#cancellation meta

[perseidlion]

Streaming in Kaos

Well, it happened. I can't say that I'm surprised that KAOS has been cancelled by Netflix. I am a little surprised at the speed at which it was axed. Only a month after it aired, and it's already gone.

That has me wondering if the decision to cancel was made before the show even aired. We have to remember that marketing is the biggest cost after production. If the Netflix brass looked at the show and either decided (through audience testing, AI stuff or just their own biases) that it wasn't going to be a Stranger Things-level hit, they probably chose at that moment to slash its marketing budget.

That meant there was pretty much no way that KAOS was ever going to hit the metrics Netflix required of it to get a season 2.

What makes me so angry about this (other than the survival of a show relying on peoples' biases or AI) is that it becomes a self-fulfilling prophecy. If you decide before a show is ever going to air that it won't be a success, then it probably won't be. If you rely on metrics and algorithms and AI to analyze art, you will never let something surprise you. You'll never let it grow. You'll never nurture the cult hits of the future or the next franchise.

Netflix desperately needs people behind the scenes that believe in stories and potential over metrics. Nothing except the same old predictable dreck is ever going to be allowed to survive if you don't believe in the stories you're telling.

The networks and streamers have a huge problem on their hands. They need big hits and to build the franchises of the future to sustain their current model (which is horribly broken.) But people have franchise fatigue and aren't showing up for known IPs like they used to. The fact that Marvel content is definitely not a sure thing anymore is a huge canary in the coal mine for franchise fatigue. People aren't just tired of Marvel, they're tired of the existing worlds both on the big screen and the small one. Audiences are hungry for something new.

It is telling that the most successful Marvel properties of the last few years have been the ones that do something different. Marvel is smart to finally pull out The X-Men because that is a breath of fresh air and something people are hungry to see more of.

There's pretty much no one behind the scenes (except for maybe AMC building The Immortal Universe) that is committing to really taking the time to build these new worlds. Marvel built the MCU by playing the long game. That paid dividends for a solid decade even if it's dropping off now. That empire was built not with nostalgia for existing IP (don't forget the MCU was built with B and C tier heroes) but with patience. Marvel itself seems to have forgotten this in recent years.

Aside from that, I think people really want stories that aren't connected to a billion other things. That takes commitment on the part of the audience to follow and to get attached to. People WANT three to five excellent seasons of a show that tells its own story and isn't leaving threads out there for a dozen spinoffs. We're craving tight storytelling.

KAOS could have been that. Dead Boy Detectives could have been that. So could Our Flag Means Death, Lockwood and Co, Shadow and Bone, The Dark Crystal: Age of Resistance, Willow, and a dozen other shows with great potential or were excellent out of the gate.

If you look at past metrics, you only learn what people used to like, not what they want now. People are notoriously bad about articulating what they want, but boy do they know it when they see it. Networks have to go back to having a dozen moderate successes instead of constantly churning through one-season shows that get axed and pissing off the people who did like it in a hamfisted attempt to stumble on the next big thing.

The networks desperately need to go back to believing in their shows. Instead, they keep cutting them off at the knees before they ever get a chance because some algorithm told them the numbers weren't there.

[late-draft]

I am not quite sure how or why there's a fandom perception that Zuko is a "theatre nerd". Yes he's a big fan of the play "Love Amongst Dragons" in the series, and I checked out the parts of comics that have that play.

However. I'm at a film school and I'm surrounded by theatre nerds. I hear actors practicing their screaming and yelling down the hall at least once a week. From my experience, Zuko doesn't behave this way, instead he seems much more like a fandom guy. He'd literally be in the fandom trenches arguing with people about narrative points and naively engaging trolls with his earnest arguments. Doesn't he seem like someone who'd run a "Love Amongst Dragons defense" blog to you? His drama doesn't stem from a desire to make everything about himself dramatic, it stems from extreme frustration because he brute forces everything by going with his head through a wall.

