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jo-harrington · 1 year ago

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Standard Operating Procedures 1.04 (Eddie Munson x Store Manager!Reader)

Pairing: Eddie Munson x Fem!Reader

Summary: The summer is ending, school is about to start, the seasons are changing...and so are things between you and Eddie.

Previous Part: Corrective Action

Warnings/Themes: AU where the Upside Down doesn't terrorize Hawkins. Reader works at the Claire's at StarCourt. Eddie works at TapeWorld. Mutual Pining and Slow Burn, Fluff, Food/Eating, Talks about the Future, Romantic Tension/Sexual Tension

You can find my masterlist here for more featuring our resident Store Manager and all of my other writing.

Please do not interact if you are not 18+.

Enjoy!

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Eddie had always had a sweet tooth.

His mom swore, up and down, that her only craving had been for Zebra Cakes when she was pregnant with him.

His favorite food as a baby had been mashed peaches.

And now he was sure his body was chemically composed of more Dr. Pepper than water.

So it should have been no big surprise that he was so attracted to you.

Ahem.

So it should have been no big surprise that he would have planned a snack cake taste test extravaganza for your usual Sunday Not-a-Date Date.

You'd revealed early on that your grandparents were both "in the sugar business."

"My grandpa," you told him once as you walked through the mall window shopping on your lunch. "Worked the chocolate chip line at the Maurice Lenell bakery."

"Are those the fancy cookie tins--"

"That they sell at Christmas? Yes."

"Wayne always gets one with his holiday bonus," Eddie reminisced. "The pinwheel ones with the red sugar on the outside are my favorite."

"And my grandma worked at the Hostess factory," you continued. "She always always brought home boxes of rejects. I probably would have been too shy to make friends at school if they hadn't flocked to me for baked goods."

Because of this though, you had never fraternized with the enemy, as Eddie so dramatically put it: Little Debbie.

"And now," his gaze turned dark and mischievous as he threw open the doors to the van. "You shall feel the full power of the dark side."

He outdid himself, truly.

Piles of snack cakes from the gas station, sorted into two neat little stacks, a little notebook for scorekeeping, and a 6-pack of Mountain Dew as a palette cleanser.

“You keep saying,” he said as you settled in amongst the pillows and blankets he’d set up in the back so you’d both have a cozy spot to snack. The radio was softly playing in the background. It was nice. “That you wanted to drink the water in the mall fountains. Did you know that Mountain Dew is the closest you’re gonna get?”

You’d both run garbage late one Wednesday night and thrown coins into the fountain on your way back to your stores. And that’s when you’d revealed your deepest darkest secret.

“Because they’ll both probably kill me in the end?” You joked.

“No, because Bromine is in both.”

“Ok nerd.” You snorted.

“Not…a nerd,” he shoved you as he plopped down beside you. “But I did this project for chemistry class last year. On Mountain Dew. And how it gets that color. And it’s also how they keep the fountain water clean. Or pool water? I can’t remember exactly right now.”

“Ok nerd.”

“I’m sorry,” he clutched his hand over his heart. “My lady wanted to taste only the finest of fountain water. And I deliver her the closest thing and am openly mocked? Twice?”

You stuck your tongue out at him and slapped his shoulder, then asked what the rubric was for the taste test.

And then you snacked til you made yourselves sick and did what you always did, balanced conversation and companionable silence.

That was a new thing. The silence.

Not for the two of you, but for Eddie.

He wasn't used to silence, he was used to loud music, noises and raucous laughter and adventure--real or fantasy--with his friends, but since the two of you started hanging out, he was getting used to the silence a little more. Enjoying it. Savoring it. Looking forward to it.

The anticipation of waiting for something wonderful--thoughts or observations or confessions--coming of your mouth made him feel warm inside.

Eddie had pondered your friendship earlier in the day as you'd run in to let him know you couldn't take lunch together.

"There's this crazy long piercing line and I'm just running to get a slice of pizza and then going back up. I'm so sorry, I'll see you after work ok?"

Your energy was frantic and your words faster than lightspeed, but your eyes were filled with concern and care for him. The little hitch of your eyebrows and the extra pause you took so you made sure that he understood that you weren't ditching him you just...couldn't do lunch and didn't want to leave him hanging.

Even when everything was falling apart around you, you cared to make sure he understood.

It was nice.

And it wasn't just you. But it was nicer when it was you.

He didn't get a lot of understanding like that. Especially not in Hawkins where his last name and his appearance caused everyone's hackles to raise a little. And even the people who did want him around...well it was hit or miss if they decided to stick around.

But since working at StarCourt, things had been different. He had a boss and coworkers who liked him, inside jokes with people who worked at other stores. He had you. He wasn't Eddie The Freak Munson. He was Eddie from TapeWorld. And Eddie from TapeWorld seemed to help people warm up to Eddie Munson.

What a weird concept. People wanting him around. Coming to StarCourt and being around people who accepted him and valued him...understood him. He'd only felt that way with Hellfire...and with Corroded Coffin.

People were good and people liked him. A sweeter treat than all the Hostess in the world.

It had been a few months now; a few months of an actual job, a consistent crush friend, and everything seeming to look up for him. Give or take a few minor hiccups but...he was feeling good.

And school was starting soon, maybe this would be the year the tide turned? No more waiting for the future to finally happen for him; he was making things happen for himself.

It might finally be his year...

"So," he leaned over, into your personal space, and fished a folded piece of paper from his back pocket. "Kyle gave me this thing yesterday."

"Oh yeah?" Your eyebrows raised in curiosity as you happily munched on a sugary treat.

He'd spiraled a little bit when he'd been handed the sheet. Three little words at the top.

Schedule Change Request.

Way back at the beginning of summer, after the initial shock that he'd gotten the job at TapeWorld, he figured he was just counting his days until he was fired and that the start of the school year would have been the final nail in the coffin if he made it that far.

Instead Kyle was...asking him to stay.

"I’m probably not gonna be able to give you as many hours with school,” he sighed. “Which is a real bummer. But I’ll put you on as much as I can."

"You're not kicking me out?" Eddie asked, shocked.

"What? Are you nuts? Ed, you're like...my best guy! I need you here. Selling those guitars, getting those sales bonuses. And because you're my buddy. So make sure you put your for-sure days off on there...you know I'm gonna forget.”

He explained it all to you, which led to you cackling loudly.

"Oh my God," you laughed. "Eddie!"

"What? I know it's silly."

"No, I'm not laughing because of that," you began. "My first position at Claire's had been a summer job too and I seriously thought that I was gonna get fired once school was back in session."

"Seriously?"

"Yeah. And it's a real thing because no one tells you that you're done when summer's over. You're gonna see come Christmas, Kyle will have to hire seasonal associates--and hey, ok...seriously if Gareth or Dave come asking for a job...it might seem fun...but don't--and he'll have to make sure they have end dates on their paperwork otherwise it's a whole thing."

You went on and on about helping your old manager with paperwork and you'd forgotten to put an end date as you were filling everything out. And then someone's mom came to complain at the end of the season when their kid was let go.

"And she kept screaming and screaming. And that's why I have a strict parent policy at work. Even though I'm the reason that got so fucked up; trial by fire. Jen was pissed."

Eddie reached out and unwrapped your hand from the Sno-Ball that you had crushed as you told the story. He adored it when you got so animated, but the poor little pastry was now just a mess of crumbs and frosting and marshmallow goo on your fingers and now his as he plucked the half-destroyed treat from your grasp.

And the thing was...

The thing was, Eddie wasn't...he was decidedly not smooth. He was gross. He was a gross boy. He hacked loogies and did spit handshakes with the guys all the time. He had no five second rule when it came to food dropped on the floor; it was an optical inspection and then usually straight down the gullet.

He could be romantic and seductive if he wanted to be; he could charm the...ahem...pants off some people if the need arose. And he had.

But that wasn't this.

This was a caught up in the moment of having a good time with his friend and doing what he would have done if one of his buddies crushed a snack cake. He'd be his usual gross self and expect them to groan and screech and laugh at him. Boys will be boys and all.

This was a too little too late moment of realization as he, Eddie Munson, lacking the foresight of having napkins in the van for this little snack cake taste test since he usually wiped his honey-bun-icing slick hands on his jeans after he unhinged his jaw and shoved it in on mornings when he was running late, saw no other way to clean sweet frosting off your hand except to lick it off your thumb.

The van suddenly got smaller and hotter as his tongue traveled up the pad of your finger, over the ridge of each joint and to the center of your palm. His eyes traveled up to meet yours as he flicked the sweetness off of you, and his breath hitched when he saw the way your eyes widened.

How was he supposed to deal with this? How was he supposed to handle this epic potential fuck up right here? How was he supposed to stop his brain--and maybe some other parts of him--from wanting to take the hand that gently held your wrist and pull you closer so he could kiss the sugar from your lips and not just...

Lick it off your hand.

Jesus, he was an idiot.

Caught between a rock and a hard dick.

Hard place. Fuck.

But that was the conundrum right? Because Eddie did want to kiss you; he enjoyed kissing...a lot actually, and it would be...nice if all of these dates were actual dates so that he could just kiss you and squeeze you and all of the nice things that came with...having someone who liked you back. So he didn't have to shoot Kyle a dirty look every time he teased "have a nice lunch with your girlfriend" knowing fully well that it was exactly what Eddie wanted.

He'd heard the spiel many times when Kyle had come back from his own lunch and then stood over Eddie as the younger man unpacked shipments, and told him, flat out, hands on his hips "you just need to ask her out man I'm getting sick of this."

And the guys had teased him a bunch.

And Wayne kept asking when you were coming around again.

Well this could be it.

A horrible start to asking a girl out on a date but wouldn't that be a funny story, and Eddie really did like a funny story.

This is. This is the moment.

