#by ending i mean chapter

[atropinenightshade]

"You're Gonna Go Far, Kid" Rafal Song Analysis (with some other mentions too)

My Rhian "Like a Villain" one here.

Song:

Also, this will involve Lord of the Flies references here and there, so a slight spoiler warning?

To the song:

Show me how to lie, you're getting better all the time And turning all against the one is an art that's hard to teach Another clever word sets off an unsuspecting herd And as you step back into line, a mob jumps to their feet

I imagine this as Rafal remembering when he was still alive, just watching everything unfold. I believe this may refer to Jack's influence over the boys of the island in the book. But in Rhian's case, he is a liar by stealing identity and teaming up with Marialena, the liar. And I think he lied in Fall to escape prison after Midas chose Rafal. Rhian turns people against the One, and I have always viewed him as the charismatic speaker who doesn't even need a script. When Rhian speaks to people, it's dangerous because somehow, they will follow. I don't see Rafal as having the same exact talent, and I have headcanonned him as someone who needs to practice speeches like everyone else in order for it to be decent. Rhian also turns people against Rafal, the herd being the trio and the other students in the main series, by pretending to be him. The mob could be his armies of trained soldiers or zombies or a mob against him. Against Rafal. But mostly I imagine the armies he got after the Kingdom Council meeting.

Now dance, fucker, dance, man, he never had a chance And no one even knew it was really only you And now you steal away Take him out today Nice work you did You're gonna go far, kid

This could be Rafal being killed, though he did have a chance, technically. It could be Peter Pan killing Timon, and Rafal assuming it was Rhian, with war breaking out because of his assumption. In Lord of the Flies, they kill Simon and start behaving like barbaric tribes. The Great War was led by three children/teenagers, in a way, because even with a life centuries long, the twins had teenage hormones and way of thinking. As the adults were weak, passive, and not leaders, this happened. I was also thinking of Rhian killing that soldier with his breath, and that guy didn't have a chance. Rhian shrugged it off and basically went all like "this is an example of what'll happen if you try that shit again. Got that?" But Rafal as a ghost tells Rhian bitterly that he'll go far with his violence, dishonesty, and manipulation. The "kid" part could be the way he has always viewed Rhian.

With a thousand lies and a good disguise Hit 'em right between the eyes Hit 'em right between the eyes When you walk away, nothing more to say See the lightning in your eyes See 'em running for their lives

Again, Rafal sees Rhian as the liar and using his face as the "good disguise." Now Rhian is a killer and he becomes someone people fear, starting from the army camp when Rafal was still living. When Rafal is dead, people fear Rhian through the false Rafal he acts as. Perhaps Rhian's callousness runs even deeper than Rafal's ever has. Because Rafal would never have lied the amount of times Rhian did or have worn his face. Rhian is more emotional and sensitive, which gives him an advantage. He now has a method to destroy someone to their core. He is the most dangerous because he never appeared to be. He should be feared most because of how his nature is. "Good disguise" can also be when Rhian started it by lying to Marialena by acting as Rafal to her when he spied on Midas and Rafal. This ties into my last paragraph. Also, I wanted to mention even Rhian's trap about the moth thing and how he pried and picked at Rafal to the point where even he was unsettled. Rafal is clever yes, but can we mention Rhian??? He is like the orca that is the true apex. He kills and scares off the sharks.

Slowly out of line, and drifting closer in your sight So play it out, I'm wide awake, it's a scene about me There's something in your way and now someone is gonna pay And if you can't get what you want, well, it's all because of me

This may be Rafal as a spirit looking upon his dead body and Rhian being so nonchalant about it. In fact, Rhian's attitude towards Rafal's death matches the previous lines of the song! Rhian is certainly out of line, and Rafal is that one thing in his way. After what Rafal said to him, Rhian makes him pay for sure. He thinks that he not being School Master is all due to Rafal being alive and taking that from him. Demoting him. Allowing him to die. Rafal will see himself as the victim here, which is what the lines sound like.

Now dance, fucker, dance, man, I never had a chance And no one even knew, it was really only you And now you'll lead the way Show the light of day Nice work you did You're gonna go far, kid

Nobody knew it was really Rhian-- main series included! And since these lines switched to first person, it could be Rafal saying he clearly had no chance to meet the students in the main series, or to show them who "Rafal" really was. He never had a chance to live a Good life because Rhian took that away. Rhian is now the one who will "lead the way/show the light of day." At least, he thinks he can, with the attitude that permeates the last chapter of Fall. The last two lines could be Rafal begrudgingly praising Rhian's work as a villain where even he himself as the sadist was outdone. Maybe Rafal also tells Rhian he'll go further than Rafal when it comes to villainy and evil.