[hermit-frog]

[nyaagolor]

One of the things about Natsuhi that really gets me is that she’s trying so hard to be a tradwife to cope with her situation but like. She’s bad at it. She’s really really bad at being a tradwife. She’s short tempered, belligerent, easily baited by basically anyone trying to get a rise out of her, and constantly makes her husband look worse in her attempts to defend him. She never sits quietly at his side, she never listens when he’s trying to get her to stop and let him do the talking, and she’s constantly taking charge of situations in his stead. Honestly, she just doesn’t have the temperament to be a tradwife, even if she thinks that’s what she is and what she wants.

And what’s the craziest about this is that Sayo figured this out before Natsuhi herself did. Natsuhi is someone who tries to cling onto power in any and every situation she can, in part because she ultimately doesn’t have any agency at all. She tries to find an angle through which to look at her life where she’s the one calling the shots, where she’s the one in charge, because in her super traditionalist framework that’s what autonomy is— it’s always just been punching down. In her mind, punishment and power might as well be synonymous; you’re either being told what to do or telling others what to do.

Natushi could never be the proper, submissive wife that she’s trying to be because she’s just not that good at lying to herself. She’s constantly trying to power grab in petty situations, to overcome the lack of autonomy she’s so frustrated about by throwing her weight around whenever she can. And I think that’s exactly why Sayo gave her the unloaded gun. Natushi immediately becomes bolder— she lashes out, she takes command of situations, she’s confident— because to her the gun is just the physical manifestation of having the agency to be those things at all. She can take charge of situations because in her mind she’s gotten the power to do so now— agency over herself is always coupled with power over others to her. But the gun was always empty and the promise was always false.

It doesn’t matter how Natsuhi feels or what power she wields over the people beneath her, because she never really had any autonomy so long as she was Ushiromiya Natsuhi. She was and is only ever allowed to do what they permitted. When she fights with Eva in the family conferences, it’s because Krauss is wiling to sit back and let her be the scapegoat. She can bully the servants because the people in the house who are actually supposed to be in charge of them don’t care. Natsuhi fights like a dog for any semblance of power or choice in the narrative, not realizing it’s still within the confines of what the people who have stolen her agency are allowing her have. She’s given a metaphorical gun to wave around, but even though it smokes and fires and makes noise, there was never any real threat to the people who gave it to her, because she was given the gun unloaded. Perhaps more importantly though, she doesn’t know the difference

[ladystoneboobs]

obviously yes, the only hypothetical chance for a truly faithful asoiaf adaptation would be animated, but there is at least one scenario where live-action could achieve something animated asoiaf media could not. see, in my fantasy of a fuller, faithful live action adaptation, all 3 kettleblack knights would be played by the same actor using a fake beard, fake mustache, and fake facial scars as needed, which would feel different to one voice actor doing all 3 as that kind of multi-casting is common enough in cartoons. and i don't even mean using the parent trap/buffay sisters on friends-style camera trickery for one actor playing twins, i mean just never having more than one kettleblack in a scene at the same time as one small deviation from the text. eventually the audience starts to wonder if there's even more than 1 guy in-universe either or if oz kettleblack is not only doubling his pay by accepting coin from both cersei and tyrion but actually sextupling it by getting paid triple from both lannisters just for one dude's incompetentcy. then when cersei confesses to the high sparrow that she bedded all 3 it could be due to her own confusion over which was which making her unable to tell who had sex with her when he had fake scars and remains of a fake beard once after a quick switch. and we the audience would know it really is best to name all 3 bc it is one guy answering to osfryd, osmund, and osney so that it's impossible to know which first name (if any) is the true name.

[yoi-joi]

WELCOME TO 1ST LEVEL: 🍋 SWIZZLES 🍋

TikTok: yoi.joi 

YouTube: Yoi Joi

Instagram/X: yoi.joi

Tumblr: yoi-joi

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Follow Yuri Plisetsky as he teaches you the basics of Figure Skating in a not so...nice way. From Swizzles, to Spins, and even a Waltz Jump, you bet your sore ass he'll cover each move within Tik Tok's allotted time of 59 seconds. So grab some skates, bubble wrap, and Babushka's life alert. It's time to begin your journey to becoming the next Olympic Figure Skating Champion!