Eddie opened his mouth to say something and so did you. You both backed down from actually saying anything. Eddie's hand tightened on your wrist and he was sure he could feel your heart beating faster. And was that you leaning a little closer to him? And did your eyes look at his mouth as he licked over the seam of his lips really quickly for courage.

He opened his mouth again...

Courage. He could do it. This was gonna be his year, and you were gonna be his girl.

...and then slammed the broken remains of the SnoBall in.

Quite literally slammed, shoved, fingers flailing as he tried to smoosh the chocolate cake and pink-coated marshmallow and remnants of frosting inside.

He let go of your wrist and then backed away from you as far as he could.

Idiot.

You let out a nervous laugh and looked down at your messy hand. You tried to use a discarded wrapper to clean yourself up when Eddie just...pulled off the flannel that he'd layered on to help wipe you off instead.

Like he probably should have done in the first place.

You didn't say anything, just smiled gently at him, like you always did. Always patient. Always forgiving of his mistakes.

What had you even been talking about before?

Oh...right.

"Note to self," he muttered around the SnoBall. "Never becoming a manager."

Your eyes crinkled a little as your smile got bigger and you grabbed onto the front of his shirt and shook him a little.

"Save yourself!"

The rest of your evening went by unremarkably.

You both got too hyped up on sweets and Mountain Dew, ran a few circles around the van in the StarCourt parking lot, headbanging and screaming, after Eddie threw on a tape he said the two of you could dance to. Then to Dairy Queen where you soaked up all the sugar with chili cheese dogs.

An otherwise normal Sunday for the two of you.

Mishap forgotten.

Nerves forgotten.

Misplaced feelings...forgotten.

For now.

---

Next Part: Standard Operating Procedures 1.05

#store manager verse #eddie munson x reader #eddie munson fluff #Eddie munson fic #stranger things fic #stranger things Eddie munson #Eddie munson headcanons #eddie munson imagines

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cranberrybogmummy · 24 days ago

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Oi, lonelyeyes fans look at 👀what I’m working on!

Working Title: ~Who’s afraid of Jonah Magnus❓~

Fandom: The magnus archives.

Characters: Jonathan Sims, Elias Bouchard, Martin Blackwood, Peter Lukas... othere?

Pairings: Jonathan Sims/Martin Blackwood, Peter Lukas/Elias Bouchard..

Chapter: 1? Or part of chapter one

Genre: humor, AU?, freeform,

Summary: Elias invites Jon and Martin to his flat for a dinner party with his husband Peter and others? (season three free form AU what ever) It's going to be a toxic trainwreck, that Jon and Martin get roped into....

Dedication: To my tumblr friends @beheldandcompelled @syrupwit @klm-zoflorr @horseboneologist @lasalebete @nazguldivorce @hisshex

Enjoy this roughest of rough draft WIPs!

Elias was already inside the lift smirking lazily. Jon sighed, Jon could take the stairs to the library, but that would be weird if he just turned around and left. So he stepped inside.

“Hello Archivist,” Elias said warmly. “I wanted to talk to you.”

“Oh?” Jon grumbled.

“Yes, I see that you and Martin have been dating,” Elias added.

Jon furrowed his brow: “It’s just been for a month, it’s not interfering with our work.”

Jon and Martin hadn’t told anyone they were dating, but he knew Elias could just see it.

Elias smiled wider: “No, No, I meant to congratulate you.. both of you. A little romance isn’t a bad thing… sometimes. And I wanted to invite you and your boyfriend Martin to a little dinner party I'm having with my husband Peter and maybe a few others.”

“You’re married?” Jon asked.

“Yes,” Elias countered. “Now it’s going to be next Thursday night at our flat at around 1800. I’ll text you the details.”

“I can’t… I mean we can’t say no can we?” Jon said.

“Do you think that’s wise?” Elias continued grinning.

“Fine... fine I’ll talk to Martin, I’ll see you next Thursday evening?” Jon grumbled.

