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riality-check · 1 year ago

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The eagerly awaited part 2 of the DILF!Steve concert saga is here!! Part 1, in case you missed it.

"You're not going."

"Come on! I haven't thrown up in an hour!"

"The drive to the venue is an hour and a half."

"Steve-"

"And if you throw up in my car-"

"Oh my God-"

"I'll kill you."

Steve doesn't need to see Dustin's eye roll in order to feel the full force of it through the phone.

"I'll just kill you. You'll have a headstone within the week that says Here Lies Dustin Henderson: Rightfully Murdered for Puking in Steve Harrington's Car," he continues as he packs Capri-Suns into the cooler for the car ride.

He doesn't remember ever being that thirsty as a kid, but if Anna wants strawberry kiwi, Anna gets strawberry kiwi. It helps that it's Steve's favorite flavor, too.

"I'd need a big ass headstone to fit all of that," Dustin snaps.

"Your big-ass ego would demand no less, shithead," Steve shoots back.

"Swear jar, Daddy!" Anna calls from her room, across the house because while she doesn't listen to Steve when he's right in front of her, she can hear him break the swear jar rule from halfway across the world.

He zips up the cooler, fishes a quarter out of his pocket, and throws it into the half-full soup can next to the stove.

(A quarter doesn't mean much, but Anna doesn't know that. The day Steve teaches that kid about inflation is the day his pockets become permanently empty.)

"Did she just swear jar you?" Dustin asks from over the phone.

"You baited me into it."

"I did no such thing."

Steve rolls his eyes. "You're not coming, though, are you?"

Dustin sighs, and, for all his teasing, Steve does genuinely feel bad. "I still feel like if I breathe wrong, I'll hurl, so, no. I don't think I'll manage the car ride, nevermind the actual show."

"Sorry dude."

"Don't be. Some dickhead will live stream the whole thing on Instagram, anyway. I'll live vicariously through them."

Steve snorts and picks up the cooler. He got Anna dressed beforehand, so it's just a matter of getting her to stop playing with whatever toy she dug up - Play-Doh has been the fixation of the week - in her room so they can go.

"Besides," Dustin continues, and Steve hates where this is going. "Anna loved the show, and you've got a reason-"

"Nope," Steve says, knocking on Anna's door. "Don't finish that sentence."

"All I'm saying-"

"I know what you're gong to say, which means you know my answer. I don't date."

Anna opens her door. From the little Steve can see inside, there are at least three containers of Play-Doh open and strewn across the floor. He thinks her Barbies are involved in it somehow.

"Time to go," Steve says, and he thinks, Please don't let there be Play-Doh in the Barbie hair.

"Five more minutes," Anna tries.

"Nope. Clean up and roll out."

"Hi, Anna," Dustin says through the phone.

"Uncle Dusty!" Anna shrieks, and she starts jumping up and down. "Are you comin', too?"

Dustin sighs, and Steve can't tell if it's at the nickname or if he's still cursing the universe. "No, but you and your dad have a great time, okay?"

"Can you, can you tell Daddy I should get five more minutes?"

Steve raises his eyebrows at her. Anna, to her credit, ignores him wonderfully.

"If you clean up," Dustin says, because he's actually Steve's favorite person right now, "you get to do more headbanging at the concert."

Anna gasps like Steve didn't already tell her that earlier today, and she gets to work on putting her toys away. Steve helps, of course, and he finds that there is, in fact, Play-Doh in two of her Barbies' hair.

Fun. They're going to turn into Buzzcut Barbies when Anna goes to sleep because he can already tell that they are the furthest thing from salvageable.

But that doesn't matter right now. What matters is getting Anna in the car, deploying the first two of many strawberry kiwi Capri Suns from the cooler, and making the drive to the venue, which Steve does with minimal road rage and accompanied by the Disney radio station.

Success by all metrics, really.

Dinner might as well be now, so Steve shells out a truly disgusting amount of money for overpriced chicken nuggets and fries at the venue. Anna will only eat half her portion but say she's hungry later, but that's what the snacks and water Steve smuggled in via his jacket are for.

They get to their seats, dinner finished up, just as the lights go down for the first opener. Steve looks to his left, half-expecting Eddie and his friends to be there before remembering that they won't be.

He tries not to feel too disappointed. He fails miserably.

The seat next to him, however, isn't empty. There's a note taped to the back of it, one addressed to Steve and Miss Anna, so Steve feels alright taking and opening it.