With a thousand lies and a good disguise Hit 'em right between the eyes Hit 'em right between the eyes When you walk away, nothing more to say See the lightning in your eyes See 'em running for their lives Clever alibis, Lord of the Flies Hit 'em right between the eyes Hit 'em right between the eyes When you walk away, nothing more to say See the lightning in your eyes See 'em running for their lives

I suppose this part does confirm the Lord of the Flies references! But I imagine Rhian fooled the staff who existed immediately after the war into believing there was no murder. It was just that the Storian killed him! (I think it actually implies it in the book.)

[poorly-drawn-mdzs]

I'm back in the Tigers cage again.

(You too can join in on throwing a Rat Of A Man into a Tiger cage by reading Tiger Tiger)

[bookalicent]

yeah so this was insane

[thatsitso]

So I finished orv

[causticflower]

“—and the love you are made of.” (and I love you because you are love)

@lovesick-x-prince what if i cried. HUH.

[the thing causing big emotion]

[lbhslefttiddie]

honestly i don't think sqq (jiu) would have minded the accusations of preferential treatment from yqy if they'd felt true. like as children he guarded the title of being yue qi's Favorite with teeth and claws. why shouldn't he be given preferential treatment? everyone ought to know just who qi-ge likes and trusts over everyone else. and for good fucking reason--who else here is watching out for qi-ge? as peak lords he's literally 2nd in command and chief tactician, if yqy values his word over yours, then its both what makes most sense and also what he deserves.

the thing is that to sqq, being accused of being favoured by yqy over others now just feels like a sick joke, because obviously (to him) that's not the fucking case. if he actually gave him preferential treatment you'd think he'd listen to what he has to fucking say, instead of believing what anyone else tells him about sqq. you'd think, if he was yqy's favorite, he wouldn't have left him to rot.

so i think, in a setting where they reconcile after becoming peak lords, that sqq would very much slap yqy's love for him in everyones faces as a kind of power move. a kind of, "oh, you thought that was favouritism? you havent seen yet what it looks like when qi-ge lets himself favour someone."

[shrugsinchinese]

A sketch and doodle page for Bat Swap by @im-not-buying-it-ether!

Billy is truly Going Through It in this one, and Bruce is getting called out by every significant Fawcitizen it’s hilarious

[eloise175]

I love these panels so much, I’m never getting over them not only because of how beautiful they are, but also due to their meaning and how it perfectly shows the characters' feelings.

It’s the part where Penelope tells Callisto she doesn’t love him and his face crumbles, he’s so taken aback by it but for all the wrong reasons, let me elaborate;

(contains some novel spoilers!!)

From the beginning, Callisto knew that Penelope’s confession about how she fell in love with him at first sight was bullshit.

He knows she lied to him on multiple occasions but doesn’t mind at all; it’s stated later on in his pov that despite all the rumors and her deception, Callisto too found it surprising how he didn't get angry.

They also had this conversation in the cave and many other occasions when he teased her about it and she kept on saying that she wasn’t in love with him anymore.

However each time Penelope claimed to not be in love with him, Callisto was either amused or grumbled about it playfully.

It’s the setting that changes things. Back then it was all teasing and her getting fed up with him and his successful attempts at eliciting some sort of reaction out of her.

As the story progresses, their interactions become more tense due to the friction and tension being products of their feelings for one another.

We can see the first signs of Callisto ‘wavering’ during his birthday banquet as Penelope is about to reject him.

He looked crestfallen when she brought up love because he still can’t make sense of it, convinced that his feelings of fondness can’t be related to love—or more like, he’s trying to convince himself it’s like that.

Knowing what is about to come, he shushed her, while admitting to the fact that he knew she was going to reject him, hence why he told her to give him an answer on her coming of age.

It’s all because Callisto hoped she would change her mind and her answer would be the one he hoped for, basically her accepting.

Then in the greenhouse things become more serious. The talk about Penelope’s condition had an impact on the build-up of it.

Penelope is completely serious and firm about her rejection, she is more apathetic due to the impending deadline of hard mode’s ending and things falling apart continuously.

She doesn’t have any control of the things happening around her and it makes her grow more and more anxious, to the point where it all becomes too much and it leads her to resign to her fate.

Callisto’s reaction to it is so strong not only because Penelope kept on pushing him towards another woman (which he doesn’t even know) when all he wanted was to be with her, but because she disregarded his feelings in the process as well.

