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angelinthefire · 1 year ago

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Solitudes: director's commentary

So this is a thing I do now, post commentary on my fics. I've been sitting on this fic for a long time and I'm excited to finally talk about it!

Read the fic here

Chapter 1

The title of this fic is a reference to “Two Solitudes”, a novel which I’ve never read, but which is a point of reference for Canadian political science, about the fundamental division between Quebec and English Canada, and the two never being able to connect or understand the experience of the other. And that’s one of the inspirations for this fic, exploring the degree to which Dean and Cas understand each other and misunderstand each other, and their attempts to communicate what they want from their relationship. I do believe that Dean and Cas understand each other and connect and relate to each other to a large extent, and far better than some fans give them credit for. Sometimes I see the “Don’t go/Ask me to stay” dynamic exaggerated to an extent that I believe no longer makes sense, given their friendship. At the same time, there is an underlying tension and disconnect between them. They don’t have a perfect understanding of each other. And that still matters quite a lot.

The other source of inspiration for this is that I haven’t written anything where Dean is the one with a handle on his feelings and wants to initiate something, since like 2013. And that I’ve never written anything set in season 12, despite that season having the perfect setup for Dean and Cas getting together. And I was thinking, how do I push things further than what happened on the show? I usually like my fic to feel very situated in canon, and since Dean and Cas didn’t actually get together in s12, something else would have to happen, something to push Dean over the edge. Something that would also push Cas to make a realization. So that’s how I ended up with the idea to lock Dean and Cas in a room together, with Dean thinking that Cas is dead, and Cas unable to do anything but watch. In my head, the alternate title for this story is “The Pear Jiggler fic”. Just stick them in a box and fuck with them. We also often talk about how Cas never gets to see how Dean reacts when he dies, so that was a fun thing to do as well. And I just love a good bottle episode. Something that’s just all character-driven.

In terms of characterization, one thing that’s very important to me is that Cas knows that Dean cares about him. He’s not some poor soul who thinks he’s on thin ice all the time, or thinks that he has to be useful to be loved. He understands that Dean cares, but the misunderstanding is the degree to which Dean needs him in his life. Cas does have a drive to be useful, to solve problems, but it’s internally motivated. He has to prove that he’s useful for himself, not for Dean. Even when Dean gets pissed at him, Cas doesn’t take it too, too personally, because he does still know that he’s important to Dean.

For Dean, the emphasis is really on the way he retreats when threatened, emotionally. When he behaves badly, it’s partially because he’s worried, but also as a defence mechanism. He only puts words to his feelings when he has nothing left to lose.

It’s been a while since I’ve written a version of Cas that wasn’t fully tuned in to his feelings for Dean. One of the more fun things about this angsty fic was having Cas thinking about Dean wistfully, and not imagining that Dean might be in love with him, or that his feelings are anything other than friendship. I guess the other option was to write mutual pining, Dean and Cas both being aware of their feelings but neither realizing the other feels the same way. But for me, the realization that what they feel is love is a really fun part of the story, so I wanted that moment for at least one of them. Of course, Dean isn’t fully there yet either. Like he knows, but he’s not 100% there. But it’s just caution that’s holding him back. A lot of the time in fic, when it’s Dean’s POV and he knows he’s in love with Cas, there’s a whole big self esteem thing that holds him back. And I never really buy that. Plus it’s unnecessary.

I’ve noticed that in a lot of my fics, I get Dean out of the driver’s seat of the Impala, or out of the Impala entirely. It is about getting him into a new situation, making him feel off-kilter in some way. Switching up the status-quo.

I’ve been playing the Sims quite a bit, mostly building homes, and therefore looking at a lot of fancy real estate postings for inspiration. I find brutalist architecture quite compelling in its own right. I wanted a setting that feels foreboding, but still like a place where someone might actually have lived. A room with very little in it that could provide distraction. And a space where light plays an important role, which it does in brutalist buildings, I think. I do find it unlikely that a desk and chair would have survived, but Dean needed something to smash up, so. And the fountain wall is there to create a sense that the building is being taken over by something, it has something growing in it.

The monster itself isn’t consciously based on anything. It’s what it needs to be for the story. Whatever lore I made up only exists to support its function in the story. Even the way Sam kills it, just serves to underline that it’s unique and powerful, and therefore able to keep Cas contained.

Chapter 2

I didn’t have the idea to do the split-screen until I was well into planning the fic. To emphasize the division between Dean and Cas, their mismatched perspectives. For a second I considered just having two unbroken columns, so that the reader would have to decide when/if to go back and forth, but that would have been kind of confusing. And ultimately, Cas is reacting to Dean, so you need to keep going back to Dean to understand Cas. I wrote Dean’s side first, as the independent variable. Deciding where to break, and switch to Cas was a bit of a back-and-forth process, because it had to work both in terms of story and in terms of rhythm. One thing I liked about this is that I didn’t have to decide whose POV to write in. Unless a story is strictly one character’s POV I usually plan out scenes from both of their perspectives and then decide which one is better to take for the story, and sometimes that can be kind of tough.

