#by my calculations at least

[crispy-art-on-fire]

I got this comment on chapter 4 of Calculated Love and I was so delighted by it it's so so perfect.

[Credit for it goes to @fragmented_ghost ]

[blooodymoon]

A "RETURN of the Number of PERSONS FLOGGED in the BRITISH NAVY, in each of the Years 1845 and 1846; specifying the Name of the Ship, the Offence, the Sentence and the Number of Lashes Infficted." Parlamentary Paper, Number 661 of Session 1847

So after reading the Post about Jopsons Flogging by @handfuloftime I went down a research rabbit hole because I wanted to see if their exist sufficient & specific enough Data to accuratly compare his punishment and put it in the historical context.

I found this Website, which features the two tables from the Parlamentary Papers and their Source.

(Note: The tables on the website are incomplete and inaccurate in certain places. I compared it from top to bottom to the original source and corrected/added the informations in my table.)

I used that as a basis for my own table, where I also added Averages and Sliders so people can search the Informations!

(Apparently Sliders don't work on Mobil, and I don't know enough about Google Sheets how to fix it :/

If anyone knows or if you find a some kind mistake please let me know.)

This week I visited the University Libary, which has access to the Parlamentary Papers Online, to see if such tables also exist for earlier years but sadly 1845 was the first year where they went into such Specifics.

(I hope to add some of the Years after 1846 to the table, when I can.)

Earlier years only had these Informations per Year:

Total Number of Punishments

Total Number of Lashes

Highest Number of Lashes Inflicted at One Time

Lowest Number of Lashes Inflicted at One Time

This Information for 1839 - 1846 under the Cut.

Also under the Read More are some Graphs, Medians & Averages about Flogging for Drunkenness Alone, seperated by Seamen, Marines, Boys and Everyone!

Hope that someone find this useful/interesting !

Corporal Punishment for Drunkenness Alone

Everyone:

Lashes Sentenced Median: 32,75 (1845: 36 | 1846: 31,4)

Lashes Sentenced Average: 31,07 (1845: 31,13 | 1846: 31,02)

Lashes Inflicted Average: 30,8 (1845: 31,02 | 1846: 30,58)

Seamen:

Lashes Sentenced Median: 36 (1845: 36 | 1846: 36)

Lashes Sentenced Average: 34,37 (1845: 34,62 | 1846: 33,86)

Lashes Inflicted Average: 34,33 (1845: 34,41 | 1846: 33,86)

Marines:

Lashes Sentenced Median: 31,4 (1845: 32 | 1846: 31,4)

Lashes Sentenced Average: 30,8 (1845: 31,09 | 1846: 31,09)

Lashes Inflicted Average: 30,8 (1845: 31,09 | 1846: 30,69)

Boys:

Lashes Sentenced Median: 24 (1845: 24 | 1846: 33)

Lashes Sentenced Average: 26,22 (1845: 24,4 | 1846: 28,5)

Lashes Inflicted Average: 25,33 (1845: 24,4 | 1846: 26,5)

Years

1839:

Number of Punishments: 2,007

Number of Lashes: 59,341

Highest: 60 | Lowest: 3

1840:

Number of Punishments: 2,026

Number of Lashes: 60,302

Highest: 48 | Lowest: 1

1841:

Number of Punishments: 2,066

Number of Lashes: 61,669

Highest: 50 | Lowest: 2

1842:

Number of Punishments: 2,472

Number of Lashes: 71,024

Highest: 100* | Lowest: 1

1843:

Number of Punishments: 2,170

Number of Lashes: 63,985

Highest: 60 | Lowest: 3

1844:

Number of Punishments: 1,411

Number of Lashes: 42,352

Highest: 72+ | Lowest: 6

1845:

Number of Punishments: 1,070

Number of Lashes: 33,511

Highest: 48 | Lowest: 3

1846:

Number of Punishments: 1,077

Number of Lashes: 32,360

Highest: 50* | Lowest: 3

*By sentence of a Court Martial.

+By order of the Commander-in-Chief for theft, in a shop at Chusan, and violence to the natives.

Sources: A "RETURN of the CORPORAL PUNISHMENTS inflicted in the ROYAL NAVY, in each of the Years 1839 to 1843, both inclusive, stating the highest and lowest Number of Lashes at each Time, and the aggregate Number of Lashes in each Year [ ]" Parlamentary Paper, Number 308, of Session 1845 + ABSTRACT of Total Numbers of CORPORAL PUNISHMENTS inflicted in the NAVY, and the Total Number of LASHES Inflicted, in each Year up to the 31st December 1846 [ ]. Parlamentary Paper, Number 661, of Session 1847

[littlekhada]

Headshots Artblock is not real, I am consciously choosing to draw simple things to gain quick dopamine.

.......