At the top, there's a messily scrawled phone number. Underneath, it says:

Here's my number. Probably a bad idea to call with all the noise. Texting works, though you should do that after the show. I'll be a little busy until then.

-Eddie

Steve puts the note in his pocket, puts Anna's ear defenders on, puts his own earplugs in, and looks at the stage, where-

Hang on.

He squints at the stage, where four guys have started playing a song that, frankly, sounds too much like literally all the music Steve listened to yesterday for him to care about all that much. The drummer is pretty small, with wild, curly hair. The bassist looks familiar. The lead singer, who is very talented but not to Steve's personal taste, also looks familiar. And the guitarist-

No way. No way in hell.

It's a total coincidence. Lots of guys have long, curly hair and heavy jewelry and big eyes and are wearing formal wear, for some reason, and catch Steve's eye, and-

"Thank you for such a great welcome!" the guitarist says, and his smile totally isn't doing anything to Steve, thanks very much.

Anna stops moving, where she's standing next to Steve, and climbs up into his lap to get a better look at the stage. She looks out, then back at Steve, then out, then back at Steve, making a face as confused as Steve feels.

Some days, he thinks he ended up with a clone, not a kid.

"I'll get off the mic in a second. I only do the talking because Jeff," the guitarist points at the lead singer, who ducks his head, "is really shy."

Jeff. That name is definitely relevant, but Steve is a permanent resident of denial.

"We fought about what song we were going to include next in our set list, so much so that we didn't decide until yesterday and had to consult a tiebreaker."

Okay, maybe Steve is a less permanent resident of denial than he thought.

"So, thank you to Miss Anna, who did great at headbanging for her first time-"

Anna whips around so fast, her forehead nearly collides with Steve's jaw.

"And to Steve, who's a big fan of American Psycho."

At the song name, the crowd loses their minds, and if Anna wasn't sitting right in front of him, Steve would join them.

Because what the fuck is happening right now?

His question isn't answered. In fact, about five more questions pop up in its stead when, during the bridge of the song, Jeff puts on a clear rain jacket and picks up a prop axe.

Please, God, don't let this traumatize my kid, Steve thinks.

Anna, thankfully, doesn't get scared. When Jeff brings the axe down, again and again, Steve's weirdo daughter fucking smiles. And giggles. It's kind of cute, actually.

When the song ends, she turns back to Steve.

"That's Eddie onstage," Steve says, and saying it, somehow, makes it real.

"I thought so!" Anna says, and she turns back to watch the show. Steve puts an arm around her waist so she doesn't fall off his lap when she bangs her head to the music.

The rest of the songs, in Steve's opinion, are better than the opening song. They're more melodic, which Steve can definitely get behind, and each of them has a gimmick onstage, all based off of various horror movies. It's ridiculous, but also really, really cool.

And Eddie, onstage, because it is the same guy who flirted with him and was so sweet to Anna yesterday, is really, really hot.

Steve has never had a thing for guitarists before. He's never had a thing for musicians before. Hell, until a year ago, he didn't realize he had a thing for men.

Eddie is. Uh. Yeah. Really doing it for him.

Steve doesn't know whether it's his enthusiasm, or the way he moves, or seeing his hair tied up, or the fucking dress pants and suspenders, or just his hands, but he does know he has to get himself in check because this is an all ages show and he's here with his daughter.

He already knows he can't add these songs to his grading playlist, not when they're accompanied by visuals of Eddie playing his guitar.

Sweet Jesus.

"Alright, that's our set!" Eddie says. "Thanks, y'all, for sticking around for us, and let's give it up for the next act!"

The crowd, including Anna and Steve, cheer as they exit and the lights go up.

Steve fishes his phone out of his pocket, fully intending to add Eddie's number to his contacts, and is greeted by not one, not two, but sixteen missed calls from Dustin Henderson.

Naturally, Steve calls him back. "Who died?"

"What the fuck?" Dustin yells, and Steve just puts the phone on speaker to save the rest of his hearing. "Did Eddie fucking Munson just personally thank you from the stage?"

"Swear jar, Uncle Dusty!" Anna says.

"Sorry," Dustin says. "But Steve. Answers. Now."

"How do you even-"

"Instagram live. Is Eddie the guy you were telling me about yesterday?"

Steve takes his phone off speaker. Prior experience tells him that this conversation has a less than zero chance of staying PG, nevermind PG-13.

"Yeah," Steve says. "He is."