Penelope goes on to say that she doesn’t love him, and that’s the real nail in the coffin, Callisto is actually in love with her but fails to realize it, but his subconscious seems to be aware of it given his reaction.

It’s a “…she doesn’t love me?” slap in the face realization.

I’m saying this because later in the novel, Callisto reveals that he hid his desire to be with Penelope behind the guise of an arranged marriage because he was afraid to admit being in love with her due to what happened to his parents. You could say he has always loved her from the moment they first met.

➺ chapter. 201 from the novel:

Anyhow, Penelope talks about her circumstances and past, saying how while wanting love she also needs and wants someone to take her out of the hell she’s in.

She tells Callisto he’s not that person and he’s absolutely devastated by that statement. He even gets described as dazed in the novel when this scene happens.

It’s a point of no return for Callisto because he still refuses to acknowledge his feelings as love for Penelope.

He can’t have her unless he admits to loving her, but he’s afraid to do so due to his past, he's convinced that if he confesses then she would end up like his mother.

Callisto needs a push, and that push is the fear of losing her forever which comes in the form of Penelope’s poisoning on her coming of age ceremony.

It all boils down to “don’t make any assumptions about my feelings” and “you don’t know what/how I feel” but we don’t get that since Callisto is suppressing it.

He’s angry and rightfully so and Penelope’s earlier apparent indifference doesn’t help either.

But yes, Penelope’s rejection hurt him so much because loves her.

Callisto is conflicted and in denial. It’s like he’s already having an inner battle about his feelings and then Penelope comes and deals the final blow, stomping all over his heart while pushing him away.

"I chose you, Penelope Eckhart. Not your household." and “Does my proposal mean so little to you?” are so telling because it’s clear that he’s been strongly impacted by all of this.

Callisto genuinely wants to be with Penelope and get her to the safety of the palace but went about it the wrong way.

They’re so miscommunication, it will be so long before they get to talk properly about their feeling and we get that love confession I’m not okay T_T

Thinking about all the things that will happen before that is making my head hurt, I’m going back to reading my comfort fanfics…see y’all tomorrow when the beginning of the end begins with more yearning and angst as Callisto will come back :,)

[reds-skull]

Anatomy is one of the biggest thing I need to work on, so why not do it while drawing these two fuckers.

Tried to focus just on the sketch/lineart, so no shading on this one...

[lunarharp]

scrappies cause HE'S BACK!!!!!!!!!!!!!!!!! 📖

[rayroseu]

back in the trenches... another book 7 rambles 😭😭

CRYING ABOUT THIS ACTUALLY.... DO YOU KNOW THE IMPLICATION OF THIS.... realistically, one of the first words of babies are referring to their mothers and the last "true parent" that held Silver was his mother, Princess Leia, but here baby Silver called out for his father, and Lilia didnt taught him that😭

Now these words might be calling out to Lilia now, but I'm also thinking since TWST is a world where babies can recall words or songs they heard even when theyre "not concious yet", I was thinking baby Silver heard this word when he was still with Dawn 😭😭😭 Imagine Dawn holding this baby and guiding him to speak his first words like "papa"... and thats like Dawn's last moment with Silver... AAAAA 😭😭😭😭

since this was still infant Silver, I was thinking this memory occured when Silver was adopted by Lilia only a week or months ago 😭✨ so its still possible that baby silver was reacting based on his past (which can potentially be baby Silver is remembering Dawn through Lilia in this scene)

AAAAAAAUAGFJWJFS 😭😭😭😭😭😭😭 The fact!!!! The fact that he only took after being his father because he didnt want to deny this baby's affection !!!! LILIAAAAA 😭😭😭😭😭😭

[shinynewmemories]

All the final lines of each part of every Hunger Games book

THG: 

Part I:

“Because . . . because . . . she came here with me.”

Part II:

Before I can stop myself, I call out Peeta’s name.

Part III:

I take his hand, holding on tightly, preparing for the cameras, and dreading the moment when I will finally have to let go.

CF:

Part I:

It’s my mockingjay.

Part II:

This is no place for a girl on fire.

Part III:

“Katniss, there is no District Twelve.”

MJ:

Part I:

And his blood as it splatters the tiles.

Part II:

That I’m of more use to her dead than alive.

Part III:

I tell him, “Real.”

[pdalicedraws]

Have you ever even briefly picked up someone much bigger than you? It delights them.

