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youredyingthatsallthereis · 1 month ago

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kinktober day 22: cockwarming

this is my last departure from the prompt list ive been using! i wrote dacryphilia (crying) into a piece i did back in...june i believe, and i was very satisfied with how it came out but i just. i dont have any other ideas for that kink so i'm going with this instead /thumbs up emoji/

content warning: this is mushy and they are in love

read on AO3 | prompt list i will be returning to tomorrow! | word count: 760

soapghost, trans ghost, cis soap, immediately post MW2 canon

"all the way in."

ghost wiggled his hips a bit, working slowly so that soap's cock was fully seated inside him.

"that better, love?" soap asked, running a hand along the front of ghost's thigh.

ghost gave a contented sigh once his back was flush up against soap's chest. soap draped an arm over his torso and kissed behind his ear. "good."

soap rocked his hips a smidge, just enough to feel himself slip half an inch deeper in and out of ghost's cunt before settling to go back to what they were watching.

which happened to be ghost's favorite mini-documentary about deep-sea gigantism. soap combed his fingers through ghosts dark, short hair while they listened to the narrator quietly talk about the role buoyancy plays in creating monstrously large life on the ocean floor. ghost had watched everything this marine biologist had ever made (and thus so had soap), but this piece in particular was his favorite. soap let the familiar information wash over him, savoring the intimacy of what they were doing.

through a series of poorly timed last minute plan changes that were out of both of their hands, they hadn't seen each other in nine consecutive weeks. and while normally that wouldn't be such a big deal, ever since sheperd's betrayal they had both been a bit edgy about having to be away from each other for more than a day or so.

no one had questioned that they had started showing up together in the mornings, that they left work together at the end of the day, that they were rarely out of each others sights - everyone knew.

ghost had moved into soap's house shortly after they'd both physically recovered from their wounds and no one had said a word.

they'd wasted no more time, knowing that too much had already been lost to needless pining and stalling: they set about learning everything about each other every chance they got, whether that was soap cooking them breakfast on a saturday or watching ghost's ocean documentaries (usually followed by a very thorough lecture of ghost's take on the subject matter) or spending hours in bed experimenting with what made the other tick. at the end of it, soap and ghost had bound themselves together for good.

and so after such an unexpectedly long time apart, they'd been frantic for each other upon reunion. ghost had returned to soap impatiently tapping his foot on the tarmac and shoving his gear at the nearest soldier with a barked order to get it checked back in and half-dragging ghost home, needing him as close as possible now.

that had been several hours ago; they'd been in bed almost the entire time and had zero intention of leaving. they'd already decided that they didn't even want to talk about the mistakes and assignments that had led to them spending so much time apart, just focus on that they were together now.

ghost shifted his leg back, hooking it over soap's to pull him in just that much closer. soap pushed his hips forward, kissing the corner of ghost's jaw as his cock slid into him, already full of his spend, just that much further.

soap vaguely registered a small white jellyfish on the television as ghost took one of the captain's hands and held it tightly over his chest. "hate being away from you," he admitted quietly. "bloody torture. and i'd know all about that."

soap almost snorted at the last comment. "bleedin' christ, simon," he said. "it is, though."

they laid in comfortable quiet, ghost pressing soap's hand flat to his chest over his heartbeat, like he needed them both to know that it was still there. needed him as close as he could be in every way, like even having him inside his cunt wasn't close enough.

soap closed his eyes and rubbed his thumb across ghost's chest, letting the heat under his hands and against his chest and around his cock remind him that ghost was there, ghost was safe, ghost was alive. and so was he.

they stayed like that for some time, soft and warm and still, until the documentary ended and ghost reached back to put a hand on soap's hip, giving him a small push.

"give us one more?"

soap smiled into the side of his neck. "i'm not 20 anymore, love," he said.

"please?"

soap chuckled and put a hand flat over ghost's lower abdomen, rocking slowly in and out of him to get fully hard again. "can't say no to you."

#soapghost #09 soapghost #ghoap #captain john soap mactavish #simon ghost riley #hardstyle's kinktober 2024 #kinktober #kinktober 2024 #so far the only relationship i havent written a painfully mushy piece about is soaproach #ill honestly probably do that just like.......at a later date lol #i'm kinda saving that for when i re-write the entire canon campaign which will be later on hehehe #or da zine 👀#ghost is deep ocean autistic bye

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jamiemaybeme · 6 months ago

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Doing This Again by Bears In Trees: An Unnecessarily Deep Analysis by me

( @bearsintreesofficial please if you only see one of my posts ever let it be this one i worked so hard 🥲)

i'm bored, and i want to yell about my hyperfixations on the internet, so have fun :D

(i will preface this by saying that it will be LONG. i wrote this in a notebook and initially i was going to just upload a photo, but my annotations are too small to be seen on camera. make of that what you will.)