"The one who flirted with you, and you forgot to ask for his number."

"Well, I have it now."

"What?" Dustin shrieks, and Steve is incredibly thankful that he didn't take his earplugs out.

"He left me his number on the seat."

"Text him."

"I was going to, until I saw that you called me sixteen times."

"Jesus Christ, Eddie Munson was flirting with you."

Steve rolls his eyes and hands a pack of gummy bears to Anna when she taps his arm. "He could have just been nice. I don't even know if he's into guys."

"Have you looked at him?"

"Wow, Dustybuns, I didn't know you were homophobic."

"I think it's the complete opposite of homophobic to try to get you laid."

"Hanging up!" Steve shouts because a part of him will never see Dustin as any older than thirteen, and no thirteen year old should ever say that.

"Text-"

Steve hangs up the call. "Can I have a gummy bear?"

"No," Anna says, mouth full, in her seat, legs swinging.

"I bought them."

She shrugs. "You gave them to me. Mine now."

Steve stares. She stares right back.

He sighs and opens a new pack of gummy bears.

With his mouth full of sweet Haribo corpses, Steve takes out the note and adds Eddie to his contacts. Before he can overthink it, he sends him a message:

I guess I don't have to ask you what you do for a living. Just so we're even on that front, I'm a teacher, and Anna's full time job is preschool.

He tucks his phone back into his pocket and focuses on making this a good experience for Anna, who somehow wormed her way into a conversation with the intimidating-looking couple sitting next to her.

Because it's totally not like a literal rockstar is going to text him back. Right?

Part 3!!

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always-a-king-or-queen · 6 months ago

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The ache will go away, eventually.

That was what the Professor told them, the day they got back. When they tumbled from the wardrobe in a heap of tangled limbs, and found that the world had been torn from under their feet with all the kindness of a serpent.

They picked themselves off of the floorboards with smiles plastered on child faces, and sat with the Professor in his study drinking cup after cup of tea.

But the smiles were fake. The tea was like ash on their tongues. And when they went to bed that night, none of them could sleep in beds that were too foreign, in bodies that had not been their own for years. Instead they grouped into one room and sat on the floor and whispered, late into the night.

When morning came, Mrs. Macready discovered the four of them asleep in Peter and Edmund’s bedroom, tangled in a heap of pillows and blankets with their arms looped across one another. They woke a few moments after her entry and seemed confused, lost even, staring around the room with pale faces, eyes raking over each framed painting on the wall and across every bit of furniture as if it was foreign to them. “Come to breakfast,” Mrs. Macready said as she turned to go, but inside she wondered.

For the children’s faces had held the same sadness that she saw sometimes in the Professor’s. A yearning, a shock, a numbness, as if their very hearts had been ripped from their chests.

At breakfast Lucy sat huddled between her brothers, wrapped in a shawl that was much too big for her as she warmed her hands around a mug of hot chocolate. Edmund fidgeted in his seat and kept reaching up to his hair as if to feel for something that was no longer there. Susan pushed her food idly around on her plate with her fork and hummed a strange melody under her breath. And Peter folded his hands beneath his chin and stared at the wall with eyes that seemed much too old for his face.

It chilled Mrs. Macready to see their silence, their strangeness, when only yesterday they had been running all over the house, pounding through the halls, shouting and laughing in the bedrooms. It was as if something, something terrible and mysterious and lengthy, had occurred yesterday, but surely that could not be.

She remarked upon it to the Professor, but he only smiled sadly at her and shook his head. “They’ll be all right,” he said, but she wasn’t so sure.

They seemed so lost.

Lucy disappeared into one of the rooms later that day, a room that Mrs. Macready knew was bare save for an old wardrobe of the professor’s. She couldn’t imagine what the child would want to go in there for, but children were strange and perhaps she was just playing some game. When Lucy came out again a few minutes later, sobbing and stumbling back down the hall with her hair askew, Mrs. Macready tried to console her, but Lucy found no comfort in her arms. “It wasn’t there,” she kept saying, inconsolable, and wouldn’t stop crying until her siblings came and gathered her in their arms and said in soothing voices, “Perhaps we’ll go back someday, Lu.”

Go back where, Mrs. Macready wondered? She stepped into the room Lucy had been in later on in the evening and looked around, but there was nothing but dust and an empty space where coats used to hang in the wardrobe. The children must have taken them recently and forgotten to return them, not that it really mattered. They were so old and musty and the Professor had probably forgotten them long ago. But what could have made the child cry so? Try as she might, Mrs. Macready could find no answer, and she left the room dissatisfied and covered in dust.