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#YNSNT acts as a Figure Skating ‘Crash Course’. The main intention of this series is not only to expand in the magic of ’Yuri On Ice’, but to also leave you feeling inspired to take your skating to the NEXT LEVEL. If it does, then please seek out proper coaching. In other words, Yurio ain’t gonna be liable for your potential injuries. “You’re f**k up, your problem.” - Yuri Plisetsky 32:7

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[post-it-notes7]

OOOOOOOO CONFRONTATION!!!

oops

[originalaccountname]

Mori Ougai’s belief as the boss is [...] “The boss stands on top of the organization, and at the same time, be the slave of all.” For the sake of the organization, the boss must always take the “logical optimal solution.” That is the duty of the boss. [...] “Therefore, no matter how much your heart aches, you have to ignore your personal feelings.”

Kafka Asagiri, for the BSD exhibition

On Mori and regret.

This man acts based on his perceived "optimal solution". It means relying on cold logic, detached from (his own and others') emotions. In that way, he fits right in as one of the smart characters of BSD, contrasting for example Dazai's way of working with/around people's feelings, and Fyodor's way of manipulating and twisting those feelings into monsters.

Mori remains cold, logical, distant, efficient. It meant disregarding Yosano's and the soldiers' deteriorating mental health during the war because the concept of an army that cannot be wiped out was too good. It meant following Natsume's plan and taking the old boss' place himself to fix Yokohama's underground and protect the city and its people. It also meant disposing of Mimic by sacrificing Oda in order to get the special ability business permit, despite (and perhaps because of) Dazai's attachment to the man.

The thing is, humans are not logical creatures, and will inevitably encounter conflicting emotions.

(does this look like the face of a man without regrets to you?)

Mori in Dark Era tried to pass on to Dazai his practice of putting aside his own feelings for the sake of choosing the most efficient solution that will benefit the group. It backfired spectacularly, so much so even, that Mori regrets it to this day.

For the BSD exhibition, Asagiri wrote some individual character commentaries, all very interesting insights into their characters and the writing intentions. For Mori, here's what he wrote:

“He who fell out of the optimal solution” Mori Ougai’s belief as the boss is described in the novel “Dark Era” and “Dazai, Chuuya, Fifteen”. That is “The boss stands on top of the organization, and at the same time, be the slave of all.” For the sake of the organization, the boss must always take the “logical optimal solution.” That is the duty of the boss. There is an unspoken additional point to it. “Therefore, no matter how much your heart aches, you have to ignore your personal feelings.” We can catch a glimpse of that in this scene. [the ADA-PM alliance meeting] Mori’s expressions after “Burnt it.” and “Like what you did to your predecessor”, gave us a glimpse of his true feelings that were made sacrifices for the sake of the “logical optimal solution”. (By the way, it goes without saying that Dazai is inducing Mori’s thoughts by words that will make him regret the past. It is to make him decide to form an “alliance”.) source and translation: Popopretty

(notice the inclusion of Hirotsu in this scene. Remember that later, Hirotsu suggests that Dazai knows why Mori did what he did to overthrow the old boss, which, in my opinion, is both a proof of Dazai's support in Mori's goal, and a reminder to uphold it.)

One of my favourite parts of the Dark Era light novel is a small scene during the epilogue that was not adapted into the anime. This is two weeks after Dazai defected:

To quote Asagiri again, "Therefore, no matter how much your heart aches, you have to ignore your personal feelings." Mori is conflicted about the outcome of the Mimic incident. He holds in his hands the Silver Oracle he himself gave to Oda, and reflects on its purpose: to "help the man mentioned above without hesitation in the face of any and all trials". Didn't he fail to do just that with Oda? Didn't he set him up and sent him to his doom? Didn't he abandon him to his trial?

But he rationalizes the events by saying he got the permit they so badly needed. No matter if he sacrificed one of his men. No matter if he drove Dazai away. He accomplished his priceless goal. It was a total success.

And yet, he poorly folds a paper airplane with the very Silver Oracle he gave Oda, throws it, watches it crash immediately, and mourns the loss of his right-hand man, without ever moving on.

