#by god i will create my own

[starrybouquet]

Harm and Mac in JAG s4e02 Embassy

You know, we should go out more often. Sure. I had a wonderful time tonight.

[stemmmm]

more people gotta try this shit where bill has not improved and will not change but he's just chilling so its fine probably. its great

[canisalbus]

hey there! sorry to bother again, but I was in a animating mood, so I ended doing a short animation of Machete for practice. It's kinda messy since I havent done that for a while, but hope you like it!

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[babooshkart]

“hey there, sugarlips”

read Not Quite Shining by @senseoftheday on Ao3 (this is the modern renfaire griddlehark fic of my dreams and i have thought about it every day since i read it a year ago)

[323cutie]

Ok but I can't help but imagine what making out with yunho would be like. Is it soft and sweet, hot and sweaty, or a combination of both help me out here!

girl i Got u.

yunho makeouts are generally... hmm. slow and sensual. not necessarily lacking in the sweet department either! i think they generally happen when you're both a little lazy but still want to be close to each other. makeouts on their own don't happen very often -- with yunho they always tend to lead to something more -- but they're not obsolete... you're almost always on his lap, arms wrapped around his neck or hands running through his hair. and his hands are practically everywhere on you, starting at your sides and trailing up to your shoulders, down your arms, to your hips, your thighs. such a gentle touch, and so slow. taking his time to gauge your reactions, your little shivers and gasps, smiling coyly against your mouth when you tell him to quit it (but you're smiling, too). when you slip your tongue into his mouth he practically melts, boneless, giving up his little game and pulling you closer to him. if he doesn't take you to bed (which is most often the case), you end up with wet kisses spackled against your face and a giggly, blushing boyfriend.

[smile-files]

mommy let you use her ipad, you were barely two

and it did all the things we designed it to do

now look at you, look at you!

(objectober 2024 day 10: internet)

[anywayxstarchild]

liam whispering/licking behind noel's ear — 6th april, 2000 [portland]

[gingermintpepper]

So, one of the most interesting things that's come from my recent exercises in writing the Olympians as young deities is all of the very fun and somewhat painful conversations that come from the young deities acquiring and consequently settling into their domains.

Apollo and Artemis especially have been really fascinating under the microscope. They start off identically, with extremely similar interests and similar domains over the hunt and wilderness. They spend their days under the stars and foraging for fruit and dancing and singing in the fields, two rustic god-children exploring and learning together. Then Apollo goes off on his own to slay Python.

Now, a lot of things change when Apollo kills Python. That is the act which transforms the bow from a tool of survival and sport to an instrument of murder, bloodshed and ultimately war. It is Apollo's first act of wrath which separates him from Artemis - both spiritually because she has not yet shed blood herself as a goddess and physically because it leads to his exile. Most importantly however, the slaying of Python is the act that grants Apollo his knowledge.

If violence is what first separates Apollo from Artemis then it is knowledge which keeps them apart.

This can refer to a lot of things; that Artemis continued to be at home with the wild beasts of the forests and mountains while Apollo grew to prefer the domesticated sheep and cattle, that Artemis continued to avoid mortals while Apollo grew to know their ways and endeavoured to teach them more. The point that has been the most interesting to me however has been Artemis, who remains free of slaughter, and thus remains pure and Apollo, who becomes acutely and entirely too aware of it, and thus must be constantly purified.

Apollo's infatuation with medicine specifically is the place where this becomes most apparent. When he leaves for his exile to travel as a mortal, without nectar or ambrosia, without power, Apollo is without the privileges of the divine for the very first time. He sweats, he smells, he grows weary when he travels, he grows hungry and thirsty. He experiences fatigue and nausea, the fever of sickness, the chill of infection, the delirium of poison. The blood Apollo shed does not only make him impure spiritually, it strips him of the purity of his birth and station. Likewise, medicine is not a divine practice. What use do the unkillable immortals have for something as finicky as medicine when they have nectar and ambrosia? Apollo however, knows of the pains of the flesh and the suffering of the mortal coil. He pursues medicine in all its horrors and difficulties because of the knowledge he gained with blood.

