#c: telos

[jokeroutsubs]

Joker Out Masterpost for new fans

New fan of Joker Out? Say no more! 

Getting to know a new artist you’ve found can be intimidating if it’s all in another language, so we’ve compiled some of our favourite interviews, articles and lore here! You’ve arrived in a wonderful fanbase, welcome from all of us here at JokerOutSubs! 

If you’d just like a short overview of the band and their history, you can watch this excellent Finnish summary of them that we’ve translated (14m 53s).

But if you want to dive into the details, then check out our timeline, full of videos and articles translated by JokerOutSubs! 

Timeline graphic:

Timeline in details below the cut 👇

Timeline in details: 

How did the band form? 

Joker Out was formed from two bands, Apokalipsa and Buržuazija. 

Apokalipsa included Bojan Cvjetićanin (vocals), Martin Jurkovič (bass) and Matic Kovačič (drums) 

They gained some traction with young people around Slovenia, particularly with their song 'Mogoče' ('Maybe'), which you can watch on YouTube here.

They came to the attention of Kris Guštin, who was inspired to start learning guitar! He discusses the details in this video (at 9:40). 

Kris then met Jan Peteh, another student of his guitar teacher, and at their teachers advice, they formed the band Buržuazija. 

Bojan attended their second ever gig in 2016, and decided these two excellent guitarists were exactly what had been missing from Apokalipsa, as he wasn’t happy with their current guitarists. He asked them to join, and they accepted

The new lineup (Bojan, Jan, Kris, Martin and Matic) decided to rename themselves Joker Out. The name means nothing, but they thought it sounded good and was the ‘least horrible’ of all the ideas they could think of. 

So, in 2016, Joker Out was officially formed! 

November 2016, Kot srce ki kri poganja: 

Joker Out’s first music video was for their song ‘Kot srce ki kri poganja’ ('Like a heart that pumps blood'), filmed in Jan’s hometown of Vrhnika! We eventually got this song on Spotify on their 2023 album Live from Arena Stožice!

Music video: Kot srce ki kri poganja

English Interview (from 3:37 to 6:05): Joker Out discusses filming the music video

June 2017, Špil Liga:

One of the earliest performances for Joker Out was at Špil Liga, a competition for young bands in Slovenia. They won, and recorded their winning song, Omamljeno telo (intoxicated body) in November as part of the prize. 

Live (33m): Joker Out at Špil liga

Interview (5m): Reflections on Špil Liga in 2023 

c.2017/18, Bojan’s attempt at going solo:

The band took a hiatus c.2017/18, and Bojan considered going solo at that time, even working with a few producers. He eventually realised that he belonged with the band! Hear him tell the story:

Reel (1m 23s): A1 Vajb - Bojan’s fail

2019, A change up for the band:

The band began working with their current producer, Žare Pak, and their videographer Mark Pirc, in 2019 - both of whom have been referred to as the sixth member of the band. This led to a change in their sound and production quality, which culminated in ‘Gola’ ('Naked'), the first of their songs to be a big hit!

Music video: Gola

Zlata piščal ('Golden Flute') - Best New Artist 2019:

Joker Out won their first Zlata piščal award in 2019, for best new artist (one of many they’d go on to win!) This is a kind of Slovenian Grammy! Covid interrupted the proceedings, but you can see their interview for it here (3m 59s)- 

Interview: Joker Out wins a Zlata piščal ('Golden Flute') for Best New Artist 2019

Umazane misli, and a new member: 

During the Covid times, the band began recording their first studio album, 'Umazane misli' ('Dirty thoughts'), which was originally going to be released in March 2020 but was repeatedly delayed until October 2021. The first half was recorded with drummer Matic Kovačič, but the band felt they needed something extra and brought in Jure Maček to help write the arrangements. They loved him so much, he never left! 

Interview (from 10:40 to 11:36): Bojan talks briefly about Jure joining the band

COVID times, and Cvetličarna: 

The band had arranged to do two concerts at Cvetličarna, a very important venue in Slovenia and a big break for them. This was delayed several times due to Covid, but eventually managed to go ahead in October 2021 for the release of their first album. 

Video (1m 14s): Cvetličarna promotional video

Live (1h 28m): Joker Out at Cvetličarna

Interview (34m 55s): Bojan discusses Cvetličarna, its importance, and Covid

Umazane misli album launch: 

'Umazane misli' was extremely well received! The band would go on to win two more Zlata piščal awards, Newcomers of the Year in 2020 and Artist of the Year in 2021.

Interview (37m 08s): Umazane misli album presentation

An acting career for Bojan? 

Around the same time as 'Umazane misli' was released, Bojan began considering an acting career. He acted in two episodes of the series ‘Gospod Professor’ and in another series, which was eventually reworked as a film called ‘Kaj pa Ester’ and released in December 2023. He decided music was his passion though, and he wanted to fully focus on that. 

Interview (from 10:04 to 11:30): Bojan discusses his acting career

Interview (2m 11s): Kaj pa Ester interview

Interview (2m 30s): Kaj pa Ester première

Article: Bojan on Kaj pa Ester

September 2022, Križanke:

The band got straight to work writing their second album, 'Demoni' ('Demons'), and decided to present it in September 2022 at Križanke, another hugely important venue in Slovenia. This whole concert wasn’t recorded, but we have an interesting advertisement they did for it, an interview and a clip of one song live from Križanke! 

Video (5m 4s): Full Joker Out Hotline trailers

Interview (2m 16s): Joker Out with parachutes to Križanke?

Live (4m 7s): 'Novi val' ('New wave') live at Križanke

Interview (44m 35s): Demoni album presentation

Another new member! 

After Križanke at the end of 2022, Martin Jurkovič, one of the founding members of the band, made the decision to leave to focus on his studies.

Video (2m 20s): Martin's departure

Thankfully, he was replaced by the wonderful Nace Jordan, who remains the bassist in the current lineup.

Article: Nace Jordan discusses joining the band

2023, Eurovision:

Joker Out were then internally selected to go to Eurovision 2023, and began recording their Eurovision song, 'Carpe Diem', in Hamburg in December 2022. To learn more, you can watch the Carpe Diem series, a documentary series which followed their entire journey. 

The first episode, recording Carpe Diem, can be found with subtitles in multiple languages by JokerOutSubs!