But we have a direct example of Mori expressing regret.

The perception that Mori in BEAST is a completely different character than Mori is in canon, when that perception doesn't extend to any other character from that universe, rubs me the wrong way. The characters in BEAST are very similar to their canon selves, with some core traits getting a new twist. They are all one or two major life changes away from becoming these versions of themselves. As far as we know, Mori's only life-altering event was being forcefully removed from the Port Mafia by Dazai, and secretly put in charge of Atsushi's old orphanage.

Mori unambiguously made that orphanage a better place, as stated by Atsushi himself. BEAST!Mori is a lot softer, vulnerable and honest. That Mori offers to be a father to Atsushi while he heals. He also expresses regret in not being able to help Dazai when he was in his care.

I think it's very interesting, especially when knowing that Asagiri wrote both BEAST and Fifteen at the same time for the Dead Apple movie, because in Fifteen we have this:

The beginning of the first chapter of Fifteen is a gold mine. It is narrated from Mori's point of view, the man of logic and calculations, and yet it is full of doubt. He is alone and struggling to fix everything with so many people against him. But, throughout this scene about grasping at the Port Mafia's power, there is also this secondary thought being woven in, of Mori having started to actually care for Dazai.

The teenager is scary to him, smart enough to be a threat should he decide to be done with all this and turn against him, and yet, he immediately (and with a hint of sadness) finds that Dazai reminds him of himself. This lonely, lonely man found a kindred spirit, bright enough to grasp any situation in seconds and prone to using an uncomfortable obsession to divert and keep you guessing his true intentions. Mori entered Mentor Mode™ then. He taught Dazai his ways, he shared his struggles and thought process, he fought tooth and nail to keep him alive.

So when he asked Dazai why he wanted to die, it was with the concern of someone who has started to care. It was with the mind of someone who is trying to prevent the worst by fixing the problem at its source.

(translation: Reneray)

But it's also that self-projection/ability to relate that made him drive Dazai away, when he pushed too hard and forced Dazai to adhere to his optimal solution philosophy. Because Dazai cannot separate himself from his attachments, could not ignore his emotions like Mori does, and chose Oda over Mori's logic. From Dazai's point of view, that was betrayal. Mori and him were accomplices!

Dazai planted the idea that Mori was afraid of him taking over as boss, and Mori seems to agree with that thought (would it be because he feared for his life, or for Dazai's ability to replace him?) Yet, for a man afraid of his closest subordinate backstabbing him, he seems to be hanging on quite hard to the possibility of Dazai coming back, leaving his seat open to this day, inviting him back twice in the same arc, and...

(yeah I used this picture at the start too. "I hAvE nO rEgReTs" he says)

Mori may try to convince himself he feels no regrets and no guilt over his own actions by weighting gains and losses objectively, but he still hurts and has a very hard time moving on. He's human despite his best efforts, prone to mistakes and doubts. He's lonely and wishes to impart his knowledge onto others. His cold logic has both helped him in fixing the city, and alienated him from some of the people he most cared about.

In a similar vein, should the ADA employee transfer be of topic again, and should Mori clash with Yosano again, I wish we get to see some similar conflicting emotions in Mori between the usefulness of Yosano's ability, and Yosano herself as a person. The war was 14 years ago, that's a long time, and I want to believe that counts for something.

[sticks-and-souls]

I love that star wars tells us time and time and time again that the only thing a person needs in order to make amends is the desire to. And if you want it enough to work for it, then there’s a place for you to bring good back into the world.

Emerie and Rampart in TBB finale both had opportunities to switch sides the only difference between them is that Emerie wanted it and Rampart didn’t. And the narrative treated them accordingly. And rather than treating Emerie like the evils she did were the only thing that would ever define her, Echo said “fine, if you want to help, then help” and those kids got out of there because of her.

[jesncin]

Hey like, if you don't want to engage with my MAWS criticism- that's totally fine you know? No one is forcing you to read my metas and criticism on the show. And if you enjoy it, congrats! That's the majority of people, go have fun with them.

