer side beneath his strictness in pokemas too... he's so grandpa-shaped to me 😭💖

[hopehartz]

You are Everything.

[somnas-writes]

Sharing my writing on this website feels weird but

Imagine an Azriel that doesn’t exist. He’s a ghost in the eyes of the world, he isn’t known publicly, by the courts or even by his closest friends.

His job is the night courts spy, his job is to be sneaky and unknown, so why would he be a public figure? Why would there be records of his existence?

There are rumors about a male made of shadow, it’s a horror story maids tell the children of lords, so they behave. It’s an urban legend among the higher fae, the night courts monster that has no problem going undetected through your wards.

The high lords have a suspicion that a shadow spymaster exists, but they’ve never seen him nor do they have any proof.

Azriel who makes appearances as often as the planets align, whose existence is only confirmed to the Inner Circle of the night court. Even then, they rarely meet face to face, only relying messages through letters and notes.

An azriel who doesn’t exist, but desperately wants to.

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[nixie-deangel]

make me write 📝

send me an emoji for one of my WIPs and i’ll write three sentences for every emoji you send :)

Rules: You may send in multiple asks per day (though I may be slow to answer them!), but please no more than 3 emojis to an ask that you send in.

I will be taking emojis starting now until the 7th of October. Let's see if we can't help a Nixie get some good progress on the WIP list once again! 💜💜💜💜💜💜

My Main focus this weekend are the following:

🔥 virgin jake - hangster I know this was the most voted one but y'all, I gotta be honest. I'm so lost and confused by this one, that I'm gonna pump the breaks until I figure out the direction for it. sorry!!!

🍼 non navy bradley/fighter pilot jake as parents - hangster

🍷 Jake's family causes the hangster break up

💐 serial killer Jake - hangster

🐺 shifter au - hangster

💜 But bonus WIP's I will also take emoji's for:

🦇 vampire jake/human bradley - hangster

😈 Kinktober - Virgin Jake

🥰 Kinktober - Virgin Bradley this one is mostly finished, so no longer taking requests for it!

✨ Retired Bradley, Jake climbing Command

🤠 music producer Bradley x rancher Jake

👀 B&B, Celebrity Bradley, handyman Jake

[crescentfool]

the persona 3 protagonist 25th anniversary nui in food appliances!

[itspileofgoodthings]

I have an encyclopedic knowledge of both Taylor Swift the artist and Taylor Swift the celebrity. I have different feelings for both. I don’t actually know Taylor Swift the person, at least definitely not in full. I want to discuss her with practically no people but especially not haters or people just getting into her who don’t know what they’re talking about. Frankly.

[pergaminaa]

I previously wrote that Manon is a Scorpio and if I want to narrow it down to a specific date I’m 100% sure she’ll have an iconic birth day because it’s Manon (it’s unintentional on her part tho) so I’d say she was born on November 11

Dorian strikes me as a Leo because of his personality. Unfortunately for him, he has a normal birth day so I’d say he’s probably born on august 16

[happy10thousandyears]

Yearly enkidus for my bestfriend! (2024, 2023, 2022, 2021)

[michyeosseo]

I am always indebted to you.   – It will cost quite a lot.

Honey Lee and Yoon Sa Bong as JO YEO-HWA & JANG SO-WOON

KNIGHT FLOWER (2024)

[theconceptofsummer]

One thing i adore about being a dan and phil stan in 2024 is that the lore is So Deep. Like every new video they mention a random topic offhand and you get hit with a two second video clip from 2015 that is somehow relevant. Truly unrivaled lore

[ambagel]

Grandma Felmier it is an HONOR ma'am