Lucy and Edmund and Peter and Susan took tea in the Professor’s room again that night, and the next, and the next, and the next. They slept in Peter and Edmund’s room, then Susan and Lucy’s, then Peter and Edmund’s again and so on, swapping every night till Mrs. Macready wondered how they could possibly get any sleep. The floor couldn’t be comfortable, but it was where she found them, morning after morning.

Each morning they looked sadder than before, and breakfast was silent. Each afternoon Lucy went into the room with the wardrobe, carrying a little lion figurine Edmund had carved her, and came out crying a little while later. And then one day she didn’t, and went wandering in the woods and fields around the Professor’s house instead. She came back with grassy fingers and a scratch on one cheek and a crown of flowers on her head, but she seemed content. Happy, even. Mrs. Macready heard her singing to herself in a language she’d never heard before as Lucy skipped past her in the hall, leaving flower petals on the floor in her wake. Mrs. Macready couldn’t bring herself to tell the child to pick them up, and instead just left them where they were.

More days and nights went by. One day it was Peter who went into the room with the wardrobe, bringing with him an old cloak of the Professor’s, and he was gone for quite a while. Thirty or forty minutes, Mrs. Macready would guess. When he came out, his shoulders were straighter and his chin lifted higher, but tears were dried upon his cheeks and his eyes were frightening. Noble and fierce, like the eyes of a king. The cloak still hung about his shoulders and made him seem almost like an adult.

Peter never went into the wardrobe room again, but Susan did, a few weeks later. She took a dried flower crown inside with her and sat in there at least an hour, and when she came out her hair was so elaborately braided that Mrs. Macready wondered where on earth she had learned it. The flower crown was perched atop her head as she went back down the hall, and she walked so gracefully that she seemed to be floating on the air itself. In spite of her red eyes, she smiled, and seemed content to wander the mansion afterwards, reading or sketching or making delicate jewelry out of little pebbles and dried flowers Lucy brought her from the woods.

More weeks went by. The children still took tea in the Professor’s study on occasion, but not as often as before. Lucy now went on her daily walks outdoors, and sometimes Peter or Susan, or both of them at once, accompanied her. Edmund stayed upstairs for the most part, reading or writing, keeping quiet and looking paler and sadder by the day.

Finally he, too, went into the wardrobe room.

He stayed for hours, hours upon hours. He took nothing in save for a wooden sword he had carved from a stick Lucy brought him from outside, and he didn’t come out again. The shadows lengthened across the hall and the sun sank lower in the sky and finally Mrs. Macready made herself speak quietly to Peter as the boy came out of the Professor’s study. “Your brother has been gone for hours,” she told him crisply, but she was privately alarmed, because Peter’s face shifted into panic and he disappeared upstairs without a word.

Mrs. Macready followed him silently after around thirty minutes and pressed an ear to the door of the wardrobe room. Voices drifted from beyond. Edmund’s and Peter’s, yes, but she could also hear the soft tones of Lucy and Susan.

“Why did he send us back?” Edmund was saying. It sounded as if he had been crying.

Mrs. Macready couldn’t catch the answer, but when the siblings trickled out of the room an hour later, Edmund’s wooden sword was missing, and the flower crown Susan had been wearing lately was gone, and Peter no longer had his old cloak, and Lucy wasn’t carrying her lion figurine, and the four of them had clasped hands and sad, but smiling, faces.

Mrs. Macready slipped into the room once they were gone and opened the wardrobe, and there at the bottom were the sword and the crown and the cloak and the lion. An offering of sorts, almost, or perhaps just items left there for future use, for whenever they next went into the wardrobe room.

But they never did, and one day they were gone for good, off home, and the mansion was silent again. And it had been a long time since that morning that Mrs. Macready had found them all piled together in one bedroom, but ever since then they hadn’t quite been children, and she wanted to know why.

She climbed the steps again to the floor of the house where the old wardrobe was, and then went into the room and crossed the floor to the opposite wall.

When she pulled the wardrobe door open, the four items the Pevensie children had left inside of it were missing.

And just for a moment, it seemed to her that a cool gust of air brushed her face, coming from the darkness beyond where the missing coats used to hang.