The lift dinged and Elias got out: “Excellent, see you both there.”

~~~~

It was lunch time when Jon finally got to talk to Martin. Lately Martin had been packing them both lunches, which was good because Jon always had the issue of never really knowing when he was hungry, even before he was the Archivist. Besides, Martin loved to dote on Jon, packing both of them bento boxes, with the care of a Japanese Mother making them for her first born son. Martin had been doing this for two months, swooping into Jon’s office and putting the bento box in front of him, they usually ate together at Jon’s desk. Today there was tabbouleh, an egg and cress sandwich and a bit of battenberg cake Jon assumed was factory made. All neatly put together in their little compartments. Jon had finished the tabbouleh when he decided to broach the subject:

“Martin errrm, Elias knows,” Jon said.

Martin turned bright red: “About us?”

“Yes.” Jon sighed wearily.

Martin took a bite of his egg and cress and looked away. “We can’t end this just because he doesn’t want us dating.”

Jon smiled: “No, no he’s happy for us. In fact he wants us to go to his awful flat for a dinner party with his awful husband and awful friends. At the time I said yes… but if you don’t want to.”

Martin smiled: “Actually I do, c’mon Jon it’s the perfect opportunity for me to dig up some dirt on him and his husband.”

“Won’t he notice?” Jon asked cautiously.

“Doubt it, if he’s hosting a dinner party he’ll be too busy thinking about whether the rolls are burning or if it’s too soon to bring out the roast,” Martin said. “I’ll just excuse myself to go to loo and…”

Jon grinned: “Alright if you say you.”

“So when is it?” Martin asked.

“He’s going to text me the details, but it’s Thursday night.” Jon said.

“Right, I’ll be there with my hair in a braid,” Martin beamed.

“…you’re not actually going to—“ Jon began.

“Jon, it’s just an expression.” Martin replied.

“Right, right…” Jon grinned and took a bite of his own egg and cress.

#tma #magpod #The magnus archives #jon sims #elias bouchard #tma podcast #Martin Blackwood #Fanfic #Lonelyeyes #Jmart #teaholding #PeterElias #my writing #fanfiction #it's supposed to be giving who's afraid of Virgina Woolf?

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coffee-master · 10 months ago

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What would Kai do in season 3 with the blackout and Nindroids ? I guess he would have a different story than Nya, who had a love triangle problem with Cole and Jay

Ok so first of all- OMG PEOPLE ARE ASKING ABOUT MY AU- THIS IS HAPPENING-!! I'm very excited!!!!

Now to the main point.

In the reboot season, everything would be a little diffrent. I mentioned some things about it on the post about the relationships Jaya & lavashipping in this au here:

But this is only lightly mentioned, so here's more:

In this au Kai would have similar role like canon Nya, but with some differences.

The season begins with the fact "the ninja era is over" and ninjas now are teachers for the kids. They are about to go on a school trip to Borg Industries with the children, but before that could happened, when Cole and Kai are coincidently alone in the classroom, Cole decided to take a shot and ask Kai on a date.

It'd be a little awkward, since Cole has never asked anyone on a date before or was interesed in romantic topic in general. Meanwhile Kai would be taken aback by his question, because he hadn't expeceted that comming. Kai didn't even think that Cole was interesed in him.

However, in the end Kai would agree with a smile, calming the earth ninja down.

Later in the Borg's Industrie as Pixal asked to go to the hundredth floor ninja, Kai at the last moment grabs his sister's hand and asks her to go with him because he wants to discuss something with her.

Even if Kai was good at hiding things and acting cool- He was a little nervous about this date and wated to ask his sister discretly for some advice.

Nya at first reluctantly agreed, but then noticed that something was going on and was curious.

So Sensei Wu, Kai & Nya go together for a tour around the factory. Nya is pretty much interested in the technology, while Kai is thinking how to approach the subject, without her sister finding out about this whole thing.

Eventually they come across this crush-seeking machine and the kids talk Nya into using it and when the result comes everyone is schocked, but Nya doesn't take the result too seriously.

Here her relationship in much better and based on common experiences and trust, and she has is no doubt about it.

The fire master actually takes this more like a joke.

Everyone: *looks shocked at the result*

Nya: Hah, clearly this mashine is broken.

Nya: Cole is only interested in cake.

Kai: ...well actually-

Nya: Hm?

Kai: He kinda asked me on a date today.

Nya: ...

Nya: He what?

After that they are attacked by the machines and ect. and later the whole team meets again. The boy give Nya her new costume and weapoon and later they go to the sensei Garmadon.

There's a lot of fighting, which is practically no different from canon.

Then later on the landfill while fixing Pixal, the result information from the matching-machine comes to light and everyone finds out about the result.

Jay is very concerned about this information, but he does not lash out in anger at Cole. He knows that Cole wouldn't do anything bad and even has crush on Nya's brother, but is still bothered by the result.

Like an inteligente mashine says there's better a match for your girlfriend than you.

That information is just really messing with Jay's head and giving him self-doubts. So during their mission Jay is nervous and wants to prove at all costs that he is better than Cole.

Nya almost immediately noticed that and is both worried and irritated by Jay's behaviour. So after having enough of this nonsense and finding a moment of peace she talks with him.

Nya tires to get this stupid thought out of his head and says that it was dumb of him to even think, that he's not enogh.

In the end everything comes back to normal and nothing too serious happened with their relationship.

Then next fights took place and Kai tries his best to help others, even if he is not very comfortable in the technological world.

Here Kai is also a Samurai X despite lack of engineering skills that Nya has, but but how it happened is another story-

There was not much time for Cole & Kai to interract and after Zane's sacrifice in the end never went on that date.

-----

That's pretty much season 3. I've gotten so many questions about this au lately, I'll try to answer them as quickly as possible. Unfortunately, I'm often busy and write slowly, but I'll do my best!

[Siblings elemental change AU]

First | More about AU | Previous | Next

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pisupsala · 11 months ago

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Of All The Stars in The Sky | 16 | Bradley ‘Rooster’ Bradshaw

Summary | War looks different from high above in the sky. But when Bradley finds himself on the ground, far behind enemy lines, it becomes a race against the clock to get out. And try not to look back at what he’s leaving behind.

Pairing | Bradley 'Rooster' Bradshaw x fem!reader / Bradley 'Rooster' Bradshaw x fem!oc (no use of y/n)

Warnings |Mature content | 18+ only[WWII AU] swearing, war, violence, death, explicit smut

Words | 9.1k

Library

Chapter 16 - The End of The World

That summer of 1943 that you spent with your parents will be the last light before the long and dark night that follows. The war is going badly — for your occupiers, that is. The Allies have taken Sicily, and the Soviets have booked a major victory at Kursk. News coming in is sporadic, the censors working overtime to downplay military setbacks, but rumors persist. The pincer is closing from the south and east; they whisper: Stalin’s Red Army will punch through the Eastern front after winter, and the Allies will be crossing the Alps.

More tangential proof of how the war is going is how more and more men disappear from public life — Hitler must be getting desperate, drafting reinforcements from the traitorous country that assassinated his right-hand man. And where the men disappear, women take their place.

Registered as unemployed, you received a summons in the late fall of 1943 to report for labor in support of the war effort. At the outskirts of the capital, a car factory has been converted to produce army trucks — massive 3-ton personnel carriers. Every morning, when the sun is barely up, you get on a bus with about fifty other women of all ages, all dressed in the same drab, dirty blue coveralls. The only splash of color in the early morning twilight is the scarves everyone ties around their head to protect their hair.

Your nimble fingers earn you a position wiring the dashboard and ignition systems; your once soft hands and manicured nails are definitely a thing of the past now. Your fingertips start forming blisters and calluses from twisting the copper wires into place; your nails are chipped and broken, caked in dirt and thick black grease. The harsh degreaser soap cracks the skin on your palms, leaving them sore — the cold winter air stinging the raw skin.

You haven’t heard from anyone in the resistance since your last encounter with Jan — he probably reported you as compromised to Emil, and everyone has been steering clear of you since then. Rationally, you know it’s not personal. But in your heart, you cannot help but be bitter: after all you’ve done, after all the risks you have taken, you end up on the assembly line building trucks for the enemy. And not a peep from your comrades.

But you don’t need them, you think sourly. You took your first steps into resistance activities by yourself, stealing food stamps here and there to help the people you knew. It grew from there, but it wasn’t until late 1941 that you actually got in contact with the resistance proper and your activities were scaled up. And now that you’re on your own again, you’ll just do what you always did: as much as you possibly can.

The factory is run tightly. Hawk-eyed supervisors check every aspect on the line, writing up workers for faults, deficiencies, and mistakes. They are supported by the armed guards — young boys with large guns and on an even larger power trip — that patrol the grounds and the factory floor and gleefully punish poor performance.

Poking and prodding, trying to find cracks in the system, you knew you’d push the envelope too far at some point. It’s a risk you’re willing to take — you wouldn’t be able to live with yourself if you didn’t at least try. So you experiment: wiping sand on the fine gears behind the fuel gauge, making the cursor stick. It’s simple and subtle enough not to get noticed during inspection. The first time you get caught, it’s for cross-wiring to the headlights with the windscreen wipers — which, in terms of sabotage, is mostly harmless, at most an inconvenience. A warning and compulsory study of the manual is all you get. But you know you probably overstepped when you get caught not tightening the contact cables in the ignition system, which would cause them to fall out sooner rather than later, stalling the whole machine.

“With me, missy,” Your supervisor sneers, her red-painted lips twisted into a scowl, knuckles whitening as she clutches her clipboard. It hasn’t escaped your notice how your supervisor has dressed quite nicely daily: makeup, well-fitted dresses, nylons.

“It was a mistake,” You lie, defending yourself. “It’s cold, and my fingers-”

You don’t finish your sentence as the supervisor grabs you by the collar of your coveralls and pulls you out of the factory hall. “Are you insane?” She hisses. “Sabotage is treason.”

“They’re going to kill us anyway,” You choke out, stumbling after her.

Harshly pushing you out the factory door into the snowy courtyard, she stares after you, coiled with anger. “I’ll take my chances,” She spits after you. “Stay there until I come get you!” She adds, yelling.

Folding your arms, you shuffle your feet in an attempt to get warm. It’s still early in the day, and it’s freezing cold. Your breath is coming out in puffs of opaque smoke, and within a minute, you are shivering. Opportunistic bitch, you seethe.

You nearly scream out when you are suddenly doused in ice-cold water, your sopping coveralls now so cold it’s practically burning on your skin. From the boyish laughter behind you, you know these are the guards, joking in German — there’s nothing you can do.

You stand frozen in place, the cold water trickling from your wet hair down your spine — it’s like you’ve just run a marathon; you struggle to catch your breath, thoughts running through your head in a blind panic. Finally, you sink into a squat, your legs almost giving out from under you — you need to hunker down, tucking your hands under your arms, desperately trying to preserve your core temperature. You are shivering so hard it’s making your stomach hurt, like your intestines themselves are violently shivering too.