I'm a believer in speaking up and filling a space in media criticism when you don't see your perspective reflected. Most of the criticism I've seen of this show is "the villains suck" and generic dudebro talking points. I decided to speak up because I felt my perspective as an Asian viewer was important. And I love writing essays and thinking critically about media with characters I care about. It isn't just whining and complaining.

It's disheartening to write a post that calls out specific instances of performative representation or even outright racist moments in MAWS only to have people not engage in my point at all and say my opinion is "unearned" or I'm dismissed as "ruining the vibes" or "it's just a cutesy show don't take it seriously". Like do you not see how bad it looks that you're able to enjoy a show like that while someone like me doesn't? And you telling me my opinion is unnecessary because it's your fav show? Just don't waste your time, and more importantly- don't waste my time either.

[mod-doodles]

It’s not even October and they already ate

Credits: 269a0a Twitter

[breathing-the-same-air]

Hey, lovely souls. Just here to spread a kind word for anyone who's feeling (understandably) down today🩷

So OFMD has been officially cancelled. Is this the end? Of course not. It will never be.

I mean, even if we'd got S3 there would have been an end to it too. Is it unfair that our awesome cast & producers didn't get to finish what they started in the way they envisioned it? Of course. Is the tv industry absolute shit? Hell yes! So many good shows are cancelled every day, and so many more never even get to exist. We got OFMD for two seasons, a blessing none of us ever expected, that changed our lives in so many ways, that saved so many lives. And if you think about the ending, even though the last episode was rushed and budget was cut and all, we still got such a wonderful, poetic ending, Ed and Stede are together in their inn, love in their eyes, they're safe, they're happy, honestly I couldn't have asked for anything better.

The thing is, things in life are limited (apparently), but the underlying truth to that is that things that truly matter are infinite.

How so? I'll tell you a scientific truth: time does not exist, at least not as we understand it. Because time is just like space, ever-present, every moment in time is actually forever alive. Nothing can ever truly die.

Which leads to another truth: we are infinite, just like the Universe, for we are Universe too. We are stardust and love, and Love is infinite.

We are all one, you and I and everyone out there, we're one same thing. There is no end to something that was created with love. And damn, I've never seen such an outrageous, wonderful outburst of love in my whole life! There is true magic in what we created together, fans, cast, crew, producers... we healed one another, we came together because one day someone just as crazy as us envisioned this absolutely mad world of kindness and inclusion and diversity and sheer joy and against all odds the moment we saw it we jumped on the ship without thinking twice. We made it possible for this show to get a second season, and more than anything, we built this wonderful world around it.

Stories are so much more than imagination, they're not just actors playing a role, there is a point where it stops being just a story and becomes a world on its own, and that world translates into our world, and when that magic happens, when that bridge is created, something so much bigger emerges that forever merges both worlds. It's magic and it's a blessing and I can't but be thankful for it.

My loves, I know you're sad right now. I know we all are struggling for one reason or another, we're all fighting our own battles, be it about physical or mental health, work, study, family, discrimination, or anything else. And OFMD has fought by our side and helped us win so many of those battles already. So when you're in middle of the darkness and can't imagine there could ever be light outside, remember this: we are all with you, right here, right now. Wherever you are, we are with you, and OFMD is with you. Because the things we love do never truly leave us.

We keep saying that OFMD changed us, right? That means that it's become a part of us.

OFMD is and will forever be a part of who you are—and in you, it will live on forever. Be grateful, be immensely grateful, for gratefulness is the vibration that heals the fabric of the Universe and makes miracle happens. Crew, we got something we could never have imagined to begin with!! We are so, so lucky to have had this blessing.

Take the time you need to heal, cry, let out all your pain. But then please be brave and choose kindness, just like OFMD has taught us to. Choose to raise your vibration to that of love and gentleness and dare to believe that life has wonderful things waiting for you. There is hope, there is light, there is magic in your future, a whole life just waiting for you to have the courage to take the next step.

What do you think the crew of the Revenge would have done if they had been told their ship was going to forever stop sailing? They would have thrown another Calypso's birthday party just to celebrate the chance they had to spend so much time there together, and they would have looked forward, found new reasons to be happy, and a new life. Open an inn, for instance!