That is what artblock is

[accidentally-drank-paintwater]

Realistically speaking they probably took AP exams right? (drew this on the back of my frq sheet college board don’t come for me)

[egophiliac]

WHO IS THIS PINK HAIR GENTLEMAN YOU JUST POSTED? HES SO PRETTY???

he's Hayate from Ride Kamens! 🦩 he is my bird son a very silly guy who's part of a superhero (well...hero-ish) group trying to take down a cult, although his real passion is lattes. also, he is very pink!

(the fancy outfit was just for a game event, alas, although I spent way too much time grinding to get the pink variant so now it is mine forever, mwahaha. >:)

[glimblshanks]

Between Boimler jumping at any opportunity for violence and Ma'ah offering to sacrifice himself for the group this was truly the episode of Mariner trying to be So Chill And Normal about her friends trying to get themselves killed

[erbiumspectrum]

Uni is so crazy, I just came up to my friend with a thesis work update and said, "Good news! I screwed up the calculations!" unironically

[cjgladback]

I went to my first fiber festival this past weekend! Hoosier Hills Fiber Festival; if I'm still in this state come June next year, I'll probably be back and would love to meet anybody else there. Socializing/hanging out/talking to people without feeling like I was obstructing Real Customers was the one thing I missed, though I didn't really get to any of the free lectures so maybe that's where I could've met some people. Since it was an unknown situation with a lot of people and nearly an hour drive each way, I strategized to make sure I'd go:

First day, I signed up for a couple volunteer shifts. Absolutely a recommended strategy.

Got to be helpful!

They happened to have goodie bags, to help me justify the gas and time (I now have a nice tape measure to replace the one that's been vacationing with a missing sewing kit for a couple years and a lasercut wood two-inch gauge window that might help me with consistency versus my suboptimal practice of just trying to knit perfect squares when swatching in pattern)

I got to learn things about the layout and schedule I wouldn't know to ask when answering questions and acting as a gofer -- especially true working two different locations

And of course, some people were pretty much guaranteed to be happy to see me!

Second day, I signed up for a workshop in the morning so I'd be there and able to shop for anything I needed at the end. Ombre yarn dyeing was the class! It's acid dyes, something I'm several years off from wanting to get into enough to commit to dedicated cookware, full pots of dye powder, etc. The room with the workshop was a barn that had plenty of outlets--but they did not represent plenty of breakers. So there weren't quite enough functional heating elements for the class to have sufficiently cooked our yarn before leaving, and I did need to risk a giant stock pot at home for three batches of four jars, almost-simmering in a water bath for thirty minutes each, of the yarn that hadn't proven it was done (all but the two palest greens). I was a little worried the delay/drawn out heat situation would affect the results but if it did it wasn't much; I got pretty much exactly what I was hoping for with my two color gradient and the single is great too!

The single dye gradient is the color Moss, which did some interesting things with the red portion separating out once they were heated. Every skein has redder blotches, so I'm not bothered about any inconsistency -- if anything it'll help my finished product camouflage stains. Though it was definitely a surprise for me and the other Moss user in the class when our first yarn to have exhausted the dye was the complementary color to what it went in as.

The two color gradient used Rhodamine Red on one end, which was one end of one of our instructor's samples where she chose a cool-green for the other end to show how multi-component dyes mix less predictably than most paint. (It was kinda like shading with markers where you can still see washes of the pink and green in what you squint at and call a grey-brown.) The other end was Cantaloupe, which was one of the maybe three colors she didn't have a sample cut of yarn for. But she described it as the flesh of a perfect ripe cantaloupe and obviously I had to see that, and it sounded like it would be fairly guaranteed to combine nicely with the magenta while being just enough around a bend in the color wheel to be interesting--warm orange versus cool pink. As I said, it turned out pretty much exactly as I was picturing. Not anticipated was how much the jars looked like they were full of some delicious dragonfruit-mango beverage. Were I still a barista I'd be trying to recreate this for my shift drink.

Image descriptions under the cut.

[ID: Five images following fourteen small skeins of sock yarn dyed in individual glass jars, in two gradients. One gradient is six skeins from a medium forest green through a pale creamy pink, the other is eight skeins from a vibrant yellow orange through an even more vibrant magenta. The first photo is inside under fluorescent lights, showing the 32oz glass canning jars with metal lids and rings, full of dye and yarn on a table at the end of the class in which they were filled and heated for a short time.

The next two images are animated gifs. The first gif is two frames showing the finished dye jars sitting in grass, with their yarn and with it removed. The green gradient left only transparent blue color in its jars, and most of the pink to orange gradient's water looks more orange without its yarn, aside from the third and fourth jars from the orange end, which shade toward a neon lilac with the peachy pink yarn removed. The second gif is a view of the inside of the bright green wash bucket, with just the pink-orange yarn in it, then all of them mixed up, all as they were after a soak with the rust-brown water, in the first rinse, and that rinse water alone showing its transparent but still brown tint.