It’s impossible to say how long you sit there. You notice it starts snowing again, but you can’t feel it. It’s like you’re frozen into place, your insides still quaking. The snowflakes stick to your lashes, making your lids heavy and your movements even more sluggish. It feels like your blood flow has slowed down to a crawl. You want to cry from pain, from humiliation. From anger. But your tears are frozen solid with the rest of your body.

When you are forcefully pulled up back onto your feet, no sound makes it out of your mouth. Your lungs hurt — your throat is so dry it’s numb. Whatever sound of pain or protest you try to make only comes out as a puff of air past your ice-cold lips. Your legs are stiff and barely cooperating, but the supervisor, who is holding you by your arm, nails digging through the layers of freezing fabric, doesn’t stop pulling until she shoves you down by the coal furnace near the offices.

The moment she lets go of you, your legs immediately give out again — your knees skid over the concrete floor. The warm air is like relentless pinpricks on your skin.

“Let this be a lesson for you and everyone that has any ideas,” She hisses at you venomously, grabbing your chin to force you to look up. “Warm up and return to your place on the line.”

It’s a lesson, alright.

Next time, you won’t get caught.

The winter of 1943 into 1944 is long, and the cough you’ve developed doesn’t disappear until late spring. Miraculously, you never really got sick after your punishment besides the persistent coughing, but as your grief wanes, a wave of new anger emerges in you. You never wished ill, hurt, or even death on specific people — your ultimate goal was always freedom. But now you find a macabre kind of glee as you sprinkle sand on the fuel gauge and fray the cables in the ignition.

I hope your truck stalls as you run. I hope you run out of fuel. I hope it kills you.

When you catch sight of the supervisor, you smile sweetly at her. You’ll get yours too, you think.

At night, you sit with your ear pressed against the radio, listening to the BBC news on the lowest possible volume, running Bradley’s bracelet between your fingers like rosary beads. You are desperate for any news of the advance. Southern Italy is so far away — is Bradley there now? The reports say the fighting is heavy; progress comes at great cost. You stopped being scared for yourself, but the more you are scared for Bradley. Alone in the dark apartment, tears roll down your tired face.

Talking during work is forbidden, but on break, huddled together in the corner of the factory courtyard, whispered rumors swirl out of the earshot of supervisors and guards. When one of the armed guards passes, everyone dissolves in a fit of giggles, not from nerves but as a carefully honed defense mechanism. The bored guards don’t bother with women’s gossip.

Soon, rumors and gossip are the only things to go around: rations are tightening, and more and more is getting diverted to the war effort. Cigarettes get passed around after a single puff, soup becomes more water than anything else, and you even resort to sharing mugs of ersatz coffee. The less there is, the more you care for each other. During breaks, you brush each other’s hair, braiding it or pinning it into curls. Sometimes, someone procures some hand cream, and you take turns massaging it into each other’s sore hands. It establishes a strange sense of normalcy in a world that steadily feels like it’s in free fall.

***

Every key Bradley touches on the creaky piano seems to be the wrong one. He can hear the melody so clearly in his head, but when he tries to play it or even just hum or whistle it, it’s like he cannot find the right tone. It sounds off.

He can remember the moment so clearly: the starry spring night along the river bank, the melody floating down from the open window. Flexing his hand, he can almost feel your fingers threaded through his, your body pressed against his as you followed his lead. Just like he tries to remember the melody, Bradley tries to remember your smile.

He knows he remembers, but he just can’t recall it. When Bradley tries, he is unsure if he remembers you correctly. It’s like it all happened in a dream, and he remembers shapes and colors, but the more he tries to grasp the details, the vaguer they become.

It’s January 1944, and the last six months have been one frustration after another for Bradley. At least he’s no longer grounded, but he hasn’t felt like himself since returning to England. It’s like Bradley woke up, and reality wrapped around him like a coat he had outgrown — constricting his movements, leaving him uncomfortable in his own skin. He can forget that only when he flies, at least for a moment.

Except it’s making him forget everything, he desperately wants to hold onto.

“I thought I’d find you here, Rooster,”

Bradley sighs lightly before turning to the voice. Mav stands at the door opening, in his crisp dress uniform, an easy grin on his face. As he saunters into the empty pub, a gust of cold air follows him from outside.

“Long time no see,” Mav continues as he pulls out a chair, still grinning, plopping himself down across from Bradley.

“Yeah, good to you again, Mav,” Bradley responds neutrally as he closes the lid on the piano, slowly turning around to face Mav. “How are Penny and Amelia?” He asks conversationally.

For a moment, the older man’s looks soften, his cocky grin faltering. “Good, good,” He nods. “Amelia sent you a letter to thank you for the postcards. Did you get it?”

“I’m not sure; it might have gotten lost in the mail,” Bradley replies vaguely. It’s probably somewhere in the packet of unread mail piling up in Bradley’s footlocker. Writing letters has been a chore because he cannot talk about what he wants to. The censor would not allow it, so putting pen to paper and pretending that everything is just okay is something Bradley rarely can summon the energy for.

He feels guilty. He knows this makes him a terrible friend, and he cannot explain why he can’t just write a short message home.

Mav just nods but doesn’t reply. An uneasy silence falls between the two men. They haven’t seen each other in a good two years, since before Bradley went on detachment to the UK. For a while, Bradley thought it would do them good — the distance would soften the sharp edges of their fraught relationship a bit more. Maybe he put too much stock in it.

“So,” Bradley starts, tone forcefully light. “What brings you here, Mav?”

“Mass mobilization,” Mav shrugs in response. “You know that something big is afoot.”

“I meant here,” Bradley’s voice is a little bit sharper as he gestures around him vaguely. He ignores the jab of guilt in his gut. “In this empty pub.”

“Oh, yes-” Mav pulls an envelope from this heavy woolen navy coat. “You are getting recalled to the US Navy Fleet.”

Bradley reaches out and plucks the envelope from Mav’s outstretched hand. He scans the letter's contents — he’s due to report at Navy command for the European theater in five days. There’s nothing odd about the order in the larger scheme of things.

“Why are you the one delivering it?” Bradley looks at Mav, eyes tight. Is he getting picked up like a small child?

Mav’s eyes widen for a split second, before his easy grin returns. “Wouldn’t want to get this lost in the mail,”

Another moment of silence.

“And I have shore leave, so I thought…” Mav trails off, face suddenly serious. He looks at Bradley intently, who meets his gaze almost defiantly. “I wanted to check in on you. See you are doing okay.” Mav adds levelly. Bradley sighs.

“I’m fine,” He replies softly. Even to his own ears, it sounds like a lie.

“So I thought…” Mav starts again.

“It’s funny,” Bradley cuts in, unable to stop himself. The burden of guilt is weighing him down — leaving you behind, failing his friends and family, forgetting — so he lashes out. From guilt. From shame. From pain. He wants to pretend it makes him feel better. “It’s really funny how you always tell me not to think, and yet that’s all you seem to do.”

Mav stares at him, face neutral, unimpressed. The lack of reaction is making Bradley angrier. “So you thought — you thought what? That you know better? That you know what I need?”

“Calm down, lieutenant,” Mav simply replies, suddenly and simply pulling rank, effectively ending the conversation. Knuckles white, Bradley grits his teeth. Deep breaths.

Mav gets up, dusting himself off, not a tremor of anger in his movement. He is the picture of calm, not sparing him a single look. Bradley stands up automatically, as he would for any ranking officer.

“Something is in the works,” Mav simply says. “Something big — bigger than we’ve ever seen.”

Finally, he meets Bradley’s eye again. Mav’s expression betrays little, but his eyes are full of hurt. “I th- I had hoped we could make amends,”

Before it’s too late.

Bradley nods — the guilt now like a stone around his neck. No one knows what is happening, only that ship upon ship of American armed forces is being unloaded and stationed in England. There are whispers of an attack on a scale never seen before. A landing. A suicide mission.

“I trust no one in the air more than you, Mav,” Bradley finally admits, the last of the frustration finally ebbing away. Why does he keep getting so angry? “It’ll be an honor to fly with you again.”

Mav cracks a smile — a genuine one. “Thank you, Bradley, and welcome back to the fleet.”

Bradley chuckles, but inside, he knows he’s not ready. Forgiveness is more difficult than a few words.

But does it really matter?

In the end, when he will inevitably fly to his death, the very fate Mav tried to shield him from — will it matter?

“How long are you staying, Mav?” He asks instead, grabbing his coat. “Enough time for a drink or two?”

***

It’s dark in the small, crowded room. You sit on the floor, packed in like sardines. The bare bulb that had been burning in a harsh yellow light earlier spluttered before softly popping out of life. The noises from the outside are disorientating — you hear screaming and yelling, doors slamming and shots. You have your arms around a girl younger than you, softly stroking your fingers over her hairline as she cries into your shoulder. Somewhere in the distance, you hear the whine of Stukas as they fly towards the capital. You think.

The thing is, you haven’t been allowed to leave the factory for over a week now. After the news broke that Berlin had fallen and the Führer was dead, all the guards, the young boys with rifles too big for them, went into a blind panic. They locked the gates, screaming orders, pointing their surely loaded guns at the sacred factory workers.

Since then, you’ve been sleeping on the hard concrete floor as the next shift picked up. You suppose you should be happy it’s May, so the floor is not so cold anymore.

The winter of 1944 into 1945 had been the harshest you’ve seen in years: it was bitingly cold, rations were lower than they��ve ever been, and there was no bread, milk, or flour. Soup was more water than anything else, more potato peel than vegetable. Even if you still had extra ration books, they wouldn’t do you any good — there simply wasn’t anything to trade them for. Gas and coal became a rarity, turning the city into an unforgiving ice-cold hellscape. You had never been so cold for so long in your life.

The ugly blue coveralls were increasingly ill-fitting, hanging off your frame awkwardly.

It shouldn’t have brought you joy, but as production was being pushed into overdrive, supervisors were forced to join the line, leaving behind their clipboards and clean clothes. More shifts were added, the factory now roaring day and night — sometimes shifts were scheduled in such quick succession there was no time to go home. You would huddle up with the other girls in the corner of the factory on the cold floor (because god forbid you’d use the now-empty offices), so exhausted you couldn’t even hear the noises of the line anymore.

The guards were getting rotated out quickly, replaced by seemingly younger and younger boys — some almost dwarfed by the rifle on their back; their too-large uniforms make it look like they're playing dress-up.

In the end, this also meant that since winter, all regulations were out the door — no more clipboards, no more testing before the trucks as they joined the motor pool, ready to be distributed over the rapidly approaching front. It made sabotage a lot easier: the majority of trucks that rolled off the line in your factory were faulty in one way or another. Knowing looks were exchanged: nuts and bolts were not fully tightened, hoses were not fully screwed in, and contacts were not fully connected.

Everyone is doing their own part — their own small resistance. There was no discussion; there was no structure or organization. Just a hope that every little bit helps bring the war to an earlier end as the Allies and Soviets are approaching.