[first] [previous] [next]

[index]

[blueskittlesart]

save button briefly remapped to dialog advancer in climactic scene of visual novel. 10 dead 30 injured

[digitalmidnight]

Project Eden's Garden Predictions

This is meant to be silly. Spoilers in post and in tags

There's a really big influencer light and Kai just walks right up to it and gets fried like a moth. Kai is a victim.

An area opens up with remote controlled RC cars. During the race, everyone hits the sand bags at least once. The sand bags start leaking pink. They open it like a cocoon. The butterfly was broken upon the wheel. Kai is a victim.

Toshiko forces Kai to watch teen rom-coms with her. Kai is a victim.

Grace goes "Screw you Damon. The man I shared a bed with is gone, so I'm killing the man you share a bed with." Kai is a victim.

Damon was supposed to die in Chapter 4. Kai becomes aware of the plan, but ends up dying himself to save Damon. This kickstarts a series of events (like the butterfly effect) that lead to Damon finally being fully into being part of the group and ending the killing game. Kai and his killer are treated as martyrs. Kai is a victim.

Same thing as above but Damon commits a murder instead. He gets away with it. It doesn't matter anyways. Kai was a victim.

Damon goes: "so how did the victim die?" Kai says: "Like this!" Kai is a victim.

Eloise is training late at night and sees Kai acting odd. A misunderstanding happens where she doesn't know it's Kai specifically. Still, she believes whoever she saw, which just happened to be Kai, was a horrible, irredeemable person. She makes him suffer. Kai is a victim.

Jean kills Kai for his attempt at French. Jean is a bigger victim. Kai is a victim.

A big plot involving handwritten murder notes pops up. Except the handwriting is atrocious (in trial, there's confusion whether it's Damon or Demond. Also Mark vs Ultimate Marksman). Kai ended up getting killed because the killer confused his last name with Grace's. Kai is a victim.

Diana gets Kai because chameleons eat butterflies and she was hungie. Kai is a victim.

Kai does a little hip bonk to get an item out of the machines. The machine falls over and breaks. Mara gets him. Kai is a victim.

The casts gets it into their heads that this situation is like V3. They totally consented, this is a television show, and all their fans are routing for them. Cassidy and Kai end up fighting to the death for the sake of their fanbase. Kai is a victim.

Someone pops Kai's pool inner tube. He does not float like a butterfly. Kai is a victim.

Ingrid knocks Kai upside the head with a horny jail hammer. And by that I mean sledgehammer. Kai is a victim.

Kai makes it to the very end where the garden itself is starting to crumble. They come across a statue of two men. The boulder that the Cain statue was holding falls. Kai is a victim.

Wenona wants to get out and somehow clocks Damon, Ulysses and Kai to be the only people smart enough to rat her out. Theres a sleepover between a lot of people in Ulysses room to try and research about where they are. The room fills with gas that Ulysses can't smell. The gas is denser than air. Kai, who was sleeping on the ground, is found before anyone else can be affected and the attempt at getting him to fresh air gets everyone else out of danger. Kai is a victim.

Jett goes "I like cars" and suddenly a car appears out of nowhere and hits Kai. Kai is a victim.

Kai begs Mark to listen to his super cool music idea. "Trust me it's so cool and you just have to make it but it's a billion dollar idea. I'll pay you in exposure. It'll totally pay for itself-" Kai is a victim.

"A bird in the hand is worth two in the bush". Two strangulation victims are found. You would think it would be the two women with bird motifs, but only one of them is. Kai is a victim.

It's a simulation. Kai is a bug in the program. Tozu removes him. Kai is a victim.

Kai discovers Mukuro Ikusaba. The sixteenth student, lying hidden somewhere in Eden's Garden. The one they call the Ultimate Despair. He didn't watch out for her. Kai is a victim.

Kai gets really messy in a bathroom with his hair dye. The pink smears make him look like the killer. The class gets it wrong and everyone is a victim. Kai is a victim.

Desmond is dared to hit a target. This triggers a trap which kills Kai. There is a debate over if whoever set the trap is the killer, or if whoever hit the target was the killer. Doesn't matter to Kai what the answer is. Kai is a victim.

Damon is too comfy cozy to get up. There is nothing containing Kai except for Damon sleeping on top of him. Kai starves to death. Kai is a victim.

[kakooshi]

My Hero Academia is ending in 5 chapters so that there will be a sequel where Bakudeku are married and they start a hero agency with Shouto as their sexy secretary. And they all fall in love while trying to navigate post-war society and make it a better one for both heroes and villains. It's true, HORI TOLD ME.