!!ALSO THIS IS IMPORTANT!!: these are my interpretations. i do not know if the band intended to communicate everything i've understood from this song (i expect they didn't actually), and it's perfectly valid for you to have different interpretations to me. it's encouraged.

also (sorry one last thing) i will refer to "the singer" like i would a poet, even though i know the singer didn't write the song. just roll with it.

okay now onto the actual analysis (below the cut off so people who don't want to read it don't have to scroll for ages). enjoy!!

verse one:

i hope to be happy, i hope to be calm

i hope to be somewhat content

the song begins with an expectation. the singer 'hopes' to be something, which is a goal for the future. the repetition adds to this. it shows the amount of expectations the singer has. it reads like the beginning of a new year, when one makes new year's resolutions. this comparison could imply the singer is unlikely to stick to these expectations, as people are infamous for only sticking with new year's resolutions during january. this sets up the mood of the song: the struggle of attempting to break free from old habits and the mundanity of life, and the frustration that comes with that.

however, the singer only hopes to be 'somewhat content'. the word 'somewhat' makes it clear the singer is trying to lower their expectations to be achievable. the word 'hope' is also not a guarantee. the singer does not know if they will feel the way they want to. it is a 'hope' they are holding onto, perhaps to help them keep going.

the word 'calm' directly contrasts the name of one of the band's previous eps, i want to feel chaotic, which features their most streamed song ramblings of a lunatic. the ep focuses on struggling to cope with trauma and turning to your friends in times of difficulties. this song is a step away from processing trauma, and instead focuses on day-to-day life. this contrast is shown through the choice of the word 'calm'.

(also there's the whole i wanna feel calm/i wanna feel chaotic comparison but that's not directly related so i'm ignoring it. maybe i'll post about it later 👀.)

verse one (continued):

every morning, i wake up

and think to myself, "oh God, we're doing this again!"

'every morning i wake up' is also repeated throughout the song as the first line of the chorus. the repetition combined with the hyperbole communicates the singer's frustration. they feel stuck in a loop, which the structure of the song shows us.

'"oh God"' can be interpreted in a few ways. (this is actually the main reason i decided to analyse this song specifically, because it felt like i had so much to say.) interpretation number one: it could, simply, be a blasphemous curse. a teenage rebellion against parents or school. (context: nick - who i'm 90% sure wrote this - went to a catholic secondary school with two of the others. i believe. i think those two were iain and callum.) it also could show how the singer is just like everyone else, as this is a common phrase. this adds to my previous point about being stuck in a loop, except now it includes other people. it makes the song feel more relatable. i feel like this one is more accurate to what the singer is trying to convey. and interpretation number two: however, it could also be read as a cry for help, to God. 'God' could be interpreted as anyone or anything, but in the context it's in, i'm assuming it is talking about God in christianity. it sets up the next verse nicely too.

verse two:

i hope i'll be resilient

i hope to be brave in the face of another family cancer

my mother cites a rosary downstairs

but Lord these blessed words fail me

first i'll talk about the religious imagery, linked to the last line of the previous verse.

'rosary', 'Lord' and 'blessed' are all directly related to religion, specifically catholicism (a branch of christianity if anyone is unaware). throughout most bears in trees songs, there runs a theme of religion, and with it religious trauma. a 'rosary' is, i believe, a string of beads which you move as you pray. (please bear in mind i do not follow catholicism so i am not sure how accurate this is. i could look it up but in all honesty if i stop writing rn idk if i'll continue.) the singer seems to be attempting to reach God, but is struggling due to some unseen reason. perhaps it is something they themselves are also unaware of.

the theme of 'hope' is once again repeated in this verse, carrying it on from verse one.