You hear gunshots now — the wave of terror that moves through the room is almost physical, as everyone recoils as one. You tighten your arms around the girl as she chokes out a sob.

“Shhh, it’s okay, sweetie,” You console her softly despite wanting to cry yourself. You’ve been cut off from the world, and there’s no guessing what has been happening since the fall of Berlin. Are the Allies here?

Naively, your heart feels a little bit lighter at the thought. Far from any sea or ocean, Bradley wouldn’t be there, but — and you hate yourself for hoping it so fiercely — maybe you could ask someone to contact him? Tell you where to send a letter. If only to find out that he is still alive. To let him know you are still alive.

That you are waiting.

In the dark room, shaking from fear, the small fantasy brings you comfort.

More shots ring out — you hear shouting, but you cannot make out what language through the thick concrete walls of the factory. When the heavy door suddenly rattles violently, like someone is trying to force it open, the room suddenly erupts in a flurry of chaotic and panicked movements; the air is pierced by crying and screaming. Everyone is scrambling up, trying to get away from the door. In the crush, you fall back, awkwardly wedged between bodies—the girl you had been holding before has disappeared in the darkness. The door rattles again; it sounds like someone is trying to break it down.

More screaming, the mass of people moves back even more. It’s getting hard to breathe and the uncomfortable angle of your body—upper body leaned back, feet barely touching the ground—makes it hard to push back. It’s getting hot.

The door explodes open—the last oxygen is pushed from your lungs—light streams into the room. You aren’t sure if the spots in your vision are from the sudden blinding brightness or it’s your consciousness slipping. Just when you think you’ll lose grasp, eyes fluttering closed, the bodies disperse. Stumbling forward, you follow the flow of the crowd out the door. All the noise seems far away as you try to catch your breath.

A tall figure is motioning sternly at the door opening, commanding everyone to come out. You do your best to keep pace with the rest, coughing dryly, trying to keep yourself from tripping over your own feet.

Hurrying out the door, tearing up from the bright May sunshine stinging your eyes, you’re stopped dead in your tracks by someone calling out your name.

“Anya? - Anya!”

You haven’t heard that voice in so long, for a moment, you are confused. You should know who that is. Turning toward the voice, eyes still struggling to focus — your breath stocks mid-cough.

“Emil!” You choke out. It’s been almost two years now since you last saw him. Blinking, you stare at him — he’s dressed in his pre-war military uniform, looking more clean-cut than you have ever seen him, two rifles slung over his back. It’s making you acutely aware you are standing there in dirty coveralls and messy hair after sleeping on the floor for the past week.

He pulls you into a hug, clapping his hand a little too hard on your shoulder, rattling your skeleton.

“I’m so glad you made it,” He admits.

“I’m glad to see you well,” You reply with a smile. “What’s the occasion?” You motion to his uniform as you pull away, awkwardly straightening your coveralls as if that would hide the grease stains.

Emil smiles at you — and it’s probably the most genuine smile you’ve ever seen on him. “We’re liberating the city.”

“I want to fight too.” The words are out of your mouth before you fully realize the implication — but you are determined.

“I didn’t expect anything less from you,” Emil laughs, not in an unfriendly way, but in the way a big brother humors his younger sibling. “And I could use your help right away.”

A dizzying amount has happened since the fall of Berlin, since you’ve been locked away in the factory — the Allies under Patton are crossing the border into Bohemia, while the Soviets have punched through the eastern defensive line at the Dukla pass. The Wehrmacht and SS are retreating from the oncoming fronts on both sides — which is, unfortunately, driving them straight into the valley of central Bohemia and straight into Prague.

“We will not allow them to have their last stand here,” Emil concludes as you follow him through the motor pool. You nod fiercely. If the Nazis are allowed to build a final stronghold here, the Allies and Soviets will not hesitate to raze the entire city to the ground if it will end the war.

“But first, we need trucks,” He states, looking around pensively. “Unfortunately, the guards were probably warned of the government army mutiny in the city, and they’ve gotten rid of all the keys.”

“You need mechanics first,” You cut him off. “Most of these trucks were sabotaged in one way or another.” You add sheepishly. Emil shakes his head, laughing.

“Again, I wouldn’t expect anything less from you in a factory where they had the misfortune of putting you to work.”

“How many do you need?” You get straight to business. “I can put together teams to check the trucks and-”

“And how will we start them, Anya?”

“Lucky for you,” You frown, trying not to sound arrogant as you pull the cabin door of the truck open. “I’m quite the expert on ignition systems now.”

Clambering in, you waste no time ramming the heel of your boot repeatedly into the metal plating under the steering wheel. The ongoing shortages of almost everything meant that the overall quality of factory parts had decreased. The screws are weak — you’ve turned so many of them just but simply trying to affix the plating, you know that a few well-placed kicks will shake them right out of their holes.

Emil has climbed up the steps and is looking at you skeptically. But you are right; at the fourth kick, the metal plate practically pops out of place. Prying it away with your fingers, the small screws scatter over the cabin floor. Now for the best part. Reaching into the hollow under the steering wheel, you gently tug at the contact cables. One comes out so easily; you know it would have probably disconnected at the first large bump in the road. The other one needs a little bit more cajoling before it releases from the ignition.

Triumphantly, you show the two cables to Emil, stepping on the clutch as you twist the exposed copper ends together. The truck roars to life.

“So, how many did you need?” You reiterate lightly. Emil claps you on your back as he laughs again. You cough uncomfortably. Spending several years traveling in partisan groups has robbed Emil of some of his gentler habits.

You have a renewed energy as you pull out your toolbox and direct the women who decided to stay, check over any trucks in the motor pool and ready them for rollout. You work until your fingers bleed — but it doesn’t matter. Liberation is close, and you're determined to speed up the process in any way you can.

It’s late afternoon as the last of the trucks rolls out from the motor pool. Emil climbs into the cabin; you are hot on his heels.

“What’s next?” You ask almost breathlessly, so wired in anticipation you can barely feel the pain in your hands and the tiredness prickling behind your eyes. Emil smiles down at you from the passenger seat, as you balance on the bottom step of the truck cabin. “Go home, Anya,” He tells you, in that same borderline patronizing voice that a big brother would use for their annoying sibling.

“I want to help,” You defend yourself. Haven’t you proven again and again that you are capable enough? Why are you being sent home like some small child? “I can help.”

“Go home, eat, and rest up,” Emil re-iterates, undisturbed by your acerbic tone. The truck rumbles impatiently. “When you are ready, come find me.”

You deflate a little. “Find you where?” “Do you remember where old Vineyard Street is?”

“Of course I do!” You bite out, almost offended. It’s one of the main streets on the eastern side of town, leading from the river valley over the large hill and ending somewhere on the far outskirts of the metro area. It was renamed to Schweiner Street at the start of the occupation, like so many streets, but you never forgot.

“Then I’ll see you there!” He grins, hand on the door, slowly pulling it close. You jump back onto the ground.

“Wait!” You call out over the roaring engine sound. “Where on Vinyard Street?”

The longest fucking street in the city, half of it steeply uphill.

“You’ll know it when you see it!”

Fuck. As the trucks roll away, the energy leaves you, too. Dragging your heavy feet, you finally start getting ready to get home.

You’ll know when you see it? Fucking riddles are the last thing you need now.

***

It’s pitch dark when you finally reach the bottom of Vineyard Street. A warm shower, hot gruel, and fitful sleep strangely make for the best few hours you’ve had in weeks. Dressed in fresh clothes, hands buried deep in the pockets of your increasingly threadbare green wool coat, you keep your gaze down.

It’s chilly for a night in early May when the sun takes all the warmth with it as soon as it goes down. But you can smell the blooms in the air, and the first lilacs are dotting the streets in happy colors. There are no stars in the sky; only an occasional flicker of the moon peeks out between the heavy clouds rolling by.

It’s eerily quiet. The streets lights are off, and most buildings are dark. The whole city looks like this. As a precaution, you have been moving through side streets, keeping out of sight from patrols. Small groups of people are moving through the dark — you can’t tell if they are friend or foe, so you’re not staying around to find out.

There is a strange buzz in the air. It has you on edge.

Before leaving home, you emptied the old cardboard box you had wedged deep behind the heavy wooden armoire in your bedroom. It’s where you kept everything you never wanted anyone to find: the old fake identities, your gun, and Bradley’s identification bracelet. The cold metal of the gun presses uncomfortably against the small of your back.

Ironically, what feels even stranger is the foreign weight of Bradley’s bracelet on your wrist. You’ve never worn it before — it was always tucked in your pocket or twisted around your fingers. It feels odd as it’s a bit big on you, almost sagging down your hand. But more than anything, it feels right. There’s a reason you still have it; there’s a reason you put it on tonight. If anything, it makes you feel less alone as you make your way through the darkness, preparing for the battle ahead. The road ahead of you goes up at a steep angle. From your vantage point at the bottom of the hill, the street disappears into the darkness before you. It’s eerie, like you are looking at a ghost town. Not a single light is on as far as you can see, the buildings flanking the road looming.

You’ll know it when you see it.

As you trudge up the street, you can’t help but feel hesitant. See what? What are you on the lookout for? What if you miss it?

You hear the faint echo of voices. It stops you dead in your tracks, heart beating frantically. Hands sweaty, you can fumble open your coat, reaching back for the gun tucked in your waistband. Back flat against the wall, you edge up the street.

You can’t see over the top of the road, where it flattens out for about a block before it the way pitches up at a severe angle again. But the flicker of lights, reflected in the dark windows around you, catches your eye. Someone or something is just over the edge.

Holding your breath, afraid to make the smallest sound, you shuffle up the sidewalk. The light becomes brighter, growing from small sparks reflected in the dark windows, to a soft flickering glow cast on the walls. You hear the echo of whispers. It’s hard to pinpoint where they are coming from, the sound strangely, hauntingly, bouncing down the barren street. Craning your neck, trying to peer up, catch a glimpse of some movement at the top of the road. The closer you get, the more you expect to see over the bend, see where the voices and lights are coming from.

But there is just darkness. If it weren’t for the surrounding buildings, you’d be sure the way up was simply vanishing in never-ending darkness. Your hands are shaking, fingers gripping the gun tightly. The more you try to calm yourself down, the harder the tremors become. The strange sense of impending terror has been creeping up on you with every step, slowly completely devouring you, until your breath is stocking in your throat, your chest is tight, and your legs feel like they are filled with jello.

You can’t stop the small whimper escaping your lips. You have to keep going. Standing on an unlit street, by yourself, with a gun in your hand in the middle of the night, is bound to get you into trouble. You have to trust that you will find Emil.

Willing your legs forward, almost tripping as your ankle gives out as you put weight on it, but it doesn’t deter you. If anything, it makes you angry enough to keep going.