They would not want us to cry, they would like us to smile and be happy because of the journey we've shared. Or at least, smile through our tears!

You are loved, you are important, your very existence is an absolute blessing to this world. Please never stop being your awesome, beautiful, magical self, because the world needs you exactly as you are- that is why you are here!

Cheer up Crew - we have been so immensely blessed. Can only be thankful 🙏💜🏴‍☠️🖤

[monabee-draws]

Caitlyn's slow but inevitable decline into facism was painful to watch but it's Vi's tacit support of that that REALLY hurts me.

Cait was raised at the top of the hierarchy and it only took her being the one 'in danger' to flip from sympathetic to the undercity to desperately angry and wanting to return to the status quo where she and piltover are in power/control/oppress the weak 'for their own good.' I expected this to happen from the moment her rhetoric began to shift (us vs them, calling Zaunites animals, general dehumanisation.)

Vi knows that the issue is structural and the structure that's used to exercise violence against the oppressed is the enforcers, yet she still joined them anyway. It's excellent writing but the implications that has for her as a character who has been shown to have strong convictions and morals is so heartbreaking. It feels like her years in prison have eroded at the heroic spark in her to the point where she'll justify anything to return to the past. I keep asking myself how Vi could justify using The Grey as a weapon against the undercity, and her parotting what is probably Caitlyn's justification - that they used it to clear the streets and keep as many safe as possible - just rings so hollow. She felt like a lost soul just vaguely drifting through life in Act 1, and of course she did. She has no one left BUT Caitlyn. She has no place in the Undercity because it grew away from her. Her base of motivation as a kid was to fight for and protect the Lanes and now that the Lanes are gone who even is Violet anymore? If only she could rewind time and restore the uncomfortable uneven past.

Vi and Cait are actually the same person, the only difference is that Caitlyn has the power to enact her vision and Vi doesn't. I'm so sore.

[lintwriting]

Disney’s Comphet Episode

girl meets world's legacy will most likely be its total flop as a sequel to boy meets world, as well as the worst autism rep ever lol but I'll personally always remember it for how much it FUMBLED THE BAG because it introduced a stupid love triangle.

why were there so many shows in the late 'aughts dedicated to RUINING their shows with pointless ship wars? star vs the forces of evil, danny phantom, and girl meets world are just off the top of my head.

we have these two perfect best friend characters. surprisingly perfect friendship. okay, more like, veering on homoromantic.

(via @forbescaroline)

and then you know what they do with it? They insert the MOST WHITE BREAD ass love interest ever in the form of Lucas.

his defining characteristic is that he's a dreamy goodboy, and there's nothing wrong with that except that he's EXTREMELY boring compared to the oddballs of the rest of the cast, like Farkle or Maya or Riley.

The one thing that subsidizes his bore factor is that all his love triangle ship drama fuels conflict in the show.

he's the straight man--ha, get it? kys

he's dreamy enough to have these perfect friends in conflict over him.

and it kind of ruins the fun of the show.

like, i don't want to see Riley and Maya fight. and they don't even want to fight either. so they're just sighing sadly at each other, meanwhile im over here WHY WOULD YOU EVEN WANT TO DATE LUCAS??

it's giving "she was a girl, he was a boy, can I make it anymore obvious"

like i appreciate a show that demonstrates that girls in competition over a guy DO NOT need to be catty or mean (from what I can remember), but like, this should have been a 1 episode plot AT MOST GOD

they expand on the plot in the most bizarre ways possible too. like i havent watched this show in years, but i still remember this shit.

The premise of the show is that Riley falls into Lucas's lap on a bus in ep 1, so they're basically an end game couple from the beginning. But they have to introduce a shitty love triangle.