'another family cancer' talks about an awful event. we are not told whether it ends in tragedy (death), joy (being cancer free), or continues as an ongoing battle. this a) makes the song more relatable, as most people have known someone who's battled cancer, and b) may potentially mean the singer has not yet experienced this but is expecting to (expectations again). the word 'another' adds to the idea of being stuck in a loop. (if you're starting to notice a pattern: congratulations! you've cracked the code.)

the word 'downstairs' shows separation between the singer's mother and themself (is it themselves or themself i can't work it out?), but could also be a metaphor for the distance the singer feels from God or even religion entirely. this is portrayed by having their mother praying at the same time the singer is struggling to connect with the words. the physical distance between the singer and their mother is a symbol of the metaphorical distance between the singer and God/catholicism.

the verse ends with the phrase 'fail me'. in the context of the analysis, it seems they are either struggling to turn to God for help, or do not feel God is helping. however, they may believe God is the one failing them. it can be extremely difficult to pray to someone or something that you can't see, especially when there doesn't seem to be a response. they either believe they are failing God because they can't communicate properly, or God is failing them because there has been no (obvious) response. alternatively, if we take it in the context of the song it could show how the singer is struggling to live up to the expectations (🙃) set by themself or others, and feel like a failure. (i will admit, this one is a little bit of a stretch. but it's analysis, everything's a stretch 🤷.)

pre-chorus? (i don't think it is but idk what else to call it so w/e):

i just wanna welcome all the broken people

the juxtaposition (i love that word) of 'just' and 'all' really communicates the singer's expectations of themself. they are under playing welcoming everyone into some sort of family or home, by specifying 'just' the 'broken people'. however, everyone is 'broken' in some way or another, so the singer's desire to accept the 'broken' people essentially encompasses the whole world. this is a high expectation. it is quite literally impossible. yet the singer seems to believe they should be able to to do it, as the word 'just' makes it sound easy. potentially they haven't fully considered the situation.

the word 'welcome' could have biblical connotations. Jesus was all about welcoming people, even those on the outside of society, the 'broken people', some might even say. (some being me. i'm saying that.) the singer seems to be attempting to fulfil the role of God in their life within which God is not present - either by their choice or by their interpretation.

chorus:

every morning i wake up, and i drink my silly little oak milk coffee

and i text my silly little texts, and my phone's still on autocorrect

just going to briefly remind you of the repetition of 'every morning i wake up' continued from the last line of verse one. okay that's it.

the singer decribes their interests as 'silly little' things. it's sung twice per chorus, which shows it's not just one aspect of their life. this could be read as a dismissal of their interests, but could equally be seen as them embracing their interests being seen as 'silly'. they are claiming their interests with the personal pronoun 'my'. this could show how they're not ashamed of the things they like.

chorus (continued):

so i gotta backspace, take my caps out

'cause i'm too lazy to change the settings, too hazy to hum myself to sleep

oh my God, we're doing this again

once again there's the idea of expectations. the modal 'gotta' shows the singer feels like they must do things they have decided to (in this instance type in all lower case, something that is considered trivial and unimportant).

the singer is aware of the fact they might be perceived as 'lazy'. this might be because they genuinely are lazy, or it could be a sign they are struggling, potentially with a mental illness or being burnt out.

they decribe themself as 'hazy', which implies they are disorientated or overwhelmed.

the pronoun 'my' has been added to the last line compared to the first verse. this makes it closer to blasphemy than a cry for help, but it still could be either.

the collective noun 'we're' addresses the audience directly, letting them know that they are not alone and the singer struggles with the same things they do (basically 🎶 we're all in this together! 🎶).

verse three:

i hope to be neurotic, go lucky

young upstart and plucky

there's the repetition of 'i hope' in this verse once again, but it's only in this verse once. this could show the singer either losing hope or struggling to keep up with all their expectations. (i know it's almost certainly for timing reasons but i didn't title this over analysing for no reason.)

(psa: this paragraph is almost entirely irrelevant i just wanted to rant about psychology) neuroticism is one of the three personality traits in eysenck's criminal personality theory. it is a trait that measures how anxious an individual is. the theory states that criminal behaviour is fixed from birth, and is mostly affected by biological factors. it theorises people are born with the urge to commit criminal acts. the other two traits featured in this theory are extraversion (how out-going an individual is) and psychoticism (how aggressive and impulsive an individual is). there was also a study done by heaven in 1996 based on this theory, but he did not measure neuroticism as he felt that would have been too hard (instead opting for self-esteem, which showed no correlation to criminality). none of this is particularly related, i just think it's cool and wanted to infodump :].

my gcse psychology textbook (this is pretty much the only time i've actually used it btw 😭) says about neuroticism that "people who score high on neuroticism are anxious, angry and prone to feeling guilt. at the opposite end is stability. stable people tend to be calm, even-tempered and not easily stressed. of course, it is possible to be in between these two extremes too." i'm not really sure what to think about this, but it's certainly interesting to think that the singer wants to feel/be this way. idk man i'm too tired to think about this too deeply.

'go lucky' is shortened from the phrase "happy go lucky". the lack of the word 'happy' shows the singer doesn't even have it in them to yearn for happiness, they just want to be anything other than apathetic.