The last two photos show the gradients lined up along a weathered wooden bench on the side of a deck. The first photo has the wet piles of yarn bundled in front of each of their respective jars with remaining dye. The final photo has the clean, dry yarn wound into center-pull balls and still vibrant in the direct sunlight. End ID]

[agender-john]

She finally went to jail for her crimes

[dykeseinfeld]

WE ARE SACRIFICING OUR POWER AND REPUTATION FOR FUCKING NOTHINGGGGGGGGGGGGGGGGGG

[sysig]

what if you drew the cutest little mettaton. possibly shitty despot king mettaton looking sooo cute on his throne. or adorable shy ghostie mettaton. or literally any mettaton. what then.

Day 9 - Teeny Tiny Tyrant

[uncontrol-freak]

art is getting scrapped for ai fic is getting scrapped for ai lmk if you want a physical anthology of my work delivered to you by ravens at the end of every year

[anistarrose]

Trying to bully my brother out of using AI for math homework when there's at least, like, perfectly good online calculators that he could use instead if he wanted a cheap but reliable way out, but then I remembered he went to a career fair last year where he got told by A Person With A Job In The Industry that he should be using ChatGPT to write more code, so like. I think I might not be able to convince him on this one, and also might just stop trusting any technology designed since 2023 to do anything correctly or safely ever

[yuukei-yikes]

think kagepros ending is so perfect despite the totally insane story pace it holds the entire time. i especially love that they take a character like haruka, a side character whose misery came from not having the possibility of growing old, and make him the character that reflects what being an adult is like. as someone who never revisited kagepro because i never left, it felt a lot like the characters grew up with me sniff sniff especially my ultra faves the yuukei quartet who are rly the ones who end up as sorta adults when its over. its fun bc im a fail adult in my 20s you know. and its like.... whoa somehow my favorite characters are also fail adults now. that's crazy

[shinesurge]

I was musing about it on mastodon because it's a nuanced issue but it keeps coming up and i really feel like offering bsky as a Tumblr Alternative doesn't make sense, even aside from my own hangups about twitter clones. Tumblr, (bsky, mastodon), discord, personal sites, and newsletters all serve different functions and none of them are expressly Replacements for another imo, it's like trying to replace a screwdriver with a hammer. Offering bsky to me as an art platform backup feels as incongruous as saying "oh hey the marina is closed today but we can take our rowboat to the park instead" lmao

that said like i definitely get it, since cohost failed idk what options there would even be at this point for something like tumblr if it really does go down at some point. everybody's just trying to do their best when our careers (and just!! our art sharing communities!!) are at the mercy of people who don't give a shit so this is less shitting on people eyeing lifeboats and more being frustrated this is a thing on anyone's radar at all rn

[batsplat]

casey is obvs funny with this rivalry stuff because on the one hand he's very 'well I don't care who I beat' (lie) and 'I don't motivate myself using my rivals' (also a lie) and then he's also repeatedly emphasising that valentino was ONE of his biggest rivals and he only competed against him a few years... like a lil side quest in the story of his career. Those Few Years where valentino was his big rival. whereas dani and jorge were his cohort so he did compete with them for a greater span of time... and this is technically true and does MATTER but it is also extremely noticeable in his output which rivalry he has the most thoughts about. and yes casey would say that this is because everyone ELSE cares the most about That One Rivalry the most and also his opponent being an annoying dickhead means it's the one he has the most complaints about... but at a certain point, it doesn't really matter, because there's still one rivalry you're talking about way more than any other. you can tell that he's at least given jorge's interiority a bit of thought, kinda went 'well he was arrogant but also Learnt From The Error Of His Ways and was maybe misunderstood so' -- but also he's not going beyond that, he's not examining jorge's soul, and he's not even doing any of that with dani. it's very much a rhetorical commitment to those other two rivalries. ultimately the point is that he's doing what he can to not talk up his biggest rivalry TOO much, because, you see. he Did Not Care That Much. (lie.) now objectively speaking this kind of framing literally does not matter, who cares which one of these was the most meaningful rivalry, but it's interesting that it matters to him!! casey's problem is that he is extremely sensitive and cares deeply about what other people say about him, but one of the things he's most sensitive about is the idea that he could let himself be mentally affected by ANYTHING, worst of all his rivals. they cannot be granted that much power over him. and all of this has kinda funny consequences in that he has pretty rigid patterns in how he talks about this stuff that are at times quite convoluted because he has to simultaneously emphasise that a) none of his rivals massively mattered to him, b) That Rival didn't matter more than the others, c) what That Rival did to him was completely beyond the pale, and d) none of that affected him mentally whatsoever. at most one of these is true. there are so many things casey wants so badly not to care about but it keeps spilling out of him anyway, this oozing sludge of resentment and repressed hopes and desires and frustration and longing and bitterness. he keeps giving himself away... he cares so much and he can't stand it