So they then have an episode where Maya "acts" as Riley for a day, and while she's acting as Riley, she realizes that Riley doesn't love Lucas and most likely sees him as a brother. which, first of all, is the craziest shit ive ever heard, and second of all

COULD HAVE BEEN THE MOST BEAUTIFUL scene about comphet EVER in a disney kids show.

the DRAMA. the PROJECTION. "she's confused" "feelings you don't understand"

the contrast between what Riley THINKS she feels for Lucas and what Maya feels for Riley. Riley ASKING MAYA "how do I feel, then, maya?" and MAYA's "just tell me what to say" !!! It's the "Good Luck, Babe" of it all!!!!!!!!

it astounds me that this exists in the show! i remembered nothing else about the show EXCEPT for this scene and the terrible autism PSA farkle episode lol.

they use this to fan maya x lucas flames and some drama about maya becoming riley in the last season, which I have zero clue about because all that exists to me is that one crystal clear moment of comphet.

so yeah, while I don't care for sabrina carpenter's music, im extremely happy that she covered chappell roan's "Good Luck, Babe" because it led to this amazing edit that compiles all these moments lol

what a moment. everything, it all has led up to this 67 views edit.

last thing I gotta say, I feel like the drama of "are you becoming me" would've ATE as drama, especially in a sapphic context. like some jennifer's body type shit. instead, it's poorly executed, one-sided, and does harm to both of their characters, from what I've read. BUT LIKE, there's no way it was one-sided. The envy/self-projection thing nor the love!! THEY HAD TO HAVE BEEN RECIPROCAL oh my god i can't Disney was SO CLOSE to greatness WHYYYYYYYYYYY

[m4ndysk4nkovich]

i fear sometimes the shameless fandom is like. mickey fanclub. and ian's their favourite extension of mickey. but god forbid he exists on his own 😭

IVE BEEN SAYING THIS!!

and the thing about this is that (don’t hate me mickey is in my top 4) if anything it’s the opposite. mickey becomes a main character, but if he and ian weren’t a couple he wouldn’t exist as a side character. you may argue- “oh! but early season 4-” but no, because even that all is regarding ian (the fact that he’s married to svetlana).

i love them both so much together and individually and it’s so obvious people really don’t care much for ian, only liking mickey, and it sucks. ian had so many storylines that mickey wasn’t in that were important to his character, but people chose to skip over it due to mickey not being there (almost all of season 6, gay jesus, shim, etc.).

and also, like i said, ian is, and always was, a main character. i just don’t understand how he can be so acknowledged yet overlooked at the same time.

[normal-thoughts-official]

so here's my personal theory on how the mal shit is gonna go:

i think mal's been corrupted by shadow, and i think he either doesn't know about it or did it because he felt it was the only way to protect his friends. similar to how he sees money - the more power he has, the more able he is to guarantee that he'll never be in a vulnerable situation (losing those he loves and being unable to do anything) again

either way i think the corruption is more manipulating him than anything. from the way tyril talked this chapter, it sounds like mal has been making a habit of making harsh, risky decisions. we've even kind of seen this when he jumped in front of Valax' glaive. when i saw that i assumed that it was your main LI who does this, but no, it's always mal. i think this is, in part, supposed to show that mal is acting way more reckless than he usually would

the other part is that, obviously, the real reason the shadow didn't hurt him was that he was already shadow corrupted anyway

im not entirely sure what the endgame is yet, but i think that it's the watcher who's responsible for the corruption. i simply don't trust a man who makes his first appearance in Certified Choices Evil Robes, and besides, today's lore tablet pretty much proved that he's taking us in the wrong direction

aerin is going to play a pivotal role in helping mal get rid of the corruption. he's the one person in the world who knows the most about it, and, from his comments about shadow corruption being more complicated than you think, possibly the only one who believes saving mal is possible anyway. also, i mean, he did go through that process

the process to save mal will likely be extremely painful, if aerin's unwillingness to talk about it is any indication

our relationship with aerin will likely influence the outcome, since he will be the key to helping mal. especially since mal has probably been his #1 hater, the main reason aerin would have to care about mal is his attachment to mc. if you don't have a good enough relationship with aerin, maybe the outcome will be different

it will be through this process that we will learn that The Watcher Is Evil, Actually and possibly foil his plans?

it will be so fucking angsty it's unreal and we'll be fed everything we didn't get in the reunion and more, THIS IS HOW MALMANCERS CAN STILL WIN

the haircut is here to stay 😔