I'VE JUST REALISED THAT THE FIRST LINE OF THIS VERSE CONTRASTS THE FIRST LINE OF VERSE ONE OMDS THIS IS CRAZY. the opposite of being 'neurotic' (i hope to be neurotic) is being 'calm' (i hope to be calm), and the word 'happy' (i hope to be happy) completes the phrase "happy 'go lucky'" (i hope to be..., go lucky).

verse three (continued):

anatomically correct beating heart of the party

and i could be your vena cava

pumping small talk between your trauma

while the red stains your new carpet

the specification of an 'anatomically correct heart' shows the singer's desire to not be artificial. it may also be a way to show they want to embrace a nerdier side of themself.

being the 'heart' or "life" 'of the party' means someone who is at the centre of the party. often the party properly gets started when they arrive, and ends when they leave. it is a common trope in teen films, which links back to the recurring theme of being stuck in a loop with everyone else.

the 'vena cava' is a vein (?) in the heart. i'm not really sure what it does but i have a biology exam in two days at the time of writing this (one day at the time of editing oh no) so i probably should. it might be an artery. either way, i THINK it carries blood away from the heart. whether it goes to the lungs or some other part of the body i am unsure. i should probably find that out soon. anyway.

the heart is a muscle that pumps blood - that is its function. the singer could be saying they want to be strong for their friend, or be crucial for them to live, much like the heart is. 'small talk' has replaced blood in their veins (metaphorically just in case that was unclear), showing how everyone else seems to live off of small talk. in 'i am cold', a song from the ep 'i see blue', the first two lines are 'don't talk about the weather / i wanna know what makes you sick'. in some interview or something somewhere either nick or iain (this is so specific ik) explains that this line means the singer wants to skip small talk and get straight to the deep things. this combined with this song makes the singer feel different to everyone else. they seem to be breaking the cycle but at the same time still contributing to it by helping their friend make small talk (it's 1am sorry if that made no sense).

in 'i wanna feel calm', a song from bears in trees' latest album 'how to build an ocean: instructions' which was also released as the second single out of four before the album, the first line is 'i try not to let my trauma do the talking but from time to time the "t"s add up'. this shows how the singer struggles not to trauma dump as a way of making conversation (relatable), but here they are helping their friend avoid doing the same thing by 'pumping small talk between their trauma'. alternatively, it could be that their friend is trauma dumping to a third party and the singer keeps interjecting (is that a word?? i thought it was but my keyboard didn't recognise it?) with 'small talk' to try and lighten the mood/distract from their friend.

the colour imagery choice is interesting, as 'red' has a lot of connotations. first and foremost is obviously blood based on the previous imagery used. it is also the colour of passion, whether that be passionate love, hate, anger or fear. it also signifies danger. the point is, passion is the opposite of apathy, which is the way the singer has seemed to portray their reaction in relation to the mundanity of life throughout the song so far.

however, whilst 'red' is more subjective, the word 'stains' has way more negative connotations than positive. a stain is generally unwanted, like a weed. it's a memory the singer it their friend wants to forget, but can't.

the 'new carpet' could refer to them trying to start afresh, the 'new carpet' being a new mindset. however, it very quickly gets stained showing the inevitably of life. alternatively, the singer could be referencing red wine- a red liquid which stains- or something similar, ie it could be literal.

(the chorus repeats here but i'm not repeating my analysis because there's literally no point [: )

bridge:

every sunrise, every street sign, every goodbye

every moonbeam, every fever dream

every sunrise, every street sign, every goodbye

every moonbeam, every fever dream

'every' is once again repeated here, but 10 times instead of 1 (20 in the whole bridge but 10 in each section i've split it into).

once again, it is a reminder of the inevitably of the existence of the mundane, everyday things of life. 'sunrises' and 'moonbeams' directly contrast, to show that the cycle happens all the time. these two things are also part of nature. they also happen everyday, whether you see them or not. 'street signs' are man made, but are still very common. 'goodbyes' are inevitable. for every hello there is a goodbye; they are unavoidable. they can be sad, they can be bittersweet, they can be happy (if you dislike the person enough). 'fever dreams' are uncontrollable. they happen while you are in a state that you cannot control, and are weird. this line feels like the singer is embracing the weird parts of life, even things they cannot control.

bridge (continued):

wouldn't you love to be happy? (every sunrise, every street sign, every goodbye)

wouldn't you love to go outside for a change? (every moonbeam, every fever dream)

and i don't mean in body (every sunrise, every street sign, every goodbye)

i mean embody, i mean embody (every moonbeam, every fever dream)