It’s only another minute before you reach the top of the road, and it’s like a bubble pops and you’re stepping into a completely different world.

The cobblestone street is dug up, the stones built high in three-line deep barricades — cars, trams, and furniture are haphazardly piled between the cobblestones. The whispers are clear now, yet as unintelligible as before — there is no one source of light, just flashes of lanterns between the barricades.

You are stunned. For sure, there is no way you could have missed that, but of all the things you were expecting to find — this, whatever this is, wasn’t it. Even after years of living under occupation, bombings, and soldiers marching down the street, Bradley; you feel wholly unprepared for walking into, well, a battlefield.

Aimlessly standing before the first barricade, eyes wide, you only belatedly notice you are starting down the barrel of a rifle perched just over the top of the pile of stones.

Shit.

“I - I,” The words barely make it out of your mouth between the shaky breaths. You put your hands up more by instinct than by rational purpose. Bradley’s bracelet is heavy on your wrist.

“Get down!” A voice hisses from behind the barricade. You practically fall to the ground, your knees buckling. Breaking your ungraceful movement downward with your hands, the gun you have been holding all this time clatters loudly against the stones. A few moments of silence pass before a hand, holding a burning cigarette between the fingers as the only source of light, beacons you with a simple wave.

“Stay low!” The voice hisses again. You scramble, clumsily cramming the gun in your coat pocket, before crawling on hands and knees to a lower spot in the barricade. Just when you start crawling over, someone grabs you by the arm and pulls you over forcefully. You yelp as you vault over the pile of rocks, landing on your elbow.

“I almost thought you wouldn’t make it, Anya,” Emil grins at you, a lit cigarette loosely hanging from his lips. His uniform still looks crisp but has a vague whiff of mothballs. Rubbing your elbow, you sit up, frowning.

“I wouldn’t miss this for the world,” You deadpan, trying to save some of your dignity. Looking around, there are a lot more people than you anticipated. Now that you are inside the barricade, small groups of people are crouched down, huddled together. You realize that the flickering ghostly lights you have seen are matches lighting cigarettes.

Keeping low, you follow Emil to the far end of the barricade.

“Did you sleep before you came here?” He asks, shrugging the rifle off his shoulder and sitting down, leaning against the smooth wooden surface of a dinner table jammed into the barricade as structural support.

“A couple of hours,” You reply, still glancing around, trying to understand what is happening around you.

“Good,” Emil yawns as he hands you the rifle before making himself comfortable. “You’re on night watch.”

Hesitantly, you reach for the rifle. You notice Emil’s eyes flash towards your wrist as you grab it from him. A little bit too fast, you pull the rifle from his hands, covertly trying to pull the sleeve of your coat further over your wrist before he can ask.

You’ve done nothing wrong. You have nothing to be ashamed of. It’s your business and yours alone, you think tersely. So why are you so afraid of getting questioned?

Mercifully, Emil has already pulled his cap over his eyes.

Before you manage to settle, trying to find a comfortable spot while leaning into the high barricade, rifle aimed over the top, you hear soft snoring.

Peering into the darkness over the river valley, distressingly few lights spread throughout the city; these are the last moments of peace and quiet you will know for a long time. Before the sun comes up, someone comes to relieve you from the watch. Emil is still fast asleep. Handing the rifle on, you huddle beside Emil, burrowing in your coat.

You don’t feel tired at all, you think. You are wired with anticipation. This is it. This is the last stand.

Freedom or death.

Your body catches up before your brain does — you don’t know how long you have been asleep. It could have been a catnap or hours. Whatever it is, it wasn’t enough. Your eyes feel so heavy. So much so it’s a struggle to open them. You sigh tiredly. Around you, voices are chattering — you can’t really hear what they are saying, just the shape of words and sounds that reach your ears.

When you realize that you won’t fall asleep again, your brain finally starts up, and you become much more aware of your surroundings. There’s something heavy on your head, pulled over your eyes. Lazily shrugging it off, you blink heavily against the sun, still bleary-eyed.

“Anya, are you awake?” Emil materializes next to you, crouched down. He deftly picks up his cover from your lap, where it fell, neatly setting it on his head again. Did he put that on your head to shield your eyes from the morning sun?

As aloof as Emil always has been, awkward in friendly gestures, he is kind.

However, following Emil as a shadow is Jan. He’s hard to miss, but you didn’t notice him last night. You look at him pointedly, daring him to say something. He meets your gaze shortly before huffing and turning away. Emil doesn’t notice, or isn’t interested in noticing, as he unfolds a map in front of you.

The battle is beginning.

***

You are running. The ground is shaking under your feet; you’ve never felt something like it. Things you are pretty sure shouldn't move, like whole buildings, are quaking. The sound of the artillery shells tearing through stone and flesh is deafening, but somehow, your heavy breathing is louder than anything else in your head.

As a shell hits so close, you almost skid down the stairs you’re running up, as it turns the whole world into jello for a moment—the paper map of the city in your pocket crinkles as your hip collides with the wall. Between the explosions and screams, it’s such a mundane sound it sticks out. You clutch onto the railing for dear life.

Is it possible to be so scared you just stop being scared?

You are not sure if you’re feeling anything right now.

All you can think about is that you need to get to the roof. High up on the hill, you and several others were sent sprinting up the road, looking for an even higher vantage point to see where the guns are. You hesitate to really think why some doors to buildings are open: the windows smashed, the facades charred. The silence, the complete lack of human sound in the buildings, is far more chilling than the hellfire raining down on you.

It’s quiet now.

You wait for almost half a minute, frozen on the stairs you almost slipped down, hands still around the railing so tightly your knuckles have turned white. The explosions don’t return.

They may be recalculating their trajectory, picking new targets.

You scramble up, not even bothering to dust yourself off. Part of you wants to start running again to get to the top of the building as fast as possible. But your gut tells you to tiptoe, not betray your position.

Trust your gut.

It has gotten you this far.

Threading lightly in your heavy boots, holding your breath intermittently as you make your way up the next two flights of stairs. Outside, it’s still quiet; you can even hear the birds twitter in the trees again — it’s completely surreal.

But then you hear it. At first, so softly, you think you must be imagining it. There is no one here. But it sounds like a voice. Not like someone in conversation but someone dictating — flat inflection, clipped tones.

You tiptoe up the next flight of stairs. On the landing, you see one apartment door open. Someone is here — no one should be here. This is dangerous. Should you be scared? But try as you might, you can’t really recall the feeling: the icy grip on your heart, the knot in your stomach. Is it because you haven’t felt anything but fear in the past few days? Is it just part of you now?

You pull out your gun with a calmness you hardly thought you could possess in a moment like this. Carefully, you click the safety off. The soft click echoes through the hall, but the voice drones on undeterred.

Creeping past the entry door, the house you enter is in disarray. Whoever lived here fled — afraid of the Nazis feeling from the east, afraid of the Soviets following them or the Allies closing the pincer from the west. Who knows.

People spent the war in many ways. Someone was always going to lose. Those who chose to support the Nazi regime are already being rounded up—those who flee run west. The Americans are kinder captors than the Russians, they say.

A small twinge in your soul. Will the Allies beat the Red Army to Bohemia? Could it be that…

You bury the thought as you move deeper into the apartment.

Now is not the time for dreaming.

You hold the gun pointed at the ground — grip firm, not frantic. Breathing steady, not panicked.

The voice becomes louder. The door between you and the voice is slightly ajar, muffling the sound. It’s definitely a man’s voice. And he’s speaking… German?

You falter for a moment, coming to a standstill in the hallway.

What are you about to walk in on? A scout? A spy? A group left behind?

Holding your breath for a moment, you close your eyes. Focus.

You can only hear one voice — that much you are sure about. But as you listen, that is not what stands out. It’s that low buzz, the crackle of static. It’s a sound so etched into your mind you are almost surprised you didn’t hear it earlier.

You’re only hearing one voice because whoever is in there is relaying something through radio in German.

With the tip of your boot, you gently push the door open. The hinges whine softly. You slink through the opening.

It looks like a bomb went off in the sitting room. The floor is covered in books and broken glass. The windows are wide open, the curtains billowing into the room. And there, by the window, crouched between the chaos, is a figure dictating coordinates he is reading from a map.

Suddenly, it all makes sense, but you also don’t understand anything about what you see.

Glass breaks under your boot.

Jan turns around, eyes wide. Within a fraction of a second, his face turns red, like a kid that had been caught with his hand in the cookie jar.

That moment might have been less than a second; it might have been ten. You don’t know. You can’t feel. You can’t think.

You just raise your arm, pointing your gun at his head.

Not a single tremor in your aim. Not a hitch in your breathing. You squeeze the trigger.

The recoil is the only thing you feel. Jan slumps against the wall, the radio still buzzing. Blood gushes from this head, quickly pooling around his lifeless body.

Methodically, like it’s just your physical form going through the motions, you simply brush past the body, turning off the radio and wrenching the Nazi map Jan had been holding.

Every barricade on the hill is marked on it. Jan had been calling in the positions of the uprising strongholds to the artillery battery on the other bank.

Your blood should run cold. You should be angry. One of your own.

Instead, you tear off the tricolor resistance armband off Jan’s arm. He’s not one of you. He will not be remembered as one of you.

When you return to the barricade Emil is commanding, he’s waiting for you already. Wordlessly, you hand him Jan’s map and armband. Emil doesn’t say anything — he just looks at you. At first, you think it’s with pity. When he claps his hand on your shoulder a little too forcefully, somewhat awkwardly, you realize it isn’t pity in his eyes. It’s sympathy.

Someone hands you tea in a chipped enamel mug. Sitting down on an upturned apple crate, the enamel too hot against your fingers, you catch sight of Bradley’s bracelet on your wrist. In just a few days, the weight has become so familiar, such a constant, you almost forgot it’s there.

Your stomach twists. It’s the first thing you’ve really felt in hours. Bradley was the first person you ever pointed a gun at. It’s very vivid in your mind how much your hands shook, how breathing in the icy mountain weather hurt your lungs, and how the terror coursed through every fiber of your body.

You felt so much, you felt so deeply then.

It’s strange. Alien. You know it happened to you but in a different lifetime. It’s like you’re fragmented. The you who was a student wasn’t the you who met Bradley. The you who said goodbye to Bradley wasn’t the you who sabotaged trucks. The you that has killed… you’re not even sure if there’s anything left of you, really.

In the hours and days to follow, you barely get the time to ponder the changes in yourself when the world is rapidly changing around you. A world born from flames and blood. The artillery batteries pound resistance positions and soon get support from the air. The high whine of Stukas, in broad daylight, rain bullets and incendiary bombs down on the city. The plumes of smoke obscure the sky. The smell of fire, burning houses, fabric… bodies, permeates.