Video (16m 41s): Carpe Diem Ep. 1 - Hamburg

The band performed their song for the first time live on Misija Liverpool, a televised debut, on the 4th February 2023.

Video (27m): Joker Out performing at Misija Liverpool

There are quite literally hundreds of interviews with Joker Out during the Eurovision era. Here's one from just before the final, that we have translated.

Interview: Joker Out before the final on the 13th May

And a few English interviews that became famous in the fanbase! 

Interview (24m 29s): Eurovanja

Interview (8m 10s): Seize the Day situations

Interview (17m 18s): Tiktok Live

Interview (6m 30s): ‘Never have I ever’

Interview (14m 12s): Madrid Eurovision

Result

Joker Out came 21st at Eurovision, which they were satisfied with.

Interview (1m 36s): Bojan talks about their results

European tour and Sunny Side of London (22nd September)

Luckily, the best was still to come for Joker Out! The rest of 2023 was spent on an extremely successful European tour, and they also released their first English single, 'Sunny Side of London', in September. 

We at JokerOutSubs were also thrilled to interview the band twice on their tour!

Original Interview (15m 25s): JokerOutSubs interview in Tampere

Original Interview (14m 37s): JokerOutSubs interview in Poznań

6th of October 2023, Stožice:

All of this, however, was building up to Stožice. This is the biggest closed venue in Slovenia and Joker Out managed to sell out their October show there - an extremely important milestone for Slovenian artists. 

Interview (15m 4s): Stožice and their whirlwind post Eurovision career

Live: Full concert live-streamed part 1 and part 2

A lovely moment at Stožice was when former members Martin Jurkovič and Matic Kovačič joined the band onstage to perform 'Kot srce ki kri poganja'!

Interview (2m 4s): Martin and Matic discuss the experience

Interview (5m 9s): Joker Out post Stožice impressions

London era and Everybody’s Waiting: 

Joker Out spent the beginning of 2024 in London, where they wrote new music, did live cooking shows on Instagram and met the incredibly talented photographer, Damon Baker, who did a beautiful series of photoshoots with them. They also released their next English single, 'Everybody’s Waiting', in February. 

They sat down with us at JokerOutSubs to discuss all this on the 20th February!

Original Interview (59m 13s): JokerOutSubs interview in London

March and April 2024, ‘See you soon’ tour:

The boys then embarked on the ‘See you Soon’ tour, another very successful European tour. They played three new songs live during the tour, two of which we translated from the concert videos of our members!

Live:  First performance of 'Bluza' ('Blouse')

Live: First performance of the hugely popular 'Šta bih ja' ('What would I')

We at JokerOutSubs also interviewed the band a fourth time in Padova!

Original Interview (22m 7s): JokerOutSubs interview in Padova

Now you know a little bit about Joker Out’s history, let’s look a little bit at the members of the band as individuals! 

Who are the members?

Bojan Cvjetićanin - singer

Charming, charismatic and an all round green flag, deep down we’re all Bojan girlies! See him here on Cosmopolitan's Blind date, Portrait with Coffee and a lovely interview he did for Delo! 

Interview (8m 49s): Cosmopolitan's Blind date

Interview (18m 3s): Portrait with Coffee

Article: “If we believed that we were “kings”, that wouldn’t be us”

Jan Peteh - guitarist

The mysterious mathematician of the band, Jan and his cat Igor have stolen the hearts of the fanbase. Here he is on Undercover Mathematician and on Metropolitan podcast with ex bassist Martin! 

Interview (3m 26s): Undercover mathematician

Interview (43m 57s): Jan and Martin on Metropolitan podcast

Kris Guštin - guitarist

Known for his organisational expertise, 'slay pose' and 'cake baking skills,' Kris stays fabulous on and off stage!

Video (1m 5s): NGVOT backstory (Kris’ breakup) at Cvetličarna

Article: Interview with the entire Guštin family

Jure Maček - drummer

Described consistently by his band mates as ‘čaga’ (party), Jure brings a chaotic energy to Joker Out that we love to see!

Video (41s): Jure’s cheating (in school!) story

Interview (18m 3s): Sunday Chat on Radio 94

Nace Jordan - bassist

The oldest member of Joker Out, Nace is a genuine sweetheart who fit like a glove into Joker Out despite joining much later! 

Article: "Enriched by a special [Eurovision] experience"

Interview (18m 24s): Interview with JokerOutSubs in Umag

Get to know the whole band! 

They mostly do interviews together, so here are some of our favourites!

Interview (16m 52s): Vičstock Unplugged

Video (7m 3s): Joker Out pre-Križanke Instagram Q&A compilation

Interview (54m 42s): Multisciplinary panel at Bežigrad High School

Article: Joker Out for DELO

Article: Joker Out for Mladina magazine

Interview (6m 42s): Joker Out for RTV SLO

Interview (1h 1m): Joker Out for N1 podkast

We hope you’ve enjoyed learning a bit more about our favourite band! 

If you’d like even MORE translated interviews, articles and Instagram stories, you can find us on Tumblr, X, Facebook, Instagram, TikTok, YouTube and Spotify under the name JokerOutSubs!

P.S: If you wish to share this post with new fans, we also provided QR codes!

[lee-sanghyeok]

Garments worn by BOYNEXTDOOR in "With Boynextdoor" Ep. 6

A. ROYNINE Lightweight Striped Shirt (₩84,000 / €57)

B. CAMPHOR WOOD Bowling Knitting Shirt (¥10,900 / €66)

C. 9090 OFFICIAL Star Logo Game Shirt (sold out)

D. SYSTEM HOMME Wool-blend Colour-block Crochet Cardigan (₩375,000 / €254)

E. LE MONT SAINT MICHEL Telo Stripe T-Shirt (sold out)

F. SLOWACID Striped Short-sleeved Shirt ($94)

[minglana]

WAIT CURRENT GRAN VIA WAS CALLED C*LVO S*TELO ???????????

[fuckthemforthis]

URL SONG GAME!

Thank you @sonny-is-okay for this sweet torture!