#oh also I want to clarify just in case - the 'offerings' left by the pevensies aren't meant to be anything weird #they're just little mementos that were special to them that they left there in case the wardrobe ever opened again #so whoever was on the other side could find them and maybe it would be somebody they'd known and loved during their time in narnia #i do have someone in mind who found the items but I'll leave whoever it is up to you :)#i just thought it would be nice for them to have a way of saying goodbye to the narnia they knew/creatures they loved during the golden age #sort of a way to let go of it and also leave something behind as a memory #narnia #tcon #the chronicles of narnia #lucy pevensie #peter pevensie #susan pevensie #edmund pevensie #mrs macready #digory kirke #the lion the witch and the wardrobe #cs lewis #ramblings from the void

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skunkes · 6 months ago

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#a doodley #this was meant to have that Door Opening and Bringing In Light stripe of lighting on him but i didnt like the way it looked.#if there's one thing cheye loves its making everything look as flat as possible #PLSO i keep wanting to bring back song lyric captions but i also keep wanting to save em in case i make more fitting pieces for em #adn then i also get embarrassed LOL #but anyway im revisiting lady gaga fame monster album. heart #could we fix you if you broke?#i think he'd have a lot more blood coming out of him for this but i didnt want it to be too edgy ig‚ esp since i hadnt figured out Scheme

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captain-astors · 2 months ago

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The Crown Prince

#my art #Yes this is meant to parallel the Reiju piece and I will be drawing Yonji and Niji next.#those are judge's hands in case it wasn't clear but hopefully the hair does that?#Anyways to chatter about this a little #I just like that the trio are trapped within bodies that are forced to comply to Judge and have no desire to do otherwise #No mind to think. No will to break. No voice to cry suffering.#but it also raises the question what will happen to them when he dies and Ichiji becomes King (presumably)#they've been so sculpted to follow his every word how far can they make it without an outside force commanding them.#could they have been “saved” if they had Sora's exterior voice commanding them to do good? But to what extent does that qualify as good #since it's arguable if they would ever be truly choosing it for themselves #Anyways the Vinsmokes are NOT okay and I hope that gets explored more #I love characters whose moral code begins and ends with “It is my purpose” so I don't like to think they're inherently bad entities #I like to think they're inherently hollow vessels filled with intentions of another person #because that opens a far more interesting conversation about selfhood and accountability.#Very fond of fanfictions where they don't need to gain emotions to learn error #Also fond of fanfictions where Ichiji kisses men. If you've made it this far maybe recommend me one.#I have more cohesive thoughts on this but it's almost midnight ask me if you want to know more I promise I'm usually very articulate #if I'm missing something I haven't actually gotten to them in the story yet.#one piece #one piece fanart #ichiji vinsmoke #germa 66 #vinsmoke ichiji

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under-lok-n-ki · 8 months ago

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saying a mean thing DOES hurt more gilly has a point

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sophsun1 · 8 months ago

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He just took credit for it when the opportunity presented itself. And you wasted everyone who could have told you differently. Seventy-seven years based on a seismic lie.

Interview With The Vampire – 2.08: And That's The End Of It. There's Nothing Else

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shanastoryteller · 2 months ago

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Apocalypse Never

They help Dad into the cabin, more coherent than he was when they first broke him out, and Sam heads back to the car for their bags, for the Colt, and tries not to think about how everything has gone so quickly to shit. Mom and Jessica’s killer got away, again, but they’re all alive. That’s not nothing, that’s –

The pain hits him so completely and suddenly that he has no chance to brace himself for it. Usually it builds, first prickling pain then greater, but this is something else. It feels like nails are being shoved into his skull, images coming almost too fast for him to follow. He doesn’t realize he’s screaming until it stops, until he comes to with his head in his brother’s lap, Dean’s arms pinning him down and his face white and terrified above him. “Sammy? Sammy, you’re bleeding. What’s wrong?”

His throat is too raw and tight to speak even if he wanted to. He does want to, but he can’t, he can’t say a goddamn thing.

I saved the world for you, he thinks wildly, and I didn’t even get to keep you. How fucked up is that?

He doesn’t know if his future self couldn’t send it all back any further, or if he thought that this would give Sam less time to fuck things up.

For a couple terrifying minutes, Sam had taken control of Lucifer. For a couple exhilarating minutes, Sam had the power of an archangel.

That sending the knowledge of the future back four years in the past was the best thing he could think to do with it leaves Sam with a poor opinion of the man he became. Then again, he had saved the world, so. There’s that.