When a breeze picks up, you think, you hope you can still smell lilacs. Just to assure yourself that the putrid smell of burnt rubber, scorched flesh, and hair has not settled in your nose permanently.

“Why aren’t the Allies coming to help?” A young man, his old uniform jacket dirty, sleeves slightly too short, peers out of the broken cellar window into the street as a sortie passes low overhead. Emil, after days of fighting, is not looking as crisp anymore — streaks of dirt cover his face, his uniform dusty, tired look in his eyes. “After all we’ve done -” The young man turns angrily. “Where is the RAF?”

You don’t bother looking up; instead, you inspect your dirty fingertips and broken nails. Idly, you wonder if your hands will ever be clean again. Mindlessly, you tug on your coat sleeve — the seam is fraying — gently brushing your calloused fingertips across Bradley’s nameplate. Every ridge and divot of his embossed name and the insignia are a comfort, a constant. Every time you remember to feel the weight on your wrist, your heart skips a beat — it’s still there, it’s still real. It’s your final tether to him. Your final tether to you.

“The weather over the channel still hasn’t cleared up,” Emil finally replies, voice monotone.

“And the Americans are stopped at the demarcation line in the west,” You add, closing your eyes and leaning your head back against the bare cellar wall. When you first heard that Patton’s army crossed the border and liberated the city of Pilsen, you were so sure it was only hours until they’d make it into Prague.

That was two days ago.

“And we are stuck here, in hellfire, no air support, and cut off from supply lines by an entire Army Group and the SS,” The young man spits. “We are left to die while the Red Army takes its sweet time — they skipped liberating us to get to Berlin first, and now we’re the last defense for every Nazi in Europe!”

“To fight is to die, soldier,” Emil intones mildly, in that same bored tone as he plays with his lighter. “You knew that, and yet you picked up a gun.”

Silence falls in the cellar. Outside, the explosions rumble, sending tremors through the ground. You are not scared of dying. If you ever were, then you can’t even really remember anymore. Fear, anger, happiness, you know what they are, you know you’ve felt them, but now it’s like a thick fog has taken its place. All you feel is kind of nauseous, tired, and the chill from the wall behind you.

Before you know it, you are back on your feet, clambering into a truck, tearing down the hill toward Resistance HQ in the old town. Someone dumps a glug of clear alcohol over your hands, in a vain attempt to clean them. You wince as you desperately wipe down your hands with a rag, the alcohol penetrating every crack and cut in your skin. There is no running water anymore. This will have to do.

The uprising is only a few days old, but the horrors you’ve witnessed are more than you have seen in the years of occupation. The carcasses of burned-out residential buildings barely stop smoking before a new salvo of artillery lands. Bodies — fighters, civilians, enemies, limbs — litter the street. Fireballs light up the night sky so brightly it almost looks like daytime in a terrifying, incredible display. The smell is unbelievable.

A jumped-up schoolgirl playing at war.

Maybe there was more truth in that than you’d like to admit.

However, you don’t have time to dwell on it as the truck finally comes to a violent halt. In the first few seconds, you barely recognize where you are. It’s like walking into a wasteland that was once the old town. You used to walk down this street every day, from the tram to class. The town hall, which was used as the HQ for the uprising, is… no there anymore. The air is thick with smoke and dust. The ground is strangely hot, and everything is cast in a strange orange glow from the surrounding fires.

Pulling a rag from your pocket, you tie it around your face. It does little against the smell, but it at least stops some dust and smoke from choking you completely. After that, you move on autopilot.

Save whom can be saved.

Note who didn’t make it.

Get out before the Luftwaffe returns.

Your heart is beating a mile a minute, adrenaline coursing through your veins. But you aren’t scared, focusing only on your task: pushing away rubble, helping victims up, trying to stop the bleeding on a too-deep leg wound, grunting in exertion as you push the stretcher with the man above your head so he can get pulled into the back to the truck—a flash.

You blink, disorientated. Colorful spots fill your vision.

Turning, you try to find the source of it in the chaos and the smoke. More flashes. Finally, your sight refocuses — someone is taking pictures. Through all the noise, you hear it clear as day.

“Let’s go; we need to get out of here.”

It’s an American.

Your feet start walking before your brain catches up. The man is walking quickly to another truck with a Red Cross. The Red Cross is here? Your breathing is rapid now. You need to talk to them. You have no idea what you will tell the photographer, but you need to speak to him.

You pick up your pace. The Red Cross photographer is disappearing quickly through the smoke.

“Wait!” You yell out, pulling the rag from your face. He is already climbing into the truck cabin. “Hey! Wait!” You yell louder, more desperately.

He looks over his shoulder, straight at you. It looks like the Red Cross photographer waits for you to catch up for a moment, but then he slams the truck door shut. You break out into a sprint, almost reaching the truck before it tears away.

“Fuck you!” You scream, tears suddenly stinging in your eyes. Breathing heavily, you stay behind, seething, on the torn-up street, watching the Red Cross truck disappear in the mess of the medieval maze of the old town.

The desperate anger is the first thing you have felt in days. It’s overwhelming. Suffocating.

Distracting.

It’s only when someone almost knocks you over as they run past you in a mad dash, it’s like you wake up from the wash of madness that had you rooted in place.

A high-pitched whistle pierces the air, closing in on you at frighting speed.

You run, scrambling over the broken pieces of stone, slipping over pools of blood.

Don’t look back.

The truck with the wounded is behind you.

Don’t look back.

You need to get out of here, find any place to hide.

Don’t look back.

It must be a mere second before impact now; the whistle of the bomb is so loud your eardrums scream along with it.

In a fatal moment, you turn your head.

A sea of flames melts the truck from sight. The pressure wave, so hot your mouth is drier than cotton on the first breath, is powerful it lifts your feet from the ground and carries you up like a feather in the wind.

“I’m flying,” Is all your brain manages to conjure up in the split second, almost with a sense of wonder and joy, before your body is flung against a wall. Crashing to the ground, you lose consciousness as fire rains down on you.

note | good news: war is almost over. bad news: everything else

#bradley rooster bradshaw #bradley bradshaw #bradley bradshaw fanfiction #bradley bradshaw x female reader #rooster bradshaw #top gun maverick #rooster fanfic #rooster top gun #rooster x oc #bradley rooster bradshaw x reader #rooster x you #rooster x female reader #top gun fanfiction #bradley bradshaw imagine #rooster bradshaw x female reader #rooster bradshaw fic #bradley bradshaw x oc #rooster bradshaw x oc

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sleepingdeath-light · 2 years ago

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last updated ; 05/03/24

listed below is everything that i have published on this account for the lost media based website “welcome home”. all posts will be sfw. if you’re looking for nsfw content please see my ‘playfellow’ masterlist — i’m keeping everything separate and easy to block for anyone that wants to do so.

full ensemble

hcs — magical girl reader [pending]

hcs — reader has a nightmare [pending]

hcs — how they celebrate their s/o’s birthday [here]

poly hcs — general [pending]

yandere hcs — poly ensemble [here]

barnaby b. beagle

hcs — being best friends [here]

hcs — being in a relationship [here]

hcs — loner male wolf s/o who laughs at his jokes [here]

hcs — squirrel hybrid friend [here]

hcs — what kind of dad he’d be [here]

poly hcs — barnaby/wally + male s/o [here]

drabble — single parent!reader [pending]

eddie darling

hcs — male s/o [here]

hcs — eddie/frank + how they act on their child’s wedding day [here]

poly hcs — eddie/frank + male s/o [here]

poly hcs — eddie/frank + male s/o + marriage & adopting a child [pending]

poly hcs — eddie/frank + s/o with rapunzel powers [pending]

frank frankly

hcs — being best friends [here]

hcs — frank/eddie + how they act on their child’s wedding day [here]

poly hcs — eddie/frank + male s/o [here]

poly hcs — eddie/frank + male s/o + marriage & adopting a child [pending]

poly hcs — eddie/frank + s/o with rapunzel powers [pending]

one shot — “how to bake the perfect cake” (q-p fluff)

howdy pillar

hcs — fluff [here]

julie joyful

hcs — low energy puppet s/o [pending]

hcs — s/o with anxiety [here]

hcs — florist s/o [here]

poly hcs — julie/wally + friendly competition [here]

poppy partridge

hcs — being in a relationship [here]

hcs — celebrating mother’s day with child!reader [here]

hcs — how she acts on her child’s wedding day [here]

sally starlet

hcs — being best friends [here]

hcs — artsy friend / s/o hcs [here]

wally darling

au hcs — lovesick + s/o who stays [here]

au hcs — alternate + s/o swap [pending]

au hcs — human + sentient puppet reader [here]

au hcs — rainbow factory + yandere + unrequited crush [pending]

au hcs — opposite vs normal + parenting [pending]

au hcs — cupid [pending]

hcs — being best friends [here]

hcs — parenting with his s/o [pending]

hcs — celebrating his child’s quinceañera [here]

hcs — rich s/o who moved to the neighbourhood after a car accident [here]

hcs — doing his feminine s/o’s nighttime routine with her [here]

hcs — s/o who is into the scene aesthetic [here]

hcs — s/o who is into the yume kawaii aesthetic [here]

hcs — painter s/o [here]

hcs — fashion designer s/o [here]

hcs — secret supervillain s/o [pending]

hcs — falling for detective s/o [pending]

hcs — male s/o [here]

poly hcs — barnaby/wally + male s/o [here]

poly hcs — julie/wally + friendly competition [here]

yandere hcs — willing s/o [here]

yandere hcs — househusband + breadwinner s/o [here]

yandere hcs — househusband + continued [pending]

drabble — reader sacrifices themself (angst)

drabble — nighttime routine with fem!reader (fluff)

one shot — “home again” (platonic yandere)

one shot — “in their eyes” (lovestruck!wally fluff)

one shot — “the long way back” (human reader)

one shot — “neighbour in need” (autistic reader)

#sleepingdeath #writing masterlist #masterlist #welcome home masterlist #welcome home x reader

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fizzigigsimmer · 2 months ago

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WIP tag game

Rules: you will be given a word. share one sentence/excerpt from your wip(s) that start with each letter of that word.

The word that @robthegoodfellow tagged me in is... Sleep. I tell you right now, this was surprisingly difficult. You would have thought that I knew in advance and did everything in my power not to start sentences with e's or l's. 😀 But we got there.

Unamed Harringrove Ballet Au

Six-year-old Billy Hargrove watches his father’s beat up truck turn out of their driveway and disappear down the street with an exuberant grin. He had thought his dad would never leave – even though Neil was supposed to have a shift at the factory that morning...

Limited or not, Billy is serious about practice. So serious that he’s still at it two hours later, shuffling his feet to the beat in tandem with the two dancing figures on screen – jumping up with his leg twisted behind his body as he turns and lands. Awkwardly. He sucks in an aggravated breath through his teeth as he wobbles, arms flailing like fire hoses. It’s not anywhere as cool or as coordinated as Baryshnikov...

To B With Love

“Everyone push on the count of three.” Jane urged, biting back a giggle and Will nodded.

“Quick! Before he’s turned into johnny cakes. One-two-three!”

The three of them dug their toes into the ground and heaved with all of their might to role the pregnant ewe back onto her feet, just in time for Dustin to come running into their cluster for cover. Big Blue, the lead ram (who was at least shoulder high and had four horns atop its head) knocked into one of the fleeing ewes; thankfully seeming to lose interest in chasing Dustin as the animal climbed back onto his feet...