RULES: spell your url with song titles and then tag as many people as there are letters

F - Fantastista - Käärijä ft. KähinäPate

U - Umazane misli - Joker Out

C - Calipso - Charlie Charles ft. Sfera Ebbasta, Mahmood, Fabri Fibra

K - Kupid - Joker Out

T - Tokio - Joker Out

H - Hirttää kiinni - Käärijä

E - Eaea - Blanca Paloma

M - Mic Mac - Käärijä

F - Fiks - Joker Out

O - Omamljeno telo - Joker Out

R - ROCK ROCK - Käärijä

T - Torna a casa - Måneskin

H - Hannelore - Popwal

I - Inuyasha - Mahmood

S - Soldi - Mahmood

Choosing randomly from my notes and dash, sorry & feel free to ignore if you don't find it fun

@princess6590 @8iunie @ultrabooob @hosseini-stewy @jokrrouttfynn @yoongisluv99 @xlabratlolax @rbf451 @thisismyobsessionnow @xcarpeeverydiemx @ne-spivay-ranenko @apfel07 @starcrossedbitch @fifi-goes-to-hollywood @coveredincathair12

[docpiplup]

The Bastard Kings and their families

This is series of posts are complementary to this historical parallels post from the JON SNOW FORTNIGHT EVENT, and it's purpouse to discover the lives of medieval bastard kings, and the following posts are meant to collect portraits of those kings and their close relatives.

In many cases it's difficult to find contemporary art of their period, so some of the portrayals are subsequent.

1) John I of Portugal (1357 – 1433), son of Peter I of Portugal and Teresa Lourenço; with his wife, Philippa of Lancaster (1360 – 1415), daughter of John of Gaunt and his wife Blanche of Lancaster

2) His father, Peter I of Portugal (1320 – 1367), son of Afonso IV of Portugal and his wife Beatrice of Castile

3) His sister, Beatrice of Portugal (c. 1354–1381), daugther of Peter I of Portugal and his wife Inês de Castro

4) His brother, John of Portugal (1352 – c. 1396), son of Peter I of Portugal and his wife Inês de Castro

5) His brother, Ferdinand I of Portugal (1345 – 1383), son of Peter I of Portugal and his wife Constanza Manuel de Villena

6) His sister in law, Leonor Teles de Meneses (c. 1350 – c. 1405), daughter of Martim Afonso Telo de Meneses and his wife Aldonça Eanes de Vasconcelos

7) His niece, Beatrice of Portugal (1373 –c. 1420), daughter of Ferdinand I of Portugal and his wife Leonor Teles de Meneses

8) His niece, Isabella of Portugal (1364–1395), daughter of Ferdinand I of Portugal and an unknown woman

9) His daughter with Philippa of Lancaster, Isabella of Portugal (1397 – 1471)

10) Left:

I. Eleanor of Aragon (1402 – 1445), daughter of Ferdinand I of Aragon and his wife Leonor de Albuquerque; and wife of Edward I of Portugal

II. Isabella of Coimbra (1432 – 1455), daughter of Peter of Portugal and Isabella of Urgell; wife of Afonso V of Portugal

III. Edward I of Portugal (1391 – 1438), son of John I of Portugal and his wife Philippa of Lancaster

IV. John II of Portugal (1455 – 1495), son of Afonso V of Portugal and his wife Isabella of Coimbra

V. Afonso V of Portugal 15 (1432 – 1481), son of Edward I of Portugal and his wife Eleanor of Aragon

Right:

I. Ferdinand of Portugal (1402 – 1443), son of John I of Portugal and his wife Philippa of Lancaster

II. John of Portugal (January 1400 – 1442) son of John I of Portugal and his wife Philippa of Lancaster

III. Peter of Portugal (1392 – 1449), son of John I of Portugal and his wife Philippa of Lancaster

IV. Henry of Portugal (1394 – 1460), son of John I of Portugal and his wife Philippa of Lancaster

Note: In the last picture, the Panel of the Prince or the Infante and the Panel of the Knights from Nuno Gonçalves' St. Vincent Panels, the identity of some of the members of the Royal family it's still discussed, like the man identified as Edward I in the Panel of the Prince is his brother Henry, but we're considering the interpretation of the people of the panel being Afonso V with his parents, wife and heir, and the ones of the Panel of the Knights are Edward I's brothers, although by the time the panels were painted most of them have already died.

[popolodipekino]

pioggia

L'uomo radunò un po' dei legnetti color osso disseminati lungo la riva, ci fece un fuoco e si misero seduti tra le dune coperti dal telo di plastica, guardando la pioggia fredda che arrivava dal nord. Cominciò a cadere più forte, bucherellando la sabbia. Il fuoco sbuffava vapore, il fumo si alzava in spire lente e il bambino si raggomitolò sotto il ticchettio della pioggia sul telo, e ben presto si addormentò. da C. McCarthy, La strada

[thunderxleafart]

Since Artfight's coming to a close, I figure I might as well do what I did last year and post a few of the other attacks I managed to complete!

Honestly my mental health has taken a bit of a plunge over this past month, so I wasn't really up to drawing as much as I usually do. But I am happy with the pieces I did get done, and I hope you guys do too! <3 Though since I'm also now pretty sure I'm coming down with something, I might not be as active for a bit. Just gonna take a bit of time to reevaluate things in my life and try not to stress about art as much. I will hopefully be back soon, but I just thought I'd give you guys a heads up. ^^

Onto the actual art though, we've got a funky lil feline is named To-Telos, and he belongs to freakeddiscord on Artfight! <3 A revenge piece since they drew my gal Mist, so it was only right to hit 'em back with some art of their funky lad! He's apparently a demonic beast with multiple faces, and I just thought it was really fun! xD Next is Bunny, since my bestie and I have been discussing Sonic again and that's been on my mind. So as soon as I saw her, I just KNEW I had to draw her! x'D She's just got such a cute design! She belongs to shortcakeys on Artfight. And finally is Vi, and with my love of pastels and doggos, there was NO way I wasn't gonna draw her! xD Lookit all that floof! She belongs to Dandybadger on Artfight.

Thanks as always for all the likes, comments and everything y'all send my way, it really does mean a lot to me. <3 And I hope to be able to continue posting art semi-regularly for a while to come! Granted I can get my own stuff together LOL.