He doesn’t want to think of the him that had fallen into the pit with Lucifer and Michael. He hopes he can save him by making different choices, but maybe he can’t. Alternate universes, or parallel ones, or whatever. Maybe that Sam is damned for good and the best he could do was save a different version of himself, a different version of his brother.

There’s not much point in wondering about it. He’ll never know either way.

It’s memories with no emotions, thank fuck, because just the knowledge of it all is enough to drive him to his knees, to edge him to weeping and whimpering and slitting his wrists if he lets it.

He’s not going to. He has work to do. There will be time to fall apart after, when the world is safe. When Dean is safe.

Dean after Dad had died and given him that ultimatum had been bad enough. Dean after forty years in hell had been nearly unrecognizable.

He wipes the blood from his face, ushers Dean back inside, and tries not to think too hard about what he’s about to do.

Dean figures out it’s Azazel in Dad’s body and they’re pinned to the wall and Sam waits until Azazel is hovering over him, hand next to his head as he tilts his head back and breathes over Sam’s lips. It’s a torture and a powerplay, to let the want in his eyes come out in his father’s face, to make it John’s body that’s pressed so nauseatingly close to his own.

Sam isn’t the same person he was four years ago, ten minutes ago.

Breaking out of Azazel’s hold is easy. He’s using the equivalent of a single finger to keep them down, like pinning down a butterfly, and it's only enough until it isn’t.

He grabs Azazel’s face and pulls him close, hears the beginning of his laughter before Sam seals their mouths together. He’s making a deal here, selling his soul sure as anything, just not with Azazel.

Azazel leans into it, just like Sam knew he would, shoving his tongue in Sam’s mouth and getting off at his instinctive flinch of disgust, of the way Dean’s screaming bloody murder behind him. Azazel hasn’t hurt Dean yet. Sam’s going to make sure he never will.

He bites down hard. Blood fills his mouth and he sucks on his tongue, drinking as much as he can. It doesn't tase like iron, not like it should, instead it's sweet and thick like honey. He thought Azazel would pull back now, but he’s still laughing into Sam’s mouth, even bites the inside of his cheek to add to the blood from his tongue, and he just lets Sam drink his fill. Of course, he doesn’t know what Sam knows. If Sam had done this the first time, the only thing the blood would have done would be to get him high and useless.

It means he gets more than a mouthful, that it’s long minutes of keeping his eyes closed and swallowing and trying not to think too hard about how it’s Dad’s hands on him and Dad’s hard on at his thigh and Dad’s tongue he’s sucking on. He’s already got four years’ worth of nightmares in his head. No need to add more than necessary.

His skin is buzzing, feeling stretched out over him like his body is too big for it suddenly, almost like the aches of growing pains but more electric. Azazel pulls back and licks up the side of his face, leaving blood and spit behind, and breathes into his ear, “If you missed me feeding you, boy, all you had to do was ask.”

Yeah, that’s enough of that.

He shoves Azazel back without moving his hands, hard enough that he stumbles, and he has to move fast, before he gets a smart idea like snapping Dad’s neck or bursting his heart. He raises his hand and he’d settle for an exorcism, but power is lying heavy and thick in his veins. Destroying Lilith nearly killed him and Azazel is more powerful than Lilith and the blood he drank shouldn’t be nearly enough.

But fear sparks in Azazel’s yellow eyes and he starts choking, black smoke leaking from his ears and out his mouth. “How-”

Sam doesn’t let him finish. He remembers killing Samhain, killing Alastair, killing Lilith. He knows what to do.

Azazel dies screaming. Mom and Jessica are avenged. It’s not as satisfying as he thought it’d be.

Dad is on his hands and knees, taking in deep lungfuls of air. Sam knows from experience that being possessed isn’t pleasant.

“Sammy?”

He forces himself to look over, sees his brother approaching him with hands outstretched. The fear hasn’t gone anywhere even with Azazel dead, even with Dad alive, even though he doesn’t have any of the devastating injuries he sustained last time.

He doesn’t have the emotions to go along with the memory of the first time Dean saw him drinking demon blood, but he imagines it was something like this. “I’m sorry.”

“Sammy,” Dean says again, but Dad’s getting to his feet, Dad’s looking at the Colt, and Sam can’t die yet. He still has work to do.

It’s not a conscious thought, not something he actively tries to do, it’s just one minute he’s there in a cabin with his father and brother and the next he’s in the middle of a field, the night air crisp and clear and a million stars shining above him.

He couldn’t do that before.