Of course, the entire conceit of this scenario is that it’s a metaphor for their relationship. Or it takes the tension in their relationship and brings it to the next level. They’re together, but there’s something preventing them from fully connecting. They understand each other, but they misunderstand each other at the same time. And it’s by making that disconnect physical that they start to kind of be able to deal with it. Because it gives Cas a perspective on Dean that he didn’t have before. They don’t fully resolve their problems by the end, and to be honest I wouldn’t want them to. But they make some progress.

I had fun with the imagery for this. Dean and Cas sharing the same space, being separated by light, and by illusion.

Dean’s alcoholism figures very heavily in this. But it is not addressed as a problem for him to overcome. I neither feel equipped to write a story about alcoholism per se, nor do I want to. A running theme throughout a few of my fics is that Dean and Cas do not fix each other. They keep being the same fucked up guys. And I think getting Dean to a place where he wants to deal with his substance abuse problems would require a lot more story behind it.

The withdrawal is there to make things that much more horrible for Dean, not to actually deal with alcoholism as an issue.. And it adds an extra sense of threat. I didn’t do a ton of research on what happens when someone goes through withdrawal, I just looked up a timeline for symptoms (it can start after just six hours! I didn’t know that before). And I confirmed that someone could die from withdrawal.

For Dean, chapter 2 is about making him sit with his misery. Unlike every other time he’s lost Cas on the show, there’s nothing to distract him here. And that’s one of the things that pushes him to vocalize his thoughts and feelings.. As well, anger, guilt, fear and love are all very much intertwined for Dean. And that’s accentuated by the situation. So he says “I hate you” before he says “I love you.” But then, as his motivation to survive kind of drains away, his defensive instincts do as well.

For Cas, it was about forcing him to accept that things are outside of his control. There’s no more desperate moves, he can’t throw himself on his sword. Like Dean, there’s nothing to distract him, he’s forced to stop and reflect on what’s happening. He has to face what he means to Dean. When Cas says “I’m not worth it” - that’s something that came up when I was freewriting dialogue and it just felt right. But I spend zero time unpacking it. Again, it’s one of those things - Dean and Cas are both fucked up, they both have their problems, and this experience doesn’t change that. In fact, it probably makes him worse. Another aspect of Cas’ powerlessness is how he relates to his human body. Not having it, or not being able to use it, makes him more possessive over it.

Still on the topic of Dean and Cas not being able to fix each other, you see that when Dean says he’s in love with Cas, and it finally clicks for Cas. It doesn’t solve anything. I did really want to make the point that the two of them being in love doesn’t change anything in terms of their plans or obligations. And it doesn’t really change much about how they relate to each other either. I’ve said before that their friendship and their romance are indistinguishable imo. And the other side of that is that Dean and Cas are both more than their relationship, and the pressures and stresses they face mostly come from outside their relationship (which is a fact that fans lose sight of sometimes). Whether they’re officially In Love or not, they want to be together, but there’s other forces, both internal and external, keeping them apart.

I hope Dean lying down with Cas’ dead body works. It’s super melodramatic, but it’s also kind of gruesome and I like that. I also love the idea of Cas being jealous of the illusion of his dead body.

Chapter 3

A dynamic that I really like in storytelling is when The Big Event in the story is not the thing that pushes the characters towards the resolution, but it primes them for the next little thing tipping them over. I do that here, and I kind of do that in Life Skills too. It feels more real to me, and it creates more space to explore the ending imo. So Dean tries to go back to normal!

The fight in the parking lot was probably the scene that was the most fun to write. Like it’s still frustrating and angsty, but it’s kind of funny too.

And yeah, Cas still feels trapped. The repetition of the gray and green imagery reflects that. He still feels powerless, and it just takes one more shove to get him to open up about it.

Dean has a bit of an impulse to be controlling here. First of all, because I do think it’s in character, but also because I think it’s fun. Like I don’t like to go super-toxic with Dean and Cas, but there’s a measure of toxicity. Again, they keep being fucked up. For Dean, I just touch on it briefly, but I think one aspect of his upbringing is that love has to be proven. Like, he loved his father, so he did what was asked of him. If Cas loved Dean, then he would do what Dean asked of him - this is the main concept that underlies my read of Dean’s reaction to Cas collaborating with Crowley in s7. For Cas’ part, he doesn’t really register that there’s anything wrong with Dean’s behaviour, or he reads in the best intentions. Which is a fun idea to me.

I really grappled with whether or not to have a sex scene as part of the resolution. It felt formulaic to do so. There wasn’t a story that I wanted to tell with their sex. But on the other hand, I know there would have been a time when I would have been disappointed to read something like this and not get a sex scene out of it. They go through such intense emotions, it only seems fair to the reader. Ultimately it came down to the fact that there wasn’t anything else that I wanted to say about Dean and Cas.

I kind of grappled with the end in general. Usually, I write fic with a particular ending in mind. For this one, the journey was the focus more than the ending. But I think the ambiguity works. Nothing is fixed, but they’re trying.

And that’s what listening to the tape at the end is about. The tape is Dean’s way of trying to communicate with Cas. But Cas didn’t really get it before. Now Dean is trying to help him to understand. I considered including lyrics at the end. But the scene isn’t about the lyrics, the lyrics could be anything, it’s about the fact of them listening together.

#spn #supernatural #destiel #deancas #by mi #solitudes

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