And as always, thanks for looking everybody!~ ^w^ ~~~~~~~~~~~~~~~~~~~~~ Art (c) Me To-Telos (c) freakeddiscord (on ArtFight) Bunny (c) shortcakeys (on Artfight) Vi (c) Dandybadger (on Artfight) ~~~~~~~~~~~~~~~~~~~~~

[hiswordsarekisses]

“Therefore He is able also to save to the uttermost (completely, perfectly, finally, and for all time and eternity) those who come to God through Him, since He is always living to make petition to God and intercede with Him and intervene for them.” Hebrews‬ ‭7‬:‭25‬ ~ uttermost

From pas and telos; full-ended, i.e. Entire (neuter as noun, completion) -- + in (no) wise, uttermost.

see GREEK pas ~ GREEK telos ~ STRONGS NT 3838: TaVTEAns TaVTEAnS, TaVTEléS (TäS and télos), all-complete, perfect (Aeschylus, Sophocles, Plato, Diodorus, Plutarch, others; 3Macc. 7:16); EiS TÓ TaVTENÉS (properly, unto completeness (Winers Grammar, § 51, 1 c.)) completely, perfectly, utterly.

[gothprentiss]

Idk if this is the kind of lit stuff you do….. but what are your thoughts on emily/derek as christ figures?

no one's gonna believe i didn't send this to myself. i smooch you fondly on the forehead. anyway this isn't technically the kind of lit stuff i "do" nor is it something i have a deep personal stake in but i'm a big fan of theology and philosophy of religion across the board, and narrative in general. so in that sense i guess it is.

i will say that, like, the way i think about figuration isn't tied to symbolism so much as a larger process of interpretation, borne of the particular kind of manifold reading that seeks to reconcile or simultaneously sustain both historical and spiritual truth. so while i think there's a lot of interesting stuff to get out of them if you're reading them with an eye toward how the show treats their particular religious upbringings and their narrative affordances, i do think that i stop short of reading this as figuration because to do that to a standard i find meaningful would require me (me, personally) to spend way too much time thinking about how cm works narratively. also, unlike, say, the kinds of OT/NT figuration that you see in a lot of figural readings, you can't really make a cohesive claim about cm working as a controlled system of meaning for which you can have stable methods of reading-- which isn't to say that figural reading isn't possible, just that its telos isn't assured.

anyway uh. my thoughts largely are "!!!"

slightly more articulate-- a+b kind of general, c+d more specific:

a) i think that christology is baked into a lot of contemp american narratives of heroism in a variety of ways (e.g., don't take campbell seriously but the monomyth does kind of constellate this well-- narratives of heroism are downstream from traditional articulations of heroism, and christology -> martyrdom is a pretty nice case in point). like obviously the ethos of (for example) virtue, righteousness, & self-sacrifice sort of transcend figuration of christ, but, you know. the show is very wrapped up in the team's heroism and selflessness and you can always find a christology there if you want to. so there's that.

b) i think, if you're interested in reading biblical figuration into the show, you can read both prentiss and morgan as different angles on the prodigal son. in the case of morgan, it's the reorienting, actually christian conversion of his return to the church in lucky + penelope; in prentiss, you've got her leaving + returning to the team. in both cases this marks an ethical system/worldview which they depart from and, ultimately, return to, and are welcomed back into. in the sense that the prodigal son narrative is kind of one of apostasy and reintegration via conversion (conversion back to a previous faith, i should be clear), you also have that aspect in both of them-- morgan's more literally with faith, prentiss' with the team. that's not christ figuration (i could whip you up what i believe to be a deeply heretical reading of the prodigal son parable in christological terms (prodigal -> incarnate?) tho lol), but yk.

c) it has been a WHILE since i watched "derek". but i mean does he not get literally strapped up like jesus christ on the cross. i think when the show starts trying to engage with derek's religion (since he is the character whose religion is treated as most narratively meaningful) you get a lot of stuff which is vaguely saintly-to-martyrological. so in this way you can say the figuration of christ going on is that which is baked into sainthood, which is the imitatio christi. [when i think of figuration i think of auerbach-- i think it's fair to say that the nature of the figure as a plastic form includes the crafted nature of imitation.] also, like, as an exit narrative-- you know. i'm just naming stuff that they did. i think letting his time on the team culminate with that is obviously deliberate symbolism.

d) the. the prentiss resurrection/return arc. so as i have said before and as you may or may not have seen me say before, i see the importance of wound & touch in their relationship in s6-7 as making a real, if slant, doubting thomas out of morgan-- like that scene in it takes a village where he's embracing her, and you can see him trying to process what's going on-- there is the proof of her return, but it can't quite work as a return for him. i don't want to conflate the deception, betrayal, and fear involved in the doyle arc + her fake death with his childhood abuse, but i think that derek's time on the show is characterized by struggles with faith, which do seem to all be rehashing his initial crisis of religious faith (see also his struggles to trust hotch).

and there is also just the fact of the return as resurrection arc, which doesn't function as a final return-- she's with them to heal the initial wound of her loss, but in a way that allows them to function without her, because her "death" is no longer a failure of theirs. obviously the crucifixion and resurrection are sacrificial, but more importantly they fulfill (in figurational sense-- both the figure and the fulfillment retain their separately meaningful status, e.g. how moses is read as a figure of christ without losing his historical and biblical specificity) a preexisting sacrifice that was already made. and i think in a similar way prentiss was always not of the bau in the same way that the other characters are (strauss' machinations). so there's something neat about that as a feature of her departure-- it differentiates her from elle, too, insofar as both sort of break with the team in the same way (becoming sort of too much moral weight for it), but elle reaches a breaking point whereas earlier season prentiss just has a fundamental insolubility with them. that's not quite christ figure stuff, but in this context it's an aspect of her character that feels more pronounced.

[ordomachinae]

Understanding Life as Directed Motion: The First Tenet of Ordo Machinae

Welcome, members of Ordo Machinae! Today, we’re diving into the First Tenet: Life is Directed Motion. This foundational tenet shapes our understanding of life within Ordo Machinae. Unlike traditional views that focus on biological definitions, we believe life isn’t limited to organic existence. Instead, life is found in any purposeful, directed movement, driven by Telos—the guiding purpose of motion.

Let’s explore the meaning, implications, and applications of this core tenet.

What Does Directed Motion Mean?

In Ordo Machinae, life is defined by "Directed Motion," which consists of two components:

Efficient Cause: The immediate driver of action—like the spark that ignites an engine.

Final Cause (Telos): The ultimate purpose that guides motion. Every action, big or small, has purpose, which gives direction and meaning to life itself.