There’s something wrong, he thinks, because he doesn’t remember what drinking demon blood felt like, but he remembers describing it, and this isn’t right. He should be drained after that, should feel almost normal again, but instead it’s like there are bees pinging around inside him, like there’s molten lava in his veins, like he’s dying.

He’s dying, he realizes suddenly, the power threatening to eat him alive. He looks down at his arms, like he’s expecting to see them crisping up beneath moonlight, but they look normal, like skin. Of course it’s not killing him, no matter what it feels like. He’s Lucifer’s perfect vessel. There’s no power his body can’t contain, none except God’s, maybe, and it looks like he’s long past making house calls.

It won’t kill him, but it hurts like hell, and he can’t think, he needs to burn it off somehow. He’s never had this problem before, not even when he drank all that blood for Lucifer.

He’s standing in Bobby’s living room and he doesn’t understand why until he sees the body on his kitchen table wrapped in a white sheet. He doesn’t know how Bobby got rid of the paramedics, if he’s maybe holding the body for her family, but Sam thinks he knows how to get rid of some of the itching along his skin.

Sam died a lot, in those weeks he and Dean were apart. Lucifer was true to his word. Sam came back every time.

He pulls down the sheet, sees the ways Meg’s face has settled into death in the past day, how decay has started to take hold and left her blue and cold and her skin slack. He leans down, presses a kiss to her cheek, and thinks that this is the least he owes her, for what she endured because of him, for trying to help him even at the bitter end.

She gasps to life beneath him, warmth flooding her skin and air stuttering into her lungs. “Sam?” she asks, fear and confusion and a pain that’s not physical.

Maybe she won’t want to live, considering everything she’s been through, but at least now the choice is hers and not a demon’s. There are footsteps and he turns to see Bobby standing in the doorway, gun pointed to the ground and mouth open in shock. Sam doesn’t have time to worry about it, instead he’s gone, the same burning still clawing its way out of his bones.

Caleb lies slumped in the chair Meg had tied him to, throat slit and eyes empty. Sam puts his hands on his shoulders, presses his lips to his bald head, and feels the moment his heart starts beating again. He sends the ropes falling with barely a thought and he’s gone the moment he hears his first confused groan.

Pastor Jim is laid out in his home, church workers Sam vaguely recognize huddled around him in prayer, his final send off. He’s just glad he got here before they burned him. They start screaming when they see him but he leans down, internally wincing at how Jim’s going to explain his way out of this one, and kisses his forehead, a reversal of the paternal tenderness Jim had shown him as a child.

His chest rises and his eyes open and his eyebrows push together. “Sam, what-“

He doesn’t stick around to hear the end of that question, figures it’s not anything he can answer anyway.

It takes him a long moment of staring out at the snow covered peaks and too close sky and the brilliant sun hitting his face even though it was just the middle of the night for him to place himself, even though it shouldn’t be enough, but he knows where he is even though he shouldn’t.

The air’s too thin and he’s going to give himself altitude sickness if he lingers and he should probably be freezing to death but his blood is still running too hot. Not burning, not like it was before he brought three people back from the dead, but still far from comfortable.

Still. He can’t say he ever thought he’d ever get to see the view from Mt. Everest.

“Castiel,” he says. “It’s Sam Winchester. We need to talk.”

Nothing. Typical.

“I know about God’s plan, about Lucifer and Michael, about my role as his vessel. I know about you, Cas. You’re going to want to hear me out.”

There’s the rustle of wings behind him and he turns to see Cas, younger than he looked before. Jimmy Novak younger than he’d been before. He wonders about that for a moment. He’d half expected Cas to show up as a sherpa rather than nip to America for a vessel, but Cas had kept the shape of Jimmy Novak even after his physical body perished, so maybe there’s a deeper preference there than just convenience.

His face is as cold as their surroundings. “You have strayed from God’s light.”

“Yeah, well, what good has he ever done me?” he asks tiredly. He used to believe. He believed yesterday. He prayed this morning. Even when he met Cas the first time, he believed. “I can’t explain. Can you just read my mind? We don’t have time.”

His eyebrows push together, but Cas has to be curious, otherwise he wouldn’t have said anything. He steps forward and presses two fingers against Sam’s forehead. He doesn’t feel any different, but when Cas lowers his hand, he’s lost his stoicism. Shock, despair, and anger chase themselves across his feature and Sam can’t blame him.

He’s not the only who lost his faith in the future.