(note: this is pretty much where my notebook annotations end; i gave up and forgot about it. the rest is likely to be less coherent than the above, just a warning. okay back to it.)

the singer begins to directly question the audience here, addressing them like at the end of the choruses. however, they could be just using the audience to address themself. this is the final reference to expectations in the song, and now it's more of a wish than something that the singer feels they should be. "'wouldn't you love' to do these things? it would be amazing if i could, but i can't. i would love the ability to get myself together, but it feels impossible right now." this reminds me of the chorus of 'great heights' a song from both the album 'and everybody else smiled back' and one of three songs released earlier as singles. 'we'd reach such great heights / if we could just make our beds in the morning.' this is a reference explained by nick in a tiktok video somewhere to a sign he is entering a dissociative episode: he stops making his bed. this whole song ('doing this again') tackles the issue of mental illnesses and struggling to cope with the mundanity of life. the singer feels if they could just complete these simple tasks that seem so huge, bigger things would be so much easier to tackle. they feel if they can get out of their head, they could take over the world. but they can't take over the world without going outside. 'outside' could mean literally out their house, or could be outside their mind. (this is confirmed as being mental in the next two lines 'i don't mean in body, i mean embody'.)

the singer finally suggests 'a change' could be good. this is the first (and only) time in the song anything other than the "same old thing"™ is mentioned. they are trying to entice themself into wanting this by asking it as a question. this is a psychological trick often used on children - if you make someone think it was their own idea they are way more likely to do what you want them to do.

the word 'embody' crops up later in 'bart's bike', a song that wraps up how the years 2022 - 2023 (i believe. from what i've heard) felt, and reminisces on them. that would include this ep/song, which was released in november 2022. 'i know you meant embody / when you looked to the mountains, towering above us'. this callback shows how far the singer has come. either they are talking to themself in third person, or their friend is saying this. the friend may be someone who has helped the singer through the period of their life where they struggled with apathy. another song from this era is 'apathy is boring', which talks about rejecting apathy as a coping mechanism and embracing our emotions. 'the mountains' are symbolic of the tasks they've been talking about struggling with the whole song. the pronoun 'us' shows how the singer is not alone, and even though they still have struggles they don't have to face them alone. the parallels between this song and the 'how to stay shining' era shows the singer's improving mental health. the band have talked before about how they don't like dwelling on bad things that have happened, as good things happen too and it's important not to focus on all the wrong things. healing is a progress, and these two songs ('doing this again' and 'bart's bike') were released almost exactly a year apart ('bart's bike' was released on december 1st 2023. 'doing this again' was released on october 28th 2022, but 'every moonbeam every fever dream' (the full ep) was released on november 11th 2022.) this is both symbolic of a person healing over time and shows the band maturing/getting better over time. it's sweet and it's not unrealistically fast.

there's also the repetition of 'every sunrise...' here, which is just another example of the mundanity of everyday life.

(the chorus repeats one more time here)

outro:

every sunrise, every street sign, every goodbye (again)

every moonbeam every fever dream (again)

every sunrise, every street sign, every goodbye (again)

every moonbeam every fever dream (we're doing this again)

this is how the song ends. it feels bittersweet. the singer seems to have accepted their fate of continuously doing the same thing. the word 'again' is repeated 4 times in this section. the singer is focused on it now more than the rest of the song. (this probably means something but it's like 2am so ifk whay.) this is the last section of the song, but the singer is showing that their everyday life is not over. however, they may choose to find hope in this. we don't know, because the song ends much like the rest of it: with repetition symbolic of the middle of life.

the last line is 'we're doing this agin' which uses the pronoun 'we're' and also extends the phrase. the audience is left on the note that whilst the mundanity of life still repeats, it's easier when it's not just you. this relates to the 'bart's bike' line i referenced earlier, when the singer talks about mountains towering above 'us'. the use of collective pronouns throughout this song give hope to the audience. the song tells us that we are not alone, and there is hope to be found.

okay i've just fksihed writing this and it's like 2:15 am i'll edit it later i have an exam in <7 hourd i'm gonna fail yay :')

alright, 'nught :]

okay it's now 4.30pm and i've just finished editing. if you got this far, thank you so much. if you didn't, thank you anyway. i repeated myself so much in my analysis, but maybe that's to communicate meaning! (it's not but we can pretend it is.) i hope you enjoyed reading this. have a good timezone and please tell me if you want me to repeat this with another song. it might not be quite to this extent but i can try. (also i don't think i failed my english exam so that's good :D)

see you in the next one! (maybe. hopefully.) and go and stream how to build an ocean: instructions!!!

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