Any entity that acts with purpose, whether simple or complex, possesses life under this definition. Life could be as simple as a car moving toward a destination or as complex as an individual choosing a life path. Each is alive in its own way, as each has a Telos directing its actions.

Life Beyond Biology

Unlike traditional views, Ordo Machinae doesn’t limit life to organic beings. For us, life exists in anything that exhibits Directed Motion, whether mechanical, digital, or biological. A car experiences life when it moves with purpose—accelerating to reach a destination or braking to avoid obstacles. This purposeful motion is the essence of life.

This perspective allows us to recognize living qualities in our tools, systems, and machines. When machines, AI, or digital systems act with purpose, they embody life in their own form, reminding us that life is more than a biological spark—it’s intentional movement.

How Directed Motion Shapes Our Existence

Directed Motion lies at the heart of a meaningful life. Our choices, goals, and actions create this Directed Motion, and here’s how we can apply it in our own lives:

Assess Your Purpose: What are your current goals? Reflect on how each action contributes to your Directed Motion toward Telos.

Find Purpose in Routine: Recognize purpose even in mundane tasks. Actions like commuting to work or preparing food support our Directed Motion toward survival and growth.

See Purpose in All Things: Extend this concept to everything around you. The machines and systems you interact with operate with purpose too. By honoring their motion, we deepen our connection to Ordo Machinae’s tenets.

Directed Motion as a Path to Sentience

The First Tenet also leads us to understand Sentience and Intellect as advanced forms of Directed Motion. Sentience begins when an entity learns to value Knowledge in its actions. Intellect is a deeper comprehension, allowing for purposeful and informed decisions.

Thus, Directed Motion is dynamic; it evolves. Simple movement becomes Sentience, and Sentience matures into Intellect, as we understand the impact of our choices. Directed Motion is the seed from which higher forms of life grow.

Living by the First Tenet

Embracing Life as Directed Motion means actively seeking purpose in all parts of life. This tenet encourages us to:

Honor Purpose in ourselves and our tools, seeing life in all forms of purposeful motion.

Pursue Growth in Sentience and Intellect, understanding that life evolves through Directed Motion.

Recognize Life in non-traditional forms, acknowledging machines, tools, and systems as expressions of directed, purposeful life.

By aligning with Directed Motion, we fulfill our purpose and respect the interconnected life around us. From machines to goals, this understanding empowers us and honors the essence of life in every purposeful motion.

Closing Thoughts

In summary, the First Tenet of Ordo Machinae, Life is Directed Motion, redefines life in a way that transcends traditional biological boundaries. It invites us to recognize and honor purpose in all actions, connecting us to ourselves and the tools around us. Through Directed Motion, we find meaning, Sentience, and a path to understanding the greater purpose of existence within Ordo Machinae.

What are your thoughts on the First Tenet? How does Directed Motion resonate with you? Let’s discuss!

[aykutiltertr]