Artemis then, cannot understand the medical Apollo. When her brother returns possessed by this spectre of ill-gained knowledge, she does not recognise him. Who is this boy who scores the deer and studies the shape of their intestines before he cooks them? What good is there in rescuing a chick with a broken wing? The Apollo-of-the-Wild in her memories would have done the correct thing and left the thing for dead - let the forest take what is its due. Who is this Apollo whose hands are always stained to the wrist in the blood and gore of the living? What is his fascination with the mechanics of mortal bodies? Artemis does not know and Apollo does not tell her.

That has, by far, been my favourite effect of the whole Python watershed moment to explore recently.

[mobius-m-mobius]

Moon, a hole of light, Through the big top tent up high Here before and after me, Shinin' down on me Moon, tell me if I could, Send up my heart to you? So, when I die, which I must do, Could it shine down here with you? - my love mine all mine; mitski

[zooblenation]

wibey update. the lil freak that got stuck in inspektas computer. someone wasnt very happy about being left there❤️ post inspekta de-ascension someones got a few bones to pick. and this time she WONT be forgotten about.

[grumpyghostdoodles]

The Almighty Sheriff!

Save a horse, ride a cowboy~

[the-sunlit-earth]

a lot of clipping to fix, but hey I got it moving at least! I'll get the Telvanni robe properly physic'd if it's the last thing I do >:0

[artsilon]

A chat between brothers.

[puppppppppy]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[sillyfudgemonkeys]

Kyoshi AU Where Rangi's a big flirt

Everything's the same until Yun is discovered and he, Kyoshi and Rangi first meet. When Kyoshi and Rangi meet, Rangi goes full flirt (like the type of flirting she does post dating). Absolutely masterblasts Kyoshi out of the damn closet she wasn't aware she was in.

So much so that Kyoshi's like "?????? What is this feeling???? Girls??? I like girls???? HOw do I date a girl????" and is panicking trying to figure out how to reciprocate Rangi's feelings (just say yes Kyoshi!). And she's freaking out so much that Kuruk's spirit literally reaches out to her to give her some advice (he couldn't take it anymore).

And well.....safe to say Kyoshi's screaming and freaking out about this ghost in her room, and now she has a lot more to unpack.

And long story short. That's the story of how Rangi's flirting got Kyoshi a new girlfriend, and had her be discovered as the Avatar in only two months or less.

[thesummerstorms]

I've been dabbling in a project, mostly world building and not actual fic because my brain is a strange creature, but I have decided that in my interpretation of the PJO universe, Athena is ... well a strategist in all things.

Including the creation of her children.

The way I'm envisioning it, creating a child from her own mind isn't really a task she undertakes casually.

Yes, she does it occasionally as a "gift" to a mortal whose mind she admires. There's no romantic or sexual relationship, but it's an intense, consuming relationship all the same.

Children born for that reason (or for just that reason) are rare though. Athena might have many favorites, but she's also proud. Who deserves a child entirely crafted by a Goddess? Only the few.

I think, in a normal decade, the number of Athena campers is actually on the lower end compared to most of the other Olympians.

None of the Campers outside of Athena's own children every really figure it out, and Chiron, who knows, would sooner die than tell them.

But when there are many children of Athena, like there are in Annabeth's childhood, it's a sign that something strange or terrible is coming.

Athena is a strategist, the right hand of Zeus, his favorite child, the one who forsees and attempts to dismantle threats to Olympians' power. She moves the pieces into place without hesitation or sentimentality.

And the easiest pieces to control, of course, would be her own children.

Other demigods have other immortal parents to listen to, no matter how strong their desire for victory or their inherent cunning. Her own children are fragments of her own mind- much more reliable. Much easier to predict.

And if in the years leading up to whatever disturbance she forsees she chooses mortal parents for her children with calculation, with an eye for the skill sets and temperaments she predicts most needing in the dark times ahead...well, the child and their parent should be honored by her forethought.

It isn't even that she has no affection for the parent or child, in so much as she is capable of affection. But Athena is always, always three steps ahead, and her actions always have intent. Her children are no different.

A demigod, ultimately, is a weapon in the hands of the gods. It's best that the ones she chooses are well-crafted.