“You said there were thousands of seals,” he says. “How many exactly?”

His eyes snap to Sam’s. “What?”

“God loved Lucifer,” he says. “It’s why he imprisoned him rather than destroying him. It’s why he left him a way out. Maybe it’s why he set up the apocalypse in the first place. I don’t know, I don’t care. All I know is that I’m not letting him out, ever. So we’re going to destroy every seal we can.”

Some can’t be undone, like the first one, a righteous man torturing an innocent soul in hell. But there are plenty that can, hopefully enough, hopefully most. If there are less than sixty six seals available, then Lucifer is never getting out of his cage.

“There were originally ten thousand seals,” Cas answers and Sam gets lightheaded for reasons that have nothing to do with thin air. “Only two thousand and thirty four seals are still viable.”

Okay, that’s better. Not great, but better. “Let’s get that number down to sixty five.”

“You are different,” Cas says.

Of course he’s different. His father’s alive. His brother never went to hell. Sam has never known the utter desolation of being completely alone, of grief and guilt so heavy he’s surprised it didn’t break his spine as surely as Jake’s knife in his back. He doesn’t actually remember feeling it, which is no small mercy, but he saw the effects of living with it, which is almost as bed. He'd thought what he’s feeling because of Jessica is as low as he could get. It’s not even close.

He wants to dig up her bones and breathe life into them, but at almost a year dead he thinks that’s beyond even this strange new power. Even like this, he’s failing Jessica one more time.

“Got any ideas?” he asks. “It wasn’t like this before. With the blood.”

He’d drank Ruby nearly dry more than once. It had been a high and then a crash and never did it give him access to this type of power.

“Azazel is – was a prince of hell,” Cas answers.

Sam frowns. “I thought he was king?”

“He was regent,” he corrects, “but to be a prince is separate from being ruler of hell. Lucifer created Lilith from bone, as Adam and Eve were made. The princes were created from his blood. Azazel’s blood is, in a way, Lucifer’s.”

Lucifer’s blood. Sam, his vessel, drinking down Lucifer’s blood, as a baby and now. Except as a baby he’d only had a few drops. He’d consumed a lot more than that back at the cabin.

Demon blood always wore off. The few drops of Azazel’s blood he’d gotten as a baby never had. He probably should have taken that into consideration, but there hadn’t been any time.

“Lucifer is evil but he is not a demon,” Cas continues.

Sam realizes suddenly that he did have power like this once. When he locked away Lucifer inside of him and took his power for his own. It’s not the same, not even close, but it’s similar. “This is what angel blood does?”

“No,” he says. “This is what Archangel Lucifer’s blood does to his perfect vessel. I believe. This has never happened before, so I cannot be certain. You are, as always, one of kind, Sam Winchester.”

It’s not quite a compliment, but it’s not as combative as he remembers Castiel being in the beginning. He’ll take it. “Guess we’ll figure it out together, then. If you’re sticking around to help prevent the apocalypse.”

If he’s not, this is going to be more than difficult. Tracking down all the seals without an angel on his side isn’t going to be impossible, but pretty damn close. And he doesn’t know how much time he has. Hell is going to be pissed about him killing Azazel. Heaven is probably going to take notice once he starts destroying seals so they can never be opened. Not to mention, he’s definitely going to be on hunters’ radar. Even if Dad can keep his mouth shut about him drinking demon blood, which he knows better than to rely on, him bringing back people from the dead is going to spread quickly. He’s going to be hunted at all sides, just like last time.

At least last time he had Dean, even broken, even when he was broken himself. He still had his brother.

But this is the price for saving him. For making sure that Dean is never in the position to kick off the apocalypse in the first place, to make it so Lucifer never again walks the earth even if heaven and hell reincarnate him and Dean and try and start this all over again.

He’s going to be killed for it, he knows, by demons or angels or hunters. But that doesn’t matter much in the grand scheme of things.

“Yes,” Cas says. “It is better for us all if the future you saw never comes to pass. I will help you.”

He grins, clapping Cas on the shoulder, and only laughs at the glare he receives in return. They have to get out of here before the altitude makes him loopy. Maybe it already has.

He’s going to save the world for his brother and he’s not even going to get to keep him.

How fucked up is that?

#well this got way out of control #what else is new #me: just write the opening scene of this idea so you can stop thinking about it it'll only like like 500 words #incredible amazing how that's literally never the case #anyway #sam and cas's life changing field trip #supernatural

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