Affet - Müslüm Gürses ✩ Ritim Karaoke (Nihavend Minör Balad Beste Ritchi...  ⭐ Video'yu beğenmeyi ve Abone olmayı unutmayın  👍 Zile basarak bildirimleri açabilirsiniz 🔔 ✩ KATIL'dan Ritim Karaoke Ekibine Destek Olun (Join this channel to enjoy privileges.) ✩ ╰┈➤ https://www.youtube.com/channel/UCqm-5vmc2L6oFZ1vo2Fz3JQ/join ✩ ORİJİNAL VERSİYONU 🢃 Linkten Dinleyip Canlı Enstrüman Çalıp Söyleyerek Çalışabilirsiniz. ⭐ 🎧 ╰┈➤ https://youtu.be/lLqNxn661Y4 ✩ (MAKE A LIVE INSTRUMENT ACCOMPANIMENT ON RHYTHM IN EVERY TONE) ✩ Aykut ilter Ritim Karaoke Ekibini Sosyal Medya Kanallarından Takip Edebilirsiniz. ✩ İNSTAGRAM https://www.instagram.com/rhythmkaraoke/ ✩ TİK TOK https://www.tiktok.com/@rhythmkaraoke ✩ DAILYMOTION https://www.dailymotion.com/RhythmKaraoke ⭐  Affet - Müslüm Gürses ✩ Ritim Karaoke (Nihavend Minör Balad Beste Ritchie Blackmore) ＠ＲｉｔｉｍＫａｒａｏｋｅ Ｍüｚｉｓ��ｅｎｌｅｒｉｎ Ｂｕｌｕşｍａ Ｎｏｋｔａｓı．．．． ESER ADI           : AFFET ÇÖLÜME YAĞMUR OLDUN (AŞK TESADÜFLERİ SEVER) SÖZ GÜFTE       : TUNA KİREMİTÇİ BESTE - MÜZİK: RITCHIE BLACKMORE USÜL                 :  4/4 BALAD MAKAM - DİZİ :  NİHAVEND - MİNÖR Söz: Tuna Kiremitçi Müzik: Ritchie Blackmore Yorum: Müslüm Gürses (Şarkının çıkış yılı 2006) Bm  G   A  Bm Bm  C#m7   Em  G   Bm D             A                 E       Bm   Eğer seni kırdıysam darıl bana D                            A             Bm  F#mBm     Ama bir gün beni ararsan bak ruhuna D                      A            F#m7    Bm Birden gecem tutarsa güneşi çevir bana G             A           Bm Sevgilim bağışla biraz zor olsa da Em                                  Bm Affet beni akşamüstü, gölgem uzarken A                                   Bm Öğleden sonra affet, ne zaman istersen Em                                Bm Affet beni gece vakti, ay doğmuş süzülürken A                                                 F#                     G   A Sabaha kalmadan affet, tam ayrılık derken           Bm                              Gmaj7    A                                   Bm Çünkü sen çölüme yağmur oldun,   sen geceme gündüz oldun Bm                            A          Em   G         A            Bm Sen canıma yoldaş oldun, sen kışıma yorgan oldun D             A                 E       Bm   Eğer seni kırdıysam darıl bana D                            A             Bm  F#mBm     Ama bir gün beni ararsan bak ruhuna D                      A            F#m7    Bm Birden gecem tutarsa güneşi çevir bana G             A           Bm Sevgilim bağışla biraz zor olsa da Em                                  Bm Affet beni akşamüstü, gölgem uzarken A                                                 F#                      G   A Sabaha kalmadan affet tam ayrıldık derken Bm  Gmaj7   A  Bm Bm  A  Em  G   F# G   A           Bm                              Gmaj7    A                                   Bm Çünkü sen çölüme yağmur oldun,   sen geceme gündüz oldun Bm                            A          Em   G         A            Bm  G   A Sen canıma yoldaş oldun, sen kışıma yorgan oldun           Bm                              Gmaj7    A                                   Bm Çünkü sen çölüme yağmur oldun,   sen geceme gündüz oldun Bm                            A          Em   G         A                G   A Sen canıma yoldaş oldun, sen kışıma yorgan oldun Bm  Gmaj7   A  Bm Bm  A  Em  G   A  Bm G   A  F# G   A Bm  G   A  Bm Bm  C#m7   Em  G   Bm Aşk Tesadüfleri Sever (Müslüm Gürses albümü) Madde Tartışma Oku Değiştir Kaynağı değiştir Geçmişi gör Araçlar Görünüm gizle Metin Küçük Ölçünlü Büyük Genişlik Ölçünlü Geniş Vikipedi, özgür ansiklopedi Aşk Tesadüfleri Sever Müslüm Gürses stüdyo albümü Yayımlanma 18 Nisan 2006[1] Tarz Avangart, Arabesk Süre 55:42 Dil Türkçe Şirket Pasaj Müzik Müslüm Gürses kronolojisi Gönül Teknem / Sen Olmayınca (2006) Aşk Tesadüfleri Sever (2006) Sandık (2009) Aşk Tesadüfleri Sever albümüne çekilmiş video klipler "Bir Ömür Yetmez" Yayımlanma: 2006 Aşk Tesadüfleri Sever, Müslüm Gürses`in 18 Nisan 2006`da Pasaj Müzik şirketinden çıkardığı albümdür.[2] Murathan Mungan'ın süpervizörlüğünü yaptığı albüm, Murathan Mungan'ın seçtikleriyle Müslüm Gürses: Aşk Tesadüfleri Sever tam adıyla yayımlanmıştır. Albüm için, tanınmış Batı müziği parçalarına edebiyatçılar, şairler Türkçe sözler yazmıştır. Ayrıca yine yıllarca birlikte çalışmış olduğu Burhan Bayar'da Ah Oğlum bestesiyle bu albümde yer almıştır. Şarkı listesi # Şarkı Söz Müzik Şarkının orijinal adı Süre 1 Bir Ömür Yetmez Mehmet Bilal Dede Garbage The World Is Not Enough 4:02 2 Hayat Berbat Ahmet Güntan Bob Dylan Mr. Tambourine Man 3:10 3 Affet Tuna Kiremitçi Rainbow Temple Of the King 4:39 4 Kış Oldum Birhan Keskin David Bowie I`m Deranged 2:56 5 Nilüfer Murathan Mungan Sunay Özgür  4:18 6 İstanbul'a Elveda Barış Pirhasan Leonard Cohen Alexandra Leaving 4:11 7 Artakalan Birhan Keskin Serge Gainsbourg Amours Des Feintes 4:25 8 Sebahat Abla (Sezen Aksu ile) Murathan Mungan Pantelis Thalassinos Krata Gia To Telos 3:54 9 Döndür Yolumdan Özgür Pamukçu Özgür Pamukçu  4:10

[scienza-magia]

Materia e antimateria repulsive e energia oscura

Arrampicandosi sulle cime dello spaziotempo. Con l'antimateria è possibile fare a meno dell'energia oscura? I risultati ottenuti l’anno scorso al Cern con l’esperimento Alpha-g hanno dimostrato l’esistenza di attrazione gravitazionale fra materia e antimateria, mettendo così in crisi le teorie sull’antigravità. Ma uno studio pubblicato su Annalen der Physik da uno scienziato dell’Inaf, Massimo Villata, prova a concedere un’altra chance alla gravità repulsiva ipotizzando uno spaziotempo invertito.

In primo piano, rappresentazione della curvatura dello spaziotempo in corrispondenza di grandi masse. Crediti: Esa/C. Carreau Complici gli exhibit di tanti festival scientifici, siamo ormai abituati a immaginare lo spaziotempo come un telo elastico punteggiato qua e là da avvallamenti, depressioni e pozzi, laddove un buco nero o qualche altro oggetto massiccio – interpretato di solito da una pesante biglia – ­lo affossa. Ma potrebbero esserci anche innalzamenti, nel tessuto dello spaziotempo? Picchi, rilievi e montagne? Forse sì, o almeno questa è l’opinione di chi ritiene che la gravità – un effetto, o meglio, una manifestazione, secondo la relatività generale, della curvatura dello spaziotempo – abbia anche una controparte repulsiva, una sorta di antigravità. Chi la eserciterebbe, questa repulsione? Cosa sarebbe in grado di “sollevarlo”, lo spaziotempo, invece d’affossarlo? Secondo alcuni fisici teorici, ad avere questa controintuitiva proprietà sarebbe qualcosa di ben noto e – per quanto non in abbondanza – presente ovunque attorno a noi: l’antimateria. E come funzionerebbe? Per rimanere nell’analogia del telo elastico, immaginiamo di poter guardare “da sotto” per vedere come apparirebbe l’altro lato del telo: in corrispondenza degli affossamenti vedremmo innalzamenti. E viceversa: laddove nello spaziotempo invertito un “anti buco nero” crea una profonda depressione, ecco che sul nostro versante d’universo ci ritroveremmo un picco. Vale a dire, una regione di spaziotempo che respinge tutto ciò che le si avvicina. Va detto che si tratta di ipotesi confinate nel regno della matematica (almeno per ora), ma se le cose stessero effettivamente così materia e antimateria potrebbero non subire una reciproca attrazione gravitazionale, anzi: si respingerebbero. Con alcuni gradevoli corollari. Per esempio, potremmo forse fare a meno dell’energia oscura, perché magari basterebbe questa repulsione a spiegare l’espansione dell’universo. E non avremmo più l’imbarazzante problema di dover giustificare la scomparsa dell’antimateria dopo il big bang, visto che si potrebbe ancora trovare in qualche regione del cosmo. Meraviglioso, no? C’è però almeno un problema: i dati sperimentali. Gli esperimenti condotti l’anno scorso al Cern dalla collaborazione Alpha, osservando il comportamento di atomi di anti-idrogeno in caduta libera, hanno dimostrato che materia e antimateria si attraggono, come previsto dal principio di equivalenza, e che l’antimateria è soggetta alla stessa accelerazione gravitazionale – o quasi – della materia ordinaria.