Even Mr. Clarke, who had encouraged their interest in understanding natural miracles and had loaned them many scientific publications, had just stared at Dustin perplexed when he had tried to explain his theory. But Mr. Clarke hadn’t told Dustin he was being a goose either, or accused him of having too much imagination. Instead, he’d given them a book called Jane Eyre to read because he thought they’d like it.

“It deals quite a bit with ghosts, and the oftentimes quite human explanations for them.” He’d said with a wink and cheery smile. Max quite liked Mr. Clarke, and the book was turning out to be really good too. Far better than any of the short stories and sermons Ms. Klupp had them reading for class....

While You Were Sleeping

“Pardon me. Sorry.” Steve’s alpha had said politely, like some rich guy in a rom-com with like six degrees, through perfectly white teeth and plump gorgeous lips. To make matters worse, his eyes were blue, and for the first time in his life Steve understood all that shit in the novels about gazes holding hidden depths and secret longings. It was easy in an instant to imagine that the gorgeous stranger he’d just bumped into was as lost in the world as he was, without meaning or purpose. One that he’d obviously find in Steve’s bed, when they fucked the ever living shit out of each other.

At least, that’s how it would have gone in one of Robin’s books.

Thanks for the tag lovely! I am 1000% sure you have all already been tagged but maybe tag me on your post so I can read your snippits. But no pressure... The word is Book! @dragonflylady77 @adelacreations @a-redharlequin @bigdumbbambieyes @ihni, @chrisbitchtree @medusapelagia @intothedysphoria

#harringrove #tag game #snippets #works in progress

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taviokapudding · 1 year ago

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Simon's joke of "soup of theseus" is so damn good & way more layered than most people think.

Okay so first- what is the ship of Theseus?

So amongst his many misadventures and legends the ship of theseus was a ship the Athenians believed connected them to the divine living person that was Theseus. The thing is, he was maybe Poseidon's adopted kid/the King if Athen's son and probably not real (or at least if he did his misadventures were super exaggerated as royals = divity stories are) but the fate the Athenians had for him & Apollo (the 6 labors is a fun legend that explains their connection and what the original ship may have been) was so intense, they would constantly give maintence as a form of religious worship to said ship on the island of Delos (where Apollo's most sacred sancutary is) every year it would dock to pay respects.

Btw we don't need to know the specifics of Theseus but he did infamously slay a minotar and Finn did have a good exchange with the Mannish Man to get the enchiridion aka the book that sets Betty & Simon on the paths they are on now so that's neat af

So if you've ever heard about the ship of Theseus being paradox- it comes from the critique that's always existed about that ship's maintenance & religious practices tldr if you are constantly replacing each rotted and borken part of a ship, is it still the same ship?

The soup is a paradox like the ship

That paradox exists in many many scifi and adventure stories like the Nier series & Ghost in the Shell but in this instance we got to first look at the joke literally. Farm world's Finn's wife's soup is the same as the ship. The original soup farm world HW made no longer exists on a technicality, but the way Finn and his kids continue to add on and consume the soup is exactly like the Athenians. It's about the intent of carrying on the memory and keeping the soup around to honor the dead rather than the soup's original recipe {which also is incredibly sad & imples that farmworld Finn is both coping and never learned the original soup recipe}. It's a beautiful way to honor their dead mom/wife and it makes you wonder if that Finn did die if his kids will continue the practice.

But the paradox goes beyond the soup & into our reality

A lot of people have noticed that Fionna's last name is Campbell and Campbells is a real soup brand that would've been around before the great mushroom war. When Marceline gets sick as a kid, Simon goes great lenghts to get her chicken soup- that only worked out because the primordial version of the Mother Gum assisting {which is extreme Bubbeline foreshadowing}. And in that scene the can low key is a campbell design. But what if I told you there's more?

In Cheers, the tv show Simon is seen constantly watching and referencing throughout the original run of Adventure Time & in the recent Fionna and Cake had Carla Tortelli work at a Canpbell's Factory.

Neat references aside the soup ends the moment the main trio hit the remote button and I have a BA in psychology & interest in childrens media and entertainment that I want to milk for once. Metaphorical intention is beyond relevant episode specifics but actually the foundation of Fionna and Cake when it comes to the paradox.

Simon making the soup of Theseus joke is the main problem Fionna and Cake has to address

If Simon can summon his & Prismo's au from his head without proper MMS (Magic, Madness, and Sadness) where does Simon the human start and Ice King end?

As viewers who grew up alongside the series, the majority of 25+ watchers are finding Simon, older Finn, and Fionna painfully relatable because good fucking god we are all traumatized because of the ongoing pandemic.

If you want to focus on the main topic you can skip this part. But if you want to get very serious for a minute, please stay. The majority of people wont to accept what I just said about the pandemic being ongoing because global governments pretending the pandemic is over, the rise of depression and escapism in real time at a social level at a global level but especially in the US where the series is being made, and the daily interactions we have with most people refusing to mask up {with a violent reaction} when there still isn't a cure for COVID has created the perfect enviroment for most people to not accept change or crave extreme change. Fionna and Cake tackles these 2 very common forms of how depression tends to manifest when it's not fully manic to be displayed through Simon (self isolation from poor coping due to loss, detachment from society, dwelling on the past to the point it effects social interactions, extreme forms of religious practice, etc.) and Fionna/Finn (pretending everything is fine, avoidance, going through the bare minimum motions to survive, escapsim and dream of grandure, not caring about sel preservation, no/lack of self control with sweets/coffee, etc.). And I've noted there's a subset of AT viewers who don't relate or find the depections too real to the point they're upset the show's tone isn't as light hearted as AT. The thing is when a global disabling event happens, unless you were under 10 when it happened and even then it's a 50/50 because you probably did lose or know somebody who did die these last several years, you will have some kind of trauma response to it whether you like it or not. Hell, some of you unknowlingly have a gap in your memory about 2020 specifically due to inconsistent sleep schedules that have nothing to do with the shrinking of the brain mass COVID causes that we all call "brain fog" and now that I pointed it out you're probably going to go stare at a wall for 5 mins {sorry btw, doubly if you have long COVID and this is how you found out what brain fog partially is}. As someone who's been dealing with depression since I was a child, it's okay to be not okay given the last several years and doubly if you've been conscious long enough to see the US freefall into fascism too {which I hope encourages those who weren't aware that's been happening to go look into that because we can't get into it right now}. Because I unfortunately know what manic depression can look like - if you find yourself relating to Simon a little too much during ep 3, please talk to somebody who is licensed and trained to do so {not me, I haven't done suicide prevention work since 2017 and am not licensed- I genuienly won't be enough of a resource} okay? Don't throw away yourself nor change yourself for others only. You need to work to accept the past, move on to live in the present, and change yourself for yourself. It won't be easy and resources are out there to not do it alone, alright?

Becuase of how paradoxial and fluid mental health (espeically undiagnosed depression) can be and how AT has it's own version with MMS, could Simon have unconscious MMS still because of Betty's with without a battery but can't tap into it because of his mental state? And could Ice King as we once knew him even be considered a proper person Simon could return too?

The original wish of why Ice King's appearance & abilities is the way it is IS because of Evergreen's impression on Gunter {Evergreen was one of the ice elementals of the past btw- go watch the original Adventure Time for that context}. So Ice King isn't even an original character, just the crown building off the wishes and manifestations of each bearer by emulating a warped version of Evergreen. And that's the main reason why I speculate Ice Thing aka Gunter the Penguin is chill af to the point he got married and can exist with less gems. His wish didn't build off of power to protect Marceline (Simon) nor the power to copy Evergreen (Original Gunter).

As the main trio jump from connected universe to connected universe, more Simons and crowns will appear that are even more removed from our Ooo's crown and it's version of Ice King or Ice Prince or Winter King will only manifest because of the prior and current wishes made. So if Simon does get a crown that isn't the Ooo crown, will the Ice King that once existed even be THE Ice King he wants to be? And will Simon want to be Ice King or an Ice King when the trio do return to his Ooo?

The crown and it's many versions is a paradox that can only be resolved if Simon and Fionna can work together but also set aside their depression to address what they both really want and what that wish's intention will do to themselves and those around them. In short, shit's deep

I applaud the team for Fionna and Cake for tackling such a layered problem and I'm excited to see how Simon's soup of emotions, Fionna's growth, & magic crown of Theseus is addressed.

#mun post #i probably over analyzed but also didn't do enough to dig deeper #so hopefully if you've seen AT you can fill in the gaps #but also walk away with interesting knowledge and #a weird look into my noggin #and yes im layman terming so much because if we get into specifics ima bore the shit out of y'all #also i hc fionna/finn has adhd & simon is somewhere on the austim spectrum because of how they display their depression - there's overlap #adventure time fionna and cake #spoilers #fionna and cake spoilers #campbells soup #was also a suprise- i knew cheers had a ton of product placement but a whole factory job is such a random reference #adventure time spoilers #simon petrikov #brain rot is getting too real #i wanted to make a tiktok or youtube about this but fandom on there doesn't allow for discourse and yt at fandom prefers facts and lore ove #deep interpretation and speculation- doubly from someone who is also a sorta girl failure with a degree like simon #sorry if there's spelling errors- i prefer mobile tbg #also im not a historian- if I got theseus's lore wrong just know im blaming the victorian historians and google #i prefer reading medical biology sociology and psychology peer reviewed studies over history studies because those obsessed greek and roman #scholarly bitches are actually super annoying to talk to- every discussion literally ends up back to the greco-roman empire and I'm good #i prefer the now and the future than the past because i've learned enough to know how to spot history repeating itself & wanting to address #it while we can and/or while folks still have funding to do so vs the past is full of bs {mostly christian and victorian 'historians'} ya #gotta dig through to get to a semblance that can be adapted to the present- i respect the hussle but I have a limited access of resources t #deep dive theseus and explain him so sorry if you wanted more - like go ask a BS or higher in greek mythology research instead #oh btw for those curious i got a ba in psychology but my interest was pediatrics lgbtq+ and entertainment for those under 18 so y e s I have #too many thoughts about this show and many others but the ongoing worker's strikes are why im not making content #doubly if tiktok does start paying me *is filing to get an income* but y e a h bitch i could keep going if i had more than 30min to recall #all the information i do remember outside of the theseus specifics- i had to pull out my irl dictionary for that because it's been a while

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