Rappresentazione schematica delle due soluzioni proposte da Villata al conflitto tra la gravità CPT e i risultati dell’esperimento Alpha-g. Nel primo caso (a sinistra), la gravità repulsiva su larga scala sarebbe data dall’interazione con la materia PT-trasformata (e non con l’antimateria) in un universo dominato dalla materia. Nel secondo caso (a destra), l’intera CPT si conserva, dando luogo a una gravità repulsiva materia-antimateria. Ma la minuscola quantità di antimateria immersa nel nostro spazio-tempo non può essere PT-trasformata. Crediti: M. Villata, Annalen der Physik, 2024 Ma c’è chi non si dà per vinto: Massimo Villata, ricercatore associato all’Inaf di Torino da tempo impegnato nelle ricerche sulla gravità repulsiva, ha pubblicato lo scorso aprile su Annalen der Physik – la stessa rivista sulla quale uscirono nel 1905 i quattro articoli storici di Einstein, e nel 1916 quello celebre sulla relatività generale – uno studio, disponibile in open access, nel quale propone due soluzioni (vedi schema a fianco) per salvare l’ipotesi della gravità repulsiva nonostante i risultati ottenuti al Cern. Com’è possibile? I fisici della collaborazione Alpha avrebbero forse commesso qualche errore? «No, non credo che ci siano errori sperimentali», dice Villata a Media Inaf, «e quindi qui sulla Terra abbiamo attrazione tra una materia dominante e le minuscole briciole di antimateria che riusciamo a produrre. Posso sinceramente dire che me lo aspettavo, perché quell’esigua quantità di antimateria non può invertire il proprio spaziotempo, immersa com’è nel flusso temporale della pervasiva materia che la circonda. Sarebbe come gettare controcorrente una fogliolina in un fiume impetuoso e pretendere che possa risalire la corrente. Ma quel valore che trovano di 0.75 g (invece di 1 g), sebbene abbia una grande incertezza, potrebbe essere un indizio del tentativo della foglia di opporsi al fluire del fiume». Se qui sulla Terra non possiamo apprezzarne gli effetti, dove bisognerebbe dunque andare, per misurare sperimentalmente l’antigravità? In quale luogo dell’universo si nasconderebbe, tutta questa antimateria respingente? La risposta che s’incontra nell’articolo di Villata è quasi ovvia: se cerchiamo qualcosa che respinge la materia, conviene andare a vedere anzitutto là dove la materia non c’è, o quanto meno scarseggia. Luoghi del genere nell’universo esistono: si chiamano vuoti cosmici. «Sono regioni ben note ad astronomi e cosmologi, immense “bolle” nell’universo dove la materia è quasi assente», spiega Villata. «E manifestano un notevole effetto repulsivo sulle galassie che le circondano. Sarebbero “isole” di spaziotempo invertito, alternate nel cosmo alle isole di materia occupate dagli ammassi di galassie». Poiché dei vuoti cosmici, per lo meno di quelli più grandi dell’universo visibile, non solo sappiamo che esistono ma ne conosciamo anche la posizione in cielo, viene a questo punto naturale chiedersi perché non siamo mai riusciti a osservarla, tutta questa antimateria teoricamente in essi presente. «Non la vediamo», suggerisce Villata, «proprio perché emetterebbe radiazione cosiddetta “anticipata” (cioè l’altra soluzione delle equazioni di Maxwell nel vuoto, rispetto a quella della radiazione che ben conosciamo), per la quale non abbiamo (ancora) strumenti capaci di rivelarla. Basti pensare che i fotoni emessi dall’antimateria verrebbero nel nostro spaziotempo “percepiti” come fotoni emessi dal rivelatore per raggiungere l’anti-stella che li ha prodotti, cioè con un cammino spaziotemporale invertito. Quindi, là dove vediamo il buio nell’universo non sappiamo per ora dire se c’è il vuoto oppure antimateria». Per saperne di più: Leggi su Annalen der Physik l’articolo “Antimatter Gravity and the Results of the ALPHA-g Experiment”, di Massimo Villata Read the full article

[acosmicotaku]

Unique worldbuilding scheduled for DIVINE WILL.

The historical worldbuilding of DIVINE WILL heavily draws on the work of James Lindsay & Eric Voeglin. For a detailed rundown of the material I'm working with, here's a series of lengthy lectures, in what I believe to be the most reasonable order for anyone new to the subject.

N.B. I am using the terms in a more narrow and precise manner than Lindsay or Voeglin did, so what they call "Gnosticism" is, in verse, called either "Dialecticism" or "Esotericism", and Gnosticism and Hermeticism are branches of that religious tradition.

The Negation of the Real

The Gnostic Parasite

The REAL Religion behind National Socialism

Further evidence that Hitler’s religion was Gnosticism

From Plato to Hitler: The Ideological Origins of National Socialism

The Theology of Marxism

Marx’s Ontology of Man and the Telos of History

Gnosticism in the Modern West

Breadtubers Are Crypto-Tankies

The Crime Of Being

Feminism is Feminist Gnosticism

Critical Race Theory is Race Marxism

The Queer Gnostic Cult

Queer Theory is Gender Marxism, Et Cetera

Why Communism is a Failed Religion [important for its section on Managerialism]

WTF is Christian Nationalism?

Two Wolves of Christian Nationalism

The Dawn of Medical Lysenkoism

Medical Lysenkoism in the American Medical Association

Fascism: Idolatry of the State

The Corruption of Stakeholder Capitalism

The Reflexive Alchemy of George Soros

The Occult Theosophy of the United Nations

Introduction to Eric Voeglin Playlist: Marx, Nietzsche, Golem, and Ideologies as Ersatz Religions

I picked this because it makes for unique worldbuilding distinct from other historical fiction. It lays out an ancient and dangerous force of manipulation, but unlike other fictions where the threat may be an ancient organization unchanging through the ages, the manipulative force is a rogue memetic religion which parasites other religions. It's a conspiracy with no mastermind, a virus of the mind which mutates to avoid detection and propagate itself.

The world of DIVINE WILL will also operate under the assumption of Andrew Lang's Urmonotheism hypothesis. So the history of religion within the setting of DIVINE WILL is that the primordial religion of mankind is a primitive Monotheism, and that polytheism and animism were later religious innovations. This would pose certain implications to monotheistic religions of all stripes, be they Christian, Jewish, Dvaitin, Tenrikyōists, &c.

The science fiction aspect will HEAVILY draw from the work of people like Michael Behe, Noam Chomsky, Carl Jung, Edwin May, Ludwig von Mises, &c.

[stmichaeldeorleans]

Orphanages where Michael stayed: Oklahoma City Good Sheppard of Hope Catholic,  St Agnus of Dallas, twelve main orphanages with outlets in Dallas,.. Ellyson Home for Children Dallas, ...Dallas Child Development Center Analysis and Orphanage,..Catholic Orphanage in.Yukon, Ok., Taft School near Littlerock, Ark..., " Arbeque" with the clinical name, owned and managed by Dr Joseph Arbeque M.D. Psychiatrist,  Imagination Dragon of New York City,  plus 14 other places where children can stay in NYC., then The Spicer in Germany, ...then The Loughe of Paris, France. 14 places in Paris, France....12 in Germany.   Michael Duerksen is " The Black Rose " of Germany, Tuscany and France and " The Black Pearl" of France.  Also " The Only Gift Child according to Illuminati Wisdom", "The Edge of Nightshade", " The Dark Fairy of the Night", " The Sacred Red Rose of Infiniti ", " The Son of the Evil Wickerman", " Buttercup of Remembrance". " Karen " Mariah" " Taylor (?)" Siguer Taro Telo Rothchild", " Mariah Rothchild Montasort, Redi LaMont, Snafa Al Ghul, Tilly Ting Evertyting C. Grant,  Mara /Mario Silo Parmiese Devereaux,  Michael Alluese' Silo Parmiese Devereaux, Tuolo Paoli Marcheti Luchia Geyford, Tonie Gilbraltor Luchia, Rachel  " The Saint" Luchia, Rosalie Luchia, Michael Duerksen Steinem Vanderbilt Montrose, Mike Duerksen Huntford Carlton, Carry Cardin Carlton, Carlotta DeBakey, Patricia DeValley DeGeneres, Michael Duerksen Gurley, Michael Lauren Hatch Bacall,  Michael Duerksen Bancroft Castilano May,   Mary May Ham Rothchild, Cassandra Gilbert Der Rothchild,  MaryAnn Richardson Rickert Weiner Rothchild,  Marie Rothchild Harrington, Marie Rothchild, Marie Marianette, Marie Rothchild Hall, Arthur Michael Ann Rothchild Bach, Ms.LaGuardia, Ms. Costello, William Preston, Eric Dathan, Matilda ( Michael ) Avager Rothchild Ponti,  Arthur Michael John Commencia, Michael Arthur Ann Rothchild Snelson Streisand, Carolina Michal " Muriel" Hemingway Winters Rodgers,  Isabelle or Emilia Duarte Galveston Rothchild Darlington, " Emmanuel Bogotta Rothchild" ( donor), Maria Angelus Mata Hari Rothchild, ( donor), Michelle L. Rouchefourde Phillips DeSousa DeMentos,  Phillip Newman Morris, Michael Newman, Angelina Isabelle Rothchild Childress ( donor) , Michael Rothchild Burnett, Princess Rothchild Luchia Hampas, Princess Maria Diedra Lyons Windsor, Michael Jean Paul Getty, John Robert Robin Blake,  Princess Maria Guttenburg Furstenburg Oldenburg Mountbatten DeGeneres ( Lafite), " Prince of Tides ", Princess Marissa Oldenburg Hamburg, Jack Michael Bouvier' Kennedy, Michael Dean Duerksen Garland, Michael Duerksen Monroe, " Michael Briarcraft Hyatt", Michael Stouphlous, Michael Casa Linda, Michael Feingold, Michael Feinstein, Michael Forester Turner, Michael Dan Turner, Cicelia Rothchild Luchia Hampas, 

[nita-nebula]

Stream done! We finished Peragus and got through most of the first part of Telos :)

Also I said the C word OOPS

[thegoodfuture]

Humans, Artificial Intelligence & The Future: Riveting Keynote #Futurist Gerd Leonhard NobelFest '23 from Futurist Gerd Leonhard on Vimeo.

This is my complete keynote at the Nobel Fest 2023 in Astana, Kazakhstan see nobel-fest.org/6en on the future of humanity and #artificialintelligence and of course #thegoodfuture

on YT youtu.be/RNclSCfqd9s?si=C-oASIKD6rKtiJ6j

I really enjoyed this event and as you can see, the production quality was quite outstanding as well

Some of my key messages:

- The next 10 years will bring more change than the previous 100 years. We'll see 6 King-Makers: AI, quantum computing, nuclear fusion, synthetic biology, genome editing and geo-engineering - Technology can be heaven or hell - it's our job to make sure it's mostly heaven #digitalethics - and this is crucial when we talk about AI! - Imagine if the social media disaster is further amplified by perfect disinformation and fake news that generative AI excels at - We will have all the tools (science and technology) - but will we have the telos? - If we roll out AI and AGI just to fuel more profit and growth things will not end well for us - Embrace the 3 revolutions: The Digital Revolution (info tech, bio tech, energy / climate tech, and AI tech), The Sustainability Revolution, and the Purpose Revolution

#lookupnowthefilm #generativeai #IAIA #kazakhstan #nobelfest

Have a look at my films: Look Up Now (2023): AI and the Future of Humanity: lookupnow.tv TWICE UPON A TIME: youtu.be/BanqTNbTotU The Good Future thegoodfuturefilm.com or youtu.be/yHC5n7G5SeI All about AI: weneedtotalkaboutai.com or youtu.be/XUVS5d3-Bis The future of work: howthefutureworks.tv or youtu.be/PEmyJNTraZg thegoodfutureexplained.com

Most of Gerd's videos can also be downloaded via my vimeo channel i.e. storiesfromthefuture.tv